HTML dump of books, articles and documents in Philip Tagg’s database, 2009.08.25 16:08
Listing in alphabetical order of source object (book, volume, etc.)
• Author listing • Tagg’s home page • Explanations •IASPM online database

12 Curso Latino-Americano de Música Contemporánea, Tatuí, Brasil 3-17 jan. São Paulo (1984) 8 pp. [CP757]
• Various 8 pp. [CP757]|PX [1·PT 2·CONFERENCE 3·DOCUMENT]

2001 A Space Odyssey (original brochure). Hollywood: MGM (1969) [CP399]
• Anon [CP399]|PS [1·FILM 2·DOCUMENT 3·ILL.]

25 anni di Hit Parade in Italia. Milano: Oscar Mondadori (1982) c.450 pp. [BMR]
• Salvatori, Dario c.450 pp. [BMR]|PB [1·ITALY 2·CHARTS 3·ROCK 4·SCHLAGER 5·SSONGWRITR 6·LPs 7·SINGLES 8·REFERENCE 9·1960S 10·1970S] {1950S}

7804--: List of publications. Montréal (1977) [CP195150]
• Destrempes, Josée [CP195150]|UD [1·BIBLIOGR. 2·QUÉBEC 3·CANADA 4·PERSONAL 5·DOCUMENT]

800401: Miscellaneous documents: "bourses.", etc.. (1980) 5 pp. [CP195002]
• Destrempes, Josée 5 pp. [CP195002]|UX [1·PERSONAL 2·DOCUMENT 3·Gbg.Mvet.]

8008--: Curriculum Vitae, List of publications. Montréal (1983) 14 pp. [CP195171]
• Pelinski, Ramón 14 pp. [CP195171]|UX [1·PERSONAL 2·DOCUMENT 3·QUÉBEC 4·CANADA]

801201: Esquisse du projet de these de doctorat - App.II. Montréal (1980) 4 pp. [CP195188]
• Destrempes, Josée 4 pp. [CP195188]|UX [1·Gbg.Mvet. 2·QUÉBEC 3·CANADA 4·BIBLIOGR. 5·Stud.Proj. 6·PT]

810603: Dcuments, bourses, letter from NATTIEZ, PELINSKI. Montréal (1981) [CP195198]
• Destrempes, Josée [CP195198]|UX [1·Gbg.Mvet. 2·QUÉBEC 3·CANADA 4·BIBLIOGR. 5·Stud.Proj. 6·PT]

840213: IASPM policy/Ethnocentr/Reggio/Montréal/conferences. Milano (1984) 3 pp. [CP194021]
• Fabbri, Franco 3 pp. [CP194021]|UX [1·IASPM 2·INTERNATNL 3·CULT.STUDY 4·ITALY 5·CANADA 6·3RD WORLD]

840525: Plans for attending Göteborg symposium 1984. Urbana (1984) [CP194053]
• Grossberg, Larry [CP194053]|US [1·PERSONAL 2·ROCK 3·YOUTH 4·Gbg.Mvet. 5·DOCUMENT]

ABBA in their Own Words. London: Omnibus Press (1981) 126 pp. #0-86001-950-0 [BM-ABBA]
• York, Rosemary 126 pp. #0-86001-950-0 [BM-ABBA]|PB [1·ROCK 2·SWEDEN 3·FANS 4·MUS INDUST 5·MOR 6·INTERVIEW 7·BIOGRAPHY]

ABF Forum Karlstad March 1977. Stockholm: ABF (1977) [CP305058]
• Tagg, Philip: Populärmusik och medierna |SV|PS [1·MASS MEDIA 2·CULTPOLIT. 3·ROCK 4·MUS INDUST 5·HISTORY 6·MANUSCRIPT]

Abstracts for Conference on Ethnomusicology and Music Education. Cambridge: (1988) 9 pp. [CP824001-044]
• Grandin, Ingemar: Medialization in Music Practice. Use of modern and traditional resources in Nepal |EN|UX [1·ANTHROPOL. 2·CONFERENCE 3·RADIO 4·PHONOGRAM 5·CULTPOLIT. 6·FILM MUSIC 7·GENRES]
• Mwangala Akapelwa, Emma Ziweyi: Maintaining a Tradition in Processes of Music Education: The Zambian Situation |EN|UX [1·ANTHROPOL. 2·CONFERENCE 3·MUSIC EDUC 4·ZAMBIA]
• Ramsten, Märta: Interpretations of Local Tunes among Swedish Fiddlers of the 1980s |EN|UX [1·ANTHROPOL. 2·CONFERENCE 3·SWEDEN 4·MUSIC EXX. 5·VIOLIN]
• Torp, Lisbet: An Urban Milieu and its Means of Expression. A Case Study of the Rebetika |EN|UX [1·ANTHROPOL. 2·CONFERENCE 3·GREECE]

Absurd introduction to speech in Finnish language. Jyväskylä: MS (1985) 1 pp. [CP755114]
• Tagg, Philip; Donner, Philip 1 pp. [CP755114]|UX [1·FINLAND 2·DOCUMENT]

Acta Janác^ekiana, 2. Brno: Ceská Hudební Spolec^nost (1985) [BMA4-JANACEK]
• Bird, Steven Carl: Folk Material and its Relationship to Structure and Form in Janác^ek's Sinfonietta |64-75|EN|PA [1·CZECHOSLOV 2·EUROARTMUS 3·MUSICOLOGY 4·FOLK MUSIC 5·MUS.ANALYS 6·MUSIC EXX. 7·MELODY 8·HARMONY 9·MUS. FORM]
• Fukac^, Jir^í: Aus der wissenschaftlichen Aktivität der Leoš Janác^ek-Gesellschaft |97-98|DE|PA [1·CZECHOSLOV 2·EUROARTMUS 3·NATIONALSM 4·REPORT 5·ORGANISE]
• Jiranek, Jaroslav: On the dialectics of personality and art |28-44|EN|PA [1·CZECHOSLOV 2·NATIONALSM 3·AESTHETICS 4·SEMIOTICS 5·MUSICOLOGY]
• Knaus, Jakob: Janác^ek's "Intime Briefe" 1879/80 aus Leipzig und Wien |51-63|DE|PA [1·CZECHOSLOV 2·AUSTRIA 3·GERMANY 4·BIOGRAPHY 5·EUROARTMUS 6·DOCUMENT 7·C19]
• Racek, Jan: L'impressionisme de Janác^ek |45-50|FR|PA [1·CZECHOSLOV 2·EUROARTMUS 3·AESTHETICS]
• Vyslouzil, Jir^í: Leoš Janác^ek 1854-1928 |7-27|CS|PA [1·CZECHOSLOV 2·EUROARTMUS 3·BIOGRAPHY 4·AESTHETICS 5·MUSICOLOGY]
• Wehnert, Martin: Imagination und thematisches Verständnis bei Janác^ek dargestellt an "Taras Bulba" |76-90|DE|PA [1·CZECHOSLOV 2·EUROARTMUS 3·MUSICOLOGY 4·MUS. FORM 5·SEMIOTICS 6·PSYCHOLOGY 7·MUSIC EXX. 8·PROGRAMMUS]

Acta Musicologica, 47. (1975) [CP525503]
• Rösing, Helmut: Zum Begriff 'Orkester' in europäischer und aussereuropäischer Musik |134-143|DE|PA [1·ORCHESTRAL 2·DEFINE 3·EUROPE 4·ANTHROPOL. 5·PERCEIVE 6·MUSIC MAKE]

Adest Dies Leticie - Studies on Hymn Melodies in Medieval Sweden. Uppsala: Musikvetenskap (1986) 36 pp. [CP824244-280]
• Nilsson, Anne-Marie 36 pp. [CP824244-280]|UX [1·MEDIEVAL 2·SWEDEN 3·RELIGION 4·MELODY 5·MUSIC EXX. 6·HISTORY]

Adornos `Musiksociologi' seminars - unpublished notes. Göteborg: Musikvetenskap (1977) [CP822-88-110]
• Bergendahl, Ingela: Kammarmusik |101-103|SV|UA [1·DEFINE 2·EUROARTMUS 3·AESTHETICS 4·SOCIOLOGY] {ADORNO}
• Carlsson, Anders: Modern musik |110-110A|SV|UA [1·DEFINE 2·MUS INDUST 3·AESTHETICS 4·SOCIOLOGY 5·AVANTGARDE 6·MOD.CLASS.] {ADORNO}
• Fornäs, Johan: Klasser och skikt |96-97|SV|UA [1·DEFINE 2·EUROARTMUS 3·AESTHETICS 4·SOCIOLOGY 5·CLASSPERSP] {ADORNO}
• Hallin, Mona: Funktion |93-95|SV|UA [1·DEFINE 2·EUROARTMUS 3·AESTHETICS] {ADORNO}
• Hallin, Mona: En sammanfattning |109|SV|UA [1·DEFINE 2·MUS INDUST 3·AESTHETICS 4·SOCIOLOGY 5·MONEY] {ADORNO}
• Hörnberg, Bengt: Musikliv |106-107|SV|UA [1·DEFINE 2·MUS INDUST 3·AESTHETICS 4·SOCIOLOGY 5·MONEY] {ADORNO}
• Ling, Jan: Opera |98-100|SV|UA [1·DEFINE 2·EUROARTMUS 3·AESTHETICS 4·SOCIOLOGY 5·OPERA] {ADORNO}
• Tagg, Philip: Lättmusik |90-92|SV|UA [1·DEFINE 2·EUROARTMUS] {ADORNO}
• Thorsén, Stig -Magnus: Olika typer av musikaliskt beteende |88-89|SV|UA [1·PERCEIVE] {ADORNO}
• ~~: Kritik av den traditionella musiksociologin |104-105|SV|UA [1·DEFINE 2·EUROARTMUS 3·AESTHETICS 4·SOCIOLOGY] {ADORNO}

The Aesthetic of the Commonplace in Popular Music (synopsis). Yokohama: private (1985) [CP193038]
• Hosokawa, Shuhei [CP193038]|US [1·AESTHETICS 2·POPULARMUS]

Aesthetics and Politics. London: New Left Books (1977) #0-754662112 [BCP-BLOCH]
• Adorno, Theodor Wiesengrund: Commitment |177-195|EN|PA [1·LITERATURE 2·C20 3·AESTHETICS]
• Adorno, Theodor Wiesengrund; Bloch, Ernst, ed.: Letters to Walter Benjamin |110-133|EN|PA [1·LITERATURE 2·C20 3·AESTHETICS]
• Adorno, Theodor Wiesengrund: Reconciliation under Duress |151-176|EN|PA [1·LITERATURE 2·C20 3·AESTHETICS 4·PHILOSOPHY 5·POLITICS]
• Benjamin, Walter: Conversations with Brecht |86-99|EN|PA [1·LITERATURE 2·C20 3·AESTHETICS]
• Benjamin, Walter: Reply |134-141|EN|PA [1·LITERATURE 2·C20 3·AESTHETICS]

Aesthetics and Politics. London: New Left Books (1977) 220 pp. #0-902308-38-6 [BM-BLOCH E]
• Bloch, Ernst; Lukacs, György; Brecht, Berthold 220 pp. #0-902308-38-6 [BM-BLOCH E]|PB [1·CULT.STUDY 2·AESTHETICS 3·MARXISM 4·POLITICS]

Aesthetics and Politics. London: New Left Books (1977) #0-754662112 [BCP-BLOCH]
• Bloch, Ernst: Discussing Expressionism |16-27|EN|PA [1·VIS. ARTS 2·LITERATURE 3·C20 4·AESTHETICS]
• Brecht, Bertolt: Against Georg Lukács |68-85|EN|PA [1·LITERATURE 2·C20 3·AESTHETICS 4·MARXISM 5·POLITICS]
• Jameson, Fredric: Reflections in Conclusion |196-213|EN|PA [1·LITERATURE 2·C20 3·AESTHETICS]
• Lukacs, Georg: Realism and the Balance |28-59|EN|PA [1·LITERATURE 2·C20 3·AESTHETICS]

The Aesthetics of Rock. New York: Something Else Press (1970) 346 pp. #0-87110-069-X [BM-MELZER]
• Meltzer, Richard 346 pp. #0-87110-069-X [BM-MELZER]|PB [1·USA 2·ROCK 3·1960S 4·SEX/GENDER 5·DRUGS]

African Affairs. The Journal of the Royal African Association, 85/10. (1986) [CL003-273]
• Rado, Emil: Notes towards a Political Economy of Ghana Today |563-572|EN|PA [1·GHANA 2·AFRICA 3·POLITICS 4·1960S 5·1970S 6·1980S]

African All-Stars: the Pop Music of a Continent. London: Quartet Books (1987) 373 pp. [JM-POPULAR]
• Stapleton, Chris; May, Chris 373 pp. [JM-POPULAR]|PB [1·AFRICA 2·W AFRICA 3·JUJUHILIFE 4·S AFRICA] {AFROBEAT; HIGHLIFE; APALA; FUJI; MAKOSSA; MBALAX; SOUKOUS; CHIMURENGA; MBAQANGA; ZOUK}

African Pop: Goodtime Kings. Poole: Blandford Press (1985) 143 pp. #0-7137-1551-0 [BM-BERGMAN]
• Bergman, Billy 143 pp. #0-7137-1551-0 [BM-BERGMAN]|PB [1·AFRICA 2·ROCK 3·GENRES 4·MUSICIANS 5·MUS INDUST 6·DISCOGR. 7·EUROPE 8·USA 9·JUJUHILIFE 10·ILL.]

African Pop Roots: The Inside Rhythms of Africa. London: W Foulsham (1985) 120 pp. #0-572-01150-4 [BM-COLLINS]
• Collins, John 120 pp. #0-572-01150-4 [BM-COLLINS]|PB [1·AFRICA 2·ROCK 3·MUSICIANS 4·GENRES 5·JUJUHILIFE 6·HISTORY 7·INTERVIEW 8·REGGAE 9·ILL.]

African Rhythm and Sensibility. Chicago: University of Chicago Press (1979) 13+261 pp. #0-226-10344-7 [BM-CHERNOFF]
• Chernoff, John Miller 13+261 pp. #0-226-10344-7 [BM-CHERNOFF]|PB [1·AFRICA 2·W AFRICA 3·RHYTHM 4·SOCIALISAT 5·MUSIC EXX. 6·MUSICOLOGY 7·ANTHROPOL. 8·AFFECT]

After the Ball. London: Penguin (1972) 312 pp. #0-14-003450-1 [BM-WHITCOMB]
• Whitcomb, Ian 312 pp. #0-14-003450-1 [BM-WHITCOMB]|PB [1·USA 2·HISTORY 3·SCHLAGER 4·UK 5·JAZZ]

Aftonbladet, 1979-09-02. Stockholm: Aftonbladet (1979) [CP 318360]
• Abba: Abba tränar för USA. Abba's hemliga repetitioner inför USA-turnén |SV|PA [1·ABBA 2·JOURNALISM]

Aftonbladet, 1983-09-. Stockholm: Aftonbladet (1983) [CP322343]
• Valfridsson, Inga-Lill: Delad vård är bra för barnen (säger Bente & Gunnar Öberg) |?|SV|PA [1·HEALTH 2·SOCIOLOGY 3·PSYCHOLOGY 4·CHILDREN]

Aftonbladet, 1983-10-15. Stockholm: Aftonbladet (1983) [CP 318370]
• Abba: Bolagskris skakar ABBA. Slutet för imperiet? ABBAs aktier till salu i dag |SV|PA [1·ABBA 2·MONEY 3·1980S]

Aftonbladet, 1984-10-01. Stockholm: Aftonbladet (1984) [CPR326/4]
• Hartman, Robert: ABBA-Björn lämnar Sverige och Stikkan tar ut boskillnad |1,7|SV|PA [1·ABBA 2·SWEDEN 3·MUS INDUST 4·1980S 5·ROCK]

Aftonbladet "Ung" 1979-09-23. Stockholm: Aftonbladet (1979) [CP 318367]
• Johansson, Lasse: Så görs en skiva: med Wasa Express i ABBA-studion |SV|PA [1·ABBA 2·ROCK 3·SWEDEN 4·RECORDING 5·JOURNALISM 6·1970S]

Agli estremi confini d'Occidente. Torino: UTET (2002) 109 pp. [BCP-IR]
• Giraldus Cambrensis; Cataldi, Melita, trans. 109 pp. [BCP-IR]|PB [1·IRELAND 2·ANTHROPOL. 3·MEDIEVAL]

Agli estremi confini d'Occidente. Descrizione dell'Irlanda. Description of Ireland, written 1188. Torino: Strenna/UTET (2002) 109 pp. [BCP-GIRALD]
• Giraldus Cambrensis 109 pp. [BCP-GIRALD]|PB [1·IRELAND 2·MEDIEVAL]

Aineistoa 1970-luvun laululiikeestä. Helsinki: Työväenenmusiikki-institutti (1983) [BM-SAUNIO]
• Saunio, Ilpo, ed.: Laulu ottaa kantaa |208|SF|PA [1·PROGRESSIV 2·FINLAND 3·SOCIALISM 4·FESTIVAL]

Air Pollution and Conservation. Safeguarding Our Architectural Heritage. University of Götebo: University of Göteborg: Department of Conservation (1986) 43 pp. [BCP-ROSVALL]
• Rosvall, Jan 43 pp. [BCP-ROSVALL]|PB [1·ARCHITECT.]

Aktuell kristen musik - något om popgrupper, gospel och and andlig visa. Göteborg: SÄMUS stud. proj. (1974) [CP]
• Andersson, Berth [CP]|US [1·GOSPEL 2·RELIGION 3·ROCK 4·SWEDEN]

Aktuell medieforskning 1982/83. Stockholm: Sveriges Radio/PUB (1984) [CP500505]
• Various, (SR/PUB) [CP500505]|PS [1·MASS MEDIA 2·BIBLIOGR. 3·CATALOGUE 4·SWEDEN]

Album Bianco. Diari musicali 1965-2000. Roma: Arcana (2001) #88-7966-230-9 [BM-FABBRI]
• Fabbri, Franco #88-7966-230-9 [BM-FABBRI]|PB [1·ROCK 2·POLITICS 3·ITALY 4·BIOGRAPHY 5·DOCUMENT 6·HISTORY]

The Album Cover Album. Limpsfield: Dragon's World (1982) #0-905895-01-0 [BMA4-ALBUM]
• Thorgerson, Storm, ed.; Dean, Roger, ed. #0-905895-01-0 [BMA4-ALBUM]|PA [1·VIS. ARTS 2·LPs 3·ROCK]

Alice Tegnérs barnvisor. Göteborg: Skrifter från Musikvetenskapliga institutionen, 8 (1983) 333 pp. #91-7370-099-1 [BMA4-REIMERS]
• Reimers, Lennart 333 pp. #91-7370-099-1 [BMA4-REIMERS]|PB [1·CHILDREN 2·SWEDEN 3·C19 4·1900-1909 5·1910S 6·1920S]

Al Jolson. London: Abacus (1972) 223 pp. #0-349-11412-9 [BM-JOLSON]
• Freedland, Michael 223 pp. #0-349-11412-9 [BM-JOLSON]|PB [1·USA 2·1920S 3·1930S 4·1940S 5·BIOGRAPHY 6·ILL. 7·HOLLYWOOD 8·MUSICALS 9·FILM 10·SCHLAGER]

Allmänheten och Kabel-TV (ed Anders Christians). Stockholm: SR-PUB, November 1983 (1983) [CP 318067]
• Publik- och programforskning (SR) [CP 318067]|PS [1·TELEVISION 2·AUDIENCE 3·SWEDEN 4·STATISTICS]

"All that Music". Een antropologie van de westerse muziekcultuur. Leuven: Acco (1996) #90-334-3528-4 [BM-SABBE]
• Sabbe, Herman #90-334-3528-4 [BM-SABBE]|PB [1·AESTHETICS 2·IDEOLOGY 3·MUSICOLOGY]

All You Need Is Ears. New York: St Martin's Press (1979) 285 pp. #0-312-02044-9 [BM-MARTIN]
• Martin, George 285 pp. #0-312-02044-9 [BM-MARTIN]|PB [1·BIOGRAPHY 2·1960S 3·UK 4·RECORDING 5·AESTHETICS 6·PRODUCERS 7·ROCK]

All You Need Is Love: The Story of Popular Music. London: Futura (1977) 286 pp. #0-297-77251-1 [BM-PALMER]
• Palmer, Tony 286 pp. #0-297-77251-1 [BM-PALMER]|PB [1·USA 2·UK 3·SCHLAGER 4·MOR 5·ROCK 6·JAZZ 7·C19 8·C20 9·ILL.]

Amais fo I simpósio Internacional de Compositores. São Bernardo Campo: (1977) [CP198069-171]
• Aharonián, Coriún: Situación de la creación musical en America latina |15-17|SP|PA [1·L AMERICA 2·MOD.CLASS.]

Ambiente - lezione numero zero. Milano: Item (1987) 77 pp. [BM-GERONIMO]
• Cariplo 77 pp. [BM-GERONIMO]|PB [1·EDUCATION 2·CHILDREN 3·HANDBOOK 4·EDUC ITEM 5·ILL.]

Ambiente - lezione numero zero. Milano: Item (1987) [BM-GERONIMO]
• Geronimo, Marco: Lezione di audiovisivi numero zero |54-59|IT|PA [1·MUSIC EDUC 2·CHILDREN 3·ENVIRONMNT 4·PERCEIVE]
• Geronimo, Marco: Lezione di musica numero zero |30-36|IT|PA [1·MUSIC EDUC 2·CHILDREN 3·ENVIRONMNT 4·PERCEIVE]

The American 45 and 78 rpm Record Dating Guide, 1940-59. Westport (CN): Greenwood Press (1985) 157 pp. [JM-POPULAR]
• Daniels, William R 157 pp. [JM-POPULAR]|PB [1·DISCOGR. 2·USA 3·1940S 4·1950S 5·PHONOGRAM]

The American Film Musical. Bloomington: Indiana University Press (1987) 386 pp. #0-85170-296-1 [JM-POPULAR]
• Altman, Rick 386 pp. #0-85170-296-1 [JM-POPULAR]|PB [1·USA 2·FILM 3·MUSICALS 4·HOLLYWOOD 5·TELEVISION 6·REVIEW] {Adorno, Th W; Kassabian, A}

American Music, 16/2. Champaign: Sonneck Society and The University of Illinois Press (1998) #0374-4392 [JM-AMERICANM]
• Fink, Robert: Elvis Everywhere: Musicology and Popular Music Studies at the Twilight of the Canon |135-179|EN|PA [1·EUROARTMUS 2·AVANTGARDE 3·POPULARMUS 4·MUSICOLOGY 5·DEFINE] {Presley, Elvis}
• Schrader, Arthur: 'The World Turned Upside Down': A Yorktown March, or Music to Surrender By |180-216|EN|PA [1·USA 2·C19 3·MARCH 4·MUSIC EXX.] {Civil War}
• Tagg, Philip: David Brackett: Interpreting Popular Music (Review) |224-227|EN|PA

American Music - From Storyville to Woodstock. New Brunswick (NJ): Transaction (1972) 65-98 pp. #0-87855-007-0 [BM-AMERICAN]
• Becker, Howard S: The Culture and Career of the Dance Musician |EN|PB [1·USA 2·DANCE 3·BANDS 4·MUSICIANS 5·1940S 6·1950S 7·EVERYDAY 8·ANTHROPOL. 9·SOCIOLOGY 10·UNIONS]
• Berger, Morroe: Jazz: Resistance to the Diffusion of a Culture Pattern |EN|PB [1·USA 2·1920S 3·1930S 4·1940S 5·JAZZ 6·AFR-AMER. 7·RACISM 8·MUS INDUST 9·SOCIOLOGY 10·CULTPOLIT.]
• Faulkner, Robert R: Hollywood Studio Musicians: Making it in the Los Angeles Film and Recording Industry |EN|PB [1·USA 2·HOLLYWOOD 3·FILM 4·RECORDING 5·MUS INDUST 6·MUSICIANS 7·SOCIOLOGY 8·INTERVIEW 9·1960S]
• Hentoff, Nat: Paying Dues: Changes in the Jazz Life |EN|PB [1·USA 2·JAZZ 3·MUSICIANS 4·POLITSTUDY 5·OPPOSE 6·SOCIOLOGY]
• Horowitz, Irving Louis: Rock, Recordings and Rebellion |EN|PB [1·USA 2·ROCK 3·OPPOSE 4·PHONOGRAM 5·COMMODITY 6·SOCIOLOGY 7·POLITSTUDY 8·NVC 9·MUSICIANS 10·AUDIENCE]
• Junker, Howard: Ah, the Unsung Glories of Pre-Rock |EN|PB [1·USA 2·ROCK 3·1940S 4·1950S 5·EVERYDAY 6·SCHLAGER 7·CHARTS 8·RADIO 9·JOURNALISM]
• Landau, Jon: Rock 1970 - It's too late to stop now |EN|PB [1·USA 2·ROCK 3·1970S 4·1960S 5·UK 6·SOUL 7·JOURNALISM]
• Leonard, Neil: The Impact of Mechanization |EN|PB [1·USA 2·JAZZ 3·DANCE 4·BANDS 5·PERFORM 6·PHONOGRAM 7·SOCIOLOGY 8·1910S 9·1920S 10·1930S]
• Leonard, Neil: Jazz and the Other Arts |EN|PB [1·USA 2·JAZZ 3·EUROARTMUS 4·POETRY 5·PHILOSOPHY 6·EUROPE 7·AESTHETICS]

American Music - From Storyville to Woodstock. New Brunswick (NJ): Transaction (1972) 290 pp. #0-87855-007-0 [BM-AMERICAN]
• Nanry, Charles, ed. 290 pp. #0-87855-007-0 [BM-AMERICAN]|PB [1·USA 2·C20 3·JAZZ 4·ROCK 5·AUDIENCE 6·MUSICIANS 7·HOLLYWOOD 8·FILM 9·YOUTH 10·MUS INDUST]

American Music - From Storyville to Woodstock. New Brunswick (NJ): Transaction (1972) 168-186 pp. #0-87855-007-0 [BM-AMERICAN]
• Nanry, Charles: Jazz and all that Sociology |EN|PB [1·USA 2·JAZZ 3·MUSICIANS 4·INNOVATE 5·IMPROVISE 6·GENRES 7·POLITSTUDY 8·SOCIOLOGY]
• Peterson, Richard A: A Process Model of the Folk, Pop and Fine Art Phases of Jazz |EN|PB [1·USA 2·JAZZ 3·HISTORY 4·AUDIENCE 5·MUSICIANS 6·SOCIOLOGY 7·DEFINE 8·FOLK MUSIC 9·EUROARTMUS 10·POPULARMUS]
• Stebbins, Robert A: A Theory of the Jazz Community |EN|PB [1·USA 2·JAZZ 3·SOCIOLOGY 4·UNIONS 5·FAMILY 6·BEHAVIOUR 7·MUS INDUST 8·MUSICIANS]
• White, Christopher: Check Yourself! |EN|PB [1·USA 2·JAZZ 3·MUSICIANS 4·1950S 5·1960S 6·FESTIVAL 7·INSTITUTNS 8·CULTPOLIT.]

American Psychologist, 1962/17. (1962) [CP 208229-48]
• Osgood, C E: Studies on the generality of affective meaning systems |10-28|EN|PA [1·AFFECT 2·SEMIOTICS 3·CULT.STUDY 4·ANTHROPOL. 5·VERBAL 6·STATISTICS]

America's Music: from the Pilgrims to the Present. Urbana & Chicago: University of Illinois Press (1987) 712 pp. [JM-POPULAR]
• Chase, Gilbert 712 pp. [JM-POPULAR]|PB [1·USA 2·HISTORY]

Det amerikanska folkets historia. Stockholm: Rabén & Sjögren (1973) 345 pp. #91-29-50040-0 [BCP-HUBERMAN]
• Huberman, Leo 345 pp. #91-29-50040-0 [BCP-HUBERMAN]|PB [1·USA 2·HISTORY 3·POLITSTUDY 4·CLASSES 5·BUSINESS 6·CAPITALISM 7·IMPERIALSM]

Amusers, Bruisers & Cool-Headed Cruisers. The fields of Anglo-Saxon and Nordic Rock Criticism. Århus: Institut for Nordisk sprog og literatur, Århus Universitet (2000) [BMA4-MICHELS]
• Michelsen, Morten; Lindberg, Ulf; Gud[BMA4-MICHELS]|PA [1·ROCK 2·REVIEW 3·DEFINE 4·IDEOLOGY 5·USA 6·UK 7·NORDIC]

Analisi e canzoni. Trento: Editrice Università degli Studi di Trento (1996) #88-86135-54-8 [BM-DALMONTE]
• Agostini, Roberto: Lucy in the Sky with Diamonds: un analisi |265-290|IT|PA [1·MUSIC EXX. 2·MUS.ANALYS 3·MELODY 4·HARMONY 5·SEMIOTICS 6·BEATLES]
• Banfi, Emanuele; Winkler, Daniele: Riflessi dell «italiano in movimento» in un corpus di canzoni italiane di area alto-atesina |125-144|IT|PA [1·ITALY 2·LYRICS 3·GENRES 4·REGIONALSM]
• Baroni, Mario: Analisi musicale e giudizio di valore nella musica leggera |81-102|IT|PA [1·MUS.ANALYS 2·CANONS 3·AESTHETICS] {Dahlhaus, Carl}
• Costamagna, Lidia: La canzone e la didattica dell'italiano come lingua straniera |337-356|IT|PA [1·ITALY 2·VERBAL 3·EDUC ITEM 4·MELODY]
• Coveri, Lorenzo: Lingua e dialetto nella canzone popolare italiana recente |25-38|IT|PA [1·REGIONALSM 2·VERBAL 3·ITALY]
• Dalmonte, Rosanna: Metodi di analisi per la canzone |11-24|IT|PA [1·MUS.ANALYS 2·OPERA 3·EUROARTMUS 4·POPULARMUS 5·DEFINE]
• Dalmonte, Rosanna; Dalmonte, Rosanna, ed.: Prefazione |7-10|IT|PA [1·CONFERENCE]
• Diadori, Pierangela: Le canzoni e la musica nella glottodidattica |357-372|IT|PA [1·ITALY 2·VERBAL 3·EDUC ITEM 4·MELODY]
• Erra, Andrea: La struttura del rap italiano |317-336|IT|PA [1·ITALY 2·RAP, etc. 3·MUS. FORM 4·LYRICS 5·RHYTHM 6·MUSIC EXX.]
• Fabbri, Franco: Forme e modelli delle canzoni dei Beatles |169-196|IT|PA [1·BEATLES 2·MUS.ANALYS 3·MUS. FORM 4·LYRICS 5·ARRANGE]
• Fiori, Umberto: «In un supremo anelito». L'idea di poesia nella canzone italiana |145-160|IT|PA [1·ITALY 2·LYRICS 3·MELODY 4·AESTHETICS 5·CANONS]
• Locatelli, Carla: Musica e società nella storia del rap: «non un tentativo di vendita; è un tentativo di presa di parola» |103-124|IT|PA [1·RAP, etc. 2·ITALY 3·SEMIOTICS 4·USA 5·POLITICS]
• Marconi, Luca: Baglioni e i Beatles: solo un piccolo grande amore? |299-316|IT|PA [1·BEATLES 2·MUS.ANALYS 3·MUSIC EXX. 4·MELODY 5·HARMONY 6·SEMIOTICS 7·LYRICS] {Baglioni; Claudio}
• Minganti, Franco: I Beatles «americani» della BBC |235-254|IT|PA [1·BEATLES 2·USA 3·UK 4·RADIO 5·ACCULTUR. 6·1950S 7·1960S]
• Montecchi, Giordano: Aspetti di intertestualità nella musica rock degli anni Sessanta |39-58|IT|PA [1·LYRICS 2·AVANTGARDE 3·BEATLES 4·ROCK 5·1960S] {Zappa, Frank; Bakhtin; intertextuality}
• Pasquali, Augusto: Persistenza del mito dei Beatles ed il loro uso nella didattica musicale |161-167|IT|PA [1·BEATLES 2·EDUCATION 3·MUSIC EDUC]
• Pestalozza, Luigi, ed.: Tavola rotonda su From Me To You |373-407|IT|PA [1·BEATLES 2·MUS.ANALYS]
• Polla, Franco La: Cambiare la costituzione (o la testa?): i Beatles fra pop e letteratura |291-298|IT|PA [1·LYRICS 2·POETRY 3·AESTHETICS 4·UK 5·CELTIC 6·FOLK MUSIC 7·BEATLES]
• Postacchini, Pier Luigi: La melodia ossessiva. Intense esperienze emotive con la musica |59-80|IT|PA [1·MELODY 2·PSYCHOLOGY 3·SOCIOLOGY 4·SEMIOTICS]
• Russo, Marco: La prassi dell'arrangiamento nelle canzoni: esempi e osservazioni |197-234|IT|PA [1·ARRANGE 2·USA 3·ROCK 4·1950S 5·1960S 6·MUSIC EXX.] {Louie Louie; La Bamba; Valens, Richie; Sandpipers}
• Stefani, Gino: Dire fare cantare |255-264|IT|PA [1·LYRICS 2·MELODY 3·SEMIOTICS 4·EDUCATION]

Analizzare la "popular music": Philip Tagg e l'analisi dell' "affetto". Tesi di Laurea, Relatore Prof Gino Stefani. Anno Accademico 1989-90. Bologna: D.A.M.S., Facoltà di lettere e filosofia, Università degli Studii (1990) 280 pp. [BMA4-AGOSTIN]
• Agostini, Roberto 280 pp. [BMA4-AGOSTIN]|PB [1·PT 2·AFFECT 3·SEMIOTICS 4·MUSICOLOGY 5·KOJAK 6·DISS. 7·POPULARMUS]

Analyse de "Don Quixote" de Richard Strauss. Montréal: McGill (1978) [CP195112]
• Destrempes, Josée [CP195112]|US [1·GERMANY 2·PROGRAMMUS 3·1900-1909 4·MUSICOLOGY 5·MUSIC EXX. 6·Stud.Proj.]

Une analyse des rapports texte-musique dans «Digging in the Dirt» de Peter Gabriel. Montréal: École de musique, Faculté des Arts, Université Laval (1995) 174 pp. [BMA4-LACASSE]
• Lacasse, Serge 174 pp. [BMA4-LACASSE]|PB [1·SOUND 2·RECORDING 3·SEMIOTICS 4·MUSICOLOGY 5·MUSIC EXX.] {Gabriel, Peter}

Analysis. New York: W.W. Norton (1987) 184 pp. #0-393-02447-4 [BM-BENT]
• Bent, Ian; Drabkin, William 184 pp. #0-393-02447-4 [BM-BENT]|PB [1·MUS.ANALYS 2·MUSICOLOGY 3·MUSIC EXX. 4·BIBLIOGR. 5·HISTORY]

Analysis materials - Liszt Les Préludes, Mahler Wo die schönen Trompeten blasen. Aarhus: (1986) [CP823-301]
• Winther, Orla [CP823-301]|UX [1·ROMANTIC 2·EUROARTMUS 3·SEMIOTICS 4·MUSICOLOGY 5·MUS.ANALYS 6·MUSIC EXX.]

An Analysis of Transition Music in Radio Programs. Detroit: Wayne University, Department of Music (1964) 44 pp. [CP]
• Beck, Julia Riley 44 pp. [CP]|UX [1·MUSIC EXX. 2·AFFECT 3·FILM MUSIC 4·SEMIOTICS 5·RADIO 6·USA 7·1940S 8·EUROARTMUS 9·SYMPHONY 10·Stud.Proj.] {SIBELIUS; TCHAIKOVSKY; RIMSKY-KORSAKOF; BRIDGES; MOODS; OFFENBACH; LOVE; CLOCK; HORROR; CHRISTMAS}
• George, Lee 44 pp. [CP]|UX [1·ADVERTS 2·USA 3·1960S 4·FILM MUSIC 5·MUSIC EXX. 6·AFFECT 7·SYMPHONY 8·Stud.Proj. 9·MUSICOLOGY] {SIBELIUS; TCHAIKOVSKY; RIMSKY-KORSAKOF; BRIDGES; MOODS; OFFENBACH; LOVE; CLOCK; HORROR; CHRISTMAS}

An Analysis of Transition Music in Radio Programs. Detroit: Wayne University, Department of Music (1945) 42 pp. [CP826202]
• Riley Beck, Julia 42 pp. [CP826202]|UX [1·FILM MUSIC 2·RADIO 3·AFFECT 4·MUSIC EXX. 5·1940S 6·DISS.]

Analysparameterschema för västerländsk populärmusik, system Björnberg. Göteborg (1985) [CPR326/11]
• Björnberg, Alf [CPR326/11]|US [1·POPULARMUS 2·MUS.ANALYS 3·DEFINE 4·STATISTICS 5·METHODOL.]

Analytica. Studies in the Description and Analysis of Music. Stockholm: Kungliga Musikaliska Akademien (1985) #91-85428-40-X [BM-ANALYTICA]
• Åstrand, Hans: Den poietiska musikanalysen. Tankar från samtal |337-344|SV|PA [1·SEMIOTICS 2·PHILOSOPHY 3·MUS.ANALYS 4·INTERVIEW]
• Benestad, Finn: A note on Edvard Grieg's "forbidden symphony" |211-232|EN|PA [1·NORWAY 2·ROMANTIC 3·EUROARTMUS 4·MUSICOLOGY 5·ORCHESTRAL]
• Bengtsson, Ingmar: Bibliography |345-361|EN|PA [1·BIBLIOGR. 2·MUSICOLOGY]
• Clynes, Manfred: Secrets of Life in Music |3-16|EN|PA [1·MUSICOLOGY]
• Dahlhaus, Carl: Quantitas intrinseca und Rhythmus |17-24|DE|PA [1·RHYTHM 2·MUSICOLOGY]
• Eppstein, Hans: Analyse, que me veux-tu? |25-34|FR|PA [1·MUS.ANALYS 2·DEFINE 3·MUSICOLOGY]
• Glahn, Henrik: Number symbolism and other speculative traits in two Marian motets from a C16 DK MS |133-148|EN|PA [1·DENMARK 2·MANUSCRIPT 3·C16 4·VOCAL MUS. 5·SEMIOTICS]

Analytica. Studies in the Description and Analysis of Music. Stockholm: Kungl. Musikaliska Akademien (1985) #91-85428-40-X [BM-ANALYTICA]
• Hansell, Sven: François Couperin's comparison of French and Italian music |133-148|EN|PA [1·FRANCE 2·ITALY 3·BAROQUE 4·NATIONALSM 5·GENRES]

Analytica. Studies in the Description and Analysis of Music. Stockholm: Kungliga Musikaliska Akademien (1985) #91-85428-40-X [BM-ANALYTICA]
• Jernhake, Klaes-Göran: Musikhistorieskrivning och verkanalys. W Mellers' tydning av 2 sats Schubert Bb maj D.960 |163-174|SV|PA [1·AUSTRIA 2·EUROARTMUS 3·C19 4·REVIEW 5·MUS.ANALYS 6·MUSIC HIST 7·MUSICOLOGY]
• Kjellberg, Erik: Rena Rama and Lisa's Piano. An essay in jazz analysis |323-336|EN|PA [1·JAZZ 2·SWEDEN 3·AVANTGARDE 4·MUS.ANALYS 5·PIANO 6·MUSICOLOGY]
• Krummacher, Friedhelm: 'an Goethe vorbei'? Gedanken zu Schumanns Faust-Szenen |187-202|DE|PA [1·MUSICOLOGY 2·MUS.ANALYS 3·GERMANY 4·C19 5·LITERATURE 6·AUSTRIA]
• Ling, Jan; Ramsten, Märta: The Gärdeby Folk Melody - A Musical Migrant |301-322|EN|PA [1·SWEDEN 2·FOLK MUSIC 3·INTERNATNL 4·COMM.STUDY 5·MUS.ANALYS 6·MASS MEDIA 7·POPULARMUS 8·PERFORM]
• Maegaard, Jan: Weberns Zwölftonreihen |249-268|DE|PA [1·12-TONE 2·MOD.CLASS. 3·GERMANY 4·MUSICOLOGY]
• Nattiez, Jean-Jacques: Les concepts de mise en série et d'intrigue dans l'analyse musicale |35-46|FR|PA [1·MUS.ANALYS 2·MUSICOLOGY 3·SEMIOTICS 4·DEFINE]
• Noske, Frits: The Captain and the Doctor in "Wozzeck" |269-276|EN|PA [1·12-TONE 2·MOD.CLASS. 3·GERMANY 4·MUSICOLOGY 5·OPERA 6·AUSTRIA 7·DRAMA]
• Reimers, Lennart: Vom Musikalisch-Kindlichen. Fünf Versuche zur kurzen Musik |47-56|DE|PA [1·CHILDREN 2·VOCAL MUS.]
• Rosenberg, Hebert: Ausdruck und Formgestaltung in Schuberts Müllerliedern |183-186|DE|PA [1·AUSTRIA 2·EUROARTMUS 3·VOCAL MUS. 4·C19 5·MUS.ANALYS 6·SEMIOTICS 7·MUS. FORM 8·MUSICOLOGY]
• Stenström, Thure: Bach på svenska. Mattheuspassionen som svenskt ordkonstverk |233-248|SV|PA [1·GERMANY 2·BAROQUE 3·C18 4·SWEDEN 5·POETRY 6·LYRICS 7·ORATORIO]
• Stockmann, Doris: Aspekte des Rhythmischen u.Rh.klass.am Beisp.eur. Volksmusik |57-66|DE|PA [1·RHYTHM 2·EUROPE 3·FOLK MUSIC 4·MUSICOLOGY]
• Sunberg, Johan; Frydén, Lars: Teaching a computer to play melodies musically |67-76|EN|PA [1·COMPUTERS 2·MUSIC EDUC 3·MELODY 4·PERFORM]
• Tagg, Philip: La musicologie et la sémantique de la musique populaire |77-96|FR|PA [1·MUSICOLOGY 2·PHILOSOPHY 3·AESTHETICS 4·SEMIOTICS 5·DEFINE]
• Tarasti, Eero: Music as sign and process |97-116|EN|PA [1·SEMIOTICS 2·MUS. FORM 3·DEFINE 4·MUSICOLOGY]
• Tegen, Martin: Från formel till ledmotiv. Några funderingar kring Rossinis Guillaume Tell |163-174|SV|PA [1·OPERA 2·ITALY 3·C19 4·MUS. FORM 5·MUSICOLOGY]
• Wallin, Nils L: Reflections on what is called absolute (perfect) pitch |117-132|EN|PA [1·MUSICOLOGY 2·NEUROLOGY 3·PSYCHOLOGY 4·MELODY 5·EDUCATION]
• Wallner, Bo: Filharmoniska sällskapet. W Stenhammar och Bachs Johannes-passion |211-232|SV|PA [1·SWEDEN 2·BAROQUE 3·EUROARTMUS 4·PERFORM]

"Anarchy in the UK". A test study of Philip Tagg's Affect Analysis in relation to Punk Rock. M.Mus. dissertation. Sydney: Department of Music, University of New South Wales (1991) 221 pp. [BMA4-TAMLYN]
• Tamlyn, Garry 221 pp. [BMA4-TAMLYN]|PB [1·ROCK 2·MUSICOLOGY 3·MUSIC EXX. 4·MUS.ANALYS 5·PUNK 6·AFFECT 7·SEMIOTICS 8·RHYTHM 9·1970S 10·DEFINE] {Sex Pistols; Tagg, Philip; Kojak}

Anatomie des Rock. Leipzig: VEB Deutscher Verlag für Musik (1986) 237 pp. #3-370-00071-7 [BM-WICKE]
• Wicke, Peter 237 pp. #3-370-00071-7 [BM-WICKE]|PB [1·ROCK 2·DDR 3·MUS INDUST 4·GENRES 5·ENTERTAIN 6·ILL. 7·HISTORY 8·USA 9·UK 10·SOCIOLOGY]

Andean Music from Incas to Western Popular Music. Göteborg: Skrifter från Institutionen för musikvetenskap nr. 59 (2000) #91-85974-53-6 [BM-LEEPEDRO]
• Lee, Pedro van der #91-85974-53-6 [BM-LEEPEDRO]|PB [1·S AMERICA 2·L AMERICA 3·MUSIC EXX. 4·MUSICOLOGY 5·IDEOLOGY 6·GUITAR 7·FRANCE 8·INSTRUMENT 9·RHYTHM 10·HUAYNO] {Andes; Vega, Carlos; inkaico/a; huahuaqueño; zarzuela; Condor pasa; world music; resistance; politics; Europe; Paris}

Ande skön, kom till mej. En musiksociologisk analys av musiken i Götene Filadelfiaförsamling. Göteborg: Skrifter från Musikvetenskapliga institutionen, 5 (1980) 173 pp. #91-85974-01-3 [BM-THORSEN]
• Thorsén, Stig-Magnus 173 pp. #91-85974-01-3 [BM-THORSEN]|PB [1·SWEDEN 2·RELIGION 3·SOCIOLOGY 4·MUSICOLOGY 5·CHORAL 6·MUSIC USES 7·MYTHOLOGY 8·ANTHROPOL. 9·MUSIC EXX. 10·ILL.]

... and roll. Aspekter på text och vokal gestaltning. Stockholm: Esselte Studium (1981) 146 pp. #91-24-31608-3 [BM-BROLINSSO]
• Brolinson, Per-Erik; Larsen, Holger 146 pp. #91-24-31608-3 [BM-BROLINSSO]|PB [1·USA 2·UK 3·SWEDEN 4·ROCK 5·LYRICS 6·NVC 7·TIMBRE 8·VOICE 9·SOUND 10·INTERVIEW]

And the Bands Played on. London: Hamish Hamilton (1977) 136 pp. #0-241-10448-3 [BM-COLIN]
• Colin, Sid 136 pp. #0-241-10448-3 [BM-COLIN]|PB [1·UK 2·1920S 3·1930S 4·1940S 5·BANDS 6·DANCE 7·CLUBS 8·WAR 9·ILL.]

Angels of the Night. Oxford: Blackwell (1986) 277 pp. [JM-POPUL/RVW]
• Mellers, Wilfrid 277 pp. [JM-POPUL/RVW]|PB [1·WOMEN 2·AESTHETICS 3·MUSICOLOGY]

Anregungen zur Förderung musikalischer Hermeneutik. Per Druud - private course material (1902) xcr pp. [CP495032-044]
• Kretzschmar, Hermann xcr pp. [CP495032-044]|PB [1·AESTHETICS 2·SEMIOTICS]

Anschläge, 1/1. Bremen: Archiv für Populäre Musik (1978) #0344-2667 [JM-ANSCHL]
• Anon: Zum Corrido |74-75|DE|PA [1·MUSICOLOGY 2·FOLK MUSIC 3·MEXICO]
• Debus, Helmut, ed.; Mossmann, Walter, ed.: Liederbuch: "Which Side Are You On?", "Die Wacht am Rhein" "Brokdörp-Song" |86-116|DE|PA [1·LYRICS 2·HISTORY 3·SSONGWRITR 4·GERMANY 5·POLITICS]
• Renft, Claus: "Für uns existieren Sie nicht mehr!" - Gespräch mit Klaus Renft |5-36|DE|PA [1·DDR 2·DISCOGR. 3·ROCK 4·GERMANY]
• Reyes, Judith: Vier Texte von Judith Reyes |76-85|SP|PA [1·LYRICS 2·FOLK MUSIC 3·MEXICO]
• Reyes, Judith: Wir müßen von dem singen, was heute passiert Gespräch mit Judith Reyes |38-52|DE|PA [1·FOLK MUSIC 2·DISCOGR. 3·BIOGRAPHY 4·MEXICO]
• Weize, Richard, ed.: Discographie: Bill Haley. Introduction by Klaus Kuhnke |136-43|DE|PA [1·DISCOGR. 2·BIOGRAPHY 3·ROCK 4·USA]

Anschläge, 1/2. Bremen: Archiv für Populäre Musik (1978) #0344-2667 [JM-ANSCHLŽGE]
• Jacobs, Kai, ed.: Bibliographie: Deutschsprachige Schriften zur revolutionären Musik der VR China |104-11|DE|PA [1·BIBLIOGR. 2·CHINA]
• Königstein, Horst: Ringo und die Stadt am Ende des Regenbogens |26-65|DE|PA [1·HISTORY 2·FILM 3·ROCK 4·UK]
• Kuhnke, Klaus; Schulze, Peter: Auf rechtem Gang: Zu Franz-Josef Degenhardts LP "Mit aufrechtem Gang" |67-82|DE|PA [1·LYRICS 2·GERMANY]
• Miller, Manfred: Shakin' All Over: Zur Rock'n'Roll-Rezeption in England |5-24|EN|PA [1·USA 2·PERCEIVE 3·MUSICIANS 4·HISTORY 5·ROCK 6·UK]

Anschläge, 1/3. Bremen: Archiv für Populäre Musik (1978) #0344-2667 [BM-ANSCHLŽGE]
• Anon: Liederbuch: Which Side Are You On? |106-13|DE|PA [1·UNIONS 2·FOLK MUSIC 3·USA]
• Boyd, Eddie: Gekrochen bin ich nie: Gespräch mit dem Bluesman Eddie Boyd |37-75|DE|PA [1·BIOGRAPHY 2·BLUES 3·USA]
• ~~, ed.: Discographie: Eddie Boyd |76-104|DE|PA [1·DISCOGR. 2·BLUES 3·USA]

Anschläge, 1/4. Bremen: Archiv für Populäre Musik (1978) #0344-2667 [JM-ANSCHLŽGE]
• Anon: "Hoch die rote Blaskapelle?": über die Entwicklung und Arbeit einer linken Freiburger BlK |43-64|DE|PA [1·GERMANY]
• Schulze, Peter: Mit Pauken und Trompeten: Abriss der organisierten Blasmusik |5-42|DE|PA [1·GERMANY 2·HISTORY 3·BRASSINSTR]

Anschläge, 2/5. Bremen: Archiv für Populäre Musik (1979) #0344-2667 [JM-ANSCHLŽGE]
• Anon: Von heute an gibt's mein Programm: über Lieder aus der Frauenbewegung |28-49|DE|PA [1·ROCK 2·SSONGWRITR 3·WOMEN 4·GERMANY]
• Blaskapelle Rote Note: Der kleine Abgang des grossen Tubaspielers: Antwort der Blaskapelle Rote Note |50-53|DE|PA [1·BRASSINSTR 2·POLITICS 3·1970S 4·BRD]
• Hoffmann, Freia: Annabelle oder das Schwein Monika: über das Frauenbild bei deutschen |5-27|DE|PA [1·WOMEN 2·LITERATURE 3·HISTORY 4·FOLK MUSIC 5·GERMANY]
• Kuhnke, Klaus; Miller, Manfred: In diese Show wollten alle kommen - irgendwie |84-97|DE|PA [1·C&W 2·BLUES 3·AFR-AMER. 4·LYRICS 5·HISTORY 6·FOLK MUSIC 7·USA]
• Kuhnke, Klaus; Miller, Manfred: Mein Vater war ein Fiedler |54-67|DE|PA [1·AFR-AMER. 2·LYRICS 3·HISTORY 4·FOLK MUSIC 5·USA]
• Kuhnke, Klaus; Miller, Manfred: Die meisten waren Farmer oder Bergarbeiter |68-83|DE|PA [1·BLUES 2·AFR-AMER. 3·LYRICS 4·HISTORY 5·FOLK MUSIC 6·USA]

Anschläge, 2/6. Bremen: Archiv für Populäre Musik (1980) #0344-2667 [JM-ANSCHLŽGE]
• Fuhr, Werner: Stadtbeben nach dem Verschwinden der Glühwürmchen: Beobachtungen und Gedanken zu |54-65|DE|PA [1·LYRICS 2·HISTORY 3·FOLK MUSIC 4·ITALY]
• Kuhnke, Klaus; Miller, Manfred: Der kampf ums grosse Geld |39-53|DE|PA [1·FILM 2·LAW 3·BUSINESS 4·USA]
• Kuhnke, Klaus; Miller, Manfred: Wir haben nicht für die Leute im Frack gespielt |5-20|DE|PA [1·LYRICS 2·SWING 3·JAZZ 4·USA]
• Kuhnke, Klaus; Miller, Manfred: Wir waren keine polierten Sänger |21-38|DE|PA [1·LYRICS 2·FOLK MUSIC 3·USA]
• Weize, Richard, ed.: Discographie: Ted Herold |66-79|DE|PA [1·DISCOGR. 2·BIOGRAPHY 3·ROCK 4·GERMANY]

Anschläge, 3/4. Bremen: Archiv für populäre Musik (1981) #0344-2667 [JM-ANSCHLŽGE]
• Eisler, Hanns: Über die Dummheit in der Musik (nd) |38-39|DE|PA [1·POLITICAL 2·AESTHETICS 3·GERMANY]
• Kuhnke, Klaus; Miller, Manfred; Schulze, Peter: Discographie - Bill Haley |66-69|DE|PA [1·ROCK 2·1950S 3·DISCOGR.]
• Kuhnke, Klaus; Miller, Manfred; Schulze, Peter: Discographie: Paul Graetz |79-92|DE|PA [1·GERMANY 2·CABARET 3·1930S 4·DISCOGR.]
• Kuhnke, Klaus; Miller, Manfred: Und dann haben es die Firmen Rock'n'Roll genannt |26-37|DE|PA [1·ROCK 2·HISTORY 3·USA 4·MUS INDUST 5·1940S 6·1950S]
• Kuhnke, Klaus; Miller, Manfred: Wir sind ja mit solchen Rhytmen großgeworden |39-50|DE|PA [1·USA 2·ROCK 3·HISTORY 4·1940S 5·1950S]
• Sogennantes linksradikales Blasorch.: Über die Arbeit an neuen Ausdrucksformen in der Musik |5-25|DE|PA [1·BRD 2·PROGRESSIV 3·SOCIOLOGY 4·1960S 5·1970S 6·GROUPS 7·POLITICS 8·BRASSINSTR]
• Weigend, Norbert: Das ist eine Musikbox, eine solche Band. Eine Tanz- und Showkapelle: The Gimmix |39-50|DE|PA [1·BRD 2·DANCE 3·MUSICIANS 4·SOCIOLOGY 5·MOR 6·SCHLAGER 7·ROCK]

Ansökan om förordnande som universitetslektor. Göteborg: typescript (1978) 1 pp. [CP755033]
• Tagg, Philip 1 pp. [CP755033]|UX [1·GÖTEBORG 2·DOCUMENT 3·PT 4·Gbg.Mvet.]

Ansökan om pengar för resa till Österrike och Storbritannien. Göteborg: typescript (1982) 2 pp. [CP755043]
• Tagg, Philip 2 pp. [CP755043]|UX [1·GÖTEBORG 2·SWEDEN 3·DOCUMENT 4·PT]

Answers to "Interface" new music composer questionnaire. (1980) [CP198044-045]
• Aharonián, Coriún [CP198044-045]|UX [1·COMPOSE 2·MOD.CLASS.]

The Anthropology of Music. Evanston: Northwestern University Press (1964) ix+358 pp. #0-8101-0178-5 [BM-MERRIAM]
• Merriam, Alan P ix+358 pp. #0-8101-0178-5 [BM-MERRIAM]|PB [1·ANTHROPOL. 2·METHODOL. 3·DEFINE 4·SOCIOLOGY 5·PSYCHOLOGY 6·MUSIC USES 7·AESTHETICS]

The Antipodean Circus (synopsis). Melbourne: private (1984) [CP193134]
• Breen, Marcus [CP193134]|US [1·AUSTRALIA 2·EUROPE 3·SOCIOLOGY 4·POLITSTUDY 5·GENRES 6·ANTHROPOL. 7·HISTORY 8·MASS MEDIA]

Antirasister. Människor och argument i kampen mot racismen 1750-1900. Stockholm: Bonniers (1995) #91-0-055921-0 [BCP-LINDQVIS]
• Lindqvist, Sven #91-0-055921-0 [BCP-LINDQVIS]|PB [1·RACISM 2· 3·IDEOLOGY 4·IMPERIALSM 5·C18 6·C19]

Antitraité d'harmonie. Paris: Union générale d'éditions (1979) 444 pp. #2-264-00941-1 [BM-ANDREANI]
• Andreani, Eveline 444 pp. #2-264-00941-1 [BM-ANDREANI]|PB [1·MUSICOLOGY 2·EUROPE 3·TIME/SPACE 4·HARMONY 5·MELODY 6·NOTATION 7·MUS. FORM 8·TIMBRE 9·ORCHESTRAL 10·EUROARTMUS]

Antología de canciones de lucha y esperanza. Santiago de Chile: Empresa Editora Nacional Quimantu Ltda (1973) [BMA4-PRINGMI]
• Artigas, Gustavo; Moncada, Perla Valencia, ed. [BMA4-PRINGMI]|PS [1·L AMERICA 2·POETRY 3·LYRICS 4·OPPOSE 5·REVOLUTION 6·S AMERICA 7·CHILE 8·URUGUAY]

Antonio Carlos Jobim. Um Homen Iluminado. Rio de Janeiro: Editora Nova Fronteira (1996) [BM-JOBIM]
• Jobim, Helena [BM-JOBIM]|PB [1·BRAZIL 2·ILL. 3·BIOGRAPHY 4·DISCOGR.]

Antropologiska Studier, 25/26. (1978) [CP306107]
• Ling, Jan: Hjort Anders' "12th Day March" - Stylistic and ideological change |122-139|EN|PA [1·MUSICOLOGY 2·MUSIC EXX. 3·POLITSTUDY 4·SEMIOTICS 5·HARMONY 6·INSTRUMENT 7·MUS.ANALYS 8·SWEDEN 9·RURAL 10·NATIONALSM]

Any Sound You Can Imagine. Making Music / Consuming Technology. Hanover NH: Wesleyan University Press (1997) #0-8195-6309-9 [BM-THEBERGE]
• Théberge, Paul #0-8195-6309-9 [BM-THEBERGE]|PB [1·MUS INDUST 2·COMPOSE 3·PERCEIVE 4·TECHNOLOGY 5·CULT.STUDY 6·PERFORM 7·SKILLS 8·SYNTHS 9·COMPUTERS 10·INSTRUMENT] {MIDI}

Apeiron Mouzikon: a zenei végtelen. Budapest: Zenemükiadó Vállalat (1986) 212 pp. #963-330-582-9 [BM-MAROTHY]
• Maróthy, János; Batari, Márta 212 pp. #963-330-582-9 [BM-MAROTHY]|PB [1·AESTHETICS 2·SEMIOTICS 3·HISTORY 4·DEFINE 5·MUSICOLOGY]

Application for money to go to Milano. Göteborg: typescript (1983) 1 pp. [CP755064]
• Tagg, Philip 1 pp. [CP755064]|UX [1·ITALY 2·GÖTEBORG 3·Gbg.Mvet. 4·DOCUMENT]

Approaching Film Music: An Analytical Schema. Stanford: Typescript - Stanford University, Dept of Modern Thought and Literature (1987) 23 pp. [CP827001]
• Kassabian, Anahid 23 pp. [CP827001]|UX [1·FILM MUSIC 2·DEFINE]

Arbeiderbladet, 841204. Oslo: Arbeiderbladet (1984) [CP757]
• Skyllstad, Kjell: Messe for Bikini og Sör-Afrika |NO|PA [1·PT 2·REVIEW 3·CONFERENCE 4·NORWAY]

Arbetet, 1985-06-10. Göteborg: Arbetet (1985) [CP757]
• Nilsson, Lena: Skvalmusik behövs mot industrisamhällets buller. Philip utreder populärmusiken |3|SV|PA [1·PT 2·DOCUMENT]

Arbetsbok i elementär harmonilära. Stockholm: Nordiska Förlaget 104 pp. [BM-SODERHOLM]
• Söderholm, Valdemar 104 pp. [BM-SODERHOLM]|PB [1·EUROARTMUS 2·EUROPE 3·HARMONY 4·EDUC ITEM 5·MUSIC EXX.]

Arbetsmaterial till Musiksociologisk konferens, 1988-04-12/16. Göteborg: Musikvetenskapliga avdelningen, Musikhögskolan, Gbgs Univ (1988) [CPSP-MUSIKSO]
• Alekseev, Eduard Y: Folklore, Youth, Milieu |EN|US [1·FOLK MUSIC 2·ROCK 3·USSR 4·SOCIOLOGY 5·URBAN 6·RURAL]
• Edström, Karl-Olof: The Swedish Musicians' Union and its Importance for Music Tradition and Cultural Policy in the 20th Century |EN|US [1·SWEDEN 2·MUSICIANS 3·UNIONS 4·CULTPOLIT. 5·C20]
• Etzkorn, K Peter: Sociology, Public Policy and Contemporary Music: observations on changing support systems for music |EN|US [1·SOCIOLOGY 2·PUBL.AUTHO 3·GOVERNMENT 4·CULTPOLIT. 5·USA]
• Hamm, Charles: Socio-Musicology and Cultural Policy in the USA |EN|US [1·SOCIOLOGY 2·MUSICOLOGY 3·GOVERNMENT 4·CULTPOLIT. 5·ROCK 6·EUROARTMUS 7·MASS MEDIA 8·USA]
• Henningsson, Ingemar; Ling, Jan; Olsson, Bengt: Music Education in the Service of Cultural Policy |EN|US [1·SWEDEN 2·MUSIC EDUC 3·CULTPOLIT. 4·GOVERNMENT 5·GÖTEBORG 6·GMH 7·Gbg.Mvet.]
• Johnson, Geir: The Business of Music and the Art of Media |EN|US [1·MUS INDUST 2·MEDIA IND. 3·SOCIOLOGY 4·ROCK 5·EUROARTMUS 6·NORWAY]
• Karbušicky, Vladimir: Massenkultur - Konsumkultur - Menschliche Kultur. Über die konzeptuellen Polaritäten in der "Kulturpolitik" |DE|US [1·MASS MEDIA 2·CONSUME 3·EUROARTMUS 4·LEISURE 5·GENRES 6·DEFINE 7·CULTPOLIT. 8·PUBL.AUTHO 9·BRD]
• Lemoigne-Mussat, Marie-Claire: Youth, Music and Cultural Policy |EN|US [1·YOUTH 2·CULTPOLIT. 3·GOVERNMENT 4·FRANCE 5·EDUCATION 6·GENRES]
• Ling, Jan; Thorsén, Stig-Magnus: Socio-Musicology at the University of Gothenburg - a summary |EN|US [1·SOCIOLOGY 2·MUSICOLOGY 3·HISTORY 4·GÖTEBORG]
• Mark, Desmond: Anmmerkungen zum Verhältnis von Musiksoziologie und Musikpolitik in Österreich |DE|US [1·SOCIOLOGY 2·MUSICOLOGY 3·CULTPOLIT. 4·GOVERNMENT 5·PUBL.AUTHO 6·AUSTRIA]
• Skotnicka-Illasziewicz, Elzbieta: Cultural Policy and Music Culture of Polish Youth |EN|US [1·POLAND 2·MUSIC EDUC 3·CULTPOLIT. 4·YOUTH]
• Sorce-Keller, Marcello: Music Education in Italy |EN|US [1·MUSIC EDUC 2·ITALY 3·MUSICOLOGY 4·SOCIOLOGY 5·GENRES 6·RESEARCH]
• Thorsén, Stig-Magnus: Music at Work |EN|US [1·WORK 2·MUZAK 3·SOCIOLOGY 4·PERCEIVE 5·CULTPOLIT. 6·SWEDEN 7·USSR 8·WORKERS 9·MASS MEDIA 10·AMATEURS]
• Veber, Zdenka: Music as an Educational Factor in the Process of forming Cultured Behaviour in Young People |EN|US [1·YUGOSLAVIA 2·MUSIC EDUC 3·BEHAVIOUR 4·YOUTH 5·SOCIOLOGY 6·STATISTICS 7·GENRES 8·TASTE 9·MUSIC USES]

Arbetsrapport nr 55. Göteborg: Avdelningen för Masskommunikation, Göteborgs Universitet (1989) #0283-6696 [BCPA4-KISCH]
• Kisch, Catharina; Stoltz, Mikael: City 103 och dess lyssnare. En undersökning om lyssnandet på Svenska Arbetsgivareföreningens närradiostation i Göteborg |SV|PS [1·GÖTEBORG 2·SWEDEN 3·RADIO 4·STATISTICS 5·AUDIENCE 6·GENRES 7·POLITSTUDY 8·SOCIOLOGY 9·ROCK 10·Stud.Proj.] {SAF; EMPLOYERS FEDER; PHONOGRAMS; DJs; MASS MEDIA}

Archiv für Musikwissenschaft 32/3. (1975) [CP316109]
• Rösing, Helmut: Funktion und Bedeutung von Musik in der Werbung |139-155|DE|PA [1·ADVERTS 2·MUSICOLOGY 3·SEMIOTICS 4·PSYCHOLOGY]

Arena 74. (1986) [CP327/05]
• Breen, Marcus: The Bands and the Media |12-16|EN|PA [1·MUSICIANS 2·USA 3·UK 4·AUSTRALIA 5·SOCIOLOGY 6·POLITSTUDY 7·MUS INDUST 8·GROUPS 9·PROGRESSIV 10·BANDS] {ROCK}

Are You Ready for Rude and Rough Reggae?. St Albans: Granada (1974) #0-586-04261-X [BM-GILLETT]
• Gayle, Carl #0-586-04261-X [BM-GILLETT]|PA [1·UK 2·ROCK 3·REGGAE 4·1960S 5·1970S 6·CARIBBEAN 7·DJS 8·LYRICS 9·OPPOSE]

Argh Fuck Kill Ä Camadoam Hardcore Goes on Trial: The Case of the Dayglo Abortions. Philadelphia: Temple University Press (2003) #1-56639-990-4 [BM-CLOONAN]
• Bowman, Rob #1-56639-990-4 [BM-CLOONAN]|PA [1·CENSORSHIP 2·CANADA 3·HEAVYMETAL]

El Arte del Payador. Montevideo: Ayuí A/E 37 (1982) [CP706085]
• Aharonián, Coriún: Liner notes |SP|PA [1·SSONGWRITR 2·L AMERICA 3·URUGUAY 4·DANCE 5·NATIONAL]

Artes, 1985/5. Stockholm: (1985) [CPR326/3]
• Brincker, Jens: Mod en post-moderne musikæstetik |40-52|DK|PA [1·DENMARK 2·GERMANY 3·EUROARTMUS 4·MOD.CLASS. 5·PERCEIVE 6·USA]

Art into Pop. London: Methuen (1987) 206 pp. #0-416-41540-7 [BM-FRITH]
• Frith, Simon; Horne, Howard 206 pp. #0-416-41540-7 [BM-FRITH]|PB [1·UK 2·VIS. ARTS 3·EDUCATION 4·PUNK 5·1970S 6·CLASSES 7·SOCIOLOGY 8·ROCK 9·AVANTGARDE 10·MIDDLCLASS]

Asamblea. Montevideo: private - typescript for publication (1983) [CP323014]
• Aharonián, Coriún: Discernir en tanto autoexigencia |SP|US [1·REVIEW 2·URUGUAY]

Asking for opinion on Richard's READING POPULAR MUSIC book (typescript). Milton Keynes: Open University Press (1983) 1 pp. [CP755046]
• Wright, Peter S 1 pp. [CP755046]|UX [1·UK 2·DOCUMENT 3·PT]

Aspects of Industrial Film Music. Detroit: Wayne University, Department of Music (1964) 57-89 pp. [CP]
• George, Lee 57-89 pp. [CP]|UX [1·ADVERTS 2·USA 3·1960S 4·FILM MUSIC 5·MUSIC EXX. 6·AFFECT 7·SYMPHONY 8· 9·MUSICOLOGY] {CHEVROLET; THRIFT; MOMMY; HOUSEWIFE; GOOD LIVING}

Aspects of Industrial Film Music. Detroit: Wayne University, Department of Music (1964) [CP826240-260]
• George, Lee [CP826240-260]|UX [1·DISS. 2·FILM MUSIC 3·ADVERTS 4·AFFECT 5·MUSIC EXX.]

Aspekte einer Massenkultur im Sozialismus. Hamburg: Rowohlt (1983) 509 pp. #3-499-17697-1 [BM-LEIT]
• Leitner, Olaf: Rockszene DDR |DE|PB [1·DDR 2·ROCK 3·1960S 4·1970S 5·1980S 6·JOURNALISM 7·CULTPOLIT.]

Assessment of Pelinski's and Shepherd's research project for the CRSH du Canada. Göteborg: typescript (1983) 5 pp. [CP755049]
• Tagg, Philip 5 pp. [CP755049]|UX [1·CANADA 2·DOCUMENT 3·REVIEW]

Atlas Cultural de México - Música. Ciudad México: Secretaria de Educadión Pública, Instituto Nacional de Antropología e Historia, Grupo Editorial Planeta (1988) #968-406-121-8 [BMA4-ATLAS]
• Arias, Julan Guillermo Contreras #968-406-121-8 [BMA4-ATLAS]|PB [1·MEXICO 2·ILL. 3·REFERENCE 4·INSTRUMENT 5·HISTORY 6·ANTHROPOL. 7·FOLK MUSIC]

An Atlas of Fantasy (extracts). Baltimore: Mirage Press (1979) [CL003-264]
• Post, J B, ed. [CL003-264]|PB {maps}

Att förstå sin samtid. Tanke och förkunnelse och andra försök 1945-1994. Stockholm: Bonniers (1994) #91-0-055871-0 [BCP-WRIGHT]
• Wright, Georg Henrik von #91-0-055871-0 [BCP-WRIGHT]|PB [1·PHILOSOPHY 2·C20 3·LITERATURE 4·HISTORY 5·TIME/SPACE 6·EDUCATION]

Att undersöka ett socialt fält. Kommentar till Pierre Bourdieus och Monique de Saint Martins "Le patronat". Stockholm: Högskolan för lärarutbildning, inst för Pedagogik (1984) [CP909/09]
• Broady, Donald; Palme, Mikael [CP909/09]|PS [1·SOCIOLOGY 2·PHILOSOPHY 3·CULT.STUDY 4·METHODOL.]

Auch Schlager schreiben Geschichte. Die Widerspieglung gesellschaftspolitischer Entwicklungen in der Popularmusik. (198?) [CP328/08]
• Hofbauer, Gerhard [CP328/08]|US [1·SCHLAGER 2·GERMANY 3·BRD 4·HISTORY 5·LYRICS]

Auditiv stilanalyse af den rytmisk, improvisatoriske musik. Ålborg: Ålborg Universitetscenter (1987) 124 pp. [BMA4-MORTENS]
• Mortensen, Tore 124 pp. [BMA4-MORTENS]|PB [1·MUSIC EXX. 2·MUS.ANALYS 3·MUSICOLOGY 4·BLUES 5·JAZZ 6·ROCK 7·HARMONY 8·RHYTHM]

Auf den Tonspur - Filmmusik, Filmmusiktage, Köln 22-25 August '91. Köln: Popkomm (1991) #2-7531-0532-6 [BMA4-FILMMUS]
• Husslein, Uwe, ed.; Jud, Reinhard, ed.; Bärbel, Skiba, ed. #2-7531-0532-6 [BMA4-FILMMUS]|PB

Aural Awareness: Principles and Practice. Milton Keynes: Open University Press (1990) 120 pp. #0-357-09417-1 [BM-PRATT]
• Pratt, George 120 pp. #0-357-09417-1 [BM-PRATT]|PB [1·EUROARTMUS 2·MOD.CLASS. 3·JAZZ 4·EDUCATION 5·IMPROVISE 6·MUSICOLOGY 7·PERCEIVE] {HENSON Michael; CARGILL Simon}

Außermusikalische Bedeutungen afrikanischer Musik. Ein Beitrag zum Verständnis afrikansicher Musik. Hamburg: Musikwissenschaftliches institut der Universität HH (1978) 144 pp. [BM-KOFIE]
• Kofie, Nicodemus Nicholas 144 pp. [BM-KOFIE]|PB [1·W AFRICA 2·GHANA 3·EUROPE 4·EUROARTMUS 5·RHYTHM 6·MELODY 7·HARMONY 8·RELIGION 9·SEMIOTICS 10·EDUCATION]

Australian Journal of Cultural Studies, 3/2. (1985) [CL003-305]
• Prato, Paolo; Trivero, Gianluca; Chambers, Iain, trans.: The Spectacle of Travel |25-43|EN|PA [1·TRAVEL]

Den australiska drömkulturen - ett arbete om aboriginalerna. Göteborg: Musikhögskolan (1979) [CP199070-075]
• Blomgren, E; Angervall, L; Adlers, F; Olsson þ [CP199070-075]|US [1·ANTHOLOGY 2·MUSIC EXX. 3·Stud.Proj. 4·AUSTRALIA]

Autenticitetsbegrebets historie, specielt med henblik på dets status i rockmusikkens æstetik. Köbenhavn: Musikvidenskabeligt institut (1993) [BMA4-MICHELS]
• Michelsen, Morten [BMA4-MICHELS]|UX [1·ROCK 2·DEFINE 3·AESTHETICS] {Adorno, Th. W; Marcuse, H; Brandeis; authenticity}

Autours de ma vie. Aalborg: Per Druud - private course material (1962) [CP495062-063]
• Stravinsky, Igor: Music can't express anything |xcr|EN|PA [1·AESTHETICS 2·SEMIOTICS]

Auxílio Luxuoso. Samba símbolo nacional, geração Noel Rosa e indústria cultural. São Paulo: AnnaBlume (2003) 252 pp. #85-7419-333-X [BM-NUNESFROT]
• Nunes Frota, Wander 252 pp. #85-7419-333-X [BM-NUNESFROT]|PB [1·BRAZIL 2·1920S 3·1930S 4·NATIONALSM 5·MASS MEDIA 6·MUS INDUST]

Awopbopaloobopalopbamboom. Pop from the Beginning. St Albans: Paladin (1970) 253 pp. #0-586-08014-7 [BM-COHN]
• Cohn, Nik 253 pp. #0-586-08014-7 [BM-COHN]|PB [1·ROCK 2·HISTORY 3·USA 4·UK 5·JOURNALISM]

Ayuí A/M 15-16. Montevideo: typescript (nd) 4 pp. [CP323012]
• Aharonián, Coriún: Texto para el álbum de discos "Violeta Parra: El folklore de Chile" |SP|PX [1·CHILE 2·FOLK MUSIC 3·NATIONAL 4·INTERVIEW 5·DOCUMENT] {PARRA V}

Bach and the Dance of God. London: Faber (1980) 324 pp. #0-571-11562-4 [BM-MELLERS]
• Mellers, Wilfrid 324 pp. #0-571-11562-4 [BM-MELLERS]|PB [1·MUSICOLOGY 2·MUSIC EXX. 3·SEMIOTICS 4·BAROQUE 5·GERMANY 6·RELIGION 7·PHILOSOPHY 8·C18 9·PSYCHOLOGY]

Bach går igen - Källkritiska studier i JS Bachs uppförandepraxis. Göteborg: Skrifter från Musikvetenskapliga institutionen, 23 (1991) 386 pp. #91-85974-16-1 [BMA4-KLINGFO]
• Klingfors, Gunno 386 pp. #91-85974-16-1 [BMA4-KLINGFO]|PB [1·BAROQUE 2·SEMIOTICS 3·DISS. PhD. 4·MUSICOLOGY 5·C17 6·C18 7·AFFECT 8·POPULARMUS] {Bach, J S; Quantz, J; Mattheson, J; Rhetoric}

Bakom ljudkulissen. Om bakgrundsmusikens användning i Sverige. Göteborg: Stencilled Papers from the Musicology Department, (1986) 20 pp. #0349-3407 [CP325]
• Thorén, Anna 20 pp. #0349-3407 [CP325]|PB [1·MUZAK 2·SWEDEN 3·MUS INDUST 4·SOCIOLOGY 5·STATISTICS]

A Ballad History of England from 1588 to the Present Day. London: Batsford (1979) 192 pp. #0-7134-0968-1 [BM-PALMER R]
• Palmer, Roy 192 pp. #0-7134-0968-1 [BM-PALMER R]|PB [1·BALLADS 2·UK 3·MUSIC EXX. 4·HISTORY 5·LYRICS 6·ANTHOLOGY 7·WORK 8·ILL. 9·WORKERS]

The Ballad Literature and Popular Music of the Olden Time. New York: Dover/2 vols, facsimile of 1 ed., 1855-59, in 17 vols (1965) 822 pp. [BM-CHAPPELL]
• Chappell, W, ed. 822 pp. [BM-CHAPPELL]|PB [1·C18 2·C17 3·C16 4·LYRICS 5·HISTORY 6·INSTRUMENT 7·DANCE 8·BALLADS 9·FOLK MUSIC 10·UK]

Les bals en France. Paris: Music et Promotion/S.A.C.E.M. (1978) 91 pp. [BM-RENAULT]
• Renault, Patrick 91 pp. [BM-RENAULT]|PB [1·DANCE 2·MUS INDUST 3·STATISTICS 4·COPYRIGHT 5·AUDIENCE 6·FRANCE 7·1970S 8·SOCIOLOGY 9·MANAGERS 10·MUSICIANS]

Il bambino tra i suoni. Milano: Ricordi (1985) 132 pp. #88-7592-005-2 [BM-SENSO]
• Geronimo, Marco 132 pp. #88-7592-005-2 [BM-SENSO]|PB [1·EDUC ITEM 2·CHILDREN 3·SOUND 4·PERCEIVE 5·ENVIRONMNT 6·PSYCHOLOGY 7·HANDBOOK 8·MUSIC EXX. 9·AFFECT 10·BIBLIOGR.]

Bands. The Brass Band Movement in the 19th and 20th Centuries. Buckingham: Open University Press - Popular Music in Britain (1991) 102-119 pp. #0-335-09702-2 [BM-HERBERT]
• Bevan, Clifford: Brass Band Contests: Art or Sport? Incl. Calendar of Major Developments of the Brass Band Contest and Winners of the British Open and National Contest 1853-1989, pp. 196-216 |EN|PB [1·UK 2·C19 3·C20 4·HISTORY 5·BRASSINSTR]
• Bythell, Duncan: The Brass Band in Australia.: The Transplantation of British Popular Culture |EN|PB [1·UK 2·C19 3·C20 4·HISTORY 5·BRASSINSTR 6·AUSTRALIA]
• Gammon, Vic; Gammon, Sheila: From `Repeat and Twiddle' to `Precision and Snap'. The Musical Revolution of the Mid-Nineteenth Century |EN|PB [1·UK 2·C19 3·HISTORY 4·BRASSINSTR]

Bands. The Brass Band Movement in the 19th and 20th Centuries. Buckingham: Open University Press - Popular Music in Britain (1991) xii+224 pp. #0-335-09702-2 [BM-HERBERT]
• Herbert, Trevor, ed. xii+224 pp. #0-335-09702-2 [BM-HERBERT]|PB [1·UK 2·C19 3·C20 4·HISTORY 5·BRASSINSTR]

Bands. The Brass Band Movement in the 19th and 20th Centuries. Buckingham: Open University Press - Popular Music in Britain (1991) 1-6 pp. #0-335-09702-2 [BM-HERBERT]
• Herbert, Trevor; Herbert, Trevor, ed.: Introduction |EN|PB [1·UK 2·C19 3·C20 4·HISTORY 5·BRASSINSTR]
• Herbert, Trevor: Nineteenth-Century Bands: The Making of a Movement |EN|PB [1·UK 2·C19 3·HISTORY 4·BRASSINSTR]
• Herbert, Trevor: Postscript |EN|PB [1·UK 2·C19 3·C20 4·HISTORY 5·BRASSINSTR]
• Myers, Arnold: Appendix 1: Instruments and Instrumentation in Brass Bands |EN|PB [1·UK 2·C19 3·C20 4·HISTORY 5·BRASSINSTR 6·ORCHESTRAT 7·ARRANGE]
• Russell, Dave: `What's Wrong with Brass Bands?' Cultural Change and the Band Movement, 1918-c.1964 |EN|PB [1·UK 2·C20 3·HISTORY 4·BRASSINSTR]

"Bara början" (raggarbilar), Pamela Stevenson "Unusual Treatment" (Schlager April 1982), Capital Radio (Time Out July 4-10 1975:12). (nd) [CP 318297]
• Miscellaneous materials [CP 318297]|UX [1·ADVERTS 2·HUMOUR 3·GROUPS 4·VIS. ARTS]

Barnets musikaliska värld. Lund: Liber Läromedel (1977) 254 pp. #91-40-04400-9 [BM-SUNDIN]
• Sundin, Bertil 254 pp. #91-40-04400-9 [BM-SUNDIN]|PB [1·SWEDEN 2·CHILDREN 3·EDUCATION 4·MUSIC EDUC 5·MELODY 6·RHYTHM 7·COMPOSE 8·PSYCHOLOGY 9·STATISTICS 10·SOCIALISAT]

Barnpubliken i TV 12.11-29.11 1982. Sammanfattning av 3-8 åringars TV-tittande. Stockholm: Sveriges Radio/PUB (1983) [CP322069]
• Publik- och programforskning (SR) [CP322069]|PS

Barnum 2. Altre cronache dal Grande Show. Milano: Feltrinelli (1998) #88-07-81492-7 [BCP-BARICCO]
• Baricco, Alessandro #88-07-81492-7 [BCP-BARICCO]|PB

Bartók par l'image. Budapest: Editions Corvina (1964) [BM-BARTOK]
• Szabolcsi, Bence, ed.; Bonis, Ferenc, ed. [BM-BARTOK]|PB [1·HUNGARY 2·USA 3·MOD.CLASS. 4·BIOGRAPHY 5·ILL.]

A Basic Course in Statistics with Sociological Applications. London: Holt, Rinehart and Winston (1971) 334 pp. #0-03-910121-5 [BCP-ANDERSON]
• Anderson, Theodore R 334 pp. #0-03-910121-5 [BCP-ANDERSON]|PB [1·STATISTICS 2·SOCIOLOGY 3·EDUC ITEM]

A Basic Guide to the Prado. A view of the museum according to styles. Madrid: Silex (1974) 294 pp. #84-300-5807-9 [BCP-PRADO]
• Buendia, J Rogelio 294 pp. #84-300-5807-9 [BCP-PRADO]|PB [1·VIS. ARTS 2·SPAIN 3·C17 4·C16 5·C18 6·C19 7·ILL.]

Bass Culture - The Acoustic Organisation of Cultural Identity. Oslo: Ethnographic Museum, University of Oslo (1984) [CP193144]
• Berkaak, Odd Are [CP193144]|US [1·SOUND 2·ACOUSTICS 3·ANTHROPOL. 4·AESTHETICS 5·SOCIOLOGY 6·REGGAE 7·PUNK 8·Dbl. Bass]

The Battle of Chronos and Orpheus. Essays in applied musical semiology. (c) Christian Bourgeois, Le combat de chronos et d'Orphée, 1993; chapters 1, 3, 7 and 10 (c) J-J Nattiez. Oxford: Oxford University Press (2004) #0-19-816610-9 [BM-NATTIEZ]
• Nattiez, Jean-Jacques; Dunsby, Jonathan, trans. #0-19-816610-9 [BM-NATTIEZ]|PB [1·SEMIOTICS 2·MUSICOLOGY 3·EUROARTMUS 4·AESTHETICS]

Beat. Berlin: VEB Lied der Zeit (1975) 222 pp. [BM-HOFFMANN]
• Hofmann, Heinz Peter 222 pp. [BM-HOFFMANN]|PB [1·ROCK 2·BIOGRAPHY 3·USA 4·UK 5·DDR 6·EUROPE]

The Beatles' Abbey Road Medley. Extended Forms in Popular Music. Lanham (MD): Scarecrow (2008) x+199 pp. #9780810860193 [BM-MACFARLAN]
• MacFarlane, Thomas x+199 pp. #9780810860193 [BM-MACFARLAN]|PB [1·ROCK 2·UK 3·MUSICOLOGY 4·BEATLES 5·LIVERPOOL 6·MUSIC EXX. 7·MUS.ANALYS]

The Beatles: An Introduction and Price Guide to Fab Four Collectibles, Records and Memorabilia. Ann Arbor (MI): Pierian Press (1985) 314 pp. [JM-POPUL/RVW]
• Fenick, Barbara 314 pp. [JM-POPUL/RVW]|PB [1·ARCHIVIST 2·FANS 3·HANDBOOK 4·ROCK]

The Beatles: A Recording History. Jefferson (NC): McFarland (1987) 614 pp. [JM-POPUL/RVW]
• Wiener, Allen J, ed. 614 pp. [JM-POPUL/RVW]|PB [1·ROCK 2·UK 3·USA 4·DISCOGR. 5·BEATLES]

Beatles Lyrics Illustrated. New York: Dell (1975) 208 pp. #0-440-90615-6 [BM-BEATLES]
• Beatles, The 208 pp. #0-440-90615-6 [BM-BEATLES]|PB [1·UK 2·1960S 3·LYRICS 4·ROCK 5·VOCAL MUS.]

Beats Of The Heart. Popular Music of the World. London: Pluto Press (1985) 254 pp. #0-7453-0052-9 [BM-MARRE]
• Marre, Jeremy; Charlton, Hannah 254 pp. #0-7453-0052-9 [BM-MARRE]|PB [1·CHINA 2·S AFRICA 3·USA 4·CARIBBEAN 5·W AFRICA 6·MEXICO 7·COLOMBIA 8·THAILAND 9·JAPAN 10·WORLD MUS.]

Beethoven - his Spiritual Development. New York: Vintage Books (1960) 172 pp. [BM-BEETHOVEN]
• Sullivan, J W N 172 pp. [BM-BEETHOVEN]|PB [1·GERMANY 2·ROMANTIC 3·C19 4·BIOGRAPHY 5·POLITSTUDY]

Begäran om att åter erhålla tjänsten på Musikhögskolan. Göteborg: typescript (1978) 1 pp. [CP755033]
• Tagg, Philip 1 pp. [CP755033]|UX [1·GÖTEBORG 2·DOCUMENT 3·PT 4·Gbg.Mvet.]
• Tagg, Philip 1 pp. [CP755033]|UX [1·GÖTEBORG 2·DOCUMENT 3·PT 4·Gbg.Mvet.]

Begäran om utträde ur VPK. Göteborg: typescript (1980) 3 pp. [CP755121]
• Tagg, Philip 3 pp. [CP755121]|UX [1·SWEDEN 2·POLITICAL 3·DOCUMENT]

Begleitautomatiken, Drumcomputer und Sound Sampler als Unterrichtshilfen für die rhytmische Elementarlehre in der Sekundarstufe I. ISME conference (1986) [CP328/10]
• Jerrentrup, Ansgar [CP328/10]|US [1·INSTRUMENT 2·SKILLS 3·TECHNOLOGY 4·RECORDING 5·MUSIC EDUC 6·ELECTRONIC 7·EL.INSTR.]

Beiträge zur Musikwissenschaft, 1985/3-4. Berlin: Verlag Neue Musik (1985) #0005-8106 [JM-BEITRŽGE]
• Kavaldziev, Ljubomir: Entwurf eines theoretischen Funktionsmodells an Beispielen der Rock- und Popumusik |303-309|DE|PA [1·ROCK 2·ENTERTAIN 3·RITUAL 4·AESTHETICS 5·AVANTGARDE 6·DEFINE 7·METHODOL.]
• Meyer, Thomas: Der Tanzmusiker Werner Böhme |312-316|DE|PA [1·DDR 2·MUSICIANS 3·BIOGRAPHY 4·DANCE 5·ENTERTAIN 6·POSTWAR]
• Polednak, Ivan: Zur Problematik der nonartifiziellen Musik slawischer Völker |285-294|DE|PA [1·FOLK MUSIC 2·POPULARMUS 3·MUSICOLOGY 4·DEFINE 5·POLITSTUDY 6·JAZZ 7·CZECHOSLOV]
• Schroedter, Ulrich: Die Geige in Jazz und Rock |265-284|DE|PA [1·MUSICOLOGY 2·MUSIC EXX. 3·ROCK 4·JAZZ 5·VIOLIN]
• Szemere, Anna: Das Petöfi-Theater ein Musical-Theater? |295-302|DE|PA [1·HUNGARY 2·C20 3·DRAMA 4·MUSICALS 5·ENTERTAIN 6·JAZZ 7·ROCK]
• Szemere, Anna: Popular Music: 2. Theory and Method Reviewed |322-324|EN|PA [1·REVIEW 2·PT 3·DEFINE]
• Szevereny, Erzsebet: Musikalischer Geschmak und Musikschaffen |317-321|DE|PA [1·HUNGARY 2·GENRES 3·STATISTICS 4·POSTWAR 5·1970S 6·1980S]
• Tagg, Philip: Zur Analyse von populärer Musik |241-264|DE|PA [1·MUSICOLOGY 2·SEMIOTICS 3·MUSIC EXX. 4·METHODOL. 5·DEFINE 6·ABBA 7·KOJAK 8·POLITSTUDY]
• Wicke, Peter: Populäre Musik in der Literatur. Aspekte - Tendenzen - Probleme |199-240|DE|PA [1·BIBLIOGR. 2·DEFINE 3·POLITSTUDY 4·MUSICOLOGY 5·SUBCULTURE 6·CULT.STUDY 7·ROCK 8·AESTHETICS]

Béla Bartók - An Analysis of his Music. London: Kahn & Averill (1971) xi+115 pp. #0-90070704-6 [BM-BARTOK]
• Lendvai, Ernö xi+115 pp. #0-90070704-6 [BM-BARTOK]|PB [1·MOD.CLASS. 2·MUSICOLOGY 3·MUS.ANALYS 4·MUSIC EXX.]

Béranger et son temps. Série "La chanson française". Paris: Éditions Sociales (1956) [BM-BROCHON]
• Brochon, Pierre, ed. [BM-BROCHON]|PB [1·FRANCE 2·C19 3·LYRICS 4·POLITICS]

Berdaches and Amazons. unpublished typescript [CP822-203]
• ~~ [CP822-203]|UX [1·ANTHROPOL. 2·VOCAL MUS. 3·SEX/GENDER 4·MEN 5·WOMEN]

Bessie Johnson 1928-1929. Herwin 202 (nd) 2 pp. [CP706112]
• Johnson, Bessie 2 pp. [CP706112]|PX [1·USA 2·GOSPEL 3·RELIGION 4·DOCUMENT 5·1920S 6·1930S 7·AFR-AMER. 8·VOICE]

The Best of British Cinema and Society 1930-1970. Oxford: Basil Blackwell (1983) 170 pp. #0-631-14349-1 [BCP-RICHARDS]
• Richards, Jeffrey; Aldgate, Anthony 170 pp. #0-631-14349-1 [BCP-RICHARDS]|PB [1·FILM 2·UK 3·1930S 4·1940S 5·1950S 6·1960S 7·CULT.STUDY 8·SOCIOLOGY]

The Best Thing on TV: Commercials. Harmondsworth: Penguin (1978) 184 pp. #0-14-005004-3 [BCA4-PRICE]
• Price, Jonathan 184 pp. #0-14-005004-3 [BCA4-PRICE]|PB [1·TELEVISION 2·ADVERTS 3·ILL.]

Besucherkarte für ausländische Bürger. Berlin: Rundfunk der DDR (1983) 1 pp. [CP757]
• Staatliches Komitee für Rundfunk 1 pp. [CP757]|UX [1·PT 2·DOCUMENT 3·DDR 4·RADIO]

Beviljande av pengar att åka till Canada för. Göteborg: typescript (1981) 1 pp. [CP755032]
• Göteborgs Univ / Humanistiska sektn 1 pp. [CP755032]|UX [1·GÖTEBORG 2·DOCUMENT 3·PT 4·Gbg.Mvet.]

Beyond Schenkerism. The Need for Alternatives in Music Analysis. Chicago: University of Chicago Press (1988) xi+238 pp. #0-226-56847-4 [BM-NARMOUR]
• Narmour, Eugen xi+238 pp. #0-226-56847-4 [BM-NARMOUR]|PB [1·EUROARTMUS 2·MUS.ANALYS 3·HARMONY 4·MUS. FORM]

Beyond Victimhood. Minneapolis: Fairview Press (1995) #0-925190-42-X [BCP-FITZGERA]
• Fitzgerald, Tom #0-925190-42-X [BCP-FITZGERA]|PB [1·PSYCHOLOGY 2·HEALTH]

Bibliographie populäre Musik. Berlin: Humboldt-Universität - Musikwiss. Institut (1984) 61 pp. [BMA4-WICKE]
• Wicke, Peter, ed. 61 pp. [BMA4-WICKE]|PB [1·BIBLIOGR. 2·POPULARMUS 3·ROCK 4·DDR 5·SOCIALISM]

Bibliographie pour "Poèmes et chants de la résistance" - 3. Montréal (1979) 7 pp. [CP195159]
• Destrempes, Josée 7 pp. [CP195159]|UB [1·BIBLIOGR. 2·QUÉBEC 3·PROGRESSIV 4·CANADA 5·Gbg.Mvet. 6·Stud.Proj.]

Les Bidochon: Roman d'amour. Paris: J'ai lu (1997) 159 pp. #2-277-33004-3 [BCP-BINET]
• Binet 159 pp. #2-277-33004-3 [BCP-BINET]|PB [1·HUMOUR 2·FRANCE]

The Big Bands. New York: Collier/Macmillan (1974) 584 pp. [BM-SIMON]
• Simon, George T 584 pp. [BM-SIMON]|PB [1·BANDS 2·SWING 3·JAZZ 4·USA 5·1930S 6·1940S 7·1950S 8·MUSICIANS 9·MUS INDUST 10·ILL.]

The Big Beat: Origins and development of snare backbeat and other accompanimental rhythms in Rock 'n' Roll. PhD Thesis, Institute of Popular Music. Liverpool: University of Liverpool (1998) 300 pp. [BMA4-TAMLYN]
• Tamlyn, Garry 300 pp. [BMA4-TAMLYN]|PB [1·ROCK 2·DISS. PhD. 3·RHYTHM 4·MUSICOLOGY 5·DRUMS 6·MUSIC EXX. 7·BIBLIOGR. 8·DEFINE]

Bigger than Life - Rock & Pop in den USA. Leipzig: Reclam (1991) 279 pp. #3-379-00723-4 [BM-WICKE]
• Wicke, Peter 279 pp. #3-379-00723-4 [BM-WICKE]|PB [1·ROCK 2·USA 3·1980S 4·INTERVIEW 5·ILL. 6·JAZZ 7·MUS INDUST]

Bild och Musik. Stockholm: Sveriges Radio Personalutbildning (1980) [CP 751291]
• Tagg, Philip; Allander, Bertil, ed.: Musik till bild - ett världspråk av stereotyper |7-17|SV|PA [1·AFFECT 2·EDUCATION 3·FILM MUSIC 4·TELEVISION]

The Billboard Guide to Home Recording. New York: Billboard Books (1990) 264 pp. #0-8230-7531-1 [BM-BARAGARY]
• Baragary, Ray 264 pp. #0-8230-7531-1 [BM-BARAGARY]|PB [1·SYNTHS 2·MIDI 3·HANDBOOK 4·REFERENCE 5·COMPUTERS 6·REC.ENGINR 7·RECORDING]

The Birth of Bebop. Berkeley: University of California Press (1997) xiii+572 pp. #0-520-20579-0 [BM-VEAUX]
• Veaux, Scott De xiii+572 pp. #0-520-20579-0 [BM-VEAUX]|PB [1·JAZZ 2·BEBOP 3·USA 4·1930S 5·1940S 6·1950S 7·MUSIC EXX. 8·SOCIOLOGY 9·MUS INDUST]

Black Music in Britain. Buckingham: Open University Press (1990) #0-335-15297-X [BM-OLIVER]
• Baily, John: Qawwali in Bradford: Traditional Music in a Muslim Community |153-165|EN|PA [1·E ASIA 2·ISLAM 3·UK 4·FOLK MUSIC]
• Banerji, Sabita; Baumann, Gerd: Bhangra 1984-8: Fusion and Professionalisation in a Genre of South Asian Dance Music |137-152|EN|PA [1·E ASIA 2·INDIA 3·UK 4·DANCE 5·ACCULTUR. 6·1980S]
• Chatburn, Thomas: Trinidad All Stars: The Steel Pan Movement in Britain |102-117|EN|PA [1·AFRICA 2·UK 3·ACCULTUR. 4·CARIBBEAN]
• Cowley, John: London is the Place: Caribbean Music in the Context of the Empire 1900-60 |58-76|EN|PA [1·AFR-AMER. 2·CARIBBEAN 3·UK 4·IMPERIALSM 5·ACCULTUR.]
• Green, Jeffrey: Afro-American Symphony: Popular Black Concert Hall Performers 1900-1940 |34-44|EN|PA [1·AFRICA 2·AFR-AMER. 3·UK 4·MUSIC HALL 5·ACCULTUR. 6·1900-1909 7·1910S 8·1920S 9·1930S]
• Marks, Anthony: Young, Gifted and Black: Afro-American and Afro-Caribbean Music in Britain 1963-88 |87-101|EN|PA [1·AFRICA 2·UK 3·ACCULTUR. 4·CARIBBEAN]
• Oliver, Paul: Conclusion |166-175|EN|PA [1·AFR-AMER. 2·AFRICA 3·CARIBBEAN 4·E ASIA 5·POPULARMUS 6·UK 7·ACCULTUR.]
• Oliver, Paul; Oliver, Paul, ed.: Introduction |3-15|EN|PA [1·UK 2·ROCK 3·CARIBBEAN 4·E ASIA 5·L AMERICA 6·AFRICA 7·ACCULTUR. 8·AFR-AMER.]
• Pickering, Michael: "A Jet Ornament to Society": Black Music in Nineteenth- Century Britain |16-33|EN|PA [1·AFRICA 2·AFR-AMER. 3·UK 4·C19 5·POPULARMUS]
• Rye, Howard: Fearsome Means of Discord: Early Encounters with Jazz |45-57|EN|PA [1·AFR-AMER. 2·UK 3·JAZZ 4·1910S 5·1920S 6·1930S]
• Stapleton, Chris: African Connections: London's Hidden Music Scene |79-86|EN|PA [1·AFRICA 2·UK 3·ACCULTUR.]

Black Music in Britain: essays on the Afro-Asian contribution to popular music. Buckingham: Open University Press (1990) 198 pp. #0-335-15297-X [BM-OLIVER]
• Oliver, Paul, ed. 198 pp. #0-335-15297-X [BM-OLIVER]|PB [1·UK 2·ROCK 3·CARIBBEAN 4·E ASIA 5·L AMERICA 6·AFRICA 7·ACCULTUR. 8·AFR-AMER.]

Black Nationalism and the Revolution in Music. New York: Pathfinder Press (1970) 280 pp. [BM-KOFSKY]
• Kofsky, Frank 280 pp. [BM-KOFSKY]|PB [1·USA 2·1960S 3·JAZZ 4·AVANTGARDE 5·REVOLUTION]

The Black Perspective in Music. (1985?) [CL003-207]
• Veaux, Scott De: Conversation with Howard McGhee. Jazz in the Forties |65-78|EN|PA [1·INTERVIEW 2·JAZZ 3·BLUES] {McGhee, Howard}

Blacks Whites and Blues. London: Studio Vista (1970) 112 pp. [BM-RUSSELL]
• Russell, Tony 112 pp. [BM-RUSSELL]|PB [1·USA 2·BLUES 3·RURAL 4·AFR-AMER. 5·C&W 6·FOLK MUSIC 7·ROCK]

Blowing her own Trumpet. European ladies' orchestras and other women musicians 1870-1950 in Sweden. Göteborg: Skrifter från Musikvetenskapliga avdelningen, Nº30 (1993) #91-85974-22-6 [BM-MYERS]
• Myers, Margaret #91-85974-22-6 [BM-MYERS]|PB [1·DISS. PhD. 2·WOMEN 3·SWEDEN 4·EUROPE 5·ORCHESTRAL]

Bluegrass: A History. Urbana and Chicago: University of Illinois Press (1986) xi+447 pp. [JM-YEARBOOK]
• Rosenberg, Neil V xi+447 pp. [JM-YEARBOOK]|PB [1·USA 2·C&W 3·REVIEW]

Bluegrass Breakdown: The Making of the Old Southern Sound. Urbana and Chicago: University of Illinois Press (1986) xi+309 pp. [JM-YEARBOOK]
• Cantwell, Robert xi+309 pp. [JM-YEARBOOK]|PB [1·USA 2·C&W 3·REVIEW]

Blues. Boston (MA): Godine (1975) 141.. pp. #0-87923-152-1 [BM-NEFF]
• Neff, Robert 141.. pp. #0-87923-152-1 [BM-NEFF]|PB [1·USA 2·1960S 3·MUSICIANS 4·LYRICS 5·RACISM 6·AFR-AMER. 7·ILL.]

Blues from the Delta. London: November Books (1970) 111 pp. #0-289-70071-X [BM-FERRIS]
• Ferris, William Reynolds Jr 111 pp. #0-289-70071-X [BM-FERRIS]|PB [1·USA 2·RURAL 3·BLUES 4·ILL. 5·LYRICS 6·MUSIC USES 7·DANCE 8·RACISM 9·SEX/GENDER 10·OPPOSE]

Blues- och rockteori. Göteborg: Musikvetenskapliga institutionen (1983) [CP 318098]
• Lilliestam, Lars [CP 318098]|US [1·EDUC ITEM 2·ROCK 3·BLUES 4·MUSIC EXX. 5·HARMONY 6·SOUND 7·INSTRUMENT]

Blues People. New York: Morrow (1963) 244 pp. [BM-JONESLERO]
• Jones, Leroi 244 pp. [BM-JONESLERO]|PB [1·BLUES 2·USA 3·HISTORY 4·GENRES 5·LYRICS 6·MUSIC USES 7·POLITSTUDY 8·JAZZ]

Blues Records 1943-70: a Selective Discography. London: Record Information Services (1987) 798 pp. [JM-POPULAR]
• Leadbitter, Mike; Slaven, Neil 798 pp. [JM-POPULAR]|PB [1·BLUES 2·DISCOGR. 3·1940S 4·1950S 5·1960S]

The Blues Revival. London: November (1971) 112 pp. #0-289-70148-1 [BM-GROOM]
• Groom, Bob 112 pp. #0-289-70148-1 [BM-GROOM]|PB [1·BLUES 2·R&B 3·URBAN 4·USA 5·UK 6·ILL. 7·FESTIVAL 8·ROCK 9·MUSICIANS 10·BIOGRAPHY]

Bluff Your Way in Folk and Jazz. London: Wolfe (1969) 64 pp. #0-72340119-5 [BM-WILLIAMS]
• Williams, Peter 64 pp. #0-72340119-5 [BM-WILLIAMS]|PB [1·HUMOUR 2·FOLK MUSIC 3·JAZZ 4·HANDBOOK]

Bob Marley: the Roots of Reggae. London: W H Allen (1980) 160 pp. #0-352-39622-9 [BM-MARLEY]
• McKnight, Cathy; Tobler, John 160 pp. #0-352-39622-9 [BM-MARLEY]|PB [1·REGGAE 2·CARIBBEAN 3·UK 4·1960S 5·1970S 6·BIOGRAPHY 7·ILL. 8·DISCOGR. 9·ROCK]

Boletín de Música, 58. La Habana: Casa de las Américas (1976) [CP323071]
• Lewin, Olive: El estudio de la música folclórica de Jamaica |3-17|SP|PA [1·CARIBBEAN 2·FOLK MUSIC 3·DANCE 4·METHODOL. 5·GENRES 6·MUSIC USES 7·POPULARMUS 8·ORGANISE]

Boletín de Música, 64 (mayo - junio 1977). Habana: (1977) [CP825105]
• Sordo Sodi, Carmen: El folclor en la ciudad de Mexico en la epoca de Juarez |3-15|SP|PA [1·MEXICO 2·FOLK MUSIC 3·MUSIC EXX.]

Bombay Hindi Film Songs. An acculturative development in interaction with commercial, technological and institutional systems. Honolulu: University of Hawaii-Manoa (1984?) [CP824280-284]
• Skillman, Terri [CP824280-284]|UX [1·INDIA 2·FILM 3·MUS INDUST 4·HISTORY]

The Book of Golden Discs. The Records that Sold a Million. London: Barrie and Jenkins (1978) #0-214-20512-6 [BMA4-MURRELL]
• Murrells, Joseph, ed. #0-214-20512-6 [BMA4-MURRELL]|PB [1·PHONOGRAM 2·STATISTICS 3·CHARTS 4·UK 5·USA 6·EUROPE 7·JAPAN 8·MUSICIANS]

Borgerliga kvinnors musicerande i 1800-talets Sverige. Göteborg: Skrifter från musikvetenskapliga institutionen, 5 (1987) 258 pp. [BM-OHRSTROM]
• Öhrström, Eva 258 pp. [BM-OHRSTROM]|PB [1·SWEDEN 2·C19 3·WOMEN 4·PARLOURMUS 5·MUSICOLOGY 6·MUS.ANALYS 7·SOCIOLOGY 8·EDUCATION 9·GENRES 10·ILL.]

Borrador para el capítulo sobre Uruguay de la enciclopedia de la música grijalbo. Montevideo: typescript (n.d.) 10 pp. [CP198059-068]
• Aharonián, Coriún 10 pp. [CP198059-068]|UX [1·URUGUAY 2·FOLK MUSIC]

Bound for Glory. 1 publ 1943, New York: E P Dutton & Co., Inc.. New York: New American Library (1970) 320 pp. [BM-GUTHRIE]
• Guthrie, Woody 320 pp. [BM-GUTHRIE]|PB [1·USA 2·FOLK MUSIC 3·1930S 4·1940S 5·JUSTICE 6·OPPOSE 7·CAPITALISM 8·POVERTY 9·BIOGRAPHY 10·DOCUMENT] {SEEGER Pete}

The Boy Looked at Johnny - the Obituary of Rock and Roll. London: London: Pluto Press. ISBN 0-86104-030-9-X (1978) 96 pp. #0-86104-0309-X [BM-BURCHILL]
• Burchill, Julie; Parsons, Tony 96 pp. #0-86104-0309-X [BM-BURCHILL]|PB [1·ROCK 2·POLITSTUDY 3·USA 4·UK 5·MUS INDUST 6·PUNK 7·NEW WAVE 8· 9·CONSUME]

Bozze 84, 1984/3. (1984) [CP323080]
• Stefani, Gino: L'autoeducazione popolare: il caso della musica |91-100|IT|PA [1·EDUCATION 2·JUSTICE 3·CULTPOLIT. 4·POLITSTUDY 5·INSTITUTNS 6·ORGANISE 7·MUSICIANS]

The Breakthrough and Popularity of Finnish Gramophone Music in the 1920s. Tampere: (1988) 8 pp. [CP824309-316]
• Saloniemi, Marjo-Riitta 8 pp. [CP824309-316]|UX [1·FINLAND 2·JAZZ 3·PHONOGRAM 4·SOCIOLOGY 5·MUS INDUST 6·1920S]

Brev till APK ang besök i DDR. Göteborg (1986) 2 pp. [CP757]
• Tagg, Philip 2 pp. [CP757]|UX [1·PT 2·DOCUMENT]
• Tagg, Philip 2 pp. [CP757]|UX [1·PT 2·DOCUMENT]

British Beat. London: Socion Books (1974) 104 pp. #0-903985-01-2 [BMA4-MAY]
• May, Chris; Phillips, Tim 104 pp. #0-903985-01-2 [BMA4-MAY]|PB [1·UK 2·ROCK 3·1960S 4·R&B 5·MOR 6·ILL. 7·LIVERPOOL 8·REFERENCE]

The British Hit Albums 1958-82. London: Grrr Books (Guiness) (1983) 216 pp. #0-85112-246-9 [BMR-GUIN]
• Rice, Jo, ed.; Rice, Tim, ed.; Gambaccini, Paul, ed.; Read, Mike, ed. 216 pp. #0-85112-246-9 [BMR-GUIN]|PB [1·CHARTS 2·UK 3·1950S 4·1960S 5·1970S 6·MUS INDUST]

British Hit Albums - 5th Edition. London: Guiness Publications (1992) #0-85112-967-6 [BMREF-GUINES]
• Gambaccini, Paul, ed.; Rice, Tim, ed.; Rice, Jonathan, ed. #0-85112-967-6 [BMREF-GUINES]|PB [1·UK 2·REFERENCE 3·CHARTS 4·1950S 5·1960S 6·1970S 7·1980S 8·1990S]

British Hit Singles. London: Guinness Books (1987) 347 pp. #0-85112-823-8 [BMR-GUINESS]
• Gambaccini, Paul, ed.; Rice, Tim, ed.; Rice, Jo, ed.; Todd, Nick, ed. 347 pp. #0-85112-823-8 [BMR-GUINESS]|PB [1·UK 2·ROCK 3·CHARTS 4·MUS INDUST]

British Hit Singles - 9th Edition. London: Guiness Publishing (1993) #0-85112-526-3 [BMREF-GUINES]
• Gambaccini, Paul, ed.; Rice, Tim, ed.; Rice, Jonathan, ed. #0-85112-526-3 [BMREF-GUINES]|PB [1·REFERENCE 2·CHARTS 3·UK 4·1950S 5·1960S 6·1970S 7·1980S 8·1990S]

British Journal of Sociology of Education, 5/1. London (1984) [CP324069]
• Swanick, Keith: Problems of a Sociological Approach to Pop Music in Schools |49-56|EN|PA [1·ROCK 2·MUSIC EDUC 3·SOCIOLOGY]
• Vulliamy, Graham; Shepherd, John: Sociology and Music Education: a response to Swanick |57-76|EN|PA [1·SOCIOLOGY 2·MUSIC EDUC 3·YOUTH 4·MUSIC USES]

British Music of Our Time. London: Penguin (1946) 256 pp. [BM-BACHARACH]
• Bacharach, A L 256 pp. [BM-BACHARACH]|PB [1·UK 2·MOD.CLASS. 3·ROMANTIC 4·BIOGRAPHY 5·EUROPE] {DELIUS F; HOLST G; WARLOCK P; VAUGHAN WILLIAM; IRELAND J; GOOSSENS E; BAX A; WALTON W; BLISS A; LAMBERT C}

The British Record Industry. IASPM Working Paper, 3 (1984) 38 pp. [BM-HARDY]
• Hardy, Phil 38 pp. [BM-HARDY]|PB [1·UK 2·MUS INDUST 3·MEDIA IND. 4·SELL 5·PRODUCERS 6·CONSUME 7·STATISTICS 8·1960S 9·1970S 10·1980S]

Bruits. Essai sur l'économie politique de la musique. Paris: PUF.ISBN 2-22403071-1-77 (1977) 301 pp. #2-22403071-1-7 [BM-ATTALI]
• Attali, Jacques 301 pp. #2-22403071-1-7 [BM-ATTALI]|PB [1·SOCIOLOGY 2·POLITSTUDY 3·HISTORY 4·ECONOMICS 5·FESTIVAL 6·PERCEIVE 7·MASS MEDIA 8·COMMUNTHEO 9·POLITICS 10·SOUND]

Bruk av musikk i massmediene. Oslo: Institutt for presseforskning (1982) 118 pp. #82-570-6053-4 [BMA4-HOST]
• Höst, Sigurd; Nyvold, Frode 118 pp. #82-570-6053-4 [BMA4-HOST]|PB [1·MASS MEDIA 2·MUSIC USES 3·PERCEIVE 4·MUS INDUST 5·NORWAY]

Buddy Holly. London: November Books. ISBN 0-0-289-70128-7 (1971) 111 pp. #0-0-289-70128- [BM-HOLLY]
• Laing, Dave 111 pp. #0-0-289-70128- [BM-HOLLY]|PB [1·USA 2·YOUTH 3·AMATEURS 4·BANDS 5·MUSICIANS 6·BIOGRAPHY 7·MUS INDUST 8·ILL. 9·DISCOGR. 10·ROCK]

Bulgarian Musicology, 2/2001. Internatioinal Seminar 'Popular Music Today: Objects, Practices, Approaches', Sofia 23-24 June 2000. Sofia: Bulgarska Akademiya na Naukute -Institut za izkustvoznanie (2001) #0204-823X [JM-BULGARIAN]
• Dimov, Ventsislav: Za muzikalniya kolzh kto podkhod v world music =On the musical collage as an approach in world music |138-147|BG|PA [1·WORLD MUS. 2·BULGARIA]
• Draganova, Rossitsa: MP3 ili za promenyashchite se nagladi na muzikalnoto pravene i clushane (edin nespetsifichen primer) =MP3 or the changing patterns of music making and music perception (one non-specific example) |111-117|EN|PA [1·COMPUTERS 2·TECHNOLOGY 3·MUSIC MAKE]
• Einbrodt, Ulrich Dieter: The Internet Musician. From trackers, sequencers, software-synthesizers, virtual sessions and MP3 files: changes in music production and distribution |83-97|EN|PA [1·COMPUTERS 2·MIDI 3·SYNTHS 4·PRODUCERS 5·CONSUME 6·TECHNOLOGY 7·ILL.]
• Gaytandjiev, Gencho: Ot trivialno kum originalno: sintezum v praktikata na Ku-Ku Bend From trivial to original: synthesis in the practice of the Kou-Kou Band |202-204|BG|PA [1·BULGARIA 2·ROCK]
• Goldenberg, Yosef: Folk Song Recordings in Israel |148-161|EN|PA [1·FOLK MUSIC 2·ISRAEL 3·RECORDING 4·MUSIC EXX.]
• Kavaldjiev, Lubomir: Tretat bulna i popularnata muzika (chetiri koznitivni modela za razvitieto na muzikalnata kultura) =The Third Wave and the Popular Music (four models observed in the musical culture development) |19-45|BG|PA [1·ILL. 2·DEFINE]
• Kearney, Kirsten: Playing Monopoly with the academics |167-173|EN|PA [1·LYRICS] {Morrison, Van; Donne, John}
• Krieger, Franz: One more Grammy for Whitney Houston: annotations to musical roots and musical identity in the era of globalization |46-54|EN|PA [1·MUS INDUST 2·USA 3·SINGING 4·IMPROVISE 5·MUSIC EXX.] {Houston, Whitne; Franklin, Areth}
• Levy, Claire: Igra s povtorenieto: za kreativnoto v popularnata muzika/kultura =Playing on Repetitive: creativity in popular music/culture |55-66|BG|PA
• Levy, Claire; Levy, Claire, ed.: Preface |5-8|BG|PA
• Lloyd, David: Mercury Models: distortion of language and identity in new heavy metal |162-166|EN|PA [1·HEAVYMETAL 2·ROCK 3·IDEOLOGY 4·LYRICS 5·SOUND] {Baudrillard, J; Simulacra; Deftones; Korn}
• Lozanov, Georgi: Vliyanie na popularnata muzika vurkhu ezika na mediite =The impact of popular music on the language of the media |174-180|BG|PA
• Novak, John H: The musical depiction of hope in three Christian pop songs |181-201|EN|PA [1·ROCK 2·CHRISTIAN 3·MUSIC EXX.]
• Özer, Yetkin: Modern sounds and traditional images: new trends in Turkish folk music and a video analysis |78-82|EN|PA [1·TURKEY 2·VIDEO 3·FOLK MUSIC 4·MASS MEDIA]
• Peycheva, Lozanka: Semena ot Bulgariya v poleto v 'World Music' =Seeds from Bulgaria in the field of World Music |128-137|BG|PA [1·WORLD MUS. 2·BULGARIA]
• Statelova, Rosemarie: Romsko uchastie v produtsiraneto na lokalna popularna muzika v Bulgaria dnes: etnomuzikologichniam podkhod =Roma participation in producing local popular music in Bulgaria today: an ethnomusicological approach |67-72|BG|PA [1·GYPSY MUS.]
• Tagg, Philip: High and Low, Cool and Uncool: aesthetic and historical falsifications about music in Europe www.tagg.org/articles/sofia2000.html |9-18|EN|PA [1·AESTHETICS 2·POPULARMUS 3·DEFINE 4·HISTORY 5·IASPM 6·IDEOLOGY 7·EUROARTMUS 8·DEFINE]
• Tansug, Feza: Cross-border flow of popular culture: redefining cultural boundaries and traditions in Bulgaria and Turkey |73-77|EN|PA
• Turner, Barnard: America's Band [again]: the mid-seventies Beach Boys and pop music as re-positioning |98-110|EN|PA [1·USA 2·1970S 3·ROCK]
• Valtschinova-Tschendova, Elisaveta: Trudnostta da ne budesh samiya sebe si (stsenichni i repertoarmi prevplishcheniya na svatbarskite orkestri i balkanskata traditionna instrumentalna praktika) =The difficulty of not being yourself (stage and repertory transformations of the wedding orchestras and the Baklkan traditional instrumental practice) |118-127|BG|PA

Bulletin of the Society for Latin American Studies, 31. London: SLAS (1979) #0308-1540 [CP909/03]
• Pring-Mill, Robert: The Nature and the Functions of Spanish American Poesia de Compromiso |4-21|EN|PA [1·CHILE 2·CUBA 3·L AMERICA 4·POETRY 5·PROGRESSIV 6·POLITICAL 7·LYRICS]

C1-uppsats i musikvetenskap. Göteborg: Musikvetenskapliga institutionen (1982) [BMA4-VARFOR]
• Samulesson, T; Keczan, G; Lorentzon, A: Varför slutar eleverna i den kommunala musikskolan |SV|PS [1·SWEDEN 2·MUSIC EDUC 3·GENRES 4·STATISTICS 5·MUSIC USES 6·PERFORM 7· 8·EVERYDAY 9·INSTRUMENT 10·SKILLS]

California Dreamin'. New York: St Martin's Press (1986) 193 pp. [JM-POPUL/RVW]
• Phillips, Michelle 193 pp. [JM-POPUL/RVW]|PB [1·USA 2·ROCK 3·MOR 4·1960S 5·MUS INDUST 6·WOMEN]

Callas: la diva et le vinyle. Montréal: Éditions Triptyque (1987) 393 pp. #2-89031-069-8 [BM-ROCHELLE]
• Rochelle, Réal la 393 pp. #2-89031-069-8 [BM-ROCHELLE]|PB [1·EUROARTMUS 2·MUS INDUST 3·PHONOGRAM 4·STARS 5·MUSICIANS 6·OPERA 7·BIOGRAPHY 8·RECORDS 9·UK 10·ITALY] {CALLAS Maria; EMI; HMV; RICORDI; LA SCALA; TRAVIATA; TOSCA}

Call That Censorship? Problems of definition. Philadelphia: Temple University Press (2003) #1-56639-990-4 [BM-CLOONAN]
• Cloonan, Martin #1-56639-990-4 [BM-CLOONAN]|PA [1·CENSORSHIP]

Canadian Ethnology Service, Paper No. 60. Ottawa: National Museums of Canada (1979) 120+5"33r pp. #0316-1862 [BMA4-PELINSK]
• Pelinski, Ramón, ed.; Suluk, L, ed.; Amarook, L, ed.: Inuit Songs from Eskimo Point |EN|PB [1·CANADA 2·ANTHROPOL. 3·MUSIC EXX.]

Canadian Journal of Research in Semiotics/Le Journal Canadien de Recherche Sémiotique. Ottawa: L'Association Canadienne de Recherche Sémiotique (1976) [JCP-CANADIAN]
• Francoeur, Marie; Francoeur, Louis: Lecteurs et narrataires de Sherwood Anderson et Yves Thériault |3-18|FR|PA [1·SEMIOTICS 2·LITERATURE]
• Krysinski, Wladimir: Roman et signes de référence |67-84|FR|PA [1·LITERATURE 2·SEMIOTICS]
• Layton, Monique J: The Ten Miracles of Josaphat G |19-40|EN|PA [1·SEMIOTICS 2·LITERATURE]
• Poyatos, Fernando: Coding and Functions of Nonverbal Communication in the Novel |51-66|EN|PA [1·LITERATURE 2·SEMIOTICS 3·NVC]
• Seyffert, Henriette: Le problème de la concrétion des signes dans la traduction d'En Attendant Godot |41-50|FR|PA [1·SEMIOTICS 2·LITERATURE] {Beckett, Samuel}

Canadian University Music Review, 1984/5. Ottawa/Montréal (1985) #0710-0353 [JM-CANADIAN]
• Boucourechliev, André: L'unité en question |140-151|FR|PA [1·EUROARTMUS 2·ROMANTIC 3·MOD.CLASS. 4·MUSIC EXX. 5·MUSICOLOGY 6·MUS. FORM]
• Broomfield, Howard: In Doig People's Ears |123-135|EN|PA [1·ANTHROPOL. 2·FOLK MUSIC 3·MOD.CLASS. 4·CANADA]
• Haughton, Harry: Music as Social and Cultural Reproduction: Educational Processes in Ontario Schools |38-59|EN|PA [1·MUSIC EDUC 2·SOCIOLOGY 3·PHILOSOPHY 4·CANADA 5·YOUTH 6·CULTPOLIT. 7· 8·POPULARMUS]
• Ling, Jan: The Sociology of Music |1-16|EN|PA [1·SOCIOLOGY 2·MUSICOLOGY 3·HISTORY 4·PHILOSOPHY 5·DEFINE]
• Lortat-Jacob, Bernard: L'arbre mangé: variations sur la chèvre qui sonne (Calabre, Italie) |242-268|FR|PA [1·ANTHROPOL. 2·ITALY 3·INSTRUMENT 4·COMPOSE 5·MUSIC MAKE 6·MUS.ANALYS 7·MUSIC EXX. 8·FOLK MUSIC 9·SEMIOTICS]
• McClelland, John: La fonction communicative des masques dans les comédies italiennes de Mozart |179-197|FR|PA [1·EUROARTMUS 2·DRAMA 3·C18 4·VIS. ARTS]
• McCormick, Chris: Maritime Folk Song as Popular Culture: An Applied Study in Discourse and Relations |60-86|EN|PA [1·CANADA 2·FOLK MUSIC 3·PROGRESSIV 4·CULT.STUDY 5·POLITSTUDY 6·LYRICS 7·DEFINE]
• Molino, Jean: Vers une nouvelle anthropologie de l'art et de la musique. 'Sound and Sentiment' de Feld |269-314|FR|PA [1·REVIEW 2·ANTHROPOL. 3· 4·MUSICOLOGY 5·MYTHOLOGY 6·SEMIOTICS]
• Pinson, Jean-Pierre: L'Action dans le récitatif pathétique de Lully: la déclamation |152-178|FR|PA [1·OPERA 2·FRANCE 3·C17 4·MUSICOLOGY 5·DRAMA]
• Roberge, Marc-André: Le répertoire d'opéras du XXe siècle des scènes de langue allemande entre 1925 et 1930 |179-197|FR|PA [1·GERMANY 2·STATISTICS 3·1920S 4·1930S 5·OPERA]
• Sauvé, Martial: Un modèle du processus de composition musicale |222-241|FR|PA [1·COMPOSE 2·COMPOSERS 3·DEFINE 4·EUROARTMUS]
• Shepherd, John: Introduction to the Trent University Occasional Conference: 'The Sociology of Music' |xi-xiv|EN|PA [1·CANADA 2·CONFERENCE 3·SOCIOLOGY 4·IASPM 5·POPULARMUS 6·DEFINE]
• Stepchild: Other Villages Other Voices |136|EN|PA [1·POETRY 2·ROCK 3·AVANTGARDE 4·USA]
• Straw, Will: Characterizing Rock Music Cultures: The Case of Heavy Metal |104-122|EN|PA [1·GENRES 2·ROCK 3·YOUTH 4·MUS INDUST 5·POLITSTUDY 6·SEX/GENDER]
• Vulliamy, Graham: A Sociological View of Music Education: An Essay in the Sociology of Knowledge |17-37|EN|PA [1·EDUCATION 2·SOCIOLOGY 3·CULT.STUDY 4·UK 5·GENRES 6· 7·MUSIC EDUC 8·POLITSTUDY]
• Whidden, Lynn: How Can You Dance To Beethoven? Native People and Country and Country Music |87-103|EN|PA [1·C&W 2·CANADA 3·ANTHROPOL. 4·MASS MEDIA 5·RADIO 6·SOCIOLOGY 7·AMERINDIAN]

Canciones del mar. La Habana: (1994) 229 pp. #959-04-0034-5 [SONGBK-RODRI]
• Rodríguez, Silvio 229 pp. #959-04-0034-5 [SONGBK-RODRI]|PB [1·CUBA 2·SSONGWRITR 3·MUSIC EXX. 4·LYRICS 5·DOCUMENT 6·1960S 7·1970S 8·1980S 9·1990S]

Candombe. ¡Salve Baltasar!. Montevideo: (2002) 164 pp. #9974-7805-0-0 [BM-GOLDMAN]
• Goldman, Gustavo 164 pp. #9974-7805-0-0 [BM-GOLDMAN]|PB [1·URUGUAY 2·L AMERICA 3·MUSIC EXX. 4·DRUMS 5·ANTHROPOL.]

Canto porque es necessario cantar: The New Song Movement in Chile, 1973-1983. Albuquerque: University of Mexico, Latin American Institute (1984) 35 pp. [CP193039]
• Morris, Nancy E 35 pp. [CP193039]|PB [1·CHILE 2·1970S 3·1980S]

Can You Hear What They're Playing. A study of strategies among ear players in rock music. Luleå: Luleå University of Technology, 2002:25 (2002) 385 pp. #1402-1544 [BM-JOHANSSON]
• Johansson, K G 385 pp. #1402-1544 [BM-JOHANSSON]|PB [1·DISS. PhD. 2·ROCK 3·MUSIC MAKE 4·MUSIC EXX. 5·SWEDEN]

La canzone italiana. Roma: Casa Editrice Roberto Napoleone (1981) 126 pp. [BM-CANZONE]
• Murtas, Clara 126 pp. [BM-CANZONE]|PB [1·ITALY 2·LYRICS 3·ILL. 4·DOCUMENT 5·HISTORY 6·BALLADS 7·SCHLAGER 8·OPERETTA]

Capital Volume 1. London: Penguin (1976) 1141 pp. #0-14-02-1928-5 [BCP-MARX]
• Marx, Karl 1141 pp. #0-14-02-1928-5 [BCP-MARX]|PB [1·POLITICS 2·SOCIALISM 3·MONEY]

Capital Volume 2. London: Penguin (1978) 624 pp. #0-14-02-1971-4 [BCP-MARX]
• Marx, Karl 624 pp. #0-14-02-1971-4 [BCP-MARX]|PB [1·POLITICS 2·SOCIALISM 3·MONEY]

Capital Volume 3. The Process of Capitalist Production as a Whole. Secondary publishers: Lawrence & Wishart, London 1972. Moscow: Progress Publishers (1971) xi+948 pp. #0-85315-028-1 [BCP-MARX]
• Marx, Karl; Engels, Friedrich, ed. xi+948 pp. #0-85315-028-1 [BCP-MARX]|PB [1·SOCIALISM 2·CAPITALISM 3·COMMUNISM 4·MONEY]

Cardozo Arts & Entertainment Law Journal, 10/2. (1992) [JM-CARDOZO]
• Sanjek, David: "Don't Have To DJ No More": sampling and the "autonomous" creator |607-624|EN|PA [1·SAMPLING 2·COPYRIGHT 3·DJS 4·RAP, etc. 5·USA 6·1980S 7·1990S 8·CANADA] {Oswald, John; Tone Loc}

Cavendish Recorded Music for Film, Radio Television Supplement (Summer 1978). London: Boosey and Hawkes (1978) [BMA4-BOOSEY]
• Boosey & Hawkes [BMA4-BOOSEY]|PS [1·UK 2·1970S 3·MOOD MUSIC 4·FILM MUSIC 5·CATALOGUE 6·DISCOGR.]
• Boosey & Hawkes [BMA4-BOOSEY]|PS [1·UK 2·1970S 3·MOOD MUSIC 4·FILM MUSIC 5·CATALOGUE 6·DISCOGR.]

Céilís, Jigs and Ballads. Irish Music in Liverpool. Liverpool: Institute of Popular Music. Liverpool Sounds Series (1994) 39 pp. #1-898806-01-2 [BM-MCMANUS]
• McManus, Kevin 39 pp. #1-898806-01-2 [BM-MCMANUS]|PB [1·LIVERPOOL 2·IRELAND 3·ILL.]

The Celts. 1st ed 1958, 2nd ed 1980. London: Thames and Hudson (1980) #0-500-27275-1 [BCP-POWELL]
• Powell, T G E #0-500-27275-1 [BCP-POWELL]|PB [1·CELTIC 2·EUROPE 3·HISTORY 4·ARCHAEOL. 5·ILL.]

Challenging Music as Expression in the United States. Philadelphia: Temple University Press (2003) #1-56639-990-4 [BM-CLOONAN]
• Fischer, Paul D #1-56639-990-4 [BM-CLOONAN]|PA [1·CENSORSHIP 2·USA]

Chamber Music. London: Penguin (1957) 423 pp. [BM-ROBERTSON]
• Robertson, Alec 423 pp. [BM-ROBERTSON]|PB [1·BAROQUE 2·EUROARTMUS 3·ROMANTIC 4·MOD.CLASS. 5·EUROPE 6·CHAMB.MUS.]

La chanson française. Paris: PUF (Que sais-je? 1453) (1977) 126 pp. [BM-QUE SAIS]
• Vernillat, France; Charpentreau, Jacques 126 pp. [BM-QUE SAIS]|PB [1·FRANCE 2·HISTORY 3·SSONGWRITR 4·LYRICS 5·MEDIEVAL 6·EUROARTMUS 7·BALLADS 8·ROCK 9·MUSICIANS 10·BIBLIOGR.]

Chanson par titre et par auteur/Songs by title and by artist (avril 2004). Montréal: Club Date (2004) [BMA4-KARAOKE]
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Le chant grégorien. Paris: PUF (Que sais-je? 1041) (1963) 128 pp. [BM-QUE SAIS]
• Valois, Jean de 128 pp. [BM-QUE SAIS]|PB [1·EUROPE 2·RELIGION 3·VOCAL MUS. 4·MEDIEVAL 5·HISTORY 6·MUSIC EXX. 7·MUSICOLOGY 8·BIBLIOGR.]

Chants de la révolution française. Paris: Le Livre de Poche (1989) 223 pp. [SONGBOOKS]
• Moureau, François, ed.; Wahl, Élisabeth, ed. 223 pp. [SONGBOOKS]|PB [1·FRANCE 2·C18 3·REVOLUTION 4·MUSIC EXX. 5·BALLADS 6·EUROARTMUS 7·ANTHOLOGY]

* Check details *. Köbenhavn: (1980) 33 pp. [BCP-FAUSING]
• Fausing, Bent; Clausen, Nils C: Fascismens billeder |DK|PB [1·RADIO 2·DENMARK 3·GERMANY 4·1930S 5·FASCISM 6·VIS. ARTS 7·POLITSTUDY 8·ARCHITECT. 9·MASS MEDIA 10·ILL.]

* Check source *. London: Oxford University Press (1965) [BCP-BRIGGS]
• Briggs, Asa: The Golden Age of Wireless. The History of Broadcasting in the United Kingdom, Vol 2 |EN|PB [1·RADIO 2·UK 3·1930S 4·1940S 5·1950S 6·CULTPOLIT.]

* Check source * (? Musica/Realtà or Quaderni?). Milano: (1985) [JM]
• Pestalozza, Luigi: Le Ragioni di un incontro |7-20|IT|PA [1·CONFERENCE 2·ITALY 3·MASS MEDIA 4·CULT.STUDY 5·CULTPOLIT.]
• Stenzl, Jürg: Finanziamento e Indipendenza |28-32|IT|PA [1·ADMINISTR. 2·MUSIC MAKE 3·CULTPOLIT.]

* Check source * (RéR Records Quarterly). London: (1986) [JM-RECOMMEND]
• Baxter, Ed: Crisis of production in some popular songs |9-11|EN|PA [1·ROCK 2·AVANTGARDE 3·BLUES 4·PHONOGRAM 5·AESTHETICS 6·POLITSTUDY 7·1970S 8·SEMIOTICS 9·PHILOSOPHY]
• Cutler, Chris: Skill: The Negative Case for Some New Music Technology (Part 1) |25-28|EN|PA [1·RECORDING 2·TECHNOLOGY 3·SKILLS 4·MUSIC MAKE 5·DEFINE 6·AESTHETICS 7·PRODUCERS 8·CONSUME]
• François, René: The Remora ("Essay des merveilles de nature et des plus nobles artifices" - Lyon 1642) |5|EN|PA [1·LITERATURE]
• Hummel, H J: Hommage To Photography |9-11|EN|PA [1·ILL. 2·VIS. ARTS]
• Kovaks, Appia: The Art of Rock and Roll in Hungary |6-7|EN|PA [1·HUNGARY 2·ROCK 3·AVANTGARDE 4·1970S 5·1980S 6·MUS INDUST 7·CULTPOLIT. 8·MUSICIANS]
• Kovaks, Appia: Hystereo Polaroid Experiments No,1 |6-7|EN|PA [1·DOCUMENT 2·REVIEW 3·PERFORM 4·AUDIENCE 5·HUNGARY 6·1980S 7·AVANTGARDE 8·ROCK]
• Sharp, Bill: The recording studio as a compositional instrument (no. 3) |30-32|EN|PA [1·COMPOSE 2·RECORDING 3·AESTHETICS 4·SKILLS 5·MUSIC MAKE]
• Sheepdip, Tintoretto: Clockenhen's Charity Concert (Cartoon) |9-11|EN|PA [1·ILL. 2·UK 3·POLITICAL 4·1970S 5·1980S]
• Vlcek, Josef: Video: a letter from Prague |22-23|EN|PA [1·VIDEO 2·CZECHOSLOV 3·1980S 4·TELEVISION 5·MUS INDUST 6·AESTHETICS 7·ROCK]

* check source * (? Suomalainen populaarimusiikin tutkimus?). Helsinki: (1987) [BM-SUOMALAIN]
• Donner, Philip: DDR:n populaarimusiikista - politiikasta ja tutkimusesta ="On popular music in the GDR - Politics and Art" |50-60|SF|PA [1·DDR]
• Eklund, Björn: Tuomiopäivä tulee - suomalaisen rocksoolon analyysi |3-13|SF|PA [1·FINLAND 2·ROCK 3·MUSIC EXX. 4·GUITAR 5·MUS.ANALYS]
• Muikku, Jari: Tuittajan asemasta ja tehtävistä |14-24|SF|PA [1·RECORDING 2·PRODUCERS 3·ROCK 4·FINLAND 5·MUSICIANS 6·MUS INDUST 7·AESTHETICS]
• Oesch, Pekka: Kriitikon valinta portinvartijamekanisma |40-49|SF|PA [1·FINLAND 2·JOURNALISM 3·STATISTICS]
• Salminen, Kimmo: Rock on radiossa väline ja viesti |25-39|SF|PA [1·ROCK 2·RADIO 3·FINLAND 4·1980S 5·CULTPOLIT. 6·DJS]
• Tolvanen, Hannu: Göteborg - Kaupunki Volvon varjossa |61-64|SF|PA [1·GÖTEBORG 2·SWEDEN 3·Gbg.Mvet.]
• Tolvanen, Hannu: Suomalainen populaarimusiikin tutkimus = Popular Music Research in Finland |1-3|SF|PA [1·FINLAND]

Chico Buarque de Hollanda. Textos, Notas, Eststudio Biografico, historico e critico. São Paulo: Abril Educação. Literatura Comentada (1980) 106 pp. [BM-BUARQUE]
• Bezerra de Meneses, Adelia 106 pp. [BM-BUARQUE]|PB [1·BRAZIL 2·1960S 3·1970S 4·1980S 5·POETRY 6·LYRICS 7·EDUC ITEM 8·PROGRESSIV 9·POLITSTUDY 10·GENRES]

Chopin. London: Evergreen (1960) 192 pp. [BM-CHOPIN]
• Bourniquel, Camille 192 pp. [BM-CHOPIN]|PB [1·EUROARTMUS 2·ROMANTIC 3·C19 4·BIOGRAPHY 5·PIANO 6·ILL.]

The Church and its Music (Revised edition: 1publ 1950). London: Duckworth (1967) 262 pp. [BM-ROUTLEY]
• Routley, Erik 262 pp. [BM-ROUTLEY]|PB [1·COMPOSE 2·MUSICIANS 3·CHRISTIAN 4·THEOLOGY 5·EUROPE 6·RITUAL 7·POLITSTUDY 8·HISTORY 9·AESTHETICS]

Cinegraph. Lexikon zum deutschsprachigen Film. Hamburg: (1988) [CL003-015]
• Simeon, Ennio: Giuseppe Becce |DE|PA [1·FILM 2·GERMANY 3·ITALY 4·FILM MUSIC]

Cinema & cinema, 18/60 (Audiofane - Voci, rumori e musica del cinema). Bologna: CLUEB (1991) [JM-CINEMA]
• Anderson, Gilian: Opera e film: i fiocchi e gli artigli di Carmen |55-64|IT|PA [1·FILM MUSIC 2·OPERA]
• Boschi, Alberto; Asta, Monica Dall': Al di là dell'immagine |3-8|IT|PA [1·FILM MUSIC]
• Boschi, Alberto: Appunti per una teoria del rumore |54-54|IT|PA [1·FILM 2·SOUND]
• Brault, Michel; Perrault, Pierre: Il suono del diretto |103-110|IT|PA [1·FILM 2·SOUND 3·INTERVIEW]
• Cano, Cristina: Il sonoro tra esperienza corporea ed esperienza auditiva |97-102|IT|PA [1·FILM 2·SOUND 3·PSYCHOLOGY 4·BODY]
• Chion, Michel: Una falsa barriera: conversazione con Michel Chion |35-44|IT|PA [1·FILM MUSIC 2·FRANCE 3·INTERVIEW]
• Cremonini, Giorgio: Canzoni, canzoni, canzoni |87-96|IT|PA [1·FILM MUSIC 2·SINGING]
• Meldolesi, Claudio: L'ultimo Brecht e il cinema-utopia-del-teatro |3-8|IT|PA [1·GERMANY 2·FILM 3·DRAMA]
• Minganti, Franco: L'universo sonoro dell'«hard-boiled» |65-76|IT|PA [1·DETECTIVES 2·FILM MUSIC 3·SYMPHONY]
• Tagg, Philip: Muzak, sigle televisive, temi conduttori e musiche da film |77-86|IT|PA [1·FILM MUSIC 2·HOLLYWOOD 3·EUROARTMUS 4·ROMANTIC 5·IMPRESSNSM 6·HISTORY 7·AESTHETICS 8·AFFECT]

Cinema e musica. Breve storia della musica cinematografica. Torino: Libraria UTET (1991) 138 pp. #88-7750-019-0 [BM-RONDOLINO]
• Rondolino, Gianni 138 pp. #88-7750-019-0 [BM-RONDOLINO]|PB [1·FILM MUSIC 2·HISTORY 3·USA 4·EUROPE 5·HOLLYWOOD 6·EUROARTMUS 7·USSR 8·AESTHETICS]

Cinema Journal, 9/2 (Spring 1970). (1970) [CP824332-338]
• Gallez, Douglas W: Theories of Film Music includes (p.47) a functional taxonomy of film music |40-47|EN|PA [1·FILM MUSIC 2·DEFINE] {Kracauer, S; Sabaneev, L; Spottiswoode, R; Eisler, H; Pudovkin, V I; London, Kurt; Eisenstein, S}

Le cinéma musical: du rock au disco 1953-1967. Paris: Editions PAC (1978) 234 pp. [BM-JELOTBLAN]
• Jelot-Blanc, Jean-Jacques 234 pp. [BM-JELOTBLAN]|PB [1·ROCK 2·1950S 3·1960S 4·FILM 5·USA 6·EUROPE 7·ILL. 8·CATALOGUE]

Le cinéma musical: du rock au disco 1958-1979. Paris: Editions PAC (1979) 250 pp. [BM-JELOTBLAN]
• Jelot-Blanc, Jean-Jacques 250 pp. [BM-JELOTBLAN]|PB [1·ROCK 2·1960S 3·1970S 4·FILM 5·USA 6·EUROPE 7·ILL. 8·CATALOGUE]

The Classical Style. Haydn, Beethoven, Mozart. London: Faber and Faber (1976) 467 pp. #0-571-04905-2 [BM-ROSEN]
• Rosen, Charles 467 pp. #0-571-04905-2 [BM-ROSEN]|PB [1·ITALY 2·LITERATURE]

Class Warfare -- Interviews. London: Pluto Press (1996) 185 pp. #0-7453-1137-7 [BCP-CHOMSKY]
• Chomsky, Noam; Barsamian, David, ed. 185 pp. #0-7453-1137-7 [BCP-CHOMSKY]|PB [1·POLITICS 2·SOCIALISM 3·MONEY]

The Cliff Richard Story. London: Futura (1975) 156 pp. #0-8600-7232-0 [BM-TREMLETT]
• Tremlett, George 156 pp. #0-8600-7232-0 [BM-TREMLETT]|PB [1·UK 2·1950S 3·1960S 4·1970S 5·ROCK 6·MOR 7·BIOGRAPHY 8·ILL. 9·PERSONAL]

Clive. Inside the Record Business. New York: Ballantine. ISBN 0-345-247604-195 (1974) 346 pp. #0-345-247604-1 [BM-DAVIS]
• Davis, Clive 346 pp. #0-345-247604-1 [BM-DAVIS]|PB [1·MUS INDUST 2·ILL. 3·MUSICIANS 4·ADVERTS 5·USA 6·ROCK 7·1960S 8·1970S 9·DJS 10·PRODUCERS] {CBS; COLUMBIA; BRIBERY; CORRUPTION; PAYOLA; ARTISTS}

College Nusic Symposium, 26. Journal of the College Music Society (1986) #0069-5696 [CP502/4]
• Bevil, J Marshall: Scale in Southern Appalachian Folksong: a reexamination |77-96|EN|PA [1·USA 2·UK 3·SCOTLAND 4·IRELAND 5·MELODY 6·MUSICOLOGY 7·MUSIC EXX. 8·C18 9·C19 10·FOLK MUSIC]
• Kroeger, Karl: Dynamics in Early American Psalmody |97-105|EN|PA [1·USA 2·C18 3·C19 4·HYMNS 5·DYNAMICS 6·CHORAL]

Collegium Musicum, Boletín 11 (octubre de 1967). Buenos Aires: Collegium Musicum (1967) [CP323027]
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Columbia 10-inch Records 1904-30. City of London Phonograph and Gramophone Society (1985) unpaged pp. [JM-POPULAR]
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The Columbia 33000-F Irish Series. A Numerical Listing. Los Angeles: John Edwards Memorial Foundation (1979) 77 pp. [BM-GRONOW]
• Gronow, Pekka, ed. 77 pp. [BM-GRONOW]|PB [1·USA 2·IRELAND 3·DISCOGR. 4·1920S 5·1930S 6·1940S 7·1950S]

Comment analysez-vous les guérissages dans les sociétés primitives et traditionnelles? Texte présenté en réponse à une question d'examen doctorat. Montréal: Université de Montréal, Département de sociologie (1985) [CP124]
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Comment réussir dans la chanson. Paris: Filipacchi (1978) 166 pp. [BM-FUMIERE]
• Fumière, F; Stephane, B; Rugel, M; Salvet, A 166 pp. [BM-FUMIERE]|PB [1·1970S 2·1960S 3·JOURNALISM 4·FRANCE 5·MUS INDUST 6·ENTERTAIN 7·HANDBOOK 8·EDUC ITEM 9·BEHAVIOUR 10·CATALOGUE] {AZNAVOUR Charle; MADJAR R}

Comments/lyrics - Mexican Corridos. Oxford: St Catherine's College - private photocopy (1984) [CP323060]
• Pring-Mill, Robert [CP323060]|US [1·MEXICO 2·OPPOSE 3·LIBERTY 4·LYRICS]

Communication Information, 7/3 (automne 1985). Québec: Université Laval, Faculté des Arts (1985) [CP193159]
• Saucier, Robert: Programmation musicale et radio communautaire: l'exemple de Channel #5 |FR|PA [1·RADIO 2·CULTPOLIT. 3·CANADA 4·QUÉBEC 5·INTERNATNL 6·MUS INDUST 7·PERCEIVE 8·STATISTICS 9·GENRES 10·SELL]

Communication, morphogenèse et identité culturelle. Louvain-la-Neuve: Ciaco Éditeur S.C. (1988) 251 pp. #2-87085-138-3 [BCP-MARTINS]
• Martins, Carlos Alberto 251 pp. #2-87085-138-3 [BCP-MARTINS]|PB [1·CHILE 2·URUGUAY 3·L AMERICA 4·CULT.STUDY 5·GENRES 6·SOCIOLOGY 7·SEMIOTICS 8·CULTPOLIT. 9·FASCISM 10·OPPOSE] {CANTO POPULAR; CANTO NUEVO}

Comparaison des deux suites symphoniques: le Coq D'or de Rimsky Korsakoff et L'oiseau feu de Stravinsky. Montréal: McGILL (1977) [CP195085]
• Destrempes, Josée [CP195085]|US [1·PROGRAMMUS 2·RUSSIA 3·MUSICOLOGY 4·MUSIC EXX. 5·1900-1909 6·Stud.Proj.]

Comparaison du style italien et anglais dans l'analyse des Madrigaux de Thomas Morley et John Wilbye. Montréal: Mc.Gill (1975) [CP195035]
• Destrempes, Josée [CP195035]|US [1·ITALY 2·UK 3·MUSICOLOGY 4·BAROQUE 5·CHORAL 6·MADRIGALS 7·MUSIC EXX. 8·Stud.Proj.]

La competenza musicale. Bologna: Cooperativa Libraria Universitaria Editrice (1982) 210 pp. [BM-STEFANI]
• Stefani, Gino 210 pp. [BM-STEFANI]|PB [1·SEMIOTICS 2·MELODY 3·AMATEURS 4·DEFINE 5·MUSIC EXX. 6·MUSICOLOGY 7·SKILLS]

The Complete Operas of Verdi. London: Gollancz (1969) 527 pp. #0-330-23774-8 [BM-VERDI]
• Osborne, Charles 527 pp. #0-330-23774-8 [BM-VERDI]|PB [1·OPERA 2·ROMANTIC 3·LYRICS 4·ITALY 5·MELODY 6·NATIONALSM 7·MUSIC EXX. 8·REFERENCE 9·ILL.]

Comporre per il cinema. Teoria e prassi della musica nel film. Venezia: Biblioteca di Bianco e Nero (2001) 316 pp. #88-317-7718-1 [BM-MORRICONE]
• Morricone, Ennio; Miceli, Sergio; Gallenga, Laura, ed. 316 pp. #88-317-7718-1 [BM-MORRICONE]|PB [1·FILM MUSIC 2·ITALY 3·USA 4·COMPOSE 5·EDUCATION 6·MUSIC EXX. 7·ILL. 8·DOCUMENT 9·DEFINE 10·INTERVIEW]

A Composer's World. The Charles Eliot Norton Lectures 1949-1950. New York: Anchor/Doubleday (1961) 257 pp. #0-385-09861-8 [BM-HINDEMITH]
• Hindemith, Paul 257 pp. #0-385-09861-8 [BM-HINDEMITH]|PB [1·EUROARTMUS 2·MOD.CLASS. 3·PHILOSOPHY 4·MUSIC EDUC 5·COMPOSE 6·PERCEIVE]

Composing for the Films. London: Dobson (1947) 165 pp. [BMA4-EISLER]
• Eisler, Hanns 165 pp. [BMA4-EISLER]|PB [1·FILM MUSIC 2·AESTHETICS 3·COMPOSE 4·MUSIC EXX.]

Composing with Tape Recorders. London: Oxford University Press (1971) 74 pp. #0-19-311912-9 [BM-DWYER]
• Dwyer, Terence 74 pp. #0-19-311912-9 [BM-DWYER]|PB [1·RECORDING 2·COMPOSE 3·EDUC ITEM 4·INSTRUMENT 5·ILL. 6·TECHNOLOGY 7·DEFINE]

Computer Technology and Commercial Music Composition, Performance and Recording (synopsis). Kingston (Ont): Dept of Computing, Queen's University (1984) 1 pp. [CP193139]
• Pennycock, Bruce W 1 pp. [CP193139]|UX [1·COMPUTERS 2·TECHNOLOGY 3·MUSIC MAKE 4·AESTHETICS 5·RECORDING]

Comunicazione di massa, dicembre 1986. (1986) [CL003-315]
• Prato, Paolo: Suoni e desideri: trent'anni di produzione discografica nell'industria anglo-americana |26-34|IT|PA [1·MUS INDUST 2·PHONOGRAM 3·USA 4·UK]

Concentration and Diversity in the International Phonogram Industry. Göteborg: Gothenburg Studies in Journalism and Mass Communication, 1 (1990) 187 pp. #91-88212-00-9 [BM-BURNETT]
• Burnett, Robert 187 pp. #91-88212-00-9 [BM-BURNETT]|PB [1·MUS INDUST 2·PHONOGRAM 3·USA 4·INTERNATNL 5·STATISTICS 6·CULT.STUDY 7·DISS. PhD. 8·PT]

The Concept of Music. Oxford: Clarendon Press (1992) 187 pp. #0-19-816215-4 [BM-MACONIE]
• Maconie, Robin 187 pp. #0-19-816215-4 [BM-MACONIE]|PB [1·AESTHETICS 2·HISTORY 3·SOUNDSCAPE 4·MUSICOLOGY 5·PHILOSOPHY 6·EUROPE]

The Concepts of Culture, Social Space and Field. Göteborg: Avdelningen för masskommunikation, Göteborgs universitet (1988) [CP823-116]
• Reimer, Bo [CP823-116]|UX [1·CULT.STUDY 2·DEFINE] {Williams, R}

Concert programme: Oregon, Jan Gabarek, Gary Burton. Freiburg-im-Briesgau: Zelt Musik Festival Verein (1984) [CP453087]
• Jazz-Fest Freiburg [CP453087]|PS [1·BRD 2·JAZZ 3·USA 4·DOCUMENT 5·1980S]

The Concrete Music from 1953 to 1972. Göteborg: Department of Musicology (1983) [CP322239]
• Kendale-Green, Bruce: Rune Lindblad - Pioneer of Swedish Electronic Music, Part I |EN|US [1·GÖTEBORG 2·MOD.CLASS. 3·ELCTRNCMUS 4·SWEDEN 5·1950S 6·1960S 7·Stud.Proj.]

Confusing Confucius: Rock in Contemporary China. Philadelphia: Temple University Press (2003) #1-56639-990-4 [BM-CLOONAN]
• Kloet, Jeroen de #1-56639-990-4 [BM-CLOONAN]|PA [1·CHINA 2·CENSORSHIP 3·ROCK]

Conseil de la Coopération Culturelle, 50e session. Strasbourg: Council of Europe, Council for Cultural Cooperat (1985) [CP327/08]
• Wangermée, Robert: Les musiques de notre temps. Création, enseignement, diffusion. Florence 17-20/6, 1986 |FR|PS [1·EUROPE 2·MUSIC EDUC 3·PERCEIVE 4·MOD.CLASS. 5·CONFERENCE 6·AUDIENCE]

Consejo lationamericano de educación por el arte, 1. Montevideo: (1986) [CP825115]
• Aharonián, Coriún: Identidad, colonialismo y educación musical |19-26|SP|PA [1·GENRES 2·COLONIAL 3·MUSIC EDUC 4·L AMERICA 5·URUGUAY 6·BIBLIOGR.]

Contemporary Views on Musical Style and Aesthetics. Antwerpen: Metropolis (1979) [BM-BROECKX]
• Broeckx, Jan L: I Stravinsky - An Attempt at an Insight into his Historic Role |7-21|EN|PA [1·MOD.CLASS. 2·HISTORY 3·AESTHETICS]
• Broeckx, Jan L: On the Concept of Musical Value |44-104|EN|PA [1·PHILOSOPHY 2·DEFINE 3·SOCIOLOGY 4·POLITSTUDY 5·MOD.CLASS. 6·AESTHETICS]
• Broeckx, Jan L: A Schönberg - Interrelations between Compositional Systems * |22-43|EN|PA [1·MOD.CLASS. 2·HISTORY 3·AESTHETICS]
• Broeckx, Jan L: Works and Plays in Music - An Inquiry into the Ontology of Musical Products |126-163|EN|PA [1·PHILOSOPHY 2·DEFINE 3·MUSICOLOGY 4·MOD.CLASS. 5·EUROARTMUS 6·AESTHETICS]

Convertiendo la oscurana en claridad: The Songs of the Nicaraguan Revolution. Montréal: Paper for 3rd IASPM International Conf: typescript (1985) [CP323034,057]
• Pring-Mill, Robert [CP323034,057]|US [1·C AMERICA 2·OPPOSE 3·LYRICS 4·LIBERTY 5·IASPM]

Convertiendo la oscurana en claridad: some aspects of the songs of the Nicaraguan revolut. Oxford: St Catherine's College - private MS (1985) [CP323131,124]
• Pring-Mill, Robert [CP323131,124]|US [1·C AMERICA 2·REVOLUTION 3·IMPERIALSM 4·LIBERTY 5·LYRICS 6·JUSTICE 7·DISCOGR. 8·CHRISTIAN]

Corsi di Semiologia della musica e Metodologia dell' educazione musicale dell'Università di Bologna. Bologna: Cooperativa Libraria Universitaria Editrice Bologna (CLUEB) (1989) 77 pp. [BM-STEFANI]
• Stefani, Gino, ed.: Progetto musicologia. I |IT|PB [1·ITALY 2·MUSICOLOGY 3·SEMIOTICS 4·DEFINE 5·ROCK 6·POPULARMUS 7·MUSIC EDUC]

La cosa vista, 11/12. (1989) [CP826041-046]
• Simeon, Ennio: Teorie del cinema e teoria e prassia della musica per film nel cinema di Weimar |11-15|IT|PA [1·GERMANY 2·ITALY 3·FILM MUSIC 4·FILM 5·DEFINE 6·HISTORY]

The Country Blues. London: Michael Joseph (1959) 203 pp. [BM-CHARTERS]
• Charters, Samuel Barclay 203 pp. [BM-CHARTERS]|PB [1·USA 2·RURAL 3·BLUES 4·MUSICIANS 5·BIOGRAPHY 6·HISTORY 7·DISCOGR. 8·FOLK MUSIC 9·MUS INDUST 10·URBAN]

Country Music in Liverpool - `Nashville of the North'. Liverpool: Institute of Popular Music (1994) #1-89880-600-4 [BM-MCMANUS]
• McManus, Kevin #1-89880-600-4 [BM-MCMANUS]|PB [1·C&W 2·LIVERPOOL 3·INTERVIEW 4·ILL.]

Country Music USA - A Fifty Year History. Austin & London: University of Texas Press (1974) 15+422 pp. [BM-MALONE]
• Malone, Bill C 15+422 pp. [BM-MALONE]|PB [1·USA 2·C&W 3·WESTERNS 4·MUS INDUST 5·HISTORY 6·VVA]

The Craft of Musical Composition. Book II: Excercises in Two-part Writing. London: Schott & Co. (1941) 160 pp. [BM-HINDEMITH]
• Hindemith, Paul 160 pp. [BM-HINDEMITH]|PB [1·MELODY 2· 3·POLYPHONY 4·COMPOSE 5·MUSIC EDUC 6·MUSIC EXX. 7·MOD.CLASS.]

Crear en la cultura nacional, 10 (setiembre/octubre 1982). Albuquerque: University of Mexico, Latin American Institute (1982) [CP193039]
• Vila, Pablo Sergio: Música popular y auge del folklore en la decada del '60 |24-27|SP|PA [1·ARGENTINA 2·FOLK MUSIC 3·TANGO 4·NATIONAL 5·MUS INDUST]

Creative Rhyming for the Lyricist (synopsis). Boston: Berklee (1984) [CP193140]
• Pattison, Pat [CP193140]|US [1·LYRICS 2·EDUCATION 3·SKILLS]

Creative Rhyming for the Lyricist (Paper Proposal). Boston: Berklee School of Music (1985) [CP327/05]
• Pattison, Pat [CP327/05]|US [1·LYRICS 2·SKILLS]

Crescere con il rock. L'educazione musicale nella società dei mass-media. Bologna: Cooperativa Libraria Universitaria Editrice Bologna (1989) 313 pp. [BM-BARONI]
• Baroni, Mario; Nanni, Franco 313 pp. [BM-BARONI]|PB [1·CHILDREN 2·YOUTH 3·ROCK 4·ITALY 5·SOCIOLOGY 6·STATISTICS 7·EDUCATION 8·VIDEO 9·MASS MEDIA 10·SOCIALISAT]

Critical notes on Laske's Theory of Musical Cognition. Göteborg: private (1984) 3 pp. [CP193280]
• Grenier, Line 3 pp. [CP193280]|UX [1·PHILOSOPHY 2·DEFINE 3·REVIEW]

Critical Quarterly, 35/2. www.tagg.org/articles/deathmus.pdf. Oxford: Blackwell (1993) #0011-1562 [JCP-CRITICAL]
• Goodman, Elizabeth: Death and dancing in the live arts: performance, politics and sexuality in the age of AIDS |99-116|EN|PA [1·DEATH 2·SEMIOTICS 3·ANTHROPOL. 4·POLITICAL]
• Kemp, Sandra; Frith, Simon, ed.: Enigmatic clarity: death, life and modernism |3-18|EN|PA [1·DEATH]
• Tagg, Philip: `Universal' music and the case of death |54-85|EN|PA [1·DEATH 2·SEMIOTICS 3·MUSICOLOGY 4·ANTHROPOL. 5·POLITICAL]
• Wolff, Janet: Death and the Maiden: does semiotics justify murder? |38-46|EN|PA [1·DEATH 2·SEMIOTICS]

A Critical Study of A-Level Music and its Relationship with Higher Education and the Music Industry. Liverpool: (1995) vii+257 pp. [BMA4-HURRY]
• Hurry, Pamela vii+257 pp. [BMA4-HURRY]|UB [1·MUSIC EDUC 2·UK 3·MUS INDUST 4·DISS. PhD.]

Critique of Chris Cutler's Popular Music definition article. Montréal: private (1984) 6 pp. [CP193246]
• Grenier, Line 6 pp. [CP193246]|UX [1·REVIEW 2·PHILOSOPHY 3·POLITSTUDY 4·DEFINE 5·HISTORY]

Crónicas de la resistenicia juveníl. Buenos Aires, CEDES (1985) [CP193020]
• Vila, Pablo Sergio [CP193020]|UA [1·ARGENTINA 2·ROCK 3·YOUTH 4·NATIONAL 5·1970S 6·1980S]

Cross-Cultural Universals of Affective Meaning. Urbana: University of Illinois Press (1975) 19+486 pp. #0-252-00550-3 [BCP-OSGOOD]
• Osgood, C E; May, W H; Miron, M S 19+486 pp. #0-252-00550-3 [BCP-OSGOOD]|PB [1·AFFECT 2·SEMIOTICS 3·CULT.STUDY 4·ANTHROPOL. 5·VERBAL 6·STATISTICS]

Crowley, Lousiana Blues. Bexhill-on-Sea: Blues Unlimited (1968) 30 pp. [BM-LEADBITTE]
• Leadbitter, Mike 30 pp. [BM-LEADBITTE]|PB [1·ILL. 2·BLUES 3·USA 4·MUSICIANS 5·RADIO 6·LYRICS 7·BIOGRAPHY 8·RURAL]

Cubana be Cubana bop. Der Jazz und die lateinamerikanische Musik. Graz: Beiträge zur Jazzforschung, 12. Adeva Musik (Akademische Druck- u. Verkagsanstalt) (2005) 172 pp. #3-201-01864-3 [BM-HENDLER]
• Hendler, Maximillian 172 pp. #3-201-01864-3 [BM-HENDLER]|PB [1·AFRICA 2·CUBA 3·USA 4·L AMERICA 5·JAZZ 6·IDEOLOGY 7·DEFINE] {Afro}

Cultural Anthropology, 2/3. (1987) [CL103-284]
• Keil, Charles: Participatory Discrepancies and the Power of Music |275-280|EN|PA [1·RHYTHM 2·MUSICOLOGY 3·PERFORM 4·MUSIC MAKE 5·ANTHROPOL. 6·SOCIOLOGY]

Cultura y estado. Typescript (1987?) 16 pp. [CP825076]
• Aharonián, Coriún 16 pp. [CP825076]|UX [1·CULTPOLIT. 2·URUGUAY]

Curriculum Vitae. Montevideo (1983) 4 pp. [CP194001]
• Aharonián, Coriún 4 pp. [CP194001]|UX [1·DOCUMENT 2·URUGUAY]

Curriculum Vitae. Montréal (1979) 4 pp. [CP195155]
• Destrempes, Josée 4 pp. [CP195155]|UX [1·PERSONAL 2·DOCUMENT 3·Gbg.Mvet.]

Curriculum Vitae. Peterborough, Ontario (1982) 3 pp. [CP194126]
• Shepherd, John 3 pp. [CP194126]|UX [1·PERSONAL 2·DOCUMENT]

Curriculum Vitae + L'inéluctable pluralisme en musique électroacoustique (synopsis). Montréal: private (1984) [CP193107]
• Ménard, Philippe [CP193107]|US [1· 2·AESTHETICS]

Cut 'n' Mix: Culture, Identity and Caribbean Music. London & New York: Comedia/Methuen (1987) 177 pp. [JM-POPULAR]
• Hebdige, Dick 177 pp. [JM-POPULAR]|PB [1·UK 2·USA 3·CARIBBEAN 4·REGGAE 5·LYRICS 6·JAMAICA] {TWO TONE; DUBS; EEK-A-MOUSE}

Dagbladet, 841203. Oslo: Dagbladet (1984) [CP757]
• Solberg, Tone: Pionér i populærmusikk |19|NO|PA [1·PT 2·KOJAK 3·NORWAY 4·DOCUMENT]

Dagens Nyheter. Stockholm (n.d.) [CP318033]
• Glanzelius, Ingemar: Ornette Coleman leder i New York (Skivbunten) |SV|PA [1· 2·USA 3·JAZZ 4·REVIEW 5·AFR-AMER. 6·GENRES]

Dagens Nyheter, 1983-10-. Stockholm: Dagens Nyheter (1983) [CP322336]
• Glanzelius, Ingemar: Motroten (om "Lars" och Stan Getz) |?|SV|PA [1·JAZZ 2·SWEDEN 3·HISTORY 4·GENRES 5·D.I.Y.]

Dagens Nyheter, 1990-02-25. Stockholm: (1990) [CP822-208]
• Gustafson, Klas: Vad är rock och foxtrot mot gombe suga, kiduo, nyang'ummi, mangala eller lele mama? |SV|PA [1·ROCK 2·WORLD MUS. 3·AFRICA 4·1980S 5·1990S] {GOMBE SUGA; LELE MAMA}

Dagens Nyheter, 740205. Stockholm (1974) [CP324068]
• Glanzelius, Ingmar: Alice Askungen |SV|PA [1·JAZZ 2·ENTERTAIN 3·PHONOGRAM 4·REVIEW 5·SWEDEN]

Dagens Nyheter, 760601. Stockholm (1976) [CP318032]
• Glanzelius, Ingemar: Ljuvligt övergiven efter Leonard Cohen |SV|PA [1·REVIEW 2·SWEDEN 3·USA 4·SSONGWRITR]

Dagens Nyheter, 760624. Stockholm (1976) [CP318035]
• Glanzelius, Ingemar: "Ingen gör bort sej som jag" |SV|PA [1·SWEDEN 2·JAZZ 3·DANCE 4·VOCAL MUS. 5·SCHLAGER] {LILL BABS}

Dagens Nyheter, 800523. Stockholm (1980) [CP318036]
• Glanzelius, Ingemar: Johnsons ljudliv ute på vandring (Han är inte radikal, B-E Johnson, bara okonventionell) |SV|PA [1·SWEDEN 2·RADIO 3·MOD.CLASS. 4·AVANTGARDE 5·POPULARMUS 6·GROUPS 7·INNOVATE]

Dagens Nyheter, 811211. Stockholm (1981) [CP318037]
• Glanzelius, Ingemar: Snoddas 'Flottarkärlek' och Larsson i skrindan |SV|PA [1·SWEDEN 2·FOLK MUSIC 3·SCHLAGER 4·REVIEW 5·TELEVISION]

Dagens Nyheter, 820813. Stockholm (1982) [CP324067]
• Glanzelius, Ingmar: Blås som Ayler så hittas du i Strömmen |SV|PA [1·JAZZ 2·MUSICIANS 3·BIOGRAPHY 4·SAXOPHONE]

Dagens Nyheter, 831120. Stockholm (1983) [CP318033]
• Glanzelius, Ingemar: Trio chockar i Sovjetjazz |SV|PA [1·USSR 2·JAZZ 3·PERCEIVE 4·SWEDEN]

Dagens Nyheter, 840707. Stockholm (1984) [CP324064]
• Abba: Miljonbelopp undanhölls: ABBA hotas av åtal för skattebedrägeri |28|SV|PA [1·ABBA 2·SWEDEN 3·MUS INDUST]

Dagens Nyheter, 850311. Stockholm: Dagens Nyheter (1985) [CPR326/4]
• Glanzelius, Ingemar: Motroten |SV|PA [1·GERMANY 2·FASCISM 3·WAR 4·1940S 5·RADIO]

Dagens Nyheter, 890508. Stockholm: (1989) [CP824305]
• Danius, Sara; Jonsson, Stefan: Snillrikt från `Hajen' till Heidegger Fredric Jameson, arvtagare till Georg Luk cs |SV|PA [1·CULT.STUDY 2·MASS MEDIA 3·POSTMODERN] {Jameson, Fred; Lukács, György}

Dagens nyheter, 900121. Stockholm: (1990) [CL003-078]
• Gyllander, Roland: Vetet och hästen har gett dig din frihet |7|SV|PA [1·ANTHROPOL. 2·HISTORY] {horses; wheat}

Dal blues al liscio. Verona: Edizioni Ianua (1992) [BM-STEFANI]
• Agostini, Roberto: Studiare la popular music |167-189|IT|PA [1·METHODOL. 2·REVIEW 3·DEFINE 4·SEMIOTICS 5·SOCIOLOGY 6·PT]
• Bolelli, Roberto: Folk appropriato |103-134|IT|PA [1·ITALY 2·FOLK MUSIC 3·SSONGWRITR]
• Corrado, Gabriele: Swing: senso: tecnica, condotta |75-102|IT|PA [1·JAZZ 2·SWING 3·MUSIC EXX. 4·RHYTHM]
• Marchi, Luca: Il liscio: pratica sociale e genere musicale |135-166|IT|PA [1·ITALY 2·DANCE 3·AUDIENCE 4·MUSICIANS 5·SINGING]
• Miani, Guido; Stefani, Gino, ed.: Gesti melodici del blues |11-48|IT|PA [1·BLUES 2·MELODY 3·MUSIC EXX.]
• Pisa, G Alessandro Di: Riff: tattica e modelli |49-74|IT|PA [1·JAZZ 2·BLUES 3·MUSIC EXX. 4·ACCOMPANY 5·MELODY]

Dansk Musiktidskrift, 1979/3. Köbenhavn: Dansk Tonekunstnerselskab (1979) [BMA4-TAGG]
• Tagg, Philip: "Fernando" - Analyse af affekt i ABBA's "Fernando" |124-156|DK|PA [1·ABBA 2·MOR 3·AFFECT 4·MUSICOLOGY 5·MUSIC EXX. 6·1970S 7·L AMERICA 8·SEMIOTICS 9·POLITSTUDY 10·MUS.ANALYS]

Dans le débat opposant médecins et guérisseurs, situer les enjeux contemporains du débat tels qu'ils mettent en scène à la fois des pouvoirs et. Montréal: Université de Montréal, Département de sociologie (1985) [CP124]
• Guénette, Alain [CP124]|US [1·HEALTH 2·PHILOSOPHY 3·DEFINE 4·MYTHOLOGY]

DDR im Überblick. Dresden: Verlag Zeit im Bild. Ill (1984) 292 pp. [BCP-DDR]
• Various: Detta är DDR |SV|PB [1·DDR 2·STATISTICS]

Death Metal and the Limits of of Musical Expression. Philadelphia: Temple University Press (2003) #1-56639-990-4 [BM-CLOONAN]
• Kahn-Harris, Keith #1-56639-990-4 [BM-CLOONAN]|PA [1·CENSORSHIP 2·ROCK 3·HEAVYMETAL]

The Death of Copyright, the Rise of Women and Rock in a Socialist State. Ottawa: Typescript (1988?) 19 pp. [CP826145-164]
• Shepherd, John 19 pp. [CP826145-164]|UX [1·COPYRIGHT 2·WOMEN 3·SEX/GENDER 4·ROCK 5·USA 6·CANADA 7·DDR 8·SOCIALISM 9·DEFINE]

Debates, 1 (Agosto de 1997). Rio de Janeiro: Universidade do Rio de Janeiro, Centro de Artes e Letras, Programa de Pós-Graduação em Música Brasileira (1997) #1414-7939 [JM-DEBATES]
• Dufourt, Hugues: O artifício da escrita na música occidental |7-16|PG|PA [1·HISTORY 2·MUSICOLOGY 3·EUROPE 4·NOTATION 5·IDEOLOGY 6·COMPOSE]
• Gandelman, Saloméa: P estudio e a técnica pianistica |17-25|PG|PA [1·HISTORY 2·MUSICOLOGY 3·EUROPE 4·PIANO 5·PERFORM] {Études}
• Gubernikoff, Carole: Escuta e eletroacústica: Composição e análise |26-33|PG|PA [1·NOTATION 2·MUSICOLOGY 3·IDEOLOGY 4·COMPOSE 5·AVANTGARDE]
• Pinheiro, Paulo J: O canto das sereias |34-42|PG|PA [1·AVANTGARDE]
• Tacuchian, Ricardo: Fundamentos teóricos do sistema-T |43-66|PG|PA [1·COMPOSE 2·PITCH 3·HARMONY 4·NOTATION]
• Travassos, Elizabeth: A antropologia musical de Anthony Seeger |67-77|PG|PA [1·ANTHROPOL. 2·METHODOL. 3·DEFINE]
• Ulhôa, Martha: Nova história, velhos sons. Notas para ouvir e pensar a música brasileira popular |78-101|PG|PA [1·BRAZIL 2·POPULARMUS 3·HISTORY 4·GENRES 5·ANTHROPOL. 6·IDEOLOGY 7·DEFINE]

Debates, 3 (Março de 1999). Rio de Janeiro: Centro de Letras e Artes, Uni-Rio (1999) #1414-7939 [JM-DEBATES3]
• Gandelman, Saloméa; Barancovski, Ingrid: Edino Krieger - Obras para Piano |25-56|PG|PA
• Nogueira, Marcos: Condições de interpretação musical |57-80|PG|PA
• Tacuchian, Ricardo: Uma Trilogia Sinfônica |7-24|PG|PA
• Travassos, Elizabeth: Resenha de "O violão azul" de Santuza Cambraia Naves |97-101|PG|PA
• Ulhôa, Martha Tupinambá de; Tagg, Philip: Entrevista com Philip Tagg |81-96|PG|PA [1·SEMIOTICS 2·MUS.ANALYS 3·MUSIC EDUC 4·POPULARMUS 5·IDEOLOGY 6·DEFINE]

Debussy: Impressionism and Symbolism. 1publ 1966. London: Eulenburg (1966) 175 pp. #0-903873-09-5 [BM-DEBUSSY]
• Jarocinski, Stefan 175 pp. #0-903873-09-5 [BM-DEBUSSY]|PB [1·FRANCE 2·ORCHESTRAL 3·MUSIC EXX. 4·AESTHETICS 5·PROGRAMMUS 6·SEMIOTICS]

Declining invitation to Rock f.d. Frieden 1984 (Brazil). Berlin: typescript (1983) 1 pp. [CP755067]
• Tagg, Philip 1 pp. [CP755067]|UX [1·DDR 2·DOCUMENT 3·ROCK]

Déficiance mentale/Mental Retardation, 23/4. Downsview (Ont): Canadian Assoc. for the Mentally Retarded (1973) [CP195028]
• Destrempes, Josée: L'Intégration des Inadaptés |36-44|FR|PA [1·HEALTH 2·MUSIC EDUC 3·CANADA 4·QUÉBEC]

Delta Country Blues. Bexhill-on-Sea: Blues Unlimited (1968) 48 pp. [BM-LEADBITTE]
• Leadbitter, Mike 48 pp. [BM-LEADBITTE]|PB [1·ILL. 2·BLUES 3·USA 4·MUSICIANS 5·RADIO 6·LYRICS 7·BIOGRAPHY 8·RURAL]

Den musikaliske galaksen. Samtidsmusiken i den nya mediasituasjonen og i den eventuelle opplösning av genregrenserne. Oslo: (1989) 8 pp. [CL003-353]
• Ling, Jan 8 pp. [CL003-353]|PX [1·GENRES 2·MASS MEDIA 3·EUROARTMUS 4·AESTHETICS]

Den samiska musikkulturen. En källkritisk översikt. Göteborg: Skrifter från Musikvetenskapliga institutionen, 1 (1977) [BM-EDSTROM]
• Edström, Karl-Olof [BM-EDSTROM]|PB [1·DISS. PhD. 2·SWEDEN 3·ANTHROPOL. 4·MUSICOLOGY 5·MUSIC EXX.]

The Descent of Man and Selection in Relation to Sex. Second edition, revised and augmented, twenty-first thousand. With illustrations and Preface (written 1874). London: John Murray (1888) xvi+693 pp. [BCP-DARWIN]
• Darwin, Charles xvi+693 pp. [BCP-DARWIN]|PB [1·BIOLOGY 2·SOCIOLOGY 3·RELIGION 4·SEX/GENDER 5·ETHICS 6·C19 7·PHILOSOPHY]

Desert Island Discs. Glasgow: Collins/Fontana (1977) 224 pp. #0-00-634227-2 [BM-PLOMLEY]
• Plomley, Roy 224 pp. #0-00-634227-2 [BM-PLOMLEY]|PB [1·UK 2·RADIO 3·STARS 4·1940S 5·1950S 6·1960S 7·1970S 8·DJS 9·GENRES 10·ILL.]

Designing Distributed and Cooperative Information Systems. London: International Thomson Computer Press (1997) #1-85032-165-5 [BCP-TAGG]
• Tagg, Roger M; Freyberg, Chris #1-85032-165-5 [BCP-TAGG]|PB [1·COMPUTERS]

Development Coorperation 1983 REVIEW. OECD (1983) [CP601062]
• UNESCO: Level of GNP and Population of Developing Countries in Developing Country Groups |EN|PS [1·INTERNATNL 2·3RD WORLD 3·ECONOMICS 4·STATISTICS]

Dialectique et société. Introduction à une théorie général du symbolique. Montréal: Éditions Saint-Martin (1986) 296 pp. #2-89035-119-X [BM-FREITAG]
• Freitag, Michel 296 pp. #2-89035-119-X [BM-FREITAG]|PB [1·PHILOSOPHY 2·SOCIOLOGY 3·MARXISM 4·SEMIOTICS]

Dictionary of Music Production and Engineering Terminology. New York & London: Schirmer / Collier Macmillan (1988) xiv+257 pp. #0-02-872691-X [BMR-WADHAM]
• Wadhams, Wayne xiv+257 pp. #0-02-872691-X [BMR-WADHAM]|PB [1·TECHNOLOGY 2·MUS INDUST 3·REFERENCE 4·REC.ENGINR 5·FILM 6·RECORDING 7·FILM MUSIC 8·ELECTRONIC 9·ACOUSTICS]

Dictionnaire de la chanson française. Paris: Larousse (1968) 256 pp. [BMR-VERNILLA]
• Vernillat, France, ed.; Charpentreau, Jacques, ed. 256 pp. [BMR-VERNILLA]|PB [1·FRANCE 2·SSONGWRITR 3·HISTORY 4·BALLADS 5·MUSICIANS 6·LYRICS 7·REFERENCE 8·ILL.]

Dictionnaire de musique. Paris: Editions du Seuil (1961) 283 pp. [BMR-MUSIQUE]
• Candé, Roland de 283 pp. [BMR-MUSIQUE]|PB [1·EUROPE 2·EUROARTMUS 3·FOLK MUSIC 4·ACOUSTICS 5·MUSICOLOGY 6·MUSIC EXX. 7·REFERENCE 8·MOD.CLASS. 9·ILL.]

Didaktik und Methodik der Popmusik. Frankfurt am Main: Diesterweg (1975) 180 pp. #3-425-03750-1 [BM-WIECHELL]
• Wiechell, Dörte 180 pp. #3-425-03750-1 [BM-WIECHELL]|PB [1·ROCK 2·SCHLAGER 3·MUSIC EDUC 4·BRD 5·PERCEIVE 6·LYRICS 7·SOCIOLOGY 8·STATISTICS 9·MUSIC EXX. 10·MUS.ANALYS]

Dimitri Tiomkin - A Portrait. London: T.E. Books (1984) 144 pp. #0-9509439-0-8 [BM-TIOMKIN]
• Palmer, Christopher 144 pp. #0-9509439-0-8 [BM-TIOMKIN]|PB [1·FILM MUSIC 2·HOLLYWOOD 3·BIOGRAPHY 4·ILL.]

Directory of Traditional Music. New York: International Council for Traditional Music (1989) 100 pp. #0893-3065 [JM-YEARBOOK]
• Christensen, Dieter, ed.; Christensen, Nerthus, ed. 100 pp. #0893-3065 [JM-YEARBOOK]|PB [1·FOLK MUSIC 2·ANTHROPOL. 3·BIBLIOGR. 4·REFERENCE]

Discourse and Communication. New Approaches to the Analysis of Mass Media Discourse and Communication. Berlin: (1985) [CL002053-062]
• Leeuwen, Theo van: Rhythmic Structure of the Film Text |216-232|EN|PA [1·RHYTHM 2·FILM 3·FILM MUSIC 4·PSYCHOLOGY 5·SEMIOTICS 6·MUSIC EXX.]

Doctoral Dissertations in American Music. A Classified Bibliography. New York/Brooklyn: Institute for Studies in American Music (1974) 155 pp. [BM-DOCTORAL]
• Mead, Rita H 155 pp. [BM-DOCTORAL]|PB [1·USA 2·CATALOGUE 3·BIBLIOGR. 4·DISS.]

Documento dell' Associazione dei fonografici italiani di richiesta di dichiarazione dello stato di crisi del settore. Milano: Convegno Internazionale Musica e sistema dell' informazione (1983) [CP320112]
• A.F.I.; ~~ [CP320112]|PS [1·PHONOGRAM 2·ITALY 3·EUROPE 4·DOCUMENT 5·MUS INDUST 6·STATISTICS 7·MASS MEDIA]

Doom Patrol: Black Sabbath at the Rainbow. St Albans: Granada (1974) #0-586-04261-X [BM-GILLETT]
• Weiner, Andrew #0-586-04261-X [BM-GILLETT]|PA [1·ROCK 2·UK 3·1970S 4·REVIEW 5·FANS 6·PERFORM]

DOPMUS 1Q and 2Q Questionnaires. Göteborg: IASPM (1983) 6 pp. [CP501/8]
• Tagg, Philip 6 pp. [CP501/8]|UX [1·IASPM 2·BIBLIOGR. 3·PT]

DOPMUS. Documentation of Popular Music Studies. Göteborg: IASPM (Norden) (1989) xx+280 pp. #91-87030-01-2 [BMR-DOPMUS]
• Tagg, Philip, ed. xx+280 pp. #91-87030-01-2 [BMR-DOPMUS]|PB [1·BIBLIOGR. 2·POPULARMUS]

Double Life. The Autobiography of Miklós Rózsa, Composer in the Golden Years of Hollywood. Tunbridge Wells: Baton Press (1982) 224 pp. #0-85936-141-1 [BM-ROZSA]
• Rózsa, Miklós 224 pp. #0-85936-141-1 [BM-ROZSA]|PB [1·FILM MUSIC 2·HOLLYWOOD 3·EUROARTMUS 4·BIOGRAPHY 5·MUSIC EXX. 6·ILL.]

Dragspel. Stockholm: Sohlmans (1976) 172 pp. #91-7198-010-5 [BM-KJELLSTRO]
• Kjellström, Birgit 172 pp. #91-7198-010-5 [BM-KJELLSTRO]|PB [1·SWEDEN 2·ACCORDION 3·HISTORY 4·ILL. 5·C19 6·C20 7·EUROARTMUS 8·INSTRUMENT 9·DANCE 10·POPULARMUS]

Dragspelet. Stockholm: Musikmuseet och Riksutställningar (nd) 38 pp. [BMA4-KJELLST]
• Kjellström, Birgit 38 pp. [BMA4-KJELLST]|PB [1·SWEDEN 2·ACCORDION 3·ILL. 4·HISTORY]

Dreamgirl. New York: St Martin's Press (1986) 292 pp. [JM-POPUL/RVW]
• Wilson, Mary 292 pp. [JM-POPUL/RVW]|PB [1·USA 2·SOUL 3·WOMEN 4·SEX/GENDER 5·MUS INDUST]

The Drifters. London: Novmber Books (1971) 112 pp. #0-289-70132-5 [BM-DRIFTERS]
• Millar, Bill 112 pp. #0-289-70132-5 [BM-DRIFTERS]|PB [1·USA 2·DOOWOP 3·VOICE 4·CHORAL 5·MUS INDUST 6·RECORDS 7·1940S 8·1950S 9·GOSPEL 10·DISCOGR.]

Dude, where's my country?. New York: Warner Books (2003) #0-446-53223-1 [BCP-MOOREM]
• Moore, Michael #0-446-53223-1 [BCP-MOOREM]|PB [1·USA 2·POLITICS]

Dynamics of television. Farnborough: Saxon House (1976) xv+190 pp. #0-566-00124-1 [BCP-BAGGALEY]
• Baggaley, John; Duck, Steve xv+190 pp. #0-566-00124-1 [BCP-BAGGALEY]|PB [1·TELEVISION 2·STATISTICS 3·PERCEIVE 4·SOCIOLOGY 5·CULT.STUDY 6·SEMIOTICS]

Ear Cleaning. Wien: Universal Edition (1967) 46 pp. #0-900938-27-7 [BM-SCHAFER M]
• Schafer, R Murray 46 pp. #0-900938-27-7 [BM-SCHAFER M]|PB [1·EDUC ITEM 2·ACOUSTICS 3·ENVIRONMNT 4·SOUND]

Eddison Bluesbooks, 1. London: Eddison Press (1979) 246 pp. #0-85649-015-6 [BM-ROWE]
• Roberts, John Storm: The Latin Tinge. The Impact of Latin American Music on the United States |EN|PB [1·L AMERICA 2·USA 3·C20 4·HISTORY 5·GENRES 6·MUS INDUST 7·DANCE 8·DISCOGR. 9·BIBLIOGR. 10·ILL.]
• Rowe, Mike: Chicago Breakdown (1973) |EN|PB [1·BLUES 2·USA 3·URBAN 4·MUS INDUST 5·1940S 6·1950S 7·1960S 8·MUSICIANS 9·LYRICS 10·ILL.]

The Edison Phonograph: the British Connection. Rugby: City of London Phonograph and Gramophone Society (1986) 138 pp. [JM-POPULAR]
• Andrews, Frank 138 pp. [JM-POPULAR]|PB [1·DISCOGR. 2·USA 3·UK 4·PHONOGRAM]

Eduard Hanslick. Music Criticisms 1846-99 (Trans. H Pleasants). London: Penguin (Revised: 1publ.1950) (1963) 313 pp. [BM-HARTOG]
• Pleasants, Henry, ed. 313 pp. [BM-HARTOG]|PB [1·ROMANTIC 2·AUSTRIA 3·GERMANY 4·MUSICOLOGY 5·REVIEW 6·BIOGRAPHY 7·ORCHESTRAL 8·OPERA 9·EUROARTMUS 10·C19]

Educación artística para niños y adolescentes. 1 publ 1968. Montevideo: Tauro (1969) [CP320006]
• Aharonián, Coriún; Tomeo, ed.: Mesomúsica y educación musical |81-89|SP|PA [1·POPULARMUS 2·MUSIC EDUC 3·YOUTH 4·CHILDREN 5·FOLK MUSIC 6·URBAN 7·L AMERICA 8·TANGO 9·HISTORY 10·CULTPOLIT.]

El Condor Pasa. Göteborg: Musikvetenskap (1988) 38 pp. [CP824190-227]
• Lee, Pedro van der 38 pp. [CP824190-227]|UB [1·ANDEAN 2·ARGENTINA 3·EUROPE 4·COLONIAL 5·MUSIC EXX. 6·FRANCE 7·MUSICOLOGY 8·BIBLIOGR. 9·DISCOGR.]

The Electric Muse: the Story of Folk Into Rock. London: Methuen (1975) #0-413-31860-5 [BM-LAING]
• Dallas, Karl: The Roots of Tradition |83-138|EN|PA [1·USA 2·FOLK MUSIC 3·1950S 4·1960S 5·CLUBS 6·UK 7·C19 8·C20 9·URBAN 10·RURAL]
• Denselow, Robin: Folk-Rock in Britain |139-177|EN|PA [1·UK 2·1960S 3·1970S 4·FOLK MUSIC 5·ROCK 6·C&W 7·CLUBS 8·MUSICIANS]

The Electric Muse: the Story of Folk into Rock. London: Methuen (1975) 182 pp. #0-413-31860-5 [BM-LAING]
• Laing, Dave; Dallas, Karl; Denselow, R; Shelton, R 182 pp. #0-413-31860-5 [BM-LAING]|PB [1·UK 2·FOLK MUSIC 3·ROCK 4·1960S 5·1970S 6·ILL.]

The Electric Muse: the Story of Folk Into Rock. London: Methuen (1975) #0-413-31860-5 [BM-LAING]
• Laing, Dave: Troubadours and Stars |45-82|EN|PA [1·USA 2·FOLK MUSIC 3·ROCK 4·MUS INDUST 5·1950S 6·1960S]
• Shelton, Robert: Something Happened in America |7-44|EN|PA [1·USA 2·FOLK MUSIC 3·BLUES 4·C&W 5·GOSPEL 6·RURAL 7·FESTIVAL 8·ROCK]

Elettronica e musica. Gli strumenti, i personaggi, la storia. Milano: Fabbri, Bompiani, Sonzogno (1984) 239 pp. [BMA4-FABBRI]
• Fabbri, Franco 239 pp. [BMA4-FABBRI]|PB [1·TECHNOLOGY 2·RECORDING 3·INSTRUMENT 4·HISTORY 5·MUSICIANS 6·PRODUCERS 7·AESTHETICS 8·ITALY 9·EL.INSTR. 10·ELECTRONIC]

Elevator Music. New York: Picador (1994) viii+280 pp. #0-312-13063-5 [BM-LANZA]
• Lanza, Joseph viii+280 pp. #0-312-13063-5 [BM-LANZA]|PB [1·MUZAK 2·MOR 3·ILL.]

The Elizabethan Madrigal. London: Oxford University Press. 4th impression 1952 (1925) 111 pp. [BM-FELLOWES]
• Fellowes, Edmund H 111 pp. [BM-FELLOWES]|PB [1·MADRIGALS 2·UK 3·COMPOSE 4·PERFORM 5·MUSICIANS 6·MUSIC USES 7·HISTORY 8·C16 9·C17 10·MUSICOLOGY]

The Emergence of the Jazz Concert, 1935-1945. Charlottesville VA: Typescript (1987) 49 pp. [CP827156-214]
• Veaux, Scott De 49 pp. [CP827156-214]|UX [1·JAZZ 2·1930S 3·1940S 4·USA 5·PERFORM]

The Emigrant Experience: Songs of Highland Emigrants in North America. Toronto: University of Toronto Press (1982) 229 pp. [JM-YEARB/RVW]
• MacDonnel, Margaret 229 pp. [JM-YEARB/RVW]|PB [1·SCOTLAND 2·USA 3·CANADA 4·CELTIC 5·BALLADS 6·MUSIC EXX. 7·LYRICS]

Emotion and Meaning in Music. London: University of Chicago Press (1956) 11+307 pp. #0-226-52139-7 [BM-MEYER L]
• Meyer, Leonard B 11+307 pp. #0-226-52139-7 [BM-MEYER L]|PB [1·MUSICOLOGY 2·AESTHETICS 3·PSYCHOLOGY 4·MUS.ANALYS 5·MUSIC EXX. 6·MUS. FORM 7·AFFECT 8·RHYTHM 9·HARMONY 10·MELODY]

Em Pauta, 14. Revista do Programa de Pós-Graduação em Música. Porto Alegre: Universidade Federal do Rio Grande do Sul (2003) #0103-7420 [JM-EMPAUTA]
• Braga, Reginaldo Gil: Música e modernidade reliosa entre Tamboreiros de Nação: em tonro de uma tradiça~o musical moderna |121-142|PG|PA [1·DRUMS 2·BRAZIL 3·ANTHROPOL. 4·RELIGION 5·MUSICIANS 6·AFR-AMER.] {Batuque; gaucho; cult; modernity}
• Fialho, Vania Malagutti: A televisão como mediadora na formação e atuação musical |63-90|PG|PA [1·TELEVISION 2·BRAZIL 3·EDUCATION 4·RAP, etc. 5·MUSIC MAKE] {rap}
• Tagg, Philip: Analisando a música popular: teoria, método e prática |5-42|PG|PA [1·MUSICOLOGY 2·SEMIOTICS 3·MUS.ANALYS 4·MUSIC EXX. 5·PT] {Fernando; Kojak; IOCM; musemes; commutation}
• Torres, Maria Cecília: Identidades musicais e narrativas de si: um estudo com alunas de Padagogia |91-120|PG|PA [1·GENRES 2·EDUCATION 3·ANTHROPOL. 4·BIOGRAPHY] {autobiography; self-narrative; narrative}
• Ulhôa, Martha: Rockin' Liverpool: significado e competência musical |43-62|PG|PA [1·MUSICOLOGY 2·ANTHROPOL. 3·UK 4·BRAZIL 5·ROCK 6·GENRES 7·SEMIOTICS 8·MUS.ANALYS 9·PT] {Dylan, Bob; Legiao Urbana}

Empirical Studies of the Arts, 8/2. (1990) [CP827215-222]
• Cohen, Annabel J: Understanding Musical Soundtracks |111-124|EN|PA [1·FILM MUSIC 2·SEMIOTICS 3·PERCEIVE 4·PSYCHOLOGY 5·BIBLIOGR.] {Associationism}

En annan berättelse om den västerländska musikhistorien Ä och det estetiska projektet. Göteborg: Skrifter från Institutionen för musik- och filmvetenskap, nr. 72 (2002) #951-98789-1-2 [BM-EDSTROM]
• Edström, Olle #951-98789-1-2 [BM-EDSTROM]|PB [1·HISTORY 2·AESTHETICS]

Encyclopedia of British Beat Groups and Solo Artists of the Sixties. London: Omnibus (1980) 96 pp. #0-86001-638-2 [BMA4-CROSS]
• Cross, Colin; Kendall, Paul; Farren, Mick 96 pp. #0-86001-638-2 [BMA4-CROSS]|PB [1·ROCK 2·VIS. ARTS 3·1960S 4·LIVERPOOL 5·UK 6·REFERENCE]

Encyclopedia of Folk, Country and Western Music. London: St. James Press (1969) 390 pp. #0-86066-003-6 [BMR]
• Stambler, Irwin; Landon, Grelun 390 pp. #0-86066-003-6 [BMR]|PB [1·C&W 2·FOLK MUSIC 3·REFERENCE]

Encyclopedia of Pop, Rock and Soul. London: St. James Press (1977) 609 pp. #0-312-25025-8 [BMR]
• Stambler, Irwin 609 pp. #0-312-25025-8 [BMR]|PB [1·ROCK 2·SOUL 3·REFERENCE 4·USA 5·UK 6·1950S 7·1970S 8·1960S]

The Encyclopedia of Rock. St Albans: Granada (1976) 1070 pp. #0-586-04267-9 [BM-HARDY]
• Hardy, Phil, ed.; Laing, Dave, ed. 1070 pp. #0-586-04267-9 [BM-HARDY]|PB [1·REFERENCE 2·ROCK 3·UK 4·USA 5·1950S 6·1960S]

The Encyclopedia of Sexual Behavior. New York: Hawthorn Books (1961) [CP827223-226]
• Håkansson, Tore: Art and Dance, Sex in Primitive |154-160|EN|PA [1·SEX/GENDER 2·DANCE 3·PSYCHOLOGY 4·ANTHROPOL. 5·RURAL 6·URBAN]

Encyclopedia of the Musical Film. New York: Oxford University Press (1981) 344 pp. #0-19-502958-5 [BMR]
• Green, Stanley 344 pp. #0-19-502958-5 [BMR]|PB [1·REFERENCE 2·MUSICALS 3·USA 4·FILM]

The Encyclopedic Discography of Victor Recordings. Pre-Matrix Series [1900-37]. Westport (CN): Greenwood Press (1983) 393 pp. [JM-POPULAR]
• Fagan, Ted; Moran, William R 393 pp. [JM-POPULAR]|PB [1·DISCOGR. 2·USA 3·1910S 4·1920S 5·1930S 6·1900-1909]

The Encyclopedic Discography of Victor Recordings. Matrix Series 1 through 4999 [1903-08]. New York: Greenwood Press (1986) 648 pp. [JM-POPULAR]
• Fagan, Ted; Moran, William R 648 pp. [JM-POPULAR]|PB [1·DISCOGR. 2·USA 3·1900-1909]

The End-of-the-Century Party. Youth and pop towards 2000. Manchester: Manchester University Press (1990) 124 pp. #0-7190-2827-2 [BM-REDHEAD]
• Redhead, Steve 124 pp. #0-7190-2827-2 [BM-REDHEAD]|PB [1·ROCK 2·UK 3·USA 4·RAP, etc. 5·PUNK 6·CULT.STUDY 7·POLITSTUDY 8·MUS INDUST 9·YOUTH]

Enkät utskickad till musikhögskolerektorer om deras värderingar. Göteborg (1982) [CP 318009]
• Ling, Jan [CP 318009]|US [1·CULTPOLIT. 2·GROUPS 3·EDUCATION 4·GENRES]

Ennio Morricone's "The Good, the Bad and the Ugly". A Film Score Guide. Lanham (MD): Scarecrow Press (2004) xiv+135 pp. #0-8108-5132-6 [BM-LEINBERGE]
• Leinberger, Charles xiv+135 pp. #0-8108-5132-6 [BM-LEINBERGE]|PB [1·FILM MUSIC 2·MUSIC EXX. 3·MUSICOLOGY 4·MUS.ANALYS 5·FILM] {Morricone, E; Leone, Sergio; Cleef, Lee van}

En torno a la música aquí y ahora. Montevideo (1984) [CP323024]
• Aharonián, Coriún [CP323024]|PA [1·L AMERICA 2·MOD.CLASS. 3·COMPOSE 4·POLITSTUDY 5·CULTPOLIT. 6·INTERVIEW]

Entre los deseos y los derechos. Un ensayo crítico sobre políticas culturales. Bogotá: (2003) 200 pp. #958-8181-10-0 [BCP-OCHOA]
• Ochoa Gautier, Ana María 200 pp. #958-8181-10-0 [BCP-OCHOA]|PB [1·COLOMBIA 2·L AMERICA 3·CULTPOLIT. 4·PEACE 5·WAR 6·POPULARMUS]

Escenario, año 3/4. Montevideo: Teatro Circular de Montevideo (1982) [CP323001]
• Aharonián, Coriún: Música y teatro |1-4|SP|PA [1·AESTHETICS 2·MUSIC USES 3·COMPOSE 4·PERCEIVE 5·DRAMA]

L'esperienza musicale. Per una femnomenologia dei suoni. Roma: Montag/Manifestolibri (2002) #88-7285-304-4 [BM-NOSTRO]
• Addis, Laird: La musica che attraversa la mente. L'immaginazione musicale e la natura della conscienza |137-150|IT|PA
• Antonmarini, Brunella: La preistoria acustica della poesia |151-168|IT|PA [1·POETRY]
• Castro, Tiziana Rinaldi: Il ritmo nella possessione Yoruba |193-200|IT|PA [1·W AFRICA 2·RHYTHM]
• Ciammarughi, Ramberto: La pratica dell'improvvisazione |107-116|IT|PA [1·IMPROVISE]
• Cook, Nicholas: Analisi della performance Intervista da Luca Nostro |117-124|IT|PA
• Igliori, Paola: "Sound Unbound". La ricerca filmico musicale di Harry Smith |187-192|IT|PA [1·FILM MUSIC]
• Matassi, Elio: Heidegger e l'ascolto |87-96|IT|PA [1·PHILOSOPHY]
• Mazzeo, Marco: Perché i ragni non ballano? La musica dell'animale umano |75-86|IT|PA [1·DANCE]
• Michelutti, Carlos: Istruzioni per comporre suioni con il legno |125-131|IT|PA
• Morris, Lawrence D "Butch": La combustione di un'rochestra senza leggii Intervista da Luca Nostro |97-106|IT|PA
• Nostro, Luca: Il significato nello spazio musicale |57-72|IT|PA [1·SEMIOTICS]
• Pierini, Giovanni; Baratta, Stefano; Esposti, Paola Degli; Facchini, Irene: Musica e stati modificati di conscienza |169-186|IT|PA [1·PSYCHOLOGY]
• Serra, Carlo: Figure che risuonano: silenzio ed armonia nell'Harmonice Mundi di Keplero |27-56|IT|PA [1·BAROQUE 2·AFFECT]
• Tagg, Philip; Nostro, Luca, ed.: Frammenti di musicologia della popular music Intervista da Luca Nostro |13-26|IT|PA [1·MUSICOLOGY 2·SEMIOTICS 3·DEFINE 4·POPULARMUS]
• Trafeli, Mino: Diurno, Notturno |132-133|IT|PA
• Traversa, Guido: "Dio ha ordinato ogni cosa con misura, numero e peso (Sapienza 11,20) |73-74|IT|PA

Essai sur la chanson populair grècque. Navplion: Fondation ethnographique du Péleponèse (1983) xvii+123 pp. [JM-YEARB/RVW]
• Baud-Bovy, Samuel xvii+123 pp. [JM-YEARB/RVW]|PB [1·GREECE 2·TURKEY 3·HISTORY 4·GENRES 5·FOLK MUSIC]

Essay on the True Art of Playing Keyboard Instruments. London: Eulenberg (1974) 449 pp. #0-9038-7301-X [BM-BACH C]
• Bach, Carl Philipp Emmanuel; Mitchell, W J, trans. 449 pp. #0-9038-7301-X [BM-BACH C]|PB [1·ACCOMPANY 2·COMPOSE 3·EUROARTMUS 4·C18 5·KEYBOARDS 6·PERFORM 7·IMPROVISE 8·HARMONY 9·HANDBOOK 10·AFFECT]

Essays on the Philosophy of Music. Per Druud - private course material (1923) xcr pp. [CP495051-059]
• Bloch, Ernst xcr pp. [CP495051-059]|PB [1·AESTHETICS 2·SEMIOTICS]

O essencial sobre Fernando Lopes-Graça. Lisboa: Casa de Moeda (1989) [BM-LOPESGRAC]
• Carvalho, Mério Vieira de [BM-LOPESGRAC]|PB [1·PORTUGAL]

Essere, 16 (agosto 1987). Torino: Essere (1987) [BMA4-ESSERE]
• Bertelé, Laura: Un orecchio elettronico per riascoltare la voce della madre |46-51|IT|PA [1·SOUND 2·HEALTH 3·NEUROLOGY 4·PSYCHOLOGY 5·ELECTRONIC]
• Borile, Silvana: "L'anima si cura con i carmi magici dai quali cresce la saggezza" |54-59|IT|PA [1·SOUND 2·HEALTH 3·PSYCHOLOGY 4·NEUROLOGY]
• Carrera, Alessandro: L'esperienza del parto sonore |48|IT|PA [1·SOUND 2·PSYCHOLOGY 3·BIBLIOGR. 4·DEFINE]
• Carrera, Alessandro: Gli usi del silenzio |70-77|IT|PA [1·SOUND 2·SOUNDSCAPE 3·MUSIC USES 4·SILENCE]
• Carrera, Alessandro: Verso un ecologia della cultura |6-8|IT|PA [1·ECOLOGY]
• Jerace, Giuseppe M S: I suoni della natura e il frastuono del mondo |26-35|IT|PA [1·AFFECT 2·THEOLOGY 3· 4·ITALY 5·SOUND]
• Landoni, Lisetta: Come il rumore di una fontanella in piena notte in una piazza da paese |42-45|IT|PA [1·SOUND 2·ENVIRONMNT 3·HEALTH]
• Rusca, Alberto: Il corpo è la cassa di risonanza del cuore |51-53|IT|PA [1·SOUND 2·HEALTH 3·PSYCHOLOGY 4·NEUROLOGY]
• Serra, Rafaele: Kodak Ghost Poems |38-41|IT|PA [1·MINIMALISM 2·SOUND 3·ENVIRONMNT]
• Strambaci, Rosanna: Anche le lattine possono venir buone |10-13|IT|PA [1·ECOLOGY]
• Tagg, Philip: Le città sono come impianti stereo a bassa fedeltà |60-69|IT|PA [1·SOUNDSCAPE 2·ROCK 3·DEFINE 4·SOUND 5·PHILOSOPHY 6·PSYCHOLOGY]
• Ventura, Michael: "Senti il gemito del serpente" |14-25|IT|PA [1· 2·AFRICA 3·W AFRICA 4·CARIBBEAN 5·JAZZ 6·NEUROLOGY 7·RHYTHM]

Ethnicity and Popular Music. On immigrants and blacks in American music 1830-1900. Exeter: IASPM UK (1983) 22 pp. [JM-IASPM]
• Ostendorf, Berndt 22 pp. [JM-IASPM]|PB [1·SOCIOLOGY 2·USA 3·AFR-AMER. 4·ANTHROPOL. 5·GENRES 6·ENTERTAIN]

Ethnomusicology, 41/3. University of Illinois Press (1997) [JM-ETHNOMUSI]
• Berger, Hans M: The Practice of Perception: Multi-Functionality and Time in the Musical Experience of a Heavy Metal Drummer |464-488|EN|PA [1·ANTHROPOL. 2·RHYTHM 3·DRUMS]
• Booth, Gregory D: Socio-Musical Mobility among South Asian Clarinet Players |489-517|EN|PA
• Lange, Barbara Rose: What Was That Conquering Music; The Power of Discontinuity in Hungary Gypsy Nota |518-539|EN|PA
• List, George: Hopi Kachina Dance Songs: Concepts and Context |413-432|EN|PA [1·N AMERICA]
• Smith, Graeme: Modern-Style Irish Accordion Playing: History, Biography and Class |433-463|EN|PA [1·IRELAND 2·ACCORDION 3·PERFORM 4·ANTHROPOL. 5·MUSIC EXX.]

Ethos und Affekt. Geschichte der philosophischen Musikäst hetik von den Anfängen bis zu Hegel. Budapest: Akadémiai Kiadó. Berlin: Akademie-Verlag (1970) 271 pp. [BM-ZOLTAI]
• Zoltai, Dénes 271 pp. [BM-ZOLTAI]|PB [1·AESTHETICS 2·PHILOSOPHY 3·MUSICOLOGY 4·HISTORY 5·EUROPE]

Eunomio, 9-10. (1988) [CP822-149]
• Simeon, Ennio: Espressionismo musicale ed espressionismo cinematografico |IT|PA [1·FILM MUSIC]

Europas musikhistoria -1730. Uppsala: Esselte-Herzogs (1983) 639 pp. #91-24-31408-0 [BM-LING]
• Ling, Jan 639 pp. #91-24-31408-0 [BM-LING]|PB [1·MUSIC HIST 2·EUROPE 3·MUSIC EXX. 4·MUSICOLOGY 5·AESTHETICS 6·POLITSTUDY 7·SEMIOTICS 8·ILL. 9·SOCIOLOGY] {POPULAR MUSIC; FOLK MUSIC; CLASSICAL MUSIC; HISTORY; MEDIEVAL; BAROQUE; PHILOSOPHY}

Europas musikhistoria - folkmusiken. Göteborg: Esselte Studium Akadmeiförlaget (1989) viii+315 pp. #91-24-16345-7 [BM-LING]
• Ling, Jan viii+315 pp. #91-24-16345-7 [BM-LING]|PB [1·EUROPE 2·SCANDINAVI 3·UK 4·FOLK MUSIC 5·MUSIC EXX. 6·ILL. 7·HISTORY 8·BIBLIOGR. 9·DANCE 10·INSTRUMENT] {POPULAR MUSIC; CLASSICAL MUSIC; MUSICOLOGY; VOCAL}

Europa som geografisk och kulturell enhet vid musikhistorisk konception. Göteborg: Department of Musicology (1983) [CP322224]
• Ling, Jan [CP322224]|US [1·MUSICOLOGY 2·HISTORY 3·EUROPE 4·DEFINE]

European Music in the Twentieth Century. London: Penguin (1961) [BM-HARTOG]
• Drew, David; Hartog, H, ed.: Modern French Music |252-310|EN|PA [1·MOD.CLASS. 2·FRANCE 3·BIOGRAPHY 4·MUSICOLOGY]
• Goehr, Walter; Goehr, Alexander: Arnold Schoenberg's Development towards the Twelve-Note System |72-87|EN|PA [1·MOD.CLASS. 2·BIOGRAPHY 3·MUSICOLOGY 4·12-TONE 5·AUSTRIA 6·GERMANY]
• Hamilton, Iain: Alban Berg and Anton Webern |88-108|EN|PA [1·MOD.CLASS. 2·BIOGRAPHY 3·MUSICOLOGY 4·12-TONE 5·AUSTRIA 6·GERMANY]
• Hamilton, Iain: Swiss Contemporary Music |171-188|EN|PA [1·MOD.CLASS. 2·SWISS 3·BIOGRAPHY 4·COMPOSE]

European Music in the Twentieth Century. London: Penguin (1961) 360 pp. [BM-HARTOG]
• Hartog, Howard, ed. 360 pp. [BM-HARTOG]|PB [1·MOD.CLASS. 2·BIOGRAPHY 3·HUNGARY 4·GERMANY 5·SCANDINAVI 6·UK 7·SWISS 8·ITALY 9·USSR 10·FRANCE]

European Music in the Twentieth Century. London: Penguin (1961) [BM-HARTOG]
• Helm, Everett: The Music of Bela Bartók |1-38|EN|PA [1·MOD.CLASS. 2·BIOGRAPHY 3·HUNGARY 4·]
• Papaioannou, John G: Nikos Skalkottas |336-346|EN|PA [1·MOD.CLASS. 2·GREECE 3·BIOGRAPHY 4·1950S]
• Smith-Brindle, Reginald: Italian Contemporary Music |211-222|EN|PA [1·MOD.CLASS. 2·12-TONE 3·ITALY 4·COMPOSE 5·BIOGRAPHY]
• Stevens, Bernard: Czechoslovakia and Poland |311-335|EN|PA [1·MOD.CLASS. 2·CZECHOSLOV 3·POLAND 4·BIOGRAPHY 5·1940S 6·1950S]
• Stevens, Bernard: The Soviet Union |223-251|EN|PA [1·MOD.CLASS. 2·USSR 3·BIOGRAPHY 4·HISTORY 5·CULTPOLIT.]
• Wallner, Bo: Modern Music in Scandinavia |131-144|EN|PA [1·SWEDEN 2·NORWAY 3·DENMARK 4·FINLAND 5·MOD.CLASS. 6·COMPOSE 7·BIOGRAPHY]
• White, Eric Walter: Stravinsky |49-71|EN|PA [1·MOD.CLASS. 2·BIOGRAPHY 3·]
• Wood, Hugh: English Contemporary Music |145-170|EN|PA [1·MOD.CLASS. 2·MUSICOLOGY 3·BIOGRAPHY 4·UK]

European Teachers Seminar "Music in Education", Lahti (Finland), 5-10 August 1985. Report. Strasbourg: Council of Europe, Council for Cultural Cooperat (1986) [CP327/08]
• Glynne-Jones, Marjorie, ed. [CP327/08]|PS [1·EUROPE 2·MUSIC EDUC 3·REPORT 4·CONFERENCE 5·PERCEIVE 6·YOUTH 7·NEUROLOGY 8·DOCUMENT]

Eurovision Song Contest, 86. 6 upretentsiöse essays. Nordisk Institutt, Universitetet i Trondheim, AVH (1986) [BM-EUROVISIO]
• Borgersen, Terje: Melodi Grand Prix - Uten lyd og bilde - et pauseinnslag |28-34|NO|PA [1·EUROVISMUS 2·DRAMA 3·1980S 4·NORWAY 5·AESTHETICS]
• Hagnell, Viveka: Åse Kleveland: underhållningsartist, kulturminister eller turistchef? |3-9|SV|PA [1·EUROVISMUS 2·MUSICIANS 3·1980S 4·NORWAY 5·CULTPOLIT.]
• Kjörup, Sören: Koncerttransmission eller musikvideo |35-50|DK|PA [1·EUROVISMUS 2·PERFORM 3·VIDEO 4·RADIO 5·TELEVISION 6·GENRES 7·MASS MEDIA 8·TECHNOLOGY 9·VIS. ARTS 10·RECORDING]
• Ledang, Ola Kai: Horror Silentii eller songen som forsvann |10-20|NO|PA [1·EUROVISMUS 2·AESTHETICS 3·OPERA 4·HISTORY 5·1980S 6·NORWAY]
• Skretting, Kathrine: Norgesreklame med sangkonkurranseinnslag - eller var det omvendt? |52-58|NO|PA [1·EUROVISMUS 2·NORWAY 3·1980S 4·NATIONALSM 5·ADVERTS 6·TELEVISION 7·VIS. ARTS]
• Wiklund, Örjan: Sorbits i luksusforpakning. Om scenografien i Melodi Grand Prix 1986 |21-27|DK|PA [1·EUROVISMUS 2·DRAMA 3·1980S 4·NORWAY 5·AESTHETICS]

Explaining Music - essays and explanations. Chicago University Press (1973) 12+284 pp. #0-226-52142-7 [BM-MEYER]
• Meyer, Leonard B 12+284 pp. #0-226-52142-7 [BM-MEYER]|PB [1·MUSICOLOGY 2·MUS.ANALYS 3·AESTHETICS]

Expressen, 1983-10-31. Stockholm: Expressen (1983) [CP322349]
• Persson, Ulf: Nu står allt på spel för ABBA |1,6|SV|PA [1·ABBA 2·MUS INDUST 3·JOURNALISM]

Les extraterrestres et M le maire. Montréal (1978) [CP195251]
• Destrempes, Sylvain [CP195251]|US [1·SCI.FICT. 2·QUÉBEC]

Facing the Music. 1st published by Pantheon Books, New York, 1988. London: Mandarin (1990) #0-7493-0181-3 [BM-FRITH]
• Barnes, Ken: Top 40 Radio - A Fragment of the Imagination |8-50|EN|PA [1·ROCK 2·USA 3·RADIO 4·CHARTS 5·DJS 6·MUS INDUST]
• Frith, Simon; Frith, Simon, ed.: Introduction (1988) |3-7|EN|PA [1·ROCK 2·UK 3·USA]
• Frith, Simon: Video Pop: picking up the pieces |88-130|EN|PA [1·ROCK 2·UK 3·USA 4·VIDEO 5·MUS INDUST 6·TELEVISION]
• Harron, Mary: McRock: pop as commodity |173-220|EN|PA [1·ROCK 2·UK 3·USA 4·RADIO 5·FASHION 6·MUS INDUST]
• Perry, Steve: Ain't no Mountain High Enough - The Politics of Crossover |51-87|EN|PA [1·ROCK 2·UK 3·USA 4·RACISM 5·MUS INDUST]
• Savage, John: The Enemy Within: sex, rock and identity |131-172|EN|PA [1·ROCK 2·UK 3·USA 4·SEX/GENDER 5·MEN 6·WOMEN 7·1980S 8·MUS INDUST]

Factbook of British History. London: Greenwood & Dempsey (1993) 237 pp. #1-871745-09-8 [BCP-REF]
• Cooke, Jean; Rowland-Entwistle, Theodore; Clapham, Freances M, ed. 237 pp. #1-871745-09-8 [BCP-REF]|PB [1·HISTORY 2·UK 3·REFERENCE]

Faire, 2/5 (1975). (1975) [CP323004]
• Aharonián, Coriún: Proceso de la creación musical en Latinoamerica |SP|US [1·EUROARTMUS 2·COMPOSE 3·L AMERICA 4·POPULARMUS 5·AFR-AMER. 6·CULTPOLIT. 7·HISTORY 8·C19 9·C20]

Fakesong. The manufacture of British "folksong" 1700 to the present day. Milton Keynes: Open University Press (1985) xviii+297 pp. #0-335-15066-7 [BM-HARKER]
• Harker, Dave xviii+297 pp. #0-335-15066-7 [BM-HARKER]|PB [1·UK 2·FOLK MUSIC 3·C18 4·C19 5·C20 6·POLITSTUDY 7·CLASSES 8·WORKERS 9·MIDDLCLASS] {SHARP Cecil; CHILD Francis J; LLOYD Albert L; BARING-GOULD Sa}

Fataburen. Stockholm: Prisma (1979) #91-518-1180-4 [BM-LING]
• Ling, Jan: Folkmusik - en brygd |9-34|SV|PA [1·SWEDEN 2·FOLK MUSIC 3·MUSICOLOGY 4·POLITSTUDY 5·DEFINE 6·MUSIC EXX. 7·SOCIOLOGY]

Fats Waller. Tunbridge Wells: Spellmount New York: Universe Books. ISBN 0-87663-747-0 (or 687-3) (1988) 134 pp. #0-946771-49-9 [BM-SHIPTON]
• Shipton, Alyn 134 pp. #0-946771-49-9 [BM-SHIPTON]|PB [1·JAZZ 2·PIANO 3·BIOGRAPHY 4·1920S 5·1930S 6·1940S 7·USA] {WALLER Fats}

Feminine Endings. Music, Gender and Sexuality. Minneapolis: University of Minnesota Press (1991) viii+220 pp. #0-8166-1899-2 [BM-MCCLARY]
• McClary, Susan viii+220 pp. #0-8166-1899-2 [BM-MCCLARY]|PB [1·MUSICOLOGY 2·SEX/GENDER 3·MUSIC EXX. 4·SEMIOTICS 5·FEMINISM]

Fenomenet ABBA. Stockholm: Polar Music International AB (1976) 144 pp. #91-7260-101-9 [BM-ABBA]
• Borg, Christer 144 pp. #91-7260-101-9 [BM-ABBA]|PB [1·SWEDEN 2·EUROVISMUS 3·BIOGRAPHY 4·FANS 5·ILL. 6·1960S 7·1970S]

Fernando the Flute. Liverpool: Institute of Popular Music, University of Liverpool (1991) vii+172 pp. [BM-TAGG]
• Tagg, Philip vii+172 pp. [BM-TAGG]|PB [1·SEMIOTICS 2·MUSICOLOGY 3·L AMERICA 4·POLITICS 5·SWEDEN 6·POLITSTUDY 7·AFFECT 8·MUSIC EXX. 9·ILL. 10·ABBA]

Fernando the Flute. 2nd edition. New York: Media Music Scholars' Press (2000) 140 pp. #0-9701684-1-1 [BM-TAGG]
• Tagg, Philip 140 pp. #0-9701684-1-1 [BM-TAGG]|PB

Fernando the Flute. Analysis of Affect in an Abba Number. Göteborg: Stencilled Papers from the Musicology Department, 8106 (1981) #0349-3407 [CP752128]
• Tagg, Philip #0349-3407 [CP752128]|PS [1·MOR 2·SWEDEN 3·MUS.ANALYS 4·SEMIOTICS 5·AFFECT 6·SYMPHONY 7·CHILE 8·1970S 9·MUSIC EXX.]

A festa da jaguatiricia: primeiro e sétimo cntos. Introdução, transcrições e comentário. Florianópolis: Ilha de Santa Catarina: Antropologia Primeira Mão (1996) 55 pp. [BM-BASTOS]
• Bastos, Rafael de Menezes; Bastos, Hermenegildo de Menezes 55 pp. [BM-BASTOS]|PB [1·BRAZIL 2·W AFRICA 3·ANTHROPOL. 4·LYRICS]

Festschrift W Wiora (70 Jahr). Tutzing: Schneider (1978) [BM-ROSING]
• Rösing, Helmut: Fast wie ein Unwetter. Zur Rezeption von Pastoral- und Alpensinfonie-Gewitter |65-89|DE|PA [1·EUROPE 2·ROMANTIC 3·PROGRAMMUS 4·TONE POEM 5·PERCEIVE 6·STATISTICS 7· 8·PSYCHOLOGY]

Festskrift för Elias Cornell. Göteborg: photocopy (nd) [CP601001]
• Svensson, Frank: Om konstnärlighet och arkitektutbildning |36|SV|PA [1·ARCHITECT. 2·POLITSTUDY]

Ficciones. Montevideo (1977) [CP320004]
• Aharonián, Coriún: La música electroacustica en Latinamerica |27-29|SP|PA [1·MOD.CLASS. 2·L AMERICA 3·COMPOSE 4·CULTPOLIT. 5·ELCTRNCMUS]
• Aharonián, Coriún: Hacia una música electroacustica nuestra (1978) |37-40|SP|PA [1·MOD.CLASS. 2·L AMERICA 3·URUGUAY 4·MEXICO 5·1970S 6·CULTPOLIT. 7·ELCTRNCMUS]

Film composers in America. A Checklist of Their Work. New York: Da Capo Press (1972) 193 pp. #0-306-70495-1 [BMR]
• McCarty, Clifford 193 pp. #0-306-70495-1 [BMR]|PB [1·USA 2·FILM 3·COMPOSE 4·REFERENCE 5·CATALOGUE 6·HOLLYWOOD]

Filmkonst nr 19 / Filmbiblioteket nr 5. Göteborg & Oslo: Filmkonst (1993) #91-88282-18-X [BCP-BUNUEL]
• Buñuel, Luis; Broad Thomsen, Christian, ed.: Oskuldens terrorist 1publ in Danish in Thomsens `De oforsnolige' (1988) |EN|PB

Film Music. London: Faber & Faber (1936) 280 pp. [BMA4-LONDON]
• London, Kurt; Bensinger, Eric S, trans.; Lambert, Constant 280 pp. [BMA4-LONDON]|PB [1·FILM MUSIC 2·DOCUMENT 3·HISTORY 4·AESTHETICS 5·MUSIC EXX. 6·1910S 7·1920S 8·1930S 9·USA 10·USSR]

Film Music: a Neglected Art. The history and techniques of a new art form from silent films to the present day. New York: W W Norton (1973) 188 pp. #0-393-00862-2 [BM-PRENDERGA]
• Prendergast, Roy M 188 pp. #0-393-00862-2 [BM-PRENDERGA]|PB [1·USA 2·FILM 3·HOLLYWOOD 4·HISTORY 5·AESTHETICS 6·MUSIC EXX. 7·RECORDING 8·ILL. 9·BIBLIOGR.]

Film Music: from Violins to Video. Metuchen (NJ): Scarecrow Press (1974) 835 pp. #0-8108-0651-7 [BMR-FILM-LIM]
• Limbacher, James L, ed. 835 pp. #0-8108-0651-7 [BMR-FILM-LIM]|PB [1·FILM 2·FILM MUSIC 3·COMPOSERS 4·REFERENCE 5·HOLLYWOOD 6·ANTHOLOGY]

Film Music, Mood Music and Popular Music Research. Interviews, Converations, entretiens. Göteborg: Stencilled Papers from the Musicology Department, #8002 (1980) #0349-3407 [BMA4-TAGG*]
• Tagg, Philip, ed. #0349-3407 [BMA4-TAGG*]|PS [1·INTERVIEW 2·MOOD MUSIC 3·FILM MUSIC 4·PRODUCERS 5·CONNOTE 6·CATALOGUE 7·SEMIOTICS 8·SYMPHONY 9·AFFECT 10·ADVERTS]

Filmmusik "Baretta". Comments (SÄMUS grupparbete av "Tommy, Philip och Marianne"). (transcript elsewhere). Göteborg: SÄMUS/Musikhögskolan (nd) [CP 318029]
• SÄMUS-studenter [CP 318029]|US [1·FILM MUSIC 2·TITLE MUS. 3·MUS.ANALYS]

Filmmusik (elevprojekt, Hvitfeldtska). Göteborg: PRIVATE PHOTOCOPY (1984) 239 pp. [CP324230]
• Eriksson, Sara 239 pp. [CP324230]|UX [1·FILM MUSIC 2·Stud.Proj.]

Filmmusik in Geschichte und Gegenwart. Berlin: Henschelverlag (1981) Ill., 447 pp. [BM-THIEL]
• Thiel, Wolfgang Ill., 447 pp. [BM-THIEL]|PB [1·AESTHETICS 2·HISTORY 3·DDR 4·EUROPE 5·USA 6·MUSIC EXX. 7·GERMANY 8·COMPOSE 9·DDR 10·FILM MUSIC]

Filmmusik: Stummfilm. Stuttgart: Klett-Cotta (1981) 247 pp. #3-12-936310-6 [BM-PAULI]
• Pauli, Hansjörg 247 pp. #3-12-936310-6 [BM-PAULI]|PB [1·FILM 2·1900-1909 3·1920S 4·USA 5·AESTHETICS 6·SEMIOTICS 7·AUDIENCE 8·PSYCHOLOGY 9·BUSINESS 10·FILM MUSIC]

The Film Studies Dictionary. Oxford & New York: Arnold (2001) #0-340-74191-0 [BCPREF]
• Blandford, Steve, ed.; Grant, Barry Keith, ed.; Jim Hillier, ed. #0-340-74191-0 [BCPREF]|PB [1·FILM 2·REFERENCE 3·DEFINE]

Filosofisk tidskrift, december 1982. Stockholm: Akademilitteratur (1982) [CP322219]
• Brolinson, Per-Erik; Larsen, Holger: Rockmusikens estetik |40-46|SV|PA [1·ROCK 2·AESTHETICS]

Finnish Music Quarterly, 1987/3-4. Helsinki: ESEK (1987) #0782-1069 [JM-FINN]
• Gronow, Pekka: The Last Refuge of the Tango |26-31|EN|PA [1·FINLAND 2·SWEDEN 3·TANGO 4·DANCE]

Finnish Music Quarterly, 1989/4. Helsinki: ESEK (1989) #0782-1069 [JM-FINNISH]
• Gronow, Pekka: The Recording Industry in Finland |3-9|EN|PA [1·MUS INDUST 2·FINLAND 3·EUROARTMUS 4·JAZZ 5·FOLK MUSIC 6·POPULARMUS 7·PHONOGRAM] {SOINTU; RYTMI; FENNICA; LOVE RECORDS; FAZER; ONDINE}
• Haapakoski, Martti: BIS BIS BIS BIS |42-46|EN|PA [1·FINLAND 2·PHONOGRAM 3·MUS INDUST 4·DISCOGR. 5·BAROQUE 6·EUROARTMUS 7·SWEDEN]
• Helistö, Paavo: Folk Music Records |39-41|EN|PA [1·FINLAND 2·PHONOGRAM 3·MUS INDUST 4·DISCOGR. 5·FOLK MUSIC]
• Karttunen, Antero: The Past Two Decades on Records |10-26|EN|PA [1·FINLAND 2·PHONOGRAM 3·MUS INDUST 4·DISCOGR. 5·EUROARTMUS]
• Kontinnen, Risto: Jazz Records |33-38|EN|PA [1·FINLAND 2·PHONOGRAM 3·MUS INDUST 4·DISCOGR. 5·JAZZ]

Finnish Music Quarterly, 1987/3-4. Helsinki: ESEK (1987) #0782-1069 [JM-FINN]
• Konttinen, Matti: The Jazz Invasion |21-25|EN|PA [1·FINLAND 2·USA 3·HISTORY 4·JAZZ 5·ACCULTUR.]

Finnish Music Quarterly, 1989/4. Helsinki: ESEK (1989) #0782-1069 [JM-FINNISH]
• Nieminen, Risto: The Year 1989 |27-32|EN|PA [1·FINLAND 2·PHONOGRAM 3·MUS INDUST 4·DISCOGR. 5·EUROARTMUS]
• Salonen, Esa-Pekka: Stage or Studio? |47-48|EN|PA [1·FINLAND 2·PHONOGRAM 3·MUS INDUST 4·EUROARTMUS 5·DISCOGR.]
• Seppälä, Riitta: Recording Sibelius |49-51|EN|PA [1·FINLAND 2·PHONOGRAM 3·MUS INDUST 4·EUROARTMUS 5·DISCOGR. 6·ROMANTIC]

Finnish Music Quarterly, 1989/3. Helsinki: ESEK (1989) #0782-1069 [JM-FINNISH]
• Stockhausen, Karlheinz: On the Evolution of Music |8-13|EN|PA [1·INNOVATE 2·AVANTGARDE 3·ELCTRNCMUS 4·COMPUTERS 5·AESTHETICS 6·SYNTHS 7·MOD.CLASS.]

Finnish Music Quarterly, 1989/4. Helsinki: ESEK (1989) #0782-1069 [JM-FINNISH]
• Various: Discographies |52-70|EN|PA [1·FINLAND 2·PHONOGRAM 3·MUS INDUST 4·EUROARTMUS 5·DISCOGR.] {RAUTAWAARA Auli; BORG Kim; BERGLUND Paavo; TALVELA Martti; KRAUSE Tom}

Finnish Music Quarterly, 89/2. Helsinki: ESEK (1989) #0782-1069 [JM-FINNISH]
• Helistö, Paavo: Matti Rantanen, Apostle of the Finnish Accordion |32-35|EN|PA [1·FINLAND 2·ACCORDION] {RANTANEN Matti}
• Kolehmainen, Ilkka: The Accordion in Finnish Folk Music |29-31|EN|PA [1·FINLAND 2·ACCORDION]

Finn Kalvik: "Natt og dag". Analyse av et populærmusikalsk produkt. Oslo: Musikvitenskapelig institutt (Universitetet) (1983) [BMA4-JOHNSON]
• Johnson, Geir [BMA4-JOHNSON]|PS [1·NORWAY 2·SCHLAGER 3·NATIONALSM 4·EUROVISMUS 5·SSONGWRITR 6·MUSIC EXX. 7·INTERVIEW 8·LYRICS]

Finsk filmmusik i belysning av arbeten av Harry Bergström och Markku Kopisto. Turku: Åbo Universitet, Musikvetenskapliga institutionen (1985) 138 pp. [CP502/1]
• Mäntyranta, Anu 138 pp. [CP502/1]|UX [1·FILM MUSIC 2·FINLAND 3·BIOGRAPHY 4·COMPOSE 5·PHONOGRAM 6·MUSICOLOGY 7·MUSIC EXX. 8·DISCOGR. 9·DISS. 10·MUS.ANALYS] {BERGSTRÖM H; KOPISTO M}

Fire and Ice. The United States, Canada and the myth of converging values. Toronto: Penguin Canada (2003) #0-14-301422-6 [BCP-ADAMS]
• Adams, Michael #0-14-301422-6 [BCP-ADAMS]|PB [1·CANADA 2·USA 3·POLITICS 4·SOCIOLOGY 5·IDEOLOGY]

The First International Beatles Bibliography 1962-1982. Ann Arbor (MI): Pierian Press (1985) 304 pp. [JM-POPUL/RVW]
• Terry, Carol D, ed. 304 pp. [JM-POPUL/RVW]|PB [1·ROCK 2·UK 3·USA 4·1960S 5·1970S 6·BIBLIOGR.]

Five Village Soudscapes. Vancouver: ARC Publications (1979) 14 pp. [BM-SCHAFER M]
• Schafer, R Murray; Davis, Bob; Westerkamp, H 14 pp. [BM-SCHAFER M]|PB [1·SOUND 2·ENVIRONMNT 3·CASSETTES 4·PERCEIVE 5·PSYCHOLOGY 6·ANTHROPOL.]

Five Village Soundscapes. Vancouver: A.R.C. Publicatins. Order no. WSP 02 CT (1979) 14 pp. [CP706090]
• Schafer, R Murray 14 pp. [CP706090]|PX [1·ACOUSTICS 2·ENVIRONMNT 3·SOUNDSCAPE 4·CANADA 5·EUROPE 6·FRANCE 7·SWEDEN 8·ITALY 9·BRD]

Flodfolket Mundugumor. Photocopied extracts from book of unknown title (nd) 25 pp. [CP113183-208]
• Mead, Margaret 25 pp. [CP113183-208]|PX [1·ANTHROPOL. 2·GROUPS 3·MONEY 4·CULT.STUDY 5·SEX/GENDER]

Folk and Traditional Music of the Western Continents. Englewood Cliffs, NJ: Prentice Hall (1965) 213 pp. [BM-NETTL]
• Nettl, Bruno 213 pp. [BM-NETTL]|PB [1·EUROPE 2·N AMERICA 3·C AMERICA 4·S AMERICA 5·ANTHROPOL. 6·MUSICOLOGY 7·INSTRUMENT 8·CULT.STUDY 9·MUSIC EXX. 10·MUS.ANALYS]

Folk. A Portrait of English Traditional Music, Musicians and Customs. London: Wildwood House (1976) 127 pp. #0-7045-0195-3 [BMA4-PEGG]
• Pegg, Bob 127 pp. #0-7045-0195-3 [BMA4-PEGG]|PB [1·UK 2·FOLK MUSIC 3·ILL. 4·LYRICS 5·INSTRUMENT 6·DANCE]

Folk, Form & Funktionalism. Kapitel 5, 1986-04-17. (1986) [CPR326/4]
• Anon: "Helsingborgs Konserthus - Sveriges första funktionalistiska monumentalbyggnad" |1-14|SV|PA [1·ARCHITECT. 2·EUROARTMUS 3·SWEDEN 4·1930S]

Folk Music and Dances of Ireland. Dublin & Cork: The Mercier Press (1971) 8+152 pp. #0-85342-509-4 [BM-BREATHNAC]
• Breathnach, Brendan 8+152 pp. #0-85342-509-4 [BM-BREATHNAC]|PB [1·IRELAND 2·FOLK MUSIC 3·DANCE 4·VOCAL MUS. 5·MUSICOLOGY 6·MUSIC HIST 7·INSTRUMENT 8·DISCOGR. 9·ANTHROPOL. 10·MUSIC EXX.]

The Folk Music Source Book. New York: Alfred A Knopf (1976) 274 pp. #0-394-73098-4 [BMA-SATIE]
• Sandberg, Larry; Weissman, Dick 274 pp. #0-394-73098-4 [BMA-SATIE]|PB [1·FOLK MUSIC 2·BLUES 3·DISCOGR. 4·REFERENCE 5·USA 6·MUSICIANS 7·FESTIVAL 8·INSTRUMENT 9·BIBLIOGR. 10·ILL.]

Folkmusikboken. Stockholm: Prisma (1980) #91-518-1180-4 [BM-LING]
• Bengtsson, Ingmar; Ling, Jan, ed.; Ternhag, Gunnar, ed.; Ramsten, Märta, ed.: Men je fårstår int' me på däm da prickar. Om att uppteckna folkmusik |297-312|SV|PA [1·SWEDEN 2·FOLK MUSIC 3·MUSICOLOGY 4·NOTATION]
• Ermedahl, Gunnar: Spelmannen stryker på violen up. Om spelmannen och hans musik |232-262|SV|PA [1·SWEDEN 2·FOLK MUSIC 3·DANCE 4·VIOLIN]
• Johnson, Anna: Sången i skogen, skogen i sången. Om fäbodarnas musik |66-103|SV|PA [1·SWEDEN 2·FOLK MUSIC 3·VOCAL MUS. 4·VOICE 5·RURAL 6·AGRICULT.]
• Kjellström, Birgit: Harpor, lurar, nyckelgijgor. Kärngar, drängiar, bönder pijgor. Om folkliga instrument |158-211|SV|PA [1·SWEDEN 2·FOLK MUSIC 3·INSTRUMENT 4·DANCE]

Folkmusikboken. Uppsala: Esselte-Herzogs (1980) 288 pp. #91-24-31408-0 [BM-LING]
• Ling, Jan, ed.; Ternhag, Gunnar, ed.; Ramsten, Märta, ed. 288 pp. #91-24-31408-0 [BM-LING]|PB [1·SWEDEN 2·FOLK MUSIC 3·ILL. 4·MUSIC EXX. 5·MUSICOLOGY]

Folkmusikboken. Stockholm: Prisma (1980) #91-518-1180-4 [BM-LING]
• Ling, Jan: Upp, bröder kring bildningens fana - Om folkmusikens historia och ideologi |11-33|SV|PA [1·SWEDEN 2·FOLK MUSIC 3·MUSIC HIST 4·MUSICOLOGY 5·EDUCATION 6·CULT.STUDY 7·HISTORY]
• Ling, Jan; Ternhag, Gunnar; Ramsten, Märta: Vid undersökningen av folkmusik. Om folkmusikforskningen under de senaste hundra åren |313-327|SV|PA [1·SWEDEN 2·FOLK MUSIC 3·MUSICOLOGY 4·DEFINE]
• Ramsten, Märta: Jag vet så dejlig en ros. Om folklig vissång |104-157|SV|PA [1·RURAL 2·FOLK MUSIC 3·VOCAL MUS. 4·SWEDEN]
• Roempke, Ville: Ett nyår för svensk folkmusik. Om spelmansrörelsen |263-296|SV|PA [1·VIOLIN 2·SWEDEN 3·FOLK MUSIC 4·ADMINISTR. 5·1960S 6·1970S 7·YOUTH]
• Sylvén, Rigmor: Kaffe, Lut och brännvin. Handklaveret drillade och gnällde. Om musiken och årets högtid |212-231|SV|PA [1·SWEDEN 2·FOLK MUSIC 3·INSTRUMENT 4·ANTHROPOL. 5·RITUAL]
• Ternhag, Gunnar: Att rädda några dyrbara lemningar af fordna tiders musik. Om folkmusikens källor |44-55|SV|PA [1·FOLK MUSIC 2·SWEDEN 3·MUSICOLOGY 4·HISTORY 5·DEFINE]

Folk Song in England. London: Panther (1969) 445 pp. [BM-LLOYD]
• Lloyd, A L 445 pp. [BM-LLOYD]|PB [1·UK 2·FOLK MUSIC 3·HISTORY 4·EVERYDAY 5·UK 6·COMMUNITY 7·MUSIC EXX. 8·MUSICOLOGY 9·RURAL 10·URBAN]

Folk Song of the American Negro. New York: Negro Universities Press (1969) 131 pp. #0-8371-2790-4 [BM-WORK]
• Work, John Wesley 131 pp. #0-8371-2790-4 [BM-WORK]|PB [1·USA 2·AFR-AMER. 3·GOSPEL 4·MUSIC EXX. 5·LYRICS 6·DOCUMENT]

Folk Song Style and Culture. A Staff Report on Cantometrics. New Brunswick: Transaction (1978) (1968) 363 pp. #0-87855-640-0 [BM-LOMAX]
• Lomax, Alan 363 pp. #0-87855-640-0 [BM-LOMAX]|PB [1·FOLK MUSIC 2·ANTHROPOL. 3·COMM.STUDY 4·VOCAL MUS. 5·DEFINE 6·MUSICOLOGY 7·MUS.ANALYS 8·STATISTICS 9·BEHAVIOUR 10·POLITSTUDY]

Fondements d'une sémiologie de la musique. Paris: Ugé (1976) 448 pp. #2-264-00003-1 [BM-NATTIEZ]
• Nattiez, Jean-Jacques 448 pp. #2-264-00003-1 [BM-NATTIEZ]|PB [1·SEMIOTICS 2·EUROARTMUS 3·EUROPE 4·C18 5·C19 6·C20 7·DEFINE 8·AESTHETICS 9·METHODOL.]

Fonografía, press cuttings, interviews 1984-88. (1988) [CP827024-062]
• Ingold, Marianna [CP827024-062]|PX [1·URUGUAY 2·DISCOGR. 3·JOURNALISM 4·REVIEW 5·INTERVIEW 6·WOMEN 7·ROCK 8·SSONGWRITR 9·PERFORM 10·COMPOSE]

Fonogrammen i kulturpolitiken. Stockholm: Liber (2002) 222 pp. #91-38-04792-6 [BM-FONOGRAM]
• Malm, Krister, ed. 222 pp. #91-38-04792-6 [BM-FONOGRAM]|PB [1·SWEDEN 2·CULTPOLIT. 3·MUS INDUST 4·STATISTICS 5·PHONOGRAM 6·MONEY]

Fönstret. Stockholm: Fönstret (1982) [CP322203]
• Hellqvist, Per-Anders: (Untitled article) |?|SV|PA [1·SWEDEN 2·CULT.STUDY 3·MUS INDUST 4·1970S]

Fönstret, 770415. Stockholm: Fönstret (1977) [CP322150]
• Seabrook, Oliver: De svarta i USA tvingas köpa utan att ha råd |12-13|SV|PA [1·RACISM 2·COMMUNITY 3·USA 4·MONEY 5·POLITICAL]

Fontes artis musicae, 32/1. Kassel: (1985) [CL003-200]
• Price, Harry: Subject Access to Jazz and Popular Music Materials on Library of Congress Catalog Records |42-206|EN|PA [1·JAZZ 2·BIBLIOGR. 3·DISCOGR. 4·USA 5·GENRES]

Foreword. New York: Collier/Macmillan (1974) [BM-SIMON]
• Sinatra, Frank [BM-SIMON]|PA [1·DOCUMENT 2·SELL 3·BANDS 4·BRASSINSTR 5·USA 6·1930S 7·1940S]

Form and Meaning, 2. Milton Keynes: Open University Press (1981) #0-335-10127-5 [BMA4-OPENUNI]
• Mercer, Colin: Pleasure (Block 4 Unit 17 Popular Culture U 203) |44-75|EN|PA [1·CULT.STUDY 2·SEMIOTICS]

Les formes de la musique. Paris: PUF (Que sais-je? 478) (1951) 126 pp. [BM-QUE SAIS]
• Hodeir, André 126 pp. [BM-QUE SAIS]|PB [1·EUROPE 2·EUROARTMUS 3·MUS. FORM 4·MUSICOLOGY 5·MUSIC EXX.]

Formler och variation i rockgitarrspel. Studier över Eric Claptons stil. Seminariearbete för laudaturseminariet i musikvetenskap under Prof E Tarasti. Helsinki: Helsingfors universitet, Musikvetenskapliga inst (1986) [CPR326/7]
• Eklund, Björn [CPR326/7]|US [1·Stud.Proj. 2·UK 3·GUITAR 4·MUSICIANS 5·MUSIC EXX. 6·ROCK 7·1960S 8·1970S 9·MUS.ANALYS]

För musiken i tiden. Laborationer i svensk musik. Stockholm: Sveriges Radio UTB (1977) 34 pp. #91-26-07212-2 [BMA4-THORSEN]
• Thorsén, Stig-Magnus 34 pp. #91-26-07212-2 [BMA4-THORSEN]|PB [1·SWEDEN 2·GENRES 3·EDUC ITEM 4·POLITSTUDY 5·MUS INDUST 6·MUZAK 7·ILL.]

För musiken i tiden: Lärarhandledning. 1 publ. in "Bild & Myt", pp 147-148 (Gidlunds). Stockholm: Sveriges Radio UTB (1976) #91-26-07214-9 [CPR326/2]
• Jonazon, Göran: Guldregnet tvingar ABBA ta upp nya affärsmelodier 1 publ in Veckans Aff„rer, 760506 |28-29|SV|PA [1·ABBA 2·SWEDEN 3·ROCK 4·MUS INDUST 5·MONEY 6·1970S]
• Lagher, Håkan: Kom och ta mig - kom och köp mig 1P in "Hifi & Musik, 9 (1976)" |30-31|SV|PA [1·RECORDS 2·VIS. ARTS 3·WOMEN 4·SEX/GENDER 5·MUS INDUST 6·ADVERTS 7·SELL]
• Nilsson, Leo: Musiken som fungerar när den inte engagerar 1 publ in "Ord och Ton", 1975/1:3-5 (1975) |25-27|SV|PA [1·MUZAK 2·WAR 3·WORK 4·STATISTICS 5·CLUBS 6·MUS INDUST]
• Nordström, Gert Z; Thorsén, Stig-Magnus, ed.: En märklig dag i Alfred Håkanssons liv |20-21|SV|PA [1·MARXISM 2·CULT.STUDY 3·PERCEIVE 4·CONSUME]
• Schafer, R Murray: Den akustiska miljön ™versatt av B-E Johnson i "Nutida musik", 2 74/75 (1975) |23|SV|PA [1·SOUNDSCAPE 2·DEFINE]
• Various: Slutsatser angående arbetsutformning. "Rapporter i psykosociala frågor" SOU 1976:3, 79-81 |24|SV|PA [1·SOCIOLOGY 2·PSYCHOLOGY 3·WORK 4·ORGANISE 5·POLITSTUDY]

Forschung in der Musikerziehung, 1974:39-62. (1974) [BM-WIECHEL]
• Hartwich-Wiechell, Dörte: Musikalisches Verhalten Jugendlicher. Ergebnisse empirischer musiksoziologischer Untersuchungen |DE|PA [1·PERCEIVE 2·YOUTH 3·ROCK 4·BRD 5·USA 6·UK 7·GENRES 8·SOCIOLOGY]

Forskningens frontlinjer. Stockholm: Forskningsrådsnämnden (1984) 131 pp. #91-38-90406-3 [BCP-GAUNT]
• Löfgren, Orvar; Gaunt, David: Myter om svensken |SV|PB [1·SWEDEN 2·MYTHOLOGY 3·ANTHROPOL. 4·NATIONALSM 5·GROUPS 6·C20]

Forskning kring bild (rapport 84:4). Stockholm: Forskningsrådsnämnden (1984) #91-86174-33-9 [BCP-FORSKNIN]
• Bergström, Sten Sture: Människor - Naturlig intelligens |65-80|SV|PA [1·NAT.SCI. 2·ANTHROPOL. 3·NEUROLOGY 4·PSYCHOLOGY]
• Granlund, Gösta: Människor - Naturlig intelligens |65-80|SV|PA [1·VIS. ARTS]
• Nordström, Gert Z: Bilden som påverkare |35-44|SV|PA [1·VIS. ARTS 2·SOCIOLOGY 3·SEMIOTICS 4·POLITSTUDY 5·AUDIENCE]
• Petterson, Rune: Bilden som informationsbärare i informations- och utbildningssammanhang |45-60|SV|PA [1·VIS. ARTS 2·SOCIOLOGY 3·SEMIOTICS 4·POLITSTUDY 5·AUDIENCE 6·EDUCATION 7·ADMINISTR. 8·CULT.STUDY]
• Sörbom, Göran: Den konstnärliga bilden och dess roll |9-24|SV|PA [1·VIS. ARTS 2·SOCIOLOGY 3·SEMIOTICS 4·POLITSTUDY]
• Sydhoff, Beate: Konstbildens sändare och mottagare |25-34|SV|PA [1·VIS. ARTS 2·SOCIOLOGY 3·SEMIOTICS 4·POLITSTUDY 5·AUDIENCE]

Forskning om dagens musiksamhälle. Stockholm: Statens kulturråd (1982) 48 pp. #91-38-07095-2 [BM-KARLSSON]
• Karlsson, Henrik 48 pp. #91-38-07095-2 [BM-KARLSSON]|PB [1·SWEDEN 2·REPORT 3·BIBLIOGR. 4·DOCUMENT]

Forskning om populärkultur. Nordicom-nytt/Sverige, 1987/1-2. Göteborg: Nordicom (1987) #0349-1242 [BM-FORSKNING]
• Abrahamsson, Ulla B: Det populära dramat. Om tv-program som lockar och fascinerar |71-86|SV|PA [1·DRAMA 2·TELEVISION 3·STATISTICS 4·MEN 5·WOMEN 6·PERCEIVE 7·SEX/GENDER 8·SWEDEN 9·1980S]
• Block, Eva: Forskning om populärkultur vid ALB |157-160|SV|PA [1·SWEDEN 2·BOOKS 3·ARCHIVIST 4·MASS MEDIA]
• Boethius, Ulf: Med Nick Carter som hjälphäst. Kampen mot "smutslitteraturen" åren före 1914 |121-128|SV|PA [1·LITERATURE 2·VERBAL 3·MASS MEDIA 4·SCANDINAVI 5·HISTORY 6·SOCIOLOGY 7·C19 8·CULT.STUDY 9·1900-1909]
• Burnett, Robert: The Global Jukebox? The international music industry and popular culture |146-155|EN|PA [1·SUMMARY 2·TELEVISION 3·VIDEO 4·ROCK 5·EUROPE 6·USA 7·MUS INDUST 8·GENRES 9·CULT.STUDY 10·SOCIOLOGY]
• Ericson, Staffan: Om beröringen av ett vidrigt ämne. Skandinavisk forskning om tryckt populärfiktion |101-120|SV|PA [1·LITERATURE 2·VERBAL 3·MASS MEDIA 4·CULT.STUDY 5·SCANDINAVI 6·HISTORY 7·SOCIOLOGY 8·POPULARITY]
• Fornäs, Johan: "Identity is the Crisis". Kulturella uttrycksformers funktioner för ungdomar i senmodernismen |29-39|SV|PA [1·YOUTH 2·CULT.STUDY 3·SOCIOLOGY 4·GENRES 5·GROUPS 6·MASS MEDIA 7·CRITIQUE 8·DEFINE]
• Fridlund, Bert: Något om de rörliga bildmediernas kulturella roll |49-59|SV|PA [1·HISTORY 2·MASS MEDIA 3·FILM 4·TELEVISION 5·DEFINE]
• Hansson, Gunnar: Läsning av populärfiktion |129-135|SV|PA [1·LITERATURE 2·VERBAL 3·MASS MEDIA 4·STATISTICS 5·SWEDEN 6·PERCEIVE 7·POPULARITY 8·DEFINE]
• Johannesson, Lena: "Visuell kommunikation". En modern Wu Tao Tzu-problematik |41-47|SV|PA [1·VIS. ARTS 2·MASS MEDIA 3·ADVERTS 4·DEFINE]
• Knutsson, Magnus: Seriemagasinet mot barnboken. En moralpanik ur kultursociologisk perspektiv |137-145|SV|PA [1·MASS MEDIA 2·VIS. ARTS 3·VERBAL 4·LITERATURE 5·CRITIQUE 6·COMICS 7·SWEDEN]
• Lindung, Yngve: Populära och mindre populära medier för att uppleva berättelser |61-70|SV|PA [1·DRAMA 2·TELEVISION 3·RADIO 4·STATISTICS 5·SWEDEN 6·1970S 7·1980S 8·POPULARITY]
• Reimer, Bo: Populär och impopulär populärkultur |7-16|SV|PA [1·DEFINE 2·CULT.STUDY 3·CRITIQUE 4·MASS MEDIA 5·POPULARITY]
• Roe, Keith: Culture, Media and the Intellectual: A Review of the Work of Pierre Bourdieu |17-27|EN|PA [1·EDUCATION 2·COMMUNITY 3·MASS MEDIA 4·CRITIQUE 5·DEFINE]
• Rydin, Ingegerd; Schyller, Ingela: En underhållningsgenre i TV som tilltalar barn |87-100|SV|PA [1·CHILDREN 2·TELEVISION 3·SWEDEN 4·1980S 5·HUMOUR 6·PSYCHOLOGY 7·MASS MEDIA 8·POPULARITY]

Förteckning över klingande musikexempel till "Blues- och rockteori". Göteborg: Musikvetenskapliga institutionen (1983) [CP 318096]
• Lilliestam, Lars [CP 318096]|US [1·ROCK 2·BLUES 3·HISTORY 4·GÖTEBORG 5·MUSIC EXX. 6·MUSIC EDUC 7·EDUC ITEM]

Forum Musik Wissenschaft, 1. Regensburg: Verlagsgesellschaft ConBrio (1995) #3-930079-73-9 [JM-FORUMMUSI]
• Enders, Bernd: Der Einfluß moderner Musiktechnologien auf die Produktion von Popularmusik |47-72|DE|PA [1·PERFORM 2·MUS INDUST 3·GERMANY 4·USA]
• Karbaum, Michael; Heuger, Markus, ed.; Prell, Matthias, ed.: Wirtschaftsfaktor Musik. Der Komponist an der Schnittstelle von Kunst und Kommerz |9-20|DE|PA [1·COMPOSE 2·MUS INDUST 3·GERMANY]
• Tagg, Philip; Flender, Biene, trans.: Beitrag zu einer Typologue des musikalischen Zeichens |35-46|DE|PA [1·PERFORM 2·MUS INDUST 3·GERMANY 4·USA]
• Wicke, Peter: Popmusik - Konsumfetischismus oder kulturelles Widerstandspotential. Gesllschaftliche Dimensionen eines Mythos |21-34|DE|PA [1·PERFORM 2·MUS INDUST 3·GERMANY 4·USA] {Jackson, Michae}

Forum Musik Wissenschaft 1. Popmusik Yesterday Today Tomorrow. 9 Beiträge von 8 Internationalen Studentischen Symposium für Musikwissenschaft in Köln, September 1993. Regensburg: ConBrio Verlagsgesellschaft (1995) #3-930079-73-9 [JM-FORUMMUSI]
• Bechdolf, Ute: Musikvideos im Alltag: geschlechtsspezifische Rezeptionsweisen |122-132|DE|PA [1·SEX/GENDER 2·VIDEO 3·PERCEIVE 4·GERMANY 5·PSYCHOLOGY 6·MUSIC TV]
• Enders, Bernd: Der Einfluß moderner Musiktechnologien auf die Produktion von Popularmusik |47-72|DE|PA [1·TECHNOLOGY 2·PRODUCERS 3·SYNTHS 4·REC.ENGINR 5·RECORDING 6·MUS INDUST 7·PHONOGRAM 8·MUSIC EDUC]
• Erlmann, Veit: Zur Ästhetik der Differenz. Ethno-Pop, New Age und World Music |95-105|DE|PA [1·GENRES 2·WORLD MUS. 3·DEFINE 4·AUTHENTIC 5·AESTHETICS 6·NOSTALGIA 7·IDEALISM 8·IDEOLOGY 9·PHILOSOPHY 10·NEW AGE]
• Hinz, Ralf: Formen der Geschichtsschreibung über Popmusik |133-150|DE|PA [1·HISTORY 2·ROCK 3·MUSIC TV 4·GERMANY]
• Jerrentrup, Ansgar: Techno-Musik und ihr eigenwilliges Szenario. Anmerkungen zu einer musikalischen Un-Art |106-121|DE|PA [1·TECHNOLOGY 2·DJS 3·MUSICOLOGY 4·HISTORY 5·MUSIC EXX. 6·HOUSE/RAVE]
• Karbaum, Michael; Heuger, Markus, ed.; Prell, Matthias, ed.: Wirtschaftsfaktor Musik. Der Komponist an der Schnittstelle von Kunst und Kommerz |9-20|DE|PA [1·MUS INDUST 2·COMPOSE 3·GERMANY]
• Rösing, Helmut: Aspekte der Rezeption von populärer Musik |73-94|DE|PA [1·PERCEIVE 2·PERCEIVE 3·TASTE 4·GENRES 5·STATISTICS 6·SOCIOLOGY 7·PSYCHOLOGY]
• Tagg, Philip: Beitrag zu einer Typologie des musikalischen Zeichens |35-46|DE|PA [1·SEMIOTICS 2·DEFINE]
• Wicke, Peter: Popmusik - Konsumfetischismus oder kulturelles Widerstandspotential? Gesellschaftliche Dimensionen eines Mythos |21-34|DE|PA [1·PERFORM 2·USA 3·GERMANY] {Jackson, Michae}

La forza del destino (programme). Paris: Opéra de Paris, juin 1982 (1862) [CP 318303]
• Verdi, Giuseppe [CP 318303]|PX [1·FRANCE 2·ITALY 3·OPERA 4·DOCUMENT]

Fra Akropolis til Hollywood. Oslo: Freidig Forlag (1988) 96 pp. #82-991694-0-2 [BM-BJORKVOLD]
• Björkvold, Jon-Roar 96 pp. #82-991694-0-2 [BM-BJORKVOLD]|PB [1·FILM MUSIC 2·EDUC ITEM 3·DEFINE 4·HISTORY 5·HOLLYWOOD 6·TELEVISION]

Frank Martin, musique et esthétique musicale. Actes du colloque de La Chaux-de-Fonds 1990. http://www.taggs.freeserve.co.uk/html/gonseth.html (1998). Neuchâtel: Revue Musicale de Suisse romande (1995) [BM-MARTINF]
• Émery, Éric: Art musical et interdisciplinarité |17-20|FR|PA [1·MUSICOLOGY 2·CONFERENCE 3·PT]
• Émery, Éric; Émery, Éric, ed.: Lettre adressée à Roger Boss |7-8|FR|PA {Boss, Roger}
• Guinand, Jean: Hommage à Roger Boss |9-10|FR|PA {Boss, Roger}
• Leite, Luis Henrique: La Salle de Musique de La Chaux-de-Fonds |107-116|FR|PA [1·ACOUSTICS 2·SWISS 3·ARCHITECT.]
• Monsch, Jean-Martin: Hommage à Frank Martin |14-|FR|PA {Martin, Frank}
• Mosusova, Nadezda: La musique savante des Slaves du Sud et la musique populaire des Balkans |63-71|FR|PA [1·YUGOSLAVIA 2·E EUROPE 3·EUROARTMUS 4·POPULARMUS 5·CONFERENCE]
• Samama, Leo: La musique et l'esthétique musicale de Frank Martin |21-30|FR|PA [1·MUSICOLOGY 2·AESTHETICS 3·C20 4·MOD.CLASS. 5·SWISS 6·NETHERLAND] {Martin, Frank}
• Schüpbach, Henri-Robert: Roger Boss |11-13|FR|PA [1·BIOGRAPHY] {Boss, Roger}
• Stankiewicz, Jerzy: Frank Martin et la Pologne |96-106|FR|PA [1·SWISS 2·POLAND 3·EUROARTMUS]
• Tagg, Philip: Vers une musicologie de la télévision |33-60|FR|PA [1·MUSICOLOGY 2·SEMIOTICS 3·ANTHROPOL. 4·MEN 5·WOMEN 6·FILM MUSIC 7·TELEVISION 8·CONFERENCE]
• Tarasti, Eero: Les processus des signes à partir du XIXe siècle jusqu'à nos jours, une interprétation sémiotique |72-95|FR|PA [1·SEMIOTICS 2·EUROARTMUS 3·HISTORY] {Greimas}

Från motkultur till företagsamhet. Göteborg: Stencilled Papers from the Musicology Department (1980) [CP]
• Tagg, Philip, ed. [CP]|PS [1·MUS INDUST 2·USA 3·ROCK 4·HISTORY 5·CAPITALISM 6·CULTPOLIT. 7·MASS MEDIA]

Från Rock Ragge till Hoola Bandoola. Stockhom: Tidens Förlag (1975) 202 pp. #91-550-1970-6 [BM-ERIKSSON]
• Eriksson, Bengt 202 pp. #91-550-1970-6 [BM-ERIKSSON]|PB [1·SWEDEN 2·RADIO 3·MUS INDUST 4·PROGRESSIV 5·IDEALISM 6·HISTORY 7·DOCUMENT 8·1960S 9·1970S 10·JOURNALISM]

Från skrapare till hackare. Stockholm: Sveriges Radio - UTB (1972) 72 pp. [CP-452223]
• Ling, Jan; Olofsson, Sture 72 pp. [CP-452223]|PB [1·FOLK MUSIC 2·EUROARTMUS 3·POPULARMUS 4·ANTHROPOL. 5·EDUC ITEM 6·MUSIC EXX. 7·SWEDEN 8·ILL.]

Från Spinnvisor till P3-Musik. En historisk diskussion av arbetsmusikens funktioner. Göteborg: Stencilled Papers from the Musicology Department, (1987) 27 pp. #0349-3407 [CP325]
• Thorsén, Stig-Magnus 27 pp. #0349-3407 [CP325]|PB [1·WORK 2·MUZAK 3·HISTORY 4·DEFINE]

Frihetens former - en vänbok till Sven-Eric Liedman. Lund: Arkiv (1989) #91-7924-050-X [CP823-324]
• Ling, Jan: Musik som klassisk konst. En 1700-talsidé som blev klassisk = Music as classical art - an 18th-century idea that became classical (literally), or "How classical music became classical" |171-187|SV|PA [1·EUROARTMUS 2·DEFINE 3·HISTORY 4·POLITICS 5·C18 6·C19 7·POLITSTUDY 8·MUSICOLOGY] {Marx, A B; Rosen, C}

From Afro-Cuban Music to Salsa. Contains 26-track CD. Berlin: Piranha (1998) 179 pp. #3-9805863-0-8 [CD-AFROCUBAN]
• Alén Rodríguez, Olavo 179 pp. #3-9805863-0-8 [CD-AFROCUBAN]|PB [1·CUBA 2·ILL. 3·SINGING 4·DANCE] {rumba; canción; danzón; guajiro}

From Blues to Rock: an Analytical History of Pop Music. Manchester: Manchester University Press (1987) 217 pp. [JM-POPULAR]
• Hatch, David; Millward, Stephen 217 pp. [JM-POPULAR]|PB [1·ROCK 2·BLUES 3·HISTORY 4·FOLK MUSIC 5·MELODY 6·GOSPEL 7·PENTATONIC 8·BOOGIE]

From `Ere e faaji ti pariwo' to `Ere e faaji alariwo'. A diachronic study of change in juju music. Accra: (1987) 24 pp. [CL003-289]
• Alaja-Browne, Afolabi 24 pp. [CL003-289]|UX [1·NIGERIA 2·JUJUHILIFE 3·HYMNS 4·RHYTHM 5·MUSIC EXX. 6·HISTORY 7·LYRICS] {King, Tunde; Ade, Sunny}

From Print to Plastic. New York: Institute for Studies in American Music (1983) 71 pp. [BM-SANJEK]
• Sanjek, Russell 71 pp. [BM-SANJEK]|PB [1·MUS INDUST 2·USA 3·HISTORY]

From The Avengers to Miami Vice. Form and ideology in television series. Manchester: Manchester University Press (1990) 170 pp. #0-7190-2994-5 [BCP-BUXTON]
• Buxton, David 170 pp. #0-7190-2994-5 [BCP-BUXTON]|PB [1·TELEVISION 2·POLITSTUDY 3·CULT.STUDY 4·UK 5·USA 6·1960S 7·1970S 8·1980S]

From the Bayou: The Story of Goldband Records. Bexhill-on-Sea: Blues Unlimited (1969) 62 pp. [BM-LEADBITTE]
• Leadbitter, Mike; Shuler, Eddie 62 pp. [BM-LEADBITTE]|PB [1·DOCUMENT 2·ILL. 3·RURAL 4·BLUES 5·1960S 6·MUSICIANS 7·MUS INDUST 8·RADIO 9·BIOGRAPHY]

Funktionelle Musik. Fragen zur Begriffbestimmung und Wirkungsweise. Kassel: Gesamthochschule, Fachbereich 3 (1982) [CP453037]
• Rösing, Helmut [CP453037]|US [1·MUZAK 2·PSYCHOLOGY 3·MOOD MUSIC 4·FILM MUSIC 5·ACOUSTICS 6·EDUC ITEM]

Fyra Musikkulturer. Tanzania, Tunisien, Sverige och Trinidad. Stockholm: Almqvist & Wiksell (1981) 223 pp. #91-20-06094-7 [BM-MALM]
• Malm, Krister 223 pp. #91-20-06094-7 [BM-MALM]|PB [1·Gbg.Mvet. 2·ARABIC 3·CARIBBEAN 4·CULT.STUDY 5·SWEDEN 6·SOCIOLOGY 7·MUS INDUST 8·POLITICAL 9·DISS. PhD. 10·E AFRICA]

Fyra musikkulturer. Tanzania, Tunisien, Sverige och Trinidad. Stockholm: Almqvist & Wiksell (1981) 223 pp. #91-20-06094-7 [BM-MALMKRIST]
• Malm, Krister 223 pp. #91-20-06094-7 [BM-MALMKRIST]|PB [1·E AFRICA 2·AFRICA 3·SWEDEN 4·ARABIC 5·INSTRUMENT 6·MUSIC USES 7·CULTPOLIT. 8·INTERNATNL 9·ILL.]

La gamme et le langage musical. Paris: P.U.F. (1961) 164 pp. [BM-EMERY]
• Émery, Éric 164 pp. [BM-EMERY]|PB [1·MUSICOLOGY 2·ACOUSTICS 3·HISTORY 4·MELODY 5·NEUROLOGY 6·PSYCHOLOGY 7·PHYSICS 8·PITCH]

Gehörsmusik - Blues, rock och muntlig tradering. Skrifter från musikvetenskapliga institutionen, Göteborgs universitet, nr 37. Göteborg: Akademiförlaget (1995) viii+264 pp. #91-24-16670-7 [BM-LILLIESTA]
• Lilliestam, Lars viii+264 pp. #91-24-16670-7 [BM-LILLIESTA]|PB [1·SWEDEN 2·Gbg.Mvet. 3·BLUES 4·ROCK 5·MUSICOLOGY 6·MUSIC EXX.]

Gender and the Multiple Texts of Film. Stanford: Typescript (1988) 10 pp. [CP827064]
• Kassabian, Anahid 10 pp. [CP827064]|UX [1·SEX/GENDER 2·FILM MUSIC 3·AFFECT]

Generative Processes in Music. Oxford: Clarendon Press (1988) [CL002001-013]
• Gabrielsson, Alf; Sloboda, J, ed.: Timing in music performance and its relations to music experience |28-51|EN|PA [1·PERFORM 2·RHYTHM 3·PSYCHOLOGY 4·MUSIC EXX.]

The German Ideology (1845-1846, Collected Works, Vol 5). Moscow: Progress Publishers (1976) 711 pp. [BCP-MARX]
• Marx, Karl; Engels, Friedrich 711 pp. [BCP-MARX]|PB [1·PHILOSOPHY 2·POLITICAL 3·MONEY 4·C19 5· 6·SOCIALISM 7·GERMANY 8·UK]

German Nazi Bans: Between Provocation and Repression. Philadelphia: Temple University Press (2003) #1-56639-990-4 [BM-CLOONAN]
• Barber-Kersovan, Alenka #1-56639-990-4 [BM-CLOONAN]|PA

Geschichte als Weg zum Musikverständnis. Leipzig: Reclam (1977) 663 pp. [BM-KNEPLER]
• Knepler, Georg 663 pp. [BM-KNEPLER]|PB [1·HISTORY 2·ANTHROPOL. 3·MUSICOLOGY 4·DEFINE 5·PHILOSOPHY 6·AESTHETICS 7·MUSIC USES 8·EUROPE 9·EUROARTMUS 10·ILL.]

Geschichte der Pop-Musik. Band 1 (Bis 1947). Bremen: Eres & Archiv für Populäre Musik (1977) 472 pp. #3-87204-391-9 [JM-YEARBOOK]
• Kuhnke, Klaus; Miller, Manfred; Schulze, Peter 472 pp. #3-87204-391-9 [JM-YEARBOOK]|PB [1·POPULARMUS 2·HISTORY 3·USA 4·EUROPE 5·GERMANY 6·BLUES 7·C&W 8·FASCISM 9·MUS INDUST 10·JAZZ]

Geste - texte - musique. Paris: Ugé (1978) 282 pp. #2-264-00823-7 [BM-STOIANOVA]
• Stoianova, Ivanka 282 pp. #2-264-00823-7 [BM-STOIANOVA]|PB [1·SEMIOTICS 2·NVC 3·GESTURES 4·DANCE 5·MOD.CLASS. 6·NOTATION 7·FRANCE 8·ITALY 9·MUSICOLOGY]

Get Rich Quick. Melbourne: Minerva (1996) #1-86330-510-6 [BCP-DOYLEP]
• Doyle, Peter #1-86330-510-6 [BCP-DOYLEP]|PB [1·AUSTRALIA 2·WORKERS 3·LITERATURE 4·SUBCULTURE]

Getúlio Vargas e a música popular. Rio de Janeiro: Fundação Getúlio Vargas (1983) 75 pp. [BM-SEVERIANO]
• Severiano, Jairo 75 pp. [BM-SEVERIANO]|PB [1·BRAZIL 2·1850-1899 3·C20 4·HISTORY 5·WORKERS 6·OPPOSE 7·LYRICS 8·FOLK MUSIC 9·BALLADS]

Gilbert and Sullivan - A Biography. London: Penguin (1935) 251 pp. [BM-GILBERT]
• Pearson, Hesketh 251 pp. [BM-GILBERT]|PB [1·BIOGRAPHY 2·UK 3·OPERETTA 4·VOCAL MUS. 5·MUSIC HALL 6·ENTERTAIN 7·MIDDLCLASS 8·PERFORM 9·MUS INDUST 10·C19]

The Gimmix Book of Records. London: Virgin Books 0-907080170 (1981) 128 pp. [BMA4-ALBUM]
• Goldmann, Frank; Hiltscher, Klaus 128 pp. [BMA4-ALBUM]|PB [1·VIS. ARTS 2·LPs 3·ROCK]

Glenn Miller and the Age of Swing. London: Dempsey & Squires (1976) 128 pp. #0-86044-007-9 [BM-SNOW]
• Snow, George; Green, Jonathon 128 pp. #0-86044-007-9 [BM-SNOW]|PB [1·USA 2·BANDS 3·JAZZ 4·SWING 5·BRASSINSTR 6·CLUBS 7·MUSICIANS 8·ILL.]

Göteborgsjazz: musiker och dansställen under 50-talet. Göteborg: Wezäta förlag (1982) 143 pp. #91-85074-97-7 [BM-MOLLERSTE]
• Möllerstedt, Gunnar 143 pp. #91-85074-97-7 [BM-MOLLERSTE]|PB [1·SWEDEN 2·GÖTEBORG 3·JAZZ 4·BANDS 5·MUSICIANS 6·DANCE 7· 8·1950S 9·ILL.]

Göteborgs Posten, 1984-09-15. Göteborg (1984) [CP324063]
• Hansson, Anders: Så använde nazisterna populärmusiken: schlagern blev ett maktvapen |28|SV|PA [1·DDR 2·GERMANY 3·Gbg.Mvet. 4·FASCISM 5·REVIEW]

Göteborgs Posten, 1984-09-26. Göteborg (1984) [CP324061]
• Hansson, Anders: Rocken förslavande? |SV|PA [1·ROCK 2·REVIEW 3·POLITSTUDY 4·YOUTH]

Göteborgs Posten, 1984-10-09. Göteborg (1984) [CP324062]
• Hansson, Anders: Musikapparaterna som erövrat världen: både hot och räddningsplanka |55|SV|PA [1·MUS INDUST 2·TELEVISION 3·INTERNATNL 4·REVIEW]

Göteborgs Posten, 890517. Göteborg: (1989) [CP823-343]
• Roe, Keith; Aare, Cecilia: Skolan farligare än hårdrock |SV|PA [1·ROCK 2·EDUCATION 3·POLITSTUDY 4·]

Göteborgs rika musikliv. Göteborg: Skrifter från Musikvetenskaplinga avdelningen, nr 42 (1996) 706 pp. #91-85974-38-2 [BM-EDSTROM]
• Edström, Olle 706 pp. #91-85974-38-2 [BM-EDSTROM]|PB [1·GÖTEBORG 2·SWEDEN 3·1920S 4·1930S 5·MUSIC EXX. 6·SOCIOLOGY 7·MASS MEDIA 8·HISTORY]

Göteborgs Tidningen, 1983. Göteborg: (1983) [CP 318372]
• Abba: ABBA slut som grupp - inte alls: Frida drömmer om en ny värdsturné! |SV|PA [1·ABBA 2·MONEY 3·1980S]

Göteborgs Tidningen, 2 September 1979. Göteborg: Göteborgstidningen (1979) [CP 318363]
• Abba: Benny bantar för att klara ABBAs världsturné. Så ska Abba orka med sin rekordturné |SV|PA [1·ABBA 2·JOURNALISM]

Göteborgs Tidningen, 891008. Göteborg: (1989) [CP824045]
• Hansson, Anders: Säg det med toner Report from Scandinavian Music Fair |SV|PA [1·CONFERENCE 2·REVIEW 3·PT] {Breitenstein, O}

Götheborgske Spionen, 798118. Göteborg: FFS (1978) [CP908237]
• Tagg, Philip; Thorsen, Stig-Magnus: Musiksociologisk multi-media-show avslöjar den kommersiella musiken. |8-9|SV|PA [1·MASS MEDIA 2·INTERVIEW 3·PT 4·1970S 5·MUS INDUST 6·CULT.STUDY 7·Gbg.Mvet.]

Gotta Sing Gotta Dance. A Pictorial History of Film Musicals. London: Hamlyn (1970) #0-600-03126-8 [BMA4-KOBAL]
• Kobal, John #0-600-03126-8 [BMA4-KOBAL]|PB [1·ILL. 2·MUSICALS 3·HISTORY 4·USA 5·HOLLYWOOD]

Government Support to Industry in Sweden. An International Comparison. Stockholm: Liber/Industridepartementet (1984) 103 pp. #91-38-08265-9 [BCP-ALLEN]
• Allen, Kevin; Yuill, Douglas 103 pp. #91-38-08265-9 [BCP-ALLEN]|PB [1·PUBL.AUTHO 2·MONEY 3·SWEDEN 4·REPORT]

Goya. London: Collins / Fontana / UNESCO (1966) 24+ill pp. [BCP-GOYA]
• Goya, Francisco; Ferrari, Enrique Lafuente, ed. 24+ill pp. [BCP-GOYA]|PB [1·VIS. ARTS 2·SPAIN 3·C19 4·ILL.]

Gradient Profile F1 (Fire Island). Little Chalfont: private diagram (1985) 1 pp. [CP755002]
• Tagg, Roger M 1 pp. [CP755002]|UX [1·TRAVEL]

Great Day Coming: Folk Music and the American Left. Urbana: University of Illinois Press (1971) 219 pp. #0-252-00179-6 [BM-DENISOFF]
• Denisoff, R Serge 219 pp. #0-252-00179-6 [BM-DENISOFF]|PB [1·PROGRESSIV 2·UNIONS 3·HISTORY 4·C20 5·POLITSTUDY 6·SOCIALISM 7·CAPITALISM 8·BIBLIOGR. 9·DISCOGR. 10·ILL.]

The Greek Myths. harmondsworth: Penguin (1955) [BCP-GRAVES]
• Graves, Robert [BCP-GRAVES]|PB [1·GREECE 2·OLD GREECE 3·MYTHOLOGY 4·LITERATURE]

Grekisk-romersk kult och mytologi. Stockholm: Svenska bokförlaget/Nordstedts (1966) 136 pp. [BCLASS-SODER]
• Söderström, Gunnar 136 pp. [BCLASS-SODER]|PB [1·OLD GREECE 2·ANCNT ROME 3·MYTHOLOGY 4·GREECE]

Groves Dictionary of Music and Musicians. (1982?) [CL002-102]
• Buchner, Alexandr: Mechanical instrument |EN|PA [1·INSTRUMENT 2·HISTORY 3·ILL. 4·TECHNOLOGY]
• Hind, Harold C; Gay, Bram: Brass band |EN|PA [1·BRASSINSTR 2·HISTORY 3·ILL.]
• Hind, Harold C; Baines, Anthony C: Military band |EN|PA [1·BRASSINSTR 2·HISTORY 3·ILL. 4·WAR]
• ~~: Printing and publishing of music |233-273|EN|PA [1·MUSIC PUBL 2·HISTORY 3·ILL. 4·TECHNOLOGY]

Grundriß der musikalischen Semantik. Darmstadt: Wissenschaftliche Buchgesellschaft (1986) 316 pp. #3-534-01785-4 [BM-KARB]
• Karbušicky, Vladimir 316 pp. #3-534-01785-4 [BM-KARB]|PB [1·SEMIOTICS 2·MUSICOLOGY 3·MUSIC EXX. 4·DEFINE 5·AESTHETICS 6·TIMBRE 7·RHYTHM 8·MELODY 9·PHILOSOPHY 10·ANTHROPOL.]

Grundrisse. London: Penguin (1973) 893 pp. #0-14-02-1667-7 [BCP-MARX]
• Marx, Karl 893 pp. #0-14-02-1667-7 [BCP-MARX]|PB [1·POLITICS 2·MONEY 3·SOCIALISM]

GT, 1974-09-12. Göteborg (1974) [CP324066]
• Sjöström, Ingrid: Stadion i Santiago de Chile: Victor Jaras sista dikt |SV|PA [1·CHILE 2·FASCISM 3·1970S 4·DOCUMENT]

GT, 1983-08-30. Göteborg: Göteborgs Tidningen (1955) [CP322351]
• Erichs, Rolf: Abba är slut |1,4|SV|PA [1·ABBA 2·JOURNALISM 3·MUS INDUST]

GT, 1983-10-21. Göteborg: Göteborgs Tidningen (1983) [CP322340]
• Andreasson, Kenth: Abba lurade alla "Dåliga affären" gav 86 miljoner i vinst |1,5|SV|PA [1·SWEDEN 2·ROCK 3·MOR 4·MUS INDUST 5·JOURNALISM]
• Anon: Film, Dance and Porno Adverts (Nöjessidorna) |14-19|SV|PA [1·ADVERTS 2·DOCUMENT 3·SEX/GENDER 4·PORNOGRAPH 5·ENTERTAIN 6·GÖTEBORG]

GT, 1984-07-07. Göteborg: (1984) [CP324065]
• Abba: Skatteåtal hotar ABBA |1,9|SV|PA [1·ABBA 2·SWEDEN 3·MUS INDUST]

GT, 1986-10-18. Göteborg: GT (1986) [CP757]
• Ahnoff, Lisbet: Vadå förstå? |SV|PA [1·PT 2·REVIEW]

Guiness Book of British Hit Albums. London: Grrr Books (1983) 217 pp. #0-85112-246-9 [BMR-GUINESS]
• Gambaccini, Paul, ed.; Rice, Jo, ed.; Read, Mike, ed.; Rice, Tim, ed. 217 pp. #0-85112-246-9 [BMR-GUINESS]|PB [1·CHARTS 2·ROCK 3·UK 4·1950S 5·1960S 6·1970S 7·MUS INDUST]

Guiness Book of British Hit Singles. London: Grrr Books (1979) 316 pp. #0-900424-99-0 [BMR-GUINESS]
• Gambaccini, Paul, ed.; Rice, Jo, ed.; Read, Mike, ed.; Rice, Tim, ed. 316 pp. #0-900424-99-0 [BMR-GUINESS]|PB [1·CHARTS 2·ROCK 3·UK 4·1950S 5·1960S 6·1970S 7·MUS INDUST]

Guiness Book of Hits of the Seventies. London: Grrr Books (1980) 240 pp. #0-85112-205-1 [BMR-GUINESS]
• Gambaccini, Paul, ed.; Rice, Jo, ed.; Read, Mike, ed.; Rice, Tim, ed. 240 pp. #0-85112-205-1 [BMR-GUINESS]|PB [1·CHARTS 2·ROCK 3·UK 4·1970S 5·MUS INDUST]

Gwynedd - A County in Crisis. Harlech: Cikef Harlech. Occasional Papers in Welsh Studies, No.2 (1983) 111 pp. [BCP-LOVERING]
• Lovering, John 111 pp. [BCP-LOVERING]|PB [1·WALES 2·MONEY 3·HISTORY]

Halliwell's Film and Video Guide 2000 (15th Edition). London: HarperCollins (2000) 948 pp. #0-00-653165-2 [BMR-HALLIWEL]
• Halliwell, Leslie, ed.; Walker, John, ed. 948 pp. #0-00-653165-2 [BMR-HALLIWEL]|PB [1·FILM 2·REFERENCE]

Halliwell's Film Guide, 10th Edition. London: Harper Collins (1994) 1231 pp. #0-00-653165-2 [BMR]
• Walker, John, ed.; Halliwell, Leslie, ed. 1231 pp. #0-00-653165-2 [BMR]|PB [1·FILM 2·REFERENCE 3·HANDBOOK]

Halliwell's Television Companion. London: Paladin (1986) 941 pp. #0-586-08540-8 [BMR-HALLIWEL]
• Halliwell, Leslie, ed.; Purser, Philip, ed. 941 pp. #0-586-08540-8 [BMR-HALLIWEL]|PB [1·TELEVISION 2·REFERENCE]

Halliwell's Television Companion. London: Paladin (1986) 941 pp. #0-586-08540-8 [BMR]
• Halliwell, Leslie; Purser, Philip 941 pp. #0-586-08540-8 [BMR]|PB [1·TELEVISION 2·REFERENCE 3·USA 4·UK 5·AUSTRALIA 6·DRAMA 7·CATALOGUE]

Handbook for Acoustic Ecology. Vancouver: Aesthetic Research Center (1978) 171 pp. #0-88985-011-9 [BM-ACOUSTIC]
• Truax, Barry, ed. 171 pp. #0-88985-011-9 [BM-ACOUSTIC]|PB [1·SOUND 2·ENVIRONMNT 3·URBAN 4·RURAL 5·RECORDING 6·ACOUSTICS 7·NEUROLOGY 8·RHYTHM 9·HANDBOOK 10·DYNAMICS]

Handbuch der populären Musik. Rock, Pop, Jazz, World Music: erweiterte Neuasgabe. Mainz: Atlantis - Schott (1997) #3-254-08363-6 [BMR]
• Wicke, Peter, ed.; Ziegenrücker, Wieland, ed. #3-254-08363-6 [BMR]|PB [1·GERMANY 2·USA 3·UK 4·WORLD MUS. 5·ROCK 6·JAZZ 7·REFERENCE]

Handel. London: Dent (The Master Musicians) (1947) 246 pp. [BM-HANDEL]
• Young, Percy 246 pp. [BM-HANDEL]|PB [1·BAROQUE 2·GERMANY 3·UK 4·COMPOSE 5·C18 6·BIOGRAPHY 7·MUSICOLOGY 8·MUSIC EXX. 9·AESTHETICS]

Det handlar om musik - seminariedag vid GMV (Brev - program - m m). Göteborg: Department of Musicology (1982) [CP322205]
• Various [CP322205]|US [1·Gbg.Mvet. 2·DOCUMENT 3·ADVERTS]

Handout to logdansbesökare at Nya Tallheden about videotaping of dance evening. (1983) [CP 318057]
• Savander, Sam [CP 318057]|US [1·DANCE 2·SWEDEN]

Hanns Eisler - Musik und Politik. Schriften 1948-1962. Leipzig: VEB Deutscher Verlag für Musik (1981) 579 pp. [BM-EISLER]
• Mayer, Günter, ed. 579 pp. [BM-EISLER]|PB [1·SOCIALISM 2·DDR 3·1950S 4·1960S 5·DOCUMENT 6·POLITSTUDY 7·AESTHETICS 8·EUROARTMUS 9·MOD.CLASS. 10·CULTPOLIT.]

Här är minuterna som år och åren som minuter. Skiss till utställningar om olika tidsuppfattningar. Göteborg (1980) 7 pp. [CP322161]
• Tunander, Ola 7 pp. [CP322161]|UX [1·TIME/SPACE 2·DOCUMENT 3·SWEDEN 4·PHILOSOPHY]

Har du hört på väderleksrapporten? En studie över harmonik. Göteborg: Department of Musicology (1981) [CP322168]
• Edström, Olle [CP322168]|US [1·HARMONY 2·JAZZ 3·EDUC ITEM 4·MUSIC EXX. 5·MUSICOLOGY 6·Gbg.Mvet.]

The Harmonic Language of Rock. Stony Brook (NY): Music Department, SUNY (1983) [CP193128]
• Winkler, Peter [CP193128]|US [1·HARMONY 2·ROCK 3·MUSIC EXX. 4·MUS.ANALYS]

Harmonilära. Sjätte översedda upplagan. Stockholm: Nordiska Förlaget 212 pp. [BM-SODERHOLM]
• Söderholm, Valdemar 212 pp. [BM-SODERHOLM]|PB [1·EUROARTMUS 2·EUROPE 3·HARMONY 4·EDUC ITEM 5·MUSIC EXX.]

Harmonious Relations. Popular music in family life on Merseyside. Liverpool: National Museums and Galleries on Merseyside (1991) 59 pp. #0-906367-48-4 [BM-HARMONIOU]
• Cohen, Sara; McManus, Kevin 59 pp. #0-906367-48-4 [BM-HARMONIOU]|PB [1·LIVERPOOL 2·POPULARMUS 3·ROCK 4·C&W 5·GENRES 6·ANTHROPOL. 7·ILL.]

The Harvard Dictionary of Music. 1publ 1944, 11th printing 1958. Cambridge, MA: Harvard University Press (1958) x+833 pp. [BMREF-HARVAR]
• Apel, Willi, ed. x+833 pp. [BMREF-HARVAR]|PB

Hearing Film. Tracking Identifications in Contemporary Hollywood Film Music. London: Routledge (2001) viii+188 pp. #0-8195-6342-0 [BM-KASSABIAN]
• Kassabian, Anahid viii+188 pp. #0-8195-6342-0 [BM-KASSABIAN]|PB [1·FILM MUSIC 2·USA 3·CRITIQUE 4·WOMEN 5·COMMUNICAT 6·SEMIOTICS 7·MUSIC EXX.]

Héctor Tosar, compositor uruguayo. Montevideo: Ediciones Trilce (1991) 143 pp. #9974-32-002-1 [BM-TOSAR]
• Aharonián, Coriún 143 pp. #9974-32-002-1 [BM-TOSAR]|PB [1·URUGUAY 2·MOD.CLASS. 3·AVANTGARDE 4·MUSIC EXX. 5·BIOGRAPHY 6·ILL.]

Hegels musikestetik. Göteborg: Musikhögskolan (1984) [CP324199]
• Ling, Jan [CP324199]|US [1·AESTHETICS 2·EUROPE 3·C18 4·C19 5·GERMANY 6·EUROARTMUS]

Helsingin Sanomat, 1985-07-06. Helsinki: Helsingin Sanomat (1985) [CP757]
• Kotirinta, Pirkko: Miksi populaarimusiikki on suosittua |18|SF|PA [1·PT 2·CONFERENCE 3·DOCUMENT]

Hendrix. A Biography. London: Ocean Books (1972) 104 pp. #0-85514-025-9 [BMA4-WELCH]
• Welch, Chris 104 pp. #0-85514-025-9 [BMA4-WELCH]|PB [1·ROCK 2·USA 3·UK 4·MUSICIANS 5·BIOGRAPHY 6·ILL. 7·DISCOGR. 8·1960S]

The Henry Cow Book. London: Recommended Records (1981) 115 pp. [BM-HENRY COW]
• Cutler, Chris, ed.; Hodgkinson, Tim, ed. 115 pp. [BM-HENRY COW]|PB [1·UK 2·ROCK 3·PROGRESSIV 4·DOCUMENT 5·ILL. 6·MUSICIANS 7·COMPOSE 8·PERFORM]

Henry Purcell. 1 publ 1932. London: Penguin (1948) 191 pp. [BM-PURCELL]
• Holland, A K 191 pp. [BM-PURCELL]|PB [1·UK 2·BAROQUE 3·BIBLIOGR. 4·MUSIC EXX. 5·C17]

The Hidden Persuaders. New York: D McKay (1958) 275 pp. [BCP-PACKARD]
• Packard, Vance 275 pp. [BCP-PACKARD]|PB [1·ADVERTS 2·BUSINESS 3·PERCEIVE] {MANIPULATION; COCA COLA}

Hifi & Musik, 1980-07-06. Stockholm: Hifi & Musik (1980) [CP322160]
• Håkanson, Björn; Fernström, Håkan: Countryrapport från Göteborgsfestivalen |1|SV|PA [1·REVIEW 2·C&W 3·GÖTEBORG 4·FESTIVAL 5·PERFORM 6·1980S]

Hifi & Musik, 1980-07-06. Stockholm: Hifi & Musik (1980) [CP322155]
• Nyqvist, Birger: Folkparkerna - unika företeelser i svenskt nöjesliv |24-28|SV|PA [1·SWEDEN 2·ENTERTAIN 3·LEISURE 4·CULT.STUDY 5·HISTORY]

Hifi & Musik, 1982/8. Göteborgsnumret. Stockholm: Tidningen Hifi & Musik (1982) [CP322]
• Cussion, Per: Hifi & Musik testar 4 läromedel i percussion |15|SV|PA [1·DRUMS 2·MUSIC EDUC 3·REVIEW 4·SWEDEN]
• Eldsäter, Åke: Musikerna flyr torra studios |94-95|SV|PA [1·RECORDING 2·PRODUCERS 3·MUSICIANS 4·AESTHETICS 5·REVIEW 6·SWEDEN]
• Nilsson, Stefan; Lundsten, Ralph: 11 klaviaturspelare tycker till om sina instrument |20-26|SV|PA [1·INTERVIEW 2·KEYBOARDS 3·PIANO 4·SYNTHS 5·REVIEW 6·SWEDEN]
• Svensson, Britta: Nöjen i Göteborg |36-42|SV|PA [1·SWEDEN 2·LEISURE 3·GÖTEBORG 4·1980S 5·REVIEW 6·ENTERTAIN 7·DOCUMENT]
• Swedien, Bruce: Bruce Swedien - teknikern som jobbat med de stora |96-97|SV|PA [1·RECORDING 2·PRODUCERS 3·USA 4·INTERVIEW 5·AESTHETICS 6·TECHNOLOGY]

High and Mighty. The dangerous rise of the SUV. New York: Public Affairs (2002) xxi+488 pp. #1-58648-203-3 [BCP-BRADSHER]
• Bradsher, Keith xxi+488 pp. #1-58648-203-3 [BCP-BRADSHER]|PB [1·CAPITALISM 2·BUSINESS 3·USA 4·ADVERTS 5·POLITICS] {cars; greed; power; suburban; ecology}

High Fidelity, July 1987. (1987) [CL003-320]
• Ranada, David: Interrupted Melody About Copy Code scanners for DAT recorders |44-51|EN|PA [1·TECHNOLOGY 2·MUS INDUST 3·MUSIC PUBL 4·COPYRIGHT]

Hispanorama, 41. Nürnberg: Deutsche Spanischlehrverbands (1985) #0720-1168 [BMA4-HISP]
• Becker, Rita: Canción y realidad en Centroamerica |119-123|SP|PA [1·C AMERICA 2·POLITICAL 3·1970S 4·1980S 5·LYRICS 6·POETRY 7·EDUC ITEM 8·VOCAL MUS.]
• Bursch, Horst: Lieder zum Unterrichtsthema "Spanischer Bürgerkrieg" |115-118|DE|PA [1·SPAIN 2·WAR 3·1930S 4·LYRICS 5·POLITICAL 6·EDUC ITEM]
• Christ, Ingeborg: El hombre nuevo cantando. Gesungene Poesie im Spanischunterricht |126-133|DE|PA [1·SPAIN 2·SSONGWRITR 3·BIBLIOGR. 4·EDUC ITEM 5·LYRICS 6·LITERATURE]
• Fleury, Jean-Jacques: Castilla y Leon en la Nueva Canción |81-91|SP|PA [1·SPAIN 2·SSONGWRITR 3·1960S 4·1970S 5·1980S 6·LYRICS]
• Fleury, Jean-Jacques: La nueva canción en Aragon |75-81|SP|PA [1·SPAIN 2·SSONGWRITR 3·1960S 4·1970S 5·1980S 6·LYRICS]
• Mohren, Michael: Lieder zur "emigración" |112-114|DE|PA [1·SPAIN 2·L AMERICA 3·LYRICS 4·HISTORY 5·EDUC ITEM 6·LITERATURE 7·POETRY]
• Petersen, Hartmut: "Lamento Borrincano". Ein Lied von Victor Jara |119-123|DE|PA [1·CHILE 2·1970S 3·LYRICS 4·BOLIVIA 5·POLITICAL 6·EDUC ITEM]
• Quilapayún: Entrevista con Norbert Rehrmann |99-104|DE|PA [1·CHILE 2·1970S 3·1980S 4·EUROPE 5·FOLK MUSIC 6·SSONGWRITR 7·LYRICS 8·POLITSTUDY]
• Rehrmann, Norbert, ed.: Bibliographie und Diskogaphie zur Nueva Canción in Spanien und Lateinamerika (Auswahl) |141-143|DE|PA [1·SPAIN 2·L AMERICA 3·BIBLIOGR. 4·SSONGWRITR]
• Rehrmann, Norbert: Die nueva canción in Spanien - Ein Überblick |63-74|DE|PA [1·SPAIN 2·SSONGWRITR 3·1960S 4·1970S 5·1980S 6·LYRICS]
• Schmidt, Bernd: Lieder im Spanischunterricht mit Anfängern |133-140|DE|PA [1·SPAIN 2·SSONGWRITR 3·EDUC ITEM 4·CHILDREN 5·LYRICS]
• Schönberger, Axel: Música Popular Brasileira Reviewed, November 1985 |105-110|DE|PA [1·BRAZIL 2·BRD 3·LYRICS 4·1960S 5·1970S 6·1980S 7·BIBLIOGR. 8·REVIEW] {ALVARENGA Oneyd}
• Tichauer de Alvarez, Eva: El "Canto Nuevo": erupción del Chile posterior al '73 |95-98|SP|PA [1·CHILE 2·1970S 3·FOLK MUSIC 4·SSONGWRITR 5·LYRICS 6·POLITSTUDY]
• Viglietti, Daniel; Galeano, Eduardo: Interviewed by Jean-Jacques Fleury (Albi, March 1981) |91-94|EN|PA [1·L AMERICA 2·SPAIN 3·SSONGWRITR 4·1970S 5·1980S 6·LYRICS 7·POLITSTUDY]

Hispanorama - Sonderdruck, (November 1985). Nürnberg: Deutsche Spanischlehrverbands (1985) #0720-1168 [BMA4-HISP]
• Fleury, Jean-Jacques: El indio y el niño en la Nueva Canción |89-94|SP|PA [1· 2·SPAIN 3·L AMERICA 4·LYRICS 5·CHILDREN 6·MINORITIES]
• Haase, Ellionor; Wiener, Bibiana: Canción y revolucción en Nicaragua |84-88|SP|PA [1·C AMERICA 2·REVOLUTION 3·LYRICS 4·1970S 5·BIBLIOGR. 6·DISCOGR.]

Histoire de la musique en bandes dessinées. Paris: Van de Velde (1978) 48+48+48 pp. #2-86299-002-7 [BMA4-HISTOIR]
• Deyries, B; Lemery, D; Sadler, M 48+48+48 pp. #2-86299-002-7 [BMA4-HISTOIR]|PB [1·HISTORY 2·VIS. ARTS 3·COMICS]

Histoire du Music-Hall. Paris: PUF (Que sais-je? 1169) (1965) 128 pp. [BM-QUE SAIS]
• Feschotte, Jacques 128 pp. [BM-QUE SAIS]|PB [1·FRANCE 2·UK 3·USA 4·EUROPE 5·MUSIC HALL 6·HISTORY 7·MUSICIANS 8·REFERENCE 9·BIBLIOGR.]

La historia de la literatura argentina. Capitulo 117. Buenos Aires: Centro Editor de America Latina (1981) [BM-VILARINO]
• Vilariño, Idea: El tango (1) |409-432.|SP|PA [1·TANGO 2·ARGENTINA 3·DANCE 4·LYRICS 5·INSTRUMENT 6·MUSICIANS 7·URUGUAY 8·HISTORY 9·BIBLIOGR.]

La historia de la literatura argentina. Capitulo 121. Buenos Aires: Centro Editor de America Latina (1981) [BM-VILARINO]
• Vilariño, Idea: El tango (2) |529-552.|SP|PA [1·TANGO 2·ARGENTINA 3·DANCE 4·LYRICS 5·INSTRUMENT 6·MUSICIANS 7·URUGUAY 8·HISTORY 9·BIBLIOGR.]

Historia i centrum och periferi. Lund: Esselte (1973) 360+320 pp. #91-24-17347-9 [BCP-GRANING]
• Graninger, Göran; Tägil, Sven 360+320 pp. #91-24-17347-9 [BCP-GRANING]|PB [1·HISTORY 2·EUROPE 3·USA]

A History of European Folk Music. Rochester/Woodbridge: University of Rochester Press (1997) #1-878822-77-2 [BM-LING]
• Ling, Jan; Schenk, Linda & Robert, trans. #1-878822-77-2 [BM-LING]|PB [1·HISTORY 2·FOLK MUSIC 3·EUROPE 4·ILL. 5·MUSIC EXX. 6·MUSICIANS 7·MUSICOLOGY 8·INSTRUMENT 9·VOICE 10·ANTHROPOL.]

History of European Music 1730-1980 - synopsis of book. Göteborg: typescript (1983) [CP324223]
• Ling, Jan [CP324223]|US [1·EUROPE 2·MUSIC HIST 3·C18 4·C19 5·C20 6·DOCUMENT]

A History of India, vol. 1. London: Penguin (1966) 381 pp. [BCP-INDIA]
• Thapar, Romila 381 pp. [BCP-INDIA]|PB [1·INDIA 2·HISTORY]

A History of India, Vol. 2. London: Penguin (1956) 284 pp. [BCP-INDIA]
• Spear, Percival 284 pp. [BCP-INDIA]|PB [1·INDIA 2·HISTORY]

Home Computer No.? (6 p.). (1985) #85-7419-333-X [CP453144]
• Wideman, Graham: Beating the RS232 Blues |EN|PA [1·COMPUTERS]

Hottentot Top ten. Dartmouth (1984) 2 pp. [CP194X]
• Hamm, Charles 2 pp. [CP194X]|UX [1·S AFRICA 2·ANTHROPOL. 3·FOLK MUSIC 4·CHARTS 5·RADIO 6·MUS INDUST]

How Autnomous is Relative? Popular Music, the Social Formation and Cultural Struggle (1). Göteborg: Stencilled Papers from the Musicology Department: 8607 (1986) #0349-3407 [BMA4-GAROFAL]
• Garofalo, Reebee #0349-3407 [BMA4-GAROFAL]|PS [1·CULT.STUDY 2·POLITSTUDY 3·PHILOSOPHY 4·ROCK 5·MONEY 6·MUS INDUST 7·USA]

How Musical is Man?. London: Faber (1976) 118 pp. #0-571-10803-2 [BM-BLACKING]
• Blacking, John 118 pp. #0-571-10803-2 [BM-BLACKING]|PB [1·S AFRICA 2·EUROPE 3·AESTHETICS 4·MUSIC USES 5·ANTHROPOL. 6·PHILOSOPHY 7·EVERYDAY 8·MUSIC EXX. 9·SEMIOTICS 10·ILL.]

How to Make Your Drum Machine Sound Like A Drummer (For All Makes and Models). Note that pages 104-123 of this volume come after Goldfield's `Recording, Sync and Synths' (CL004-B) and before Burger's `Murphy's Law MIDI Book' (CL004-C). Newbury Park, CA: Alexander Publishing (1988) 123 pp. [CL004-A]
• Crigger, David 123 pp. [CL004-A]|PB [1·MIDI 2·SYNTHS 3·DRUMS 4·ROCK 5·PERCUSSION 6·MUSIC EXX. 7·HANDBOOK 8·MUSIC EDUC]

http://www.taggs.freeserve.co.uk/html/montreal.html (1999). Montréal (1985) [CP757]
• Tagg, Philip: Address on the State of the Association |11|EN|PA [1·IASPM 2·PT 3·CANADA 4·POLITSTUDY 5·CULTPOLIT.]

Hudba a jejú pojmoslovny<' systém. Praha: Studie CHSAV, C<#.14 (1981) 106 pp. [BM-JOST]
• Fukac^, Jir^í; Polednak, Ivan 106 pp. [BM-JOST]|PB [1·GENRES 2·DEFINE]

Hugo Alfvéns orkesterverk: orkestersång med och utan röster. Göteborg: (1988) 23 pp. [CP823-276]
• Ling, Jan 23 pp. [CP823-276]|UX [1·SWEDEN 2·EUROARTMUS 3·ROMANTIC 4·1890S 5·1910S]

Hugo Alfvén und die Idee der absoluten Musik. Göteborg: Unpublished paper (1989) 28 pp. [CL002-178]
• Ling, Jan 28 pp. [CL002-178]|UX [1·ROMANTIC 2·MUSICOLOGY 3·AESTHETICS 4·FOLK MUSIC 5·CLASSPERSP 6·SYMPHONY] {Alfvén, Hugo; Absolute music}

Hur får kunskap liv? Om konst och eget skapande i undervisning. Stockholm: Liber/Statens kulturråd (1984) 118 pp. #91-38-90597-3 [BCP-NOBEL]
• Nobel, Agnes 118 pp. #91-38-90597-3 [BCP-NOBEL]|PB [1·EDUCATION 2·SWEDEN 3·PSYCHOLOGY 4·PHILOSOPHY 5·MATHEMATIC 6·NAT.SCI.]

Hur klassisk musik blev klassisk. Göteborg: private copy (1986) [CP]
• Ling, Jan [CP]|US [1·EUROARTMUS 2·HISTORY 3·AESTHETICS 4·POLITSTUDY 5·C18 6·C19 7·PHILOSOPHY]

Hur slipades musikestetikens prisma?. Göteborg: Musikhögskolan (1984) [CP324179]
• Ling, Jan [CP324179]|US [1·AESTHETICS 2·EUROPE 3·C18 4·C19 5·GERMANY 6·FRANCE 7·EUROARTMUS]

IASPM 3rd International Conference. Montréal: Abstract, typescript (1985) 9 pp. [CP324146]
• Fukac^, Jir^í; Polednak, Ivan: Information Completing the Papers of Jir^í Fukác^ and Ivan Polednák |EN|UX [1·SEMIOTICS 2·DEFINE 3·CZECHOSLOV]
• Fukac^, Jir^í: Music, Word and Text in Popular Music |EN|UX [1·SEMIOTICS 2·DEFINE 3·PHILOSOPHY 4·CZECHOSLOV]
• Polednak, Ivan: The Semiotic Approach to Popular Music Analysis and Interpretation |EN|UX [1·SEMIOTICS 2·DEFINE 3·PHILOSOPHY 4·CZECHOSLOV]

Identidad, colonia y vanguardia en la creación musical latinoamericana. Montevideo: Typescript (1986?) 18 pp. [CP825084]
• Aharonián, Coriún 18 pp. [CP825084]|UX [1·IMPERIALSM 2·COLONIAL 3·L AMERICA 4·AVANTGARDE]

Ideology and Meaning in Advertising. London: Marion Boyars Publishers Ltd (1978) 180 pp. #0-7145-2615-0 [BCP-WILLIAMS]
• Williamson, Judith: Decoding Advertisements |EN|PB [1·ADVERTS 2·SEMIOTICS 3·MEDIA IND. 4·POLITSTUDY 5·SEX/GENDER]

Illustrerad Vetenskap, 1990/6 (juni). Stockholm: (1990) [CP822-201]
• Nielsen, Thomas: Starkt buller kan ge hjärnskador |32-33|SV|PA [1·SOUNDSCAPE 2·ENVIRONMNT 3·NEUROLOGY 4·HEALTH]

Il senso in musica. Bologna: Cooperativa Libraria Universitaria Editrice Bologna (1987) [BM-SENSO]
• Cooke, Deryck: "Vocaboli" in musica |301-318|EN|PA [1·SEMIOTICS 2·MELODY 3·HARMONY 4·MUSIC EXX.]
• Tarasti, Eero: Strutture narrative in Chopin |221-250|EN|PA [1·ROMANTIC 2·PIANO 3·MELODY 4·HARMONY 5·MUSIC EXX. 6·SEMIOTICS]

IMC Congress in Stockholm, IMC African secretariat and events connected thereto. Göteborg: typescript (1983) 2 pp. [CP755065]
• Tagg, Philip; Abo, Klevor 2 pp. [CP755065]|UX [1·W AFRICA 2·ORGANISE 3·SWEDEN 4·MONEY 5·ADMINISTR. 6·DOCUMENT]

Immaginari Verdiani. Opera, media e industria culturale nell'Italia del XX secolo. Milano: Ricordi (2004) xxii+287 pp. #88-7592-787-1 [BM-POLO]
• Polo, Claudia xxii+287 pp. #88-7592-787-1 [BM-POLO]|PB [1·ITALY 2·MEDIA IND. 3·C20 4·HISTORY 5·ILL. 6·SINGERS 7·PHONOGRAM 8·MUS INDUST 9·MASS MEDIA 10·OPERA] {Verdi, Giuseppe}

The Impact of the Civil Rights Movement on Popular Music. Boston MA: Typescript (1987) 6 pp. [CP827129-134]
• Garofalo, Reebee 6 pp. [CP827129-134]|UX [1·USA 2·POLITICS]

Impresjonismens formtekning. Et forsök på en tolkning. Trondheim: Unpublished work (1988) 18 pp. [CL003-191]
• Kleberg, Ståle 18 pp. [CL003-191]|UX [1·MOD.CLASS. 2·ROMANTIC 3·MUSICOLOGY 4·MUSIC EXX. 5·IMPRESSNSM] {Debussy, Claude}

Impressionism. London: Thames and Hudson (1967) #0-87196-469-4 [BCP-POOL]
• Pool, Phoebe #0-87196-469-4 [BCP-POOL]|PB [1·FRANCE 2·C19 3·VIS. ARTS 4·ILL. 5·BIBLIOGR.]

The Improbable Rise of Redneck Rock. New York: Da Capo Press (1977) 344 pp. #0-306-80065-9 [BM-REID]
• Reid, Jan 344 pp. #0-306-80065-9 [BM-REID]|PB [1·USA 2·ROCK 3·1960S 4·1970S 5·C&W 6·MUSICIANS 7·PRODUCERS 8·AUDIENCE 9·ILL.]

Improvizing Jazz. Englewood Cliffs: Prentice-Hall (1964) 115 pp. [BM-COKER]
• Coker, Jerry 115 pp. [BM-COKER]|PB [1·JAZZ 2·EDUCATION 3·MUSIC EXX. 4·HARMONY 5·IMPROVISE]

I nattens ljus. Stockholm: Liber / Statens Ungdomsråd (1979) 153 pp. #91-38-05142-7 [BM-INATTENSL]
• Various 153 pp. #91-38-05142-7 [BM-INATTENSL]|PB [1·SWEDEN 2·DANCE 3·1970S 4·DOCUMENT 5·ILL. 6·CULTPOLIT. 7·YOUTH]

The Inaudible Music. Jazz, Gender and Australian Modernity. Sydney: Currency Press (2000) 244 pp. #0-86819-601-0 [BM-JOHNSONB]
• Johnson, Bruce 244 pp. #0-86819-601-0 [BM-JOHNSONB]|PB [1·JAZZ 2·AUSTRALIA 3·SEX/GENDER 4·ILL. 5·DOCUMENT 6·HISTORY]

In a Week, Maybe Two, We'll Make You a Star. St Albans: Granada (1974) #0-586-04261-X [BM-GILLETT]
• Barnard, Stephen #0-586-04261-X [BM-GILLETT]|PA [1·UK 2·USA 3·MUS INDUST 4·MUSICIANS 5·ROCK 6·ADVERTS 7·STARS]

Ind i musikken. Köbenhavn & Århus: Gyldendal/PubliMus (1987) xcr pp. [CP495078-103]
• Bastian, Peter xcr pp. [CP495078-103]|PB [1·AESTHETICS 2·SEMIOTICS]

Industrirealismus. Zum Problem der Stilbetrachtung auf dem Bereich der kulturindustrieller warenproduktion. Uppsala: Acta Universitatis Upsaliensis (1981) 118 pp. #0349-6708 [BCP-SCHLYTER]
• Schlyter, Wolfgang 118 pp. #0349-6708 [BCP-SCHLYTER]|PB [1·AESTHETICS 2·URBAN 3· 4·CONSUME 5· 6·PHILOSOPHY 7·POLITSTUDY]

Information, 3 August 1983. Köbenhavn: Information (1983) [CP322021]
• Villemoes, Lars: Sort Pop (3): Uskyld, underliv og utroskab |1-8|DK|PA [1·SEX/GENDER 2·DISCO 3·JOURNALISM 4·1970S]

Informationen, 1984/3. Berlin: Generaldirektion der Unterhaltungskunst (1984) [CP328/04]
• Höft, Michael; Haack, Detlef: Gespräch mit Veranstaltern (Rock für den Frieden) |8-11|DE|PA [1·DDR 2·PEACE 3·ROCK 4·FESTIVAL 5·ORGANISE 6·INTERVIEW]
• Krahl, Tony: Meinungen der Musiker (Rock für den Frieden) |11-12|DE|PA [1·DDR 2·PEACE 3·ROCK 4·MUSICIANS 5·REVIEW]
• Tilgner, Wolfgang: Feststellungen an, in und zu Texten |4-8|EN|PA [1·DDR 2·PEACE 3·ROCK 4·FESTIVAL 5·LYRICS 6·REVIEW]
• Wicke, Peter: Friedenslieder - Friedensfest |2-4|DE|PA [1·DDR 2·PEACE 3·ROCK 4·FESTIVAL 5·REVIEW]

Informationen, 3.83 (Juni 1983).. Berlin: Generaldirektion beim Komitee für Unterhaltungskunst (1983) [CP322002-012]
• Kirchenwitz, Lutz: Volksänger-Liedermächer: zur Entwicklung der demokratischen Liedkultur in der BRD |1-12|DE|PA [1·SSONGWRITR 2·GERMANY 3·SOCIALISM]

Informationen, 87/1. Berlin: Generaldirektion beim Komitee für Unterhaltungskunst (1987) [CP823-131]
• Fukac, Jiri: Was ist populäre Musik. Begriff und Konzept |4-6|DE|PA [1·POPULARMUS 2·DEFINE 3·CULTPOLIT.]
• Statelowa, Rosemarie: Die populäre Musik in Bulgarien |2-3|DE|PA [1·BULGARIA 2·GENRES 3·DEFINE 4·CULTPOLIT.]
• Wicke, Peter: Populäre Musik - Begriff und Konzept |1|DE|PA [1·DEFINE 2·EUROPE 3·SOCIALISM]

Informationen der Generalkomitee für Unterhaltungskunst, 1987/1. Berlin: Unterhaltungskunst (März 1987) (1987) [CP]
• Fukac^, Jir^í: Was ist populäre Musik? Begriff und Konzept |4-6|DE|PA [1·POPULARMUS 2·DEFINE 3·CZECHOSLOV]
• Golovinskii, Grigoriy L: Populäre Musik: einige Fragen der Theorie |6-8|DE|PA [1·POPULARMUS 2·DEFINE 3·USSR]
• Statelova, Rosemarie: Die populäre Musik in Bulgarien |2-4|DE|PA [1·POPULARMUS 2·DEFINE 3·BULGARIA 4·FESTIVAL 5·MASS MEDIA 6·GENRES]
• Wicke, Peter: Populäre Musik - Begriff und Konzept |1, 8:10|DE|PA [1·DOCUMENT 2·SOCIALISM 3·POPULARMUS 4·DEFINE 5·DDR]

Information om Potsdamsavtalet (DDR). Neubrandenburg (1983) 3 pp. [CP757]
• Anon 3 pp. [CP757]|UX [1·EUROPE 2·DDR 3·BRD 4·WAR 5·POSTWAR 6·DOCUMENT]

Inner Sound & Voice Workshop - Handout. London (1985) [CP327/07]
• Purce, Jill [CP327/07]|PS [1·HEALTH 2·PSYCHOLOGY 3·EDUCATION 4·MYSTICISM]

In Other Worlds. Essays in Cultural Politics. London: Routledge (1988) #0-415-90002-6 [BCP-SPIVAK]
• Devi, Mahasweta; Spivak, Gayatri Chakravorty, trans.: Breast-Giver |241-268|EN|PA [1·INDIA 2·WOMEN 3·POLITSTUDY]
• Devi, Mahasweta; Spivak, Gayatri Chakravorty: Draupadi |179-196|EN|PA [1·INDIA 2·WOMEN 3·POLITSTUDY]
• Spivak, Gayatri Chakravorty: Explanation and Culture: Marginalia |103-117|EN|PA [1·SEX/GENDER 2·MARXISM 3·CULT.STUDY]
• Spivak, Gayatri Chakravorty: Feminism and Critical Theory |77-94|EN|PA [1·FEMINISM 2·PHILOSOPHY 3·LITERATURE 4·MARXISM]
• Spivak, Gayatri Chakravorty: Finding Feminist Readings: Dante - Yeats |15-29|EN|PA [1·FEMINISM 2·LITERATURE]
• Spivak, Gayatri Chakravorty: French Feminism in an International Frame |134-153|EN|PA [1·FRANCE 2·FEMINISM 3·3RD WORLD 4·CHINA]

In Other Worlds. Essays in Cultural Politics. London: Routledge (1988) 309 pp. #0-415-90002-6 [BCP-SPIVAK]
• Spivak, Gayatri Chakravorty 309 pp. #0-415-90002-6 [BCP-SPIVAK]|PB [1·FEMINISM 2·WOMEN 3·MARXISM 4·CULT.STUDY 5·SEX/GENDER 6·PHILOSOPHY 7·LITERATURE 8·INDIA 9·3RD WORLD 10·SEMIOTICS]

S'inspirant des travaux de Nattiez, quelle définition peut-on donner de la musique comme système symbolique qui permette une approche sociologique?. Montréal: Université de Montréal, Département de sociologie (1983) [CP196303]
• Grenier, Line [CP196303]|US [1·SEMIOTICS 2·SOCIOLOGY 3·PHILOSOPHY 4·COMMUNTHEO 5·DEFINE]

Instrumentation. Göteborg: Musikhögskolan (1978) [CP821-093]
• Yngwe, Jan [CP821-093]|UX

Intakt, 1983/5. Göteborg: Musik i Väst. (1983) [CPR326/8]
• Holmin, Maria: Musikforskarna i Göteborg - vad håller de på med egentligen? |2-4|SV|PA [1·Gbg.Mvet. 2·GÖTEBORG 3·1980S 4·REVIEW]
• Holmin, Maria: Trestadsrock - det låter något det |5|SV|PA [1·SWEDEN 2·GÖTEBORG 3·ROCK 4·AMATEURS 5·1980S]

Intellectual Impostures. Postmodern philosophers' abuse of science. 1publ Éditions Odile Jacob, Paris, 1997. London: Profile Books (1998) 274 pp. #1-8619-7074-9 [BCP-SOKAL]
• Sokal, Alan; Bricmont, Jean 274 pp. #1-8619-7074-9 [BCP-SOKAL]|PB [1·POSTMODERN 2·DEFINE 3·NAT.SCI. 4·CRITIQUE 5·IDEOLOGY]

Intense emozioni in musica. Bologna: CLUEB (1996) #88-8091-290-9 [BM-STEFANI]
• Bassi, Luca; Stefani, Gino, ed.; Carra, Francesca; Colangelo, Filippo: Storie personali |11-34|IT|PA [1·PSYCHOLOGY 2·PERCEIVE 3·MUSIC USES 4·AFFECT]
• Berti, Luigia; Devincenzi, Diego; Festino, Federico; Ginesi, Gianni: Transe, rituale e musica: il caso del Tarantismo |61-118|IT|PA [1·PSYCHOLOGY 2·PERCEIVE 3·MUSIC USES 4·AFFECT 5·MUSTHERAPY 6·DRUGS]
• Cabutto, Marco: Musica Rave |55-60|IT|PA [1·PSYCHOLOGY 2·PERCEIVE 3·MUSIC USES 4·AFFECT 5·HOUSE/RAVE 6·DRUGS]
• Stefani, Chiara: Febbre e altre affezioni del sabato sera |35-54|IT|PA [1·PSYCHOLOGY 2·PERCEIVE 3·MUSIC USES 4·AFFECT 5·HOUSE/RAVE 6·DRUGS]
• Stefani, Gino; Pighini, Pietro; Vitale, Alessia: Schede: catarsi; corpo; danza; demoniaco/divino; dionisiaco; droga; emozioni; erotismo; esperienza; estasi/transe; fusione; incantamento; ispirazione; meditazion; melodia ossessiva; musica; rito; stati modificati di coscienza; terapia; viaggio; Walkman |119-220|IT|PA [1·PSYCHOLOGY 2·PERCEIVE 3·MUSIC USES 4·AFFECT 5·MUSTHERAPY 6·DRUGS 7·RELIGION 8·SEX/GENDER 9·LOVE 10·DANCE] {catharsis; body; demon; divine; Dionysian; erotics; trance; meditation; Walkman; travel}

Interface, 4 (1975). Amsterdam: Interface (1975) [BM-LASKE]
• Laske, Otto E: Toward a Theory of Musical Cognition |148-208|EN|PA [1·COMPUTERS 2·STATISTICS 3·MUSIC EDUC 4·PHILOSOPHY 5·SCI.FICT.]

International Image Markets - in Search of an Alternative perspective. London: Comedia Publishing (1984) 122 pp. #0-906-890-683 [BM-MATTELART]
• Mattelart, Armand; Delcourt, X; Mattelart, Michele 122 pp. #0-906-890-683 [BM-MATTELART]|PB [1·CULTPOLIT. 2·TELEVISION 3·INTERNATNL 4·CULT.STUDY 5·POLITSTUDY 6·GENRES 7·ECONOMICS 8·TECHNOLOGY 9·IMPERIALSM 10·3RD WORLD]

Internationalisation, Localisation and Integration. The Changing Structure of the Music Industry and its Relevance for Smaller Countries and Cultures. Supplementary materials for Doctorate. Göteborg: Institutionen för Journalistik och Masskommunikation, Göteborgs Universitet (1990) 76 pp. #91-88212-01-7 [CP824045-159]
• Wallis, Roger: Internationalisation, Localisation and Integration |EN|PB [1·MUS INDUST 2·INTERNATNL 3·MASS MEDIA 4·CULTPOLIT. 5·MONEY 6·IMPERIALSM 7·JAPAN 8·EUROPE 9·USA 10·STATISTICS]
• Wallis, Roger: Music, Music Everywhere, and so much of it the same ... Arbetsrapport Nr 57 |EN|PB [1·MUS INDUST 2·INTERNATNL 3·MASS MEDIA 4·CULTPOLIT. 5·MASS MEDIA 6·STATISTICS]

International Management, Dec 1979. London: International Management (1979) [CP322337]
• Arbose, Jules: How to Succeed in the Rich Man's World |38-40|EN|PA [1·MUS INDUST 2·MEDIA IND. 3·MOR 4·ROCK 5·ADVERTS 6·ABBA]

International Music Sociology Conference. Göteborg: Musikvetenskap (1987) 15 pp. [CP827141-155]
• Hamm, Charles: Socio-Musicology and Cultural Policy in the United States of America |EN|UX [1·USA 2·SOCIOLOGY 3·CULTPOLIT. 4·CONFERENCE 5·MUSICOLOGY]

International Review of the Aesthetics and Sociology of Music, 05. Zagreb: (1974) [CP???????]
• Beaud, Paul: Masses, minorités, marginaux |155-167|FR|PA [1·MINORITIES 2·SOCIOLOGY 3·GENRES]
• Cipra, M: Die Analyse im Musikunterricht |83-90|DE|PA [1·MUS.ANALYS 2·MUSIC EDUC]

International Review of the Aesthetics and Sociology of Music, 02. Zagreb: (1975) [BM-COOKE]
• Coster, M de: L'art mass médiatisé |255-67|FR|PA [1·MASS MEDIA]

International Review of the Aesthetics and Sociology of Music, 09. Zagreb: (1978) [CP453114]
• Rösing, Helmut: Der Musikalitätsbegriff und seine Abhängigkeit von Kulturgeschichtlichen Normen |161-181|DE|PA [1·PSYCHOLOGY 2·MUSIC EDUC 3·STATISTICS 4·PHILOSOPHY 5·MUSICOLOGY 6·SKILLS]

International Review of the Aesthetics and Sociology of Music, 12. Zagreb: (1981) [CP453077]
• Rösing, Helmut: Musik und ihre Wirkungen auf den rezipienten. Versuch einer Standortbestimmung |3-20|DE|PA [1·AFFECT 2·PSYCHOLOGY 3·PERCEIVE 4·EUROARTMUS 5·METHODOL. 6·SOCIOLOGY]

Internt arbetsmaterial för Musikvet.inst och Musikhögskolan. Göteborg: Department of Musicology (1982) [CP322025]
• Lilliestam, Lars: Litet teorimaterial om blues och rock |SV|US [1·AFR-AMER. 2·ROCK 3·BLUES 4·MUSICOLOGY 5·EDUC ITEM 6·MUSIC EXX. 7·MUS.ANALYS]

The Interpretation of Music. London: Hutchinson (1960) 192 pp. [BM-DART]
• Dart, Thurston 192 pp. [BM-DART]|PB [1·EUROPE 2·EUROARTMUS 3·BAROQUE 4·MEDIEVAL 5·C18 6·IMPROVISE 7·PERFORM 8·INSTRUMENT 9·SKILLS 10·MUSIC EXX.]

Gli intervalli musicali. Milano: Bompiani (1990) 253 pp. #88-452-1655-1 [BM-STEFANI]
• Stefani, Gino; Marconi, Luca; Ferrari, Franca 253 pp. #88-452-1655-1 [BM-STEFANI]|PB [1·MUSICOLOGY 2·MELODY 3·MUSIC EXX.]

In Their Own Words. New York: Collier-Macmillan (1975) xx+231 pp. [BM-POLLOCK]
• Pollock, Bruce, ed. xx+231 pp. [BM-POLLOCK]|PB [1·INTERVIEW 2·COMPOSE 3·LYRICS]

In Their Own Words. New York: Collier/Macmillan (1975) [BM-POLLOCK]
• Pomus, Doc: Interview |14-23|EN|PA [1·LYRICS 2·INTERVIEW 3·ROCK 4·USA 5·1950S 6·1960S]
• Prine, John: Interview |184-190|EN|PA [1·LYRICS 2·INTERVIEW 3·USA 4·ROCK 5·1960S 6·1970S]
• Reid, Keith: Interview |90-93|EN|PA [1·LYRICS 2·UK 3·USA 4·ROCK 5·INTERVIEW]
• Rice, Tim: Interview |209-216|EN|PA [1·MUSICALS 2·LYRICS 3·INTERVIEW 4·UK 5·USA 6·ROCK 7·1960S 8·1970S]
• Sainte-Marie, Buffy: Interview |57-65|EN|PA [1·LYRICS 2·USA 3·ROCK 4·FOLK MUSIC 5·1950S 6·1960S 7·INTERVIEW]
• Sebastian, John: Interview |126-135|EN|PA [1·LYRICS 2·INTERVIEW 3·USA 4·ROCK 5·1960S 6·1970S]
• Sefka, Melanie: Interview |202-209|EN|PA [1·LYRICS 2·INTERVIEW 3·USA 4·ROCK 5·1960S 6·1970S] {MELANIE}
• Townshend, Pete: Interview |78-90|EN|PA [1·LYRICS 2·UK 3·USA 4·ROCK 5·INTERVIEW]
• Wainright, Loudon: Interview |175-183|EN|PA [1·LYRICS 2·INTERVIEW 3·USA 4·ROCK 5·1960S 6·1970S]
• Zappa, Frank; Pollock, Bruce, ed.: Interview |111-119|EN|PA [1·LYRICS 2·INTERVIEW 3·USA 4·ROCK 5·1960S 6·1970S]

In Theory Only, 4/2. Ann Arbor: Michigan Music Society (1978) [CP]
• Winkler, Peter: Toward a Theory of Popular Harmony |3-26|EN|PA [1·MUSICOLOGY 2·JAZZ 3· 4·HARMONY 5·USA 6·MUSIC EXX.]

In The Spirit (No 1). (nd) 2 pp. [CP706111]
• Wedding, Pete 2 pp. [CP706111]|PX [1·USA 2·GOSPEL 3·RELIGION 4·DOCUMENT 5·1920S 6·1930S 7·AFR-AMER. 8·VOICE]

In Township Tonight! South Africa's Black City Music and Theatre. London: Longan. Johannesburg: Ravan Press (1985) 278 pp. [JM-POPUL/RVW]
• Coplan, David B 278 pp. [JM-POPUL/RVW]|PB [1·S AFRICA 2·DRAMA 3·OPPOSE 4·ANTHROPOL. 5·SOCIOLOGY 6·POLITICAL]

Introducción a la música. Montevideo: (2002) 178 pp. #9974-7572-3-1 [BM-AHARONIAN]
• Aharonián, Coriún 178 pp. #9974-7572-3-1 [BM-AHARONIAN]|PB [1·MUSIC EDUC 2·HISTORY 3·MUSICOLOGY 4·EDUC ITEM 5·ACOUSTICS 6·MODAL 7·C20 8·ILL.]

An Introduction to English Folk Song. Oxford: Oxford University Press (1987) 143 pp. #0-19-284015-0 [BM-KARPELES]
• Karpeles, Maud; Kennedy, Peter (rev) 143 pp. #0-19-284015-0 [BM-KARPELES]|PB [1·UK 2·USA 3·FOLK MUSIC 4·DEFINE 5·MUSIC EXX.]

An Introduction to the Pronunciation of English. London: Edward Arnold (1publ 1962) (1967) xv+294 pp. #0-7131-5159-5 [BCP]
• Gimson, A C xv+294 pp. #0-7131-5159-5 [BCP]|PB [1·LINGUISTIC 2·UK 3·INTONATION]

Introduzione alla semiotica della musica. Palermo: Sellerio (1976) 229 pp. [BM-STEFANI]
• Stefani, Gino 229 pp. [BM-STEFANI]|PB [1·SEMIOTICS 2·MUSIC EXX. 3·MELODY 4·POPULARMUS 5·EUROARTMUS 6·EUROPE 7·DEFINE 8·BIBLIOGR.]

The Invasion of Compulsory Sex-Morality. London: Penguin (1975) 205 pp. [BCP-REICH]
• Reich, Wilhelm 205 pp. [BCP-REICH]|PB [1·SEX/GENDER 2·POLITICAL 3·ANTHROPOL. 4·POLITSTUDY]

An Investigation of the Motives for and Realization of Music Accompanying the American Silent Film 1896-1927. Chicago: Arno Press. IBN 0-405-07531-6. (1976) 300 pp. [BM-BERG C]
• Berg, Charles Merrell 300 pp. [BM-BERG C]|PB [1·FILM MUSIC 2·DISS. PhD. 3·USA 4·AESTHETICS 5·MUSICOLOGY 6·MUSIC EXX. 7·1900-1909 8·1910S 9·MUSIC MAKE 10·SILENTFILM]

Invitation from Dr Zoltán Falvy to speak. Budapest: typescript (1984) [CP755098]
• Zenetudomanyu Intézet [CP755098]|US [1·HUNGARY 2·DOCUMENT 3·PT]

Invitation to PT to lecture at Univ de Montréal April 1985. Montréal: Université de Montréal, Faculté de Musique (1985) [CP193195]
• Pelinski, Ramón [CP193195]|UX [1·PT 2·DOCUMENT]

Invitation to Rock für den Frieden 1984 from Generaldirektion beim Komitee für Unterhaltungskunst. Berlin: typescript (1983) 1 pp. [CP755067]
• ~~ 1 pp. [CP755067]|UX [1·DDR 2·DOCUMENT 3·ROCK]

I.S.A.M. Newletter, 16/2. Brooklyn: (1987) [CP824318-321]
• Sousa, Jean-Philippe: The Menace of Mechanical Music 1st printed in Appleton's Magazine, 8/3, September 1906 (1906) |8-10|EN|PA [1·TECHNOLOGY 2·PHONOGRAM 3·AESTHETICS 4·ETHICS 5·USA 6·1900-1909 7·DOCUMENT]
• Tucker, Mark: Behind The Beat |4|EN|PA [1·JAZZ 2·HISTORY 3·USA]

Is Language a Music?. Bloomington: Indiana University Press (2005) #0253343836 [BM-LIDOV]
• Lidov, David #0253343836 [BM-LIDOV]|PB {semiotics; signification; classical}

ISME conference. (1984) [CP328/09]
• Jerrentrup, Ansgar: Videoclips - eine Herausforderung an Lehrer und Schüler (1986) |DE|US [1·VIDEO 2·MUSIC EDUC]
• Kolosick, Timothy: Creative Use of Modern Technology in Music Education |EN|US [1·COMPUTERS 2·MUSIC EDUC 3·USA]

ISME conference paper, Tunisia. (1972) [CP324059]
• Sundin, Bertil: Music and Society: Pressures on Youth |2|EN|PA [1·EUROARTMUS 2·AFR-AMER. 3·YOUTH 4·MUSIC EDUC 5·EUROPE]

ISME confernce. (1986) [CP328/11]
• Bastian, Hans Günther: Musik in Kindersendungen des Fernsehens - eine Herausforderung für Musikerziehung |DE|US [1·MUSIC EDUC 2·CHILDREN 3·TELEVISION 4·FILM MUSIC 5·TITLE MUS.]

It doesn't matter. Rockvideo med närkontakt (fältarbete i musiksociologi). Göteborg: Musikvetenskapliga institutionen (1985) 21 pp. [CP502/2]
• Brette, Katharina; Koziomtzis, Maria 21 pp. [CP502/2]|UX [1·Stud.Proj. 2·VIDEO 3·AMATEURS 4·GÖTEBORG 5·ROCK 6·YOUTH 7·WOMEN 8·PRODUCERS 9·VIS. ARTS 10·DRAMA]

I, Tina. New York: Viking (1986) 256 pp. [JM-POPUL/RVW]
• Turner, Tina 256 pp. [JM-POPUL/RVW]|PB [1·BIOGRAPHY 2·MUS INDUST 3·WOMEN 4·SOUL 5·ROCK 6·SEX/GENDER]

I Want My MP3: Who Owns Internet Music?. Philadelphia: Temple University Press (2003) #1-56639-990-4 [BM-CLOONAN]
• Garofalo, Reebee #1-56639-990-4 [BM-CLOONAN]|PA [1·CENSORSHIP]

Jahrbuch des Staatlichen Instituts für Musikforschung Preußischer Kulturbesitz 1979/80. Berlin: Verlag Merseburger (1980) [CL003-279]
• Kofie, Nikolas: Afrikanische Musik unter semiotischem Aspekt. Sprachgebrauch über Musik und musikalische Verhaltensformen in afrikanischen Kulturen |212-219|DE|PA [1·SEMIOTICS 2·AFRICA 3·VERBAL 4·GHANA]

Jahresbericht über das Sommersemester 1979 und Wintersemester 1979/80. Hamburg: Hochschule für Musik (1980) [BM-RAUHE]
• Rauhe, Hermann [BM-RAUHE]|PS [1·MUSIC EDUC 2·SKILLS 3·BRD 4·CULTPOLIT. 5·1980S 6·ADMINISTR. 7·REPORT 8·DOCUMENT 9·1970S 10·POPULARMUS]

Janác^ek a Hukvaldy. Praha: Ceská Hudební Spolc^nost (1984) 135. pp. [BM-JANACEK]
• Janac^ek, Leoš (monogr) 135. pp. [BM-JANACEK]|PB [1·CZECHOSLOV 2·COMPOSE 3·NATURE 4·DOCUMENT 5·C19 6·C20 7·HISTORY 8·NATIONALSM 9·ILL.]

Japanese Covers. Limpsfield: Dragon's World (1982) #0-905895-01-0 [BMA4-ALBUM]
• Hollyhead, Bush #0-905895-01-0 [BMA4-ALBUM]|PA [1·VIS. ARTS 2·LPs 3·JAPAN 4·ROCK]

Jazz. An Introduction to its Musical Basis. London: Oxford University Press (1968) 89 pp. #0-19-316501-5 [BM-DANKWORTH]
• Dankworth, Avril 89 pp. #0-19-316501-5 [BM-DANKWORTH]|PB [1·JAZZ 2·MUSIC EXX. 3·TRAD JAZZ 4·SWING 5·BLUES 6·BANDS 7·HARMONY 8·MELODY 9·RHYTHM 10·INSTRUMENT]

Jazz Composition and Orchestration. Chicago & London: University of Chicago Press (1963) 825 pp. #0-226-73213-4 [BM-RUSSO]
• Russo, William 825 pp. #0-226-73213-4 [BM-RUSSO]|PB [1·JAZZ 2·MUSIC EXX. 3·COMPOSE 4·ARRANGE 5·BRASSINSTR 6·MUSIC EDUC 7·SKILLS 8·HANDBOOK 9·ORCHESTRAT 10·HARMONY]

Jazzforschung, 17 (Sonderdruck). Akademische Druck- und Verlagsanstalt (1985) [BM-POPMUSIK]
• Barber-Kersovan, Alenka: Autodidaktisches Lernen in der Popmusik |37-39|DE|PA [1·BRD 2·1980S 3·EDUCATION 4·MUSIC MAKE 5·PERFORM 6·MUSIC EXX. 7·ROCK 8·POPULARMUS]
• Barber-Kersovan, Alenka: Popularmusik und gesellschaftlicher Kontext |68|DE|PA [1·BRD 2·SOCIOLOGY 3·POPULARMUS 4·REPORT 5·CONFERENCE 6·SUMMARY]
• Bode, Jürgen; Wohlfart, Roland: Dokumentation von Rockmusikgruppen in Emden, Niedersachsen |75-77|DE|PA [1·BRD 2·1980S 3·ROCK 4·MUSICIANS 5·SOCIOLOGY 6·REGIONALSM 7·REPORT 8·DOCUMENT]
• Burkhardt, Werner: Der böse Kritiker |94-96|DE|PA [1·BRD 2·JAZZ 3·ROCK 4·REVIEW 5·JOURNALISM]
• Diedrichsen, Diedrich: Über das verbreitete Missverständnis, Popmusik habe etwas mit Musik zu tun |96-99|DE|PA [1·BRD 2·DDR 3·RADIO 4·DEFINE 5·ROCK 6·TECHNOLOGY 7·1970S 8·1980S]
• Ebbecke, Klaus; Lüpscher, Pit: Rock-Szene: kein Sozialfall, eher Mauerblümchen |78-83|DE|PA [1·BRD 2·COMMUNITY 3·GENRES 4·ROCK 5·TASTE 6·MUSIC MAKE 7·SOCIOLOGY 8·STATISTICS]
• Firla, Franz: Arbeit mit Schüler- und Jugendbands |34-37|DE|PA [1·BRD 2·1980S 3·EDUCATION 4·MUSIC MAKE 5·PERFORM 6·MUSIC EXX. 7·ROCK 8·POPULARMUS]
• Fuchs, Armin: Popmusik in der Kulturarbeit |84|DE|PA [1·BRD 2·CULTPOLIT. 3·POPULARMUS]
• Fuchs, Armin; Strömer, Reinhard: "Spielraum" - Werkstatt für Rock, Jazz und neue Musik |88-91|DE|PA [1·BRD 2·CULTPOLIT. 3·ORGANISE 4·ROCK 5·JAZZ 6·MOD.CLASS. 7·MUSIC MAKE]
• Huber, Harald: Popularmusik an der Hochschule dür Musik und darstellende Kunst in Wien |57-60|DE|PA [1·AUSTRIA 2·POPULARMUS 3·ORGANISE 4·EDUCATION 5·ROCK 6·JAZZ 7·REPORT 8·CONFERENCE]
• Kerschbaumer, Franz: Jazz- und Popularmusikausbildung an der Hochschule für Musik und darstellende Kunst in Graz |51-53|DE|PA [1·AUSTRIA 2·POPULARMUS 3·EDUCATION 4·MUSIC EDUC 5·UNIVERSITY 6·REPORT 7·CONFERENCE]
• Knauf, Diethelm; Watson, Ian: Populäre Musik im Englischunterricht: Probleme und Perspektiven |42-48|DE|PA [1·BRD 2·CULT.STUDY 3·EDUCATION]
• Kramarz, Volkmar: Rockmusik und Musiktheorie |99-101|DE|PA [1·BRD 2·HARMONY 3·ROCK 4·MUSICOLOGY]
• Kruetzfeldt, Werner: Über die Beziehungen vn Science Fiction und Fantasy zur Pop-Musik |102-105|DE|PA [1·AFFECT 2·TIME/SPACE 3·TECHNOLOGY 4·INTERVIEW 5·MUSICOLOGY 6·ROCK 7·SCI.FICT. 8·NAT.SCI.]
• Kube, Dionys: Drumburg - Hamburg oder: von der notwendigen Bescheidenheit des Vermittlers |92-93|DE|PA [1·BRD 2·MUS INDUST 3·CULTPOLIT. 4·MUSIC MAKE 5·MUSICIANS]
• Linke, Rainer: Jazz und Popularmusik an der Musikhochschule Köln |53-54|DE|PA [1·BRD 2·POPULARMUS 3·EDUCATION 4·MUSIC EDUC 5·UNIVERSITY 6·REPORT 7·CONFERENCE]
• Linke, Rainer: Offene Jazz-Haus-Schule - Ein Modell |91-92|DE|PA [1·BRD 2·JAZZ 3·EDUCATION 4·CULTPOLIT. 5·ORGANISE 6·MUSIC MAKE]
• Lugert, Wulf Dieter: The Beat Goes On. Zur gegenwärtigen Stand einer Didaktik der Pop- und Rockmusik |24-29|DE|PA [1·BRD 2·1980S 3·IASPM 4·CONFERENCE 5·EDUCATION 6·POPULARMUS]
• Mehlitz, Bernd: Rock- und Jazzförderung in Berlin |85-88|DE|PA [1·BRD 2·CULTPOLIT. 3·MUSIC MAKE 4·POPULARMUS 5·ORGANISE]
• Ortmann, Peter: Weiterbildungsstudiengang Jazzpädagogik im Fach Musik an der |60-64|DE|PA [1·BRD 2·JAZZ 3·UNIVERSITY 4·EDUCATION 5·ORGANISE 6·REPORT]
• Ostleitner, Elena: Popmusik und Lernen. Ein interdiziplinärer und -kultureller Ansatz (Lateinamerikanische Popmusik) |39-42|DE|PA [1·BRD 2·AUSTRIA 3·L AMERICA 4·POPULARMUS 5·EDUCATION 6·MUSIC MAKE]
• Rauhe, Hermann: Grundprobleme der Ausbildung und Fortbildung von Künstlern und Pädagogen im Popularmusikbereich |15-24|DE|PA [1·BRD 2·1980S 3·IASPM 4·CONFERENCE 5·EDUCATION 6·POPULARMUS]
• Ritzel, Fred; Stroh, Wolfgang Martin: Deutsche Tanzmusiker. Zu einer Sozialgeschichte der populären Musik in Deutschland |69-75 (Il|DE|PA [1·GERMANY 2·BRD 3·DANCE 4·ENTERTAIN 5·1940S 6·1950S 7·1960S 8·1970S 9·MUSICIANS 10·SOCIOLOGY]
• Rösing, Helmut: Jazz und Popularmusik. Aspekte der Ausbildung im Hochschulbereich |49-51|DE|PA [1·BRD 2·UNIVERSITY 3·EDUCATION 4·YOUTH 5·TASTE 6· 7·MUSIC MAKE]
• Rösing, Helmut, ed.; Barber-Kersovan, Alenka, ed.; Fuchs, Armin, ed.: Popmusik und Lernen. Beitrage einer Tagung der IASPM (BRD) 10-12 Okt. 1984 (Hamburg) Exeter holdings of Jazzforschung: 1969-1989 |9-14|DE|PA [1·BRD 2·1980S 3·IASPM 4·CONFERENCE 5·EDUCATION 6·POPULARMUS]
• Rösing, Helmut: Der Studiengang Musik an der Gesamthochschule Kassel (GHK) |65-68|DE|PA [1·BRD 2·JAZZ 3·UNIVERSITY 4·EDUCATION 5·ORGANISE 6·REPORT]
• Scharrer, Wolfgang: Didaktisches Modell zum (re-)produktiven Gestalten Populärer Musikstücke im Unterricht |29-33|DE|PA [1·BRD 2·1980S 3·EDUCATION 4·MUSIC MAKE 5·PERFORM 6·MUSIC EXX. 7·ROCK 8·POPULARMUS]
• Schulz, Hanns-Herbert: Tanz- und Unterhaltungsmusik an der Hochschule für Musik "Franz Liszt" Weimar |55-57|DE|PA [1·DDR 2·DANCE 3·ENTERTAIN 4·UNIVERSITY 5·EDUCATION 6·MUSIC EDUC 7·ORGANISE 8·REPORT 9·CONFERENCE]

Jazz in the Movies - A Guide to Jazz Musicians 1917-1977. with introduction by Norman Granz. London: Talisman (1977) #0-905983-00-9 [BM-MEEKER]
• Meeker, David, ed. #0-905983-00-9 [BM-MEEKER]|PB [1·JAZZ 2·HISTORY 3·FILM 4·REFERENCE]

Jazz in Transition: Coleman Hawkins and Howard McGhee, 1935-1945. Ann Arbor: University Microfilms International (1985) 477 pp. [BM-VEAUX]
• DeVeaux, Scott 477 pp. [BM-VEAUX]|PB [1·JAZZ 2·MUSIC EXX. 3·USA 4·1930S 5·1940S 6·MUS.ANALYS 7·HARMONY 8·IMPROVISE 9·MUSICOLOGY 10·SOCIOLOGY] {DOCTORAL DISSER; HAWKINS Coleman; McGHEE Howard; CAPITOL; GILLESPIE Dizzy; CHICAGO; CLEVELAND; MONK Thelonius; NEW YORK; RACISM}

Jazz is Here to Stay. Von der Hauskapelle zur Big Band des Hessischen Rundfunks - Geschichte, Bilder, Dokumente. Frankfurt: Hessischer Rundfunk (1997) 64 pp. #3-00-001507-8 [BM-STAPPER]
• Stapper, Michael 64 pp. #3-00-001507-8 [BM-STAPPER]|PB [1·GERMANY 2·JAZZ 3·C20 4·ILL. 5·HISTORY 6·RADIO]

Jazz Masters of the Twenties. New York: Collier (1974) 255 pp. [BM-HADLOCK]
• Hadlock, Richard 255 pp. [BM-HADLOCK]|PB [1·USA 2·1920S 3·JAZZ 4·SWING 5·BANDS 6·MUSICIANS]

Jazz - musik, människor, miljöer. Stockholm: Prisma (1974) 160 pp. #91-518-0834-X [BM-BRUER]
• Bruér, Jan; Westin, Lars 160 pp. #91-518-0834-X [BM-BRUER]|PB [1·EDUCATION 2·JAZZ 3·HISTORY 4·ILL. 5·MUSIC EDUC 6·USA 7·EUROPE 8·SWEDEN]

Jazz Noir - Listening to music from Phantom Lady to The Last Seduction. Westport CT & London: Praeger (2002) #0-275-97301-8 [BM-BUTLER]
• Butler, David #0-275-97301-8 [BM-BUTLER]|PB [1·JAZZ 2·FILM 3·DETECTIVES 4·CULT.STUDY 5·VIS. ARTS 6·DISS. PhD.]

Jazz-, pop- och bluesharmonik. Malmö: Musikhögskolan (1977) [BMA4-INGELF]
• Ingelf, Sten [BMA4-INGELF]|XS [1·JAZZ 2·ROCK 3·BLUES 4·HARMONY 5·MUSIC EXX. 6·EDUC ITEM]

Jazzprojektet vt 1971. Pedagogisk rapport 1. Stockholm: Musikhögskolan i Stockholm (1971) [CP821-218]
• Alldahl, Per-Gunnar; Dominique, Carl-Axel [CP821-218]|UX

Johnny Cash - Winners Got Scars Too. London: Abacus (1971) 221 pp. #0-349-13740-4 [BM-CASH]
• Wren, Christopher S 221 pp. #0-349-13740-4 [BM-CASH]|PB [1·C&W 2·BIOGRAPHY 3·ILL.]

Jornal do Brasil 890609. Rio de Janeiro: (1989) [CP827079]
• ~~: African Pop - último capítulo A Metavideo e a Rede Manchete apresentam uma superprodu‡ão .... |PG|PA [1·ADVERTS 2· 3·JOURNALISM 4·AFRICA 5·ACCULTUR. 6·ROCK 7·TELEVISION 8·WORLD MUS. 9·ALGERIA 10·ETHIOPIA] {Paris; Clegg, Johnny; Rai; Roha Band}

". Jouer à la musique, en passant ". Recueil d'articles sur musiques et danses de tradition populaire, identité occitane, et civilité. Toulouse: Conservatoire Occitan des Arts et Traditions Populaires (1983) [BMA4-SICRE]
• Sicre, Claude [BMA4-SICRE]|PS [1·FRANCE 2·NATIONALSM 3·GENRES 4·REGIONALSM 5·PROGRESSIV 6·FOLK MUSIC 7·POLITICAL 8·MUS INDUST 9·1970S 10·1980S]

Le journal des psychologues, 1983/12. Marseille: (1983) [CP822-257+]
• Lecourt, Édith: La musicothérapie - Entretien avec Édith Lecourt |3, 8-18|FR|PA [1·HEALTH 2·PSYCHOLOGY 3·HEALTH]

Journal of Aesthetics and Art Criticism, 14/3. (1966) [CP311039]
• Keil, Charles: Motion and Feeling through Music |337-349|EN|PA [1·SOCIOLOGY 2·COMMUNTHEO 3·AFFECT 4·TIME/SPACE 5·AESTHETICS 6·USA 7·PERCEIVE 8·MUSIC MAKE 9·SEMIOTICS 10·L AMERICA]

The Journal of Musicology, 5/2. (1987) [CL002063-082]
• Anderson, Gillian B: The Presentation of Silent Films, or, Music as Anaesthesia |257-295|EN|PA [1·SILENTFILM 2·FILM MUSIC]

Journal of the American Musicological Society, 51/1. (1988) [CL003-214]
• Veaux, Scott De: Bebop and the Recording Industry: the 1942 AFM Recording Ban Reconsidered |126-165|EN|PA [1·MUS INDUST 2·USA 3·1940S 4·JAZZ 5·BEBOP]

Die Jugendmusikbewegung: Gemeinschaftsmusik, Theorie und Praxis. Stuttgart: Metzler (1979) 255 pp. #3-476-00427-9 [BM-KOLLAND]
• Kolland, Dorothea 255 pp. #3-476-00427-9 [BM-KOLLAND]|PB [1·GERMANY 2·YOUTH 3·1920S 4·1930S]

Jyväskylä conference programme. Jyväskylä: University (1985) [CP757]
• Various [CP757]|PS [1·PT 2·CONFERENCE 3·DOCUMENT]

Kärnkraften och kyrkoherden Malthus. Göteborg: Fram Förlag (1980) 144 pp. [BCP-TAKM]
• Takman, John 144 pp. [BCP-TAKM]|PB [1·NUCLEAR 2·CZECHOSLOV 3·SWEDEN 4· 5·IDEALISM 6·1970S]

Keeping Score: Film Music 1972-1979. Metuchen (NJ): Scarecrow Press (1981) iix+510 pp. #0-8108-1390-4 [BMR-FILM-LIM]
• Limbacher, James L, ed. iix+510 pp. #0-8108-1390-4 [BMR-FILM-LIM]|PB [1·FILM MUSIC 2·REFERENCE 3·COMPOSERS 4·USA 5·EUROPE]

Kindlers Enzyklopädie der Mensch. ?: Kindler (1984?) [CP328/08]
• Heister, Hanns-Werner: Musik: Ausdruck und Konstruktion |597-619|DE|PA [1·HISTORY 2·PHILOSOPHY 3·SEMIOTICS 4·CULT.STUDY 5·COMPOSE 6·PERCEIVE 7·EUROARTMUS 8·MOD.CLASS. 9·EUROPE]

The Kingdom Interlinear Translation of the Greek Scriptures. New York: Watchtower Bible and Tract Society (1969) [BCP-BIBLE]
• Various [BCP-BIBLE]|PB [1·RELIGION 2·CHRISTIAN]

Klappjakt på välfärden. Stockholm: Ordfrontsförlag (1994) 125 pp. #91-7324-447-3 [BCP-ISRAEL]
• Israel, Joachim 125 pp. #91-7324-447-3 [BCP-ISRAEL]|PB [1·POLITICS 2·CAPITALISM 3·SOCIALISM 4·MONEY] {welfare state; market forces}

Klasskamp och kultur. Göteborg: Arbetarkultur (1975) #91-7014-037-5 [BCP-TJADER]
• Ling, Jan; Tjäder, P, ed.: Försök till en musikalisk dialektik |103-133|SV|PA [1·POLITICS 2·POLITSTUDY 3·SOCIOLOGY 4·MARXISM 5·PHILOSOPHY 6·HISTORY]

Knowing the Score. Notes on Film Music. New York: Arco (1975) 352 pp. #0-668-05132-9 [BM-BAZELON]
• Bazelon, Irwin 352 pp. #0-668-05132-9 [BM-BAZELON]|PB [1·FILM MUSIC 2·USA 3·UK 4·COMPOSERS 5·HISTORY 6·AESTHETICS 7·COMPOSE 8·SKILLS 9·ARRANGE 10·INTERVIEW] {BERNSTEIN E; GOLDSMITH J; WILLIAMS J; NORTH A; HERRMANN B; RASKIN D; SEGALL B; ROSENTHAL L; MANDEL J; GLASS Paul}

Kojak - 50 Seconds of Television Music (Towards the Analysis of Affect in Popular Music). 2nd ed.. New York: Mass Media Music Scholars' Press (2000) 424 pp. #0-9701684-0-3 [BM-TAGG]
• Tagg, Philip 424 pp. #0-9701684-0-3 [BM-TAGG]|PB

Kojak - 50 sekunders musik i svensk TV. Ett pilotstudium i populärmusikalisk affekt analys. Provisional thesis draft. Göteborg: Musikvetenskapliga institutionen (1978) 170 pp. [CP]
• Tagg, Philip 170 pp. [CP]|PX

Kölner Zeitschrift für Soziologie u Sozialpsychologie, 21. Köln (1969) [CP-215042-45]
• Blaukopf, Kurt: Die qualitative Veränderung musikalischer Mitteilung in den technichen Medien der Massengesellschaft |510-516|DE|PA [1·MASS MEDIA 2·PERCEIVE 3·MUSIC USES 4·COMM.STUDY 5·SOCIOLOGY]

Den kommunala musikskolan. Stockholm: Svenska kommunförbundet (1984) 66 pp. #91-7344-446-4 [BM-KOMMUNAL]
• Anon 66 pp. #91-7344-446-4 [BM-KOMMUNAL]|PB [1·SWEDEN 2·EDUCATION 3·MUSIC EDUC 4·CULTPOLIT. 5·1970S 6·1980S]

Den kommunala musikskolan på en industriort. Göteborgs universitets Musikvetenskapliga institution (1971) 67+24 pp. [BMA4-LINDQVI]
• Henningsson, Ingemar; Lindqvist, Clas-Olof 67+24 pp. [BMA4-LINDQVI]|PB [1·SWEDEN 2·MUSIC EDUC 3·Stud.Proj. 4·1960S 5·1970S 6·Gbg.Mvet.]

Komponist og samfunn: Hanns Eislers musikk i lys av liv og skrifter Schönberg og Brecht. Oslo: Solum (1980?) 211 pp. [BM-BJORKVOLD]
• Björkvold, Jon-Roar, ed. 211 pp. [BM-BJORKVOLD]|PB [1·COMPOSE 2·SOCIOLOGY 3·CULT.STUDY 4·GERMANY 5·PHILOSOPHY 6·MUSICOLOGY 7·NORWAY]

Komponist und Geschichtsprozeß. Theoretische und methodische Reflexionen zur Situation im XX Jahrhundert (1900-1950). Paper given at Spaziomusica conference, Cagliari (1988) 060-083 pp. [CP823-042]
• Schneider, Frank 060-083 pp. [CP823-042]|UX [1·GERMANY 2·COMPOSE 3·POLITICS]

Konst, värde, gemenskap. Några synpunkter på estetisk värdeteori. Uppsala: Almqvist & Wiksell (1974) 109 pp. #91-20-03758-9 [BCP-SORBOM]
• Sörbom, Göran 109 pp. #91-20-03758-9 [BCP-SORBOM]|PB [1·AESTHETICS]

Kontrakt för artikelskriveri. Stockholm: typescript (1977) 1 pp. [CP755039]
• Sohlmans Förlag 1 pp. [CP755039]|UX [1·SWEDEN 2·DOCUMENT 3·PT]

Kontrakt för produktion av Pop i Örat. Stockholm: typescript (1974) 1 pp. [CP755041]
• Sveriges Radio Utbildningsprogram 1 pp. [CP755041]|UX [1·SWEDEN 2·DOCUMENT 3·PT]

Kontrakt för projektet Musikens Makt. Luleå: typescript (1979) 4 pp. [CP755036]
• Rikskonserter Övre Norrland 4 pp. [CP755036]|UX [1·SWEDEN 2·DOCUMENT 3·PT]

Kontrakt för titlmelodi till Packhus 18. Göteborg: typescript (1980) 2 pp. [CP755040]
• Svergies Radio AB 2 pp. [CP755040]|UX [1·GÖTEBORG 2·SWEDEN 3·DOCUMENT 4·PT]

Koran. Oxford: Oxford University Press (1964) #0-19-281628-4 [BCP-KORAN]
• Anon #0-19-281628-4 [BCP-KORAN]|PB [1·RELIGION 2·ARABIC 3·ISLAM]

Kritik av varuestetiken. Stockholm: Pan / Nordstedts (1975) 180 pp. #91-1754051-0 [BCP-HAUG]
• Haug, Wolfgang Fritz 180 pp. #91-1754051-0 [BCP-HAUG]|PB [1·POLITSTUDY 2·RELIGION 3·POLITICS 4·MONEY 5·CONSUME 6·MASS MEDIA 7·MARXISM 8·HISTORY 9·PHILOSOPHY]

Kronbruden - dramat med musik och musikdramat. Göteborg: Private compendium (1985) [BMA4-XL LING]
• Lund, Frithjof [BMA4-XL LING]|US [1·DRAMA 2·SWEDEN 3·OPERA 4·PROGRAMMUS 5·Stud.Proj.]

Kulturbarometern. Stockholm: SR/PUB (1984) 30 pp. #91-7552-320-5 [BMA4-PUB]
• Nordberg, Jan 30 pp. #91-7552-320-5 [BMA4-PUB]|PB [1·SWEDEN 2·1980S 3·AMATEURS 4·MUSICIANS 5·CHORAL 6·DANCE 7·STATISTICS 8·AUDIENCE 9·LEISURE]

Kulturforskning för 90-talet. Stockholm: HSFR symposium Kulturforskning för 90-talet (1985) [CP601050]
• Nowak, Kjell [CP601050]|US [1·CULT.STUDY 2·SWEDEN 3·EDUCATION]

Kulturmöten, kommunikation, skola. Stockholm: Nordstedts (1988) #91-1-873572-X [BCP-STR™MQVI]
• Allwood, Carl Martin; Strömqvist, Sven, ed.; Strömqvist, Göran, ed.: Skolans inverkan på tänkandet |18-32|SV|PA [1·EDUCATION 2·YOUTH 3·SWEDEN 4·POLITSTUDY 5·PSYCHOLOGY]
• Allwood, Jens; Strömqvist, Sven: Tvärkulturell kommunikation - med särskild hänsyn till talspråkig interaktion |78-94|SV|PA [1·LINGUISTIC 2·VERBAL 3·COMMUNICAT 4·EDUCATION]
• Allwood, Teresa: Invandrarbarns möte med skolan |224-231|SV|PA [1·MINORITIES 2·SWEDEN 3·CHILDREN 4·EDUCATION]
• Boyd, Sally: Texanska - ett hemspråk |95-114|SV|PA [1·USA 2·EDUCATION 3·LINGUISTIC]
• Bredänge, Gunlög: Lärarutbildning i ett interkulturellt perspektiv |154-166|SV|PA [1·EDUCATION 2·INTERNATNL]
• Kilborn, Wiggo: Är matematikens språk interkulturellt? |198-209|SV|PA [1·MATHEMATIC 2·INTERNATNL]
• Lundberg, Ulf: SO-undervisning om andra länder |181-197|SV|PA [1·SWEDEN 2·EDUCATION 3·3RD WORLD 4·INTERNATNL 5·ACCULTUR.]
• Nauclér, Kerstin; Andersson, Anders Börje: Invandrarbarns språkmiljö i förskolan |113-132|SV|PA [1·CHILDREN 2·SWEDEN 3·LINGUISTIC 4·VERBAL 5·EDUCATION 6·MINORITIES]
• Olsson, Lena: Om Norden i Norden |68-77|SV|PA [1·SCANDINAVI 2·NORDIC 3·POLITSTUDY 4·NATIONALSM 5·EDUCATION]
• Sander, Åke: Några reflektioner kring framställningen av och undervisningen om icke kristna religioner |33-67|SV|PA [1·RELIGION 2·EDUCATION 3·SWEDEN 4·ETHICS]
• Strömqvist, Göran; Egecioglu, Gürel: Att flytta och att bo - två tvärkulturella teman |210-223|SV|PA [1·MINORITIES 2·ACCULTUR. 3·TRAVEL 4·SWEDEN 5·INTERNATNL 6·POLITSTUDY]
• Tagg, Philip: Musiken som kommunikationsform |133-153|SV|PA [1·SEMIOTICS 2·SOUND 3·EUROARTMUS 4·POPULARMUS 5·ROCK 6·SOUNDSCAPE 7·ANTHROPOL. 8·MUSICOLOGY 9·DEFINE]
• Westerberg, Boel: Interkulturell undervisning - vad är det? |167-180|SV|PA [1·ACCULTUR. 2·INTERNATNL 3·EDUCATION]

Kulturpolitisk forskning och utveckling, 5. Stockholm: Liber (1984) 157 pp. #91-38-90566-3 [BCP-SORBOM]
• Sörbom, Göran: Bildvärldar. Om bilder och bildkonst, forskning och kulturpolitik |SV|PB [1·VIS. ARTS 2·AESTHETICS 3·CULTPOLIT. 4·DEFINE]

Kultursociologiska texter. (198?) [CP909/07]
• Bourdieu, Pierre: Det sociala rummet och dess omvandlingar |240-289|SV|PA [1·SOCIOLOGY 2·CULT.STUDY]

Kunskapstraditioner och mentaliteter. Rapport nr 43, serie 2, 3 november 1979. Göteborg: Institutionen för Vetenskapsteori, Göteborgs Univ. (1979) [CP907179]
• Törnebohm, Håkan [CP907179]|PS [1·PHILOSOPHY 2·DEFINE]

Kurt Weill: Briefwechsel mit der Universal Edition. Stuttgart/Weimar: Metzler Musik (2002) vii+526 pp. #3-476-01838-5 [BM-GROSCH]
• Grosch, Nils, ed.; Weill, Kurt vii+526 pp. #3-476-01838-5 [BM-GROSCH]|PB [1·GERMANY 2·COMPOSE 3·MUSIC PUBL 4·1930S 5·1920S 6·MUSIC PUBL 7·MUS INDUST 8·MUSICIANS] {Weill, Kurt; Brecht, B}

La débauche. Paris: Gallimard (2000) #2-07-078-800-8 [BCPV-DEBAUCH]
• Tardi, Jacques; Pennac, Daniel #2-07-078-800-8 [BCPV-DEBAUCH]|PB [1·VIS. ARTS 2·HUMOUR]

La del taller, 1985/2. Montevideo: Talleres latinoamericanos de música popular (1985) [CP757]
• Pinto, Guilherme de Alencar: Análisis: Deus lhe pague |19-26|PG|PA [1·BRAZIL 2·SEMIOTICS 3·MUS.ANALYS 4·MUSIC EXX. 5·PT 6·AFFECT]

La del taller, 1985/4. Montevideo: Talleres latinoamericanos de musica popular (1986) [JM-TALLER]
• Pinto, Guilherme de Alencar: Análisis: "Deus lhe pague" |19-26|PG|PA [1·BRAZIL 2·MUS.ANALYS 3·SEMIOTICS 4·AFFECT 5·MUSIC EXX. 6·LYRICS 7·POLITSTUDY 8·PT]

La del taller, 5/6 (1986). Montivedeo: Talleres latinoamericanos de música popular (1986) [JM-TALLER]
• Koellreutter, Hans-Joachim: Entrevista com Tim Rescala, Tato Taborda, G de Alencar Pinto |42-51|PG|PA [1·BRAZIL 2·POSTWAR 3·COMPOSE 4·ORGANISE 5·MUSIC EDUC 6·POLITICAL 7·AESTHETICS 8·MINIMALISM]
• Pinto, Guilherme de Alencar: Biografía: Koellreutter/70 años |37-41|PG|PA [1·BRAZIL 2·GERMANY 3·1930S 4·POSTWAR 5·COMPOSE 6·ORGANISE 7·BIBLIOGR. 8·DISCOGR.]

L'altrove perduto (Immagini di viaggio nei mass media). Gremese (1987) [CP823-145]
• Prato, Paolo: Da macchina a figura. Il mezzo di trasporto nella cultura del '900 |150-54|EN|PA [1·TRAVEL]

La musica come linguaggio universale. Firenze: Leo S. Olschki (1990) #88-222-3748-X [BM-POZZI]
• Basso, Alberto: La musica di concezione massonica e il mito della fratellanza universale |65-76|EN|PA [1·C18 2·UK 3·NETHERLAND 4·GERMANY 5·EUROARTMUS 6·POLITSTUDY]
• Blacking, John: Transcultural Communication and the Biological Foundations of Music |179-188|EN|PA [1·MUSICOLOGY 2·ANTHROPOL. 3·SEMIOTICS 4·DEFINE 5·BIOLOGY 6·CULT.STUDY]
• Hood, Mantle: Universal Aspects of Javanese Musical Improvisation |203-214|EN|PA [1·INDONESIA 2·MUSICOLOGY 3·ANTHROPOL. 4·DEFINE]
• Hucke, Helmut: Kirchenmusik als Universalsprache |25-34|DE|PA [1·SEMIOTICS 2·MUSICOLOGY 3·CHRISTIAN 4·C17 5·C18 6·C16] {PALESTRINA; TRENTO}
• Robinson, Michael F: The Da Capo Aria as Symbol of Rationality |51-64|EN|PA [1·OPERA 2·C17 3·ITALY 4·SEMIOTICS 5·MUSICOLOGY 6·C18 7·RATIONALSM 8·FRANCE]
• Rosen, Charles: Language, music and the Classical Style |77-88|EN|PA [1·MUSICOLOGY 2·SEMIOTICS 3·VERBAL 4·EUROARTMUS 5·C18 6·PHILOSOPHY 7·GERMANY 8·RATIONALSM 9·RHETORIC]
• Tagg, Philip; Pozzi, Raffaele, ed.: "Universal" Music and the Case of Death |227-266|EN|PA [1·SEMIOTICS 2·MUSICOLOGY 3·MUSIC EXX. 4·DEATH 5·ANTHROPOL. 6·EUROPE 7·AFRICA]
• Tarasti, Eero: Semiotics as a Common Language of Musicology |133-150|EN|PA [1·SEMIOTICS 2·MUSICOLOGY 3·DEFINE] {GREIMAS; PEIRCE; SEME; ISOTOPY}

La musica nel cinema. Tematiche e metodi di ricerca. Anno XIX, gennaio-agosto 2004. Firenze: Civiltà musicale, 51/52 (2004) #88-87621-49-7 [JM-CIVILTAMU]
• Anderson, Gillian: Musical missionaries: "Suitable" music in the cinema 1913-1915 |173-189|EN|PA [1·FILM MUSIC 2·CONFERENCE 3·DOCUMENT 4·USA 5·HISTORY 6·AESTHETICS 7·1910S 8·SILENTFILM]

Land du välsnignade. Katalog till utställning om industrialismens genombrott i Sverige 1850-1915. Stockholm: Riksutställningar (1974) 120 pp. [BCPA4-LAND]
• Various 120 pp. [BCPA4-LAND]|PB [1·SWEDEN 2·1850-1899 3·1900-1909 4·1910S 5·RURAL 6·URBAN 7·MONEY 8·CULT.STUDY 9·HISTORY 10·ILL.]

Landscape Planning, 11. Amsterdam: Elsevier (1984) [CP909/02]
• Carlsson, Alan A: On the possibility of quantifying scenic beauty - a response to Ribe |49-65|EN|PA [1·NATURE 2·PHILOSOPHY 3·ENVIRONMNT 4·AESTHETICS 5·DEFINE]

Landscape Planning, 1977/4. Amsterdam: Elsevier (1977) [CP909/01]
• Carlsson, Alan A: On the possibility of quantifying scenic beauty |131-172|EN|PA [1·NATURE 2·PHILOSOPHY 3·AESTHETICS 4·DEFINE 5·METHODOL.]

The Land without Music. Manchester: Manchester University Press (1997) #0-7190-4299-2 [BM-BLAKE]
• Blake, Andrew #0-7190-4299-2 [BM-BLAKE]|PB [1·UK 2·ENGLAND 3·EUROARTMUS 4·POPULARMUS 5·HISTORY]

Le langage musical. Paris & Genève: La Palatine (1952) 194+196 pp. [BM-OLLONE]
• Ollone, Max d' 194+196 pp. [BM-OLLONE]|PB [1·SEMIOTICS 2·PSYCHOLOGY 3·MUSICOLOGY 4·EUROARTMUS]

Le langage musicale - sémiotique des systèmes. Paris: Klinksieck (1978) 245 pp. #2-252-02031-8 [BM-MARTIN S]
• Martin, Serge 245 pp. #2-252-02031-8 [BM-MARTIN S]|PB [1·SEMIOTICS 2·EUROARTMUS 3·MOD.CLASS. 4·MUSICOLOGY]

The Language of Modern Music. 1 publ 1963. London: Faber (1976) 185 pp. #0-571-04934-6 [BM-MITCHELL]
• Mitchell, Donald 185 pp. #0-571-04934-6 [BM-MITCHELL]|PB [1·MUSICOLOGY 2·MOD.CLASS. 3·EUROARTMUS]

The Language of Music. London: Oxford University Press (1959) 298 pp. [BM-COOKE]
• Cooke, Deryck 298 pp. [BM-COOKE]|PB [1·EUROARTMUS 2·BAROQUE 3·ROMANTIC 4·MOD.CLASS. 5·SEMIOTICS 6·AFFECT 7·MUSIC EXX. 8·MUSICOLOGY]

La production de la culture - Le cas des musiques amplifiées en France. Séroe Musique et Société ; publié avec le soutien de l'Université de Nantes. Paris: Éditions Seteun (1998) 558 pp. #2-907366-92-0 [BM-GUIBERT]
• Guibert, Gérôme 558 pp. #2-907366-92-0 [BM-GUIBERT]|PB [1·FRANCE 2·MUS INDUST 3·HISTORY 4·ROCK 5·C20 6·SOCIOLOGY 7·TECHNOLOGY]

Lærerkursus i rytmisk musik. Arrang af Amtsmusikudvalget, Voksenpædagogisk Udvalg i Vejle amt og Rytmisk Musikundervisning i Danmark (RMU). Köbenhavn: Samrådet for tilrettelæggelse av RMU i Danmark (1985) [CPR326/5]
• Egeholt, Preben [CPR326/5]|PS [1·DENMARK 2·ROCK 3·MUSIC EDUC 4·1980S]

Lærerkursus i Rytmisk Musik. Arrangeret af Amtsmusikudvalget, Voksenpædagogisk Udvalg i Vejle og RMU i Danmark. Vejle: Amtskonsulenten for fritidsundervisning (1986) [CP]
• Various [CP]|PS [1·SKILLS 2·DENMARK 3·MUSIC EDUC 4·INSTRUMENT 5·ROCK 6·JAZZ 7·DOCUMENT]

Larm und Umweltschhutz - Die akustische Ökologie. Zusammenfassung des Informationsgesprächs vom 1975-03-18. Wien: Institut für Musiksoziologie und musikpädagogisch Forschung (1975) [CP309125]
• Schafer, R Murray [CP309125]|US [1·SOUND 2·ENVIRONMNT 3·ANTHROPOL. 4·PSYCHOLOGY 5·MUSIC HIST 6·MUSICOLOGY]

Läroplanen för grundskolan - Musiksupplement (Lgr 69). Stockholm: Utbildningsförlaget (1969) 147 pp. #91-47-85852-4 [BM-LAROPLAN]
• Läroplanen 147 pp. #91-47-85852-4 [BM-LAROPLAN]|PB [1·MUSIC EDUC 2·SWEDEN 3·DOCUMENT 4·1960S]

La société de consommation. La consommation est devenue la morale de notre monde. Elle est en train de détruire les bases de l'être humain, c'est-à-dire l'équilibre que la pensée européenne, depuis les Grecs, a maintenu entre les racines mythologiques et le monde du logos.. Paris: Denoël (Folio/Essais) (1970) #2-07-032349-8 [BCP-BAUDRILL]
• Baudrillard, Jean #2-07-032349-8 [BCP-BAUDRILL]|PB [1·IDEOLOGY 2·CONSUME 3·PHILOSOPHY 4·CRITIQUE]

Latinamerica, Hoy. Montevideo: Private typescript. Original Spanish version of article in "Nutida Musik" (1975) [CP198046-058]
• Aharonián, Coriún [CP198046-058]|PA [1·L AMERICA 2·MOD.CLASS.]

A Latin American Approach in a Pioneer Essay. (1983) [CP197343]
• Aharonián, Coriún [CP197343]|UX [1·L AMERICA 2·POLITSTUDY 3·3RD WORLD 4·GENRES 5·EUROARTMUS 6·FOLK MUSIC 7·POPULARMUS]

Låt tusen stenar rulla. Göteborg: Göteborgs socialförvaltning (1978) [BM-LAT TUSEN]
• Kuratorsgruppen [BM-LAT TUSEN]|PS [1·GÖTEBORG 2·YOUTH 3·SOCIOLOGY 4·ROCK 5·1970S 6·CULT.STUDY 7·REPORT 8·DOCUMENT]

Låt tusen stenar rulla - kuratorgruppens musikverksamhet - teori och praktik. Göteborg: Socialhögskolan (1982) [BM-LAT TUSEN]
• Andersson, Tony; Bergendahl, ELisabet [BM-LAT TUSEN]|PS [1·AMATEURS 2·YOUTH 3·SOCIOLOGY 4·GÖTEBORG 5·SWEDEN 6·ROCK]

L'audio-vision. Son et image au cinéma. update of Chion, M. (1985). Le son au cinéma. Paris: Cahiers du cinéma.. Paris: Nathan (1990) #2-09-190885-1 [BM-CHION]
• Chion, Michel #2-09-190885-1 [BM-CHION]|PB [1·FILM 2·SOUND 3·FILM MUSIC 4·VIS. ARTS]

Laulu ottaa kantaa - aineistoa 1970-luvun lauliliikkeestä. Helsinki: Työväenenmusiikki-institutti (1983) [BM-SAUNIO]
• Coggiola, Franco: The global method: the Ernesto de Martino Institute in Milan |191-199|EN|PA [1·PROGRESSIV 2·FINLAND 3·SOCIALISM 4·FESTIVAL 5·ITALY 6·SINGING]
• Madhlope-Phillips, James: Music marches with the people's revolution |167-172|EN|PA [1·PROGRESSIV 2·FINLAND 3·SOCIALISM 4·FESTIVAL 5·COMMUNISM]
• Saunio, Ilpo: The Helsinki Song Festival for Peace & Internat. Solidarity |206-207|EN|PA [1·PROGRESSIV 2·FINLAND 3·SOCIALISM 4·FESTIVAL]
• Saunio, Ilpo: The Institute of Workers' Music |208-208|EN|PA [1·PROGRESSIV 2·FINLAND 3·SOCIALISM 4·FESTIVAL]
• Seeger, Pete: Our songs must reach everybody in the world |165-167|EN|PA [1·PROGRESSIV 2·FINLAND 3·SOCIALISM 4·FESTIVAL 5·USA 6·FOLK MUSIC]
• Shepp, Archie: Music and black identity |173-180|EN|PA [1·PROGRESSIV 2·FINLAND 3·SOCIALISM 4·FESTIVAL 5·JAZZ 6·AFR-AMER. 7·RACISM 8·GENRES]
• Wyatt, Robert: We are all griots? |187-190|EN|PA [1·PROGRESSIV 2·FINLAND 3·SOCIALISM 4·FESTIVAL 5·ROCK]

Le condotte musicali. Comportamenti e motivazioni del fare e ascoltare musica. Bologna: CLUEB (1993) [BM-DELALANDE]
• Delalande, François; Guardabasso, Giovanna, ed.; Marconi, Luca, ed. [BM-DELALANDE]|PB [1·PERCEIVE 2·MUSIC MAKE 3·PSYCHOLOGY 4·SEMIOTICS 5·SOCIOLOGY 6·PERFORM 7·CHILDREN 8·EDUCATION]

Leisure, the Basis of Culture. 1 publ as lectures in Bonn. London: Faber (1947) [BCP-PIEPER]
• Pieper, Josef [BCP-PIEPER]|PB

The Lennon Companion: Twenty-five Years of Comment. London: Quartet Books (1987) 273 pp. [JM-POPULAR]
• Thomson, Elizabeth; Gutman, David 273 pp. [JM-POPULAR]|PB [1·BEATLES 2·UK 3·USA 4·BIOGRAPHY]

Lennon Remembers. New York: W W Norton (1973) 188 pp. #0-393-00862-2 [BM-PRENDERGA]
• Lennon, John; Wenner, Jan, ed. 188 pp. #0-393-00862-2 [BM-PRENDERGA]|PB [1·UK 2·1950S 3·1960S 4·ROCK 5·INTERVIEW 6·ILL. 7·MUS INDUST 8·PERSONAL 9·AESTHETICS]

Leoš Janác^ek Society Newsletter, 1. Brno: Czech Music Society (1985) [BM-JANACEK]
• Kulka, Jir^í: Musico-aesthetical analysis of "The Fiddler's Child" |25-31|EN|PA [1·CZECHOSLOV 2·EUROARTMUS 3·OPERA 4·PSYCHOLOGY 5·AESTHETICS 6·MUSICOLOGY 7·AFFECT]
• Volek, Jaroslav: On paradigmatic background of Kostelnic^ka's Monologue "Co Chivíla" ("In a Moment") |13-24|EN|PA [1·CZECHOSLOV 2·OPERA 3·MELODY 4·MUSIC EXX. 5·MUSICOLOGY 6·SEMIOTICS 7·AFFECT]
• Vyslouzil, Jir^í: Notes on Problems of Musical Analysis of Leoš Janác^ek's Works |7-12|EN|PA [1·CZECHOSLOV 2·AESTHETICS 3·EUROARTMUS]

Le pamphlet du pauvre. Série "La chanson française". Paris: Éditions Sociales (1957) [BM-BROCHON]
• Brochon, Pierre, ed. [BM-BROCHON]|PB [1·FRANCE 2·C19 3·LYRICS 4·POLITICS]

Le rock progressif anglais (1967-1977). Paris: Librairie Honoré Champion (2005) #2-7453-1200-6 [BM-PIRENNE]
• Pirenne, Christophe #2-7453-1200-6 [BM-PIRENNE]|PB [1·ROCK 2·UK 3·PROGRESSIV 4·1960S 5·1970S 6·MUSICOLOGY 7·MUSIC EXX. 8·EUROARTMUS 9·AVANTGARDE 10·CLASSPERSP] {Moody Blues; Genesis; Beatles; King Crimson; Yes; Pink Floyd}

L'esperienza musicale. Per una femnomenologia dei suoni. Roma: Montag/Manifestolibri (2002) #88-7285-304-4 [BM-NOSTRO]
• Tagg, Philip: Frammenti di musicologia della popular music |13-26|EN|PA [1·SOUNDSCAPE]

Let it Rock, 02. (1973) [CP115034-094]
• Pidgeon, John: Clapton's Comeback - on the rehearsals and the rainbow CP115034 |34-35|EN|PA [1·ROCK 2·UK 3·1960S 4·1970S] {Clapton, Eric}
• Pridgeon, John; McGillvray, David: Still Flat but not Broke. John Pidgeon and Dave McGillvray discover that Dave Berry is alive, well and bearded CP115046 |46-49|EN|PA [1·ROCK 2·UK 3·1960S]

Let it Rock, 13. (1973) [CP115095]
• Stevens, Cat: Chewing that Karma Gum |27-30|EN|PA [1·INTERVIEW 2·ROCK 3·UK 4·1970S 5·1960S] {Stevens, Cat}

Let it Rock, 14 (November). (1973) [CP115172]
• Reed, Lou; Bangs, Lester: A deaf mute in a telephone booth - Lester Bangs spends a perfect day with Lou Reed |20-22|EN|PA [1·ROCK 2·USA 3·INTERVIEW] {Reed, Lou}

Let it Rock 15 (December 73). (1973) [CP115266]
• Spahr, David: That's the way it is |34-37|EN|PA [1·ROCK 2·FILM] {Presley, Elvis}

Let it Rock, 16 (January 1974). (1974) [CP115346]
• Pidgeon, John: On the road diary from the Faces' tour |42-43|EN|PA [1·ROCK 2·UK 3·1970S 4·JOURNALISM 5·DOCUMENT] {Faces, The}
• Wingfield, Pete; Wolfman Jack: What's happenin', Jack? The life and times of a dee-jay superstar (1973) |51|EN|PA [1·ROCK 2·USA 3·RADIO 4·DJS 5·INTERVIEW] {Wolfman Jack}

Let it Rock, 20 (May 74). (1974) [CP116027]
• Pidgeon, John: It don't come so easy - the travails of Taggett |27|EN|PA [1·UK 2·ROCK]

Let it Rock, 23 (November 74). (1974) [CP116212]
• Williams, Richard: The uptight and outasight. Richard Williams on Motown and the critics |16-19|EN|PA [1·ROCK 2·SOUL 3·GOSPEL 4·USA 5·JOURNALISM 6·REVIEW] {Motown}

Let it Rock, 24 (December 74). (1974) [CP116288]
• Palmer, Myles: Frankie Miller licks himself into shape |26-27, 54|EN|PA
• Pegg, Bob: What's folk? |3-4|EN|PA [1·FOLK MUSIC 2·ROCK 3·UK 4·DEFINE 5·1960S 6·1970S]
• Walters, Idris: Lively Up Yourself - music, history and Rasta background of Bob Marley and the Wailers CP116279 |15-16,56|EN|PA [1·REGGAE 2·RELIGION 3·JAMAICA 4·1960S 5·1970S] {Marley, Bob}

Let it rock, 25 (January 75). (1975) [CP116348]
• Peter, Jean: Boogie Bump - Doin' it Right - or funky staff, part one. Jean Peter tells you how a West Indian girl sees the latest London dance scene - the clubs and the latest steps |28-29|EN|PA [1·UK 2·FUNKY 3·1970S]
• Pidgeon, John; Sedaka, Neil: Packing Up is Hard to Do - as JP reveals in a session of reminiscing with Neil Sedaka |23-24|EN|PA [1·USA 2·ROCK 3·1950S 4·1960S 5·INTERVIEW]

Let it Rock, 26 (February 75). (1975) [CP116410]
• O'Connnell, Geralrd: Another Time, Another Place - 'Kraut Rock' is a meaningless term invented by xenophobic critics... |30-31|EN|PA [1·GERMANY 2·GENRES 3·]
• Reel, Penny: Bom Ba Ba Boom - along came the Marcels CP116417 |37|EN|PA [1·USA 2·ROCK 3·DOOWOP 4·1950S 5·1960S]
• Walters, Idris: Plastic Ono Music - the end of another dream - Idris Walters describes the strange marriage of R&R and conceptual art... CP116412 |32-35|EN|PA [1·UK 2·1970S 3·ROCK 4·AVANTGARDE] {Ono, Yoko; Lennon, John}

Let it Rock, 27 (March 75). (1975) [CP116457]
• "Teen Beat", ed.: Special supplement: Adam Faith, Terry Dene, Cliff Richard, Jack Good, Tommy Steele, Johnny Kidd, Billy Fury, British instrumental rock (50s), the weeklies... |27-36|EN|PA [1·UK 2·ROCK 3·1950S 4·1960S]
• Taylor, Graham: Randy Newman - the many faces of the songwriter who prefers to watch television and drink cold beer |17-19|EN|PA [1·USA 2·ROCK 3·DOOWOP 4·1950S 5·1960S]
• Walters, Idris: The Way They Choose - reflections on the success of Bad Company making a final stand for British R&B |23-24|EN|PA [1·UK 2·BLUES 3·ROCK 4·1970S]
• Wingfield, Pete: Don Covay CP116460 |20-21|EN|PA

`Let's Go Dancing'. Dance Band Memories of 1930s Liverpool. Liverpool: Institute of Popular Music (1995) #1-898806-01-2 [BM-JENKINS]
• Jenkins, Tricia #1-898806-01-2 [BM-JENKINS]|PB [1·LIVERPOOL 2·1930S 3·INTERVIEW 4·JAZZ 5·DANCE 6·DOCUMENT]

Letter and invitation concerning 3rd Taller (Rio). Montevideo: Taller uruguayo de música popular (1985) [CP193196]
• Trochon, Luís [CP193196]|UX [1·PT 2·DOCUMENT]

Letter of application for post at Lancaster University. Göteborg: typescript (1983) 1 pp. [CP755029]
• Tagg, Philip 1 pp. [CP755029]|UX [1·UK 2·DOCUMENT 3·PT]

Letter of invitation to speak at Brno Colloquium 1983. Brno: typescript (1983) 1 pp. [CP755019]
• Brabcova, Jitka; Vyslouzil, Jir^í 1 pp. [CP755019]|UX [1·CZECHOSLOV 2·DOCUMENT 3·PT]

Letter of invitation to speak at Kommunikationssociologin i Lund. Lund: typescript (1982) 1 pp. [CP755029]
• Rosengren, Karl-Erik 1 pp. [CP755029]|UX [1·SWEDEN 2·DOCUMENT 3·PT]

Letter of invitation to speak in Finland, summer 1983. Helsinki: typescript (1983) 1 pp. [CP755013]
• Tarasti, Eero 1 pp. [CP755013]|UX [1·FINLAND 2·DOCUMENT 3·PT]

Letters, notes of recommendation, documents, etc.. Montréal (1981) [CP195193,ff]
• Destrempes, Josée [CP195193,ff]|UX [1·Gbg.Mvet. 2·QUÉBEC 3·CANADA 4·BIBLIOGR. 5·Stud.Proj. 6·PT]

Letters of reference for P Tagg. Ottawa: (1989) [CP826194-201]
• Shepherd, John [CP826194-201]|UX [1·PT]

Letter to Pelinski about possibilities of starting some courses in Canada. Göteborg: typescript (1983) 9 pp. [CP755054]
• Tagg, Philip 9 pp. [CP755054]|UX [1·CANADA 2·QUÉBEC 3·DOCUMENT]

Letter to PT inviting to chair semiotics session. Ottawa: Carleton University, Music Department (1985) [CP193193]
• Shepherd, John [CP193193]|UX [1·PT 2·DOCUMENT]

Lettre sur l'état et les musiques non institutionnelles - trois ans d'expérience en France. Paris: Ministère de la Culture (1985) 1 pp. [CP193035]
• Carabalona, Jean 1 pp. [CP193035]|UX [1·FRANCE 2·ORGANISE 3·EDUCATION 4·POPULARMUS 5·JAZZ]

Levande musik (1 publ Köbenhavn, 1925). Stocholm: Wahlström & Widstrand (1963) 81 pp. [BM-NIELSEN]
• Nielsen, Carl 81 pp. [BM-NIELSEN]|PB [1·AESTHETICS 2·EUROARTMUS]

Levande religioner. Stockholm: Tema/Rabén & Sjögren (1966) 215 pp. [BCP]
• Ehnmark, Erland 215 pp. [BCP]|PB [1·RELIGION 2·ANTHROPOL.]

The Level of GNP and Population of Developing Countries and Territories in 1981 and the Growth of Real GNP and GNP per capita 1971-1981. Geneva: O.E.C.D. Development Cooperation 1983, REVIEW (1983) 1 pp. [CP601062]
• O.E.C.D. 1 pp. [CP601062]|PX [1·3RD WORLD 2·STATISTICS 3·MONEY]

Levende Musik. 10 ed. Köbenhavn (1950) [CP495060-062]
• Nielsen, Carl: Ord, Musik og Programmusik |xcr|DK|PA [1·AESTHETICS 2·SEMIOTICS]

The Leys Fortnightly, 1580. 10 July 1980. Cambridge (1980) [CP501/13]
• Naylor, Ken: Salvete + interview |211,216-2|EN|PA [1·UK 2·PERSONAL 3·1950S 4·1960S]
• Southern, Eric: Salvete + interview |211-215|EN|PA [1·UK 2·PERSONAL 3·1950S 4·1960S]

Liberace - an autobiography. London: W H Allen (1973) 307 pp. #0-352-30010-8 [BM-LIBERACE]
• Liberace, Wladziu Valentino 307 pp. #0-352-30010-8 [BM-LIBERACE]|PB [1·PIANO 2·MUSICIANS 3·BIOGRAPHY 4·ILL. 5·CLUBS 6·MUS INDUST 7·PERFORM 8·USA 9·AUSTRALIA 10·UK]

Libérer la musique. Paris: Editions Universitaires (1975) 165 pp. [BM-LARTIGOT]
• Lartigot, Jean Claude; Sprogis, Eric 165 pp. [BM-LARTIGOT]|PB [1·GENRES 2·CULTPOLIT. 3·CAPITALISM 4·POLITSTUDY 5·POPULARMUS 6·EUROARTMUS 7·FRANCE 8·1960S 9·1970S 10·MUSIC MAKE]

Lieder de Johann Friedrich Reichardt (1752-1814) sur des poèmes de Goethe. Montréal: McGill (1976) [CP195065]
• Destrempes, Josée [CP195065]|US [1·GERMANY 2·POETRY 3·C18 4·MUSICOLOGY]

The Life and Works of Bela Bartók. New York: Oxford University Press (1967) 16+364 pp. [BM-BARTOK]
• Stevens, Halsey 16+364 pp. [BM-BARTOK]|PB [1·HUNGARY 2·USA 3·MOD.CLASS. 4·MUSICOLOGY 5·BIOGRAPHY 6·ILL. 7·MUSIC EXX. 8·MUS.ANALYS]

Lillian on the Rocks or Ice in the Proper Position. Washington DC: Typescript (1990) 14 pp. [CP826047-060]
• Anderson, Gillian B 14 pp. [CP826047-060]|UX [1·FILM MUSIC 2·SILENTFILM 3·1910S 4·1920S 5·PIANO 6·ORGANS 7·PERFORM 8·DOCUMENT 9·USA] {Griffiths, D W}

De l'imitation musicale. Per Druud - private course material (1837) xcr pp. [CP495026-029]
• Berlioz, Hector xcr pp. [CP495026-029]|PB [1·AESTHETICS 2·SEMIOTICS]

Linguaggi della musica pop. Milano: Bompiani (2003) #88-452-5402-X [BM-SIBILLA]
• Sibilla, Gianni #88-452-5402-X [BM-SIBILLA]|PB [1·ROCK 2·YOUTH 3·DEFINE 4·MUS INDUST 5·JOURNALISM 6·MASS MEDIA 7·SOCIOLOGY]

Linguistics and Semiotics in Music. Chur: Harwood Academic Publishers (1992) #3-7186-5209-9 [CPA5-MONELLE]
• Monelle, Raymond #3-7186-5209-9 [CPA5-MONELLE]|PB [1·SEMIOTICS 2·LINGUISTIC 3·MUSICOLOGY 4·AFFECT 5·DEFINE 6·MUSIC EXX. 7·INTONATION 8·PT] {Prague school; Hjelmslev; Saussure; Chomsky; repetition; Nattiez; Varèse; Blacking, John; Peirce; Assafiev}

"Listen to My Voice": The Evocative Power of Vocal Staging in Recorded Rock Music and Other Forms of Vocal Expression. Online at http://www.serge.lacasse.com/texts/THESIS.pdf. Liverpool: PhD, Institute of Popular Music, University of Liverpool (2000) ix+293 pp. [BMA4-LACASSE]
• Lacasse, Serge ix+293 pp. [BMA4-LACASSE]|PB [1·VOICE 2·MUSICOLOGY 3·REC.ENGINR 4·RECORDING 5·ACOUSTICS 6·SEMIOTICS 7·HISTORY 8·PERCEIVE 9·DOCUMENT] {Page, Patti; Fisher, Toni; Big Hurt, The; Gabriel, Peter; Kiss That Frog; Morissette, A; Alanis; Front Row; echo / reverb; panning / fuzz; distortion}

List of publications. Bayreuth: Zentrum für moderne Kunst Afrikas und der 3en Welt (1983) 2 pp. [CP122087]
• Iwalewa-Haus 2 pp. [CP122087]|PX [1·W AFRICA 2·BIBLIOGR. 3·DOCUMENT]

Lite om den nordindiska klassiska musikens teori och praxis. Göteborg: SÄMUS/GMH (1972) [CP751229]
• Tagg, Philip [CP751229]|US [1·INDIA 2·EUROARTMUS 3·AESTHETICS 4·SEMIOTICS 5·EDUC ITEM 6·Gbg.Mvet.]

Literary and Linguistic Computing. London: Oxford University Press (1987) #0268-1145 [BCA4-LITERAR]
• Tagg, Philip: Diacritics and dBASE II on a Home Computer |55-56|EN|PA [1·COMPUTERS]

Litteratur och samhälle, 1981: 1/2. Uppsala: Inst. för litteraturvetenskap (1981) 103 pp. [BM-TEIXEIRA]
• Thörnvall, Olle: Svensk Rocklyrik: analys av fyra svenska rocktexter |SV|PB [1·SWEDEN 2·ROCK 3·LYRICS 4·1970S 5·PROGRESSIV 6·POLITSTUDY 7·SOUND 8·LITERATURE 9·NVC 10·DISS. PhD.]

The Little Chronicle of Magdalena Bach. London: Chatto & Windus (1925) 183 pp. [BM-BACH A]
• Bach, Anna Magdalena 183 pp. [BM-BACH A]|PB [1·DOCUMENT 2·GERMANY 3·BAROQUE 4·BIOGRAPHY 5·C18 6·COMPOSE 7·FAMILY]

Lives of the Great Composers, vol 3. London: Penguin (1943) [BM-BACHARACH]
• Abraham, Gerald; Bacharach, A L, ed.: Debussy |35-50|EN|PA [1·FRANCE 2·COMPOSE 3·HISTORY 4·BIOGRAPHY 5·EUROPE 6·ROMANTIC]
• Abraham, Gerald: Wagner |143-175|EN|PA [1·GERMANY 2·OPERA 3·NATIONALSM 4·ROMANTIC 5·COMPOSE 6·HISTORY 7·BIOGRAPHY 8·EUROPE]
• Abraham, Gerald: Wolf |176-190|EN|PA [1·GERMANY 2·VOCAL MUS. 3·ROMANTIC 4·COMPOSE 5·BIOGRAPHY 6·HISTORY 7·EUROPE]
• Anderson, W R: Dvorak |51-72|EN|PA [1·CZECHOSLOV 2·NATIONALSM 3·COMPOSE 4·HISTORY 5·BIOGRAPHY 6·EUROPE 7·ROMANTIC]

Lives of the Great Composers, vol 3. Brahms, Wagner and their contemporaries. London: Penguin (1943) 191 pp. [BM-BACHARACH]
• Bacharach, A L 191 pp. [BM-BACHARACH]|PB [1·COMPOSE 2·HISTORY 3·EUROPE 4·ROMANTIC]

Lives of the Great Composers, vol 3. London: Penguin (1943) [BM-BACHARACH]
• Bonavia, F: Brahms |9-34|EN|PA [1·COMPOSE 2·HISTORY 3·BIOGRAPHY 4·EUROPE 5·ROMANTIC]
• Bonavia, F: Elgar |73-91|EN|PA [1·UK 2·NATIONALSM 3·COMPOSE 4·HISTORY 5·BIOGRAPHY 6·EUROPE 7·ROMANTIC]
• Jul, Christen: Grieg |92-105|NO|PA [1·NORWAY 2·NATIONALSM 3·COMPOSE 4·HISTORY 5·BIOGRAPHY 6·EUROPE 7·ROMANTIC]
• Myers, Rollo H: Tchaïkovsky |106-120|EN|PA [1·RUSSIA 2·NATIONALSM 3·ROMANTIC 4·COMPOSE 5·HISTORY 6·BIOGRAPHY 7·EUROPE]
• Toye, Francis: Verdi |121-142|EN|PA [1·ITALY 2·OPERA 3·NATIONALSM 4·ROMANTIC 5·COMPOSE 6·HISTORY 7·BIOGRAPHY 8·EUROPE]

Ljudspåren förskräcker. Stockholm: Forum (1977) 249 pp. #91-37-06658-7 [BM-HELLQVIST]
• Hellqvist, Per-Anders 249 pp. #91-37-06658-7 [BM-HELLQVIST]|PB [1·SWEDEN 2·USA 3·UK 4·MUS INDUST 5·1970S 6·CULTPOLIT. 7·POLITSTUDY 8·STATISTICS]

Lo, Ataulfo Alves (Liner notes). Rio de Janeiro: Companha Brasileira de Discos. LPNG 44031 (nd) 2 pp. [CP706086]
• Alves, Ataulfo 2 pp. [CP706086]|PX [1·BRAZIL 2·FOLK MUSIC 3·RURAL 4·URBAN]

Log of British LP Hits 1960-73. St Albans: Granada (1974) #0-586-04261-X [BM-GILLETT]
• Nugent, Stephen #0-586-04261-X [BM-GILLETT]|PA [1·UK 2·ROCK 3·MOR 4·LPs 5·CHARTS 6·STATISTICS 7·MUSICIANS]
• Fowler, Pete; Fowler, Annie #0-586-04261-X [BM-GILLETT]|PA [1·UK 2·ROCK 3·MOR 4·CHARTS 5·1970S 6·STATISTICS]

Lokal mediestruktur och lokal medieutveckling Rapport från ett symposium den 10-11 januari 1990 på Handelshögskolan vid Göteborgs universitet. Göteborg: Informations- och massmediegruppen vid Handelshögskolan (1990) 243 pp. #1100-6161 [BCP-LOKALMED]
• Gustafsson, Karl Erik, ed. 243 pp. #1100-6161 [BCP-LOKALMED]|PB [1·SWEDEN 2·SCANDINAVI 3·NORWAY 4·DENMARK 5·FINLAND 6·TELEVISION 7·NEWSPAPERS 8·STATISTICS 9·CULTPOLIT. 10·MASS MEDIA]

Looking Back, Looking Ahead. Popular Music Studies 20 Years Later. Proceedings of 11th Biannual IASPM Conference, Turku, 6-10 July, 2001. Turku: IASPM-Norden (2002) #951-98789-1-2 [BM-LOOKING]
• Bonz, Jochen: Changing Places Within Fan-tasmatic Worlds: Subject Positions in the Case of Scritti Politti's Major Fan |76-83|EN|PA

Looking Back, Looking Ahead. Popular Music Studies 20 Years Later. Proceedings of the Elevnth Biannual IASPM Conference July 6-10, 2001, Turku, Finland. Turku: IASPM-Norden (2002) #951-98789-1-2 [BM-LOOKING]
• Bonz, Jochen: Changing Places within Fan-tasmatic Worlds: Subject Positions in the Case of Scritti Politti's Major Fan |76-83|EN|PA
• Drew Bob: The Cosmic and the Local: The Burden of Stardom in US Karaoke |57-61|EN|PA

Looking Back, Looking Ahead. Popular Music Studies 20 Years Later. Proceedings of 11th Biannual IASPM Conference, Turku, 6-10 July, 2001. Turku: IASPM-Norden (2002) #951-98789-1-2 [BM-LOOKING]
• Drew, Bob: The Cosmic and the Local: The Burden of Stardom in U.S. Karaoke |57-61|EN|PA
• González, Juan-Pablo: Popular Music in Latin America, 1965-2000 |21-25|EN|PA [1·L AMERICA 2·IASPM 3·CHILE]

Looking Back, Looking Ahead. Popular Music Studies 20 Years Later. Proceedings of 11th Biannual IASPM Conference, Turku, 6-10 July, 2001. Turku: IASPM-Norden (2002) #951-98789-1-2 [BM-LOOKING]
• Hawkins, Stan: Finding the 'Music' in Texts: Norwegian Identity, Fixity and Criticism |26-39|EN|PA [1·NORWAY 2·IASPM 3·MUSICOLOGY 4·MUSIC EXX.]

Looking Back, Looking Ahead. Popular Music Studies 20 Years Later. Proceedings of the Elevnth Biannual IASPM Conference July 6-10, 2001, Turku, Finland. Turku: IASPM-Norden (2002) #951-98789-1-2 [BM-LOOKING]
• Hawkins, Stan: Finding the 'Music' in Texts: Norwegian Identity, Fixity and Criticism |40-48|EN|PA [1·NORWAY]
• Hemming, Jan: From Cultural Theory to Grounded Theory. Methodological perspectives of qualitative research in Popular Music Studies |41-49|EN|PA [1·CULT.STUDY]

Looking Back, Looking Ahead. Popular Music Studies 20 Years Later. Proceedings of 11th Biannual IASPM Conference, Turku, 6-10 July, 2001. Turku: IASPM-Norden (2002) #951-98789-1-2 [BM-LOOKING]
• Hemming, Jan: Mthodological perspectives of qualitative research in Popular Music Studies |40-48|EN|PA
• Johnson, Bruce; Kärki, Kimi, ed.; Leydon, Rebecca, ed.; Terho, Henri, ed.: Ethnography and its Place in Popular Music Studies |11-16|EN|PA [1·ANTHROPOL. 2·POPULARMUS 3·IASPM]

Looking Back, Looking Ahead. Popular Music Studies 20 Years Later. Proceedings of the Elevnth Biannual IASPM Conference July 6-10, 2001, Turku, Finland. Turku: IASPM-Norden (2002) #951-98789-1-2 [BM-LOOKING]
• Johnson, Bruce: Ethnography and its Place in Popular Music Studies |7-20|EN|PA
• Kärki, Kim; Leydon, Rebecca; Terho, Henri; Kärki, Kim, ed.: Introduction |5-6|EN|PA [1·IASPM 2·CONFERENCE]

Looking Back, Looking Ahead. Popular Music Studies 20 Years Later. Proceedings of the Elevnth Biannual IASPM Conference July 6-10, 2001, Turku, Finland. Turku: IASPM-Norden (2002) #951-98789-1-2 [BM-LOOKING]
• McCourt, Tom; Burkart, Patrick: When Creators, Corporations and Consumers Collide: Napster and the Development of On-line Music Distribution |62-75|EN|PA
• Michelsen, Morten: Metaphor Theory and Popular Music Analysis |185-192|EN|PA [1·SEMIOTICS 2·MUS.ANALYS 3·MUSICOLOGY]
• Neumann-Braun, Klaus; Schmidt, Axel: Ethnographic Perspectives on the Communicative Processing of Music Events by Teens |90-97|EN|PA [1·YOUTH]

Looking Back, Looking Ahead. Popular Music Studies 20 Years Later. Proceedings of 11th Biannual IASPM Conference, Turku, 6-10 July, 2001. Turku: IASPM-Norden (2002) #951-98789-1-2 [BM-LOOKING]
• Neumann-Broau, Klaus; Schmidt, Axel: Ethnographic Perspectives on the Communicative Processing of Music Events by Teens |90-97|EN|PA

Looking Back, Looking Ahead. Popular Music Studies 20 Years Later. Proceedings of the Elevnth Biannual IASPM Conference July 6-10, 2001, Turku, Finland. Turku: IASPM-Norden (2002) #951-98789-1-2 [BM-LOOKING]
• Rosenbrock, Anja: Musical Identity and Composition in Pop and Rock Groups |98-108|EN|PA
• Rudent, Catherine: Philip Tagg and Me: Comparison of Two Semiotic Methods of Analysis in the Field of Popular Music |193-198|EN|PA [1·PT 2·IASPM 3·SEMIOTICS 4·MUS.ANALYS 5·MUSICOLOGY]

Looking Back, Looking Ahead. Popular Music Studies 20 Years Later. Proceedings of the Elevnth Biannual IASPM Conference July 6-10, 2001, Turku, Finland. Turku: IASPM-Norden (2002) #951-98789-1-2 [BM-LOOKING]
• Shumway, David R: On the Limitations of Ethnography |21-25|EN|PA
• Ushiro, Teruhito: Public Use of Reggae: Listening and Enlightenment |169-173|EN|PA
• Väätäinen, Hanna: The Performance of Gender in Combi Dance |179-184|EN|PA

Looking Back, Looking Ahead. Popular Music Studies 20 Years Later. Proceedings of 11th Biannual IASPM Conference, Turku, 6-10 July, 2001. Turku: IASPM-Norden (2002) #951-98789-1-2 [BM-LOOKING]
• Vroomen, Laura: 'We're In This Together': Popular Music Studies, Empirical Research and Cultural Capital |49-56|EN|PA

Looking Back, Looking Ahead. Popular Music Studies 20 Years Later. Proceedings of the Elevnth Biannual IASPM Conference July 6-10, 2001, Turku, Finland. Turku: IASPM-Norden (2002) #951-98789-1-2 [BM-LOOKING]
• Vroomen, Laura: "We're In This Together": Popular Music Studies, Empirical Research and Cultural Capital |49-56|EN|PA
• Waksman, Steve: The Noise of Youth: Rethinking Rock through the Metal/Punk Continuum |129-134|EN|PA
• Weber, Thomas J: The Political Economy of Pop: A Non-Reductionist Approach |156-168|EN|PA
• Weisethaunet, Hans: Popular Music Studies Ä Simply a Fan Club? |142-148|EN|PA
• Yamada, Harumichi: The Ambiguous and Connotative Nature of Japanese Lyrics: Language, Imagination and Strategy |174-178|EN|PA

L'opérette. Paris: PUF (Que sais-je? 1006) (1974) 128 pp. [BM-QUE SAIS]
• Bruyr, José 128 pp. [BM-QUE SAIS]|PB [1·OPERETTA 2·FRANCE 3·ITALY 4·EUROPE 5·HISTORY 6·OPERA 7·AUSTRIA]

Lo's Revolt: Approriation and Localization of Western Pop Music in Taiwan. Criticsm & Interpretive Theory, University of Illinois (1985) [CP193017]
• Chen, Kuan-Hsing [CP193017]|UA [1·CHINA 2·NATIONAL 3·POPULARMUS 4·ROCK 5·NATIONALSM]

Luiz Gonzaga: a síntese poética e musical do sertão. São Paulo: (2000) 190 pp. #85-87769-15-4 [BM-RAMALHO]
• Ramalho, Elba Braga 190 pp. #85-87769-15-4 [BM-RAMALHO]|PB [1·BRAZIL 2·PERFORM 3·BIOGRAPHY 4·DISCOGR. 5·ILL. 6·MUSIC EXX. 7·DISS. PhD. 8·L AMERICA]

`Il mago doppio'. Interrogativi su Nino Rota. Siena: Typescript (1990) 8 pp. [CP826027-034]
• MAGODOPPIOINTERROGAT 8 pp. [CP826027-034]|UX [1·FILM MUSIC 2·ITALY 3·AESTHETICS 4·BIOGRAPHY] {Rota, Nino; Fellini, F}

Magyar rock - ki kicsoda a magyar rock zeneben. Budapest: Ifjúsági Lapkiadó Vállalat (1982) 200 max pp. [BM-MAGYAR]
• Anon 200 max pp. [BM-MAGYAR]|PB [1·HUNGARY 2·ROCK 3·REFERENCE]

The Major Mood Music Library Catalog. New York: Thomas J Valentino Inc. (1972) 124 pp. [BM-MAJOR]
• ~~ 124 pp. [BM-MAJOR]|PB [1·MOOD MUSIC 2·FILM MUSIC 3·ADVERTS 4·TITLE MUS. 5·COMPOSE 6·MUS INDUST]

Making Tracks. Atlantic Records and the Growth of the Multi-Billion-Dollar Industry. New York. Dutton (1974) 305 pp. #0-87690-061-9 [BM-GILLETT]
• Gillett, Charlie 305 pp. #0-87690-061-9 [BM-GILLETT]|PB [1·ROCK 2·USA 3·1950S 4·1960S 5·MUS INDUST 6·PRODUCERS 7·ILL. 8·MUSICIANS 9·GENRES]

Maldoror, 17/18. Montevideo: (1984) [CP825102]
• Aharonián, Coriún: Teatro y situación cultural en lationamérica |83-87|SP|PA [1·DRAMA 2·CULTPOLIT. 3·COLONIAL]

Man and his Music. The Story of Musical Experience in the West. London: Barrie & Rockliff (1962) 1204 pp. [BM-MELLERS]
• Harman, Alec; Mellers, Wilfrid 1204 pp. [BM-MELLERS]|PB [1·HISTORY 2·MEDIEVAL 3·BAROQUE 4·EUROARTMUS 5·ROMANTIC 6·MOD.CLASS. 7·ILL. 8·MUSIC EXX. 9·MUSICOLOGY]
• Mellers, Wilfrid; Harman, Alec 1204 pp. [BM-MELLERS]|PB [1·HISTORY 2·MEDIEVAL 3·BAROQUE 4·EUROARTMUS 5·ROMANTIC 6·MOD.CLASS. 7·ILL. 8·MUSIC EXX. 9·MUSICOLOGY]

Man and his Symbols. 1 publ by Aldus. New York: Dell (1968) #0-440-35183-9 [BCP-JUNG]
• Franz, M-L von: The Process of Individuation (1964) |157-254|EN|PA [1·PSYCHOLOGY 2·ANTHROPOL. 3·DEFINE 4·DREAMS 5·SYMPHONY 6·HERMENEUT. 7·SEMIOTICS 8·METHODOL. 9·MYTHOLOGY]
• Franz, M-L von: Science and the Unconscious (1964) |375-388|EN|PA [1·PSYCHOLOGY 2·ANTHROPOL. 3·DEFINE 4·DREAMS 5·SYMPHONY 6·HERMENEUT. 7·SEMIOTICS 8·METHODOL. 9·MYTHOLOGY]
• Henderson, Joseph L: Ancient Myths and Modern Man (1964) |95-156|EN|PA [1·PSYCHOLOGY 2·ANTHROPOL. 3·DEFINE 4·DREAMS 5·SYMPHONY 6·HERMENEUT. 7·SEMIOTICS 8·METHODOL. 9·MYTHOLOGY]
• Jacobi, Jolande: Symbols in an Individual Analysis (1964) |323-374|EN|PA [1·PSYCHOLOGY 2·ANTHROPOL. 3·DEFINE 4·DREAMS 5·SYMPHONY 6·HERMENEUT. 7·SEMIOTICS 8·METHODOL. 9·MYTHOLOGY 10·VIS. ARTS]
• Jaffé, Aniela: Symbolism in the Visual Arts (1964) |255-322|EN|PA [1·PSYCHOLOGY 2·ANTHROPOL. 3·DEFINE 4·DREAMS 5·SYMPHONY 6·HERMENEUT. 7·SEMIOTICS 8·METHODOL. 9·MYTHOLOGY 10·VIS. ARTS]
• Jung, Carl G; Jung, Carl, ed.; Franz, M-L von, ed.: Approaching the Unconscious (1964) |1-94|EN|PA [1·PSYCHOLOGY 2·ANTHROPOL. 3·DEFINE 4·DREAMS 5·SYMPHONY 6·HERMENEUT. 7·SEMIOTICS 8·METHODOL. 9·MYTHOLOGY 10·VIS. ARTS]

Manifesto of the Communist Party. 1st German edition 1848. Moscow: Progress Publishers (1977) [BCP-MARX]
• Marx, Karl; Engels, Friedrich [BCP-MARX]|PB

Mannen som gick upp i rök. 91-7642-034-5: Månpocket/Nordstedts, 1981 (1966) #Stockholm [BCP-SJOVALL]
• Sjöwall, Maj, ed.; Wahlöö, Per, ed. #Stockholm [BCP-SJOVALL]|PB

Människans rikedomar. Stockholm: Rabén & Sjögren (1972) 286 pp. #91-29-43848-9 [BCP-HUBERMAN]
• Huberman, Leo 286 pp. #91-29-43848-9 [BCP-HUBERMAN]|PB [1·HISTORY 2·EUROPE 3·CAPITALISM 4·MONEY 5·SOCIALISM 6·MARXISM 7·UNIONS 8·FEUDALISM]

Man ska höre meget. Musikaliteten i fokus - en bog om lærere og undervisning. Köbenhavn: Christian Ejlers' Forlag (1988) 253 pp. #87-7241-596-7 [BM-JESPERSEN]
• Jespersen, Hanne Tofte; Bonde, Lars-Ole; Cros Dich, Kirsten; Straarup, Ole 253 pp. #87-7241-596-7 [BM-JESPERSEN]|PB [1·EUROARTMUS 2·POPULARMUS 3·MUSICALITY 4·MUSIC EDUC 5·YOUTH 6·PERCEIVE 7·HEALTH 8·DENMARK 9·MUSIC MAKE 10·SINGING] {SCHMIDT Sören}

The Man Who Gave The Beatles Away. London: Hodder and Staughton (1976) 237 pp. [BM-BEATLES]
• Williams, Allan; Marshall, William 237 pp. [BM-BEATLES]|PB [1·UK 2·1950S 3·1960S 4·MANAGERS 5·ILL. 6·LIVERPOOL 7·MUS INDUST 8·PERFORM 9·ROCK]

Marcha. typescripts for publication. Montevideo: private (1973) [CP323016]
• Aharonián, Coriún: La muerte del fósil / la muerte de Casals. 2 versions of an obituary |SP|US [1·REVIEW 2·EUROARTMUS 3·CELLO 4·BIOGRAPHY]

Marcha, 1969-05-30. Montevideo (1969) [CP320021]
• Aharonián, Coriún: Boom-Tac, Boom-Tac |SP|PA [1·URUGUAY 2·PHONOGRAM 3·MUS INDUST 4·1960S 5·L AMERICA 6·CULTPOLIT. 7·ROCK]

Marcha, 1971-02-19. Montevideo (1971) [CP198104-111]
• Aharonián, Coriún: Sobre carnaval, tamboril y negritudes |SP|PA [1·FESTIVAL 2·INSTRUMENT 3·AFRICA 4·L AMERICA]

Marcha, 1971-04-16. Montevideo: Marcha (1971) [CP323011]
• Aharonián, Coriún: El príncipe Igor |SP|PA [1·REVIEW 2·EUROARTMUS 3·C20 4·DEATH]

Marcha, 1971-05-14. Montevideo: Marcha (1971) [CP323022]
• Viglietti, Daniel: Coriún Aharonián, Musico Nuevo |SP|PA [1·URUGUAY 2·MOD.CLASS. 3·INTERVIEW 4·BIOGRAPHY]

Marcha, 1972-09-08. Montevideo: Marcha (1972) [CP323023]
• Aharonián, Coriún: Juan Carlos Paz |SP|PA [1·ARGENTINA 2·MOD.CLASS. 3·BIOGRAPHY 4·REVIEW 5·DEATH]

Marcha, 1972-10-13. Montevideo (1972) [CP320022]
• Aharonián, Coriún: Las patas de la mesa |SP|PA [1·L AMERICA 2·FRANCE 3·LITERATURE 4·PHONOGRAM 5·]

Marcha, 1972-12-07. Montevideo (1972) [CP320026]
• Aharonián, Coriún: ¿Quien me escondiò los discos? |SP|PA [1·MASS MEDIA 2·PHONOGRAM 3·EUROARTMUS 4·MOD.CLASS. 5·COPYRIGHT 6·MUS INDUST]

Marcha, 1973-05-23. Montevideo: Marcha (1973) [CP323021]
• Aharonián, Coriún: Armenios |SP|PA [1·URUGUAY 2·USSR 3·REVIEW]

Marcha, 1974-02-01. Montevideo: Marcha (1974) [CP323010]
• Aharonián, Coriún: Tercer Curso de Música Contemporânea |10|SP|PA [1·L AMERICA 2·MUSIC EDUC 3·REVIEW 4·CONFERENCE 5·COMPOSE 6·EUROARTMUS]

Marxism & Science. Colombo: Young Socialist (1926) 5-31 pp. [BCP-TROTSKY]
• Trotsky, Leon: Dialectical materialism and science Address to the Mendeleyev Congress, 17 September, 1925 (1925) |EN|PB [1·MARXISM]
• Trotsky, Leon: Radio, Science, Technique and Society Inaugural address to the First All Union Congress of the Society of the Friends of the Radio, 1st March, 1926 |EN|PB [1·MARXISM]

Marxists in the Marketplace. Philadelphia: Temple University Press (2003) #1-56639-990-4 [BM-CLOONAN]
• Jones, Mike #1-56639-990-4 [BM-CLOONAN]|PA [1·CENSORSHIP 2·MUS INDUST 3·MARXISM]

Mass Communication and Society. London: Edward Arnold (1977) [BCP-CURRAN]
• Curran, J, ed.; Gurevitch, M, ed.; Woolacott, J, ed. [BCP-CURRAN]|PB [1·MASS MEDIA 2·CULT.STUDY 3·POLITICS 4·CULTPOLIT.]

Das Massenlied in Ungarn 1945-1956. Geschichte und Analyse. Budapest: Institut für Kultur (1982) 244+109 pp. [BMA4-TOKAJI]
• Tokaji, András 244+109 pp. [BMA4-TOKAJI]|PB [1·HUNGARY 2·1940S 3·1950S 4·SOCIALISM 5·CULTPOLIT. 6·POLITSTUDY 7·AESTHETICS 8·ORGANISE 9·CHORAL 10·WORKERS] {DISSERTATION}

Mass Media and Adolescent Schooling - Conflict or Co-existence?. Stockholm: Almqvist & Wiksell (1983) vii+244 pp. #91-22-00625-7 [BCP-ROE]
• Roe, Keith vii+244 pp. #91-22-00625-7 [BCP-ROE]|PB [1·EDUCATION 2·MASS MEDIA 3·INSTITUTNS 4·ORGANISE 5·POLITSTUDY 6·YOUTH 7·SWEDEN 8·GENRES 9·1980S 10·VIDEO]

Mass Media and Adolescent Schooling: Conflict or Co-existence?. Stockholm: Alqvist & Wiksell (1987) 244 pp. #91-22-00625-7 [BCP-ROE]
• Roe, Keith 244 pp. #91-22-00625-7 [BCP-ROE]|PB [1·YOUTH 2·EDUCATION 3·STATISTICS 4·SOCIOLOGY 5·MASS MEDIA 6·GENRES 7·SWEDEN 8·ORGANISE]

(material for music and video course Holsterbro). Holsterbro (1983) [CP322306]
• Mahler, Mads; Andersen, Carl Christian: Analys af "BABE"-reklam |DK|US [1·MUSICOLOGY 2·MUS.ANALYS 3·MUSIC EXX. 4·VIS. ARTS 5·ADVERTS 6·SEX/GENDER 7·PSYCHOLOGY 8·MEDIA IND.]
• Mahler, Mads; Andersen, Carl Christian: Elementer til begrebsapparat vedr. kobling billede/musik |DK|US [1·MUSICOLOGY 2·VIS. ARTS 3·DEFINE]
• Mahler, Mads; Andersen, Carl Christian: Stimulering av det ubevidste |DK|US [1·MUSICOLOGY 2·ADVERTS 3·SEX/GENDER 4·PSYCHOLOGY 5·VIDEO]

Material: HSFR:s symposium "Kulturforskning för 90-talet". Stockholm: photocopy (1985) [CP601065]
• Löfgren, Orvar: Rika och fattiga kulturer |SV|US [1·ANTHROPOL. 2·CULT.STUDY 3·POLITSTUDY 4·COMMUNITY 5·SWEDEN]

Materialien zur Didaktik & Methodik des Musikunterrichts, 10. Wiesbaden: Breitkopf und Härtel (1981) 192 pp. #3-7651-0174-5 [BM-HELMS]
• Helms, Siegmund: Musik in der Werbung |EN|PB [1·ADVERTS 2·BRD 3·TELEVISION 4·RADIO 5·FILM 6·MUSIC EXX. 7·1970S 8·EDUC ITEM]
• Helms, Siegmund: Musik in der Werbung - 72 Beispiele auf Tonband |EN|PR [1·ADVERTS 2·BRD 3·TELEVISION 4·RADIO 5·FILM 6·MUSIC EXX. 7·1970S 8·EDUC ITEM]

Materialien zur Didaktik & Methodik des Musikunterrichts, 1. Wiesbaden: Breitkopf & Härtel (1973) 206 pp. #3-7651-0067-6 [BM-REBSCHER]
• Rebscher, Georg: Materialien zum Unterricht im Popularmusik |DE|PB [1·ROCK 2·EDUC ITEM 3·MUSIC EXX. 4·GENRES 5·LYRICS 6·POPULARMUS 7·FOLK MUSIC 8·JAZZ 9·ILL.]

Materialien zur Didaktik & Methodik des Musikunterrichts,. 2., verbesserte Auflage. Wiesbaden: Breitkopf & Härtel (1981) 346 pp. #3-7651-0124-9 [BM-REBSCHER]
• Rebscher, Georg: Natur in der Musik |DE|PB [1·NATURE 2·FILM 3·TELEVISION 4·EUROARTMUS 5·BRD 6·SEMIOTICS 7·MUSIC EXX. 8·POPULARMUS 9·EDUC ITEM 10·ILL.]

Materialien zur Didaktik und Methodik des Musikunterrichts. Wiesbaden: Breitkopf & Härtel (1981) 192 pp. #3-7651-0174-5 [BM-HELMS]
• Helms, Siegmund: Musik in der Werbung |DE|PB [1·BRD 2·TELEVISION 3·RADIO 4·ADVERTS 5·MUSIC EXX. 6·MUS.ANALYS 7·BUSINESS 8·SELL 9·PERCEIVE 10·SEMIOTICS]

Maurice Jaubert - musicien populaire ou maudit?. Paris: Les Editeurs Français Réunis (1971) 686 pp. [BM-JOUBERT]
• Porcille, François 686 pp. [BM-JOUBERT]|PB [1·FRANCE 2·FILM 3·C20 4·BIOGRAPHY 5·ILL. 6·AESTHETICS 7·COMPOSE 8·MOD.CLASS.] {JAUBERT M}

The Meaning of the Blues. New York: Collier-Macmillan (1963) 383 pp. [BM-OLIVER]
• Oliver, Paul 383 pp. [BM-OLIVER]|PB [1·USA 2·BLUES 3·LYRICS 4·EVERYDAY 5·GENRES 6·DISCOGR. 7·BIBLIOGR. 8·]

The Measurement of Meaning. Urbana: University of Illinois Press (1957) 346 pp. #0-252-74539-6 [BCP-OSGOOD]
• Osgood, C E; Suci, G J; Tannebaum, P H 346 pp. #0-252-74539-6 [BCP-OSGOOD]|PB [1·SEMIOTICS 2·CULT.STUDY 3·ANTHROPOL. 4·VERBAL 5·STATISTICS]

The N.M.E. Book of Rock (1). London: New Musical Express (1973) 80 pp. [CP303090]
• Various 80 pp. [CP303090]|PB [1·ROCK 2·UK 3·USA 4·REFERENCE 5·1950S 6·1960S]

The N.M.E. Book of Rock (2). London: W H Allen (1977) 553 pp. #0-352-39715-2 [BM-NME]
• Logan, Nick, ed.; Woffinder, Bob, ed. 553 pp. #0-352-39715-2 [BM-NME]|PB [1·ROCK 2·UK 3·USA 4·REFERENCE 5·1950S 6·1960S 7·1970S]

Med Eisler, Weill og Brecht. Oslo: Universitetsforlaget (1983) 127 pp. #82-00-06286-4 [BM-BJORKVOLD]
• Björkvold, Jon-Roar, ed.; Holen, Arne, ed.: Musikk og politikk |NO|PB [1·POLITICAL 2·CULT.STUDY 3·AESTHETICS 4·ADMINISTR. 5·EUROARTMUS 6·POPULARMUS]

Media and Social Life in Lund Two Years after the Start of Cable Transmissions. Uppsala: Department of Sociology (1987) 159 pp. #91-506-0645-X [BCP-ROE]
• Roe, Keith 159 pp. #91-506-0645-X [BCP-ROE]|PB [1·TELEVISION 2·SWEDEN 3·REPORT 4·STATISTICS 5·LEISURE 6·ADVERTS 7·MUSIC USES 8·MEDIA IND. 9·1980S]

The Media are American. London: Constable (1977) 352 pp. #0-09461510-1 [BCP-TUNSTALL]
• Tunstall, Jeremy 352 pp. #0-09461510-1 [BCP-TUNSTALL]|PB [1·MEDIA IND. 2·USA 3·UK 4·INTERNATNL 5·IMPERIALSM 6·POLITSTUDY 7·STATISTICS 8·CULTPOLIT. 9·BUSINESS 10·MASS MEDIA]

Mediabarometern 1983. Stockholm: SR-PUB, December 1983 (1983) [CP 318077]
• Publik- och programforskning (SR) [CP 318077]|PS [1·TELEVISION 2·RADIO 3·MEDIA IND. 4·AUDIENCE 5·SWEDEN 6·STATISTICS 7·GROUPS 8·GENRES]

Media Music - The Professional (Scoreboard). Hollywood: Capitol (1988) [CP823-170]
• ~~ [CP823-170]|PB [1·MOOD MUSIC]

Mellan det moderna och det postmoderna. Stockholm: Symposion (198?) [CP909/06]
• Wellmer, Albrecht: Konst och industriell producktion. Till dialektiken mellan det moderna och det postmoderna |121-141|SV|PA [1·PHILOSOPHY 2·AESTHETICS 3·CULT.STUDY]

Mellan konst och vetande. Göteborg: Daidalos (1996) #91-7173047-8 [BCP-MOLANDER]
• : Inledning (1992) |21-|EN|PA
• Agrell, Beata: Litterär/litteraturvetenskaplig text |83-112|SV|PA [1·CULT.STUDY 2·LITERATURE]
• Andersson, Sven: Har musiken något att säga? |65-82|SV|PA [1·CULT.STUDY 2·PT 3·DEFINE 4·SEMIOTICS]
• Edström, Olle: Konst mot bättre vetande |43-64|SV|PA [1·CULT.STUDY 2·MUSIC EXX.] {Saami; Lappland}
• Molander, Bengt; Molander, Bengt, ed.: Inledning |7-10|SV|PA [1·CULT.STUDY]
• Molander, Bengt: Mellan konst och vetenskap. Att get verkligheten form och innehåll |113-140|SV|PA [1·CULT.STUDY 2·DEFINE]
• Nordenstam, Tore: Vetenskap och konst -- olika sätt att utforska verkligheten |11-22|SV|PA [1·CULT.STUDY 2·DEFINE]
• Seip, Ingebjörg: Vetenskapens estetiska dimension |23-32|SV|PA [1·CULT.STUDY 2·NAT.SCI.]
• Torsson, Björner: Rummets språk och språkets rum |33-42|SV|PA [1·CULT.STUDY 2·LINGUISTIC]

La melodia. Milano: Bompiani (1992) 234 pp. #88-452-1834-1 [BM-STEFANI]
• Stefani, Gino; Marconi, Luca 234 pp. #88-452-1834-1 [BM-STEFANI]|PB [1·MELODY 2·MUSIC EXX. 3·MUSICOLOGY 4·SEMIOTICS 5·AFFECT 6·EUROARTMUS] {MOZART, W. A.}

La melodia: una prospettiva popolare. Bologna: private typescript (1984) [CP323098]
• Stefani, Gino [CP323098]|US [1·MELODY 2·SEMIOTICS 3·MUSIC EDUC 4·DEFINE 5·MUSICOLOGY 6·ARRANGE 7·VOICE]

Melodie und Rhytmus, 15. Berlin (1961) [CP215179]
• Kochmann, Julius: Die Kinomusik wahrend der Stummfilmzeit 1900-1930 |DE|PA [1·GERMANY 2·USA 3·SILENTFILM 4·FILM MUSIC 5·1900-1909 6·1910S 7·1920S]

Melopoémené Poiésé, Tomos A: Tragoudia. Athens: Upsilon Biblia (1997) 443 pp. [BM-THEODORAK]
• Theodorakis, Mikis 443 pp. [BM-THEODORAK]|PB [1·GREECE 2·POETRY 3·POLITICS 4·C20 5·VOCAL MUS. 6·ILL.]

Memory Lane. Ragtime, Jazz, Foxtrot and other Popular Music Covers. London: Studio International Publications (1973) 88 pp. #0-9029-63-8 [BM-WIIK]
• Wiik, Max, ed. 88 pp. #0-9029-63-8 [BM-WIIK]|PB [1·RAGTIME 2·JAZZ 3·SCHLAGER 4·VIS. ARTS 5·PHOTOGRAPH]

Memo to DOPMUS appenders. Göteborg: IASPM (1985) 12 pp. [CP501/9]
• Tagg, Philip 12 pp. [CP501/9]|UX [1·COMPUTERS 2·IASPM 3·BIBLIOGR. 4·PT]

Memphis Blues. London: November Books (1970) 112 pp. #0-289-70033-7 [BM-OLSSON]
• Olsson, Bengt 112 pp. #0-289-70033-7 [BM-OLSSON]|PB [1·USA 2·1920S 3·1930S 4·BLUES 5·CLUBS 6·ENTERTAIN 7·MUSICIANS 8·ILL. 9·DISCOGR.]

Det mesta om tango. Stockholm: Svenska Dagbladets Förlag (1984) 229 pp. #91-7738-034-7 [BM-AHLEN]
• Åhlén, Carl-Gunnar 229 pp. #91-7738-034-7 [BM-AHLEN]|PB [1·DANCE 2·ARGENTINA 3·MUSIC EXX. 4·HISTORY 5·VOICE 6·TANGO 7·ORCHESTRAL]

Metaphors We Live By. Chicago & London: University of Chicago Press (1979) #0-226-46801-1 [BCP-LAKOFF]
• Lakoff, George; Johnson, Mark #0-226-46801-1 [BCP-LAKOFF]|PB [1·VERBAL 2·DEFINE 3·IDEOLOGY]

The Metasemiotics of Classical Music & Film: The Recontextualisation of Strauss and Wagner in Pop Culture. Brisbane: Queensland University of Technology, Centre for Media Policy and Practice (1999) 296 pp. [BMA4-LEECH]
• Leech, Charles 296 pp. [BMA4-LEECH]|PB [1·EUROARTMUS 2·FILM MUSIC 3·SEMIOTICS 4·CULT.STUDY 5·ILL. 6·TELEVISION]

El método comparativo y la binarización de los ritmos ternarios en América Latina. (1987?) 23 pp. [CP825047-069]
• Pérez Fernández, Roland Antonio 23 pp. [CP825047-069]|UX [1·CUBA 2·L AMERICA 3·AFRICA 4·RHYTHM]

The Metronomic Society - Natural Rhythms and Human Timetables. London: Thames & Hudson (1988) 301 pp. #0-500-01443-4 [BCP-YOUNG]
• Young, Michael 301 pp. #0-500-01443-4 [BCP-YOUNG]|PB [1·TIME/SPACE 2·TIME/SPACE 3·RHYTHM 4·BIOLOGY 5·SOCIOLOGY 6·PHILOSOPHY 7·DEFINE]

MIDI - The Ins, Outs and Thrus. Milwaukee: Hal Leonard Books (1988) 95 pp. #0-88188-560-6 [BMA4-RONA]
• Rona, Jeff 95 pp. #0-88188-560-6 [BMA4-RONA]|PB [1·MIDI 2·EDUC ITEM 3·SKILLS 4·SYNTHS 5·COMPUTERS 6·VIDEO 7·HANDBOOK]

Miklós Rózsa: A Sketch of his Life and Work. Wiesbaden: Breitkopf und Haertel (1975) 78 pp. #3-7651-0084-6 [BM-ROZSA]
• Palmer, Christopher 78 pp. #3-7651-0084-6 [BM-ROZSA]|PB [1·FILM MUSIC 2·HOLLYWOOD 3·EUROARTMUS 4·BIOGRAPHY 5·MUSIC EXX. 6·ILL.]

Militärmusikern i svenskt musikliv. Stockholm: Sohlmans (1974) 136 pp. #91-7198-029-6 [BM-STRAND]
• Strand, Sigfrid 136 pp. #91-7198-029-6 [BM-STRAND]|PB [1·SWEDEN 2·HISTORY 3·WAR 4·BRASSINSTR 5·MARCH 6·ILL.]

El minue montonero - danzas, canciones e instrumentos del pueblo del Uruguay. Montevideo: Ediciones de la Banda Oriental (1965) 64 pp. #2-226-00959-0 [BM-BACHARACH]
• Ayesteran, Lauro; Ayestaran, F de & M R de 64 pp. #2-226-00959-0 [BM-BACHARACH]|PB [1·URUGUAY 2·FOLK MUSIC 3·ANTHROPOL. 4·DANCE 5·MUSIC MAKE 6·MUSICOLOGY 7·HISTORY 8·INSTRUMENT]

Miscellaneous materials. (nd) [CP 318304]
• Anon [CP 318304]|UX [1·CHINA 2·FRANCE 3·UK 4·VIS. ARTS 5·1960S 6·1970S 7·1980S 8·E ASIA 9·]

Miscellaneous writings. Montevideo: (1989) [CP825113]
• Aharonián, Coriún; Trochón, Luis: Como guardafaro, firme y tembloroso Obituary for Jorge Lazaroff in Brecha, 890513 |SP|UX [1·BIOGRAPHY 2·DOCUMENT] {Lazaroff, Jorge}
• Aharonián, Coriún: Folclore musical - aportes para una bibliografía (1987) |SP|UX [1·BIBLIOGR. 2·FOLK MUSIC 3·POPULARMUS 4·L AMERICA]
• Aharonián, Coriún: Organología: aportes para una bibliografía (1987) |SP|UX [1·BIBLIOGR. 2·INSTRUMENT 3·SINGING]
• Aharonián, Coriún: Silvio de vuelta (1987) |SP|PA [1·REVIEW 2·CUBA 3·SSONGWRITR 4·1980S]

The (Mis)Fortunes of Black Music in the Pop Marketplace 1974 - 1984. Boston (MA) (1986) [CP327/01]
• Garofalo, Reebee [CP327/01]|US [1·AFR-AMER. 2·USA 3·MUS INDUST 4·GENRES 5·RACISM 6·1970S 7·1980S 8·ROCK 9·SOCIOLOGY 10·SOUL] {RAP; HIP-HOP}

Missing in Action: Australian Popular Music. Melbourne: Verbal Graphics Pty (1987) #0-7316-0472-5 [BM-BREEN]
• Birch, Michael: "I've got class and I've got style": the politics of popular music |146-166|EN|PA [1·AUSTRALIA 2·1960S 3·SUBCULTURE 4·POLITICAL 5·OPPOSE 6·ROCK]
• Breen, Marcus; Breen, Marcus, ed.: Fundamentalist Music: the Popular Music Impulse |8-31|EN|PA [1·AUSTRALIA 2·USA 3·RELIGION 4·GOSPEL 5·ROCK]

Missing in Action. Australian Popular Music in Perspective. Melbourne: Verbal Graphics Pty (1987) 228 pp. #0-7316-0472-5 [BM-BREEN]
• Breen, Marcus, ed. 228 pp. #0-7316-0472-5 [BM-BREEN]|PB [1·AUSTRALIA 2·ROCK 3·JAZZ 4·MOR 5·AVANTGARDE 6·JOURNALISM 7·RADIO 8·WOMEN 9·FOLK MUSIC 10·RELIGION]

Missing in Action: Australian Popular Music. Melbourne: Verbal Graphics Pty (1987) #0-7316-0472-5 [BM-BREEN]
• Breen, Marcus: Rock Journalism: betrayal of the impulse |202-227|EN|PA [1·JOURNALISM 2·ROCK 3·AUSTRALIA 4·GENRES]
• Brophy, Philip: Avant Garde Rock: history in the making? |126-145|EN|PA [1·AUSTRALIA 2·ROCK 3·AVANTGARDE]
• Fahey, Warren: Folk Music - Our Song? |32-46|EN|PA [1·AUSTRALIA 2·FOLK MUSIC]
• Giblett, Noel: Wounded on Reconnaissance: outside a recorded story |184-201|EN|PA [1·AUSTRALIA 2·PHONOGRAM 3·MUS INDUST 4·MUSICIANS]
• Madigan, Paul: Rocking Australia Dead |113-125|EN|PA [1·ROCK 2·AUSTRALIA]
• Schien, Gina: Female Notes: women's music |78-97|EN|PA [1·AUSTRALIA 2·WOMEN]
• Traynor, Frank; Clarke, Bruce: Jazz in Discussion (interviews) |98-112|EN|PA [1·AUSTRALIA 2·JAZZ 3·INTERVIEW]
• Warne, Steve: Beyond the Echoes: a look at public radio |167-183|EN|PA [1·RADIO 2·CULTPOLIT. 3·POLITSTUDY 4·AUSTRALIA]
• Watson, Eric: Country Music: the voice of rural Australia |47-77|EN|PA [1·AUSTRALIA 2·RURAL 3·C&W]

Modspil, 4/6. ]rhus: PubliMus (1982) [JM-MODSPILL]
• Sivertsen, Karin: Noget om musikkens seksualhistorie |3-6|DK|PA [1·SEX/GENDER 2·MEN 3·WOMEN 4·BEHAVIOUR 5·EUROARTMUS 6·JAZZ 7·HISTORY]

Modspil, 4/6. Musik og sexualitet. Århus: PubliMus (1982) [JM-MODSPILL]
• Adler, Henrik: Rock-billeder. Nogle historisk hop over temaet rock-musik och seksualitet |7-15|DK|PA [1·R&B 2·SEX/GENDER 3·ROCK 4·USA 5·LYRICS 6·DISCO 7·SLEEVES 8·ILL.]
• Bonde, Lars Ole: Wagner og Venusbjerget. Noter om eros og musik i Richard Wagners univers |47-59|DK|PA [1·GERMANY 2·EUROPE 3·C19 4·ROMANTIC 5·OPERA 6·SEX/GENDER 7·MUSIC EXX. 8·POLITSTUDY 9·PSYCHOLOGY 10·LOVE]
• Fenger, Sven: Keep Dancing |21-26|DK|PA [1·ROCK 2·USA 3·UK 4·DENMARK 5·DANCE 6·SEX/GENDER 7·MUSIC EXX. 8·MUS.ANALYS 9·RHYTHM 10·HARMONY]
• Knus, Jan: Hej Jagger! - din gamle starfucker |28-30|DK|PA [1·UK 2·DENMARK 3·ROCK 4·1960S 5·REVIEW 6·ILL.]
• Malfet, Marrianne: Interviewed by Henrik Adler |34-36|DK|PA [1·DENMARK 2·WOMEN 3·ROCK 4·PERFORM 5·VIS. ARTS 6·SEX/GENDER 7·BEHAVIOUR 8·1970S 9·ILL.]
• Malmros, Anna-Lise; Adler, Henrik, ed.: Rock-scene som könspolitisk slagmark |31-34|DK|PA [1·UK 2·DENMARK 3·ROCK 4·WOMEN 5·MEN 6·SEX/GENDER 7·SLEEVES 8·PERFORM 9·BEHAVIOUR 10·ILL.]
• Mygind-Vokstrup, Allan: I Sing the Body Electric. Et bekendelseessay |26-28|DK|PA [1·ROCK 2·USA 3·DENMARK 4·1960S 5·DANCE 6·SEX/GENDER 7·POLITICAL 8·JOURNALISM 9·RHYTHM]
• Rördam, Charlotte: Sexy Sadie - Where have you gone? |16-20|DK|PA [1·ROCK 2·USA 3·UK 4·SLEEVES 5·NEW WAVE 6·SEX/GENDER 7·MEN 8·WOMEN 9·ADVERTS 10·ILL.]
• Sivertsen, Karin: Gåden Mozart - eller hvordan man bevarer en myt ved at |59-64|DK|PA [1·C18 2·EUROARTMUS 3·LOVE 4·PSYCHOLOGY 5·HISTORY 6·MYTHOLOGY 7·ILL.]
• Tofte-Jespersen, Hanne: Sanselighedens skæbne |Ill.34-36|DK|PA [1·EUROPE 2·BEHAVIOUR 3·POLITSTUDY 4·VIS. ARTS 5·MUSIC EXX. 6·HISTORY 7·EUROARTMUS 8·SEX/GENDER 9·PHILOSOPHY]

Modspil, 6/25. Köbenhavn: Rhodos (1985) #87-7245-037-1 [JM-MODSPIL]
• Bonde, Lars-Ole; Hörlyk, Thorkil; Mortensen, Tore: Musikken i samfundet - samfundet i musikken? Refleksioner omkring 'Gyldendals Musikhistoria' |22-35|NO|PA [1·REVIEW 2·DENMARK 3·MUSIC HIST 4·MUSICOLOGY]
• Bonde, Lars-Ole; Kjær, Arne; Nörlyng, Ole: Vi bruger også: musikhistorie |3|NO|PA [1·Gbg.Mvet. 2·Ling Item 3·DENMARK 4·SWEDEN 5·SOCIOLOGY 6·MUSIC HIST 7·REVIEW]
• Hörlyk, Thorkil: Jan Ling: Europas Musikhistoria -1730 |36-40|SV|PA [1·REVIEW 2·DENMARK 3·MUSIC HIST 4·MUSICOLOGY 5·Ling Item]
• Ling, Jan: Hvad er populærmusik? Refleksioner efter en kongres |12-21|DK|PA [1·MUSIC HIST 2·Gbg.Mvet. 3·MUSICOLOGY 4·PT 5·IASPM 6·POPULARMUS 7·DEFINE 8·PHILOSOPHY 9·AESTHETICS 10·GENRES]
• Ling, Jan; Sivertsen, Karin, ed.: Musikhistorien som kilde til oplevelse og erkendelse. Interview. |4-11|SV|PA [1·MUSIC HIST 2·INTERVIEW 3·DENMARK 4·SWEDEN 5·Gbg.Mvet. 6·MUSICOLOGY 7·Ling Item 8·POPULARMUS]
• Olsen, Bent: Musikkens historie som tegneserie |41-44|DK|PA [1·REVIEW 2·MUSIC HIST 3·VIS. ARTS 4·FRANCE 5·DENMARK]

Le monde de la musique. Paris: Le Monde (1988?) [CP823-299]
• Leone, Sergio: Je ne voulais pas des stars de l'opéra. Sergio Leone répond à Daniel Toscan du Plantier |11-12|FR|PA [1·INTERVIEW 2·FILM 3·WESTERNS]

Le Monde de la Musique, 124 (juillet - août 1989). Paris: Le Monde (1989) [CP823-344]
• Lorenzini, Amleto, ed.; Vettraino-Soulard, Marie-Claude, trans.: Béla Bartók: et s'il était le plus moderne de tous? |90-97|FR|PA [1·MOD.CLASS. 2·EUROARTMUS 3·HUNGARY 4·AESTHETICS 5·BIBLIOGR. 6·DISCOGR. 7·ILL.]

Le Monde de la Musique, 124 (juillet-août, 1989). Paris: Le Monde (1989) [CP824322-331]
• ~~: Conformisme tricolore. La musique sous la révolution |32-43|FR|PA [1·FRANCE 2· 3·REVOLUTION 4·POLITICS 5·AESTHETICS 6·CULTPOLIT.]

Monographie de sémiologie et d'analyses musicales, 3. Montréal (1976) [BMA4-IMBERTY]
• Imberty, Michel: Signification and Meaning in Music. On Débussy's "Préludes pour le piano" |100|EN|PA [1·SEMIOTICS 2·PERCEIVE 3·STATISTICS 4·AESTHETICS 5·AFFECT 6·MUSIC EXX. 7·MUSICOLOGY]

Monteverdi. Creator of Modern Music. London: Gollancz (reissue 1964) (1950) 384 pp. [BM-MONTEVERD]
• Schrade, Leo 384 pp. [BM-MONTEVERD]|PB [1·BIOGRAPHY 2·MUSICOLOGY 3·ITALY 4·C17 5·MUSIC EXX. 6·MUS.ANALYS 7·HISTORY 8·BAROQUE]

Morricone, la musica, il cinema. Milano: Ricordi / Mucchi (Le sfere, 23) (1994) #88-7592-398-1 [BM-MICELI]
• Miceli, Sergio #88-7592-398-1 [BM-MICELI]|PB [1·AVANTGARDE 2·MUSIC EDUC 3·ITALY 4·USA 5·FILM MUSIC 6·MUSIC EXX. 7·BIOGRAPHY 8·EUROARTMUS 9·PT] {Morricone, E; Petrasso, G; Leone, S}

Mother Jones, Nov 1988. (1988) [CP826089-094]
• Miller, Mark Crispin: Gonna Hawk around the Clock Tonight. How Television Stole the Soul of Rock and Roll |38-42|EN|PA [1·TELEVISION 2·ROCK 3·USA 4·VIS. ARTS 5·MUSIC TV 6·VIDEO]

Motivsymbolik bei Heinrich Schütz. Basel: Bärenreiter (1961) 149 pp. [BM-SCHUTZ]
• Huber, Walter Simon 149 pp. [BM-SCHUTZ]|PB [1·BAROQUE 2·GERMANY 3·C17 4·MUSIC EXX. 5·MUSICOLOGY 6·AFFECT 7·MELODY 8·MUS.ANALYS 9·SEMIOTICS]

Motown and the Arrival of Black Music. London: Studio Vista (1971) 110 pp. #0-289-70130-9 [BM-MORSE]
• Morse, David 110 pp. #0-289-70130-9 [BM-MORSE]|PB [1·USA 2·1950S 3·1960S 4·GOSPEL 5·SOUL 6·R&B 7·MUS INDUST 8·AFR-AMER. 9·PRODUCERS 10·ROCK]

Moussorgsky. Master Musician Series. London: Dent (1946) viii+216 pp. [BMA-MUSSORG]
• Calvocoressi, M D viii+216 pp. [BMA-MUSSORG]|PB [1·RUSSIA 2·NATIONALSM 3·BIOGRAPHY]

Mozart. London: J M Dent (1962) 388 pp. [BM-MOZART]
• Blom, Eric 388 pp. [BM-MOZART]|PB [1·EUROARTMUS 2·COMPOSERS 3·BIOGRAPHY 4·C18 5·MUSIC EXX. 6·EUROPE 7·AUSTRIA 8·ILL.]

Mozart. London: Dutton (1962) [BM-MOZART]
• Dent, Edward J [BM-MOZART]|PB [1·EUROARTMUS 2·BIOGRAPHY]

Mozart's Letters. London: Penguin (1956) 8+278 pp. [BM-MOZART]
• Blom, Eric, ed. 8+278 pp. [BM-MOZART]|PB [1·EUROARTMUS 2·EUROPE 3·C18 4·DOCUMENT 5·BIOGRAPHY 6·AUSTRIA]

Mozart's Letters. London: Penguin (1956) 278 pp. [BM-MOZART]
• Mozart, Wolfgang Amadeus; Blom, Eric, ed.: (Selected Letters, 1769-1791) (1791) |EN|PB [1·EUROARTMUS 2·EUROPE 3·C18 4·DOCUMENT 5·BIOGRAPHY]

Mozart's Operas. London: Oxford University Press (1960) 12+276 pp. [BM-MOZART]
• Dent,Edward J 12+276 pp. [BM-MOZART]|PB [1·OPERA 2·EUROARTMUS 3·EUROPE 4·AUSTRIA 5·GERMANY 6·ITALY]

Ms., 3/2 (September-October 1992). New York: Lang Communications (1992) [CP]
• Kassabian, Anahid: The Sounds of Feminism |64-66|EN|PA [1·FEMINISM 2·MEN 3·WOMEN 4·MUSIC EDUC 5·POLITSTUDY 6·MUZAK 7·FILM MUSIC 8·PT]

MSO-Nytt, Mars 1987. Malmö: Malmö Synfoniorkestrars Vänner (1987) [CP757]
• Anon: Seminarium med känd musikforskare |4|SV|PA [1·PT 2·DOCUMENT]

Muerte sin fin: poema en fuga. Ciudad México: JGH Editores / Bibliotheca Litterarum Humaniorum Euterpe 1 (1997) 202 pp. #968-7593-54-7 [BCP-GONZALEZ]
• González Aktories, Susana 202 pp. #968-7593-54-7 [BCP-GONZALEZ]|PB [1·MEXICO 2·POETRY 3·MUS.ANALYS]

Multimodal Discourse. The modes and media of contemporary communication. London: Arnold (2001) #0-340-60877-3 [BCP-KRESS]
• Kress, Gunther; Leeuwen, Theo van #0-340-60877-3 [BCP-KRESS]|PB [1·MASS MEDIA 2·VIS. ARTS 3·EDUC ITEM 4·]

The Murphy's Law MIDI Book. Newbury Park, CA: Alexander Publishing (1987) 94 pp. [CL004-C]
• Burger, Jeff 94 pp. [CL004-C]|PB [1·MIDI 2·SYNTHS 3·HANDBOOK 4·MUSIC EDUC 5·SYNC. 6·TECHNOLOGY]

La música afromestiza mexicana. Xalapa, Veracruz: Biblioteca Universidad Veracruzana (1990) 247 pp. #968-834-212-2 [BM-PEREZFERN]
• Pérez Fernández, Rolando 247 pp. #968-834-212-2 [BM-PEREZFERN]|PB [1·MEXICO 2·AFRICA 3·L AMERICA 4·ACCULTUR. 5·MUSIC EXX. 6·MUSICOLOGY 7·ANTHROPOL.]

La musica come linguaggio universale. Firenze: Leo S. Olschki (1990) #88-222-3748-X [BM-POZZI]
• Carapezza, Paolo Emilio: "Substantia imaginum, funtamentum linguarum" |39-50|IT|PA [1·C16 2·SEMIOTICS 3·AFFECT 4·CHRISTIAN 5·MUSIC EXX. 6·MUSICOLOGY] {MONTEVERDI; BEETHOVEN; MOZART; PETRARCH}
• Conati, Marcello: I periodici musicali e teatrali italiani a metà ottocento. Una introduzione |89-100|IT|PA [1·C19 2·MUSICOLOGY 3·JOURNALISM 4·ITALY 5·FRANCE 6·OPERA]
• Cutolo, Teodoro: Apertura dei lavoro |11-12|IT|PA [1·MUSICOLOGY 2·CONFERENCE]
• Donatoni, Franco: Parcellizzazione e sorpasso |267-272|IT|PA [1·COMPOSE 2·VERBAL 3·SEMIOTICS]
• Fubini, Enrico: Individualità o universalità del linguaggio musicale: un binomio inconciliabile? |101-112|IT|PA [1·EUROARTMUS 2·MUSICOLOGY 3·SEMIOTICS 4·PHILOSOPHY]
• Gelineau, Joseph: Particularité et catholicité dans la musique des liturgies chrétiennes |15-24|FR|PA [1·SEMIOTICS 2·CHRISTIAN 3·MUSICOLOGY]
• Grosso Destreri, Luigi del: Le musiche. Limiti e senso di considerarle un linguaggio universale in sociologia |151-164|IT|PA [1·SEMIOTICS 2·SOCIOLOGY 3·DEFINE] {SOROKIN P; WILLIS Paul; WEBER Max}
• Imberty, Michel: La psychologie cognitive, peut-elle contribuer au débat sur les universaux musicaux? |113-132|FR|PA [1·MUSICOLOGY 2·SEMIOTICS 3·PSYCHOLOGY 4·DEFINE]
• Luisi, Francesco: Linguaggio universale e "unità semantica". Nota sulla prospettiva diacronica della pratica laudistica della contraffazione |35-38|IT|PA [1·MEDIEVAL 2·SEMIOTICS 3·CHRISTIAN 4·MUSICOLOGY]
• Martininengo, Maria Cristina; Nuciari, Marina: Omogeneità e differenziazione del rapporto tra i giovani e la musica |165-178|IT|PA [1·SOCIOLOGY 2·ITALY 3·YOUTH]
• Pousseur, Henri: A la recherche d'une musique universelle d'aujourd'hui |273-278|FR|PA [1·COMPOSE 2·MOD.CLASS. 3·AESTHETICS]
• Pozzi, Raffaele, ed. |273-278|FR|PB [1·SEMIOTICS 2·MUSICOLOGY 3·CONFERENCE]
• Pozzi, Raffaele: Premessa |7-10|IT|PA [1·SEMIOTICS 2·MUSICOLOGY 3·CONFERENCE]
• Rouget, Gilbert: La répétition comme universel du language musical. Un propos d'un chant initiatique béninois |189-202|FR|PA [1·AFRICA 2·MUSICOLOGY 3·SEMIOTICS 4·RECURRENCE 5·MUSIC EXX.]
• Tran Van Khe: A propos des notions dualistes dans les traditions musicales des pays d'Asie |215-226|FR|PA [1·E ASIA 2·CHINA 3·PHILOSOPHY 4·RELIGION 5·MUSICOLOGY 6·MUSIC EXX. 7·ANTHROPOL.]
• Vitelli, Pietro; Cerocchi, Riccardo: Saluta dell autorità |13-14|IT|PA [1·CONFERENCE]

Musica con conscienza. Milano: Edizioni Paoline (1989) 160 pp. #88-215-1755-1 [BM-STEFANI]
• Stefani, Gino 160 pp. #88-215-1755-1 [BM-STEFANI]|PB [1·SEMIOTICS 2·EUROARTMUS 3·POPULARMUS 4·MELODY 5·EDUCATION 6·MUSIC EDUC 7·PEACE 8·MUSICOLOGY]

Musica Domani, 116. Torino: EDT (2000) #0391-4380 [BMA4-MUSICAD]
• Agostini, Roberto: Una didattica ancora in formazione |32-33|IT|PA [1·MUSIC EDUC 2·POPULARMUS]
• Arche, Augusta Dell': Parole, immagini e suoni per giocare raccontarsi |17-23|IT|PA [1·MUSIC EDUC 2·LINGUISTIC 3·VIS. ARTS] {narrative; play; games}
• Deriu, Rosalba: Intorno al concetto di competenza musicale |3-12|IT|PA [1·MUSIC EDUC 2·DEFINE] {competence}
• Indellicati, Elena: Dal gioco motorio alla partitura |24-27|IT|PA [1·MUSIC EDUC 2·NOTATION 3·RHYTHM] {games; motorics; score}
• Mandanici, Marcella: Per una metodologia della lettura a prima vista |13-16|IT|PA [1·MUSIC EDUC] {sight reading; a vista}
• Marconi, Luca: Popular Music a scuola: fra piacere musicale e attività didattica |28-29|IT|PA [1·MUSIC EDUC 2·POPULARMUS]
• Salvatore, Gianfranco: Dal piacere dell'ascolto all comprensione |34-35|IT|PA [1·MUSIC EDUC 2·POPULARMUS]
• Tagg, Philip: Un approccio etico alla cultura mediale |30-31|IT|PA [1·MUSIC EDUC 2·POPULARMUS]

Musica e cinema nella cultura del Novecento. Milano: Sansoni (2000) #88-383-1831-X [BM-MICELI]
• Miceli, Sergio #88-383-1831-X [BM-MICELI]|PB [1·FILM MUSIC 2·C20 3·FILM 4·COMPOSE 5·AVANTGARDE] {Morricone, E; Piersanti, F; Satie, Erik; Rota, Nino; Schönberg, A; Berg, Alban; Alexandr Nevsky; Prokofiev, S; Fellini, F}

Musica e cultura a Napoli dal XV al XIX secolo. Firenze: Olschki (1983) 384 pp. [JM-MUSICA/RE]
• Biancono, Lorenzo, ed.; Bossa, Renato, ed. 384 pp. [JM-MUSICA/RE]|PB [1·ITALY 2·OPERA 3·DRAMA 4·MUSIC HIST 5·CULT.STUDY 6·BAROQUE 7·RENAISSNC. 8·C18 9·C19]

Musica e maschera. Il libretto italiano del settecento. Torino: EDT (1984) 235 pp. [JM-MUSICA/RE]
• Gallarati, Paolo 235 pp. [JM-MUSICA/RE]|PB [1·ITALY 2·LYRICS 3·POETRY 4·DRAMA 5·OPERA 6·C17 7·C18 8·REVIEW]

Musica e musicisti nel ventennio fascista. Fiesole: Discanto Edizioni (1984) 488 pp. [JM-MUSICA/RE]
• Nicolodi, Fiamma 488 pp. [JM-MUSICA/RE]|PB [1·ITALY 2·FASCISM 3·REVIEW 4·DOCUMENT 5·HISTORY 6·CULT.STUDY]

Musica e pubblico giovanile. L'evoluzione del gusto musicale dagli anni sessanta ad oggi. Milano: Feltrinella Economica (1980) 257 pp. [BM-CARRERA]
• Carrera, Alessandro 257 pp. [BM-CARRERA]|PB [1·YOUTH 2·ROCK 3·BIOGRAPHY 4·JAZZ 5·MUSICIANS 6·EUROARTMUS 7·ITALY 8·MUS INDUST 9·PROGRESSIV]

Musica e sistema dell'informazione in Europa. Milano: Unicopli (1985) #88-7061-885-4 [BM-MUSICA E]
• Ala, Nemesio; Fabbri, Franco; Rampi, Francesco, ed.: Generi musicali, forme di consumo, gusti del pubblico: 'popular music' e ricerca in Italia |153-166|IT|PA [1·GROUPS 2·SOCIOLOGY 3·YOUTH 4·MUS INDUST 5·ITALY 6·SELL]
• Ala, Nemesio; Fiori, Umberto; Ghezzi, Emilio; Fabbri, Franco: Schemi del consumo musicale a Milano e Reggio Emilia nell' aprile-maggio 1983 |192-280|IT|PA [1·STATISTICS 2·MUS INDUST 3·PERCEIVE 4·GENRES 5·GROUPS 6·CULT.STUDY 7·SELL 8·ITALY 9·CONFERENCE]
• Baroni, Mario: Sviluppi della ricerca e tecnologie di ricerca |130-135|IT|PA [1·ITALY 2·CONFERENCE 3·TECHNOLOGY 4·RESEARCH]
• Bosetto, Antonio: Nuove tecnologie e industria degli instrumenti musicali in Italia |189-191|IT|PA [1·INSTRUMENT 2·TECHNOLOGY 3·RECORDING 4·COMPUTERS 5·ITALY]
• Carrera, Alessandro: La musica dalla riproduzione alla simulazione |169-17217|IT|PA [1·AESTHETICS 2·MUS INDUST 3·ITALY 4·CONFERENCE]
• Fabbri, Franco: La copia privata: problemi e rimedi |233-246|IT|PA [1·CULTPOLIT. 2·MUS INDUST 3·RECORDS 4·CASSETTES 5·RADIO 6·STATISTICS 7·PIRACY]
• Fabbri, Franco: Sviluppo tecnologico e strutture produttive nell'industria musicale |51-60|IT|PA [1·RECORDING 2·AESTHETICS 3·MUS INDUST 4·CULTPOLIT. 5·SKILLS 6·ITALY 7·CONFERENCE 8·TECHNOLOGY]
• Fontana, Carlo: Discografia e mercato senza mercato |77-79|IT|PA [1·ITALY 2·CULTPOLIT. 3·MEDIA IND. 4·RADIO 5·TELEVISION 6·MUS INDUST]
• Haarma, Jukka; Soramäki, Martti: Quadro internazionale dell'industria discografica |32-40|IT|PA [1·MUS INDUST 2·STATISTICS 3·INTERNATNL 4·MEDIA IND. 5·CULTPOLIT. 6·SELL 7·ITALY]
• Hamm, Wolfgang: Crescita e declino dell'indipendenza nel mercato musicale tedesco |136-144|IT|PA [1·BRD 2·MUS INDUST 3·CULTPOLIT.]
• Heister, Hanns-Werner: Compact Disc (il). Uno studio sull'interdipendenza delle condizioni econiche, techniche, estetiche |61-76|IT|PA [1·AESTHETICS 2·MONEY 3·MUS INDUST 4·BRD 5·RECORDING]
• Laing, Dave: Il settore indipendente dell'industria inglese |145-152|IT|PA [1·UK 2·MUS INDUST 3·STATISTICS 4·CULTPOLIT.]
• Luigi, Mario de: Mercato del disco in Italia: ieri, oggi, domani |41-50|IT|PA [1·ITALY 2·MUS INDUST 3·STATISTICS 4·CULTPOLIT. 5·RADIO 6·RECORDING]
• Magnani, Ernesto: La copia privata - problemi e rimedi |246-250|IT|PA [1·CULTPOLIT. 2·MUS INDUST 3·RECORDS 4·CASSETTES 5·RADIO 6·STATISTICS 7·PIRACY]
• Natoli, Dario: Musica e politica dei media |179-184|IT|PA [1·ITALY 2·MUS INDUST 3·MEDIA IND. 4·CULTPOLIT.]
• Papapietro, Giovanni: Perché l'Europa e che cosa per l'Europa |23-31|IT|PA [1·ITALY 2·CULTPOLIT. 3·EUROPE 4·MUS INDUST]
• Pestalozza, Luigi: Ragioni di un convegno |17-22|IT|PA [1·CONFERENCE 2·ITALY 3·CULTPOLIT. 4·CULT.STUDY]
• Rampi, Francesco: Nota di cura / Programma del convegno |9-14|IT|PA [1·CONFERENCE 2·ITALY 3· 4·RECORDS 5·MUS INDUST 6·EUROPE]
• Rignano, Guido: La copia privata: problemi e rimedi |256-260|IT|PA [1·CULTPOLIT. 2·MUS INDUST 3·RECORDS 4·CASSETTES 5·RADIO 6·STATISTICS 7·PIRACY]
• Segal, Ariane: Comunicazione sulla fonografica in Francia |80-84|IT|PA [1·FRANCE 2·CULTPOLIT. 3·MUS INDUST 4·RECORDS 5·MEDIA IND. 6·ITALY 7·CONFERENCE]
• Tagg, Philip: Il 'senso del tempo' nella musica. Definizioni, esempi, proposte |103-129|IT|PA [1·TIME/SPACE 2·MUSICOLOGY 3·HISTORY 4·AESTHETICS 5·SEMIOTICS 6·PHILOSOPHY 7·MUZAK]
• Turco, Carlo: Progetto dello IASM per la costituzione di un "Centro di informazione" |184-188|IT|PA [1·VIDEO 2·EDUCATION 3·MUS INDUST 4·RECORDING 5·ITALY 6·CULTPOLIT. 7·CONFERENCE 8·ADMINISTR.] {MEZZOGIORNO}
• Valenza, Pietro: La copia privata: problemi e rimedi |246-250|IT|PA [1·CULTPOLIT. 2·MUS INDUST 3·RECORDS 4·CASSETTES 5·RADIO 6·STATISTICS 7·PIRACY]
• Vidolin, Alvise: Ricerca e produzione musicale mediante le moderne tecnologie digitale |179-183|IT|PA [1·COMPUTERS 2·MEDIA IND. 3·EDUCATION 4·MUS INDUST 5·CULTPOLIT.]

Musica, espressione, emozione. Bologna: CLUEB (2001) 314 pp. #88-491-1715-9 [BM-MARCONI]
• Marconi, Luca 314 pp. #88-491-1715-9 [BM-MARCONI]|PB [1·MUSICOLOGY 2·SEMIOTICS 3·AFFECT 4·PSYCHOLOGY 5·AESTHETICS 6·MUSIC EXX.]

Musica, espressione, emozion. Bologna: CLUEB (2001) #88-491-1715-9 [BM-MARCONI]
• Marconi, Luca #88-491-1715-9 [BM-MARCONI]|PB [1·SEMIOTICS 2·MUSIC EXX. 3·MUSICOLOGY 4·AFFECT 5·DEFINE 6·GESTURES 7·PSYCHOLOGY 8·PHILOSOPHY 9·AESTHETICS] {emotion; expression; movement}

Musica e uomo. Milano: Unicopli (1987) #88-7592-033-8 [BM-MAROTHY]
• Maróthy, János: Folklore industriale: pop o folk? |365-186|IT|PA [1·DEFINE 2·UK 3·USA 4·HUNGARY 5·POPULARMUS 6·FOLK MUSIC 7·ROCK 8·URBAN 9·RURAL]

Musica e uomo. Milano: Unicopli (1987) 425 pp. #88-7592-033-8 [BM-MAROTHY]
• Maróthy, János 425 pp. #88-7592-033-8 [BM-MAROTHY]|PB [1·MUSICOLOGY 2·ANTHROPOL. 3·SEMIOTICS 4·DEFINE 5·MUSIC HIST 6·AESTHETICS 7·SOCIALISM 8·FOLK MUSIC 9·EUROARTMUS]

La musica in URSS: cronaca di un viaggio. Milano: Unicopli (1988) 186 pp. #88-400-00968-8 [BM-PESTALOZZ]
• Pestalozza, Luigi 186 pp. #88-400-00968-8 [BM-PESTALOZZ]|PB [1·EUROARTMUS 2·MOD.CLASS. 3·JAZZ 4·POPULARMUS 5·USSR 6·1980S 7·CULTPOLIT. 8·TRAVEL]

Musical Ability in Children - its measurement. London: Harrap (1966) 151 pp. [BM-BENTLEY]
• Bentley, Arnold 151 pp. [BM-BENTLEY]|PB [1·CHILDREN 2·SKILLS 3·MUSIC EDUC 4·STATISTICS 5·RHYTHM 6·MELODY]

The Musical Arts of Ancient China. Hong Kong: University Museum and Art Gallery, University of Hong Kong (2001) 152 pp. #962-8038-37-0 [BMA4-MUSICAL]
• Xiao, Mei, ed.; Yung, Bell, ed.; Wong, Anita, ed. 152 pp. #962-8038-37-0 [BMA4-MUSICAL]|PB [1·CHINA 2·OLD GREECE 3·ILL. 4·INSTRUMENT 5·ARCHIVIST]

Musical Grammar and Computer Analysis. Atti del Convegno.. Firenze: Olschki (1984) 374 pp. [JM-MUSICA/RE]
• Baroni, Mario, ed.; Callegari, Laura, ed. 374 pp. [JM-MUSICA/RE]|PB [1·COMPUTERS 2·COMPOSE 3·PRODUCERS 4·MUSIC EDUC 5·CONFERENCE 6·ITALY 7·TECHNOLOGY 8·MOD.CLASS.]

Musical Grammars and Computer Analysis. Firenze: Leo S Olschki (1984) [BM-STEFANI]
• Stefani, Gino: Musical Competence, Analysis and Grammar |219-227|EN|PA [1·SEMIOTICS 2·MUSIC EDUC 3·MELODY 4·MUS.ANALYS]

Musical Grammars and Computer Analysis. Atti del convegno, 1982. Firenze: Leo S Olschki (1984) [BM-STEFANI]
• Stefani, Gino: Musical Competence, Analysis and Grammar Offprint |219-227|EN|PA [1·SEMIOTICS 2·MUSICOLOGY 3·LITERATURE 4·SKILLS]

Musical Instruments Through the Ages. London: Penguin (1961) 383 pp. [BM-BARNES]
• Baines, Anthony 383 pp. [BM-BARNES]|PB [1·INSTRUMENT 2·EUROPE 3·HISTORY]

Musical Meaning in Film and Television - Disposition of material for possible publication. Göteborg: typescript (1980) 4 pp. [CP755069]
• Tagg, Philip 4 pp. [CP755069]|UX [1·TELEVISION 2·FILM MUSIC 3·PT 4·DOCUMENT]

Musical Quarterly. (1978) [CP215208-234]
• Keiler, Allan: Bernsteins "The Unanswered Question" and the Problem of Musical Competence |198-222|EN|PA [1·SEMIOTICS 2·EUROARTMUS 3·DEFINE 4·REVIEW]

Musical Signification Between Rhetoric and Pragmatics. Proceedings of the 5th International Congress on Musical Signification. Bologna: CLUEB (1998) [BM-MUSICALSI]
• Aksnes, Hallgjerd: Music and its resonating body |173-182|EN|PA
• Bratuz, Damiana: Sotto il segno dell'orso |223-232|IT|PA
• Cano, Cristina: Produzione e ricezione del senso in musica: emozioni e affetti vitali |183-192|IT|PA
• Castellana, Marcello: Seuils, codes et conventions: la métaphore tensive |233-246|FR|PA
• Delalande, François: La construction d'une représentation de l'espace dans les conduites d'écoute |127-136|FR|PA
• Ellis, John: Breaking the 'codes': the ideas of Roland Barthes in music theory |201-212|EN|PA
• Escal, Françoise: Le corps rhétorique de l'interprète |213-222|FR|PA
• Fabbri, Franco: Don't Bore Us - Get to the Chorus: serve la 'noia' alle canzoni? |103-114|IT|PA
• Garda, Michela: Topoi retorici ed ermeneutica musicale: un problema di metodo |159-172|IT|PA
• Hatten, Robert S: Gestural troping in music and its consequences for semiotic theory |193-200|EN|PA
• Hauer, Cristian: Pour une extension de la 'signification musicale': une herméneutique de la création et de la réception |137-148|FR|PA
• Jiránek, Jaroslav: Die semiotische Erforschung der Musiksemantik |63-94|DE|PA
• Klempe, Hroar: A Freudian perspective on musical signification |259-268|EN|PA
• Lidov, David: Song as monument: Sainte-Marie's 'Bury My Heart At Wounded Knee' |115-126|EN|PA
• Marconi, Luca; Stefani, Gino, ed.; Tarasti, Eero, ed.; Marconi, Luca, ed.: Emotional responses and musical signification: ancient and modern theories on the effects of music |29-38|EN|PA [1·SEMIOTICS 2·MUSICOLOGY]
• Mastropasqua, Mauro: Analisi, ermeneutica, sovrainterpretazione |149-158|IT|PA
• Monelle, Raymond: The temporal index |95-102|EN|PA
• Noll, Thomas: Listen to hermeneutic analysis with rubato |247-258|EN|PA
• Postacchini, Pier Luigi; Ricciotti, Andrea; Borghesi, Massimo: Affetti e forme musicali |269-278|IT|PA
• Tarasti, Eero: Signs as acts and events: an essay on musical situation |39-62|EN|PA

Musical Spectacle as Ritual: The Eurovision Song Contest. Aalborg: (1989?) [CL003-233]
• Björnberg, Alf [CL003-233]|PA [1·EUROVISMUS 2·SWEDEN 3·RITUAL 4· 5·MUSICOLOGY 6·TELEVISION 7·MUS INDUST]

The Musical Work. Reality or Invention. Reviewed in Popular Music, 21/2: 238-9 by Allan Moore. Liverpool: Liverpool University Press (2000) #0-85323-835-9 [BM-TALBOT]
• Goehr, Lydia: 'On the Problems of Dating' or 'Looking Backward and Forward with Strohm' |231-246|EN|PA
• Horn, David: Some Thoughts on the Work in Popular Music |14-34|EN|PA
• Lacasse, Serge: Intertextuality and Hypertextuality in Recorded Popular Music Intertext |35-58|EN|PA
• Middleton, Richard: Work-in-(g) Practice: Configuration of the Popular Music Intertext |59-87|EN|PA
• Moore, Catherine: Works and Recordings: The Impact of Commercialism and Digitalisation |88-109|EN|PA
• Samson, Jim: The Practice of Early-Nineteenth-Century Pianism |110-127|EN|PA
• Strohm, Reinhard: Looking Back at Ourselves: The Problem with the Musical Work-Concept |128-152|EN|PA
• Tagg, Philip: The Work: An Evaluative Charge www.tagg.org/articles/workcnpt.html |153-167|EN|PA
• Talbot, Michael, ed.; Talbot, Michael: Introduction |1-13|EN|PA
• Talbot, Michael: The Work-Concept and Composer-Centredness |168-186|EN|PA
• Williamson, John: The Musical Artwork and its Materials in the Music and Aesthetics of Busoni |187-204|EN|PA
• Wishart, James: Re-composing Schubert |205-230|EN|PA

Music and Aesthetics in the Eighteenth and Early Nineteenth Centuries. Cambridge: Cambridge University Press (1988) 399 pp. #0-521-35901-5 [BM-HURAY]
• Huray, Peter Le, ed.; Day, James, ed. 399 pp. #0-521-35901-5 [BM-HURAY]|PB [1·AESTHETICS 2·EUROARTMUS 3·C18 4·C19 5·EUROPE]

Music and Cultural Theory. Cambridge: Polity Press (1997) 230 pp. [BM-SHEPHERD]
• Shepherd, John; Wicke, Peter 230 pp. [BM-SHEPHERD]|PB

Music and Culture in the Age of Mechanical Reproduction. New Studies in Aesthetics, vol. 31. New York: Peter Lang (2000) #0-8204-4516-9 [BM-SHARMA]
• Sharma, Bhesham #0-8204-4516-9 [BM-SHARMA]|PB [1·C20 2·PHILOSOPHY 3·AESTHETICS 4·MOD.CLASS. 5·POPULARMUS] {Adorno, Th W; Schönberg, A; Nietzsche, F; Lukács, G; Freud, S; Benjamin, W}

Music and Ideology. Towards a Sociosemiotics of Mass Media Music. North Ryde: Macquarie Univ School of English & Linguistics (1985) [CP327/08]
• Leeuwen, Theo van [CP327/08]|US [1·EDUC ITEM 2·SEMIOTICS 3·SOCIOLOGY 4·MUSIC EXX. 5·FILM 6·TELEVISION 7·AFFECT 8·MUS.ANALYS 9·TITLE MUS.]

Music and Male Hegemony. Göteborg: Stencilled Papers from the Musicology Department, 8606 (1986) #0349-3407 [BMA4-SHEPHER]
• Shepherd, John #0349-3407 [BMA4-SHEPHER]|PS [1·SEX/GENDER 2·POLITSTUDY 3·ROCK 4·PSYCHOLOGY 5·SOCIOLOGY]

Music and Revolution in Cuba. Paper given at Spaziomusica conference, Cagliari (1988) 042-046 pp. [CP823-042]
• Fernández, José Loyola 042-046 pp. [CP823-042]|UX [1·REVOLUTION 2·CUBA]
• Fernández, José Loyola 042-046 pp. [CP823-042]|UX [1·CUBA 2·REVOLUTION]

Music and Society: the Politics of Composition, Performance and Reception. Cambridge: Cambridge University Press (1987) 202 pp. [JM-POPULAR]
• McClary, Susan; Leppert, Richard 202 pp. [JM-POPULAR]|PB [1·CULTPOLIT. 2·COMPOSE 3·PERFORM 4·PERCEIVE 5·POLITICS 6·SOCIOLOGY 7·SEMIOTICS 8·ANTHOLOGY]

Music and the Machine / La musica e le macchine. Torino: Progetto Lingotto / FIAT (1989) 41 pp. [BMA4-PRATO]
• Prato, Paolo, ed. 41 pp. [BMA4-PRATO]|PB [1·VIDEO 2·AESTHETICS 3·TELEVISION 4·EUROPE 5·ILL. 6·SYMPHONY 7·ROCK 8·WORK] {INDUSTRY}

Music and the Twentieth Century Media. Firenze: Olschki (1972) 216 pp. [BM-BORNOFF]
• Bornoff, Jack 216 pp. [BM-BORNOFF]|PB [1·C20 2·MASS MEDIA]

Music and TV-Advertising (synopsis). Helsinki: Swedish School of Ecnomonics (1984) [CP193157]
• Lindqvist, L-J; Paltschik, M [CP193157]|US [1·ADVERTS 2·TELEVISION 3·PSYCHOLOGY 4·BUSINESS]

Music and your Emotions. New York: Liveright (1952) 128 pp. [BM-GUTHEIL]
• Gutheil, Emil A 128 pp. [BM-GUTHEIL]|PB [1·PSYCHOLOGY 2·MUSIC EXX. 3·NEUROLOGY 4·EUROARTMUS 5·SEMIOTICS]

La musica nel cinema. Tematiche e metodi di ricerca. Anno XIX, gennaio-agosto 2004. Firenze: Civiltà musicale, 51/52 (2004) #88-87621-49-7 [JM-CIVILTAMU]
• Alunno, Marco: Vittorio Gelmetti. Sperimentazione e cinema |190-203|IT|PA [1·FILM MUSIC 2·CONFERENCE 3·ITALY 4·AVANTGARDE 5·C20 6·COMPOSERS]
• Marrocchi, Cristiana: Sebastiano Arturo Luciani: attualità di un antesignano |9-34|IT|PA [1·FILM MUSIC 2·CONFERENCE]
• Miceli, Sergio; Miceli, Sergio, ed.: Introduzione |3-8|IT|PA [1·FILM MUSIC 2·CONFERENCE]
• Piccardi, Carlo: Pierrot al cinema. Il denominatore musicale dalla pantomima al film |35-139|IT|PA [1·FILM MUSIC 2·CONFERENCE 3·MUSIC EXX. 4·HISTORY 5·FRANCE 6·RHYTHM 7·PERIODICTY 8·MELODY] {pantomime}
• Scognamiglio, Renata: Aspetti del musical contemporaneo. Quattro analisi 1 Everyone Says I Love You (W Allen, 1996); 2 Dancer in the Dark (L von Trier, 2000); 3 Moulin Rouge (Baz Luhrmann, 2001); 4 Chicago (R Marshall, 2002) |140-172|IT|PA [1·FILM MUSIC 2·CONFERENCE 3·1990S 4·2000S 5·USA 6·DRAMA]
• Todaro, Sabrina: Il sodalizio Frattini-Bozzetto nel cinema d'animazione |204-218|IT|PA [1·FILM MUSIC 2·CONFERENCE 3·COMICS 4·HUMOUR 5·ITALY 6·MUSIC EXX. 7·MUS.ANALYS]

La musica nel film. Arte e artigianato. Firenze: Discanto Edizioni (1982) 343 pp. [BM-MICELI]
• Miceli, Sergio 343 pp. [BM-MICELI]|PB [1·FILM MUSIC 2·AESTHETICS 3·HISTORY 4·ITALY 5·USA 6·FRANCE 7·USSR 8·INTERVIEW 9·TECHNOLOGY] {MORRICONE E}

Musica Poetica. Musical-Rhetorical Figures in German Baroque Music. Lincoln, NE: University of Nebraska Press (1997) #0-8032-1276-3 [BM-BARTEL]
• Bartel, Dietrich #0-8032-1276-3 [BM-BARTEL]|PB [1·BAROQUE 2·AFFECT 3·MUSIC EXX. 4·MUSICOLOGY 5·GERMANY 6·DOCUMENT 7·PHILOSOPHY 8·AESTHETICS 9·REFERENCE] {Luther, Martin; Kircher, A; Vogt, M J; Burmeister, J; Walther, J G; Mattheson, J; Forkel, J N; Spiess, M; Nucius, J; Thuringus, J; Printz, W C}

Musica/Realtà, 07. Milano: Unicopli (1982) [CP327/05]
• Fontana, Carlo: Autonomia e scambio uguale: un ruolo per l'industria pubblica del disco |45-59|IT|PA [1·ITALY 2·USA 3·MUS INDUST 4·PHONOGRAM 5·AUDIENCE 6·COPYRIGHT 7·EUROARTMUS 8·MOD.CLASS.]

Musica/realtà, 16. Milano: Unicopli (1985) [JM-MUSICA E]
• Fabbri, Franco: Scrivere di musica tra mercato e accademia |21-27|IT|PA [1·EUROARTMUS 2·POPULARMUS 3·MUSICOLOGY 4·DEFINE]
• Gizzi, Pietro: Simbolo, espressione e costruzione in Ferruccio Busoni |145-172|EN|PA [1·SEMIOTICS 2·ITALY 3·ROMANTIC 4·MUSICOLOGY 5·1890S 6·1900-1909 7·MUS. FORM]
• Mayer, Günter: Dalla musica nei media e dalla musica per i media. Pensieri per un' estetica della musica radiografica |119-144|IT|PA [1·MASS MEDIA 2·PRODUCERS 3·AESTHETICS 4·HISTORY 5·CULT.STUDY 6·PHILOSOPHY]
• Middleton, Richard: Articolare il significato musicale. Ricostruire una storia della musica |97-118|IT|PA [1·MUSIC HIST 2·SEMIOTICS]
• Pace de Restrepo, Ilda: Vie di sviluppo della musica colta in America Latina e nei Caraibi |177-185|IT|PA [1·CARIBBEAN 2·L AMERICA 3·EUROARTMUS 4· 5·MUSIC EDUC]
• Picardi, Carlo: Agli albori della musica cinematografica: 'Frate Sole' di Luigi Mancinelli |41-74|IT|PA [1·ITALY 2·FILM MUSIC 3·AESTHETICS 4·OPERA 5·PROGRAMMUS]
• Regazzoni, Bernardino: Il canto di Joesefine. Musica e allusione alla rendizione in Walter Benjamin |29-40|IT|PA [1·PERFORM 2·VOICE 3·TECHNOLOGY]
• Sani, Nicola: Musica elettronica a Cuba: intervista con Luigi Pestalozza |173-176|IT|PA [1·MOD.CLASS. 2·INTERVIEW 3·ITALY 4·ELCTRNCMUS]
• Sani, Nicola: Parigi. Ircam. International Computer Music Conference 1985 |191-197|IT|PA [1·COMPUTERS 2·ELCTRNCMUS 3·CONFERENCE 4·REPORT 5·FRANCE 6·MOD.CLASS.]

Musica/realtà, 17. Milano: Unicopli (1985) [JM-MUSICA E]
• Baroni, Mario: L'opera, la festa, il privato e il collettivo review pp.146-148 |12-15|IT|PA [1·OPERA 2·GENRES 3·CULTPOLIT. 4·ITALY 5·AESTHETICS 6·REVIEW]
• Bianconi, Lorenzo: Perché la storia dell'opera italiana? |29-48|IT|PA [1·OPERA 2·ITALY 3·HISTORY 4·C18 5·C19 6·DEFINE 7·AESTHETICS 8·POLITSTUDY]
• Fabbri, Franco: Comunicazione e ascolto (ai margini e sui margini della musica contemporanea) |149-166|IT|PA [1·ROCK 2·HUMOUR 3·EUROARTMUS 4·MOD.CLASS. 5·AESTHETICS 6·SEMIOTICS 7·TECHNOLOGY]
• Fiori, Umberto; Ghezzi, Emilio: "I Have The Touch" di Peter Gabriel: un'analisi |61-86|IT|PA [1·ROCK 2·MUSICOLOGY 3·MUS.ANALYS 4·LYRICS 5·MUSIC EXX.]
• Leon, Argeliers: Binari per la storia |181-189|IT|PA [1·CUBA 2·CARIBBEAN 3·L AMERICA 4·GUITAR 5·CULTPOLIT. 6·ADMINISTR.]
• Lombardi, Daniele: George Antheil: pianista-futurista tra Primitivismo e mito della macchina |125-138|IT|PA [1·MOD.CLASS. 2·PIANO 3·COMPOSE 4·TECHNOLOGY 5·FRANCE]
• Petrushanskaya, Elena: Il 'teatro del suono' secondo Aleksey Rybnikov |20-25|IT|PA [1·OPERA 2·DRAMA 3·USSR 4·VOICE]
• Pozzi, Raffaele: Musica e cultura a Napoli dal XV al XIX secolo |139-141|IT|PA [1·ITALY 2·MUSIC HIST 3·REVIEW 4·MEDIEVAL 5·BAROQUE 6·C18 7·C19]
• Rottenbach, Augusto B: Situazione del compositore argentino in relazione alle tendenze estetiche odierne nel mo. |177-181|IT|PA [1·MOD.CLASS. 2·COMPOSE 3·ADMINISTR. 4·CULTPOLIT. 5·AESTHETICS 6·ARGENTINA 7·GENRES]
• Sani, Nicola: Le nuove scelte dell'IRCAM |25-29|IT|PA [1· 2·TECHNOLOGY 3·FRANCE 4·SYNTHS 5·RECORDING 6·COMPOSE]
• Shepherd, John: Prolegomeni allo studio critico della popular music |61-86|IT|PA [1·POPULARMUS 2·EDUCATION 3·POLITSTUDY 4·DEFINE]
• Sistachs, Enriqueta: La situazione musicale nella Repubblica Dominicana |167-176|IT|PA [1·MOD.CLASS. 2·EUROARTMUS 3·HISTORY 4·COMPOSE 5·ADMINISTR. 6·CARIBBEAN]
• Sorce-Keller, Marcello: Le scuole di etnomusicologia negli stati uniti |15-20|IT|PA [1·ANTHROPOL. 2·MUSICOLOGY 3·USA 4·DEFINE 5·PHILOSOPHY 6·POLITSTUDY]
• Stefani, Gino: La melodia: una prospettiva popolare |105-124|IT|PA [1·SEMIOTICS 2·MELODY 3·MUSICOLOGY 4·VOICE 5·GENRES]
• Stenzl, Jürg: L'apocalisse di un amore. Il monodramma 'Erwartung' (1909) di Arnold Schönberg |49-60|IT|PA [1·MOD.CLASS. 2·AUSTRIA 3·DRAMA 4·OPERA 5·ROMANTIC]
• Wicke, Peter: Rock'n'Revolution. Sul significato della rock in una cultura di massa progressista |5-11|IT|PA [1·ROCK 2·REVOLUTION 3·PROGRESSIV 4·GENRES 5·MUS INDUST 6·MASS MEDIA 7·UK 8·YOUTH 9·AESTHETICS]

Musica/realtà, 18. Milano: Unicopli (1985) [JM-MUSICAREA]
• Averbach, Elena: La musica contemporanea e la radio-estetica. Note problematiche |75-92|IT|PA [1·RADIO 2·EUROARTMUS 3·USSR 4·AESTHETICS]
• Bernardini, Nicola: La International Computer Music Conference 1985 |209-215|IT|PA [1·COMPUTERS 2·AVANTGARDE 3·CANADA 4·CONFERENCE]
• Brunner, Lance W: Il repertorio orchestrale su disco prima della compasa del long-playing |93-152|IT|PA [1·EUROARTMUS 2·PHONOGRAM 3·MUS INDUST 4·SOUND 5·AESTHETICS 6·USA 7·EUROPE 8·STATISTICS]
• Mainka, Jürgen: Dall' emigrazione interna all' emigrazione esterna. Paul Hindemith |63-74|IT|PA [1·GERMANY 2·1930S 3·CULTPOLIT. 4·BIOGRAPHY 5·USA]
• Morelli, Giovanni: Handel alla scuola dei Cardinali. Ancora sul viaggio in Italia di Georg Friedrich Händel e per una nuova |153-174|IT|PA [1·BAROQUE 2·EUROPE 3·ITALY 4·OPERA 5·AESTHETICS 6·C18 7·BIOGRAPHY]
• Pestalozza, Luigi: Committenza e composizione |185-196|IT|PA [1·COMPOSE 2·POLITSTUDY 3·MOD.CLASS. 4·ITALY 5·DDR 6·AVANTGARDE]
• Schneider, Frank: "Chi parla di vincere? Sopravvivere è tutto". Alcune osservazioni sull'impegno antifascista |43-62|IT|PA [1·AUSTRIA 2·GERMANY 3·1920S 4·1930S 5·FASCISM 6·12-TONE 7·POLITICAL 8·POLITSTUDY]
• Truax, Barry: Gli strumenti per la Computer Music alla Simon Fraser University |197-208|IT|PA [1·COMPOSE 2·COMPUTERS 3·CANADA 4·AVANTGARDE 5·MOD.CLASS. 6·INSTRUMENT 7·TECHNOLOGY]
• Ujfalussy, József: Tamino al bivio. Dialogo drammatico e trama musicale |19-42|IT|PA [1·EUROARTMUS 2·OPERA 3·MUSICOLOGY 4·MUSIC EXX. 5·SEMIOTICS 6·DRAMA]

Musica/Realtà, 20. Milano: Unicopli (1986) [JM:MUSICA/RE]
• Bertolina, Gian Carlo: Appunti sulla musica per film italiana dopo il 1970 |19-29|IT|PA [1·FILM 2·ITALY 3·FILM MUSIC 4·CATALOGUE 5·1970S 6·1980S]
• Dolidze, Lea I: Il ruolo del fattore nazionale nella psicologia della creazione musicale |75-93|IT|PA [1·RUSSIA 2·NATIONALSM 3·AESTHETICS 4·COMPOSE 5·MOD.CLASS.]
• Fabbri, Franco: Musica contemporanea e media: la "fallacia concertocentrica" |94-110|IT|PA [1·POPULARMUS 2·EUROARTMUS 3·MEDIA IND. 4·PHONOGRAM 5·TECHNOLOGY 6·PERFORM 7·RECORDING]
• Gentilucci, Armando: La musica contemporanea a cavallo tra due decenni: 1970-80 |59-74|IT|PA [1·EUROARTMUS 2·1970S 3·1980S]
• Goldschmidt, Harry: Janác^ek e Stravinskij |5-8|IT|PA [1·MOD.CLASS. 2·1910S 3·1920S 4·EUROPE]
• Knepler, Georg: Mozart a Magonza |31-58|IT|PA [1·EUROARTMUS 2·ITALY 3·OPERA]
• Kroo, György: Ferenc Liszt: dall' Album alla Suite (II) |148-169|IT|PA [1·ROMANTIC 2·EUROPE 3·EUROARTMUS]
• Perez Fernandez, Rolando Antonio: Il metodo comparativo e la binarizzazione dei ritmi ternari africani in America Latina |129-147|IT|PA [1·W AFRICA 2·SPAIN 3·RHYTHM 4·CARIBBEAN 5·L AMERICA 6·MUSICOLOGY 7·AFRICA]
• Pestalozza, Luigi: Lavoro e musica |8-12|IT|PA [1·POLITICAL 2·MUSICIANS 3·ITALY 4·1980S 5·SOCIALISM 6·WORKERS]
• Pestalozza, Luigi: La musica in Italia fra pubblico e privato |179-191|IT|PA [1·ITALY 2·1980S 3·CULTPOLIT.]
• Regev, Motti: "Musica orientale" e musica leggera israeliana a confronto |111-127|IT|PA [1·ISRAEL 2· 3·E ASIA MUS 4·CULTPOLIT.]
• Stenzl, Jurg: La "canzone d'autore" da Gilles a Yvette Théraulaz |12-19|IT|PA [1·SWISS 2·FRANCE 3·SSONGWRITR 4·1970S 5·1980S 6·1960S]

Musica/realtà, 22. Milano: Unicopli (1987) [JM-MUSICAREA]
• Borradori, Giovanna: Una liaison tra Webern e Cage. Conversazione con M Feldman (1986) |53-66|IT|PA [1·INTERVIEW 2·MOD.CLASS. 3·USA]
• Breen, Marcus: Musica Rock "indipendente" e cultura popolare in Australia |7-14|EN|PA [1·MUSICIANS 2·AUSTRALIA 3·PROGRESSIV 4·SOCIOLOGY 5·POLITICAL 6·CULT.STUDY 7·ROCK]
• Cane, Giampiero: La fortuna critica di Duke Ellington |83-123|IT|PA [1·USA 2·JAZZ 3·BIOGRAPHY]
• Cenova, Valeria: Arte contemporanea: sulla musica dei compositori sovietici |65-82|IT|PA [1·USSR 2·COMPOSERS 3·MOD.CLASS. 4·POSTWAR]
• Chambers, Iain: Musica pop e cultura nazionale. Quale imperialismo? |18-21|IT|PA [1·UK 2·USA 3·ITALY 4·YOUTH 5·GENRES 6·NATIONALSM 7·IMPERIALSM 8·SCHLAGER]
• Dahlhaus, Carl: Un'estetica della resistenza? Il "Friedestag" di R Strauss (1986) |43-52|IT|PA [1·GERMANY 2·1930S 3·POLITICAL 4·IDEALISM 5·AESTHETICS 6·EUROARTMUS 7·MUSICOLOGY]
• Dauphin, Claude: L'impatto della solmisazione ungherese sullo statuto musicologico delle teorie di J-J Rousseau |22-36|IT|PA [1·FRANCE 2·HUNGARY 3·MUSICOLOGY 4·C18 5·EDUCATION 6·PHILOSOPHY]
• Fabbri, Franco: Il gesto e la musica automatica (1986) |9-13|IT|PA [1·COMPUTERS 2·TECHNOLOGY 3·SKILLS 4·COMPOSE 5·ARRANGE]
• Grossberg, Lawrence: Rock 'n' Reagan (1986) |97-116|EN|PA [1·ROCK 2·YOUTH 3·USA 4·1980S 5·POLITICAL 6·GENRES 7·SOCIOLOGY]
• Jiranek, Jaroslav: Funzione, norma e valore estetici nella musica |153-167|IT|PA [1·AESTHETICS]
• Kroo, Györg: Ferenc Liszt, dall'Album alla Suite (I) (1986) |117-138|IT|PA [1·PIANO 2·C19 3·HUNGARY 4·ROMANTIC 5·EUROARTMUS 6·SWISS]
• Kropfinger, Klaus: La riutilizzasione della propria musica da parte di Vivaldi |169-186|IT|PA [1·MUSICOLOGY 2·MELODY 3·HARMONY 4·BAROQUE]
• Lindley, Mark: "Composizione" come termine musicale, un' indagine storica |37-64|IT|PA [1·DEFINE 2·MEDIEVAL 3·BAROQUE 4·EUROARTMUS 5·MOD.CLASS. 6·MUSICOLOGY 7·COMPOSE 8·COMPOSERS 9·EUROPE]
• Locke, Ralph P: La musica della canzone francese, 1810-1850 (1986) |67-96|IT|PA [1·C19 2·FRANCE 3·VOCAL MUS. 4·MELODY 5·SSONGWRITR]
• Mbuyamba, Lupwishi: "Musica tradizionale, musica iscritta nella storia": le culture dell'Oceano Indiano |5-7|IT|PA [1·INDIA 2·AFRICA]
• Sani, Nicola: Ricerca musicale, tecnologie militari, organizzazione della ricerca |14-18|IT|PA [1·MUSICOLOGY 2·CULTPOLIT. 3·ITALY]
• Truax, Barry: L'ascoltatore |125-151|IT|PA [1·PERCEIVE 2·PSYCHOLOGY 3·SOUNDSCAPE 4·RADIO 5·TELEVISION 6·ADVERTS]
• Ujfalussy, József: Tmino al bivio. Dialogo drammatico e dramma musicale (II) (1986) |21-42|IT|PA [1·DRAMA 2·SEMIOTICS 3·OPERA 4·MUSICOLOGY]

Musica/Realtà, 23. Milano: Unicopli (1987) #88-7061-954-0 [JM-MUSICA]
• Frith, Simon: Il diritto d'autore e l'industria musicale (I) |27-52|IT|PA [1·COPYRIGHT 2·MUS INDUST 3·PHONOGRAM 4·CDs 5·SOUND 6·1980S 7·UK 8·USA 9·RECORDING 10·PIRACY]
• Konold, Wulf: Nuove opere liriche nella Repubblica Federale Tedesca. Una inventario e una rassegna |91-108|IT|PA [1·MOD.CLASS. 2·BRD 3·OPERA]
• Kovalcsik, Katalin: Lamenti zigani |109-132|IT|PA [1·HUNGARY 2·FOLK MUSIC 3·COMPLAINT]
• Pampaloni, Cristina: Giovani castrati nell'Assissi del Settecento |133-154|IT|PA [1·OPERA 2·THEOLOGY 3·ITALY 4·C18 5·YOUTH]
• Pestalozza, Luigi: Impegno ideologico e tecnologia elettronica nella musica di Luigi Nono degli anni 60 |53-90|IT|PA [1·MOD.CLASS. 2·TECHNOLOGY 3·ITALY 4·AESTHETICS 5·1960S]

Musica/Realtà, 25. Milano: Unicopli (1988) #88-7061-917-6 [JM-MUSICAREA]
• Cano, Cristina: Colloquio con Franco Donatoni musica in G W Leibnitz |79-90|IT|PA [1·AESTHETICS 2·PSYCHOLOGY 3·SEMIOTICS 4·EDUCATION] {PIAGET; CLAUDEL P}
• Dalmonte, Rosanna: Colloquio con Franco Donatoni musica in G W Leibnitz |65-79|IT|PA [1·INTERVIEW 2·ITALY 3·COMPOSE 4·MOD.CLASS. 5·MUSIC EDUC]
• Hamm, Charles: Verso un nuova lettura di Gershwin |23-45|IT|PA [1·MOD.CLASS. 2·POPULARMUS 3·USA 4·JAZZ] {RHAPSODY IN BLU; PORGY AND BESS; IVES C}
• Heister, Hanns-Werner: Il congresso sulla storia della musica di Berlino 28-30 ottobre 1987, Schauspielhaus Berlino |15-18|IT|PA [1·GERMANY 2·DDR 3·CONFERENCE 4·FESTIVAL] {WAGNER, R; BRECHT, B; BERLIN}
• Lachenmann, Helmut: La situazione della musica dopo Darmstadt |127-140|IT|PA [1·MOD.CLASS. 2·ELCTRNCMUS]
• Luppi, Andrea: "Fructus inest istis spectaculis". Il potere educativo della musica in G W Leibnitz |47-63|IT|PA [1·AESTHETICS 2·MUSICOLOGY 3·EUROPE 4·DEFINE 5·PHILOSOPHY]
• Pestalozza, Luigi: Privatizzazione musicale |18-21|IT|PA [1·CULTPOLIT. 2·ETHICS 3·MOD.CLASS. 4·ELITISM 5·EUROPE 6·USA 7·MUS INDUST] {PRIVATISATION; EGOISM; XENAKIS; ANARCHY}
• Razzi, Fausto: Musica e/o scienza |8-15|IT|PA [1·MOD.CLASS. 2·ELCTRNCMUS]
• Rossi-Pasotti, Fiorella: Essenza della musica indiana: lo stile Karnâtaka |105-125|IT|PA [1·INDIA 2·FOLK MUSIC 3·EUROARTMUS 4·MUSIC EXX. 5·MUSICOLOGY 6·AESTHETICS]
• Seguin, Louis: La musica e il cinema di J M Straub |5-8|IT|PA [1·FILM MUSIC 2·MOD.CLASS.] {SCHÖNBERG A; STRAUB J M; HUILLET D}
• Stenzl, Jürg: Testi e contesti. Ossia: la vera rivoluzione musicale del XX secolo |161-174|IT|PA [1·FRANCE 2·GERMANY 3·ROMANTIC 4·MOD.CLASS. 5·IMPRESSNSM 6·COMPOSE 7·EUROARTMUS 8·EUROPE]
• Tagg, Philip: Leggere i suoni. Saggio sul paesaggio sonore e la musica, la conoscenza, la società Originariamente preparato per il quotidiano "L'Unit…", agosto 1986 |145-160|IT|PA [1·SOUNDSCAPE 2·ROCK 3·DEFINE 4·SEMIOTICS 5·EUROARTMUS 6·ANTHROPOL. 7·PHILOSOPHY] {SCHAFER R M}
• Various: Un'esperienza di teatro musicale dal carcere di Padoa |175-182|IT|PA [1·OPERA 2·DRAMA 3·SOCIOLOGY 4·HEALTH 5·ITALY]
• Wicke, Peter: "Video Killed The Radio Star": splendore e miseria della video music |91-104|IT|PA [1·VIDEO 2·ROCK 3·TELEVISION 4·VIS. ARTS 5·1980S 6·TECHNOLOGY 7·MUS INDUST 8· 9·REC.ENGINR]

Musica/Realtà, 26. Milano: Unicopli (1987) #88-7061-937-0 [JM-MUSICAREA]
• Gallarati, Paolo: La poetica di Giacomo Durazzo e la "lettre sur le méchanisme de l'opéra italien" |52-73|IT|PA [1·OPERA 2·ITALY 3·C18]
• Ivashkin, Aleksandr: Dall'imagine e la forma al simbolo e alla metafora. L'arte sovietica degli anni Venti-Trenta e la musica oggi |21-40|IT|PA [1·MOD.CLASS. 2·USSR 3·CULTPOLIT. 4·AESTHETICS 5·INNOVATE]
• Konold, Wulf: L'attualità di Bernd Alois Zimmermann |41-51|IT|PA [1·GERMANY 2·BRD 3·MOD.CLASS. 4·AESTHETICS 5·POLITICS]
• Prato, Paolo: L'editoria della popular music in Italia |75-86|IT|PA [1·LITERATURE 2·MUSIC PUBL 3·ITALY 4·1960S 5·1970S 6·ROCK]
• Talamonti, Antonella: La Scuola Poplare di Musica di Testaccio |10-16|IT|PA [1·ITALY 2·MUSIC EDUC 3·POPULARMUS 4·JAZZ 5·REPORT 6·STATISTICS 7·SKILLS]
• Tortora, Daniela: Roma e Palermo centri di nuova musica negli anni Sessanta |87-105|IT|PA [1·MOD.CLASS. 2·ITALY 3·1950S 4·1960S] {ROME; MACCHI Egisto}

Musica/realtà, 28. Milano: Unicopli (1989) #88-400-0173-5 [JM-MUSICA]
• Adamo, Giorgio: Tradizioni musicali in Africa. Conversazione con Gerhard Kubik (II) |75-88|IT|PA [1·AFRICA 2·INTERVIEW 3·C AFRICA 4·S AFRICA 5·E AFRICA] {ANGOLA; MALAWI; KUBIK Gerhard; MALAMUSI Moya A}
• Angiolini, Giuliano d': Intervista a Karlheinz Stockhausen |11-15|IT|PA [1·MOD.CLASS. 2·INTERVIEW 3·1980S 4·GERMANY 5·ITALY]
• Fava, Lucia: Professioni musicali e processi formativi in musica: un Convegno a Rimini |15-21|IT|PA [1·ITALY 2·EUROPE 3·USA 4·MUSIC EDUC 5·EUROARTMUS 6·SKILLS]
• Favaro, Roberto: "Ma l'orecchio suo è del poeta e del musicista". La musica nei romanzi di Italo Svevo |57-74|IT|PA [1·PERCEIVE 2·OPERA 3·EUROARTMUS 4·AVANTGARDE 5·ITALY 6·LYRICS 7·COMPOSE 8·POETRY] {SVEVO Italo; SCHAFER R Murra}
• Genoino, Chiara Trara: I suonatori popolari nelle pandette della polizia del Regno Borbonico |89-110|IT|PA [1·C19 2·BRASSINSTR 3·MUSICIANS] {NAPOLI; BOURBON}
• Geraci, Toni: Un compositore italiano di fronte alle istanze di Darmstadt: gli scritt di Niccolò Castiglioni tra gli anni Cinquanta e Sessanta |41-56|IT|PA [1·ITALY 2·GERMANY 3·MOD.CLASS. 4·1950S 5·1960S 6·ELCTRNCMUS 7·AVANTGARDE 8·MUSICOLOGY 9·COMPOSE]
• Grétry, André: Saggio sulla musica. Libro quarto. Delle istituzioni politiche, considerate nei loro rapporti con l'Arte musicale |185-202|IT|PA [1·FRANCE 2·C19 3·POLITICS 4·EUROARTMUS 5·OPERA 6·MUS INDUST 7·COPYRIGHT 8·DRAMA 9·AESTHETICS] {OPÉRA COMIQUE; MOLIERE; LULLY Jean Bapt}
• Hennenberg, Fritz: Brecht e Weill: collaboratori o concorrenti? (II) |27-40|IT|PA [1·GERMANY 2·CABARET 3·USA 4·OPERETTA 5·1920S 6·1930S] {BRECHT Bert; WEILL Kurt; MAHAGONNY; HAPPY END; DREIGROSCHENOPE}
• Marini, Giovanna: Le voci delle troiane |5-11|IT|PA [1·OPERA 2·WOMEN 3·OLD GREECE 4·DRAMA 5·FRANCE 6·ITALY 7·REVIEW] {TROJANS; EURIPEDES; SALMON Thierry}
• Moffa, Rosy: La Storia della Musica nel Conservatorio: alcuni riflessioni |21-26|IT|PA [1·HISTORY 2·MUSIC EDUC 3·EUROPE 4·ITALY]
• Nanni, Franco: Storia/Biologia: quale significato musicale? |111-124|IT|PA [1·BIOLOGY 2·NEUROLOGY 3·ACOUSTICS 4·HISTORY 5·SEMIOTICS 6·MUSICOLOGY 7·DEFINE 8·BIBLIOGR.] {IMBERTY Michel}
• Schneider, Frank: Il compositore e il processo storico. Riflessioni teoriche e metodologiche sulla situazione nel XX secolo (1900-1950) |141-152|IT|PA [1·EUROPE 2·COMPOSE 3·EUROARTMUS 4·MOD.CLASS. 5·SOCIOLOGY 6·POLITICS 7·GERMANY 8·USA 9·AUSTRIA 10·USSR] {EISLER Hanns; IVES Charles; KRENEK Ernst; BERG Alban; MARX Karl}
• Taruskin, Richard: Musorgskij contro Musorgskij: le versioni di Boris Godunow (III) |153-180|IT|PA [1·RUSSIA 2·C19 3·MUSICOLOGY 4·MUSIC EXX. 5·NATIONALSM 6·OPERA 7·ROMANTIC] {MUSSORGSKY Mode}

Musica/Realtà, 29. Milano: Unicopli (1989) #88-400-0184-0 [JM-MUSICA/RE]
• Harran, Don: Musicologia storica e cultura musicale: ridefinire i termini per ridefinire gli scopi |43-52|IT|PA [1·MUSICOLOGY 2·DEFINE 3·ANTHROPOL.]
• Kropfinger, Klaus: "Da nessuna parte si brucia piè che da noi". Splendore e tramonto della Krolloper |133-144|IT|PA [1·GERMANY 2·OPERA 3·DRAMA 4·EUROARTMUS 5·PROGRAMMUS 6·POLITICS 7·CULTPOLIT. 8·MUSICOLOGY] {BERLIN; KLEMPERER O; MAHLER G}
• Leprino, Francesco: Riflessioni critiche sulla musica contemporanea nella discografia attuale in Italia e sul suo rapporto con i mezzi di riproduzione digitale |93-114|IT|PA [1·MOD.CLASS. 2·AVANTGARDE 3·ITALY 4·MUS INDUST]
• Shepherd, John: Estetica, valore e influenza africana nella popular music: implicazioni interculturali per l'educazione musicale |81-92|IT|PA [1·AFRICA 2·USA 3·EDUCATION 4·AESTHETICS]
• Tagg, Philip: Lettera aperta sulla "musica nera", "afro-americana" ed "europea" |53-80|IT|PA [1·AFR-AMER. 2·EUROPE 3·RACISM 4·POLITSTUDY 5·MUSICOLOGY 6·BLUES 7·IDEALISM 8·AFRICA 9·USA 10·PSYCHOLOGY] {ADORNO Th W; RANDGEBIET}
• Taruskin, Richard: Musorgskij contro Musorgskij: le versioni di Boris Godunov (IV) |145-164|IT|PA [1·RUSSIA 2·OPERA 3·C19 4·DOCUMENT 5·DRAMA 6·MUSIC EXX. 7·LYRICS]
• Tintori, Giampiero: La musica nell'antica Roma. Dagli autori latini un panorama orientativo di riproduz |115-130|IT|PA [1·ANCNT ROME 2·ITALY 3·DOCUMENT]
• Volta, Ornella: Erik Satie e la tradizione popolare |27-42|IT|PA [1·FRANCE 2·POPULARMUS 3·EUROARTMUS 4·1910S 5·1920S] {SATIE Erik}

Musica/Realtà, 30. Milano: Unicopli (1989) #88-400-0194-8 [JM-MUSICAREA]
• Bocchi, Francesco; Luppi, Andrea, ed.: Discorso di Francesco Bocchi sopra la Musica, non secondo l'arte di quella, ma secondo la ragione alla Politica pertinente (1580) |163-173|IT|PA [1·ITALY 2·C16 3·AESTHETICS 4·POLITICS]
• Chambers, Iain: Chi crea gli hit nella musica? |25-34|IT|PA [1·ROCK 2·SOUL 3·PUNK 4·REGGAE 5·SOCIOLOGY] {SHADOWS The; APACHE; JAMAICA; NEW YORK}
• Collotti, Enzo: Musica e politica: l'organizzazione musicale nel Reich nazista Originally held as talk at convegno "1933-1945. La Germania e la musica: l'emigrazione interna" (Milano 9-10/5/89) |129-162|IT|PA [1·GERMANY 2·1930S 3·1940S 4·FASCISM 5·CULTPOLIT. 6·RACISM 7·DOCUMENT]
• Danuser, Hermann: Realismo obiettivo, critico e socialista. Sul progetto, la drammaturgia e la ricezione dell'opera "La Lady Macbeth del distretto di Mzensk" di Dmitrij Siostakovic |49-70|IT|PA [1·USSR 2·OPERA 3·1930S 4·MUSIC EXX. 5·CULTPOLIT.]
• Fabbri, Franco: Diritto, diritti e dritti: la SIAE divide (e impera) |11-16|IT|PA [1·COPYRIGHT 2·ITALY]
• Manzoni, Giacomo; Pestalozza, Luigi; Raboni, Giovanni: Il linguaggio del Doctor Faustus |107-120|IT|PA [1·ITALY 2·OPERA] {MANN Thomas}
• Noller, Joachim: Gramsci e la musica |35-48|IT|PA [1·ITALY 2·CULTPOLIT.]
• Pestalozza, Luigi: Dieci anni di Musica/Realtà |7-10|IT|PA [1·ITALY 2·BOOKS 3·CULTPOLIT. 4·MUSICOLOGY]
• Thorsén, Stig-Magnus: Musica durante il lavoro. Un'analisi musico-sociale |16-24|IT|PA [1·MUZAK 2·SWEDEN 3·WORK]
• Titli, Maria: Marsilio Ficino e la musica |97-106|IT|PA [1·ITALY 2·C16 3·AESTHETICS 4·AFFECT]
• Virgilio, Domenico Di: Espressione colta ed espressione popolare in India oggi: alcune riflessioni |71-96|IT|PA [1·INDIA 2·EUROARTMUS 3·POPULARMUS 4·MUSIC EXX. 5·LYRICS 6·1980S]

Musica/Realtà, 31. Milano: Unicopli (1990) #88-400-0205-7 [JM-MUSICAREA]
• Alén Rodriguez, Olavo: Conformazione generale della musica cubana |55-64|IT|PA [1·CUBA 2·POPULARMUS 3·EUROARTMUS]
• Angiolini, Giuliano d': Contrechamp nº9: "Karlheinz Stockhausen" |14-16|IT|PA [1·MOD.CLASS.]
• Baroni, Mario: Italianità, un problema semantico |141-150|IT|PA [1·ITALY 2·DEFINE 3·EUROARTMUS 4·SEMIOTICS]
• Basso, Alberto: L'immagine della musica italiana nei paesi tedeschi ai tempi di Bach |162-172|IT|PA [1·ITALY 2·DEFINE 3·EUROARTMUS 4·SEMIOTICS 5·C17]
• Bortolotti, Maurizio: Gli strumenti musicali nella pittura cubista di Pablo Picasso e George Braque: tra razionalità e Romanticismo nelle raffigurazioni dell'avantguardia |21-28|IT|PA [1·INSTRUMENT 2·VIS. ARTS 3·AVANTGARDE 4·]
• Catella, Cristina: Tradizione e innovazione nel "Principe Igor" di Borodin |65-84|IT|PA [1·RUSSIA 2·COMPOSE 3·ROMANTIC 4·EUROARTMUS 5·NATIONAL]
• Giurati, Giovanni: Etnomusicologia a Siena |10-13|IT|PA [1·ANTHROPOL. 2·ITALY 3·REPORT]
• Jasinski, Tomasz: Tre categorie dell'italianità nello stile moderno della musica del Seicento |151-161|IT|PA [1·ITALY 2·DEFINE 3·EUROARTMUS 4·SEMIOTICS 5·C17]
• Leon, Paolo: Effetti sulla vita musicale della riduzione degli investimenti pubblici |133-140|IT|PA [1·ITALY 2·CULTPOLIT. 3·BUSINESS]
• Maehder, Jürgen: La regia operistica come forma d'arte autonoma. Sull' intellettualizzazione del teatro musicale nell'Europa del dopoguerra |65-84|IT|PA [1·EUROPE 2·EUROARTMUS 3·OPERA 4·GERMANY 5·DRAMA]
• Pestalozza, Luigi: Musica, Fiat, privatizzazione dello stato |5-9|IT|PA [1·ITALY 2·EUROARTMUS 3·CULTPOLIT. 4·BUSINESS]
• Solbiati, Alessandro: Sull'insegnamento della Composizione nei Consevatori italiani, oggi |17-20|IT|PA [1·MUSIC EDUC 2·COMPOSE 3·ITALY]
• Tokaji, András: Il "cuneo rosso". La penetrazione del Partito Communista Ungherese (PCU) nella cultura e nella musica: gli anni 1945- 1946 (I) |97-118|IT|PA [1·HUNGARY 2·COMMUNISM 3·CULTPOLIT. 4·1940S]
• Various: Su Armando Gentilucci. [Saggi di Goffredo Petrassi, Mario Baroni, Giordano Gasparini, Giacomo Manzoni, Daniela Iotti, Paolo Gandolfi, Luciana Pestalozza, Rosanna Dalmonte, Adriano Guarnieri, Luigi Pestalozza] |29-54|IT|PA [1·ITALY 2·MOD.CLASS. 3·COMPOSE 4·DEATH 5·DOCUMENT]

Musica/Realtà, 33. Milano: Unicopli (1990) #88-400-0226-X [JM-MUSICAREA]
• Galante, Francesco: Luigi Nono: pensiero sonoro e tecnica elettronica nel perido del grande impegno politico |33-42|IT|PA [1·ITALY 2·MOD.CLASS. 3·1960S 4·POLITICS]
• Heister, Hanns-Werner: Scrigno dei suone e Chiarore dell'utopia. Aspetti dell'opera di Armando Gentilucci |117-132|IT|PA [1·ITALY 2·OPERA 3·MOD.CLASS.]
• Meccarelli, Paola: Annotazioni sulla "scrittura drammatica" nella polifonia vocale profana in Italia dal Cinquecento al Seicento |147-166|IT|PA [1·ITALY 2·POLYPHONY 3·DRAMA 4·SINGING 5·C16 6·C17]
• Medina, Angel: Intervista a Ramón Barce: una voce meditativa nella musica spagnola |133-146|IT|PA [1·SPAIN 2·MOD.CLASS.]
• Pestalozza, Luigi: L'ascolto di Nono |43-68|IT|PA [1·ITALY 2·MOD.CLASS. 3·PERCEIVE]
• Scabia, Giuliano: Composizione de "La fabbrica illuminata" di Luigi Nono e lettere del 1964 |33-42|IT|PA [1·ITALY 2·MOD.CLASS. 3·1960S 4·POLITICS]
• Tagg, Philip: Un approccio antropologico per gli stereotipi presenti nella musica della TV |85-116|IT|PA [1·ANTHROPOL. 2·SYMPHONY 3·TELEVISION 4·FILM MUSIC 5·TITLE MUS. 6·AFFECT 7·STATISTICS]
• Wishart, Trevor: Esiste la computer music? |21-32|IT|PA [1·MOD.CLASS. 2·COMPUTERS]

Musica/Realtà, 34. Milano: Unicopli (1991) #88-400-0242-1 [JM-MUSICAREA]
• Carnesecchi, Riccardo: Alle origini dell'opera nazionale russa: il periodo patriottico, 1812-1815 |33-52|IT|PA [1·RUSSIA 2·ROMANTIC 3·EUROARTMUS 4·MUSIC EXX. 5·OPERA 6·DANCE 7·C19]

Musica/Realtà, 34. Milano: Unicopli (1991) [JM-MUSICAREA]
• Carnesecchi, Riccardo: Alle origini dell'opera nazionale russa: il periodo patriottico 1812-1815 |33-52|IT|PA [1·RUSSIA 2·OPERA 3·NATIONALSM 4·EUROARTMUS 5·ROMANTIC]
• Eisenstein, Sergei: Note su S.S. Prokof'ev |147-156|IT|PA [1·USSR 2·1930S 3·DOCUMENT 4·FILM 5·FILM MUSIC] {PROKOFIEV, Serg}
• Immanlieva, Kumusc, ed.: Un aricolo di Eizenstein su Prokof'ev |143-148|IT|PA [1·USSR 2·1930S 3·DOCUMENT 4·FILM 5·FILM MUSIC] {PROKOFIEV, Serg; EISENSTEIN, Ser}
• Lombardi, Daniele: La musica pianistica di Alexander Mossolov |81-86|IT|PA [1·RUSSIA 2·EUROARTMUS 3·ROMANTIC 4·PIANO]
• Orozco, Danilo: Tratti di identità, intonazione e universalità nella produzione musicale cubana contemporanea: la sua proiezione peculiare in trent'anni di realtà sociale rivoluzionaria |21-32|IT|PA [1·CUBA 2·MOD.CLASS. 3·SOCIALISM]
• Pestalozza, Luigi: L'epiteto di Dessau. Su un'intervista a Wolf Biermann |135-142|IT|PA [1·GERMANY 2·INTERVIEW 3·SSONGWRITR 4·COMPOSE 5·LYRICS 6·POLITICS]

Musica/Realtà, 34. Milano: Unicopli (1991) #88-400-0242-1 [JM-MUSICAREA]
• Prato, Paolo: Il comico in musica: dalla tradizione colta al rock |69-79|IT|PA [1·HUMOUR 2·EUROARTMUS 3·POPULARMUS 4·ROCK 5·LYRICS]

Musica/Realtà, 34. Milano: Unicopli (1991) [JM-MUSICAREA]
• Prato, Paolo: Il comico in musica: dalla tradizione colta al rock |69-80|IT|PA [1·EUROARTMUS 2·ROCK 3·HUMOUR]

Musica/Realtà, 34. Milano: Unicopli (1991) #88-400-0242-1 [JM-MUSICAREA]
• Presti, Carlo Lo: Musica e corpo nelle scienze mediche del Medioevo e del Rinascimento |53-68|IT|PA [1·MEDIEVAL 2·C16 3·RENAISSNC. 4·ITALY 5·EUROPE 6·NAT.SCI. 7·HEALTH]

Musica/Realtà, 34. Milano: Unicopli (1991) [JM-MUSICAREA]
• Presti, Carlo Lo: Musica e corpo nelle scienze mediche del Medioevo e del Rinascimento |53-68|IT|PA [1·HEALTH 2·NAT.SCI. 3·SCI.FICT. 4·BIOLOGY 5·MEDIEVAL 6·RENAISSNC.]

Musica/Realtà, 34. Milano: Unicopli (1991) #88-400-0242-1 [JM-MUSICAREA]
• Whiteley, Sheila: Rock progressivo e codifiche psichedeliche nella musica di Jimi Hendrix |87-113|IT|PA [1·1960S 2·UK 3·USA 4·MUSIC EXX. 5·GUITAR 6·SEMIOTICS 7·ROCK] {HENDRIX, Jimi}

Musica/Realtà, 36. Milano: Unicopli (1991) #88-400-0267-7 [JM-MUSICAREA]
• Balázs, István: La fine del modo del punto di vista inferiore. "Le Grand Macabre". Il contributo di György Ligety al teatro musicale di nostro secolo |55-66|IT|PA [1·HUNGARY 2·MOD.CLASS. 3·DRAMA 4·OPERA 5·C20]
• Besseler, Heinrich: Mozart e il "classicismo tedesco" |157-170|IT|PA [1·GERMANY 2·EUROARTMUS 3·AUSTRIA]
• Brouwer, Leo: La musica, il cubano e l'innovazione |103-116|IT|PA [1·CUBA 2·INNOVATE 3·MOD.CLASS. 4·CARIBBEAN 5·RHYTHM]
• Danuser, Hermann: Che cos'è il populismo in musica? |117-134|IT|PA [1·MOD.CLASS. 2·C20 3·POLITICS] {POPULISM; ORFF Carl; BRECHT Bertold; WEILL Kurt; HENZE Hans-Wern; COPLAND Aaron; SHOSTAKOVICH Di; PROKOFIEV Serge}
• Fabbri, Paolo: Gioacchino Rossini uno e due |33-54|IT|PA [1·OPERA 2·ITALY 3·C19]
• Locke, Ralph P: Musica e Potere in Francia (1789-1850) |87-102|IT|PA [1·FRANCE 2·C18 3·C19 4·POLITICS]
• Vacca, Giovanni: La canzone politica in Gran Bretagna: Ewan MacColl |67-86|IT|PA [1·UK 2·FOLK MUSIC 3·POLITICS 4·SOCIALISM 5·C20 6·1950S 7·1960S 8·1970S] {MacCOLL Ewan}

Musica/Realtà, 42. Dicembre 1993. Modena: Mucchi Editore (1993) [JM-MUSICAREA]
• Barce, Ramón: Profilo ideologico di Manuel de Falla |31-56|IT|PA [1·SPAIN 2·ROMANTIC 3·MOD.CLASS. 4·NATIONALSM 5·POLITSTUDY]
• Bermani, Cesare: Musica popolare e musica colta negli anni Sessanta-Settanta |79-102|IT|PA [1·ITALY 2·POPULARMUS 3·EUROARTMUS 4·SSONGWRITR 5·1960S 6·1970S] {Marini, Giovana; Leydi, Roberto}
• Dalmonte, Rosanna: Trascrizioni, Variazioni e Fantasie italiane di Liszt |57-78|IT|PA [1·ITALY 2·HUNGARY 3·ROMANTIC 4·EUROARTMUS 5·MUSICOLOGY 6·MUSIC EXX. 7·C19] {Liszt, Ferenc; transcribe; variations; fantasias}
• Kropfinger, Klaus: Il contrasto e il suono nello spazio |103-124|IT|PA [1·MOD.CLASS. 2·TIME/SPACE 3·DEFINE] {Schönberg, A; Nono, Luigi}
• Marinis, Marco De: La vocazione teatrale di Luigi Nono |125-144|IT|PA [1·ITALY 2·MOD.CLASS. 3·DRAMA 4·COMPOSE] {Nono, Luigi}
• Rossi, Tiziana: Le associazioni `professionali' nel settore artistico-musicale |145-152|IT|PA [1·ITALY 2·ORGANISE 3·MUS INDUST 4·MUSICIANS 5·MASS MEDIA 6·MUSIC PUBL]

Musica/Realtà, 46. Lucca: Libreria Musicale Italiana (1995) #88-7096-116-8 [JM-MUSICAREA]
• Attinello, Paul: Geroglifico, gesto, segno, significato: analisi di "Pièces de chair II" di Sylvano Bussotti |111-121|IT|PA [1·MOD.CLASS. 2·SEMIOTICS] {Bussotti, S}
• Björnberg, Alf: Armonia eolia nella "popular music" contemporanea |41-50|IT|PA [1·ROCK 2·SEMIOTICS 3·HARMONY 4·MODAL]
• Carraro, Mario: George Crumb, poeta del suono |71-96|IT|PA [1·USA 2·AVANTGARDE 3·SOUND 4·TIMBRE]
• Carrera, Alessandro: Il lamento di Narciso. Le poesie friulane di Pasolini musicate da Giovanna Marini |122-142|IT|PA [1·ITALY 2·POETRY 3·SSONGWRITR 4·COMPOSE] {Pasolini, P; Marini, G}
• Fabbri, Franco: Frank Zappa e gli altri ragazzacci |37-41|IT|PA [1·CANONS 2·AVANTGARDE 3·POPULARMUS 4·AESTHETICS 5·CRITIQUE 6·POSTMODERN] {Zappa, Frank; Varèse, Edgar; Boulez, Pierre}
• Favaro, Roberto: Hanno Buddenbrook e Adrian Leverkühn: Nuova musica e crisi borghese in alcune pagine di Thomas Mann |143-158|IT|PA [1·GERMANY 2·AVANTGARDE 3·LITERATURE]
• Ferneyhough, Brian: La presenza di Adorno |25-33|IT|PA [1·AVANTGARDE 2·AESTHETICS] {Adorno, Th W}
• Hauer, Christian: La citazione di una canzone popolare viennese nel Secondo Quartetto d'archi op. 10 di Schönberg: una interpretazione insieme musicale, spirituale e socio-politica |51-70|IT|PA [1·AUSTRIA 2·AVANTGARDE 3·MOD.CLASS. 4·POPULARMUS 5·POLITICS] {Schönberg, A}
• Manzoni, Giacomo: Contro un "estetica" della musica oggi |20-25|EN|PA [1·AVANTGARDE 2·AESTHETICS] {Adorno, Th W}
• Pasticci, Susanna: Uno spetttro si aggira... Riflessioni sul dopo avanguardia |33-37|IT|PA [1·AVANTGARDE 2·AESTHETICS 3·POSTMODERN 4·CRITIQUE]
• Rosselli, Tiziano: El maestro-mago de los sonidos: Varèse tra arte, scienza e alchimia |97-110|IT|PA [1·TIMBRE 2·SOUND 3·COMPOSE 4·AVANTGARDE]

Musica/Realtà, 47. Lucca: Libreria Musicale Editrice (1995) #88-7096-146-X [JM-MUSICAREA]
• Eisler, Hanns: I costruttori di una nuova cultura musicale (1931) |181-204|IT|PA [1·GERMANY 2·HISTORY 3·WORKERS 4·1930S 5·POLITICS 6·1920S]
• Fasoli, Claudio: Musica e realtà musicali odierne |27-34|IT|PA [1·AVANTGARDE 2·POPULARMUS]
• Kuret, Primoz^: La musica slovena negli anni Venti del Novecento |109-120|IT|PA [1·YUGOSLAVIA 2·AVANTGARDE 3·1920S]
• Lenzi, Marco: Vie dell'astrattismo. Alcune osservazioni su Feldman, Clementi e la pittura |79-94|IT|PA [1·VIS. ARTS 2·AVANTGARDE]
• Maróthy, János: Ritmo e rito. Dagli schemi comportamentali alle strutture musicali |95-108|IT|PA [1·RHYTHM 2·RITUAL 3·SEMIOTICS 4·BEHAVIOUR 5·PSYCHOLOGY 6·ANTHROPOL. 7·MUSICOLOGY]
• Minganti, Franco: Cenni di "Radical New Jewish Culture": un'agenda di considerazioni intorno alla musica di John Zorn e Don Byron |121-140|IT|PA [1·JEWISH 2·USA 3·AVANTGARDE]
• Pestalozza, Luigi: Musica per la Resistenza 1995: cronaca e materiali |9-21|IT|PA [1·MARXISM 2·AVANTGARDE]
• Sani, Nicola: Contributo alla discussione sul tema: Situation esthétique et perspective actuelles de la musique electroacoustique (Bourges, Académie Internationale de Musique Electroacoustique, 8-10 giugno 1995) |5-8|IT|PA [1·ELCTRNCMUS 2·AVANTGARDE 3·CONFERENCE]
• Sani, Nicola: Musica elettronica, poetica, scrittura: un colloquio inedito con Bruno Maderna |65-78|IT|PA [1·ELECTRONIC 2·AVANTGARDE 3·POETRY 4·INTERVIEW 5·ITALY] {Maderna, Bruno}
• Vinay, Gianfranco: L'interpretazione musicale come analisi: le Variazioni Goldberg |35-64|IT|PA [1·PERFORM 2·BAROQUE 3·MUS.ANALYS] {Bach, Johann S}

Musica/Realtà, 48. Milano: Libreria Musicale Italiana (1995) #88-7096-159-1 [JM-MUSICAREA]
• Bermani, Cesare: La Mareseillaise: riflessi sul canto sociale del Movimento operaio italiano |81-110|IT|PA [1·FRANCE 2·ITALY 3·WORKERS 4·POLITICS 5·GENRES 6·C19 7·MUSIC EXX.]
• Cutler, Chris: Plunderphonics, o saccheggiofonia |53-80|IT|PA [1·COMPOSE 2·TECHNOLOGY 3·AVANTGARDE 4·ROCK 5·MOD.CLASS. 6·AESTHETICS]
• Erra, Andrea: La struttura del rap italiano |153-170|IT|PA
• Favoro, Roberto: Biennale cinema: Leone d'oro alla carriera per Ennio Morricone |18-20|IT|PA [1·FILM MUSIC 2·ITALY]
• Ferrarese, Sergio: Erik Satie e il fascino mistico del gotico |111-128|IT|PA [1·FRANCE 2·COMPOSE 3·MUSIC EXX.] {Satie, Erik; mysticism; gothic}
• Lombardi, Daniele: Il canto della metropoli. Architettura e musica dell'utopia futurista |145-152|IT|PA [1·URBAN 2·ITALY 3·MOD.CLASS. 4·C20 5·SOUNDSCAPE 6·POETRY 7·POLITICAL 8·ARCHITECT.] {Gramsci; Russolo}
• Martí i Pérez, Josep: Etnomusicologia, folklore e rilevanza sociale |33-52|IT|PA [1·SPAIN 2·ANTHROPOL. 3·FOLK MUSIC 4·NATIONALSM 5·GENRES]
• O'Loughlin, Niall: Omaggio a Slavko Osterc nel centenario della sua nascita |129-144|IT|PA [1·YUGOSLAVIA 2·SLOVENIA 3·MOD.CLASS.]
• Pappalardo, Emmanuele: La musica in Cina oggi |171-186|IT|PA
• Pestalozza, Luigi: Una risposta, un commento |21-32|IT|PA [1·AVANTGARDE 2·POLITICS 3·MOD.CLASS.] {Nono, Luigi}

Musica/Realtà, 49. Lucca: Libreria Musicale Italiane Editrice (1996) #88-7096-171-0 [JM-MUSICAREA]
• Bianconi, Lorenzo: Analisi musicale: tendenze e contraddizioni |12-14|IT|PA
• Cipriani, Alessandro: Verso una tradizione elettoracustica? Appunti per una ricerca |133-144|IT|PA [1·MUS.ANALYS 2·POPULARMUS 3·EUROARTMUS 4·AVANTGARDE 5·SYNTHS 6·BIBLIOGR.]
• Dömling, Wolfgang: La musica del Medioevo: a quale scopo? |61-70|IT|PA [1·MEDIEVAL 2·MOD.CLASS.]
• Eggebrecht, Hans Heinrich: Dodici raccomandazioni per l'analisi musicale |16-18|IT|PA [1·MUS.ANALYS 2·DEFINE 3·MUSIC EDUC 4·PERCEIVE]
• Fabbri, Franco: Testo o contesto? |14-16|IT|PA [1·MUS.ANALYS 2·CRITIQUE 3·POPULARMUS 4·EUROARTMUS 5·MUSICOLOGY 6·PT]
• Favoro, Roberto: Il tema "das Alte im Neuen" visto nel rapporto musica-letteratura: il Concerto Barocco di Alejo Carpentier |51-60|IT|PA [1·LITERATURE 2·ITALY 3·AVANTGARDE]
• Ferrari, Giordano: Die Schachtel di Franco Evangelisti: tra suono e immagine, un'avanguardia del teatro musicale degli anni Sessanta |71-86|IT|PA [1·AVANTGARDE 2·ITALY 3·1960S]
• Ivaldi, Armando Fabio: Dentro l'opera: meccanismi di gestione teatrale nel Setttecento genovese |111-132|IT|PA [1·OPERA 2·ITALY 3·MUS INDUST 4·C18] {Genova}
• Pecquet, Frank: Musica e tecnologia |33-50|IT|PA [1·TECHNOLOGY 2·COMPOSE 3·AVANTGARDE]
• Pestalozza, Luigi: Dibattito sull'analisi musicale |6-8|IT|PA
• Speranza, Ennio: Teatralità e tonalità nella musica da camera di Benjamin Britten |87-110|IT|PA [1·MOD.CLASS. 2·UK]

Musica/Realtà, 50. Lucca: Libreria musicale italiana (1996) #3-378-01030-4 [JM-MUSICAREA]
• Baroni, Mario: L'analisi musicale |48-52|IT|PA [1·MUS.ANALYS]
• Baroni, Mario: Le musiche d'oggi sono malate. A chi spetta curarle? |32-33|IT|PA [1·EUROPE 2·ITALY 3·CULTPOLIT.]
• Boni, Monica; Fabbi, Roberto: Reggio Emilia: un sistema di biblioteche |185-190|IT|PA [1·ITALY 2·DOCUMENT 3·BIBLIOGR.]
• Dalmonte, Rossana: Sull'analisi musicale |44-47|IT|PA [1·MUS.ANALYS]
• Favoro, Roberto: Musica/Realtà numero cinquanta |5-12|IT|PA [1·ITALY 2·DOCUMENT 3·HISTORY 4·MUSICOLOGY]
• Leucci, Fiorenza: Parade in Italia. Sperimentazioni rumoriste negli anni Dieci in Italia e Francia |97-120|IT|PA [1·AVANTGARDE 2·1910S 3·FRANCE 4·ITALY 5·FUTURISM 6·]
• Maione, Paologiovani; Seller, Francesca: Michele Carafa e l'Opéra-comique: Masaniello ou Le pêcheur napolitain |145-162|IT|PA [1·OPERA 2·HUMOUR 3·ITALY 4·FRANCE 5·C19]
• Miceli, Sergio: Storiografia musicale italiana e musica del cinema |191-203|IT|PA [1·ITALY 2·DOCUMENT 3·BIBLIOGR. 4·FILM MUSIC]
• Mila, Massimo: Musica e cinematografo |204-209|IT|PA [1·ITALY 2·FILM MUSIC]
• Mila, Massimo: Musica e ritmo nel cinematografo |210-214|IT|PA [1·ITALY 2·FILM MUSIC 3·RHYTHM]
• Milhaud, Darius: Wagner, Verdi ed il film |215-217|IT|PA [1·EUROARTMUS 2·C19 3·C20 4·FILM MUSIC 5·DOCUMENT]
• Pestalozza, Luigi: Le attività de Musica/Realtà |179-184|IT|PA [1·ITALY 2·DOCUMENT]
• Pestalozza, Luigi: Colloquio con Renzo Bonazzi sulla musica a Reggio Emilia |169-178|IT|PA [1·ITALY 2·DOCUMENT]
• Pestalozza, Luigi: Musica Presente - Musica in Europa |21-23|IT|PA [1·EUROPE 2·ITALY 3·CULTPOLIT.]
• Piccardi, Carlo: Ricerca dell'altrove |77-96|IT|PA [1·EUROARTMUS 2·AFRICA 3·E ASIA 4·EXOTICISM 5·INDONESIA]
• Smalley, Denis: La spettromorfologia: una spiegazione delle forme del suono (I) |121-138|IT|PA [1·AVANTGARDE 2·C20]
• Stefano, Giovanni di: Johann Faustus ovvero la ricerca della terza via. Il libretto senza musica di Hanns Eisler |53-76|IT|PA [1·GERMANY 2·OPERA 3·C20]
• Tagg, Philip: La musica nel 2017. Un'utopia britannica rovesciata |13-19|IT|PA [1·UK 2·LITERATURE 3·BUSINESS 4·POLITICS 5·CULTPOLIT.]
• Takemitsu, Toru: La musica e i giardini |20-20|IT|PA [1·JAPAN] {GARDENS}
• Vyslouzil, Jiri: La questione del 'nuovo' e dell''antico' in musica |139-144|IT|PA [1·DEFINE 2·EUROARTMUS 3·HISTORY] {Zarlino; Gallilei}

Musica/Realtà, 51. Lucca: Libreria Musicale Italiana (1996) #88-7096-188-5 [JM-MUSICAREA]
• Amico, Fedele D'; Gavazzeni, Giannandrea: Musica e cinematografo. Un connubio difficile |165-173|IT|PA [1·FILM MUSIC]
• Barce, Ramón: Sintesi di folklori professionali in Isaac Albéniz |117-130|IT|PA [1·FOLK MUSIC 2·EUROARTMUS 3·AESTHETICS 4·SPAIN]
• Calza, Renato: L'invenzione del folklore. I "canti popolari" armonizzati da Ravel |67-86|IT|PA [1·FRANCE 2·IMPRESSNSM 3·FOLK MUSIC 4·EUROARTMUS]
• Danuser, Hermann: Elogio del biasimo. Lo scandalo nella storia della musica |23-38|IT|PA [1·REVIEW 2·HISTORY 3·EUROARTMUS 4·DEFINE]
• Lieb, Sefanie; Gutknecht, Dieter: "Aural Eyeness". Punti di contatto tra musica e arte figurativa nell'Espressionismo astratto e nella New York School. I La pittura nell'Espressionismo astratto. II Sull a concezione della musica della cosiddetta New York School |39-66|IT|PA [1·AVANTGARDE 2·VIS. ARTS 3·AESTHETICS]
• Lualdi, Adriano: "Fantasia" di Walt Disney: 1. La sagra della primavera. II Johann Sebatian. III. La "Pastorale" (1947) |174-180|IT|PA [1·FILM MUSIC] {Disney, Walt; Stravinsky, I; Beethoven, L v; Bach, J S}
• Parente, Alfredo: Colori e suoni in "Fantasia" di Walt Disney |181-186|IT|PA [1·FILM MUSIC] {Disney, Walt; Beethoven, L v; Bach, J S; Stravinsky, I}
• Pestalozza, Alessandro: Morte di un negro che canta. Intervista a Tupac Shakur |111-116|IT|PA
• Smalley, Denis: La spettromorfologia: una spiegazione delle forme del suono (II) |87-110|IT|PA [1·ACOUSTICS 2·MUS.ANALYS]
• Titli, Maria: Musica e identità religiosa nella Riforma protestante |117-130|IT|PA [1·GERMANY 2·C16 3·C17 4·C18 5·CHRISTIAN] {Bach, J S; Luther, Martin}

Musica/Realtà, 53. Lucca: Libreria Musicale Italiana (1997) #88-7096-219-9 [JM-MUSICAREA]
• Bosco, Gilberto: Tre domandi sull'analisi |28-30|IT|PA [1·MUS.ANALYS 2·EUROARTMUS 3·DEFINE] {Schenker; Agawu, Kofi; Baroni, Mario}
• Carapezza, Paolo Emilio: Sviluppi della dodecafonia nel meridione d'Italia |65-76|IT|PA [1·12-TONE 2·MOD.CLASS. 3·ITALY]
• Conati, Marcello: Verdi (dai taccuini di Boito) =Verdi (from Boito's notebooks) |115-132|IT|PA [1·DOCUMENT 2·C19 3·ITALY 4·OPERA]
• Fabbri, Franco: Il compositore e il rock. La musica d'oggi tra valore estetico e mercato |30-36|IT|PA [1·AESTHETICS 2·POLITICS 3·ROCK 4·EUROARTMUS 5·COMPOSE 6·ELITISM 7·PT 8·IPM item] {Adorno, Th W}
• Favaro, Roberto: La musica nel romanzo nuovo di Gabriele d'Annunzio |77-114|IT|PA [1·ITALY 2·LITERATURE 3·ROMANTIC]
• Hood, Mantle Ki: Il "Rasa" del suono |53-64|IT|PA [1·DEFINE 2·ANTHROPOL. 3·INDONESIA 4·MUSICOLOGY 5·INTONATION 6·MEDIEVAL 7·DANCE 8·COMPOSE 9·PERFORM]
• Kreutziger-Herr, Annette: Infanzia: romanticismo musicale e trasfigurazione mitica |21-28|IT|PA [1·CHILDREN 2·ROMANTIC 3·MUSICOLOGY 4·PHILOSOPHY 5·C18 6·C19] {Hegel; Schopenhauer; Rousseau; Schumann, R}
• Luciani, Sebastiano Arturo: La musica nel film 1publ in Bianco e Nero, II/12 (1938):22-30 |165-171|IT|PA [1·FILM MUSIC 2·ITALY 3·AESTHETICS]
• Mahnkopf, Claus-Steffen: La filosofia musicale di Adorno |133-156|IT|PA [1·EUROARTMUS 2·PHILOSOPHY]
• Masetti, Enzo: Il realismo musicale nel film 1publ in "Bianco e Nero" IX/3 (1950):32-35 |172-175|IT|PA [1·FILM MUSIC 2·ITALY 3·FRANCE 4·FILM]
• Pestalozza, Luigi: Folklore esotico: ricostruzioni fedeli e arbitrarie |176-194|IT|PA [1·FILM 2·FILM MUSIC 3·ANTHROPOL. 4·IDEOLOGY 5·RUSSIA 6·FOLK MUSIC 7·WESTERNS] {Bartók, Béla}
• Piccardi, Carlo: Drammaturgia radiofonica del rumore |37-52|IT|PA [1·RADIO 2·SOUNDSCAPE 3·AESTHETICS 4·AVANTGARDE]

Musica/Realtà, 54. Lucca: (1998) #88-7096-214-8 [JM-MUSICAREA]
• Caroprese, Mariantonietta: Il compagnonaggio e le sue canzoni |91-110|IT|PA [1·FRANCE 2·C19 3·LYRICS 4·TRAVEL 5·WORK 6·FOLK MUSIC 7·MUSIC EXX.]
• Fabbri, Franco: Ricercare. Il "nuovo" in musica. Come? Con chi? |12-17|IT|PA [1·INNOVATE 2·IDEOLOGY 3·EUROARTMUS 4·POPULARMUS 5·DEFINE]
• Iotti, Daniela: Le pronunce del "nuovo" al Festival di Salisburgo |18-21|IT|PA [1·DRAMA 2·FILM 3·OPERA 4·TIME/SPACE 5·INNOVATE]
• Locke, Ralph P: Paradossi nel mecenatismo musicale delle donne in America |37-64|IT|PA [1·WOMEN 2·USA 3·MUS INDUST 4·EUROARTMUS 5·OPERA]
• Manzoni, Giacomo: La ragione della musica |6-7|IT|PA [1·COMPOSE 2·PHILOSOPHY]
• Maróthy, János; Batári, Márta: Ordine banale contro disordine rico |8-11|IT|PA [1·AVANTGARDE 2·RHYTHM 3·PERIODICTY 4·ELECTROAC. 5·INNOVATE 6·VOICE]
• Martina, Alessandra: Gluck: "Orfeo"/"Orphée", tradizioni e tradimenti. Il coro come momento centrale del rinnovamento gluckiano |159-170|IT|PA [1·OPERA 2·C18 3·ITALY 4·FRANCE 5·EUROARTMUS]
• Miceli, Sergio: Forme visive e forme sonore. Le musiche di Ennio Morricone per "The Life and Death of Richard III" (1912) |185-202|IT|PA [1·FILM MUSIC 2·SILENTFILM 3·MUSIC EXX. 4·MUSICOLOGY]
• Montecchi, Giordano: Il linguaggio della sopravivenza. La dodecafonia di Dallapiccola fra metodo e metafora esistenziale |78-90|IT|PA [1·MOD.CLASS. 2·ITALY 3·PHILOSOPHY]
• Pestalozza, Luigi; Sciarrino, Salvatore; Boni, Monica, ed.: La musica in Italia dal 1945 ad oggi. Un archivio vivente. Colloquio con Luigi Pestalozza con Salvatore Sciarrino |173-184|IT|PA [1·ITALY 2·MOD.CLASS. 3·DOCUMENT 4·INTERVIEW]
• Piccardi, Carlo: La parola profana di Dario Fo |33-36|IT|PA [1·ITALY 2·DRAMA] {Fo, Dario}
• Prato, Paolo: Popular music e infanzia: dal teen-pop allo Zecchino d'Oro |143-158|IT|PA [1·CHILDREN 2·ROCK 3·USA 4·UK 5·ITALY] {regression}
• Scipio, Agostino Di: Musica tra determinismo e indeterminismo tecnologico |111-142|IT|PA [1·TECHNOLOGY 2·PHILOSOPHY 3·IDEOLOGY 4·MUS INDUST 5·PHONOGRAM 6·INSTRUMENT]
• Stanga, Ilaria: La direzione d'orchestra nell'"undersound" della Scuola di Vienna |22-32|IT|PA [1·ARRANGE 2·COMPOSE 3·CONDUCT 4·MOD.CLASS.] {Schönberg, A; Webern, A; Scherchen, H; Adorno, Th W; Leibowitz}
• Zoppelli, Luca: Le madri e l'anticristo. Fiaba e natura nella "Donna senz' ombra" |65-77|IT|PA [1·AUSTRIA 2·GERMANY 3·OPERA 4·DRAMA 5·LYRICS 6·WOMEN 7·MYTHOLOGY 8·MUSICOLOGY 9·MUSIC EXX.] {Strauss, R; Hofmannsthal, H}

Musica/Realtà, 55. Luca: LIM (1998) #88-7096-206-7 [JM-MUSICAREA]
• Bermani, Cesare: Le origini de 'Bandiera rossa' |107-134|IT|PA [1·MUSIC EXX. 2·ITALY 3·SOCIALISM 4·MELODY 5·LYRICS 6·FASCISM 7·WORKERS 8·REVOLUTION]
• Fava, Elisabetta: Sul 'Tiefland' di Eugen d'Albert fra verismo e wagnerismo |91-106|IT|PA [1·OPERA 2·C19 3·GERMANY] {Wagner, Richard}
• Maione, Paologiovanni; Seller, Francesca: Mutamenti della drammaturgia metastasiana a Napoli nella secnda metà del Settecento: il caso Artaserse. Problemi formali e strutturali |56-89|IT|PA [1·OPERA 2·ITALY 3·LYRICS 4·MUSIC EXX.]
• Middleton, Richard: 'Over and over'. Appunti verso una politica della ripetizione (I) |135-150|IT|PA [1·RECURRENCE]
• Piccardi, Carlo: Il canto degli angeli dimenticati: l'epopea musicale di Terezín |35-43|IT|PA [1·MOD.CLASS.]
• Prato, Paolo: Benvenuti a Freedonia, l'università della musica... iscrizioni aperte per l'anno 2020 |9-13|IT|PA [1·EDUCATION 2·ITALY 3·POPULARMUS 4·EUROARTMUS 5·ORGANISE]
• Senshyn, Yaroslav: L'opera e la questione dei co-autori: implicazioni etiche ed estetiche |45-55|IT|PA [1·PHILOSOPHY 2·EUROARTMUS 3·ETHICS 4·AESTHETICS]

Musica/Realtà, 56 (Luglio 1998). Lucca: LIM (1998) #88-7096-205-9 [JM-MUSICAREA]
• Bartolani, Paolo: La questione strumentale alla luce delle conquiste della tecnologia informatica nel campo musicale |11-23|IT|PA [1·INSTRUMENT 2·TECHNOLOGY 3·AESTHETICS]
• Calza, Renato: "Fine dell'infnzia". L'enfant et les sortilèges di Maurice Ravel (1925) |133-168|IT|PA [1·FRANCE 2·C20 3·DOCUMENT 4·MOD.CLASS. 5·ARCHIVIST]
• Caprioli, Alberto: Pierre Boulez musicien-écrivain e la letteratura francese del Novecento |93-122|IT|PA [1·AVANTGARDE 2·FRANCE 3·LITERATURE 4·LITERATURE 5·MOD.CLASS. 6·INTERVIEW]
• Dufourt, Hughes: Tensioni barocche (I) |31-50|IT|PA
• Giannattasio, Francesco: Sull'uso ricorrente di un "aberrente" ossimoro: musica scritta |7-10|IT|PA
• Leydi, Roberto: Una canzione partigiana di matrice popolare |123-132|IT|PA [1·ITALY 2·MUSIC EXX. 3·POLITICS] {Marinaio, Il}
• Martini, Alessandro: Pianoforti in poesia: da Verlaine a Montale |51-92|IT|PA [1·PIANO 2·POETRY 3·FRANCE]
• Middleton, Richard: "Over and over". Appunti verso una politica della ripetizione |169-180|IT|PA [1·RECURRENCE 2·MUSICOLOGY 3·SEMIOTICS 4·PHILOSOPHY 5·DEFINE]

Musica/Realtà, 58. Marzo 1999. Lucca: LIM Editrice (1999) #88-7096-147-8 [JM-MUSICAREA]
• Ansermet, Ernest: Su un'orchestra negra |173-178|IT|PA [1·EUROARTMUS 2·JAZZ]
• Bolzan, Claudio: Clara Wieck Schumann: gli ultimi anni nei ricordi di un'amica |95-104|IT|PA [1·EUROARTMUS 2·BIOGRAPHY]
• Fabbri, Franco: Il cantautore con due voci |83-94|IT|PA [1·ITALY 2·SSONGWRITR]
• Geraci, Toni: György Lukács e Béla Bartók |39-62|IT|PA [1·HUNGARY 2·PHILOSOPHY 3·MOD.CLASS.] {Bartók, Béla; Lukács, György}
• Gualberto, Gianni M: Lo sguardo al jazz del mondo classico. Dalla musica afroamericana a quella eurocolta |163-172|IT|PA [1·EUROARTMUS 2·JAZZ]
• Leucci, Fiorenza: La musique d'ameublement di Erik Satie: elogio autolesionista del non ascolto |133-162|IT|PA [1·MUZAK 2·AESTHETICS 3·FRANCE]
• Mila, Massimo: Jazz hot |179-188|IT|PA [1·JAZZ 2·DOCUMENT]
• Pestalozza, Alessandro: A ricordo di Fabrizio De André + "La strana storia dell'annarchico De André musicista-camorrista" (intervista) |63-82|IT|PA [1·ITALY 2·SSONGWRITR 3·BIOGRAPHY 4·DOCUMENT 5·INTERVIEW]
• Sassanelli, Fiorella: Scrittura della musica e scrittura sulla musica |115-132|IT|PA [1·MUSIC EXX. 2·MOD.CLASS.]
• Wendt, Mathilde: I miei ricordi di Clara Schumann |105-114|IT|PA [1·EUROARTMUS 2·BIOGRAPHY]

Musica/Realtà, 59. Lucca: LIM (1998) #88-7096-065-X [JM-MUSICAREA]
• Addessi, Anna Rita: Gli scritti di Manuel de Falla su Claude Debussy nella Spagna dell'inizio del secolo |121-142|IT|PA [1·SPAIN 2·FRANCE 3·MOD.CLASS. 4·C20 5·NATIONALSM]
• Cardini, Giancarlo: Il pianoforte di Feldman: cronistoria di un lungo viaggio |57-68|IT|PA [1·MOD.CLASS.]
• Dufourt, Hugues: Tensioni barocche (II) |23-44|IT|PA [1·BAROQUE 2·EUROARTMUS 3·FRANCE 4·IDEOLOGY]
• Fabbi, Roberto: Musiche presenti a Reggio Emilia |15-17|IT|PA [1·ITALY 2·1990S 3·WORLD MUS. 4·SOCIOLOGY 5·CULTPOLIT.]
• Favoro, Roberto: Musica e territorio. Grazia Deledda e altre voci della Sardegna |69-100|IT|PA [1·ITALY 2·VOICE 3·SINGING] {Sardinia}
• Fiori, Umberto: Canzone e folk |20-22|IT|PA [1·ITALY 2·SSONGWRITR 3·FOLK MUSIC]
• Mayer, Günter: I media e la nuova musica. Riflessioni per precisare il concetto di media |101-120|IT|PA [1·MASS MEDIA 2·PERFORM]
• Patuzzi, Stefano: Il 'Traité de l'Harmonie' (1927-30) di Charles Koechlin: un crocevia |45-56|IT|PA [1·HARMONY 2·C20 3·MOD.CLASS.]
• Pestalozza, Luigi: Stravinskij e il fascismo |18-19|IT|PA [1·AVANTGARDE 2·MOD.CLASS. 3·CULTPOLIT. 4·FASCISM] {Stravinsky, Igo}
• Zimmerman, Bernd Alois: Frescobaldi |5-8|IT|PA [1·ITALY 2·KEYBOARDS 3·COMPOSE 4·C16]

Musica/Realtà, 61. Milano: (2000) #88-7096-243-1 [JM-MUSICAREA]
• Benedictis, Angela Ida De; Schomerus, Ute: La lotta 'con le armi dell'art': Erwin Piscator e Luigi Nono. Riflessioni e documenti (II) |151-186|IT|PA [1·ITALY 2·POLITICS 3·C20 4·EUROARTMUS]
• Calabretto, Roberto: "...l'unica zazione espressiva, forse, alta, e indefinibile come le azione della realtà". Pasolini e la musica |61-88|IT|PA [1·ITALY 2·FILM MUSIC]
• Dessau, Paul: Attorno alla struttura dell'opera "La condanna di Lucullo' e 'Un dibattito sui cambiamenti apportati al "Lucullo" |207-207|IT|PA [1·OPERA 2·DOCUMENT 3·COMPOSE]
• Fabbri, Franco: Navigando per gli spazi musicali: le categorie e la mente musicale |89-108|IT|PA [1·ITALY 2·GENRES 3·DEFINE]
• Guanti, Giovanni: Il 'Beethoven (1870)' di Wagner tra Bismarck e Nietzsche |35-60|IT|PA
• Monson, Ingrid: Qualcosa da dire. Improvisazione ed interazione |193-206|IT|PA [1·IMPROVISE 2·JAZZ 3·COMPOSE]
• Nattiez, Jean-Jacques; Schulte-Technoff, Isabelle, ed.: L'etnomusicologia: strutturalismo o culturalismo |109-132|IT|PA [1·ITALY 2·ETHNMCOLG. 3·ANTHROPOL. 4·DEFINE 5·] {structuralism}
• Pestalozza, Luigi: Busoni e Ives |133-150|IT|PA [1·ITALY 2·USA 3·C20 4·EUROARTMUS]
• Zenni, Stefano: La reinvenzione della musica: tra improvvisazione e composizione jazz |187-192|IT|PA [1·IMPROVISE 2·JAZZ 3·COMPOSE]

Musica/Realtà, 62. Lucca: LIM (2000) #88-7096-261-X [JM-MUSICAREA]
• Agostini, Roberto: Musica popolare e studi musicali: note sullo stato della ricerca |9-15|IT|PA [1·EDUCATION 2·ITALY 3·RESEARCH]
• Angeloni, Patrizia: Il mantice armonico. Fisarmonica 2000, dalla storia per il futuro |16-19|IT|PA [1·INSTRUMENT 2·HARMONY 3·ACCORDION]
• Campanino, Mario: Alea e forma nella poetica di Pierre Boulez Aleatory (the random) and form in the poetics of Boulez |69-78|IT|PA [1·MOD.CLASS.]
• Favoro, Roberto: Musica e architettura, un rapporto incrociato Music and architecture |147-176|IT|PA [1·ARCHITECT.]
• Fiori, Umberto: Poesia e musica nel Novecento Poetry and music in the nineteenth century |119-128|IT|PA [1·POPULARMUS 2·EUROARTMUS 3·OPERA 4·SSONGWRITR 5·ITALY 6·USA 7·UK 8·POETRY 9·VERBAL] {Auden, W H; Mallarmé}
• Kropfinger, Klaus: Coscienza romantica - modernità musicale - la "pura astrazione" di Kandinskij Romantic conscience, musical modernity, the "pure abstraction" of Kandinsky |35-68|IT|PA [1·AESTHETICS 2·MOD.CLASS. 3·ROMANTIC 4·VIS. ARTS 5·AVANTGARDE] {abstraction; Kandinsky}
• Manzoni, Giacomo: Ritorno del rimosso. Il linguaggio della musica come espressione di sentiment? |5-8|IT|PA [1·AFFECT 2·MUSICOLOGY]
• Moore, Allan: Analizzare il rock: strumenti e finalità Analysing rock: methods and aims |95-118|IT|PA [1·ROCK 2·MUS.ANALYS 3·MUSICOLOGY]
• Schwer, Cornelius: Cosa fa l'arte dopo la fine dell'arte? What does art do after the end of art? |79-94|IT|PA
• Solomos, Makis: Le recenti evoluzioni della musica contemporanea in Francia Recent developments in French contemporary music |129-146|IT|PA [1·FRANCE 2·AVANTGARDE 3·MOD.CLASS.]

Musica/Realtà 64 (Marzo 2001). Lucca: LIM (2001) #88-7096-275-X [JM-MUSICAREA]
• Bontempelli, Massimo: Spunti Verdiani |155-160|IT|PA [1·OPERA 2·ITALY 3·ROMANTIC 4·EUROARTMUS] {Verdi, Giuseppe}
• Ferrari, Giordano: Hyperion: il canto del poeta Maderna |25-52|IT|PA [1·EUROARTMUS 2·MOD.CLASS.]
• Magni Dufflocq, Enrico: Commento alla vita di Verdi |161-172|IT|PA [1·OPERA 2·ITALY 3·ROMANTIC 4·EUROARTMUS 5·HISTORY 6·BIOGRAPHY] {Verdi, Giuseppe}
• Moliterni, Pierfranco: Unità di pensiero e unità di suoni. La musica 'illuminata' di Puccini |53-72|IT|PA [1·OPERA 2·ITALY 3·EUROARTMUS 4·ROMANTIC]
• Moore, Allan: Questioni di stile, genere e idioletto nel rock |85-102|IT|PA [1·ROCK 2·DEFINE 3·PT] {style; genre}
• Pestalozza, Luigi: Una sintesi del Novecento musicale |123-136|IT|PA [1·HISTORY 2·C20 3·EUROARTMUS 4·MOD.CLASS.]
• Pousseur, Henri: Il cromatismo organico di Anton Webern (1955) |141-154|IT|PA [1·MOD.CLASS. 2·EUROARTMUS] {Webern, Anton; chromaticism}
• Risset, Jean-Claude: Musica con il computer: la composizione all'interno del suono |103-122|IT|PA [1·COMPUTERS 2·COMPOSE 3·SOUND]
• Salis, Giuliano: 'Problemi di sintassi musicale' di Domenico Guaccero: una lettura |73-84|IT|PA [1·EUROARTMUS 2·MOD.CLASS. 3·MUSICOLOGY]

Musica/Realtà, 76. Marzo 2005 (only major articles in this volume appended). Lucca: LIM (2005) #88-7096-419-1 [JM-MUSICAR76]
• Lacchè, Mara: Il mito e la musica, tra forma e contenuto: Prometeo da Beethoven a Luigi Nono |121-152|IT|PA [1·EUROARTMUS]
• Miceli, Sergio: Tipologie filmico-musicali. Il musical americano (II) Film-musical typologies. The American musical (II) |23-52|EN|PA [1·USA 2·DRAMA 3·FILM MUSIC 4·DEFINE]
• Prato, Paolo: "Una musica può fare...": i poteri dei suoni "Music can make you...": the power of sounds |153-160|IT|PA [1·VIOLENCE 2·DEATH 3·SOUND 4·PSYCHOLOGY 5·AESTHETICS] {tears; suicide; murder}
• Sorce-Keller, Marcello: Cosa ci dicono sulla musica le più antiche registrazioni fonografiche, cosa non ci dicono, cosa ci dicono che non vogliamo sapere What the oldest sound recordings tell us about music, what they don't tell us, and what they tell us that we don't want to know (e.g. if someone played Grieg like Grieg or Debussy like Debussy they'd fail their conservatory piano exam) |161-170|IT|PA [1·RECORDING 2·DOCUMENT 3·HISTORY 4·AESTHETICS]
• Suvini-Hand, Vivienne: L'antico oriente incontra l'avanguardia occidentale: Raffigurazioni del divino in "Ausstrahlung" di Bruno Maderna |53-88|IT|PA
• Tagg, Philip: Interconversione gestuale e precisione connotativa Intergestural conversion and connotative precision |89-120|IT|PA [1·SEMIOTICS 2·IDEOLOGY 3·EUROARTMUS 4·JAZZ 5·ROCK 6·HARMONY 7·MELODY 8·HEALTH 9·PSYCHOLOGY]

Music as Metaphor - The Elements of Expression. 1973 reprint. Westport, CT: Greenwood Press (1960) ix+198 pp. #0-8371-6981-X [BM-FERGUSON]
• Ferguson, Donald N ix+198 pp. #0-8371-6981-X [BM-FERGUSON]|PB [1·SEMIOTICS 2·AESTHETICS 3·EUROARTMUS 4·MUS. FORM]

Music, Business and Technology (Program 88E). New York: New York University School of Education, Division of Arts Education with Business Studies (1979?) [CP194109]
• McCabe, Janet; Broderick, William P (et al) [CP194109]|PS [1·MUS INDUST 2·TECHNOLOGY 3·EDUC ITEM 4·DOCUMENT]

Music Cultures of the Pacific, the Near East and Asia. Englewood Cliffs, NJ: Prentice Hall (1967) 169 pp. [BM-MALMWILLI]
• Malm, William P 169 pp. [BM-MALMWILLI]|PB [1·E ASIA MUS 2·ARABIC 3·FOLK MUSIC 4·ANTHROPOL. 5·INSTRUMENT 6·MUSIC EXX. 7·MUSICOLOGY]

Music Educators Journal, May 1968. (198?) [CP327/04]
• Klein, Lothar: Twentieth-Century Analysis: Essays in Miniature |57-60|EN|PA [1·MOD.CLASS. 2·MUS.ANALYS 3·EDUCATION]

Music for everyone. Kingston: Sylvia Junge Agency (1983) 4 pp. [CP122117]
• Bourne, Nick 4 pp. [CP122117]|PX [1·MUSIC EDUC 2·COMPUTERS 3·COMPOSE 4·UK]

Music for Life's Sake: Mediatory role of the arts for socialisation in non-industrialised regions. Unpublished typescript, Institute of Social Studies: Diploma Programme (1982) 24 pp. [CP822-157]
• Moore, Sylvia 24 pp. [CP822-157]|UX [1·GENRES 2·3RD WORLD 3·SOCIALISAT]

Music for Silent Films 1894-1929. Stock # 030-000-00199-1. Washington: Library of Congress (1988) xlix+182 pp. #0-8333-0580-9 [BM-ANDERSON]
• Anderson, Gillian B xlix+182 pp. #0-8333-0580-9 [BM-ANDERSON]|PB [1·SILENTFILM 2·FILM MUSIC 3·REFERENCE 4·BIBLIOGR. 5·1890S 6·1900-1909 7·1910S 8·1920S 9·USA 10·ILL.]

Music for the Films. London: Pitman (1935) 128 pp. [BMA4-SABANEE]
• Sabaneev, Leonid 128 pp. [BMA4-SABANEE]|PB [1·FILM MUSIC]

Music, Gender, Education. Cambridge: Cambridge University Press (1997) [BM-GREEN]
• Green, Lucy [BM-GREEN]|PB

Music Genres and Corporate Cultures. London: Routledge (1999) #0-415-17399-X [BM-NEGUS]
• Negus, Keith #0-415-17399-X [BM-NEGUS]|PB

Music Grooves. Chicago: University of Chicago (1994) [BM-FELD]
• Keil, Charles; Feld, Steven [BM-FELD]|PB

Le Music Hall Français. De Mayol à Julien Clerc. Paris: Olivier Orban (1978) 285 pp. #2-85565-087-9 [BM-SEVRAN]
• Sevran, Pascal 285 pp. #2-85565-087-9 [BM-SEVRAN]|PB [1·FRANCE 2·C20 3·MUSIC HALL 4·MUSICALS 5·DRAMA 6·MUSICIANS 7·REFERENCE 8·BIOGRAPHY 9·MUSIC USES 10·ILL.]

Music Hall. Performance and Style. Milton Keynes: Open University Press (1986) 175 pp. #0-335-15131-0 [BM-LAING]
• Bratton, J S, ed. 175 pp. #0-335-15131-0 [BM-LAING]|PB [1·UK 2·C19 3·MUSIC HALL 4·ENTERTAIN 5·SEX/GENDER 6·CLASSES 7·AFR-AMER. 8·LYRICS 9·HUMOUR]

Music Hall - Performance & Style. Milton Keynes: Open University Press (1986) #0-335-15131-0 [BM-BRATTON]
• Bailey, Peter; Bratton, J S, ed.: Champagne Charlie: Performance and Ideology in the Music Hall Swell Song |49-69|EN|PA [1·MUSIC HALL 2·UK 3·C19 4·SOCIOLOGY 5·POLITSTUDY 6·CLASSES]
• Bennett, Anthony: Music in the Halls |1-22|EN|PA [1·MUSIC HALL 2·UK 3·C19 4·MUSIC EXX. 5·MELODY 6·HARMONY]
• Bratton, J S: Introduction |viii-xv|EN|PA [1·UK 2·C19 3·MUSIC HALL 4·DEFINE]
• Bratton, J S: Jenny Hill: Sex and Sexism in Victorian Music Hall |92-110|EN|PA [1·MUSIC HALL 2·UK 3·C19 4·SEX/GENDER 5·WOMEN 6·CLASSES 7·HUMOUR]
• Harker, Dave: Joe Wilson: "Comical Dialectical Singer" or Class Traitor? |111-130|EN|PA [1·MUSIC HALL 2·UK 3·C19 4·HUMOUR 5·CLASSES]
• Pickering, Michael: White Skin, Black Masks: "Nigger" Minstrelsy in Victorian Britain |70-91|EN|PA [1·MUSIC HALL 2·UK 3·C19 4·AFR-AMER. 5·USA 6·RACISM 7·HUMOUR]
• Rutherford, Lois: "Harmless Nonsense": the Comic Sketch and the Development of Music Hall Entertainment |131-151|EN|PA [1·MUSIC HALL 2·UK 3·C19 4·HUMOUR 5·ENTERTAIN 6·ETHICS]
• Traies, Jane: Jones and the Working Girl: Class Marginality in Music-Hall Song 1860-1900 |23-48|EN|PA [1·MUSIC HALL 2·UK 3·1900-1909 4·WORKERS 5·WOMEN 6·SEX/GENDER 7·LYRICS]

Music Hath Charms. Some Aspects of the Music of the British Isles. London: Oliver and Boyd (1956) 139 pp. [BM-HYDE]
• Hyde, Norman 139 pp. [BM-HYDE]|PB [1·UK 2·EUROARTMUS 3·EDUC ITEM 4·MUSIC EDUC 5·FOLK MUSIC 6·MUSIC EXX. 7·LYRICS]

Musiche, 1. La Spezia: Associazione Mongezi Feza (1988) [JM-MUSICHE]
• Achilli, Alessandro: 2º Festival MIMI (Mouvement International des Musiques Innovatrices) |27-32|IT|PA [1·FRANCE 2·ELCTRNCMUS 3·AVANTGARDE 4·ROCK 5·FESTIVAL 6·REVIEW] {MAK; HENRY COW; JULE VERNE; SCHWINDLER Die; FISH AND ROSES; QUATRE GUITARRI; APOCALYPSO BAR; CASSIBER; ART MOULU}
• Achilli, Alessandro: Bruniferd: una conversazione |15-20|IT|PA [1·FRANCE 2·AVANTGARDE 3·ROCK]
• Achilli, Alessandro: Kalahari Surfers |20-21|IT|PA [1·S AFRICA 2·ROCK 3·AVANTGARDE 4·POLITICS] {KALAHARI SURFER; SONY W; WARRIC SONY}
• Achilli, Alessandro; Chang, Paolo; Pioli, Riccardo: Questa rivista |3-4|IT|PA [1·ITALY 2·AVANTGARDE 3·DOCUMENT 4·ROCK]
• Chang, Paolo: Festival Musical de Chantenay. Dixième anniversaire Chantenay Villedieu |33-41|IT|PA [1·AVANTGARDE 2·ROCK 3·FESTIVAL 4·FRANCE 5·REVIEW] {PARKER E; HACKER A; BERESFORD S; ZORN J; HYMAS T; MELODY FOUR; JEFFREY C; KAMARA M; RUTHERFORD P; JAUME A}
• Jeffes, Simon; Chang, Paolo, ed.; Achilli, Alessandro, ed.: Intervista |11-14|IT|PA [1·AVANTGARDE 2·UK 3·INTERVIEW 4·ROCK]
• Kalahari Surfers: Testi da "Living in the Heart of the Beast" |24-26|IT|PA [1·S AFRICA 2·ROCK 3·LYRICS 4·AVANTGARDE 5·POLITICS] {SONY W; WARRIC SONY; KALAHARI SURFER}
• Penguin Café Orchestra; Chang, Paolo, ed.: Qualche riflessione e un'intervista |9-14|IT|PA [1·AVANTGARDE 2·UK 3·ROCK 4·INTERVIEW]
• Wyatt, Robert: Un'intervista |5-8|IT|PA [1·AVANTGARDE 2·ROCK 3·POLITICS 4·EUROPE 5·UK 6·1970S 7·1980S]

Music ho! a study of music in decline. London: Penguin (1948) 251 pp. [BM-LAMBERT]
• Lambert, Constant 251 pp. [BM-LAMBERT]|PB [1·EUROPE 2·ROMANTIC 3·FILM 4·AESTHETICS 5·FRANCE 6·MOD.CLASS. 7·JAZZ 8·NATIONALSM 9·CULTPOLIT. 10·JOURNALISM]

The Musicians of Auschwitz. London: Sphere Books (1979) 253 pp. #0-7221-3466-5 [BM-FENELON]
• Fenelon, Fania 253 pp. #0-7221-3466-5 [BM-FENELON]|PB [1·GERMANY 2·1940S 3·FASCISM 4·WAR 5·DEATH 6·ENTERTAIN 7·WOMEN 8·BIOGRAPHY 9·ORCHESTRAL]

Music in Advertising: Authority and Self-Advocacy (synopsis). Waterloo (Ont): Music Department, Conrad Grebel College (1984) [CP193112,155]
• Huron, David [CP193112,155]|US [1·ADVERTS 2·PSYCHOLOGY 3·MASS MEDIA]

The Music Industry in Small Countries. London: Constable (1984) 419 pp. #0-09-465360-7 [BM-WALL]
• Wallis, Roger; Malm, Krister: Big Sounds From Small Peoples |EN|PB [1·MUS INDUST 2·INTERNATNL 3·3RD WORLD 4·CULTPOLIT. 5·CARIBBEAN 6·WALES 7·TANZANIA 8·SWEDEN 9·N AFRICA 10·COPYRIGHT] {TUNISIA; SRI LANKA; CHILE; IMPERIALISM; PHONOGRAM}

Music Industry Management and Promotion. Huntingdon: ELM Publications (1995) #0-8223-1743-5 [BM-KEMP]
• Kemp, Chris #0-8223-1743-5 [BM-KEMP]|PB [1·MUS INDUST 2·MUSIC EDUC]

Music in England. London: Penguin (1947) 288 pp. [BM-BLOM]
• Blom, Eric 288 pp. [BM-BLOM]|PB [1·MEDIEVAL 2·TUDOR 3·C17 4·C18 5·C19 6·C20 7·EUROARTMUS 8·MOD.CLASS. 9·UK 10·HISTORY]

Music in Sweden, November 1984. Stockholm: Rikskonserter (1984) [CP755017]
• Björnberg, Alf: Jazz and Popular Music Research in Sweden |10-11|EN|PA [1·PT 2·SWEDEN 3·MUSICOLOGY 4·REPORT]
• Dahlstedt, Sten: Musicology in Sweden |EN|PB [1·SWEDEN 2·MUSICOLOGY 3·REPORT]
• Thorsén, Stig-Magnus: Music Sociology in Sweden |12|EN|PA [1·SWEDEN 2·MUSICOLOGY 3·SOCIOLOGY 4·REPORT]

Music in the Caribbean. London: Hodder and Staughton (1982) 44 pp. #0-340-26291-5 [BM-MALM]
• Malm, Krister; Sealey, John 44 pp. #0-340-26291-5 [BM-MALM]|PB [1·CARIBBEAN 2·REGGAE 3·CALYPSO 4·GROUPS 5·SOCIOLOGY 6·EDUCATION 7·AFR-AMER. 8·RECORDING 9·MUS INDUST]

Music in the Modern Media. Techniques in Tape, Disc and Film Recording, Motion Picture and Television Scoring and Electronic Music. New York: Schirmer (1967) 9+181 pp. [BM-DOLAN]
• Dolan, Robert E 9+181 pp. [BM-DOLAN]|PB [1·USA 2·HOLLYWOOD 3·FILM 4·RECORDING 5· 6·1960S 7·MUSIC EXX. 8·INSTRUMENT 9·ORCHESTRAL 10·ARRANGE]

Music in the Struggle to End Apartheid: South Africa. Philadelphia: Temple University Press (2003) #1-56639-990-4 [BM-CLOONAN]
• Drewett, Michael #1-56639-990-4 [BM-CLOONAN]|PA [1·CENSORSHIP 2·S AFRICA]

Music in the United States. A Historical Introduction. Englewood Cliffs, NJ: Prentice Hall (1969) xviii+365 pp. #0-13-608407-9 [BM-WILEYHITC]
• Hitchcock, H Wiley xviii+365 pp. #0-13-608407-9 [BM-WILEYHITC]|PB [1·ROCK 2·JAZZ 3·EUROARTMUS 4·MOD.CLASS. 5·USA 6·AFR-AMER. 7·HISTORY 8·MUSICOLOGY 9·SCHLAGER 10·MUSIC EXX.]

Music in the United States - A Historical Introduction. 1 eds 1969, 1974. Englewood Cliffs, NJ: Prentice Hall (1988) xviii+365 pp. #0-13-608407-9 [BM-HITCHCOCK]
• Hitchcock, H Wiley xviii+365 pp. #0-13-608407-9 [BM-HITCHCOCK]|PB [1·USA 2·HISTORY 3·UK 4·EUROARTMUS 5·FOLK MUSIC 6·POPULARMUS 7·MOD.CLASS. 8·JAZZ 9·C19 10·C20]

The Music Machine. Los Angeles: Nash Publishing (1971) 196 pp. #0-8402-1242-9 [BM-KARSHNER]
• Karshner, Roger 196 pp. #0-8402-1242-9 [BM-KARSHNER]|PB [1·USA 2·MUS INDUST 3·RADIO 4·PHONOGRAM 5·1960S 6·DJS 7·1970S 8·JOURNALISM 9·PRODUCERS 10·ADVERTS] {PAYOLA; LAYOLA; FLYOLA; DRUGOLA; CAPITOL; DEMOGRAPHICS; BIOGRAPHY; BRIBERY; CORRUPTION}

The Music Master Record Catalogue. Hastings: John Humphries (1988) 1136 pp. #0-904520-30-7 [BMR]
• Humphries, John 1136 pp. #0-904520-30-7 [BMR]|PB [1·ROCK 2·SCHLAGER 3·MOR 4·CATALOGUE 5·DISCOGR. 6·USA 7·UK 8·EUROPE 9·REFERENCE]

The Music Masters - 4. London: Penguin (1957) 416 pp. [BM-BACHARACH]
• Bacharach, A L 416 pp. [BM-BACHARACH]|PB [1·EUROPE 2·COMPOSE 3·MOD.CLASS. 4·ROMANTIC 5·BIOGRAPHY 6·HISTORY] {BARBER S; BARTOK B; BAX A; BERG A; BLOCH E; BUSONI F; BRITTEN B; SKRYABIN; DOHNANYI E; DUKAS P; MILHAUD D}

Music, Memory and Thought: Explorations in Cognitive Musicology. Ann Arbor: University Microfilms Int (1977) #0-8357-0265-0 [CP194103]
• Laske, Otto E #0-8357-0265-0 [CP194103]|US [1·NEUROLOGY 2·PSYCHOLOGY 3·MUSIC EDUC]

Music Now. A guide to recent developments and current opportunities in music education. Milton Keynes: Open University Press (1979) viii + 15 pp. #0-335-00253-6 [BM-TAYLOR]
• Taylor, Dorothy viii + 15 pp. #0-335-00253-6 [BM-TAYLOR]|PB [1·EDUCATION 2·UK 3·HISTORY 4·BIBLIOGR. 5·MUSIC EDUC]

The Music of Africa. New York: Norton (1974) 278 pp. #0-393-09249-6 [BM-NKETIA]
• Nketia, J H Kwabena 278 pp. #0-393-09249-6 [BM-NKETIA]|PB [1·MUSICOLOGY 2·MUSIC EXX. 3·MELODY 4·HARMONY 5·RHYTHM 6·MUSIC USES 7·DANCE 8·INSTRUMENT 9·AFRICA 10·ILL.]

The Music of Africa. 3rd impression 1992. 1publ 1974, New York, Norton. London: Gollancz (1975) 278 pp. #0-575-03234-0 [BM-NKETIA]
• Nketia, J H Kwabena 278 pp. #0-575-03234-0 [BM-NKETIA]|PB [1·MUSICOLOGY 2·MUSIC EXX. 3·MELODY 4·HARMONY 5·RHYTHM 6·MUSIC USES 7·DANCE 8·AFRICA 9·INSTRUMENT 10·ILL.] {WEST AFRICA; GHANA; LYRICS; DRAMA}

The Music of Black Americans. A History. New York: W W Norton (1971) 552 pp. #0-393-09899-0 [BM-SOUTHERN]
• Southern, Eileen 552 pp. #0-393-09899-0 [BM-SOUTHERN]|PB [1·AFRICA 2·USA 3·DISCOGR. 4·MUSIC EXX. 5·BIBLIOGR. 6·EUROARTMUS 7·GOSPEL 8·JAZZ 9·FOLK MUSIC 10·AFR-AMER.]

The Music of India. London: Kahn & Averill (1976) 189 pp. #0-900707-40-2 [BM-MASSEY]
• Massery, Reginald; Massery, Jamila 189 pp. #0-900707-40-2 [BM-MASSEY]|PB [1·INDIA 2·GENRES 3·HISTORY 4·MUSICIANS 5·MUSICOLOGY 6·INSTRUMENT 7·RHYTHM]

Music of the Environment, series 2. Vancouver: ARC Publications (1978) 301 pp. #0-88985-013-5 [BM-SCHAFER M]
• Schafer, R Murray: The Vancouver Soundscape |EN|PB [1·SOUND 2·ENVIRONMNT 3·CANADA 4·STATISTICS 5·AESTHETICS 6·PSYCHOLOGY 7·NVC 8·ACOUSTICS 9·URBAN 10·ANTHROPOL.]

Music of the People. A Study of Popular Music in Great Britain. London: Barrie and Jenkins (1970) 274 pp. #0-214-66067-2 [BM-LEE]
• Lee, Ed 274 pp. #0-214-66067-2 [BM-LEE]|PB [1·POPULARMUS 2·HISTORY 3·UK 4·LYRICS 5·SOCIOLOGY 6·POLITSTUDY 7·MUSIC EXX. 8·FOLK MUSIC 9·SCHLAGER 10·ROCK]

Musicologica Austriaca, 5. Wien (1985) [BM-FODERMAYR]
• Födermayr, Franz: Popularmusik als Gegenstand musikwissenschaftlicher Forschung. Ein hermeneutischer Versuch |49-84|DE|PA [1·POPULARMUS 2·MUSICOLOGY 3·DEFINE 4·PT 5·MUSIC EXX. 6·SOUND 7·ACOUSTICS 8·C&W]

Musicology. London: Fontana (1985) 255 pp. #0-00-686002-8 [BM-KERMAN]
• Kerman, Joseph 255 pp. #0-00-686002-8 [BM-KERMAN]|PB [1·MUSICOLOGY 2·EUROPE 3·USA 4·EUROARTMUS 5·DEFINE 6·BIBLIOGR.]

Music Printer Plus (manual). Bellevue, WA: Temporal Acuity Products, Inc. (1990) 250+200 pp. #0-911723-81-1 [BMM-MUSICPRI]
• Jarrett, Jack; Barber, Gary 250+200 pp. #0-911723-81-1 [BMM-MUSICPRI]|PB [1·COMPUTERS 2·SYNTHS 3·MIDI 4·HANDBOOK 5·NOTATION 6·MUSIC EXX. 7·DEFINE]

The Music Review, 45/3-4. Cambridge: Heffers Printers Ltd (1984) [CP826001]
• Sorce Keller, Marcello: A famous Neapolitan Song traditionally attributed to Gaetano Donizetti |251-264|EN|PA [1·ITALY 2·C18 3·C19 4·OPERA] {Donizetti, G}

Music Scoring for TV and Motion Pictures. Blue Ridge Summit PA: Tab (1976) 260 pp. #0-8306-6779-2 [BM-SKILES]
• Skiles, Marlin 260 pp. #0-8306-6779-2 [BM-SKILES]|PB [1·CONNOTE 2·COMPOSE 3·FILM 4·TELEVISION 5·ARRANGE 6·INSTRUMENT 7·AESTHETICS 8·MUSIC EXX. 9·VVA 10·FILM MUSIC]

Music - Society - Education. A radical examination of the prophetic function of music in Western, Eastern and African cultures. London: Calder (1977) 234 pp. #0-7145-3614-8 [BM-SMALL]
• Small, Christopher 234 pp. #0-7145-3614-8 [BM-SMALL]|PB [1·EUROPE 2·ANTHROPOL. 3·USA 4·AFRICA 5·EDUCATION 6·POLITSTUDY 7·PHILOSOPHY 8·AESTHETICS 9·DEFINE 10·NAT.SCI.]

Music, text and subjectivity. Towards a theorisation of affective power in music. Ottawa: Typescript (1988?) 24 pp. [CP826095-118]
• Shepherd, John; Giles, Jennifer 24 pp. [CP826095-118]|UX [1·AFFECT 2·DEFINE 3·SEX/GENDER] {Bourdieu, P}

Music & the Machine / La musica e le macchine. Torino: Progetto Lingotto / FIAT (1989) [BMA4-PRATO]
• Carfi, Pietro; Lutri, Ignazio: German Rock: from Drums to the Electric Drill / Il rock tedesco dalla batteria al trapano elettrico |16-19|EN|PA [1·GERMANY 2·ROCK 3·VIDEO 4·WORK]
• Frith, Simon: Making Sense of Video: Pop into the Nineties / Il senso del video: il pop degli anni 90 1st publ in "Music for Pleasure" - Routledge, London, 1988 |10-15|EN|PA [1·VIDEO 2·RESEARCH 3·DEFINE 4·IDEALISM 5·ROCK 6·UK 7·USA]
• Prato, Paolo; Prato, Paolo, ed.: Introduction / introduzione |2-3|EN|PA [1·VIDEO 2·GENRES 3·AESTHETICS 4·SYMPHONY 5·ROCK 6·WORK] {INDUSTRY; MACHINES; FACTORIES}
• Savage, Jon: Introduction to "Industrial Culture Handbook" |5-9|EN|PA [1·VIDEO 2·SYMPHONY 3·ROCK 4·WORK] {INDUSTRY; MACHINES}
• Vogelsang: Machinations / Macchinazioni |20-21|EN|PA [1·AESTHETICS 2·PHILOSOPHY 3·HISTORY 4·WORK] {MACHINES}

Music, the Music Industry and Mass Culture. New York: Hunter College, Department of Education (1981) [CP194147]
• Shore, Larry H [CP194147]|US [1·MUS INDUST 2·CULT.STUDY 3·USA 4·EDUC ITEM]

Music to Sell By. The Craft of Jingle Writing. Boston (Mass): Berklee Press Publications (1974) 96 pp. [BM-TEIXEIRA]
• Teixeira, Antonio Jr 96 pp. [BM-TEIXEIRA]|PB [1·USA 2·TELEVISION 3·COMPOSE 4·ADVERTS 5·MUS INDUST 6·ARRANGE 7·MUSIC EXX. 8·HANDBOOK 9·INSTRUMENT 10·CHORAL]

Music Videos in Britain - Unsound Visions?. Canterbury: Typescript. MS for Samtiden (Oslo) (1984) 12 pp. [CP324008]
• Hustwitt, Mark 12 pp. [CP324008]|UX [1·VIDEO 2·TELEVISION 3·UK 4·MEDIA IND. 5·ROCK 6·YOUTH 7·1980S]

Musiikin Soivat Muodot. Jyväskylä: Yliop:n mus.tt:n laitoks. A/2 (1982) #951-678-830-0 [BM-TARA]
• Tagg, Philip; Tarasti, Eero, ed.: Populaarimusiikin affektianalyysi - rapporti musiikin sisältöanlyysin uusista menetelmistä |147-180|SF|PA [1·TITLE MUS. 2·MUSICOLOGY 3·DEFINE 4·TELEVISION 5·FILM 6·KOJAK 7·SEMIOTICS 8·MUS.ANALYS 9·METHODOL. 10·FINLAND]

Musiikin suunta, 1985 (7). Helsinki: Suomen Antropologinen Seura (1985) #0780-0703 [BM-MUSIIKIN]
• Donner, Philip; Similä, Jussi: Jean Sibelius - The Idol |66-79|EN|PA [1·FINLAND 2·EUROARTMUS 3·1900-1909 4·MYTHOLOGY 5·NATIONALSM 6·ROMANTIC 7·COMPOSE]
• Knuutila, Seppo: The Last Rune Singer |59-65|EN|PA [1·FINLAND 2·MYTHOLOGY 3· 4·NATIONALSM]
• Kurkela, Vesa: Interest in Folklore and its Myths in the Finnish Workers' Movement |34-44|EN|PA [1·FINLAND 2·1920S 3·1930S 4·1940S 5·1950S 6·MIDDLCLASS 7·NATIONALSM 8·POLITICAL 9·MYTHOLOGY 10·WORKERS]
• Leisiö, Timo: Mythmaking and Mythbreaking: Musical Perception Management |15-20|EN|PA [1·MYTHOLOGY 2·]
• Lund, Cajsa: The Latter-day Role of the Prehistoric Bronze Lur: National Symbol, Generator of Myths |54-58|EN|PA [1·ARCHAEOL. 2·SCANDINAVI 3·EUROPE 4·FASCISM 5· 6·MYTHOLOGY 7·PREHISTORY 8·POLITSTUDY 9·NATIONALSM 10·BRASSINSTR]
• Pekkilä, Erkki: Culture, Non-Culture and Myth in Bulgarian Music-Folklorism |45-53|EN|PA [1·BULGARIA 2·EUROARTMUS 3·FOLK MUSIC 4·POPULARMUS 5·CULTPOLIT. 6·MYTHOLOGY 7·GENRES 8·MUSIC USES]
• Redmayne, Alison: The Unheard Hehe War Trumpets |4-5|EN|PA [1·AFRICA 2·WAR 3·INSTRUMENT 4·BRASSINSTR 5·TRUMPET 6·ANTHROPOL.]
• Twain, Mark: A Letter on Music from the Earth (18??) |32-33|EN|PA [1·MYTHOLOGY 2·VOCAL MUS. 3·1850-1899]
• Vierimaa, Irma: Music in the Struggle between Good and Evil: Mythical Motifs in Finnish Medieval Frescoes |21-31|EN|PA [1·FINLAND 2·MYTHOLOGY 3·MEDIEVAL 4·RELIGION]
• Wilson, William A: The Outlaw Hero in U.S. Legend and Song |80-88|EN|PA [1·USA 2·C19 3·C20 4·WESTERNS 5·MYTHOLOGY 6·HERO(IN)ES 7·C&W]

Musiikin Suunta, 1991/1. Helsinki: Suomen etnomusikologinen seura Ry (1991) #0780-0703 [JM-MUSIIKINS]
• Hietakangas, Matti; Tuominen, Matti: Ravintolan imago (The image of a restaurant - Six dance restaurants in Tampere as illustrative material) |23-34|SF|PA [1·SOUNDSCAPE 2·FINLAND 3·DANCE 4·CLUBS]
• Honkanen, Tiina; Junttila, Marja-Leena: Äänimaisemia Tampereen keskustan liikekorttelissa (Soundscapes in the business quarter of Tampere) |5-22|SF|PA [1·SOUNDSCAPE 2·FINLAND 3·CLUBS]
• Järviluoma, Helmi: Äänimaisematyö taiteena ja tieteenä. R Murray Schaferin haastattelu |57-56|SF|PA [1·SOUNDSCAPE 2·DEFINE] {SCHAFER, R M}
• Järviluoma, Helmi; Kurkela, Vesa: Korvintodistajina kaupungin kentällä |1-4|SF|PA [1·SOUNDSCAPE]
• Kulomäki, Seija; Viinanen, Maija: Kaupankäyntiä ravintolan äänimaisemalla (Trading with the soundcape of restaurants - Who wins? Who loses?) |35-46|SF|PA [1·SOUNDSCAPE 2·FINLAND 3·CLUBS]
• Kurkela, Vesa: Äänimaisema, valta ja välinpitämättömyys (Soundscape, power and indifference - A perspective to the analysis of acoustic environment) |57-56|SF|PA [1·SOUNDSCAPE 2·DEFINE]

Musik '90. Köbenhavn: Gymnasieskolernes Musiklærerforening (1982) [BM-MUSIK]
• Bonde, Lars-Ole: Om födelshjælp og åndehuller |10-14|DK|PA [1·MUSIC EDUC 2·DENMARK 3·CULTPOLIT.]
• Straarup, Ole: Forord |3-7|DK|PA [1·MUSIC EDUC 2·DENMARK 3·CULTPOLIT.]

Musik aktuell: Analysen, Beispiele, Kommentare, 4. Kassel: Bärenreiter (1982) 120 pp. #3-7618-0675-2 [BM-SCHMIDT H]
• Schmidt, Hans-Christian: Filmmusik für die Sekundar- und Studienstufe |DE|PB [1·FILM MUSIC 2·EDUC ITEM 3·ILL. 4·MUSIC EXX. 5·AESTHETICS 6·HISTORY 7·HOLLYWOOD 8·EUROPE 9·USA]

Musikalische Hermeneutik. Regensburg: Bosse Verlag (1975) [CP525001]
• Braun, Werner: Kretzschmars Hermeneutik |33-40|DE|PA [1·SEMIOTICS 2·MUSIC HIST 3·GERMANY 4·EUROPE]
• Rösing, Helmut; Dahlhaus, Carl, ed.: Zur Interpretation emotionaler Erscheinungen in der Musik |175-186|DE|PA [1·AFFECT 2·SEMIOTICS 3·EUROARTMUS 4·MUSICOLOGY]

Musikalisk ackulturation - från blues till rock. En studie kring låten Hound Dog. Göteborg: Skrifter från musikvetenskapliga institutionen: 20 (1989) 296 pp. #91-85974-11-0 [BM-LILLIESTA]
• Lilliestam, Lars 296 pp. #91-85974-11-0 [BM-LILLIESTA]|PB [1·USA 2·SWEDEN 3·BLUES 4·ROCK 5·MUSIC EXX. 6·MUS.ANALYS 7·HISTORY 8·INTERVIEW 9·DISS. PhD.] {PRESLEY Elvis; BIG MAMA THORNT; THORNTON Big Ma; MAMMA; MAMA}

Musik als Botschaft. Wiesbaden: Breitkof & Härtel (1989) #3-7651-0262-8 [BM-FLOROS]
• Floros, Constantin #3-7651-0262-8 [BM-FLOROS]|PB [1·EUROARTMUS 2·MUSICOLOGY 3·SEMIOTICS 4·AFFECT 5·AESTHETICS 6·C19 7·C20 8·ROMANTIC 9·AVANTGARDE 10·MUSIC EXX.]

Musikästhetik (3. Auflage). Köln: Hans Gerig (1976) 152 pp. #3-87252-049-0 [BM-DAHLHAUS]
• Dahlhaus, Carl 152 pp. #3-87252-049-0 [BM-DAHLHAUS]|PB [1·AESTHETICS 2·EUROARTMUS 3·PROGRAMMUS 4·OPERA 5·COMPOSE 6·DEFINE]

Musikästhetik und ihre soziokulturellen Folgen (ISME conf). (1986) [CP328/10]
• Jerrentrup, Ansgar: Musikproduktion mit neuer Technologie: die Ausweitung der Technologiebestimmten Musikästhetik und ihre soziokulturellen Folgen |DE|US [1·MUSIC EDUC 2·INSTRUMENT 3·COMPOSE 4·YOUTH 5·PERCEIVE 6·COMPUTERS 7·RECORDING 8·ELECTRONIC 9·EL.INSTR.]

Musik der Türkei/Türk müzigi. Dortmund: Pläne (1981) 118 pp. [BM-INCIRCI]
• Incirci, Tashin; Kolland, Hubert, ed. 118 pp. [BM-INCIRCI]|PB [1·TURKEY 2·EUROARTMUS 3·BRD 4·FOLK MUSIC 5·MUSICOLOGY 6·MUSIC EXX. 7·AESTHETICS 8·NATIONALSM 9·POLITSTUDY 10·ILL.]

Musikdramatik, 05/6. Stockholm: Tidskriften Musikdramatik (1979) [CP751226*]
• Tagg, Philip: De musikaliska kodernas makt |24-25|SV|PA [1·FILM MUSIC 2·TITLE MUS. 3·TELEVISION 4·FILM 5·HERO(IN)ES 6·MUSIC EXX.]

Musiken genom tiderna - del 1,2,3. Stockholm: Almqvist & Wiksell/Gebers, 3e pocketutgåva (1970) 686 pp. [BM-JEANSON]
• Jeanson, Gunnar; Rabe, Julius 686 pp. [BM-JEANSON]|PB [1·EUROPE 2·MEDIEVAL 3·BAROQUE 4·EUROARTMUS 5·ROMANTIC 6·MOD.CLASS. 7·HISTORY 8·MUSICOLOGY]

Musiken i de moderna massmedierna: anteckningar inför seminarium i Stockholm. Stockholm: Centrum för masskommunikationsforskning: typescr. (1985) [CP755097]
• Tagg, Philip [CP755097]|US [1·SWEDEN 2·DOCUMENT 3·PT]

Musiken, människan, samhället. Principbetänkande av OMUS (Organisationskommittén för Högre Musikutbildning i Sverige). Stockholm: Utbildningsdepartementet, SOU 1976:33 (1976) 371 pp. #91-38-02895-6 [BM-MUSIKEN]
• Various 371 pp. #91-38-02895-6 [BM-MUSIKEN]|PB [1·SWEDEN 2·MUSIC EDUC 3·DOCUMENT 4·CULTPOLIT. 5·ROCK 6·JAZZ 7·1970S]

Musikens historia i serieform. 1st publ as `Histoire de la musique en bandes dessinées'. Paris: Van der Velde, 1978.. Stockholm: Hammarström och Åberg (1983) 144 pp. #91-7638-022-X [BMA4-HISTOIR]
• Deyries, B; Lemery, D; Sadler, M 144 pp. #91-7638-022-X [BMA4-HISTOIR]|PB [1·HISTORY 2·VIS. ARTS 3·COMICS]

Musikens makt. Luleå: Rikskonserter - Övre Norrland (1979) [CP754031]
• Tagg, Philip [CP754031]|PS [1·EDUC ITEM 2·MUSIC EXX. 3·MUS.ANALYS 4·YOUTH 5·STATISTICS 6·ADVERTS 7·ROCK]

Musik - ett språk som alla förstår?. MS. Paper for symp. "Tvärkulturell kommunikation", Göteborg 1984-11-25 (1983) 16 pp. [CP754192]
• Tagg, Philip 16 pp. [CP754192]|UX [1·DEATH 2·W AFRICA 3·CHILE 4·ANTHOLOGY 5·CULT.STUDY 6·SEMIOTICS 7·MUSIC EXX. 8·MUSICOLOGY 9·CONFERENCE]

Musik - ett uttrycksmedel för alla. (198?) [CP322201]
• Ericsson, Ulf G; Eriksson, Gunnar [CP322201]|PS [1·INTERVIEW 2·VOICE 3·SWEDEN 4·CULT.STUDY]

Musik i en fabrik: problemområden, frågeställningar. Göteborg: Musikvetenskapliga institutionen, universitetet (1984) [CP 318040]
• Thorsén, Stig-Magnus [CP 318040]|US [1·MUZAK 2·WORK 3·SOCIOLOGY 4·CULTPOLIT.]

Musik i Europa 1730-1980. Kort sammanfattning av del 2 av Europas Musikhistoria. Göteborg (1983) [CP 318017]
• Ling, Jan [CP 318017]|US [1·GÖTEBORG 2·HISTORY 3·EUROPE]

Musik i grundskolan: rapport 1. Mölndal: Pedagogiska institutionen, Göteborgs universitet, rapp 125 (1983) 35 + 8 pp. #0348-2219 [BM-EDSTR]
• Edström, Karl-Olof; Ågren, Bengt: Musik i Sjuntorp |SV|PB [1·EVERYDAY 2·EDUC ITEM 3·REPORT 4·CHILDREN 5·MUSIC EDUC 6·VOICE 7·SKILLS 8·SWEDEN]

Musik in den Massenmedien. München: Katzbichler (1978) [CP525035]
• Rösing, Helmut; Rösing, Helmut, ed.: Thesen zur Funktionsnivellierung massenmedial dargebotener Musik |96-104|DE|PA [1·PERCEIVE 2·MASS MEDIA 3·PSYCHOLOGY]

Musik in den Massenmedien Rundfunk & Fernsehen. Mainz: Schott (1976) #3-7957-2611-5 [BM SCHMIDT]
• Augustin, Joachin; Sailer, Rudolf: Probleme der musikalischen Vermittlung von "ernster" Musik im Fernesehen |67-73|DE|PA [1·TELEVISION 2·BRD 3·EUROARTMUS 4·VIS. ARTS 5·PRODUCERS]
• Breloer, Heinrich: Das Verkaufgespräch des Dieter "Thomas" Heck |209-236|DE|PA [1·ENTERTAIN 2·TELEVISION 3·MUS INDUST 4·BRD 5·SELL 6·DJS 7·MUSICIANS 8·AUDIENCE 9·ADVERTS]
• Gerhartz, Leo Karl: Rundfunk, Musik und musikalische Produktion. Überlegungen eines Rundfunkredakteurs |18-23|DE|PA [1·MUZAK 2·EUROARTMUS 3·RADIO 4·BRD]
• Kühn, Hellmut: Hinweise auf eine Analyse von Filmmusik |120-125|DE|PA [1·AFFECT 2·FILM MUSIC 3·OPERA 4·MUSICOLOGY]
• Kühn, Hellmut: Die Musik in deutschen Rundfunkprogrammen |24-43|DE|PA [1·GERMANY 2·BRD 3·GENRES 4·DEFINE 5·AESTHETICS]
• Motte-Haber, Helga de la: Kinderfernsehen. Eine Provokation für die Musikpädagogik? |11-17|DE|PA [1·TELEVISION 2·CHILDREN 3·MUSIC EDUC 4·BRD]
• Pauli, Hansjörg: Filmmusik: ein historisch-kritischer Abriß |91-119|DE|PA [1·FILM 2·HOLLYWOOD 3·RECORDING 4·TECHNOLOGY 5·AESTHETICS 6·FILM MUSIC 7·HISTORY 8·POLITSTUDY]
• Rocholl, Peter: Fragen der unterschiedlichen Vermittlung von Musikwerk in den Medien. Gründe, Tendenzen, |74-90|DE|PA [1·TELEVISION 2·RADIO 3·FILM 4·PHONOGRAM 5·COMPOSE 6·PRODUCERS 7·STATISTICS 8·BRD 9·AESTHETICS]
• Rösing, Helmut: Zur Rezeption technisch vernmittelter Musik. Psychologische, ästhetische und musikalische |44-66|DE|PA [1·MUSICOLOGY 2·PSYCHOLOGY 3·PERCEIVE 4·GENRES 5·STATISTICS 6·BRD 7·TELEVISION 8·FILM 9·RADIO 10·ADVERTS]
• Schmidt, Hans-Christian: Musikalische Titel von Serien-Sendungen des Fernsehens. Überlegungen zu einer alltägl. |296-318|DE|PA [1·TELEVISION 2·TITLE MUS. 3·FILM MUSIC]
• Schmidt, Hans-Christian: Musik als Einflussgrösse bei der filmischen Wahrnehmung |126-169|DE|PA [1·FILM MUSIC 2·PERCEIVE 3·STATISTICS 4·SEMIOTICS 5·BRD 6·1970S]
• Schmidt, Hans-Christian: Radiothek, Konzeption, Struktur und Zielsetzung einer jugendspezifischen Sendung des Hörfunks |170-208|DE|PA [1·RADIO 2·YOUTH 3·BRD 4·PRODUCERS 5·MASS MEDIA]
• Schmidt, Hans-Christian; Schmidt, Hans-Christian, ed.: Vorwort |7-10|DE|PA [1·MASS MEDIA 2·MUS INDUST 3·RADIO 4·TELEVISION 5·BRD]
• Spangemacher, Friedrich: Die Musik in der "Sesamstraße" |237-249|DE|PA [1·CHILDREN 2·TELEVISION 3·USA 4·BRD 5·MUSIC EXX. 6·MUS.ANALYS 7·AESTHETICS]
• Well, Bernhard: Funktion und Metafunktion von Musik im Fernseh-Serienfilm: "Der Fall von nebenan" (ARD) |276-295|DE|PA [1·TELEVISION 2·FILM MUSIC 3·SCHLAGER 4·AESTHETICS 5·DRAMA 6·AFFECT 7·SPORT 8·BRD]

Musik, Intelligenz, Phantasie. Salzburg: Otto Müller Verlag (1978) 78 pp. #3-7013-0563-3 [BM-RAUHE]
• Revers, Wilhelm Josef; Rauhe, Hermann 78 pp. #3-7013-0563-3 [BM-RAUHE]|PB [1·CHILDREN 2·PSYCHOLOGY 3·DEFINE 4·SKILLS 5·POPULARMUS 6·EUROARTMUS 7·BRD 8·MUSIC EDUC]

Musik i Skaraborg - Svar på ett brev. Vara: Skaraborgs Länsbildningsförbund (1978) 72 pp. #91-7502-005-X [BMA4-LING]
• Ling, Jan; Rolander, Julius; Thorsén, Stig Magnus 72 pp. #91-7502-005-X [BMA4-LING]|PB [1·SWEDEN 2·SOCIOLOGY 3·GENRES 4·AUDIENCE 5·MUSICIANS 6·DRAMA 7·EUROARTMUS 8·POPULARMUS 9·DANCE 10·ILL.]

Musik i svenska ljudfilmer 1929-1939. Stockholm: STIM (1980) 115 pp. #91-85470-24-4 [BM-MUSIK]
• Winqvist, Sven G 115 pp. #91-85470-24-4 [BM-MUSIK]|PB [1·SWEDEN 2·FILM MUSIC 3·REFERENCE 4·DISCOGR. 5·1930S]

Musikken i samfundet. Köbenhavn: Danmarks Radio (Skolradioen) (1976) 49 pp. #87-554-0363-8 [CP454]
• Cros-Dich, Kirsten; Ejsing, Anne 49 pp. #87-554-0363-8 [CP454]|PB [1·EDUC ITEM 2·RADIO 3·DENMARK 4·POLITSTUDY 5·OPPOSE 6·MUS INDUST 7·MONEY 8·MUSIC EXX.]

Musikken - vårt nye rusmiddel. Om oppdragelse til og gjennom musikk i dagens samfunn. Oslo: Norsk Musikforlag (1983) 150 pp. #82-7093-029-6 [BM-RUUD]
• Ruud, Even 150 pp. #82-7093-029-6 [BM-RUUD]|PB [1·COMMUNTHEO 2·PSYCHOLOGY 3·CULT.STUDY 4·HEALTH 5·MUSIC USES 6·SOCIALISAT 7·EDUCATION 8·BIBLIOGR. 9·DISCOGR. 10·AESTHETICS]

Musikklidenskapelig: Tretten Essay. Trondheim: Universitetet, Musikkvitenskapelig institutt. (1987) [BM-MUSIKLID]
• Alterhoug, Björn: Håndverk og estetisk dimensjon - improvisasjoner over et satslæretema |17-24|NO|PA [1·SKILLS 2·HARMONY 3· 4·MUSIC EDUC]
• Bakke, Reidar: Praktiske fag i musikkstudiet |25-28|NO|PA [1·SKILLS 2·MUSIC EDUC 3·HARMONY]
• Benestad, Finn; Ledang, Ola Kai, ed.: Helt fra begynnelsen av |11-16|NO|PA [1·ORGANISE 2·HISTORY 3·NORWAY]
• Bergheim, Irene: Musikkfagets "hva" og "hvorfor" |29-36|NO|PA [1·MUSIC EDUC 2·DEFINE]
• Huldt-Nyström, Hampus: Et lite "julespill" i Nadarosdomen på 1200-talet |41-46|NO|PA [1·MEDIEVAL 2·NORWAY]
• Illevold-Giske, Norunn: Korsang - en glede for mange |37-40|NO|PA [1·CHORAL 2·MUSIC EDUC 3·NORWAY]
• Kleiberg, Ståle: Må man kunne grammatikk for å være en god språkbruker? |47-53|NO|PA [1·MOD.CLASS. 2·SEMIOTICS 3·MUS.ANALYS 4·DEFINE]
• Kvinge-Tjöme, Berit: På jakt etter form i "formlös" musikk |97-106|NO|PA [1·MOD.CLASS. 2·NORWAY]
• Ledang, Ola Kai: 25 år i vekst |107-112|NO|PA [1·NORWAY 2·ORGANISE 3·MUSICOLOGY 4·HISTORY]
• Ledang, Ola Kai: Ståltromme på Fifth Avenue |54-66|NO|PA [1·GENRES 2·AESTHETICS 3·EUROARTMUS 4·POPULARMUS 5·ANTHROPOL.]
• Oversand, Kjell: Improvisasjon og tilstedeværelsens estetikk |67-76|NO|PA [1·IMPROVISE 2·EUROARTMUS 3·JAZZ]
• Paulsen, Nikolai Birger: Fra "Olavsmusikk" till Avantgarderock |77-88|NO|PA [1·NORWAY 2·MUSICOLOGY 3·BIBLIOGR. 4·HISTORY]
• Rygg, Anne Kristin: En masque er et himmelsk orkester er en dans er et drama er en dör til fortiden |89-96|NO|PA [1·UK 2·C17 3·DRAMA]

Musikknäppen 4 - abridged translation - until radio silence. Göteborg: private photocopy (1984) 1 pp. [CP755008]
• Tagg, Philip 1 pp. [CP755008]|UX [1·PT 2·ROCK 3·MUS INDUST 4·SELL 5·DISCO 6·YOUTH 7·SWEDEN 8·RADIO]

Musikk og politikk. Oslo: Universitetsforlaget (1983) #82-00-06286-4 [BM-BJORKVOLD]
• Björkvold, Jan-Roar; Björkvold, Jan-Roar, ed.; Holen, Arne, ed.: Hanns Eisler hos Arnold Schonberg. Fra læretid til oppbrudd |94-118|NO|PA [1·GERMANY 2·1920S 3·AESTHETICS 4·CULTPOLIT. 5·MUSICOLOGY 6·1910S]
• Eisler-Fischer, Louise: Streiflys over emigrasjonstiden og hjemkomsten |62-77|DK|PA [1·OPERA 2·CABARET 3·GERMANY 4·1920S 5·AESTHETICS 6·CULTPOLIT. 7·MUSICOLOGY]
• Holen, Arne: Veien till Tolvskillingsoperaen. Kurt Weill på 1920-talet |11-46|SV|PA [1·OPERA 2·CABARET 3·GERMANY 4·1920S 5·AESTHETICS 6·CULTPOLIT. 7·MUSICOLOGY]
• Ling, Jan: Wandervögel och den tyska folkvisan |119-125|SV|PA [1·FOLK MUSIC 2·GERMANY 3·1920S 4·1930S 5·FASCISM 6·CULTPOLIT.]
• Mayer, Günter: Politisk engasjement og musikalsk kvalitet |78-93|NO|PA [1·AESTHETICS 2·CULTPOLIT.]
• Skyllstad, Kjell: Musikk som kritikk. Kurt Weill |47-61|NO|PA [1·OPERA 2·CABARET 3·GERMANY 4·1920S 5·AESTHETICS 6·CULTPOLIT. 7·MUSICOLOGY]

Musik-Konzepte, 19. Die Reihe. München: Text und Kritik (1981) 96 pp. #3-88377-084-1 [BM-SABBE]
• Sabbe, Herman; Metzger, H, ed.; Riehn, R, ed.: Karlheinz Stockhausen. "Wie die Zeit verging". |DE|PB [1·BRD 2·BELGIUM 3·MUSICOLOGY 4·DOCUMENT 5·MUSIC EXX. 6·MUS.ANALYS 7·MOD.CLASS. 8·12-TONE 9·PHILOSOPHY 10·AESTHETICS]

Musikkultur, 41. 5 sept 1977. Stockholm: Musikkultur (1977) [CP322142]
• Various: Musiklärare tar sig ton mot avtalsverket och SÖ |9-16|SV|PA [1·SWEDEN 2·MUSIC EDUC 3·CULTPOLIT. 4·UNIONS 5·1970S]

Musiklivet i Halmstad. Göteborg: Musikvetenskapliga institutionen (1972) [BMA4-FROSTEN]
• Frostensson, Cecilia; Moser, Fred; Thulin, Björn [BMA4-FROSTEN]|US [1·SWEDEN 2·SOCIOLOGY 3·GENRES 4·CLASSES 5·MUSIC USES]

Musiklivet i Stockholm 1890-1910. Stockholm: Stockholms kommunalförvaltningens monografier (1955) 221 pp. [BM-TEGEN]
• Tegen, Martin 221 pp. [BM-TEGEN]|PB [1·SWEDEN 2·URBAN 3·1890S 4·1900-1909 5·MUS INDUST 6·GENRES 7·EUROARTMUS 8·DRAMA 9·ENTERTAIN 10·STATISTICS]

Musiklivet på en Industriort. Delrapport 1. Göteborg: Musikvetenskapliga institutionen (1972) [BMA4-LING]
• Erdman, Bengt; Ling, Jan [BMA4-LING]|US [1·SWEDEN 2·SOCIOLOGY 3·GENRES 4·CLASSES 5·MUSIC USES 6·EUROARTMUS 7·SCHLAGER 8·DANCE 9·ROCK]
• Erdman, Bengt [BMA4-LING]|US [1·SWEDEN 2·CLASSES 3·GENRES 4·SOCIOLOGY 5·ROCK 6·SCHLAGER 7·EUROARTMUS 8·MUSIC USES]

Musik menneske miljö. Köbenhavn: Danmarks Radio (1976) 32 pp. #87-554-0480-4 [BM-GRAVESEN]
• Gravesen, Finn 32 pp. #87-554-0480-4 [BM-GRAVESEN]|PB [1·EDUC ITEM 2·DENMARK 3·MUZAK 4·AFR-AMER. 5·POLITSTUDY 6·AESTHETICS 7·ILL.]

Musik och samhälle. Lund: Cavefors (1977) 147 pp. #91-504-0427-X [BM-BERGGREN]
• Berggren, Olle, ed. 147 pp. #91-504-0427-X [BM-BERGGREN]|PB [1·EUROPE 2·SOCIOLOGY 3·POLITSTUDY 4·GERMANY 5·POLITICS]

Musik och samhälle. Lund: Cavefors (1973) #91-504-0427-X [BM-BERGGREN]
• Eisler, Hanns; Berggren, Olle, ed.: De som bygger en ny musikkultur (1931) |25-45|SV|PA [1·HISTORY 2·POLITSTUDY 3·EUROPE 4·GERMANY 5·COMMUNITY 6·MUSIC HIST 7·WORKERS 8·MUSIC MAKE 9·1930S]
• Eisler, Hanns: Musik och musikpolitik i det fascistiska Tyskland (1935) |46-69|SV|PA [1·GERMANY 2·FASCISM 3·ENTERTAIN 4·SCHLAGER 5·EUROARTMUS 6·MARCH 7·FOLK MUSIC 8·JAZZ 9·NATIONALSM 10·ROMANTIC]
• Helms, Hans G: Till den nya musikens ekonomiska villkor (1976) |113-133|SV|PA [1·MUS INDUST 2·PRODUCERS 3·CONSUME 4·POLITSTUDY 5·EUROARTMUS 6·MOD.CLASS. 7·COPYRIGHT]
• Hochkeppel, Willy: Jazzen och den "förvaltade musiken" (1976) |135-147|SV|PA [1·JAZZ 2·MOD.CLASS. 3·EUROARTMUS 4·ADMINISTR. 5·ECONOMICS]

Musik och samhälle. Stockholm: Sveriges Radio - UTB (1970) 40+9 pp. [BMA4-LING]
• Ling, Jan; Olofsson, Sture 40+9 pp. [BMA4-LING]|PB [1·FOLK MUSIC 2·EUROARTMUS 3·POPULARMUS 4·ANTHROPOL. 5·EDUC ITEM 6·MUSIC EXX. 7·SWEDEN 8·ILL.]

Musik och samhälle. Lund: Cavefors (1973) #91-504-0427-X [BM-BERGGREN]
• Sönstevold, Gunnar; Blaukopf, Kurt: Den "ensamma massans" musik. Bidrag till analysen av schlagermusiken (1976) |91-110|SV|PA [1·SCHLAGER 2·POLITSTUDY 3·CONSUME 4·ENTERTAIN 5·GERMANY 6·RHYTHM 7·MELODY 8·INSTRUMENT 9·VOICE]
• Willener, Alfred: Musik och sociologi (1976) |70-88|SV|PA [1·SOCIOLOGY 2·PHILOSOPHY 3·DEFINE 4·ANTHROPOL.]

Musik og materialisme. Köbenhavn: Borgen (1978?) 352 pp. #87-418-4763-6 [BM-NIELSEN]
• Nielsen, Paul V 352 pp. #87-418-4763-6 [BM-NIELSEN]|PB [1·MARXISM 2·SOCIOLOGY 3·DEFINE 4·PHILOSOPHY 5·SOCIALISM 6·HISTORY 7·AESTHETICS]

Musik og samfund. Köbenhavn: Gyldendal (1977) 473 pp. #87-01-52731-2 [BM-GRAVESEN]
• Gravesen, Finn, ed. 473 pp. #87-01-52731-2 [BM-GRAVESEN]|PB [1·SOCIOLOGY 2·DENMARK 3·ROCK 4·JAZZ 5·EUROARTMUS 6·SCHLAGER 7·MUZAK 8·RADIO 9·CULTPOLIT. 10·EDUCATION]

Musikpädagogik - Forschung und Lehre, Band 05. Mainz: Schott (1974) 73 pp. #3-7957-1704-3 [BM-BLAUKOPF]
• Blaukopf, Kurt: Neue musikalische Verhaltensweisen der Jugend |DE|PB [1·YOUTH 2·PERCEIVE 3·SOCIOLOGY 4·ROCK]

Musikpädagogik - Forschung und Lehre, Band 11. Mainz: Schott (1976) 99 pp. #3-7957-1710-8 [BM-JOST]
• Jost, Ekkehard: Sozialpsychologische Faktoren der Popmusik-Rezeption |DE|PB [1·PSYCHOLOGY 2·AESTHETICS 3·ROCK 4·UK 5·USA 6·BRD 7·YOUTH 8·PERCEIVE 9·GENRES 10·CULT.STUDY]

Musik på en fabrik. Arbetet - musikanläggningen - arbetsmusiken. Göteborg: Stencilled Papers from the Musicology Department, 8501 (1985) 29 pp. #0349-3407 [JM-SPGUMD/TH]
• Thorsén, Stig-Magnus 29 pp. #0349-3407 [JM-SPGUMD/TH]|PB [1·MUZAK 2·RADIO 3·WORK 4·AUDIENCE 5·GENRES 6·PERCEIVE 7·MUSIC USES 8·SWEDEN 9·1980S]

Musik på en fabrik. Arbetet - musikanläggningen -arbetsmusiken. Göteborg: Stencilled Papers from the Musicology Department, (1985) 29 pp. #0349-3407 [CP325]
• Thorsén, Stig-Magnus 29 pp. #0349-3407 [CP325]|PB [1·SWEDEN 2·WORK 3·MUZAK 4·CULTPOLIT. 5·CULT.STUDY 6·STATISTICS 7·INTERVIEW 8·SOCIOLOGY 9·GENRES]

Musik på löpande band. Stockholm: Liber / Statens Ungdomsråd (1979) 72 pp. [BM-MUSIK P]
• Various 72 pp. [BM-MUSIK PÅ]|PB [1·MUS INDUST 2·CULT.STUDY 3·YOUTH 4·SWEDEN 5·SOCIOLOGY 6·STATISTICS]

Musik på Valltorp Om förutsättningarna för musik- och kulturverksamhet på ett servicehus. Göteborg: Stencilled Papers from the Musicology Department, 8503 (1985) #0349-3407 [BMA4-BARKEFO]
• Barkefors, Laila #0349-3407 [BMA4-BARKEFO]|PS [1·SWEDEN 2·HEALTH 3·SOCIOLOGY 4·MUSIC MAKE 5·CULTPOLIT.]

Musikpsychologie - eine Einführing. Köln: Gerig (1972) 147 pp. #3-87252-054-7 [BM-MOTTE]
• Motte-Haber, Helga de la 147 pp. #3-87252-054-7 [BM-MOTTE]|PB [1·PSYCHOLOGY 2·MUSICOLOGY 3·HANDBOOK 4·EDUC ITEM 5·DEFINE]

Musikpsychologie - ein Handbuch. München: Urban & Schwarzenberg (1985) #3-541-14291-X [BM-BRUHN]
• Andreas, Reinhard: Kreativität. Improvisation |243-259|DE|PA [1·PSYCHOLOGY 2·MUSIC EDUC 3·DEFINE 4·EUROARTMUS 5·JAZZ 6·SOCIALISAT]

Musikpsychologie - Ein Handbuch. Reinbek bei Hamburg: Rowohlts Enzyklopädie (1993) #3-499-55526-3 [BMREF-MUSIKP]
• Andreas, Reinhard: Improvisation |506-513|DE|PA [1·PSYCHOLOGY 2·DEFINE 3·SOCIALISAT 4·IMPROVISE]
• Andreas, Reinhard: Kreativität =Creativity |520-528|DE|PA [1·PSYCHOLOGY 2·DEFINE 3·SOCIALISAT 4·CREATE]

Musikpsychologie - ein Handbuch. München: Urban & Schwarzenberg (1985) #3-541-14291-X [BM-BRUHN]
• Antoni, Giovanni degli; Haus, Goffredo: Netz-Repräsentationen von Musikstücken |141-148|DE|PA [1·PSYCHOLOGY 2·PERCEIVE 3·MUSICOLOGY]

Musikpsychologie - Ein Handbuch. Reinbek bei Hamburg: Rowohlts Enzyklopädie (1993) #3-499-55526-3 [BMREF-MUSIKP]
• Baacke, Dieter: Jugendkultur und Musik |228-236|DE|PA [1·PSYCHOLOGY 2·YOUTH 3·DEFINE 4·GROUPS]

Musikpsychologie - ein Handbuch. München: Urban & Schwarzenberg (1985) #3-541-14291-X [BM-BRUHN]
• Bastian, Hans Günther: Zeitgenössische Musik |406-413|DE|PA [1·MOD.CLASS. 2·ELECTRONIC 3·BRD 4·AESTHETICS]

Musikpsychologie - Ein Handbuch. Reinbek bei Hamburg: Rowohlts Enzyklopädie (1993) #3-499-55526-3 [BMREF-MUSIKP]
• Beck, Karin: Rhythmus und Timing |459-465|DE|PA [1·PSYCHOLOGY 2·DEFINE 3·RHYTHM 4·SOCIALISAT]
• Behne, Klaus-Ernst: Musikpräferenzen und Musikgeschmak |339-353|DE|PA [1·PSYCHOLOGY 2·DEFINE 3·AESTHETICS 4·TASTE 5·IDEOLOGY]

Musikpsychologie - ein Handbuch. München: Urban & Schwarzenberg (1985) #3-541-14291-X [BM-BRUHN]
• Bharucha, Jamshed Jay: Kognitive Musikpsychologie |123-132|DE|PA [1·PSYCHOLOGY 2·MUSICOLOGY 3·DEFINE]
• Bimberg, Siegfried: Musikhörer und Gesellschaft. Komponist und Gesellschaft |302-312|DE|PA [1·COMPOSE 2·PERCEIVE 3·SOCIOLOGY 4·AUDIENCE 5·AESTHETICS 6·EUROARTMUS]

Musikpsychologie - Ein Handbuch. Reinbek bei Hamburg: Rowohlts Enzyklopädie (1993) #3-499-55526-3 [BMREF-MUSIKP]
• Blaukopf, Kurt: Tonträger |175-180|DE|PA [1·PSYCHOLOGY 2·MASS MEDIA 3·DEFINE]
• Bontinck, Irmgard: Kultureller Habitus und Musik |86-93|DE|PA [1·PSYCHOLOGY 2·CULT.STUDY 3·DEFINE]

Musikpsychologie - ein Handbuch. München: Urban & Schwarzenberg (1985) #3-541-14291-X [BM-BRUHN]
• Bradshaw, John L: Funktionsteilung im Gehirn |70-77|DE|PA [1·PSYCHOLOGY 2·NEUROLOGY 3·PERCEIVE]
• Brandl, Rudolf Maria: Musikkulturen im Vergleich |359-371|DE|PA [1·ANTHROPOL. 2·INTERNATNL 3·DEFINE 4·CULT.STUDY]
• Brandl, Rudolf Maria: Musik und veränderte Bewußtseinszustände |423-432|DE|PA [1·PSYCHOLOGY 2·ANTHROPOL. 3·HEALTH 4·NEUROLOGY 5·RELIGION 6·PERCEIVE 7·AFFECT 8·RITUAL]

Musikpsychologie - Ein Handbuch. Reinbek bei Hamburg: Rowohlts Enzyklopädie (1993) #3-499-55526-3 [BMREF-MUSIKP]
• Brandl, Rudolf Maria; Rösing, Helmut: Musikkulturen im Vergleich |57-73|DE|PA [1·PSYCHOLOGY 2· 3·DEFINE]
• Brandl, Rudolf Maria: Musik und veränderte Bewußtseinzustände Music and altered states of consciousness |599-612|DE|PA [1·PSYCHOLOGY 2·DEFINE 3·PERCEIVE 4·AFFECT]

Musikpsychologie - ein Handbuch. München: Urban & Schwarzenberg (1985) #3-541-14291-X [BM-BRUHN]
• Bruhn, Herbert: Laienmusizieren |399-406|DE|PA [1·AMATEURS 2·D.I.Y. 3·STATISTICS 4·BRD]

Musikpsychologie. Ein Handbuch in Schlüsselbegriffen. München: Urban & Schwarzenberg (1985) 582 pp. #3-541-14291-X [BM-BRUHN]
• Bruhn, Herbert, ed.; Oerter, Rolf, ed.; Rösing, Helmut, ed. 582 pp. #3-541-14291-X [BM-BRUHN]|PB [1·PSYCHOLOGY 2·NEUROLOGY 3·ACOUSTICS 4·STATISTICS 5·PERCEIVE 6·SKILLS 7·MUSIC EDUC 8·SOCIALISAT 9·SOCIOLOGY 10·GENRES]

Musikpsychologie - ein Handbuch. München: Urban & Schwarzenberg (1985) #3-541-14291-X [BM-BRUHN]
• Bruhn, Herbert, ed.; Oerter, Rolf, ed.; Rösing, Helmut, ed.: Musik und Psychologie - Musikpsychologie |3-11|DE|PA [1·PSYCHOLOGY 2·MUSICOLOGY 3·DEFINE]
• Bruhn, Herbert; Rösing, Helmut: Periodika |545-546|DE|PA [1·PSYCHOLOGY 2·BIBLIOGR. 3·BRD]
• Bruhn, Herbert: Psychomotorik |156-168|DE|PA [1·PSYCHOLOGY 2·NEUROLOGY 3·DEFINE]
• Bruhn, Herbert: Sinfonieorchester |417-423|DE|PA [1·ORCHESTRAL 2·EUROARTMUS 3·PERFORM 4·MUSICIANS 5·PSYCHOLOGY 6·PERCEIVE]
• Bruhn, Herbert: Traditionelle Methode der Musikbeschreibung |494-502|DE|PA [1·PSYCHOLOGY 2·PERCEIVE 3·STATISTICS 4·METHODOL. 5·MUSICOLOGY]

Musikpsychologie - ein Handbuch. München: Urban & Schwarzenberg (1985) #3-541-14291-X [BM-BRUHN]
• Burdach, Konrad: Synästhesien |188-192|DE|PA [1·PSYCHOLOGY 2·MUSICOLOGY 3·AFFECT 4·PERCEIVE]
• Buzasi, Nikolaus: Musikinstrumenten in der aktiven Musiktherapie |459-464|EN|PA [1·HEALTH 2·PSYCHOLOGY 3·INSTRUMENT 4·DEFINE]

Musikpsychologie - Ein Handbuch. Reinbek bei Hamburg: Rowohlts Enzyklopädie (1993) #3-499-55526-3 [BMREF-MUSIKP]
• Cuddy, Lola L: Synästhesie Synaesthetics |499-505|DE|PA [1·PSYCHOLOGY 2·DEFINE 3·SOCIALISAT 4·PERCEIVE]
• Decker-Voigt, Hans-Helmut; Bruhn, Herbert: Selbstverständnis der Musiktherapie Self-conception of Music Therapy |405-411|DE|PA [1·PSYCHOLOGY 2·DEFINE 3·SOCIALISAT 4·EDUCATION 5·HEALTH]

Musikpsychologie - ein Handbuch. München: Urban & Schwarzenberg (1985) #3-541-14291-X [BM-BRUHN]
• Deutsch, Diana: Verarbeitung und Repräsentation von Tonkombinationen |133-140|DE|PA [1·PSYCHOLOGY 2·MUSICOLOGY 3·DEFINE]
• Deutsch, Werner A: Musik und Computer |107-120|DE|PA [1·PSYCHOLOGY 2·ACOUSTICS 3·ELCTRNCMUS 4·NEUROLOGY]
• Dollase, Rainer; Rüsenberg, M; Stollenwerk, H J: Kohortenspzifische Sozialisation |204-209|DE|PA [1·PSYCHOLOGY 2·SOCIOLOGY 3·YOUTH 4·CHILDREN 5·SOCIALISAT 6·MUSIC EDUC 7·EUROARTMUS]
• Dollase, Rainer; Rüsenberg, M; Stollenwerk, H J: Konzertpublikum |378-385|DE|PA [1·PERFORM 2·AUDIENCE 3·SOCIOLOGY 4·PERCEIVE 5·EUROARTMUS 6·POPULARMUS 7·STATISTICS]
• Dowling, W Jay: Entwicklung von Melodie-Erkennen und Melodie-Produktion |216-222|DE|PA [1·PSYCHOLOGY 2·MUSIC EDUC 3·CHILDREN 4·MELODY 5·SOCIALISAT]

Musikpsychologie - Ein Handbuch. Reinbek bei Hamburg: Rowohlts Enzyklopädie (1993) #3-499-55526-3 [BMREF-MUSIKP]
• Eberlein, Roland: Konsonanz Consonance |478-485|DE|PA [1·PSYCHOLOGY 2·DEFINE 3·HARMONY 4·SOCIALISAT 5·]
• Fassbender, Christoph: Funktionsteilung im Cortex Division of functions in the cortex |622-629|DE|PA [1·PSYCHOLOGY 2·DEFINE 3·NEUROLOGY]
• Fassbender, Christoph: Hören von der Geburt |268-276|DE|PA [1·PSYCHOLOGY 2·DEFINE 3·CHILDREN 4·NEUROLOGY 5·ACOUSTICS]

Musikpsychologie - ein Handbuch. München: Urban & Schwarzenberg (1985) #3-541-14291-X [BM-BRUHN]
• Flender, Reinhard; Rauhe, Hermann: Schlager und Popularität |385-390|DE|PA [1·SCHLAGER 2·DEFINE 3·PT 4·MUSICOLOGY]
• Gabrielsson, Alf: Rhythmus und Zeiterleben |169-173|DE|PA [1·PSYCHOLOGY 2·TIME/SPACE 3·RHYTHM 4·PERCEIVE]
• Gembris, Heiner: Probleme in Forschung und Praxis (Musik und Therapie) |474-482|DE|PA [1·HEALTH 2·PSYCHOLOGY 3·DEFINE 4·METHODOL.]

Musikpsychologie - Ein Handbuch. Reinbek bei Hamburg: Rowohlts Enzyklopädie (1993) #3-499-55526-3 [BMREF-MUSIKP]
• Gembris, Heiner: Fähigkeiten und Aktivitäten im Erwachsenenalter |316-328|DE|PA [1·PSYCHOLOGY 2·DEFINE 3·AMATEURS 4·SOCIALISAT 5·MUSIC MAKE 6·PERCEIVE 7·AUDIENCE]

Musikpsychologie - ein Handbuch. München: Urban & Schwarzenberg (1985) #3-541-14291-X [BM-BRUHN]
• Gigerenzer, Gerd: Messung und Modellbildung |483-494|DE|PA [1·PSYCHOLOGY 2·METHODOL. 3·DEFINE 4·NEUROLOGY]
• Gigerenzer, Gerd: Räumliche Darstellung musikalischer Reize |509-513|DE|PA [1·PSYCHOLOGY 2·PERCEIVE 3·METHODOL. 4·DEFINE 5·TIME/SPACE 6·STATISTICS 7·MATHEMATIC]
• Gigerenzer, Gerd: Repertory-Test (Methoden in der Musikpsychologie) |524-529|EN|PA [1·PSYCHOLOGY 2·PERCEIVE 3·GENRES 4·METHODOL. 5·DEFINE 6·STATISTICS]
• Haesler, Ludwig: Musik und Psychoanalyse |259-266|DE|PA [1·PSYCHOLOGY 2·MUSICOLOGY 3·DEFINE]

Musikpsychologie - Ein Handbuch. Reinbek bei Hamburg: Rowohlts Enzyklopädie (1993) #3-499-55526-3 [BMREF-MUSIKP]
• Harrer, Gerhart: Beziehung zwischen Musikwahrnehmung und Emotionen =Relation bewteen musical perception and emotions |588-598|DE|PA [1·PSYCHOLOGY 2·DEFINE 3·PERCEIVE 4·AFFECT]

Musikpsychologie - ein Handbuch. München: Urban & Schwarzenberg (1985) #3-541-14291-X [BM-BRUHN]
• Harrer, Hildegund; Harrer, Gerhart: Funktionsteilung im Gehirn |78-86|DE|PA [1·PSYCHOLOGY 2·NEUROLOGY 3·PERCEIVE]

Musikpsychologie - Ein Handbuch. Reinbek bei Hamburg: Rowohlts Enzyklopädie (1993) #3-499-55526-3 [BMREF-MUSIKP]
• Heister, Hanns-Werner: Stellenwert der Musik im gesellschaftlichen System |103-112|DE|PA [1·PSYCHOLOGY 2·CULT.STUDY 3·DEFINE 4·POLITSTUDY 5·SOCIOLOGY]

Musikpsychologie - ein Handbuch. München: Urban & Schwarzenberg (1985) #3-541-14291-X [BM-BRUHN]
• Helms, Siegmund: Musik und Werbung |284-288|DE|PA [1·PSYCHOLOGY 2·ADVERTS 3·MUSIC EXX.]
• Hesse, Horst-Peter: Gehörspsychologie |87-99|DE|PA [1·PSYCHOLOGY 2·NEUROLOGY 3·PERCEIVE]
• Hesse, Horst-Peter: Konzonanztheorien |100-106|DE|PA [1·PSYCHOLOGY 2·NEUROLOGY 3·PERCEIVE]
• Hesse, Horst-Peter: Psychophysik |58-64|DE|PA [1·PSYCHOLOGY 2·NEUROLOGY 3·PERCEIVE]
• Hustwitt, Mark: Videoclip, Musikvideo |288-293|DE|PA [1·MUS INDUST 2·VIDEO 3·ROCK 4·AUDIENCE]

Musikpsychologie - Ein Handbuch. Reinbek bei Hamburg: Rowohlts Enzyklopädie (1993) #3-499-55526-3 [BMREF-MUSIKP]
• Illert, Michael: Die Motorik des Musizierens The motorics of music making |639-649|DE|PA [1·PSYCHOLOGY 2·DEFINE 3·NEUROLOGY]

Musikpsychologie - ein Handbuch. München: Urban & Schwarzenberg (1985) #3-541-14291-X [BM-BRUHN]
• Kalbermatten, Urs; Cranach, Mario von: Verhaltensbeobachtung (Methoden in der Musikpsychologie) |529-535|EN|PA [1·PSYCHOLOGY 2·PERCEIVE 3·METHODOL. 4·DEFINE]
• Kleinen, Günter: Musik als Mittel der Erziehung |323-331|DE|PA [1·MUSIC EDUC 2·EDUCATION 3·PSYCHOLOGY]
• Knierim, Julius: Musik in der anthroposophischen Heilpädagogik |464-468|DE|PA [1·HEALTH 2·MUSIC EDUC 3·PSYCHOLOGY 4·RELIGION 5·POLITSTUDY]
• Kormann, Adam: Lehrangebot in Musikpsychologie |546-548|EN|PA [1·PSYCHOLOGY 2·BIBLIOGR. 3·BRD]
• Kormann, Adam: Tests in der Musikpsychologie |502-509|DE|PA [1·PSYCHOLOGY 2·PERCEIVE 3·STATISTICS 4·METHODOL. 5·MUSICOLOGY]
• Kötter, Ebehard: Musikpräferenzen |323-331|DE|PA [1·AESTHETICS 2·EUROARTMUS 3·GENRES 4·SOCIOLOGY 5·STATISTICS 6·POPULARMUS]

Musikpsychologie - Ein Handbuch. Reinbek bei Hamburg: Rowohlts Enzyklopädie (1993) #3-499-55526-3 [BMREF-MUSIKP]
• Lang, Alfred: Absolutes Gehör =Perfect Pitch |558-564|DE|PA [1·PSYCHOLOGY 2·DEFINE 3·SOCIALISAT 4·PERCEIVE]
• Lehmann, Andreas C: Vomblattspiel und Erkennen musikalischer Formen Sight reading and recognition of musical forms |486-491|DE|PA [1·PSYCHOLOGY 2·DEFINE 3·MUS. FORM 4·SOCIALISAT 5·NOTATION 6·PERFORM]

Musikpsychologie - ein Handbuch. München: Urban & Schwarzenberg (1985) #3-541-14291-X [BM-BRUHN]
• Lesle, Lutz: Musikkritik |413-417|DE|PA [1·JOURNALISM 2·DEFINE 3·AESTHETICS]
• Linke, Norbert: Systematik der Musiktherapie |435-443|DE|PA [1·HEALTH 2·PSYCHOLOGY 3·NEUROLOGY 4·DEFINE]

Musikpsychologie - Ein Handbuch. Reinbek bei Hamburg: Rowohlts Enzyklopädie (1993) #3-499-55526-3 [BMREF-MUSIKP]
• Lumer-Henneböle, Beatrix: Musik in der Sonderpädagogik |376-381|DE|PA [1·PSYCHOLOGY 2·DEFINE 3·SOCIALISAT 4·EDUCATION 5·HEALTH]
• Maas, Georg: Filmmusik |203-207|DE|PA [1·PSYCHOLOGY 2·MASS MEDIA 3·DEFINE 4·FILM MUSIC]

Musikpsychologie - ein Handbuch. München: Urban & Schwarzenberg (1985) #3-541-14291-X [BM-BRUHN]
• Marx, Wolfgang: Freie Assoziationen und Ähnlichkeitsberechnungen |513-516|DE|PA [1·PSYCHOLOGY 2·PERCEIVE 3·SEMIOTICS 4·METHODOL. 5·DEFINE 6·STATISTICS 7·MATHEMATIC]
• Mezger, Werner: Diskothek und Walkman |390-394|DE|PA [1·DISCO 2·RECORDING 3·DANCE 4·MUS INDUST 5·YOUTH 6·SOCIALISAT]
• Moll, Heinrich Otto: Aktive Musiktherapie |455-459|DE|PA [1·HEALTH 2·PSYCHOLOGY 3·DEFINE]

Musikpsychologie - Ein Handbuch. Reinbek bei Hamburg: Rowohlts Enzyklopädie (1993) #3-499-55526-3 [BMREF-MUSIKP]
• Münch, Thomas: Konsumverhalten in der Musik |243-252|DE|PA [1·PSYCHOLOGY 2·CONSUME 3·DEFINE 4·GROUPS]

Musikpsychologie - ein Handbuch. München: Urban & Schwarzenberg (1985) #3-541-14291-X [BM-BRUHN]
• Niketta, Reiner: Rockmusikgruppen |385-390|DE|PA [1·ROCK 2·MUSICIANS 3·SOCIOLOGY 4·SOCIALISAT 5·STATISTICS 6·BRD]
• Niketta, Reiner: Urteils- und Meinungsbildung |312-323|DE|PA [1·AESTHETICS 2·DEFINE 3·PSYCHOLOGY 4·JAZZ 5·EUROARTMUS]

Musikpsychologie - Ein Handbuch. Reinbek bei Hamburg: Rowohlts Enzyklopädie (1993) #3-499-55526-3 [BMREF-MUSIKP]
• Niketta, Reiner: Urteils- und Meinungsbildung |329-338|DE|PA [1·PSYCHOLOGY 2·DEFINE 3·AESTHETICS 4·TASTE 5·IDEOLOGY]

Musikpsychologie - ein Handbuch. München: Urban & Schwarzenberg (1985) #3-541-14291-X [BM-BRUHN]
• Oerter, Rolf: Handlungstheoretische Ansätze in der Musikpsychologie |149-155|DE|PA [1·PSYCHOLOGY 2·DEFINE 3·MUSICOLOGY]
• Oerter, Rolf: Inhaltsanalyse (Methoden in der Musikpsychologie) |516-524|EN|PA [1·PSYCHOLOGY 2·PERCEIVE 3·METHODOL. 4· 5·DEFINE]
• Oerter, Rolf: Kultur und Musikpsychologie |347-351|DE|PA [1·PSYCHOLOGY 2·CULT.STUDY 3·SOCIOLOGY 4·DEFINE]

Musikpsychologie - Ein Handbuch. Reinbek bei Hamburg: Rowohlts Enzyklopädie (1993) #3-499-55526-3 [BMREF-MUSIKP]
• Oerter, Rolf: Handlungstheoretische Fundierung |253-267|DE|PA [1·PSYCHOLOGY 2·DEFINE 3·]
• Parncutt, Richard: Wechselwirkungen zwischen Schallereignissen Interaction between sound events |670-678|DE|PA [1·PSYCHOLOGY 2·DEFINE 3·NEUROLOGY]

Musikpsychologie - ein Handbuch. München: Urban & Schwarzenberg (1985) #3-541-14291-X [BM-BRUHN]
• Petermann, Franz: Veränderungsmessung (Methoden in der Musikpsychologie) |535-541|DE|PA [1·MUS. FORM 2·PSYCHOLOGY 3·PERCEIVE 4·METHODOL. 5·TIME/SPACE 6·DEFINE]

Musikpsychologie - Ein Handbuch. Reinbek bei Hamburg: Rowohlts Enzyklopädie (1993) #3-499-55526-3 [BMREF-MUSIKP]
• Petsche, Hellmuth: Zerebrale Verarbeitung Cerebral processing |630-638|DE|PA [1·PSYCHOLOGY 2·DEFINE 3·NEUROLOGY]

Musikpsychologie - ein Handbuch. München: Urban & Schwarzenberg (1985) #3-541-14291-X [BM-BRUHN]
• Pflederer-Zimmermann, M; Bruhn, Herbert: Entwicklungsforschung nach Piaget |210-215|DE|PA [1·PSYCHOLOGY 2·MUSIC EDUC 3·NEUROLOGY 4·YOUTH 5·CHILDREN 6·SKILLS 7·DEFINE]

Musikpsychologie - Ein Handbuch. Reinbek bei Hamburg: Rowohlts Enzyklopädie (1993) #3-499-55526-3 [BMREF-MUSIKP]
• Phelps, Thomas: Musik und Ideologie |94-102|DE|PA [1·PSYCHOLOGY 2·CULT.STUDY 3·DEFINE 4·POLITSTUDY]

Musikpsychologie - ein Handbuch. München: Urban & Schwarzenberg (1985) #3-541-14291-X [BM-BRUHN]
• Plattig, Karl-Heinz: Psychologie des Gehörs |31-57|DE|PA [1·PSYCHOLOGY 2·DEFINE 3·NEUROLOGY 4·ACOUSTICS 5·MUSICOLOGY]

Musikpsychologie - Ein Handbuch. Reinbek bei Hamburg: Rowohlts Enzyklopädie (1993) #3-499-55526-3 [BMREF-MUSIKP]
• Plattig, Karl-Heinz: Aufbau von Außen-, Mittel- und Innenohr Construction of the outer, middle and inner ear |613-621|DE|PA [1·PSYCHOLOGY 2·DEFINE 3·NEUROLOGY]
• Plattig, Karl-Heinz: Verarbeitung einzelner Schallereignisse Processing individual sound events |666-669|DE|PA [1·PSYCHOLOGY 2·DEFINE 3·NEUROLOGY]

Musikpsychologie - ein Handbuch. München: Urban & Schwarzenberg (1985) #3-541-14291-X [BM-BRUHN]
• Reinecke, Hans-Peter: Beziehungen der Musikpsychologie zu Musikästhetik, Musiksozologie und Musikpädagogik |23-28|DE|PA [1·PSYCHOLOGY 2·MUSICOLOGY 3·AESTHETICS 4·SOCIOLOGY 5·MUSIC EDUC]

Musikpsychologie - Ein Handbuch. Reinbek bei Hamburg: Rowohlts Enzyklopädie (1993) #3-499-55526-3 [BMREF-MUSIKP]
• Ribke, Wilfred: Üben =Practising music |546-557|DE|PA [1·PSYCHOLOGY 2·DEFINE 3·SOCIALISAT 4·PERFORM 5·] {Rehearsal}

Musikpsychologie - ein Handbuch. München: Urban & Schwarzenberg (1985) #3-541-14291-X [BM-BRUHN]
• Ribke, Wilfried: Lernvorgänge beim Instrumentalspiel |227-235|DE|PA [1·PSYCHOLOGY 2·MUSIC EDUC 3·EUROARTMUS]
• Riethmüller, Albrecht; Rösing, Helmut: Musik und Politik im 3. Reich |338-344|DE|PA [1·FASCISM 2·GERMANY 3·1930S 4·1940S 5·BIBLIOGR.]
• Rosenstiel, Lutz von; Fichtner, F; Weil, P: Musik im Kaufhaus |275-280|DE|PA [1·PSYCHOLOGY 2·MUZAK 3·EVERYDAY 4·PERCEIVE 5·PRODUCERS 6·BRD]
• Rosenstiel, Lutz von: Musik und Arbeitsleistung |280-284|DE|PA [1·PSYCHOLOGY 2·MUZAK 3·WORKERS 4·BRD 5·PERCEIVE 6·PRODUCERS]

Musikpsychologie - Ein Handbuch. Reinbek bei Hamburg: Rowohlts Enzyklopädie (1993) #3-499-55526-3 [BMREF-MUSIKP]
• Rosenstiel, Lutz von: Musik und Arbeit |157-167|DE|PA [1·PSYCHOLOGY 2·SOCIOLOGY 3·DEFINE 4·WORK]

Musikpsychologie - ein Handbuch. München: Urban & Schwarzenberg (1985) #3-541-14291-X [BM-BRUHN]
• Rösing, Helmut; Werner-Jensen, Karin: Entwicklung von Melodie-Erkennen und Melodie-Produktion |224-227|DE|PA [1·PSYCHOLOGY 2·PERCEIVE 3·DEFINE 4·MUSICOLOGY]
• Rösing, Helmut; Bruhn, Herbert: Geschichte der Musikpsychologie |12-22|DE|PA [1·PSYCHOLOGY 2·MUSICOLOGY 3·DEFINE 4·HISTORY]
• Rösing, Helmut, ed.; Bruhn, Herbert, ed.: Kommentierte Bibliographie |543-545|DE|PA [1·PSYCHOLOGY 2·BIBLIOGR. 3·BRD]
• Rösing, Helmut: Musik als Alltagerscheinung |269-275|DE|PA [1·PSYCHOLOGY 2·MASS MEDIA 3·EVERYDAY 4·PERCEIVE]
• Rösing, Helmut; Roederer, Juan G: Musik in der Entwicklung der Menschheit |351-359|DE|PA [1·NEUROLOGY 2·HISTORY 3·CULT.STUDY 4·ANTHROPOL.]
• Rösing, Helmut: Musik und Emotion |180-187|DE|PA [1·PSYCHOLOGY 2·MUSICOLOGY]
• Rösing, Helmut: Musik und Massenmedien |293-302|DE|PA [1·MASS MEDIA 2·HISTORY 3·POPULARMUS 4·DEFINE 5·PERCEIVE]

Musikpsychologie - ein Handbuch. München: Urban & Schwarzenberg (1985) #3-541-14291-X [BM-BRUHN]
• Schwabe, Ralph: Rezeptive Musiktherapie |447-452|DE|PA [1·HEALTH 2·PSYCHOLOGY 3·DEFINE]
• Selle, Ernst-Walter: Musiktherapie und Psychotherapie |443-447|DE|PA [1·HEALTH 2·PSYCHOLOGY 3·NEUROLOGY 4·DEFINE]
• Shuter-Dyson, Rosamund: Musikalische Begabung |235-243|DE|PA [1·PSYCHOLOGY 2·MUSIC EDUC 3·DEFINE]
• Shuter-Dyson, Rosamund: Musikalische Sozialisation durch Elternhaus und Schule |195-203|DE|PA [1·PSYCHOLOGY 2·SOCIOLOGY 3·YOUTH 4·CHILDREN 5·SOCIALISAT 6·MUSIC EDUC 7·EUROARTMUS]

Musikpsychologie - Ein Handbuch. Reinbek bei Hamburg: Rowohlts Enzyklopädie (1993) #3-499-55526-3 [BMREF-MUSIKP]
• Shuter-Dyson, Rosamund: Einfluß von Peers, Elternhaus, Schule und Medien |305-315|DE|PA [1·PSYCHOLOGY 2·DEFINE 3·CHILDREN 4·YOUTH 5·SOCIALISAT]
• Shuter-Dyson, Rosamund: Tonaliät und Harmoniegefühl |299-304|DE|PA [1·PSYCHOLOGY 2·DEFINE 3·CHILDREN 4·HARMONY 5·PERCEIVE 6·]
• Sloboda, John A: Begabung und Hochbegabung =Talent and exceptional talent |565-578|DE|PA [1·PSYCHOLOGY 2·DEFINE 3·SOCIALISAT 4·PERCEIVE]

Musikpsychologie - ein Handbuch. München: Urban & Schwarzenberg (1985) #3-541-14291-X [BM-BRUHN]
• Spintge, Ralph: Einsatz von Musik in der traditionellen Medizin |452-455|EN|PA [1·HEALTH 2·PSYCHOLOGY 3·DEFINE]

Musikpsychologie - Ein Handbuch. Reinbek bei Hamburg: Rowohlts Enzyklopädie (1993) #3-499-55526-3 [BMREF-MUSIKP]
• Spintge, Reinhard: Musik in der klinischen Medizin |397-404|DE|PA [1·PSYCHOLOGY 2·DEFINE 3·SOCIALISAT 4·EDUCATION 5·HEALTH]
• Spreng, Manfred: Lärmwirkungen Effects of noise |655-665|DE|PA [1·PSYCHOLOGY 2·DEFINE 3·NEUROLOGY 4·HEALTH]
• Spychinger, Maria: Musik und außermusikalische Lerninhalte |360-367|DE|PA [1·PSYCHOLOGY 2·DEFINE 3·PSYCHOLOGY 4·SOCIALISAT 5·IDEOLOGY]
• Steinberg, Reinhard: Psychische Krankheiten und Musik |388-396|DE|PA [1·PSYCHOLOGY 2·DEFINE 3·SOCIALISAT 4·EDUCATION 5·HEALTH]
• Stoffer, Thomas H: Strukturmodelle |466-477|DE|PA [1·PSYCHOLOGY 2·DEFINE 3·MUS. FORM 4·SOCIALISAT]

Musikpsychologie - ein Handbuch. München: Urban & Schwarzenberg (1985) #3-541-14291-X [BM-BRUHN]
• Stroh, Wolfgang Martin: Alternative Musikszene |394-399|DE|PA [1·PROGRESSIV 2·YOUTH 3·POLITSTUDY 4·D.I.Y. 5·STATISTICS 6·JAZZ 7·ROCK 8·BRD]

Musikpsychologie - Ein Handbuch. Reinbek bei Hamburg: Rowohlts Enzyklopädie (1993) #3-499-55526-3 [BMREF-MUSIKP]
• Stroh, Wolfgang Martin: Alternative Musikszene |228-236|DE|PA [1·PSYCHOLOGY 2·YOUTH 3·DEFINE 4·GROUPS 5·POLITICS 6·OPPOSE]

Musikpsychologie - ein Handbuch. München: Urban & Schwarzenberg (1985) #3-541-14291-X [BM-BRUHN]
• Strube, Gerhard: Lokalisation von Schallereignissen |65-70|DE|PA [1·PSYCHOLOGY 2·NEUROLOGY 3·PERCEIVE]

Musikpsychologie - Ein Handbuch. Reinbek bei Hamburg: Rowohlts Enzyklopädie (1993) #3-499-55526-3 [BMREF-MUSIKP]
• Tauchnitz, Jürgen: Musik in der Werbung |168-174|DE|PA [1·PSYCHOLOGY 2·ADVERTS 3·DEFINE]

Musikpsychologie - ein Handbuch. München: Urban & Schwarzenberg (1985) #3-541-14291-X [BM-BRUHN]
• Vocke, Johanna: Empirische Forschung (Musik und Therapie) |468-474|DE|PA [1·HEALTH 2·PSYCHOLOGY 3·DEFINE 4·METHODOL.]

Musikpsychologie - Ein Handbuch. Reinbek bei Hamburg: Rowohlts Enzyklopädie (1993) #3-499-55526-3 [BMREF-MUSIKP]
• Willms, Harm: Regression in der Musiktherapie |431-438|DE|PA [1·PSYCHOLOGY 2·DEFINE 3·SOCIALISAT 4·EDUCATION 5·HEALTH]
• Winter, Rainer; Kagelman, H Jürgen: Videoclip |208-220|DE|PA [1·PSYCHOLOGY 2·MASS MEDIA 3·DEFINE 4·VIDEO 5·ROCK]

Musikrevy, 1983/1. Stockholm: Musikrevy (1983) [CP322211]
• Skog, Inge: Vad händer i svensk musikvetenskap |34-37|SV|PA [1·MUSICOLOGY 2·REVIEW 3·SWEDEN]

Musikrevy, 32/5. Saltsjöbaden: (1977) [CP822-1-21]
• Cnattingius, Claes M: I Sverige vid sekelskiftet |008|SV|PA [1·TECHNOLOGY 2·HISTORY 3·RECORDING 4·SWEDEN]
• Hahn, Ove: Trubaduren och skivindustrin |019|SV|PA [1·SWEDEN 2·SSONGWRITR 3·MUS INDUST]
• Melin, Bengt: Från Edison till 4-kanal |002|SV|PA [1·TECHNOLOGY 2·HISTORY 3·RECORDING]
• Roundquist, Helge: När 'den svenska skivan' började snurra |013|SV|PA [1·TECHNOLOGY 2·HISTORY 3·RECORDING 4·SWEDEN 5·MUS INDUST]

Musikrörelsen: en motoffentlighet?. Göteborg: Röda Bokförlaget (1979) 89 pp. #91-85258-24-5 [BM-FORNŽS]
• Fornäs, Johan 89 pp. #91-85258-24-5 [BM-FORNÄS]|PB [1·SWEDEN 2·ROCK 3·YOUTH 4·1960S 5·1970S 6·POLITSTUDY 7·ORGANISE 8·CAPITALISM 9·AESTHETICS 10·GENRES]

Musik som avbild av verkligheten. Några reflektioner kring Albrecht Riethmüllers bok med samma namn. Göteborg: Musikvetenskap (1976) 11 pp. [CP822-111-21]
• Ling, Jan 11 pp. [CP822-111-21]|UX [1·SEMIOTICS 2·REVIEW 3·AESTHETICS 4·DEFINE 5·BIBLIOGR.] {RIETHMÜLLER, A; LENIN, V I; KURTH, E; HANSLICK, E; MOLES, A; HEGEL; LUKACS, G; RIEMANN, H}

Musik som skapar vänligare miljö. Stockholm: Funktionell Musik/Philips (n.d.) [BM-MUSIK]
• Anon [BM-MUSIK]|PS [1·MUZAK 2·DOCUMENT 3·1970S 4·SWEDEN]

Musikspelet. Det svenska musiksamhället av idag. Göteborg: Göteborgs universitet (1980) 282 pp. #91-7260-489-1 [BM-KARLSSON]
• Karlsson, Henrik 282 pp. #91-7260-489-1 [BM-KARLSSON]|PB [1·SWEDEN 2·1970S 3·SOCIOLOGY 4·ORGANISE 5·CULTPOLIT. 6·MUS INDUST]

Musikterapi. 1publ, Klett, Stuttgart 1973. Stockholm: W & W (1977) #91-46-12738-0 [BM-GECK]
• Alvin, Juliette; Geck, Martin, ed.: Långsiktig musikterapi med en autistisk pojke |103-113|SV|PA [1·EUROPE 2·HEALTH 3·PSYCHOLOGY 4·EDUCATION 5·MUSIC MAKE 6·IMPROVISE]
• Geck, Martin |103-113|SV|PA [1·EUROPE 2·HEALTH 3·PSYCHOLOGY 4·NEUROLOGY 5·EDUCATION 6·COMPOSE 7·DEFINE]
• Geck, Martin; Kagel, Mauricio: Samtal mellan Mauricio Kagel och Martin Geck |56-70|SV|PA [1·EUROPE 2·HEALTH 3·PSYCHOLOGY 4·COMPOSE 5·MUSIC MAKE 6·IMPROVISE 7·EDUCATION]
• Geck, Martin: Terapi för terapeuter |92-102|SV|PA [1·EUROPE 2·HEALTH 3·PSYCHOLOGY 4·EDUCATION 5·MUSIC MAKE 6·IMPROVISE]
• Merkt, Irmgard: Gruppimprovisation med psykotiska patienter |86-91|SV|PA [1·EUROPE 2·HEALTH 3·PSYCHOLOGY 4·EDUCATION 5·MUSIC MAKE 6·IMPROVISE]
• Reissberger, Karin |86-91|SV|PA [1·HEALTH 2·PSYCHOLOGY 3·MUSIC MAKE 4·NETHERLAND 5·AUSTRIA 6·SCANDINAVI 7·SWISS 8·HUNGARY 9·YUGOSLAVIA 10·ORGANISE]

Musikterapi - bot eller bedövning? En kritisk diskussion om musiken i samhället. 1 publ. Klett, Stuttgart (1973). Stockholm: Wahlström & Widstrand (1977) 141 pp. #91-46-12738-0 [BM-GECK]
• Geck, Martin; Wiking, Philippa, trans. 141 pp. #91-46-12738-0 [BM-GECK]|PB [1·EUROPE 2·HEALTH 3·NEUROLOGY 4·EDUCATION 5·PSYCHOLOGY 6·CULTPOLIT. 7·USA 8·BIBLIOGR.]

Musik und Ästhetik, 1/2. Stuttgart: Klett-Cotta (1997) #3-608-98576-X [JM-MUSIKUNDA]
• Behrens, Roger: Das hedonistische Ohr. Präliminarien zur Ästhetik musikalischer Subkulturen |75-92|DE|PA [1·POPULARMUS 2·DEFINE 3·AESTHETICS]
• Ette, Wolfram: Surgi de la coupe et du bond. Stéphane Mallarmé/Maurice Ravel |35-74|DE|PA [1·FRANCE 2·EUROARTMUS 3·C20]
• Holtemeier, Ludwig: Nich Kunst? Nicht Wissenschaft? Zur Lage der Musiktheorie |119-138|DE|PA [1·MUSICOLOGY 2·GERMANY 3·ENGLAND 4·FRANCE 5·USA]
• Körber, Till A: Lachenmanns Schriften Review of complete works of Helmut Lachenmann |147-149|DE|PA [1·MUSICOLOGY 2·REVIEW]
• Lange, Annette: Lektüren zur Klangkosmologie |150-155|DE|PA [1·AESTHETICS 2·PHILOSOPHY] {cosmology; metaphysics}
• Mahnkopf, Claus-Steffen: Ferneyhoughs Streichtrio |93-104|DE|PA [1·C20 2·UK 3·AVANTGARDE 4·EUROARTMUS]
• Spahn, Claudia: Das Geheimnis der Kehle. Über Oper und Homosexualität |156-159|DE|PA [1·OPERA 2·SEX/GENDER]
• Tadday, Ulrich; Mahnkopf, Claus-Steffen, ed.: Systhemtheorie und Musik. Luhmanns Variante der Autonomieästhetik Discussion of theories put forward by Niklas Luhmann (Univ of Bielefeld) about the aesthetics and sociology of music |13-34|DE|PA [1·AESTHETICS 2·SOCIOLOGY]
• Ziermann, Christoph: Jenseits des Marktes |137-146|DE|PA [1·BUSINESS] {Adorno, Th W; Benjamin, W}

Musik und Bildung, 1971/1. Mainz (1971) [CP-306181]
• Blaukopf, Kurt: Strukturanalyse des Musiklebens - Erfahrungen, Modelle, Aufgaben (Korreferat) |11-15|DE|PA [1·MASS MEDIA 2·MUS INDUST 3·SOCIOLOGY 4·CULTPOLIT. 5·BRD]

Musik und Bildung, 1974/6. (1974) [CP316071]
• Rösing, Helmut: Die Modifikation des Höreindrucks durch technische Vermittlung von Musik |434-438|DE|PA [1·PERCEIVE 2·AUDIENCE 3·PSYCHOLOGY 4·MUSICOLOGY 5·MASS MEDIA]

Musikundervisning i omvandling. (nd) [CP 318053]
• Petrén-Hansson, Inga: Musikdramatisering - ett arbetssätt |SV|US [1·CHILE 2·VIOLENCE 3·AFRICA 4·MUSIC EDUC 5·DRAMA]

Musik und Gesellschaft, 01/1. Reprint of original periodical. Berlin: Das europäische Buch (1978) #3-920-30383-0 [BM-MUSIK UND]
• Besseler, Heinrich; Kolland, Dorothea, ed.: Der Zugang zur Musik aus der Alltägligkeit (1930) |3-5|DE|PA [1·EVERYDAY 2·PERCEIVE 3·GERMANY 4·1930S]
• Boettcher, Hans: Musik und Gesellschaft als Arbeitsprogramm (1930) |14-21|DE|PA [1·GERMANY 2·1930S 3·SOCIOLOGY 4·DEFINE 5·WORK 6·EVERYDAY 7·ORGANISE 8·CULTPOLIT.]
• Hindemith, Paul: Forderungen an den Laien (1930) |8-10|DE|PA [1·GERMANY 2·1930S 3·EUROARTMUS 4·AMATEURS 5·SKILLS]
• Jöde, Fritz: Musik und Gesellschaft: eine Einleitung (1930) |1-2|DE|PA [1·GERMANY 2·1930S 3·YOUTH 4·EDUCATION 5·POLITICAL]
• Naumann, Kurt Wilhelm: Musik und Gesellschaft vom Arbeiterlaien aus gesehen (1930) |10-12|DE|PA [1·GERMANY 2·1930S 3·WORKERS 4·SOCIOLOGY]
• Preussner, Eberhard: Musikpolitik: ihr Aufgabenkreis und ihre Grundzüge (1930) |21-22|DE|PA [1·GERMANY 2·1930S 3·CULTPOLIT. 4·TECHNOLOGY]
• Suhrkamp, Peter: Musik in der Schule (1930) |5-8|EN|PA [1·GERMANY 2·1930S 3·MUSIC EDUC 4·VOCAL MUS.]
• Thöne, Fritz: Die Situation des reproduzierenden Musikers (1930) |12-14|DE|PA [1·PERFORM 2·MUS INDUST 3·AESTHETICS 4·EUROARTMUS 5·POPULARMUS 6·POLITSTUDY]

Musik und Gesellschaft, 01/2. Reprint of original periodical. Berlin: Das europäische Buch (1978) #3-920-30383-0 [BM-MUSIK UND]
• Bücher, Karl; Kolland, Dorothea, ed.: Der Rhythmus als ökonomisches Entwicklungsprinzip (1930) |44-46|DE|PA [1·GERMANY 2·1930S 3·WORK 4·MUZAK 5·RHYTHM]
• Emsheimer, Ernst: Die soziale Bedeutung der Musik im proletarischen Werktag (1930) |46-50|DE|PA [1·GERMANY 2·1930S 3·INTERVIEW 4·EVERYDAY 5·WORK 6·SOCIOLOGY]
• Engel, Hans: Rhythmus der Zeit (1930) |54-56|DE|PA [1·GERMANY 2·1930S 3·EUROPE 4·FOLK MUSIC 5·RHYTHM]
• Kowalewsky, Gerhard: Musik im modernen Großwerkbetrieb (1930) |57-59|DE|PA [1·GERMANY 2·1930S 3·WORK 4·RHYTHM 5·TECHNOLOGY 6·DOCUMENT]
• Man, Henrik de: Die Wirkung des Rhythmus im Vollzug industrialisierter Werkarbeit (1930) |41-43|DE|PA [1·GERMANY 2·1930S 3·WORK 4·MUZAK 5·RHYTHM]
• Weigel, Helga: Musikalischer Rhythmus als Mittel der Leistungssteigerung bei der Schreibmaschinenarbeit (1930) |60-61|DE|PA [1·GERMANY 2·1930S 3·WORK 4·RHYTHM 5·TECHNOLOGY 6·DOCUMENT]
• Zech, Gertrud: Musikalischer Rhythmus bei der Fabrikarbeit (1930) |59-60|DE|PA [1·GERMANY 2·1930S 3·WORK 4·RHYTHM 5·TECHNOLOGY 6·DOCUMENT]

Musik und Gesellschaft, 01/3. Reprint of original periodical. Berlin: Das europäische Buch (1978) #3-920-30383-0 [BM-MUSIK UND]
• Hanisch, Erich; Kolland, Dorothea, ed.: Wie steht der Dorfbewohner zur Musik? (1930) |82-83|DE|PA [1·GERMANY 2·1930S 3·RURAL]
• Hartmann, Hans: Musik im heutigen Italien (1930) |84-85|DE|PA [1·ITALY 2·1930S 3·CULTPOLIT. 4·ORGANISE 5·EUROARTMUS 6·POPULARMUS]
• Sonner, Rudolf: Der Typus des großstädtischen Musikverbrauchers (1930) |73-76|DE|PA [1·GERMANY 2·1930S 3·SOCIOLOGY 4·CONSUME 5·MUS INDUST 6·COMMUNITY]
• Twittenhoff, Wilhelm: Musik auf dem Lande (1930) |79-81|DE|PA [1·GERMANY 2·1930S 3·RURAL]
• Zobeley, Fritz: Musik und Laie in der mittleren Kleinstadt (1930) |76-79|EN|PA [1·GERMANY 2·1930S 3·CULTPOLIT. 4·ORGANISE 5·URBAN]

Musik und Gesellschaft, 01/4. Reprint of original periodical. Berlin: Das europäische Buch (1978) #3-920-30383-0 [BM-MUSIK UND]
• Boettcher, Hans; Trede, Hilmar; Kolland, Dorothea, ed.: Lehrstück (1930) |112-116|DE|PA [1·GERMANY 2·1930S 3·DRAMA 4·OPERA 5·EDUCATION 6·POLITSTUDY 7·AESTHETICS]
• Brecht, Bert: Zur Soziologie der Oper. Anmerkungen zu "Mahagonny" (1930) |105-112|DE|PA [1·GERMANY 2·1930S 3·OPERA 4·CABARET 5·POLITSTUDY 6·DRAMA 7·SOCIOLOGY]
• Emsheimer, Ernst; Kowalewsky, Gerhard: Diskussion: Mechanischer Arbeitsvollzug, Arbeitslied, Freizeit (1930) |120-123|DE|PA [1·GERMANY 2·1930S 3·WORK 4·LEISURE 5·EVERYDAY 6·DEFINE 7·POLITSTUDY]
• Ginsburg, Leo: Laienmusik im neuen Rußland (1930) |126-127|DE|PA [1·USSR 2·1930S 3·AMATEURS 4·LEISURE 5·WORK 6·PERFORM 7·ORGANISE 8·CULTPOLIT.]
• Hopf, Otto; Schorisch, Werner: Brecht-Weills Schuloper im Urteil der Schuler (1930) |118-120|DE|PA [1·GERMANY 2·1930S 3·DRAMA 4·MUSIC EDUC 5·REVIEW 6·YOUTH]
• Schlesinger, Lotte: Musikalische Lehrspiele der Kinder (1930) |117-118|DE|PA [1·GERMANY 2·1930S 3·MUSIC EDUC 4·CHILDREN 5·DRAMA]
• Zanzig, Augustus D: Liebhabermusik und Freizeitbewegung in Amerika (1930) |123-126|EN|PA [1·MUSIC USES 2·1930S 3·LEISURE 4·AMATEURS 5·VOCAL MUS. 6·SOCIOLOGY 7·CULTPOLIT.]

Musik und Gesellschaft, 01/5. Reprint of original periodical. Berlin: Das europäische Buch (1978) #3-920-30383-0 [BM-MUSIK UND]
• Bukofzer, Manfred; Kolland, Dorothea, ed.: Zur Frage der Wirklichkeit des Musizierens (1930) |147-151|DE|PA [1·GERMANY 2·1930S 3·IDEALISM 4·MUSIC MAKE 5·EVERYDAY]
• Dent, Edward J: Englische Musik (die musikgesellschaftliche Lage in ausländischen Staaten) (1930) |153-156|DE|PA [1·UK 2·1930S 3·IDEALISM 4·DOCUMENT]
• Twittenhoff, Wilhelm; Heiss, Hermann: Diskussion: "Lehrstück" (1930) |147-151|DE|PA [1·GERMANY 2·1930S 3·DRAMA 4·OPERA 5·MUSIC EDUC 6·REVIEW]
• Zuckmayer, Eduard; Luserke, Martin: Musik und Laienspiel (1930) |137-143|DE|PA [1·GERMANY 2·1930S 3·OPERA 4·VOCAL MUS. 5·LEISURE 6·ORGANISE 7·AMATEURS]

Musik und Gesellschaft, 01/6. Reprint of original periodical. Berlin: Das europäische Buch (1978) #3-920-30383-0 [BM-MUSIK UND]
• Amster, Isabella; Kolland, Dorothea, ed.: Klavierübung im Alltag des Musizierens (1930) |172-176|DE|PA [1·GERMANY 2·1930S 3·EUROARTMUS 4·PIANO 5·EVERYDAY]
• Griepentrog, Fritz: Strawinskys Klavierstück als Gegenstand musikgeschichtskundlicher Übung (1930) |183-186|DE|PA [1·1930S 2·EUROARTMUS 3·MUSIC EDUC 4·SKILLS 5·PIANO]
• Kracauer, Siegfried: Der Dichter im Warenhaus (1930) |196-197|DE|PA [1·GERMANY 2·1930S 3·URBAN 4·POETRY]
• Leifs, Jón: Nationalismus und Kunst (die musikgesellschaftlige Lage in ausländischen Staaten) (1930) |190-191|DE|PA [1·1930S 2·ICELAND 3·NATIONALSM 4·IDEALISM 5·ELITISM 6·SCANDINAVI]
• Limbach, Reinhard: Klavierübung einst und jetzt im Sortiment (1930) |181-183|DE|PA [1·PIANO 2·1930S 3·MUSIC EDUC 4·SKILLS]
• Mortensen, Otto: Mittelstädtisches Musikleben und Laientum in Dänemark (1930) |191-193|DE|PA [1·1930S 2·DENMARK 3·CULTPOLIT. 4·AMATEURS 5·MUSIC EDUC]
• Stravinsky, Igor: Warum meine Musik nicht geschätzt wird (1930) |169-176|DE|PA [1·1930S 2·MOD.CLASS. 3·INTERVIEW]
• Trede, Gertrud: Das vierhändige Klavierspielen in der heutigen Situation (1930) |176-183|DE|PA [1·PIANO 2·1930S 3·MUSIC EDUC 4·SKILLS]

Musik und Gesellschaft 1930/31. Reprint 1978. Berlin: Das europäische Buch (1978) xxx+264 pp. #3-920-30383-0 [BM-MUSIK UND]
• Kolland, Dorothea, ed. xxx+264 pp. #3-920-30383-0 [BM-MUSIK UND]|PB [1·GERMANY 2·1930S 3·MUSIC USES 4·SOCIOLOGY 5·POLITICAL 6·EVERYDAY 7·POPULARMUS 8·FOLK MUSIC 9·AMATEURS 10·DOCUMENT]

Musik und Verstehen. Köln: Gerig (1973) #3-87252-076-8 [BM-MUSIK UND]
• Bengtsson, Ingmar; Faltin, Peter, ed.; Reinecke, Hans-Peter, ed.: Verstehen - Prolegomena zu einem semiotisch-hermeneutischen Ansatz |11-36|DE|PA [1·AESTHETICS 2·SEMIOTICS 3·MUSICOLOGY 4·PHILOSOPHY 5·EUROARTMUS 6·HERMENEUT.]
• Dahlhaus, Carl: Das 'Verstehen' von Musik und die Sprache der musikalischen Analyse |37-47|DE|PA [1·MUSICOLOGY 2·AESTHETICS 3·MUS.ANALYS 4·COMMUNTHEO 5·SEMIOTICS]
• Faltin, Peter: Der Verstehensbegriff im Bereich des Ästhetischen |48-57|DE|PA [1·AESTHETICS 2·COMMUNTHEO 3·SEMIOTICS 4·PHILOSOPHY]
• Faltin, Peter; Reinecke, Hans-Peter: Vorwort |7-10|DE|PA [1·ANTHOLOGY 2·MUSICOLOGY 3·EUROARTMUS 4·SEMIOTICS 5·AESTHETICS 6·COMMUNTHEO 7·PHILOSOPHY]
• Goldschmidt, Harry: Musikverstehen als Postulat |67-86|DE|PA [1·EUROARTMUS 2·MUSICOLOGY 3·AESTHETICS 4·COMMUNTHEO]
• Hartje, Klas: Ansätze des musikalischen Verstehens bei Kindern |87-103|DE|PA [1·CHILDREN 2·MUSIC EDUC 3·PSYCHOLOGY 4·AESTHETICS 5·MUSICOLOGY]
• Harweg, Roland: Verstehbare Welt und ästhetische Welt |104-120|DE|PA [1·PHILOSOPHY 2·AESTHETICS 3·PSYCHOLOGY]
• Karbušicky, Vladimir: Das 'Verstehen der Musik' in der soziologisch-ästhetischen Empirie |121-147|DE|PA [1·PERCEIVE 2·SOCIOLOGY 3·MUSICOLOGY 4·AESTHETICS 5·EUROARTMUS 6·AFFECT]
• Kneif, Tibor: Anleitung zum Nichtverstehen eines Klangobjekts |148-170|DE|PA [1·PSYCHOLOGY 2·MUSICOLOGY 3·AESTHETICS 4·COMMUNTHEO]
• Kubik, Gerhard: Verstehen in afrikanischen Musikkulturen |171-188|DE|PA [1·PERCEIVE 2·AFRICA 3·FOLK MUSIC 4·ANTHROPOL. 5·PSYCHOLOGY 6·MUSICOLOGY]
• Laske, Otto E: On the Understandning and Design of Aesthetic Artefacts |189-218|EN|PA [1·PHILOSOPHY 2·MUSIC MAKE 3·DEFINE 4·]
• Lissa, Zofia: Ebenen des musikalischen Verstehens |217-246|DE|PA [1·PSYCHOLOGY 2·AESTHETICS 3·SEMIOTICS 4·MUSICOLOGY]
• Nattiez, Jean-Jacques: Y a-t-il un diégèse musicale |247-257|FR|PA [1·SEMIOTICS 2·MUSICOLOGY 3·PHILOSOPHY 4·EUROARTMUS 5·AESTHETICS]
• Reinecke, Hans-Peter: 'Musikalisches Verstehen' als Aspekt komplementärer Kommunikation |258-275|DE|PA [1·SEMIOTICS 2·MUSICOLOGY 3·PHILOSOPHY 4·EUROARTMUS 5·AESTHETICS]
• Schaff, Adam: Das Verstehen der verbalen Sprache und das 'Verstehen' der Musik |276-288|DE|PA [1·SEMIOTICS 2·MUSICOLOGY 3·PHILOSOPHY 4·EUROARTMUS 5·AESTHETICS]
• Sziborsky, Lucia: Das Problem des Verstehens und der Begriff der 'Adäquanz' bei Adorno |289-305|DE|PA [1·EUROARTMUS 2·PHILOSOPHY 3·AESTHETICS 4·MUSICOLOGY]
• Tal, Josef: Rationale und sensitive Komponenten des Verstehens |306-313|DE|PA [1·PHILOSOPHY 2·AESTHETICS]
• Zaminer, Frieder: Über die Herkunft des Ausdrucks 'Musik verstehen' |314-219|DE|PA [1·PHILOSOPHY 2·HISTORY 3·EUROARTMUS 4·AESTHETICS]
• Zoltai, Denes: Zur Typologie des Verstehensproblems in der Ästhetik des 19. Jahrhundert |320-337|DE|PA [1·PHILOSOPHY 2·AESTHETICS 3·HISTORY 4·EUROARTMUS 5·COMMUNTHEO 6·SEMIOTICS]

Musikutbildning och Musikliv - fortlöpande dialog mellan ideal och verklighet. Göteborg: typescript (1983) [CP324208]
• Ling, Jan [CP324208]|US [1·AESTHETICS 2·EUROPE 3·]

Musikvetenskap. Stockholm: Esselte (1973) xvi+448 pp. #91-24-21690-9 [BM-BENGTSSON]
• Bengtsson, Ingmar xvi+448 pp. #91-24-21690-9 [BM-BENGTSSON]|PB [1·MUSICOLOGY 2·EUROARTMUS 3·HISTORY 4·EUROPE 5·DEFINE 6·AESTHETICS 7·PHILOSOPHY 8·SEMIOTICS 9·MUSIC EXX. 10·GENRES]

Musikvetenskapliga institutionen vid Stockholms universitet. Historik 1956-1984. Stockholm: Skrifter från Musikvetenskapliga inst. nr 6 (1985) 92 pp. [BM-TEGEN]
• Tegen, Martin 92 pp. [BM-TEGEN]|PB [1·MUSICOLOGY 2·SWEDEN 3·BIBLIOGR.]

Musikvetenskap och populärmusikens semiotik. Göteborg: Stencilled Papers from the Musicology Department, 8601 (1986) #0349-3407 [BMA4-TAGG]
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Das Musikwerk, Heft 36. Köln: Arno Volk (1970) 123 pp. [BMA4-STOCKME]
• Stockmeier, Wolfgang; Fellerer, Karl-Gustav, ed.: Die Programmusik |DE|PB [1·PROGRAMMUS 2·EUROPE 3·BAROQUE 4·EUROARTMUS 5·MOD.CLASS. 6·MUSIC EXX.]

Musikwissenschaftliche Schriften, 7. München & Salzburg: Katzbichler (1977) 169+ pp. #3-87397-106-2 [BM-ROSING]
• Rösing, Helmut: Musikalische Stlisierung akustischer Vorbilder in der Tonmalerei |DE|PB [1·EUROPE 2·EUROARTMUS 3·PROGRAMMUS 4·AFFECT 5·PSYCHOLOGY 6·MUSIC EXX. 7·SEMIOTICS 8·TONE POEM 9·ILL.]

La musique comme forme de connaissance - projet de thèse de doctorat. Montréal: Université de Montréal, Département de sociologie (1984) [CP193253]
• Grenier, Line [CP193253]|US [1·TIME/SPACE 2·PHILOSOPHY 3·DEFINE]

De la musique considérée en elle-même et dans ses rapports avec la parole, les langues, la poésie et les théâtres. Per Druud's compendium? (1785) xcr pp. [CP495-010]
• Chabanon, Michel-Paul Guy de xcr pp. [CP495-010]|PB [1·AESTHETICS 2·SEMIOTICS]

Musique dans les messages publicitaires. Montréal (1980) [CP195006]
• Destrempes, Josée [CP195006]|US [1·ADVERTS 2·MUSIC EXX. 3·CANADA 4·QUÉBEC 5·MUS.ANALYS 6·Stud.Proj.]

La musique dans les messages publicitaires. Montréal (1980) [CP195139]
• Destrempes, Josée [CP195139]|US [1·MUSICOLOGY 2·MUSIC EXX. 3·ADVERTS 4·CANADA 5·QUÉBEC 6·Stud.Proj.]

La musique des inuit du caribou. Cinq perspectives méthodologiques. Presses de l'Université de Montréal (1981) 231 pp. #2-7606-0513-2 [BMA4-PELINSK]
• Pelinski, Ramón 231 pp. #2-7606-0513-2 [BMA4-PELINSK]|PB [1·CANADA 2·MUSICOLOGY 3·ANTHROPOL. 4·MUSIC EXX. 5·SEMIOTICS 6·FEMINISM]

La musique du film. Paris: Editions van de Velde (1979) 516 pp. #2-86299-005-1 [BMR-FILM-LAC]
• Lacombe, Alain; Rocle, Claude 516 pp. #2-86299-005-1 [BMR-FILM-LAC]|PB [1·FILM MUSIC 2·REFERENCE 3·FRANCE 4·USA 5·UK 6·ITALY]

Musique en jeu, 02. Paris: Éditions du Seuil (1971) [JM-MUSIQUE E]
• Adorno, Theodor Wiesengrund: Sociologie de la musique Traduit par S D Jameux (Francfort 1967) |5-13|FR|PA [1·SOCIOLOGY 2·SEMIOTICS 3·PHILOSOPHY 4·METHODOL. 5·POLITSTUDY 6·ENTERTAIN 7·EUROARTMUS]
• Berio, Luciano: Commentaires au rock |56-66|FR|PA [1·ROCK 2·AESTHETICS 3·PROGRESSIV 4·INNOVATE 5·1960S 6·UK 7·USA 8·RECORDING 9·POLITSTUDY 10·MOD.CLASS.]
• Bizot, Jean-François: Les pop hereux ont une histoire + quelques d‚finitions et compl‚ments |74-80|FR|PA [1·ROCK 2·1960S 3·GENRES 4·HISTORY 5·INNOVATE 6·AVANTGARDE 7·USA 8·UK 9·DEFINE 10·AESTHETICS]
• Constantin, Philippe: Pop et profit, le changement dans la continuité |95-101|FR|PA [1·USA 2·FRANCE 3·ROCK 4·MUS INDUST 5·1960S 6·1970S 7·INNOVATE 8·MOR 9·POLITSTUDY]
• Court, Raymond: Langage verbal et langage esthétiques |14-27|FR|PA [1·SEMIOTICS 2·DEFINE 3·PHILOSOPHY]
• Haessig, Georges: Une expérience de détournement, le F.L.I.P. (Force de libération et d'intervention pop) |93-95|FR|PA [1·FRANCE 2·1960S 3·YOUTH 4·OPPOSE 5·REVOLUTION 6·ORGANISE 7·FESTIVAL 8·LEISURE 9·ROCK 10·POLITSTUDY]
• Hirsch, Jean-François: La cause du pop est-elle insaisissable? |66-72|FR|PA [1·ROCK 2·1960S 3·USA 4·FESTIVAL 5·YOUTH 6·OPPOSE 7·SUBCULTURE 8·POLITSTUDY]
• Hirsch, Jean-François; Maynadié, Robert: Dossier pop music: bibliographie, revues, filmographie, discographie pop de base |102-110|FR|PA [1·USA 2·UK 3·FRANCE 4·1960S 5·1970S 6·BIBLIOGR. 7·DISCOGR. 8·CATALOGUE 9·OPPOSE 10·ROCK]
• Hirsch, Jean-François: La radicalisation pop |72-74|FR|PA [1·ROCK 2·1960S 3·USA 4·LYRICS 5·OPPOSE 6·POLITSTUDY]
• Lemery, Denys: Musique contemporaine, pop-music et free-jazz, convergences et divergences |80-87|FR|PA [1·ROCK 2·1960S 3·UK 4·INNOVATE 5·JAZZ 6·MOD.CLASS.]
• Lyotard, Jean-François; Avron, Dominique: "A Few Words To Sing" (sur Sequenza III de Berio) |28-42|FR|PA [1·ITALY 2·FRANCE 3·MOD.CLASS. 4·MUSIC EXX. 5·SEMIOTICS 6·PHILOSOPHY 7·MUSICOLOGY]
• Mache, François-Bernard: A propos de John Cage |50-56|FR|PA [1·USA 2·FRANCE 3·MOD.CLASS. 4·POLITSTUDY]
• Maynadié, Robert: Quelques balises dans un souterrain. Introduction à l'underground |87-93|FR|PA [1·USA 2·UK 3·1960S 4·1970S 5·ROCK 6·JAZZ 7·OPPOSE 8·SUBCULTURE 9·AESTHETICS]
• Winckel, Fritz: Musique dans l'espace et musique spatiale |43-49|FR|PA [1·ARCHITECT. 2·TIME/SPACE 3·ACOUSTICS]

Musique en jeu, 24. Paris: Editions du Seuil (1976) [JM-MUSIQUE]
• Bruston, A: Entendre ou voir? |65-67|FR|PA [1·URBAN 2·EUROPE 3·SOCIOLOGY 4·MUSIC USES 5·ARCHITECT. 6·SOUND 7·SOUNDSCAPE 8·PERCEIVE 9·VIS. ARTS]
• Caby, Robert: Musique dans la ville - chronique |95-97|FR|PA [1·URBAN 2·EUROARTMUS]
• Dehoux, Vincent: Ethnomusicologie IV. Inde du Nord (musique savante) I |107-114|FR|PA [1·INDIA 2·EUROARTMUS 3·MUSICOLOGY 4·MUSIC EXX.]
• François, Jean-Charles: Université et Musique (2e partie) |98-103|FR|PA [1·USA 2·FRANCE 3·EUROARTMUS 4·MOD.CLASS. 5·GENRES]
• Hirsch, Jean-François: La défaite urbaine (I) |45-53|FR|PA [1·FOLK MUSIC 2·RURAL 3·URBAN 4·FRANCE 5·1970S 6·YOUTH]
• Jeudy, Henri-Pierre: Fêtes, musique et morcellement de la ville |55-64|FR|PA [1·FRANCE 2·EUROPE 3·HISTORY 4·SOUND 5·ENVIRONMNT 6·AESTHETICS 7·MUSIC USES 8·URBAN 9·PHILOSOPHY]
• Jeudy, Henri-Pierre: Hauts et bas quartiers de la pop-music |5-18|FR|PA [1·URBAN 2·ROCK 3·EUROPE 4·ENVIRONMNT 5·TIME/SPACE 6·FESTIVAL 7·USA 8·YOUTH 9·1960S 10·1970S]
• Lefebvre, Henri: La musique utilitaire |75-83|FR|PA [1·INTERVIEW 2·HISTORY 3·EUROPE 4·PHILOSOPHY 5·SOCIALISAT 6·SOUND 7·AESTHETICS 8·ANTHROPOL.]
• Lortat-Jacob, Bernard: Jean-Jacques Nattiez, Fondements d'une sémiologie de la musique |104-107|FR|PA [1·SEMIOTICS 2·FRANCE 3·REVIEW]
• Machayekhi, A: Musique-en-ville |34-43|FR|PA [1·BRAZIL 2·URBAN 3·DANCE 4·MUSIC USES 5·AESTHETICS 6·1960S 7·1970S 8·JAZZ 9·POLITSTUDY]
• Nattiez, Jean-Jacques: Ingmar Bergman ou l'autre survie de l'art lyrique |115-120|FR|PA [1·REVIEW 2·FILM 3·OPERA 4·1970S 5·EUROPE 6·AESTHETICS 7·VIS. ARTS]
• Raemackers, Rémi: Les lieux propitiatoires du rock |84-94|FR|PA [1·USA 2·UK 3·EUROPE 4·ROCK 5·OPPOSE 6·RITUAL 7·MYSTICISM 8·1960S 9·1970S]
• Sansot, Pierre: Existence des bruits et bruit des existences |19-28|FR|PA [1·SOUND 2·URBAN 3·EUROPE 4·USA 5·AESTHETICS 6·PHILOSOPHY 7·SOCIALISAT 8·1960S 9·1970S]
• Tallon, Roger: La musique utilitaire |68-74|FR|PA [1·INTERVIEW 2·MUZAK 3·LEISURE 4·POLITSTUDY 5·PHILOSOPHY 6·MUSIC USES 7·PSYCHOLOGY]

Musique et identité à l'île de la Réunion (CD ROM). Montréal: Université de Montréal (1999) [CDROM-REUNIO]
• Desroches, Monique, ed. [CDROM-REUNIO]|PX [1·ANTHROPOL. 2·ANTHROPOL. 3·MUSIC EXX. 4·ILL.]

La musique et le cinéma. Paris: PUF (1959) 113 pp. [BM-HACQUARD]
• Hacquard, Georges 113 pp. [BM-HACQUARD]|PB [1·FILM 2·SILENTFILM 3·AESTHETICS 4·GENRES 5·MUSICOLOGY 6·RECORDING 7·TIME/SPACE 8·MUS. FORM 9·EUROPE 10·USA]

Musique et publicité. Du Cri de Paris aux messages publicitaires radiophoniques et télévisés. Paris: Flammarion (1989) 336 pp. #2-08-066292-9 [BM-JULIEN]
• Julien, Jean-Rémy 336 pp. #2-08-066292-9 [BM-JULIEN]|PB [1·MUSICOLOGY 2·MELODY 3·ADVERTS 4·HISTORY 5·FRANCE 6·SEMIOTICS]

Musique et vie quotidienne. Paris: Mame (1973) #2-250-00512-5 [BM-BEAUD]
• Beaud, Paul; Beaud, Paul, ed.; Willener, Alfred, ed.: L'électro-acoustique |21-108|FR|PA [1·FRANCE 2·1960S 3·1970S 4·SOCIOLOGY 5·MUSICIANS 6·COMPOSE 7·RECORDING 8·MOD.CLASS. 9·JAZZ 10·YOUTH]
• Beaud, Paul, ed.; Willener, Alfred, ed. |21-108|FR|PA [1·FRANCE 2·1960S 3·1970S 4·SOCIOLOGY 5·MUSICIANS 6·YOUTH 7·EVERYDAY]
• Gerber, Alain: L'improvisation instrumentale |153-204|FR|PA [1·FRANCE 2·1970S 3·SOCIOLOGY 4·JAZZ 5·IMPROVISE]
• Roux, Alain: La musique pop |109-150|FR|PA [1·FRANCE 2·1960S 3·1970S 4·SOCIOLOGY 5·ROCK 6·MUSICIANS 7·POLITSTUDY 8·AUDIENCE 9·YOUTH]
• Willener, Alfred; Ganty, Alex: L'improvisation non-instrumentale. Le groupe Faire: exploration, improvisation, construction |205-267|FR|PA [1·FRANCE 2·1970S 3·SOCIOLOGY 4·JAZZ 5·IMPROVISE]

La musique expressive. Paris: PUF (1957) 130 pp. [BM-SUPICIC]
• Supicic, Ivo 130 pp. [BM-SUPICIC]|PB [1·AESTHETICS 2·EUROPE 3·PHILOSOPHY 4·SEMIOTICS 5·EUROARTMUS]

La musique hongroise. Paris: PUF (Que sais-je? 816) (1959) 128 pp. [BM-QUE SAIS]
• Vigue, J; Gergely, J 128 pp. [BM-QUE SAIS]|PB [1·HISTORY 2·HUNGARY 3·EUROARTMUS 4·FOLK MUSIC 5·MUSIC EXX.]

Musiques du XXe siècle (Musiques, vol. 1). 1pub Einaudi, Torino, 2001. Paris: Actes Sud/Cité de la musique (2003) #2-7427-4204-2 [BM-NATTIEZ]
• Albèra, Philippe: L'opéra |377-440|FR|PA
• Albèra, Philippe: Modernité 1. Le matériau sonore |213-233|FR|PA
• Albèra, Philippe: Modernité 2. La forme musicale |234-263|FR|PA
• Albèra, Philippe: Le mythe et l'inconscient |136-157|FR|PA
• Albèra, Philippe: Tradition et la rupture de tradition |113-135|FR|PA
• Baroni, Mario: Groupes sociaux et goûts musicaux |1147-1168|FR|PA
• Baroni, Mario: Naissance et décadence des avant-gardes |89-112|FR|PA
• Battier, Marc: Laboratoires |558-574|FR|PA
• Battier, Marc: Science et technologie comme sources d'inspiration |512-532|FR|PA
• Béhague, Gérard: L'influence de la musique africaine sur les musiques traditionnelles et populaires de l'Amérique Latine |1239-1268|FR|PA [1·AFRICA 2·L AMERICA 3·BRAZIL 4·COLOMBIA 5·VENEZUELA 6·ARGENTINA 7·URUGUAY] {Guyana; Surinam}
• Bolvin, Jean: Musique et nature |484-511|FR|PA
• Bujic, Bojan: Nationalismes et traditions nationales |175-194|FR|PA [1·SPAIN 2·HUNGARY 3·POLAND 4·CZECHOSLOV 5·UK 6·L AMERICA 7·USA 8·RUSSIA 9·USSR 10·GERMANY]
• Colbert, François: Aspects économiques de la vie musicale |1108-1131|FR|PA
• Cross, Jonathan: Compositeurs et institutions en Grande-Bretagne |575-596|FR|PA [1·UK 2·EUROARTMUS]
• Dalmonte, Rosanna: Voix |441-467|FR|PA
• Danuser, Herrman: "L'école de Darmstadt" et son mythe |264-282|FR|PA
• Delalande, François: Le paradigme électroacoustique Musique concrŠte; ‚lectronique; ‚lectroacoustique |533-557|FR|PA
• Fabbri, Franco: La chanson |674-702|FR|PA
• Fabbri, Franco: Concerts et festivals rock |993-1008|FR|PA [1·ROCK 2·FESTIVAL 3·PERFORM]
• Frith, Simon: L'industrialisation de la musique et le problème de la valeur |1132-1146|FR|PA
• Gould, Glenn: Réflexions sur le processus créateur |1379-1391|FR|PA [1·EUROARTMUS]
• Griffiths, Paul: La musique classique à New York et à Londres |1069-1093|FR|PA [1·EUROARTMUS]
• Guastoni, Mimma: Aspects économiques de l'édition musicale |1094-1107|FR|PA [1·COPYRIGHT 2·TECHNOLOGY 3·MUSIC PUBL 4·MUS INDUST]
• Hains, Jacques: Du rouleau de cire au disque compact |901-938|FR|PA [1·RECORDING 2·RADIO 3·RADIO 4·CASSETTES 5·TECHNOLOGY 6·MUS INDUST 7·HISTORY]
• Imberty, Michel: Continuité et discontinuité |632-658|FR|PA
• Imbrie, Andrew: La musique américaine dans et en dehors des universités |597-619|FR|PA
• Kano, Tamio: Un panorama musical de Tokyo |1045-1068|FR|PA [1·JAPAN]
• Klüppenholz, Werner: Le musicien-acteur |468-473|FR|PA
• Kubik, Gerhard: Présence de la musique africaine dans le jazz |1203-1238|FR|PA [1·AFRICA 2·JAZZ 3·USA]
• L'Écuyer, Sylvia: La musique classique à la radio |954-968|FR|PA [1·EUROARTMUS 2·RADIO]
• Macchiarella, Ignazio: De la musique ethnique à la musique de divertissement |1304-1321|FR|PA [1·FOLK MUSIC 2·WORLD MUS. 3·AUTHENTIC 4·ENTERTAIN]
• Marconi, Luca: Muzak, jingles et vidéclips |807-831|FR|PA [1·MUZAK 2·ADVERTS 3·VIDEO]
• Menger, Pierre-Michel: Le public de la musique contemporaine |1169-1188|FR|PA
• Molino, Jean: Le pur et l'impur |659-673|FR|PA
• Molino, Jean: Technologie, mondialisation du XXe siècle |69-88|FR|PA
• Moore, Allan F: La musique pop |832-849|FR|PA
• Morricone, Ennio: Un compositeur derrière le caméra |795-806|FR|PA
• Nattiez, Jean-Jacques: Comment raconter le XXe siècle |39-68|FR|PA
• Nattiez, Jean-Jacques; Nattiez, Jean-Jacques, ed.: Une encyclopédie pour le xxie siècle |23-38|FR|PA
• Nattiez, Jean-Jacques: La musique de l'avenir |1392-1424|FR|PA
• Olivier, Dominique: Les "musiques actuelles" |1335-1346|FR|PA
• Pacini Hernandez, Deborah: World Music et World Beat |1322-1334|FR|PA [1·WORLD MUS.]
• Pacoda, Pierfrancesco; Stefani, Gino: Rave, techno, transe |850-861|FR|PA [1·HOUSE/RAVE]
• Pasticci, Susanna: Musique religieuse et spiritualité |323-347|FR|PA
• Pelinski, Ramón: La migration d'un genre: le cas du tango |1269-1291|FR|PA [1·TANGO 2·ARGENTINA]
• Poirier, Alain: Les fonctions de la musique au cinéma |750-776|FR|PA [1·FILM MUSIC]
• Pozzi, Raffaele: L'idéologie néclassique |348-376|FR|PA
• Provost, Serge: Complexité / simplicité / complexité |620-631|FR|PA [1·FRANCE 2·GERMANY 3·EUROARTMUS]
• Rattalino: Les prima donna: chanteurs, instrumentistes, chefs d'orchestre |1032-1044|FR|PA [1·EUROARTMUS 2·STARS 3·SINGERS] {conductors}
• Rea, John: Postmodernisme(s) |1347-1378|FR|PA
• Rivest, Johanne: Aléa, happening, improvisation, oeuvre ouverte |474-483|FR|PA
• Rizzardi, Veniero: Musique, politique, idéologies |158-174|FR|PA
• Rochelle, Réal La: Le disque et les multinationales |939-953|FR|PA
• Rochelle, Réal La: Le metteur en scène et la musique de film: un témoignage des frères Taviani |777-794|FR|PA [1·FILM MUSIC]
• Schafer, R Murray: Musique / non-musique : intersections |1189-1202|FR|PA [1·SOUNDSCAPE]
• Shepherd, John: Musique, pop et sexualité |877-900|FR|PA
• Smoje, Dujka: L'audible et l'inaudible |283-322|FR|PA
• Souchard, Maryse: Rap et protestation sociale |862-876|FR|PA
• Tamasuza, Justinian: La musique savante contemporaine en Afrique |1292-1303|FR|PA [1·AFRICA 2·EUROARTMUS]
• Veilleux, Michel: L'opéra, du cinéma à la vidéo |969-992|FR|PA [1·OPERA 2·MASS MEDIA 3·FILM 4·VIDEO]
• Villanueva, Patrick: Le jazz |719-749|FR|PA
• Vinay, Gianfranco: La comédie musicale |703-718|FR|PA
• Vlasselaer, Jean-Jacques van: Les festivals de musique classique et d'opéra |1009-1031|FR|PA [1·OPERA 2·PERFORM 3·FESTIVAL]
• Vlasselaer, Jean-Jacques van: La musique dans les camps de concentration nazis |195-212|FR|PA [1·FASCISM 2·GERMANY]

Det musiske menneske. Oslo: Freidig Forlag (1989) 375 pp. #82-991694-1-0 [BM-BJORKVOLD]
• Björkvold, Jon-Roar 375 pp. #82-991694-1-0 [BM-BJORKVOLD]|PB [1·CHILDREN 2·BEHAVIOUR 3·MUSICOLOGY 4·MUSIC EXX. 5·SEMIOTICS 6·PSYCHOLOGY 7·ILL. 8·EDUCATION 9·SOCIALISAT]

Mussorgsky. London: J M Dent (1946) 216 pp. [BM-MUSSORGSK]
• Calvocoressi, M D 216 pp. [BM-MUSSORGSK]|PB [1·EUROARTMUS 2·ROMANTIC 3·NATIONALSM 4·RUSSIA 5·C19 6·COMPOSERS 7·BIOGRAPHY 8·ILL.]

Mussorgsky's "Pictures at an Exhibition". Comparative study of versions by Ravel, Stokowski, Emerson Lake & Palmer. Göteborg: Musikhögskolan (student paper) (1977) [CP209093-128]
• Agerberg, Torbjörn [CP209093-128]|US [1·EUROARTMUS 2·PROGRAMMUS 3·ROCK 4·MUSIC EXX. 5·MUSICOLOGY]

Het muzikale serialisme als techniek en als denkmethode. (1950-1975). Gent: Faculteit van de Letteren en Wijsbegeerte, Univ. Gent (1977) 440 pp. [BM-SABBE]
• Sabbe, Herman 440 pp. [BM-SABBE]|PB [1·BELGIUM 2·MOD.CLASS. 3·COMPOSE 4·AESTHETICS 5·HISTORY 6·PHILOSOPHY 7·MUSIC EXX. 8·MUSICOLOGY 9·12-TONE 10·DISS. PhD.]

Muzikale wasverzachters Ä Beinvloeding door populaire muziek. Amersfoort: NSKV (schrift 17) (1981) [BMA4-TAGG]
• Tagg, Philip [BMA4-TAGG]|PS [1·MUS INDUST 2·EDUC ITEM 3·ROCK 4·ADVERTS 5·MUZAK 6·FILM MUSIC 7·SYMPHONY 8·MASS MEDIA 9·NETHERLAND]

Muzikološki zbornik, 20. Ljubljana: Musicological Annual (1984) [CP453094]
• Doubranova, Jarmila: Musical Forms as Models of Communication |1612-1617|EN|PA [1·SEMIOTICS 2·DEFINE]
• Fukac^, Jir^í: Musikgebundene Innovationsvorgänge: ein Sonderfall der dialektik des musikalischen und außermusikalischen |101-110|DE|PA [1·PHILOSOPHY 2·DEFINE 3·INNOVATE]

Muzykant-ispolnitel' i publika - Sotsiologicheskie problemy sovremennoi kontsertoi zhizni. Leningrad: Muzyka (1985) 159 pp. [BM-KAPUSTIN]
• Kapustin, Yuri 159 pp. [BM-KAPUSTIN]|PB [1·EUROARTMUS 2·USSR 3·PERFORM 4·SOCIOLOGY 5·STATISTICS 6·ROCK 7·DANCE 8·OPERA 9·DRAMA]

Muzyka telewizyjna - o specyfice gatunku. Warzawa: Wydawnictwa Radia i Telewizji (1980) 252 pp. #83-212-0126-1 [BM-KOFIN]
• Kofin, Ewa 252 pp. #83-212-0126-1 [BM-KOFIN]|PB [1·TELEVISION 2·VIS. ARTS 3·AESTHETICS 4·PRODUCERS 5·PERCEIVE 6·EUROARTMUS]

Mystery Train: Images of America in Rock'n'roll Music. London: Omnibus Press (1977) 280 pp. #0-86001-311-1 [BM-MARCUS]
• Marcus, Greil 280 pp. #0-86001-311-1 [BM-MARCUS]|PB [1·USA 2·ROCK 3·1950S 4·1960S 5·1970S 6·GENRES 7·DISCOGR. 8·MUS INDUST 9·AUDIENCE 10·MUSICIANS]

Myth and Music - A Semiotic Approach to the Aesthetics of Music, especially that of Wagner, Sibelius and Stravinsky. Helsinki: Suomen Musiikkitieteellinen Seura (1978) 364 pp. #951-953353-2 [BM-TARASTI]
• Tarasti, Eero 364 pp. #951-953353-2 [BM-TARASTI]|PB [1·SEMIOTICS 2·MUSICOLOGY 3·PROGRAMMUS 4·OPERA 5·ROMANTIC 6·AESTHETICS 7·FINLAND 8·MYTHOLOGY 9·SYMPHONY 10·MUSIC EXX.]

När rocken slog i Sverige. Svensk rockhistoria 1955-1965. Stockholm: Sweden Music Förlags AB (1984) 156 pp. #91-86644-04-1 [BM-BROLINSON]
• Brolinson, Per-Erik; Larsen, Holger 156 pp. #91-86644-04-1 [BM-BROLINSON]|PB [1·SWEDEN 2·ROCK 3·HISTORY 4·1950S 5·1960S 6·DANCE 7·MUS INDUST 8·MUSICIANS 9·ILL. 10·RADIO]

The Nashville Sound: Bright Lights and Country Music. New York: Simon and Schuster (1971) 209 pp. #0-671-78117-0 [BM-HEMPHILL]
• Hemphill, Paul 209 pp. #0-671-78117-0 [BM-HEMPHILL]|PB [1·USA 2·1960S 3·C&W 4·MUS INDUST 5·RECORDING 6·MASS MEDIA 7·EVERYDAY 8·STARS 9·MUSICIANS 10·AUDIENCE]

Nature as a Musical Mood Category. Göteborg: IASPM Internal Publications 8206. http://www.tagg.org/articles/nature.pdf [1998] (1982) [CP500001]
• Tagg, Philip [CP500001]|PS [1·NATURE 2·MOOD MUSIC 3·SYMPHONY 4·AFFECT 5·POLITSTUDY 6·PRODUCERS 7·COMMUNTHEO 8·SEMIOTICS 9·AESTHETICS 10·PERCEIVE]

Naturen som symbol. Stockhom: Liber (1982) #93-98-90239-7 [BCP-NATU]
• Tagg, Philip; Allwood, Jens, ed.; Frängsmyr, Tore, ed.; Svedin, Uno, ed.: Natur i massmediemusik |161-199|SV|PA [1·NATURE 2·MOOD MUSIC 3·SYMPHONY 4·AFFECT 5·POLITSTUDY 6·PRODUCERS 7·COMMUNTHEO 8·SEMIOTICS 9·AESTHETICS 10·PERCEIVE]

Necessary Iluusions. Thought control in democratic societies. Toronto: CBC/SRC/Anansi (Massey Lecture Series) (1991) #0-88784-574-6 [BCP-CHOMSKY]
• Chomsky, Noam #0-88784-574-6 [BCP-CHOMSKY]|PB [1·POLITICS 2·IDEOLOGY 3·USA]

Neil Young and the Poetics of Energy. Bloomington: Indiana University Press (2005) #0-253-21768-7 [BM-ECHARD]
• Echard, William #0-253-21768-7 [BM-ECHARD]|PB [1·ROCK 2·CANADA 3·USA 4·SOCIOLOGY 5·POLITICS 6·MUSICOLOGY 7·MUSICIANS 8·LYRICS]

Neue Musik aus Lateinamerika. Berlin: Hochschule der Künste (1984) [BMA4-AHARONI]
• Aharonián, Coriún: Andere lateinamerikanische Komponisten |21-23|DE|PA [1·MOD.CLASS. 2·L AMERICA 3·PROGRESSIV 4·BIOGRAPHY 5·HISTORY]
• Aharonián, Coriún: Bibliographie |34-41|DE|PA [1·MOD.CLASS. 2·L AMERICA 3·PROGRESSIV 4·BIOGRAPHY 5·HISTORY]
• Aharonián, Coriún: Biographien und Kommentare |11-21|DE|PA [1·MOD.CLASS. 2·L AMERICA 3·PROGRESSIV 4·BIOGRAPHY 5·HISTORY]
• Aharonián, Coriún: Lateinamerika heute |34-41|DE|PA [1·MOD.CLASS. 2·L AMERICA 3·PROGRESSIV 4·BIOGRAPHY 5·HISTORY]
• Etkin, Mariano: Überlegungen zur Avantgarde-Musik in Lateinamerika |26-27|DE|PA [1·L AMERICA 2·MOD.CLASS.]
• Garcia, Fernando: Musik und Engagement |25-26|DE|PA [1·L AMERICA 2·MOD.CLASS.]
• Orellana, Joaquin: Zu einer eigenen lateinamerikanischen Sprache in der heutigen Musik |27-29|DE|PA [1·L AMERICA 2·MOD.CLASS.]
• Paraskevaidis, Graciela: Cursos latinoamericanos de música contemporânea |42-44|SP|PA [1·EDUCATION 2·L AMERICA 3·CULT.STUDY 4·MOD.CLASS. 5·POPULARMUS 6·IASPM]
• Paraskevaidis, Graciela: Die komponierende Frau in Lateinamerika |29-34|DE|PA [1·L AMERICA 2·MOD.CLASS. 3·COMPOSERS 4·WOMEN]
• Roldan, Amadeo: Brief an Henry Cowell |24-25|DE|PA [1·L AMERICA 2·MOD.CLASS.]
• Schnebel, Dieter: Begegnung mit neuer lateinamerikanischen Musik |9-11|DE|PA [1·L AMERICA 2·MOD.CLASS.]

Neues Handbuch der Musikwissenschaft, 10. Wiesbaden: Athenaion (1983) [BMA4-MAYER]
• Mayer, Günter; Dahlhaus, Carl: Musiksoziologische Reflexionen |109-170|DE|PA [1·GENRES 2·MUSICOLOGY 3·DEFINE 4·HISTORY 5·CULT.STUDY 6·AESTHETICS 7·EUROARTMUS]

The New Grove Dictionary of Music and Musicians, 15. London: Macmillan (1980) #1-56159-174-2 [BMR]
• Buelow, George J: Rhetoric and music |793-803|EN|PA [1·AFFECT 2·SEMIOTICS 3·MUSICOLOGY 4·MUSIC EXX. 5·BAROQUE 6·RENAISSNC. 7·C16 8·C17]

New Media - A Challenge to Cultural Policies. Report on a Research Project undertaken by Mediacult. Wien: VWGÖ (1987) [CL002028-051]
• Wallis, Roger; Malm, Krister: National Identity in a Changing World of Media Technology |135-176|EN|PA [1·NATIONALSM 2·MASS MEDIA 3·MUS INDUST 4·CULTPOLIT. 5·WORLD MUS.]

The New Music. London: Bay Books (1980) 128 pp. #0-85835-493-4 [BMA4-BAKER]
• Baker, Glenn A; Coupe, Stuart 128 pp. #0-85835-493-4 [BMA4-BAKER]|PB [1·ROCK 2·PUNK 3·NEW WAVE 4·USA 5·UK 6·1970S]

New Patterns of Musical Behaviour. Wien: Universal Edition. (1974) #1-234-567-89-1 [BM-BONTINCK]
• Alekseev, Eduard Y; Golovinskii, Grigoriy L; Bontink, Irmgard, ed.: From the Experience of the Moscow Youth Music Club: On the question of the socio-psychogical |91-102|EN|PA [1·BIBLIOGR. 2·PSYCHOLOGY 3·SOCIOLOGY 4·STATISTICS 5·GENRES 6·CONSUME 7·YOUTH]
• Ambrozic-Paic, Arlette: Mass Media and Pop Groups in Yugoslavia |119-128|EN|PA [1·BUSINESS 2·RECORDS 3·FESTIVAL 4·EDUC ITEM 5·FOLK MUSIC 6·ROCK 7·STATISTICS 8·YOUTH 9·MEDIA IND. 10·YUGOSLAVIA]
• Arvidson, Peter: On Interest, Activity and Taste in Music |142-155|EN|PA [1·MEDIA IND. 2·STATISTICS 3·GENRES 4·CONSUME 5·YOUTH 6·SWEDEN]
• Beaud, Paul: Musical Sub-cultures in France |212-218|EN|PA [1·AESTHETICS 2·SOCIOLOGY 3·ROCK 4·SUBCULTURE 5·FRANCE 6·CULT.STUDY]
• Belz, Carl: Relationships Between the Popular and Fine Arts - Recent Developments |84-88|EN|PA [1·DRAMA 2·VIS. ARTS 3·ROCK 4·EUROARTMUS 5·ACCULTUR. 6·1960S 7·1970S 8·UK 9·USA]
• Blaukopf, Kurt |84-88|EN|PA [1·MEDIA IND. 2·GENRES 3·SOCIOLOGY 4·ROCK 5·YOUTH]

New Patterns of Musical Behaviour of the Young Generation in Industrial Societies. Wien: Universal Edition (1974) 240 pp. [BM-BONTINCK]
• Bontinck, Irmgard, ed. 240 pp. [BM-BONTINCK]|PB [1·GENRES 2·STATISTICS 3·SOCIOLOGY 4·ROCK 5·YOUTH]

New Patterns of Musical Behaviour. Wien: Universal Edition. (1974) #1-234-567-89-1 [BM-BONTINCK]
• Campeanu, Pavel: The Implications of Light Music for a Group of Apprentices in Bucharest |103-107|EN|PA [1·SOCIOLOGY 2·CONSUME 3·YOUTH 4·ROMANIA 5·ENTERTAIN]
• Clercq, Jacqueline de: The Musical Receptivity of Young People |205-211|EN|PA [1·SOCIOLOGY 2·CONSUME 3·YOUTH]
• Geerts, Claude: The Share of Music in the Time Budget of Young People in Belgium |201-204|EN|PA [1·SOCIOLOGY 2·TELEVISION 3·RADIO 4·CONSUME 5·YOUTH 6·BELGIUM]
• Hoffer, Charles R: Youth, Music Education and the New Sound Environment |167-177|EN|PA [1·CONSUME 2·ROCK 3·SOCIOLOGY 4·SUBCULTURE 5·EDUC ITEM 6·YOUTH]
• Malmros, Anna-Lise: Organisational Set-up and Politico-cultural Aspects of Beat in Copenhagen |114-118|EN|PA [1·CULT.STUDY 2·ROCK 3·YOUTH 4·DENMARK]
• Maurer, Walterg: Music of Contrasts: Report on the contests of Austrian beat groups |129-134|EN|PA [1·YOUTH 2·STATISTICS 3·AMATEURS 4·MUSICIANS 5·ROCK 6·AUSTRIA]
• Michel, Paul: On Physical and Psychological Acceleration: Effects on musical development during childhood |183-191|EN|PA [1·STATISTICS 2·PSYCHOLOGY 3·CHILDREN 4·YOUTH]
• Niemann, Konrad: Mass Media - New Ways of Approach to Music and New Patterns of Musical Behaviour |44-53|EN|PA [1·GENRES 2·MEDIA IND. 3·STATISTICS 4·SOCIOLOGY 5·ROCK 6·YOUTH]
• Numminen, Mauri A: An Inside View of Pop Music in Finland |60-65|EN|PA [1·PERFORM 2·FESTIVAL 3·MEDIA IND. 4·CONSUME 5·ROCK 6·YOUTH 7·FINLAND]
• Pavlov, Evgueni: The Musical Interests of 5th to 8th-Graders in Pleven |135-139|EN|PA [1·STATISTICS 2·GENRES 3·CONSUME 4·YOUTH 5·BULGARIA]
• Paynter, John: Music Education and the Emotional Needs of Young People: Towards a new type of research |159-166|EN|PA [1·EDUC ITEM 2·YOUTH 3·UK]
• Philippot, Michel P: Observations on Sound Volume and Music Listening |54-59|EN|PA [1·TECHNOLOGY 2·SOCIOLOGY 3·ROCK 4·YOUTH]
• Roman, Zoltan: Higher Music Education in Canada: The challenge of a changing musical environment |178-182|EN|PA [1·STATISTICS 2·GENRES 3·MEDIA IND. 4·EDUC ITEM 5·CANADA]
• Simek, Milan: Musical Interests of the Czech Youth in the Light of Research Findings |140-141|EN|PA [1·STATISTICS 2·CONSUME 3·YOUTH]
• Sokhor, Arnold N: Young People's Leisure Time and its Use for Musical-Aesthetic Education |219-225|EN|PA [1·USSR 2·GENRES 3·SOCIOLOGY 4·MUSIC MAKE 5·YOUTH]
• Teiner, Manfred: The Influence of the Mass Media on Children between the Age |192-197|EN|PA [1·SOCIOLOGY 2·AUSTRIA 3·GENRES 4·CONSUME 5·STATISTICS 6·MEDIA IND. 7·CHILDREN]
• Thoveron, Gabriel: Leisure Time Behaviour and Cultural Attitude of the Youth: International research |226-229|EN|PA [1·SOCIOLOGY 2·CONSUME 3·YOUTH]
• Urbanski, Janusz: Sweet Beat and Other Forms of Youth Music in Poland |80-83|EN|PA [1·CONSUME 2·ROCK 3·YOUTH 4·POLAND]
• Valkman, Otto: Some Methodological Aspects of Preferences in Pop Music |33-43|EN|PA [1·STATISTICS 2·SOCIOLOGY 3·ROCK 4·YOUTH]
• Vitanyi, Ivan: The Musical and Social Influence of Beat Music in Hungary |69-79|EN|PA [1·SOCIOLOGY 2·CONSUME 3·GENRES 4·ROCK 5·YOUTH 6·HUNGARY]
• Willis, Paul: Youth Groups in Birmingham and their Specific Relation to Pop Music |108-113|EN|PA [1·ROCK 2·CONSUME 3·SOCIOLOGY 4·YOUTH 5·UK]

New Politics of Silence. Problematics for the analysis of English Canadian musical culture. Ottawa: Typescript (1988?) 26 pp. [CP826119-145]
• Shepherd, John; Giles, Jenmnifer 26 pp. [CP826119-145]|UX

Newport Jazz Festival, July 1-9, 1972, New York City. New York: Newport Jazz Festival (1972) [CP399]
• Anon [CP399]|PS [1·JAZZ 2·PERFORM 3·DOCUMENT 4·ILL.]

The New Soundscape. Wien: Universal Edition (1974) 72 pp. #0-900938-29-3 [BM-SCHAFER M]
• Schafer, R Murray 72 pp. #0-900938-29-3 [BM-SCHAFER M]|PB [1·SOUND 2·ENVIRONMNT 3·ANTHROPOL. 4·PSYCHOLOGY 5·MUSIC HIST 6·MUSICOLOGY]

New York Times Arts/Entertainment, 880709. New York: (1988) [CL003-079]
• Holden, Stephen: Composers show how to make a movie sing |12|EN|PA [1·FILM MUSIC 2·CONFERENCE] {Mancini, H; Out of Africa}

Nineteenth-Century Music. Berkeley: University of California Press (1988) x+417 pp. #0-520-05291-9 [BM-DAHLHAUS]
• Dahlhaus, Carl; Robinson, J Bradford, trans. x+417 pp. #0-520-05291-9 [BM-DAHLHAUS]|PB [1·C19 2·EUROPE 3·EUROARTMUS 4·OPERA 5·HISTORY 6·GERMANY 7·FRANCE 8·ITALY 9·MUSIC EXX. 10·ROMANTIC] {NATIONALISM; RESORATION; BOURGEOISIE; BEETHOVEN; FOLK SONG; CHORAL MUSIC; WAGNER R; VERDI G; BRAHMS J; TRIVIAL MUSIC}

Nineteenth Century Music, 12/1. (1988) [CL002-149]
• Hefling, Stephen E: Mahler's `Todtenfeier' and the Problem of Program Music |27-53|EN|PA [1·ROMANTIC 2·SEMIOTICS 3·MUSICOLOGY 4·MUSIC EXX. 5·MUS.ANALYS 6·PROGRAMMUS 7·TONE POEM]

Nio år efter "Tältprojektet". Göteborg: Stencilled Papers from the Musicology Department, 8605 (1986) #0349-3407 [BMA4-FORNŽS]
• Fornäs, Johan #0349-3407 [BMA4-FORNÄS]|PS [1·SWEDEN 2·1970S 3·1980S 4·PROGRESSIV 5·REPORT 6·DRAMA 7·REVIEW 8·INTERVIEW 9·ROCK]

Nio år efter Tältprojektet. Rapport från ett seminarium 12-13/1 1986. Göteborg: Stencilled Papers from Musicology Department (1986) 13 pp. #0349-3407 [CP325]
• Fornäs, Johan 13 pp. #0349-3407 [CP325]|PB [1·SWEDEN 2·PROGRESSIV 3·1970S 4·1980S 5·CONFERENCE 6·MUSICIANS 7·POLITICAL 8·PERFORM 9·ROCK]

`Nirgends brennen wir genauer'. Glanz und Untergang der Krolloper. Paper given at Spaziomusica conference, Cagliari (1988) 047-059 pp. [CP823-042]
• ~~ 047-059 pp. [CP823-042]|UX [1·GERMANY 2·OPERA 3·POLITICS]

No Logo. London: HarperCollins (2000) #0-00-255919-6 [BCP-KLEIN]
• Klein, Naomi #0-00-255919-6 [BCP-KLEIN]|PB [1·ADVERTS 2·BUSINESS 3·IDEOLOGY 4·CRITIQUE 5·MONEY 6·DEMOCRACY 7·CULTPOLIT. 8·MASS MEDIA] {branding; corporations; Nike; Gap; McLibel; ReclaimStreets; consumerism}

`No Music Until Cue:' The Reconstruction of D W Griffiths `Intolerance' using evidence in the score by Joseph Carl Breil. Washington DC: Typescript (1990) [CP826061-88]
• Anderson, Gillian B [CP826061-88]|UX [1·FILM MUSIC 2·SILENTFILM 3·USA 4·1910S 5·1920S 6·COMPOSE 7·PERFORM 8·DOCUMENT] {Griffiths, D W; Breil, Joseph C}

NORDICOM-Nytt/Sverige, 1984/2-3. Göteborg: Statsvetenskapliga Institutionen, Göteborgs universitet (1984) [BCP-NORDICOM]
• Abrahamsson, Kenneth: Medborgarkunskap, samhällsinformation el. "bara" kundservice |7-28|SV|PA [1·SWEDEN 2·ADMINISTR. 3·CULTPOLIT. 4·MASS MEDIA 5·PUBL.AUTHO 6·CONSUME]
• Björklund, Ulla: Samhällsinfomratörens roller eller Myndighetsmegafonen Det Offentliga Samtalet |29-40|SV|PA [1·CULT.STUDY 2·MASS MEDIA 3·SWEDEN 4·SOCIOLOGY 5·PSYCHOLOGY 6·ADMINISTR.]

NORDICOM-Nytt/Sverige, 1984/2-3. Göteborg: NORDICOM-Sverige (1988) #0349-1242 [BCP-NORDICOM]
• Broady, Donald: Kulturens fält. Om Pierre Bourdieus sociologi |59-88|SV|PA [1·MASS MEDIA 2·SOCIOLOGY 3·CULT.STUDY 4·DEFINE]

NORDICOM-Nytt/Sverige, 1984/2-3. Göteborg: Skrifter från Musikv. Inst. (1979) [BM-NORDISK]
• Carlson, Anders; Liliestam, Lars: The Name of the Game |245-260|EN|PA [1·ABBA 2·MUS.ANALYS 3·MUSICOLOGY 4·MUSIC EXX. 5·SEMIOTICS 6·MOR 7·Stud.Proj. 8·ROCK]

NORDICOM-Nytt/Sverige, 1984/2-3. Göteborg: NORDICOM-Sverige (1988) #0349-1242 [BCP-NORDICOM]
• Carlsson, Ulla: Masskommunikationsforskning i Sverige 1977-1987. En översikt |13-36|SV|PA [1·SWEDEN 2·MASS MEDIA 3·RESEARCH 4·DOCUMENT]
• Englund, Karin: Strategier för kulturell överlevnad: den europeiska situationen |121-134|SV|PA [1·MASS MEDIA 2·SWEDEN 3·EUROPE 4·INTERNATNL 5·CULTPOLIT.]
• Englund, Karin: Strategier för kulturell överlevnad: Sveriges Radiokoncernenens situation och planer |135-142|SV|PA [1·SWEDEN 2·RADIO 3·TELEVISION 4·MASS MEDIA 5·CULTPOLIT.]
• Frykman, Jonas: Myten om "vår tids ungdom" |89-100|SV|PA [1·YOUTH 2·SOCIOLOGY 3·CULT.STUDY 4·ETHICS 5·SWEDEN]

NORDICOM-Nytt/Sverige, 1984/2-3. Göteborg: Statsvetenskapliga Institutionen, Göteborgs universitet (1984) [BCP-NORDICOM]
• Gustafsson, Karl-Erik: De nya medierna och samhällsinformationen |57-62|SV|PA [1·SWEDEN 2·MASS MEDIA 3·VERBAL 4·JOURNALISM 5·EDUCATION 6·CULT.STUDY]
• Informationsdelegationen: Betänkande (sammandrag) |67-70|SV|PA [1·SWEDEN 2·MASS MEDIA 3·VERBAL 4·JOURNALISM 5·EDUCATION 6·CULT.STUDY]
• Norberg, Lena: Samhällsinformationens behov av tidskrifter |63-66|SV|PA [1·SWEDEN 2·MASS MEDIA 3·VERBAL 4·JOURNALISM 5·EDUCATION 6·CULT.STUDY]
• Nordicom: Bibliografi: Samhällsinformation |67-70|SV|PA [1·SWEDEN 2·MASS MEDIA 3·VERBAL 4·JOURNALISM 5·EDUCATION 6·CULT.STUDY]

NORDICOM-Nytt/Sverige, 1984/2-3. Göteborg: Nordicom-Sverige (1985) 135 pp. #0349-1242 [BCP-NORDICOM]
• Nordicom: Medier i utveckling |SV|PB [1·SWEDEN 2·1980S 3·MASS MEDIA 4·TELEVISION 5·REPORT 6·SOCIOLOGY 7·BIBLIOGR.]

NORDICOM-Nytt/Sverige, 1984/2-3. Göteborg: Statsvetenskapliga Institutionen, Göteborgs universitet (1984) [BCP-NORDICOM]
• Oskarsson, Ove: Begriplig svenska hos allmänhetens tjänare |47-52|SV|PA [1·SWEDEN 2·MASS MEDIA 3·VERBAL 4·JOURNALISM 5·EDUCATION 6·CULT.STUDY]
• Sjölin, Mats: Medborgare - Massmedier - Myndigheter |53-56|EN|PA [1·SWEDEN 2·MASS MEDIA 3·VERBAL 4·JOURNALISM 5·EDUCATION 6·CULT.STUDY]

NORDICOM-Nytt/Sverige, 1984/2-3. Göteborg: NORDICOM-Sverige (1988) #0349-1242 [BCP-NORDICOM]
• Various: Förteckning över beviljade forskningsanslag från Riksbankens jubileumsfond och HSFR |157-166|SV|PA [1·SWEDEN 2·ADMINISTR. 3·RESEARCH 4·MASS MEDIA 5·MONEY]
• Various: Förteckning över framlagda avhandlingar |167-172|SV|PA [1·SWEDEN 2·BIBLIOGR. 3·DISS. PhD. 4·MASS MEDIA]

NORDICOM-Nytt/Sverige, 1984/2-3. Göteborg: Statsvetenskapliga Institutionen, Göteborgs universitet (1984) [BCP-NORDICOM]
• Weibull, Lennart: Samhällsinformatörens krav på utbildningen |41-46|SV|PA [1·EDUCATION 2·JOURNALISM 3·MASS MEDIA 4·VERBAL 5·CULT.STUDY]

NORDICOM-nytt/Sverige, 1988/3. Göteborg: NORDICOM-Sverige (1988) #0349-1242 [JCP-NORIDCOM]
• Burnett, Robert: Economic Aspects of the Phonogram Industry |111-126|EN|PA [1·USA 2·MUS INDUST 3·MONEY 4·PHONOGRAM 5·SWEDEN 6·PIRACY 7·STATISTICS]
• Engblom, Lars-Åke; Jonsson, Sverker: Ekonomisk-historiska studier av massmedier |59-72|SV|PA [1·MASS MEDIA 2·RESEARCH 3·HISTORY]
• Engwall, Lars: Ägar- och ledningsformers betydelse för den socialdemokratiska pressens utveckling |45-58|SV|PA [1·SOC.DEMOC. 2·ORGANISE 3·CULTPOLIT. 4·NEWSPAPERS 5·MASS MEDIA 6·RESEARCH 7·SWEDEN]
• Gröndal, Tomas: Videomarknadens utveckling |127-146|SV|PA [1·VIDEO 2·MEDIA IND. 3·SWEDEN]
• Grönholdt, Lars; Hansen, Flemming: Effekten av TV-reklame belyst gennem virkningerne af annoncering i vesttysk TV for afsætningen af dagligvarer i Danmark |147-178|DK|PA [1·TELEVISION 2·ADVERTS 3·BRD 4·DENMARK 5·PERCEIVE 6·SOCIOLOGY 7·STATISTICS]
• Gustafsson, Karl Erik: Ekonomisk inriktad forskning om massmedier. En introduktion |9-14|SV|PA [1·MASS MEDIA 2·RESEARCH 3·MONEY]
• Gustafsson, Karl Erik: Tidningsekonomiska teorier |29-44|SV|PA [1·NEWSPAPERS 2·MASS MEDIA 3·RESEARCH 4·MONEY]
• Jonsson, Sverker: Annonser och tidningskoncentration. Några synpunkter på den svenska utvecklingen |97-110|SV|PA [1·SWEDEN 2·ADVERTS 3·NEWSPAPERS 4·MONEY 5·POLITICS]
• Lappalainen, Tomas: Tidningsekonomi och politisk opinionsbildning |73-96|SV|PA [1·NEWSPAPERS 2·MASS MEDIA 3·RESEARCH 4·SWEDEN 5·POLITICS]
• Mäkinen, Helena: Economics of Information |179-186|EN|PA [1·ECONOMICS 2·INFORMTHEO]
• Werner, Anita: Utgifter til massemedier 1958-1985: Er hypotesen om relativ stabilitet gyldig |15-28|DK|PA [1·MASS MEDIA 2·MONEY]

NORDICOM-Nytt/Sverige, 1989/1-2. Göteborg: Statsvetenskapliga institutionen, Göteborgs universitet (1989) 216 pp. #0349-1242 [BCPA4-NORDIC]
• Carlsson, Ulla, ed.: Masskommunikationsforskning i Sverige |SV|PB [1·MASS MEDIA 2·SWEDEN 3·RESEARCH]

Nordic Sounds, 1983/3. Köbenhavn: NOMUS (1983) [CP322138]
• Reitan, Lorentz: A Nordic Form of Expression |7-9|EN|PA [1·EUROARTMUS 2·SCANDINAVI]

Nordic Sounds, 1983/4. Köbenhavn: NOMUS (1983) [CPR326/8]
• Ketting, Knud: Rock music at government level - A report from the first Nordic Rock Music Seminar |3-5|EN|PA [1·SCANDINAVI 2·PUBL.AUTHO 3·ORGANISE 4·ROCK 5·CONFERENCE 6·REPORT 7·1980S 8·CULTPOLIT.]

Nordisk musik och musikvetenskap under 1970-talet: en kongressraport. Göteborg: Skrifter från musikvetenskapliga institutionen, 4 (1980) #91-85974-00-5 [BM-NORDISK]
• Ling, Jan; Carlsson, Anders, ed.; Ling, Jan, ed.: Inledningsanförande till 8:e nordiska musikforskarkongressen: kongressens uppläggning och målsättning |20-20|SV|PA

Nord-Nytt, 24. Nordisk tidskrift for folklivsforskning, 24 (3/85). Lyngby: Nordisk Etnologisk Folkloristisk Arbejdsgruppe (1985) [BM-LIED UND]
• Ahlbäck, Sven: Folkmusik som estetisk uttrycksform. Om ny forskning inom svensk folkmusik |51-52|SV|PA [1·SWEDEN 2·FOLK MUSIC 3·AESTHETICS]
• Anttonen, Albert: Masskultur, motkultur eller nya traditioner? |28-34|SV|PA [1·PROGRESSIV 2·FINLAND 3·CULTPOLIT. 4·NORDIC 5·SCANDINAVI]
• Anttonen, Albert: Nordiskt seminarium om alternativkultur i Helsingfors |25-26|SV|PA [1·PROGRESSIV 2·FINLAND 3·CULTPOLIT. 4·NORDIC 5·SCANDINAVI]
• Arvidsson, Alf: Rockmusiken i lokalsamhället |5-16|SV|PA [1·ROCK 2·SOCIOLOGY 3·ANTHROPOL. 4·SWEDEN 5·CULT.STUDY 6·REGIONALSM 7·GROUPS]
• Bohman, Stefan: Socialdemokratin och sångböckerna |57-74|SV|PA [1·VOCAL MUS. 2·WORKERS 3·SCANDINAVI 4·SWEDEN 5·SOC.DEMOC.]
• Gjertsen, Ingrid: Religiös folkesang belyst ut fra to lokalmiljöer i Norge |17-24|NO|PA [1·CHRISTIAN 2·NORWAY 3·FOLK MUSIC 4·VOCAL MUS.]
• Halskov-Hansen, Lene; Nörgård, Jeppe: Ballader på 'nordisk swing rock'n-roll dans symposium' |75-78|DK|PA [1·NORDIC 2·SCANDINAVI 3·ROCK 4·SWING 5·DANCE 6·BALLADS 7·CONFERENCE]
• Halskov-Hansen, Lene: Kvinder og ballader |43-50|DK|PA [1·WOMEN 2·PROGRESSIV 3·VOCAL MUS. 4·SCANDINAVI 5·DENMARK 6·BALLADS]
• Hellman, Heikki: Från cykel till symbios. Den nya konkurrensen inom skivindustrin |35-34|SV|PA [1·MUS INDUST 2·ADMINISTR. 3·CAPITALISM 4·1980S 5·1970S]
• Koiranen, Antti: Nordlek i tjänst för folkmusik- och folkdansforskning |53-56|SV|PA [1·BALLADS 2·VOCAL MUS. 3·FOLK MUSIC 4·DANCE 5·NORDIC 6·FINLAND]

Nord-Nytt, 32: Folkekultur og massekultur. (1988) #0008-1345 [JM-NORDNYTT]
• Enerstvedt, Åse: Massproduserte sangleker |85-91|NO|PA [1·AESTHETICS 2·SEMIOTICS 3·HISTORY 4·DEFINE 5·MUSICOLOGY]

Norge i Melodi Grand Prix. Oslo: Forlaget Atheneum (1986) 150 pp. #82-7334-123-2 [BM-JOHNSON]
• Johnson, Geir 150 pp. #82-7334-123-2 [BM-JOHNSON]|PB [1·NORWAY 2·MOR 3·EUROVISMUS 4·VIS. ARTS 5·ENTERTAIN 6·TELEVISION 7·1960S 8·1970S 9·1980S 10·ILL.]

Norme con ironie. Scritti per i settant' anni di Ennio Morricone. www.tagg.org/articles/morric70.pdf. Milano: Suvini Zerboni (1998) [BM-MORRICONE]
• Adamo, Giorgio; Miceli, Sergio, ed.; Gallenga, Laura, ed.; Kokkaliari, Lena, ed.: Guardare, ascoltare: il suono e l'immagine nell'esperienza musicale |3-18|IT|PA [1·FILM 2·MASS MEDIA 3·PERCEIVE 4·VIS. ARTS]
• Alberti, Luciano: Eric Rohmer: un regista di cinema che sa e scrive di musica |19-28|IT|PA [1·FILM 2·FRANCE] {Rohmer, Eric}
• Bassetti, Sergio: Letteratura musicale tra passione e ideologia nel cinema di Pier Paolo Pasolini |29-78|IT|PA [1·ITALY 2·FILM]
• Chion, Michel: Hommage à Ennio Morricone |79-82|IT|PA [1·DOCUMENT]
• Fabbri, Franco: Generi in trasformazione: l'elettrificazione di alcune musiche nel Mediterraneo |83-104|IT|PA [1·GREECE 2·ACCULTUR. 3·WORLD MUS. 4·MUSIC USES 5·INSTRUMENT]
• Heister, Hanns-Werner: Gesamkunstwerk-Tendenz und Realität. Zur Verbindung von Musik mit Optischem und anderen Sinnes-Elementen |105-130|DE|PA [1·PSYCHOLOGY 2·PERCEIVE 3·VIS. ARTS]
• Marinelli, Carlo: Prolegomeni ad una nuova disciplina scientifica: discografia e videografiea musicale |131-154|IT|PA [1·MASS MEDIA 2·FILM]
• Miceli, Sergio: Aufstieg und Fall der Stadt Mahagonny: un ambiguo modello di drammaturgia musicale |155-172|IT|PA [1·OPERA 2·OPERETTA 3·POLITICS 4·GERMANY 5·1920S 6·1930S 7·DRAMA] {Weill, Kurth; Brecht, Bert}
• Pestalozza, Luigi: Morricone: una storia musicale italiana presente |173-204|IT|PA [1·ITALY 2·COMPOSE 3·IDEOLOGY 4·MOD.CLASS. 5·HISTORY]
• Piccardi, Carlo: Tra ragioni umane e ragioni estetiche: i dodecafonici a congresso |205-272|IT|PA [1·MOD.CLASS.]
• Tagg, Philip: Tritonal crime and "music as 'music'" |273-312|EN|PA [1·SEMIOTICS 2·MUSICOLOGY 3·MUSIC EXX. 4·MUS.ANALYS 5·CRIME 6·HARMONY 7·MELODY 8·FILM MUSIC]
• Trudu, Antonio: La distruzione del tempio. John Cage a Darmstadt nel 1958 (e prima, e dopo) |313-345|IT|PA [1·MOD.CLASS. 2·TIME/SPACE] {Cage, John}

Norrskensflamman, 1983-03-31. Luleå: Norrskensflamman (1983) [CP322238]
• Malm, Krister; Lidström, Lars: Det västerländska inflytandet rena döden för särarter |11|SV|PA [1·REVIEW 2·INTERVIEW 3·MUS INDUST 4·INTERNATNL 5·3RD WORLD 6·IMPERIALSM 7·CULT.STUDY]

Norrskensflamman, 1984-02-10. Luleå: (1984) [CP 318374]
• Lidström, Lars: Strikt "klassindelning" när unga söker identitet: discotekens värld är nu undersökt |SV|PA [1·DISCO 2·YOUTH 3·COMMUNITY 4·GENRES 5·SOCIOLOGY 6·Stud.Proj. 7·SUBCULTURE 8·GÖTEBORG 9·1980S]

Norrskensflamman, 1984-05-23. Luleå (1984) [CP324044]
• Anon: Spelet bakom kulisserna avsett skada Sovjet som olympisk tanke |20-24|SV|PA [1·SPORT 2·USA 3·USSR 4·1980S]

Norrskensflamman, 1987-01-28. Luleå: Norrskensflamman (1987) [CP757]
• Rundblad, Arvid: Skrivbordsstädning |7|SV|PA [1·POLITICAL 2·POLITSTUDY 3·HEALTH 4·JOURNALISM 5·USSR 6·AFRICA 7·NUCLEAR 8·WAR]

North Meets South. Popular Music in Aotearoa/New Zealand. Umina (AUS): Perfect Beat Publications (1994) #0-646-16901-7 [BM-SHUKER]
• Flint, Michael: What the Air Was Like Up There - Overseas Music and Local Reception in the 1960s |1-15|EN|PA [1·N ZEALAND]
• Mitchell, Tony: Flying in the Face of Fashion - Independent Music in New Zealand. Part 1 - Pakeha Sounds |28-52|EN|PA [1·N ZEALAND]
• Mitchell, Tony: Flying in the Face of Fashion - Independent Music in New Zealand. Part 2 - He Waiata Na Aotearoa: Maori and Polynesian Music in New Zealand |53-72|EN|PA [1·N ZEALAND]
• Pickering, Michael; Shuker, Roy: Struggling to Make Ourselves Heard - Music, Radio and the Quota Debate |73-97|EN|PA [1·N ZEALAND]
• Sheridan, Bruce; Hayward, Philip: Let's Got To "Frenzy" - A Brief History of New Zealand Music TV and Music Video |111-121|EN|PA [1·N ZEALAND]
• Shuker, Roy: Climbing the Rock: The New Zealand Music Industry |16-27|EN|PA [1·N ZEALAND]
• Wilson, Helen: Ite Wa Whakapaoho Ite Reo Irirangi - Some Directions in Maori Radio |98-110|EN|PA [1·N ZEALAND]

North West Regional Curriculum Development. Glasgow: Blackie (1974) 122 pp. #0-216-89673-8 [BM-CREATIVE]
• ~~: Creative Music Making and the Young School Leaver |EN|PB [1·UK 2·MUSIC EDUC 3·1960S 4·1970S 5·COMPOSE 6·PERFORM 7·SKILLS 8·HEALTH 9·MUSIC EXX. 10·DOCUMENT]

Norveg. Folkelivsgranskning, 32. Oslo: Universitetsforlaget (1985) [CL002-141]
• Berkaak, Odd Are; Ruud, Even: Rockeminner. Livslöp, folkeminner og konstruksjon av historie i John Hiatt's rockevideo «Slow Turning» |205-217|NO|PA [1·VIDEO 2·ROCK] {Hiatt, John}

Notes for presentation for HSFR (inför 90-talet) done on train Nässjö-Stockholm. Stockholm: MS (1985) 2 pp. [CP755116]
• Tagg, Philip 2 pp. [CP755116]|UX [1·SWEDEN 2·ORGANISE 3·DEFINE 4·MUSICOLOGY 5·POPULARMUS]

Notes from course in Neubrandenburg. Neubrandenburg (1983) c 70 pp. [CP757]
• Tagg, Philip c 70 pp. [CP757]|UX [1·PT 2·DOCUMENT 3·DDR 4·SOCIALISM]

Notes: le bulletin de notes de l'IASPM-Canada, Vol 1, no 3. Montréal: IASPM Canada (1985) [CP193171]
• I.A.S.P.M. (Canada) [CP193171]|PS [1·IASPM 2·CANADA 3·CONFERENCE 4·DOCUMENT]

Notes, lyrics - Latin American songs of contestation. Oxford: St Catherine's College - private photocopy (1985) [CP323047]
• Pring-Mill, Robert [CP323047]|US [1·C AMERICA 2·OPPOSE 3·LYRICS 4·LIBERTY 5·IASPM] {PARRA Violetta; JARA Victor; NERUDA Paulo; CARRASCO E; MANNS Patricio; COULON J; GUEVERA Che}

Notes on an "Intellectual Field". Stockholm: Högskolan för lärarutbildning, inst för Pedagogik (1984) [CP909]
• Broady, Donald [CP909]|PS [1·COMMUNITY 2·EDUCATION 3·SOCIOLOGY 4·CULT.STUDY]

Notes on exchange between GMV and Humboldt. Berlin: MS (1985) 2 pp. [CP755119]
• Tagg, Philip 2 pp. [CP755119]|UX [1·SWEDEN 2·Gbg.Mvet. 3·DDR 4·GÖTEBORG 5·ORGANISE]

[Notes on gender in film music]. Göteborg: (1987) 3 pp. [CP823-246]
• Kassabian, Anahid 3 pp. [CP823-246]|UX [1·FILM MUSIC 2·SEX/GENDER]

Notes taken at his lecture, December. Göteborg (1986) 2 pp. [CP757]
• Frith, Simon 2 pp. [CP757]|UX [1·PUNK 2·FASHION 3·VIS. ARTS 4·COMMUNITY 5·ROCK 6·UK]

Los nuevos movimientos sociales, 1. Buenos Aires: Centro Editor de América Latina (1985) [BM-JELIN]
• Feijo, Maria del Carmen; Gogna, Mónica: Las mujeres en la transición a la democracía |41-82|SP|PA [1·ARGENTINA 2·WOMEN 3·CULT.STUDY 4·POLITICAL]
• Jelin, Elizabeth; Jelin, Elizabeth, ed.: Los moviemientos sociales en la Argentina contemporánea: una introducción a su estudio |13-40|SP|PA [1·ARGENTINA 2·YOUTH 3·CULT.STUDY 4·POLITICAL]
• Vila, Pablo Sergio: Rock Nacional, crónicas de la resistencia juvenil |83-156|SP|PA [1·ARGENTINA 2·ROCK 3·NATIONALSM 4·YOUTH 5·1960S 6·1970S 7·SOCIOLOGY 8·GENRES 9·OPPOSE]

Nuova Rivista Musicale Italiana - estratto. Roma: Edizione RAI Radiotelevisione Italiana (1977) [BM-MICELI]
• Miceli, Sergio: Musica e film: la colonna sonora ha cinquant'anni: è possibile un bilancio |17|IT|PA [1·FILM MUSIC 2·ITALY]

Nutida Musik, 1974-75/2. Stockholm: Sveriges Radio (1975) [CP452439]
• Schafer, R Murray: Den akustiska miljön Swedish translation by B-E Johnson |SV|PB [1·SOUND 2·ENVIRONMNT 3·ANTHROPOL. 4·PSYCHOLOGY 5·MUSIC HIST 6·MUSICOLOGY]

Nutida Musik, 1977-78/2. Stockholm. Sveriges Radio (1978) [CP-NUTIDA]
• Ling, Jan: Hjort Anders' "Trettondagsmarsch" i stilistisk och ideologisk förändring |50-60|SV|PA [1·MUSICOLOGY 2·MUSIC EXX. 3·POLITSTUDY 4·SEMIOTICS 5·HARMONY 6·INSTRUMENT 7·MUS.ANALYS 8·SWEDEN 9·RURAL 10·NATIONALSM]

Nutida Musik, 1978-79/4. Stockholm: Sveriges Radio (1974) [CP323028]
• Aharonián, Coriún: Latinamerika i dag |SV|PA [1·L AMERICA 2·EUROPE 3·IMPERIALSM 4·CULTPOLIT. 5·POLITSTUDY 6·MOD.CLASS.]

Nutida svensk parsällskapsdans som kommunikationsprocess. C1-uppsats. Umeå: Pedagogiska institutionen (1984) 146 pp. #91-7810-062-3 [BMA4-SAVANDE]
• Savander, Sam 146 pp. #91-7810-062-3 [BMA4-SAVANDE]|PB [1·SWEDEN 2·DANCE 3·PT 4·CULT.STUDY 5·ROCK 6·SWING 7·FOLK MUSIC 8·AUDIENCE 9·COMMUNTHEO 10·ILL.]

Nyckelharpan. Studier i ett folkligt musikinstrument. Stockholm: Nordstedt. Musikhistoriska museets skrifter 2 (1967) 288 pp. [BM-LING]
• Ling, Jan 288 pp. [BM-LING]|PB [1·SWEDEN 2·FOLK MUSIC 3·INSTRUMENT 4·MUSICOLOGY 5·MUSIC EXX. 6·DISS. PhD. 7·MUS.ANALYS 8·MUSIC HIST 9·ANTHROPOL.]

Nyckelharpsfeber. Göteborg: Göteborgs universitet, Musikvetenskapliga institutionen (1985) [CPR326/6]
• Ohldin, Hélène [CPR326/6]|US [1·GÖTEBORG 2·SWEDEN 3·FOLK MUSIC 4·1980S 5·Stud.Proj. 6·ILL.]

Ode On St Cecilia's Day. Vancouver: A.R.C. Publicatins. Order no. WSP 02 CT (1692) 2 pp. [CP706104]
• Purcell, Henry 2 pp. [CP706104]|PX [1·BAROQUE 2·EUROARTMUS 3·VOICE 4·UK 5·RELIGION 6·LYRICS]

Okej, 1987/1. Stockholm: Okej (1987) [CP757]
• Persson, Fia: Hårdrock är nödvändigt, säger världskänd musikforskare |26|SV|PA [1·PT 2·INTERVIEW 3·ROCK 4·HEAVYMETAL]

Old Time Music, Booklet 2. London: Old Time Music (1975) 127 pp. [BMA4-WOLFE]
• Wolfe, Charles K: The Grand Ole Opry: The Early Years, 1925-35 |EN|PB [1·C&W 2·USA 3·1920S 4·1930S 5·MUSICIANS 6·HISTORY 7·RADIO 8·PERFORM 9·VIOLIN 10·ILL.]

O melodik'e massovoi pesni. Moskva: Vsesoyuznoye izdatel'stvo Sovietskii Kompozitor (1979) 357 pp. [BM-ZAK]
• Zak, Vladimir 357 pp. [BM-ZAK]|PB [1·INTONATION 2·MUSICOLOGY 3·MUSIC EXX. 4·SEMIOTICS 5·USSR 6·MELODY]

Om jag skriver en sång. Göteborg: Department of Musicology (1983) [CP322281]
• Björnberg, Alf [CP322281]|US [1·EUROVISMUS 2·POPULARMUS 3·Gbg.Mvet. 4·MOR 5·Stud.Proj.]

Om jazzsaxofonister. Göteborg: private copy, MS för Dagens Nyheter (1983) 4 pp. [CP318030]
• Glanzelius, Ingemar 4 pp. [CP318030]|UX [1·JAZZ 2·USA 3·SWEDEN]

Om lätt musik. Lund?: (1975?) [CL002-083]
• Adorno, Theodor Wiesengrund [CL002-083]|PB

Om musikens fetischkaraktär. Göteborg: Stencilled Papers from the Musicology Department, 8014 [JM-SPGUMD]
• Rhedin, Bengt [JM-SPGUMD]|PS [1·POLITSTUDY 2·MUSICOLOGY 3·SOCIOLOGY]

Om programmusik. Per Druud - private course material (1952) xcr pp. [CP495059-060]
• Shostakovich, Dimitri xcr pp. [CP495059-060]|PB [1·AESTHETICS 2·SEMIOTICS]

On Aeolian Harmony in Contemporary Popular Music. Göteborg: forthcoming in extended form (1984) [CP193283]
• Björnberg, Alf [CP193283]|US [1·MUSICOLOGY 2·HARMONY 3·ROCK 4·SEMIOTICS 5·USA 6·UK 7·1970S 8·1980S]

One Chord Wonders. Power and meaning in Punk Rock. Milton Keynes: Open University Press (1985) 156 pp. #0-335-15065-9 [BM-LAING]
• Laing, Dave 156 pp. #0-335-15065-9 [BM-LAING]|PB [1·UK 2·ROCK 3·1970S 4·PUNK 5·ILL. 6·SOCIOLOGY 7·MUS INDUST 8·POLITSTUDY 9·LYRICS]

One For The Money. Politics and Popular Song. London: Hutchinson (1980) 301 pp. #0-09-140731-1 [BM-HARKER]
• Harker, Dave 301 pp. #0-09-140731-1 [BM-HARKER]|PB [1·ROCK 2·UK 3·USA 4·POLITICAL 5·POLITSTUDY 6·MUS INDUST]

One - Two - Three - Four, 04. (1987) [CL003-342]
• Hosakawa, Shuhei: Fascinating Banality of the Hit Parade |66-73|EN|PA [1·CHARTS 2·AESTHETICS]

One Two Three Four, 1/2. (1985) [CP124]
• Wolfe, Arnold S: Reward Systems in Popular Music |35-54|EN|PA [1·USA 2·UK 3·ROCK 4·MUS INDUST 5·1960S 6·1970S 7·MUSICIANS]

On the Possibility of a Synchronic Music History. Helsinki: typescript (1983) 5 pp. [CP324141]
• Tarasti, Eero 5 pp. [CP324141]|UX [1·SEMIOTICS 2·MUSICOLOGY]

On the Specificity of Musical Communication. Guidelines for Non-Musicologists. Göteborg: Stencilled Papers from the Musicology Department, #8115 (1981) #0349-3407 [BMA4-TAGG]
• Tagg, Philip #0349-3407 [BMA4-TAGG]|PS [1·DEFINE 2·PSYCHOLOGY 3·ACOUSTICS 4·NEUROLOGY 5·MUSICOLOGY 6·AESTHETICS 7·SEMIOTICS 8·EDUC ITEM]

On the Structure and Functions of Musical Discourse in Television Documentaries. Sydney: (1985?) [CP823-019]
• Leeuwen, Theo van [CP823-019]|UX [1·FILM MUSIC 2·NEWS 3·SEMIOTICS 4·PT]

On the Track. A Guide to contemporary film scoring. (A division of Macmillan Inc.). New York: Schirmer Books (1990) 856 pp. #0-02-873310-X [BM-KARLIN]
• Karlin, Fred; Wright, Rayburn 856 pp. #0-02-873310-X [BM-KARLIN]|PB [1·FILM MUSIC 2·COMPOSE 3·MUSIC EXX. 4·AESTHETICS 5·ILL. 6·MELODY 7·HARMONY 8·ORCHESTRAT 9·RHYTHM 10·INTERVIEW] {WILLIAMS John; BERNSTEIN Elmer; POST Mike; RUBINSTEIN Arth; ROTA Nino; DELERUE Georges; MANCINI Henry; CLICK TRACK; CONTI Bill; HORNER James}

Open letter about "Black Music", "Afro-American Music" and "European Music". Göteborg (1987) 18 pp. [CP501/12]
• Tagg, Philip 18 pp. [CP501/12]|UX [1·DEFINE 2·AFR-AMER. 3·BLUES 4·EUROARTMUS 5·FOLK MUSIC 6·USA 7·EUROPE 8·HISTORY 9·POLITSTUDY 10·RACISM]

Opera. Montréal: Leméac (1997) #2-7609-3190-0 [BCP-NATTIEZ]
• Nattiez, Jean-Jacques #2-7609-3190-0 [BCP-NATTIEZ]|PB [1·OPERA 2·LITERATURE 3· 4·MOD.CLASS. 5·EUROARTMUS 6·LOVE]

Operetta - A Theatrical History. London: Gollancz (1983) #0-575-03338-X [BM-TRAUBNER]
• Traubner, Richard #0-575-03338-X [BM-TRAUBNER]|PB [1·OPERETTA 2·HISTORY 3·DRAMA 4·C19 5·C20 6·UK 7·USA 8·FRANCE 9·AUSTRIA 10·RUSSIA] {Paris; London; New York; Vienna; Broadway; pasticcio; zarzuela; Italy; Merry Widow}

Operett och musical. Stockholm: Svergies Radios Förlag (1971) 264 pp. #91-522-1207-6 [BM-HASLUM]
• Haslum, Bengt 264 pp. #91-522-1207-6 [BM-HASLUM]|PB [1·OPERETTA 2·MUSICALS 3·SWEDEN 4·DRAMA 5·MUSICIANS 6·COMPOSERS 7·ILL.]

Opinion on Richard's READING POPULAR MUSIC book. Milton Keynes: Open University Press (1983) 2 pp. [CP755046]
• Tagg, Philip 2 pp. [CP755046]|UX [1·UK 2·DOCUMENT 3·PT]

The Orchestra - An illustrated guide to the history and development of instruments and music. New York: Facts on File (1980) #0-87196-469-4 [BMA4-HURD]
• Hurd, Michael #0-87196-469-4 [BMA4-HURD]|PB [1·EUROARTMUS 2·ORCHESTRAL 3·ILL.]

The Orchestra for Boys and Girls. London: English Universities Press (1956) 126 pp. [BM-PERCIVAL]
• Percival, Allen 126 pp. [BM-PERCIVAL]|PB [1·EUROARTMUS 2·ORCHESTRAL 3·MUSIC EDUC 4·1950S]

Orchestration. London: Gollancz (Reprint 1978) (1955) 9+477 pp. [BM-PISTON]
• Piston, Walter 9+477 pp. [BM-PISTON]|PB [1·MUSICOLOGY 2·ORCHESTRAL 3·INSTRUMENT 4·MUSIC EXX. 5·MELODY 6·HARMONY 7·POLYPHONY]

Orchestration. London: Gollancz. ISBN 0-575-02602-2. (1 publ 1955) (1978) 477 pp. #0-575-02602-2. [BM-PISTON]
• Piston, Walter 477 pp. #0-575-02602-2. [BM-PISTON]|PB [1·INSTRUMENT 2·ORCHESTRAL 3·MUSIC EXX. 4·EUROARTMUS 5·ROMANTIC 6·ACOUSTICS 7·DYNAMICS]

Ord och Bild, 1974/5. Stockholm: (1974) [CP822-132]
• Ling, Jan: Från Marseilläsen till Internationalen. Musikliv och revolution i 1700 - 1800-talets Frankrike |272-288|SV|PA [1·FRANCE 2·REVOLUTION 3·POLITICS 4·POPULARMUS] {MARSEILLAISE; INTERNATIONALE}

Ord & Ton, 1977/2. Stockholm: STIM (1977) [CPR326/10]
• Anon: 99 år med inspelat ljud i Sverige |14-17|SV|PA [1·RECORDS 2·SWEDEN 3·HISTORY 4·MUS INDUST 5·ILL.]

Ord & Ton, 1978/1. Stockholm: STIM (1978) [CPR326/10]
• Nilson, Leif: På utföranderättsmarknaden i USA där råder Giganternas Kamp |5-8|SV|PA [1·USA 2·COPYRIGHT 3·ORGANISE 4·ILL.]

Ord & Ton, 1979/1. Stockholm: STIM (1979) [CPR326/10]
• Anon: Ny teknik. Compact Disc: miniskiva med 1 timmes speltid - läserstråle som pick-up-nål |9|SV|PA [1·PHONOGRAM 2·CDs 3·TECHNOLOGY 4·ILL.]
• Nilson, Leif: Platinarusch i USA, svensk stagnation i prispressens tecken |10-1|SV|PA [1·USA 2·DISCO 3·FILM 4·DANCE 5·MUS INDUST 6·SWEDEN 7·1970S 8·ILL.]

Ord & Ton, 1979/2. Stockholm: STIM (1979) [CPR326/10]
• Nilson, Leif: IFPI: fonogramproducenternas STIM |10|SV|PA [1·MUS INDUST 2·PHONOGRAM 3·INTERNATNL 4·COPYRIGHT 5·ILL.]
• Winqvist, Sven G: Filmmusiken i Sverige och ute i världen |7-10|SV|PA [1·SWEDEN 2·USA 3·FILM MUSIC 4· 5·HISTORY 6·MUSICALS 7·SCHLAGER 8·ILL.]

Ord & Ton, 1980/2. Stockholm: STIM (1980) [CPR326/10]
• Anon: I vår är det 20 år sedan Radio Nord slog till |14-1|SV|PA [1·SWEDEN 2·RADIO 3·ADVERTS 4·1960S 5·LAW 6·PIRACY 7·MEDIA IND. 8·ILL.]

Ord & Ton, 1981/1. Stockholm: STIM (1981) [CPR326/10]
• Nilson, Leif: Hyrfilmer säljs på svarta marknaden |14-1|SV|PA [1·SWEDEN 2·VIDEO 3·COPYRIGHT 4·MUS INDUST 5·ILL.]
• Nilson, Leif: Video, musiken, lagen |11-1|SV|PA [1·SWEDEN 2·VIDEO 3·COPYRIGHT 4·MUS INDUST 5·ILL.]

Ord & Ton, 1981/2. Stockholm: STIM (1981) [CPR326/10]
• Jungstedt, Torsten: En omusikalisk persons tankar rörande svensk schlagerflora för ett halvt århundrade sedan |4-6|SV|PA [1·SWEDEN 2·SCHLAGER 3·1920S 4·1930S 5·LYRICS 6·TANGO 7·ILL.]

Ord & Ton, 1982/1. Stockholm: STIM (1982) [CPR326/10]
• Nilson, Leif: Skivproducenten. Branchens dolda makthavare |10-1|SV|PA [1·SWEDEN 2·RECORDING 3·PRODUCERS 4·MUSICIANS 5·MUS INDUST 6·ILL.]

Ord & Ton, 1982/2. Stockholm: STIM (1982) [CPR326/10]
• Thommesen, Olav Anton: Filmmusiken under 7 decennier |9-15|SV|PA [1·FILM MUSIC 2·OPERA 3·HISTORY 4·AESTHETICS 5·RECORDING 6·ILL.]

Ord & Ton, 1983/2. Stockholm: STIM (1983) [CPR326/10]
• Nilson, Leif: Landet Sverige som musikexportör. Usel marknadsföring följden av avundsjuka och byråkrati |7-8|SV|PA [1·SWEDEN 2·COPYRIGHT 3·MUS INDUST 4·MONEY 5·ABBA 6·FINLAND 7·EUROARTMUS 8·POPULARMUS]

Ord & Ton, 1984/1. Stockholm: STIM (1984) [CPR326/10]
• Winqvist, Sven G: Svensk filmmusik under 40-talet |9-12|SV|PA [1·SWEDEN 2·FILM MUSIC 3·1940S 4·ILL.]

Ord & Ton, 1985/1. Stockholm: STIM (1985) [CPR326/10]
• Gezelius, Håkan: Inför en spännande period med både risker och möjligheter |5|SV|PA [1·COPYRIGHT 2·3RD WORLD 3·MUS INDUST 4·1980S]
• Lindeborg, Britt: Melodifestivaler: Gladiatorspel med allt skarpare vapen |16-17|SV|PA [1·SCHLAGER 2·MOR 3·FESTIVAL 4·LYRICS 5·ABBA 6·EUROVISMUS 7·MUS INDUST]
• Nilson, Leif: Zimbabwe vill ha ett STIM men håller på att få två |18-21|SV|PA [1·E AFRICA 2·COPYRIGHT 3·MUS INDUST 4·PUBL.AUTHO 5·ORGANISE 6·3RD WORLD]

The Organs and Music of Worcester Cathedral. Worcester: Diocese of Worcester (1981) 48 pp. [BM-WORCESTER]
• Butcher, Vernon 48 pp. [BM-WORCESTER]|PB [1·RELIGION 2·VOICE 3·HISTORY 4·UK 5·ORGANS]

El Oriental, 1970-12-29. Montevideo: El Oriental (1970) [CP323020]
• Aharonián, Coriún: Música para corbatas |SP|PA [1·L AMERICA 2·REVIEW 3·MOD.CLASS. 4·EUROPE 5·AVANTGARDE]

Original Music. Summer, 1985. Tivoli (NY): Original Music (1985) 32 pp. [CP193001]
• World Music Catalog: World Music Catalog |EN|PB [1·AFRICA 2·ARABIC 3·CARIBBEAN 4·L AMERICA 5·MINORITIES 6·EUROPE 7·DISCOGR. 8·BIBLIOGR. 9·WORLD MUS.]

Origins of the Popular Style. Oxford: Oxford University Press (1989) 352 pp. #0-19-316121-4 [BM-MERWE]
• Merwe, Peter van der 352 pp. #0-19-316121-4 [BM-MERWE]|PB [1·AFRICA 2·USA 3·EUROPE 4·UK 5·CELTIC 6·ARABIC 7·MUSICOLOGY 8·MUSIC EXX. 9·BLUES 10·FOLK MUSIC] {IRELAND; AFRO-AMERICAN; DANCE; BALLADS; MODALITY; PENTATONICS; PARLOUR SONG; MELODY; RHYTHM; PENDULUMS}

Österreichisches Musikzeitschrift, 1/2. Mainz: Schott (1975) #3-7957-1704-3 [BM-BLAUKOPF]
• Blaukopf, Kurt: Jugend und musikalische Innovation |4-8|DE|PA [1·YOUTH 2·SOCIOLOGY 3·COMPOSE 4·MUSIC MAKE]

Österssundsposten 1979-10-30. Östersund: Östersundsposten (1979) [CP753316]
• Tagg, Philip: Så påverkas vi av musiken |SV|PA [1·INTERVIEW 2·EDUCATION 3·SWEDEN 4·MUSIC EDUC]

Outline of Proposed Study + Curriculum Vitae. New York: (1987) [CP827138-140]
• Clarida, Robert William [CP827138-140]|UX [1·PERSONAL]

Overtones and Undertones. Reading Film Music. Berkeley: University of California Press (1995) x+396 pp. #0-520-08544-2 [BM-BROWNROYA]
• Brown, Royal S x+396 pp. #0-520-08544-2 [BM-BROWNROYA]|PB [1·FILM MUSIC 2·MUSIC EXX. 3·INTERVIEW 4·BIOGRAPHY 5·USA 6·FRANCE] {Korngold, E W; Rózsa, Miklós; Eisenstein, S; Prokofiev, S; Godard, Jean-L; Raksin, David; Herrmann, B; Mancini, Henry; Jarre, Maurice; Schifrin, Lalo; Barry, John}

El País, 1984-09-17. Madrid: El País (1984) [CP323033]
• Santos, Luís Martín: De la sociología institucional a la sociología del deseo |9-10|SP|PA [1·SOCIOLOGY 2·PHILOSOPHY 3·DEFINE 4·POLITSTUDY]

The Pan Book of Opera. London: Pan (1964) 492 pp. #0-330-33055-1 [BMR-OPERA]
• Jacobs, Arthur, ed.; Sadie, Stanley, ed. 492 pp. #0-330-33055-1 [BMR-OPERA]|PB [1·REFERENCE 2·OPERA 3·EUROPE 4·DRAMA 5·EUROARTMUS 6·C17 7·C18 8·C19 9·C20]

Panta, octubre 1983. Montevideo: typescript - MS for publ (1983) [CP323032]
• Aharonián, Coriún: Bach: Una Supercheria Historica de Juan Carlos Paz |2|SP|PA [1·REVIEW 2·EUROARTMUS]

Paroles et Musique, Comédie, Dis Joe (1972). Paris: Editions de Minuit (1962) [BM-BECKETT]
• Becket, Samuel: Paroles et Musique/Words and Music |147-180|EN|PA [1·DRAMA 2·AVANTGARDE 3·FRANCE 4·UK 5·1960S 6·LITERATURE]
• Becket, Samuel: Comédie/Play (1972) |181-232|FR|PA [1·DRAMA 2·AVANTGARDE 3·FRANCE 4·UK 5·1960S 6·LITERATURE]
• Becket, Samuel: Dis Joe/Eh Joe (1972) |233-251|EN|PA [1·DRAMA 2·AVANTGARDE 3·FRANCE 4·UK 5·1960S 6·LITERATURE]
• Mayoux, Jean-Jacques: Beckett: Introduction, Bibliographie (1972) |7-146|FR|PA [1·DRAMA 2·FRANCE 3·IRELAND 4·UK 5·AESTHETICS 6·REVIEW 7·BIBLIOGR. 8·CATALOGUE 9·BIOGRAPHY]

The Pelican History of Music, I. Ancient Forms to Polyphony. London: Penguin (1960) [BM-ROBERTSON]
• Reaney, Gilbert: Ars Nova |261-322|EN|PA [1·EUROPE 2·MUSIC HIST 3·POLYPHONY 4·FRANCE 5·ITALY 6·UK]
• Robertson, Alec, ed.; Stevens, Denis, ed.; Crossley-Holland, Peter: Non-Western Music |13-138|EN|PA [1·PREHISTORY 2·B.C. 3·OLD GREECE 4·ANCNT ROME 5·CHINA 6·INDIA 7·MEDIEVAL 8·HISTORY 9·MUSIC EXX. 10·ILL.]
• Robertson, Alec: Plainsong |139-210|EN|PA [1·EUROPE 2·MUSIC HIST 3·ITALY 4·CHRISTIAN 5·GREECE 6·FRANCE 7·SPAIN 8·UK 9·TURKEY 10·RUSSIA]
• Stevens, Denis: Ars Antiqua |211-260|EN|PA [1·EUROPE 2·MUSIC HIST 3·POLYPHONY 4·CHRISTIAN]

The Pelican History of Music, III. Classical and Romantic. London: Penguin (1968) 251 pp. [BM-ROBERTSON]
• Robertson, Alec; Stevens, Denis 251 pp. [BM-ROBERTSON]|PB [1·EUROPE 2·EUROARTMUS 3·HISTORY 4·ROMANTIC 5·C18 6·C19 7·MUSIC EXX.]

The Pelican History of Music, II. Renaissance and Baroque. London: Penguin (1963) 335 pp. [BM-ROBERTSON]
• Robertson, Alec; Stevens, Denis 335 pp. [BM-ROBERTSON]|PB [1·EUROPE 2·HISTORY 3·RENAISSNC. 4·BAROQUE 5·MUSIC EXX. 6·COMPOSERS 7· 8·C16 9·C17 10·ILL.]

Pengar beviljade för resa till Österrike och Storbritannien. Göteborg: typescript (1982) 1 pp. [CP755043]
• Göteborgs Univ / Humanistiska sektn 1 pp. [CP755043]|UX [1·GÖTEBORG 2·SWEDEN 3·DOCUMENT 4·PT]

La perception de la musique. Paris: J Vrin (1972) 422 pp. [BM-FRANCES]
• Francès, Robert 422 pp. [BM-FRANCES]|PB [1·MUSICOLOGY 2·PSYCHOLOGY 3·PERCEIVE 4·AFFECT 5·MUSIC EXX. 6·STATISTICS 7·NEUROLOGY 8·PHILOSOPHY 9·DEFINE]

Per Druud - private course material. (1956) xcr pp. [CP495044-051]
• Adorno, Theodor Wiesengrund: Musik og sprog |DK|PB [1·AESTHETICS 2·SEMIOTICS]

Performing Rites. Cambridge, MA: Harvard University Press (1996) 334 pp. #1-8619-7074-9 [BM-FRITH]
• Frith, Simon 334 pp. #1-8619-7074-9 [BM-FRITH]|PB [1·POPULARMUS 2·EUROARTMUS 3·SEMIOTICS 4·RHYTHM 5·PT 6·DEFINE]

Il persecutore. Torino: Einaudi (1989) 100 pp. #88-06-11507-3 [BM-CORTAZAR]
• Cortazar, Julio 100 pp. #88-06-11507-3 [BM-CORTAZAR]|PB [1·JAZZ 2·USA 3·BIOGRAPHY 4·AESTHETICS 5·SAXOPHONE] {PARKER Charlie}

Perspectives in Musicology. New York: W W Norton (1975) #0-393-00784-7 [BM-BROOKB]
• Babbitt, Milton: Contemporary Music Composition and Music Theory as Contemporary Intellectual Theory |151-184|EN|PA [1·MUSICOLOGY 2·COMPOSE 3·EUROARTMUS 4·MOD.CLASS. 5·EUROPE]
• Blume, Friedrich: Musical Scholarship Today |1-14|EN|PA [1·MUSICOLOGY 2·EUROARTMUS 3·ROMANTIC]

Perspectives in Musicology. New York: W W Norton (1975) 365 pp. #0-393-00784-7 [BM-BROOKB]
• Brook, Barry, ed.; Downes, E, ed.; Solkema, S van, ed. 365 pp. #0-393-00784-7 [BM-BROOKB]|PB [1·MUSICOLOGY 2·USA 3·HISTORY 4·ARCHIVIST 5·MUS.ANALYS 6·EUROARTMUS 7·COMPOSE 8·MOD.CLASS.]

Perspectives in Musicology. New York: W W Norton (1975) #0-393-00784-7 [BM-BROOKB]
• Chase, Gilbert: American Musicology and the Social Sciences |202-226|EN|PA [1·MUSICOLOGY 2·USA 3·SOCIOLOGY 4·]
• Correa de Azevedo, Luiz Heitor: The Present State and Potential of Music Research in Latin America |249-269|EN|PA [1·MUSICOLOGY 2· 3·L AMERICA]
• Duckles, Vincent: Musicology at the Mirror: a Prospectus for the History of Musical Scholarship |32-55|EN|PA [1·MUSICOLOGY 2·EUROARTMUS 3·]
• Harrison, Frank Lloyd: Music and Cult: The Functions of Music in Social and Religious Systems |307-334|EN|PA [1·MUSICOLOGY 2·RELIGION 3·MYSTICISM 4·EUROPE 5·EUROARTMUS]
• Hood, Mantle: The Consensus Makers of Asian Music |290-306|EN|PA [1·AUSTRIA 2·EUROPE 3·MUSICOLOGY 4· 5·E ASIA MUS 6·MOR 7·OPPOSE 8·DEFINE 9·POPULARMUS]
• Knepler, Georg: Music Historiography in Eastern Europe |227-248|EN|PA [1·MUSICOLOGY 2·E EUROPE 3·USSR 4·USA 5·CAPITALISM 6·SOCIALISM 7·POLITSTUDY 8·MUSIC EDUC 9·EUROARTMUS]
• Lang, Paul Henry: Musicology and Related Disciplines |185-201|EN|PA [1·MUSICOLOGY 2·EUROARTMUS 3·PHILOSOPHY]
• Lesure, François: Archival Research: Necessity and Opportunity |56-79|EN|PA [1·MUSICOLOGY 2·EUROARTMUS 3·ARCHIVIST 4·EUROPE]
• Lowinsky, Edward E: Secret Chromatic Art Re-examined |91-135|EN|PA [1·C16 2·NETHERLAND 3·RENAISSNC. 4·POLYPHONY 5·MUSIC EXX. 6·MUSICOLOGY]
• Nketia, J H K: The Present State and Potential of Music Research |270-289|EN|PA [1·AFRICA 2·IMPERIALSM 3·LIBERTY 4·CULTPOLIT. 5·MUSICOLOGY 6·NATIONALSM 7·]
• Reese, Gustave; Brook, Barry, ed.; Downes, E, ed.; Solkema, S van, ed.: Perspectives and Lacunae in Musicological Research |1-14|EN|PA [1·MUSICOLOGY 2·EUROARTMUS 3·RELIGION 4·BAROQUE]
• Robbins-Landon, H C: Two Research Lacunae in Music of the Classic Period |136-150|EN|PA [1·CZECHOSLOV 2·EUROARTMUS 3·KEYBOARDS 4·ITALY 5·ORGANOLOGY 6·AUSTRIA]
• Winternitz, Emmanuel: The Iconology of Music |80-90|EN|PA [1·INSTRUMENT 2·MUSICOLOGY 3·HISTORY 4·EUROPE 5·RELIGION]

Peter Gunn. Liverpool: Unpublished undergraduate analysis (2MU13) (1995) 44 pp. [BMA4-ANCLIFF]
• Ancliffe, Micahel 44 pp. [BMA4-ANCLIFF]|UX [1·FILM MUSIC 2·ROCK 3·USA 4·Stud.Proj. 5·MUSIC EXX. 6·SEMIOTICS]

Phantasien über die Kunst für Freunde der Kunst. Per Druud - private course material (1799) [CP495023-026]
• Wackenroder, W H: Die Wunder der Tonkunst |xcr|DE|PA [1·AESTHETICS 2·SEMIOTICS]

Phénoménologie de la perception. Paris: Gallimard (reprint 1978) (1945) 531 pp. [BMA-MANCINI]
• Merleau-Ponty, Maurice 531 pp. [BMA-MANCINI]|PB [1·PHILOSOPHY 2·DEFINE]

The Philly Groove. St Albans: Granada (1974) #0-586-04261-X [BM-GILLETT]
• Wingfield, Pete #0-586-04261-X [BM-GILLETT]|PA [1·USA 2·UK 3·SOUL 4·MOR 5·MUS INDUST 6·1970S]

Philosophy of Optimism. Moscow: Progress (1977) 343 pp. [BCP-KUZNETSO]
• Kuznetsov, Boris G 343 pp. [BCP-KUZNETSO]|PB [1·PHILOSOPHY 2·NAT.SCI. 3·TIME/SPACE 4·MARXISM 5·SOCIALISM]

Phonogram and Cultural Communication in India. New Dehli: Behavioural Sciences Centre (1985) 100 pp. [JM-POPULAR]
• Ojha, J M 100 pp. [JM-POPULAR]|PB [1·INDIA 2·PHONOGRAM 3·CULTPOLIT. 4·MUS INDUST 5·FILM 6·HISTORY 7·PIRACY] {UNESCO; MONOPOLIES COMM; COLUMBIA; POLYGRAM; SINGAPORE}

The Phonogram in Cultural Communication. Wien: Springer-Verlag (1982) #3-211-81725-5 [BM-PHONOGRAM]
• Arming, Wolfgang: Economic Aspects of the Phonographic Industry |75-78|EN|PA [1·PHONOGRAM 2·INTERNATNL 3·STATISTICS 4·MUS INDUST]
• Beaud, Paul: Statistics and Methodology |7-18|EN|PA [1·SOCIOLOGY 2·METHODOL. 3·STATISTICS]

The Phonogram in Cultural Communication. Wien: Springer-Verlag (1982) 180 pp. #3-211-81725-5 [BM-PHONOGRAM]
• Blaukopf, Kurt, ed. 180 pp. #3-211-81725-5 [BM-PHONOGRAM]|PB [1·PHONOGRAM 2·STATISTICS 3·SOCIOLOGY 4·ANTHOLOGY 5·MUS INDUST 6·MASS MEDIA 7·COMM.STUDY]

The Phonogram in Cultural Communication. Wien: Springer-Verlag (1982) #3-211-81725-5 [BM-PHONOGRAM]
• Bontinck, Irmgard; Blaukopf, Kurt, ed.: The Project: Aims and Results |3-6|EN|PA [1·REPORT 2·SUMMARY]
• Breh, Karl: High Fidelity, Stereophony and the Mutation of Musical Communication |165-178|EN|PA [1·RADIO 2·PHONOGRAM 3·MUS INDUST 4·HISTORY 5·STATISTICS]
• Etzkorn, K Peter: Notes in Defense of Mass Communication Technology |101-110|EN|PA [1·GENRES 2·STATISTICS 3·BIBLIOGR. 4·PHONOGRAM 5·MUS INDUST]
• Ferland, Yvon; Anderson, Robert D: The Recording Industry Survey Conducted in Canada |19-42|EN|PA [1·CANADA 2·PHONOGRAM 3·MUS INDUST 4·SOCIOLOGY 5·STATISTICS]
• Golovinskii, Grigoriy L: On Some Music-Sociological Aspects of the Phonogram. The Record in Soviet Musical Culture |123-132|EN|PA [1·USSR 2·PHONOGRAM 3·EUROARTMUS 4·POPULARMUS 5·MUS INDUST]
• Grosso-Destreri, Luigi; Corposanto, Cleto: Production and Consumption of Phonograms in Italy: in Search of the Sources of Research |79-100|EN|PA [1·PHONOGRAM 2·MUS INDUST 3·ITALY 4·CONSUME 5·PRODUCERS 6·STATISTICS 7·SOCIOLOGY]
• Malm, Krister: Phonograms and Cultural Policy in Sweden |43-74|EN|PA [1·SWEDEN 2·CULTPOLIT. 3·PHONOGRAM 4·STATISTICS 5·SOCIOLOGY 6·MUS INDUST]
• Sagi, Mária: Music on Records in Hungary |111-122|EN|PA [1·PHONOGRAM 2·MUS INDUST 3·HUNGARY 4·GENRES 5·STATISTICS]
• Schlemm, Wilhelm: On the Position of the "Tonmeister" (Sound Recordist) in the Musical Communication Proces |151-164|EN|PA [1·RECORDING 2·PHONOGRAM 3·REC.ENGINR 4·PRODUCERS 5·COPYRIGHT 6·AESTHETICS]
• Signitzer, Benno; Wallnöfer, Pierre: Structures of the Phonographic Industry in Austria |133-140|EN|PA [1·PHONOGRAM 2·MUS INDUST 3·AUSTRIA 4·STATISTICS]
• Steinmetz, Helmut: Copyright, Neighbouring Rights and Piracy in Austria |141-151|EN|PA [1·PHONOGRAM 2·MUS INDUST 3·COPYRIGHT 4·AUSTRIA 5·PIRACY 6·INTERNATNL]

Photofile, Spring '87. (1987) [CP823-036]
• Birnbaum, Alfred: Hard Dreams / Soft Nightmares |EN|PA [1·JAPAN 2·VIDEO]

The Physics of Music. London: Methuen (1962) 258 pp. [BM-WOOD]
• Wood, Aleaxander 258 pp. [BM-WOOD]|PB [1·ACOUSTICS 2·NAT.SCI. 3·EDUC ITEM]

A Pictorial History of Jazz. People and Places from New Orleans to Modern Jazz. London: Spring Books (1952?) 282 pp. [BMA4-KEEPNEW]
• Keepnews, Orrin; Grauer, Bill Jr 282 pp. [BMA4-KEEPNEW]|PB [1·JAZZ 2·USA 3·TRAD JAZZ 4·SWING 5·BLUES 6·BEBOP 7·ILL.]

Pierre Bourdieus Kultur- och utbildningssociologi. En introduktion. Stockholm: Högskolan för lärarutbildning, inst för Pedagogik (1984) [CP909]
• Broady, Donald; Palme, Mikael [CP909]|PS [1·WORK 2·EDUCATION 3·COMMUNITY 4·EDUC ITEM 5·CULT.STUDY 6·DEFINE 7·METHODOL.]

A Plaine and Easie Introduction to Practicall Musicke. Also New York: Norton (1952). London: J.M. Dent (reprint. 1 publ Peter Short, London, 1597) (1597) xxix+325 pp. [BM-MORLEY]
• Morley, Thomas; Harman, R Alec, ed. xxix+325 pp. [BM-MORLEY]|PB [1·MUSIC EXX. 2·EDUC ITEM 3·NOTATION 4·TUDOR 5·MUSICOLOGY 6·SKILLS 7·VOICE 8·C16 9·UK]

En plakat blir til En bildbok om arbeidsprocesser. Larvik: Grete-Lis Bibalo (1981) unpaged pp. [BCP-SCHLYTER]
• Bibalo, Grete Lis unpaged pp. [BCP-SCHLYTER]|PB [1·NORWAY 2·VIS. ARTS 3·1970S]

Plattenflatter, 1. Stockholm: CDU (1986) [CP328/01]
• Jendersten, Carl Michael: Bal Paré. Ni har missat något |13-16|SV|PA [1·BRD 2·ROCK 3·NEW WAVE]
• Jendersten, Carl Michael: Rock från DDR - Reportage om obekanta storheter |6-10|SV|PA [1·DDR 2·ROCK]
• Jendersten, Carl Michael: Vad är CDU? Vad är Krautrock? |1-2|SV|PA [1·BRD 2·DDR 3·ROCK]
• Jendersten, Carl Michael: Västtyskland - surkålets och läderbyxornas land? |4-5|SV|PA [1·BRD 2·ROCK 3·NEW WAVE]

PM till HSFR:s symposium "Kulturforskning för 90-talet". Stockholm: photocopy (1985) [CP601037]
• Broady, Donald: Upplysningskritik och självreflexion |SV|US [1·POLITSTUDY 2·SWEDEN 3·CULT.STUDY]
• Nowak, Kjell: Kulturkommunikation och kulturreception |SV|US [1·CULT.STUDY 2·POLITSTUDY 3·SWEDEN]
• Sandström, Sven: Kulturforskning och kulturpolitik |SV|US [1·CULT.STUDY 2·POLITSTUDY 3·SWEDEN]

Poèmes et chants de la résistance 3. La Musique comme instrument politique (projet de thèse). Montréal. McGill (1978) 3 pp. [CP195024]
• Destrempes, Josée 3 pp. [CP195024]|UX [1·CANADA 2·QUÉBEC 3·PROGRESSIV 4·CULT.STUDY 5·MUSIC EXX. 6·MUSICOLOGY 7·Stud.Proj. 8·Gbg.Mvet.]

Poésie et chansons. Paris: Séghers (1963) 188 pp. [BM-BRASSENS]
• Brassens, Georges; Bonnafé, Alphonse, ed. 188 pp. [BM-BRASSENS]|PB [1·FRANCE 2·POETRY 3·VOCAL MUS. 4·DOCUMENT 5·1950S 6·1960S 7·ILL.]

Poetics of Music. 1 publ Harvard University Press 1942, 1 Eng ed 1947, Harvard University Press. New York: Vintage (1960) 7+146 pp. [BM-STRAVINSK]
• Stravinsky, Igor 7+146 pp. [BM-STRAVINSK]|PB [1·EUROPE 2·EUROARTMUS 3·MOD.CLASS. 4·AESTHETICS 5·PHILOSOPHY 6·COMPOSE]

Policing Pop. Philadelphia: Temple University Press (2003) viii+241 pp. #1-56639-990-4 [BM-CLOONAN]
• Cloonan, Martin, ed.; Garofalo, Reebee, ed. viii+241 pp. #1-56639-990-4 [BM-CLOONAN]|PB [1·CENSORSHIP]

Polifonie: procedimenti, tassonomie e forme: una riflessione «a più voci». Venezia: Il Cardo (1996) #88-8079-078-1 [BM-POLIFONIE]
• Agamennone, Maurizio: Le polifonie viventi. Storia di una scoperta, procedimenti e tassonomie |1-96|IT|PA [1·TAXONOMY 2·POLYPHONY 3·MUSIC EXX. 4·ETHNMCOLG. 5·HETEROPHO. 6·BALKAN 7·BULGARIA] {Albania; Arom, Simha; Schaeffner, A; Lomax, Alan; hocket}
• Agamennone, Maurizio; Facci, Serena; Giannatasio, Francesco; Agamennone, Maurizio, ed.: I procedimenti polifonici nella musica tradizionale italiana. Proposta di tassonomia generale |239-278|IT|PA [1·POLYPHONY 2·ITALY 3·DEFINE 4·TAXONOMY 5·MUSICOLOGY 6·MUSIC EXX. 7·ANTHROPOL. 8·ETHNMCOLG.]
• Arom, Simha: Su alcune impreviste parentele fra le polifonie mdievali e africane |163-180|IT|PA [1·POLYPHONY 2·EUROPE 3·AFRICA 4·C AFRICA 5·TAXONOMY 6·DEFINE 7·ETHNMCOLG.]
• Baroni, Mario: La percezione delle strutture contrappuntistiche |115-122|IT|PA [1·PERCEIVE 2·CONTRAPNT. 3·POLYPHONY 4·TAXONOMY]
• Facci, Serena: 'Akazehe' del Burundi: saluti a incastro polifonico e cerimonialità femminile |123-162|IT|PA [1·AFRICA 2·C AFRICA 3·POLYPHONY 4·RITUAL 5·WOMEN 6·MUSIC EXX. 7·ETHNMCOLG.]
• Giannattasio, Francesco: Prezentazione |vii-xiii|IT|PA [1·TAXONOMY 2·CONFERENCE 3·ITALY 4·ETHNMCOLG. 5·POLYPHONY]
• Giuriati, Giovanni: Le orchestre del Sud-est asiatico: eterofonia o polifonia? |181-204|IT|PA [1·ORCHESTRAL 2·E ASIA 3·POLYPHONY 4·MUSIC EXX. 5·ETHNMCOLG. 6·HETEROPHO. 7·INDONESIA 8·DEFINE 9·CHINA] {Cambodia; Bali}
• Macchiarella, Ignazio: Polivocalità di tradizione orale nel Rinascimento italiano: ipotesi e prospettive di ricerca |205-238|IT|PA [1·POLYPHONY 2·VOICE 3·ITALY 4·C16 5·RENAISSNC. 6·MUSICOLOGY 7·MUSIC EXX.]
• Molino, Jean: Sistemi inerti e sistemi «pericolosi». Tassonomie e modelli di rappresentazione nella classificazione delle espressioni |97-114|IT|PA [1·TAXONOMY 2·PHILOSOPHY]

Polka Happiness. Philadelphia: Temple University Press (1992) xii+221 pp. #0-87722-819-1 [BM-KEIL]
• Keil, Charles; Keil, Angeliki V; Blau, Dick xii+221 pp. #0-87722-819-1 [BM-KEIL]|PB [1·USA 2·DANCE 3·EVERYDAY 4·ILL.]

Pop Archief Nederland - presentatie. Amsterdam: Pop Archief Nederland (1988) [CPSP-RIJVEN]
• Rijven, Stan, ed.; Leeuw, Rick de, ed. [CPSP-RIJVEN]|PS [1·NETHERLAND 2·ROCK 3·ORGANISE 4·DOCUMENT 5·INTERVIEW 6·REPORT] {FRITH S; KING B B; P.A.N.; POPARCHIEF NEDE}

Pop i örat. Stockholm: Sveriges Radio/UTR Prod. Nr. 5924 (1975) 26+62 pp. #91-26-05294-6 [BMA4-TAGG]
• Tagg, Philip 26+62 pp. #91-26-05294-6 [BMA4-TAGG]|PB [1·ROCK 2·RADIO 3·EDUC ITEM 4·YOUTH 5·SWEDEN 6·C&W 7·ADVERTS 8·AFR-AMER. 9·SCHLAGER 10·BUSINESS] {MUSIC BUSINESS; 1970s; MoR; POPOL VUH}

Popkatalogus - Popzamelwerk 3. Komplete '63-72 uitgave met 3500 LP's. Delft: Popzamelwerk (1974) 299 pp. [BMR]
• Stikvoort, F; Stikvoort, J; Goethart, J 299 pp. [BMR]|PB [1·ROCK 2·LPs 3·USA 4·UK 5·EUROPE 6·DISCOGR. 7·1960S]

Pop Music as a Possible Means of Education in Secondary Schools. Manchester: Department of Education (1966) [CP19?]
• Tagg, Philip [CP19?]|US [1·ROCK 2·MUSIC EDUC 3·UK 4·1960S 5·SOCIOLOGY 6·STATISTICS 7·YOUTH 8·CLASSES 9·MUSIC MAKE 10·ASCAP]

Pop-Musik. Analysen und Interpretationen. Köln: Volk (1974) [BM-WIECHEL]
• Hartwich-Wiechell, Dörte [BM-WIECHEL]|PB [1·ROCK 2·MUS.ANALYS 3·MUSIC EXX. 4·GENRES 5·UK 6·USA 7·BRD]

The Pop Process. London: Hutchinson Educational (1971) 190 pp. #0-09-110740-7 [BM-MABEY]
• Mabey, Richard 190 pp. #0-09-110740-7 [BM-MABEY]|PB [1·MUSIC EDUC 2·EDUCATION 3·UK 4·ROCK]

Pop, Rock and Ethnic Music in Schools. London: Cambridge University Press (1982) #0-521-29927-6 [BM-VULLIAMY]
• Burnett, Michael: Using pop music with middle-school classes |24-39|EN|PA [1·ROCK 2·MOR 3·DRUMS 4·MELODY 5·RHYTHM 6·MUSIC EDUC 7·AUDIENCE]
• Cobbson, Felix: African drumming |171-186|EN|PA [1·W AFRICA 2·DRUMS 3·MUSIC EDUC 4·UK 5·SKILLS 6·RHYTHM 7·NOTATION 8·FOLK MUSIC]
• Comer, John: How Can I Use The Top Ten? |7-23|EN|PA [1·ROCK 2·MUSIC EDUC 3·CHARTS 4·MUSIC EXX. 5·SKILLS 6·MELODY 7·RHYTHM 8·HARMONY 9·GUITAR 10·AUDIENCE]
• Comer, John: Rhythm and percussion work in rock and Latin American styles |40-55|EN|PA [1·ROCK 2·L AMERICA 3·DRUMS 4·SKILLS 5·RHYTHM 6·AUDIENCE 7·MUSIC EDUC]
• Comer, John: Rock and blues piano accompaniments |72-90|EN|PA [1·ROCK 2·BLUES 3·PIANO 4·ACCOMPANY 5·MUSIC EDUC 6·SKILLS 7·UK 8·MUSIC EXX.]
• Crawford, Paul: The Central London Youth Project Music Workshop |214-224|EN|PA [1·UK 2·URBAN 3·YOUTH 4·ROCK 5·JAZZ 6·MUSIC EDUC 7· 8·SKILLS 9·ORGANISE 10·EL.INSTR.]
• Farmer, Paul: Examining pop |56-71|EN|PA [1·ROCK 2· 3·ORGANISE 4·MUSIC EXX. 5·COMPETE 6·WORK 7·UK]
• Fisher, George; Spencer, Piers: Background to West Indian music |129-135|EN|PA [1·CARIBBEAN 2·CALYPSO 3·UK 4·MUSIC EDUC 5·BANDS 6·SKILLS 7·REGGAE 8·JAMAICA 9· 10·HISTORY]
• Fisher, George: Teaching steel band music |136-153|EN|PA [1·STEEL BAND 2·CARIBBEAN 3·MUSIC EDUC 4·FOLK MUSIC 5·POPULARMUS 6·INSTRUMENT 7·SKILLS 8·AUDIENCE 9·UK]
• Floyd, Leela: Glimpses of Indian music |187-198|EN|PA [1·INDIA 2·REGGAE 3·MUSIC EDUC 4· 5·MELODY 6·RHYTHM 7·SKILLS 8·UK]
• Knight, Stewart: Teaching Rock at the Basement Youth Club |225-240|EN|PA [1·UK 2·URBAN 3·YOUTH 4·ROCK 5·JAZZ 6·MUSIC EDUC 7·SKILLS 8·ORGANISE 9·EL.INSTR. 10·SOC. WORK]
• Lee, Ed: Bringing the guitar into your school |91-101|EN|PA [1·INTERVIEW 2·UK 3·GUITAR 4·MUSIC EDUC 5·MUSIC EXX. 6·MUSIC USES 7·SKILLS 8·ROCK 9·FOLK MUSIC 10·EDUCATION]
• Lee, Ed: The foremost medium - the voice |102-126|EN|PA [1·UK 2·VOICE 3·SKILLS 4·ROCK 5·FOLK MUSIC 6·MUSIC EDUC 7·IMPROVISE 8·MUSIC EXX. 9·INTERVIEW]
• Sorrell, Neil: Balinese music |199-211|EN|PA [1·INDONESIA 2·GAMELAN 3·MUSIC EDUC 4·BANDS 5·RHYTHM 6·SKILLS 7·UK]
• Spencer, Piers: Reggae |154-170|EN|PA [1·REGGAE 2·MUSIC EDUC 3·JAMAICA 4·UK 5·MUSIC EXX. 6·BANDS 7·SKILLS 8·RHYTHM 9·ACCOMPANY]
• Vulliamy, Graham; Lee, Ed; Vulliamy, Graham, ed.; Lee, Ed, ed.: Introductions |passim|EN|PA [1·ROCK 2·FOLK MUSIC 3·AFRICA 4·CARIBBEAN 5·INDIA 6·INDONESIA 7·BLUES 8·INSTRUMENT 9·SKILLS 10·MUSIC EDUC]

Pop, Rock and Ethnic Music in School. London: Cambridge University Press (1982) 244 pp. #0-521-29927-6 [BM-VULLIAMY]
• Vulliamy, Graham, ed.; Lee, Ed, ed. 244 pp. #0-521-29927-6 [BM-VULLIAMY]|PB [1·ROCK 2·FOLK MUSIC 3·AFRICA 4·CARIBBEAN 5·INDIA 6·INDONESIA 7·BLUES 8·INSTRUMENT 9·SKILLS 10·MUSIC EDUC]

Popscriptum, 1. Berlin: Forschungszentrum Populäre Musik der Humboldt-Universität (1992) [JM-POPSCRIPT]
• Binas, Suzanne: `Keep it heavy, Keep it hard'. Zu einigen Aspekten soziokorpureller Kommunikationsmuster im Prozeß der Geschlechtersozialisation. Heavy Metal in der "ehemaligen" DDR |89-95|DE|PA [1·ROCK 2·HEAVYMETAL 3·DDR 4·SEX/GENDER 5·SOCIALISAT]
• Frith, Simon: Zur Ästhetik der populären Musik |68-88|DE|PA [1·POPULARMUS 2·AESTHETICS 3·ROCK 4·USA 5·UK]
• Sasinska-Klas, Teresa: `Turbulenzen der Massen'. Rockmusik in Polen als soziologisches Phänomen |96-111|DE|PA [1·ROCK 2·HEAVYMETAL 3·POLAND 4·POLITICS]
• Shepherd, John: Warum Popmusikforschung? |43-67|DE|PA [1·POPULARMUS 2·DEFINE 3·RESEARCH]
• Wicke, Peter: Editorial |4|DE|PA
• Wicke, Peter: »Populäre Musik« als theoretisches Konzept |6-42|DE|PA [1·POPULARMUS 2·DEFINE]

PopScriptum 2. Berlin: Zyankrise / Forschungszentrum Populäre Musik der Humboldt-Universität (1994) #3-928835-14-9 [JM-POPSCRIPT]
• Bloß, Monika: Conference. Feminist Theory and Music II |146-150|DE|PA [1·CONFERENCE 2·FEMINISM 3·USA 4·REVIEW]
• Garofalo, Reebee: Die Relativität der Autonomie 1publ Popular Music, 4 (1987) |9-30|DE|PA [1·POLITSTUDY 2·CULT.STUDY 3·ROCK 4·USA 5·UK 6·MOR 7·SCHLAGER 8·MARXISM 9·OPPOSE 10·PROGRESSIV]
• Jones, Steve: Populäre Musik, Musikkritik, Werbung und die Musikindustrie |46-61|DE|PA [1·MUS INDUST 2·ADVERTS 3·REVIEW]
• Kriese, Konstanze: Rock 'n' Ritual |94-120|DE|PA [1·STARS 2·METHODOL. 3·RESEARCH 4·SOCIOLOGY 5·POLITSTUDY]
• Negus, Keith: Zwischen Unternehmen und Verbraucher |62-81|DE|PA [1·MUS INDUST 2·STATISTICS 3·SOCIOLOGY 4·INTERNATNL 5·POLITSTUDY 6·ADVERTS]
• Runge, Hans: Beobachtungen Als Berliner Musiker konnte man noch vor einigen Jahren ganz gut leben, wenn man sich Mhe gab, sogar Karriere machen. Heute ist es schweriger geworden |131-134|DE|PA [1·ROCK 2·GERMANY 3·MUSICIANS 4·MUS INDUST]
• Rutten, Paul: Lokale Musik und der internationale Markplatz |31-45|DE|PA [1·MUS INDUST 2·STATISTICS 3·INTERNATNL 4·NATIONAL]
• Seibold, Andreas: Zur Preisgestaltung von Tonträgern |121-130|DE|PA [1·MONEY 2·CONSUME 3·MUS INDUST]
• Statelova, Rosemarie: Das Elementare |82-93|DE|PA [1·RESEARCH 2·DEFINE 3·DANCE]
• Wicke, Peter: Editorial |7-8|DE|PA
• Wicke, Peter: VII IASPM Conference |151-154|DE|PA [1·CONFERENCE 2·USA 3·IASPM]

A Pop Song Register: The Motherese of Adolescents as Affective Foreigner Talk. Neuchâtel: Université de Neuchâtel (1985) [CP453151]
• Murphey, Tim; Alber, Jean-Luc [CP453151]|US [1·PSYCHOLOGY 2·LITERATURE 3·LYRICS 4·CULT.STUDY 5·CHILDREN 6·YOUTH]

Pop-Toppens tekster og musik. Köbenhavn: Danmarks Radio (Skolradioen) (1978) 20 pp. #87-554-0547-9 [CP454]
• Gravesen, Finn; Nymark, Johannes 20 pp. #87-554-0547-9 [CP454]|PB [1·EDUC ITEM 2·LYRICS 3·POLITICAL 4·POLITSTUDY 5·DENMARK 6·CHARTS 7·ROCK]

Populäre Musik und Sozialistische Kultur. Berlin: Humboldt-Universität - Musikwiss. Institut (1984) 22 pp. [BMA4-WICKE]
• Wicke, Peter, ed. 22 pp. [BMA4-WICKE]|PB [1·POPULARMUS 2·SOCIALISM 3·CULT.STUDY]

Populäre Musik und sozialistische Kultur. Kulturpolitische und theoretische Dimensionen eines sozialistischen Konzepts musikalischer Massenkultur. Berlin: Generaldirektion beim Komitee für Unterhaltungskunst (1984) [CP328/02]
• Wicke, Peter [CP328/02]|PS [1·DDR 2·DEFINE 3·POPULARMUS 4·AESTHETICS 5·GENRES 6·CULTPOLIT. 7·CULT.STUDY 8·MUSIC USES 9·ROCK 10·SCHLAGER]

Populärmusik från Vittula. Stockholm: Bonniers/Månpocket (2001) 238 pp. #91-7643-718-3 [BM-NIEMI]
• Niemi, Mikael 238 pp. #91-7643-718-3 [BM-NIEMI]|PB [1·SWEDEN 2·FINLAND 3·1950S 4·1960S 5·LITERATURE 6·ANTHROPOL. 7·POPULARMUS]

Populärmusik under 1800-talet. Stockholm: Reimers (1986) 400 pp. #91-7370-081-9 [BM-TEGEN]
• Tegen, Martin 400 pp. #91-7370-081-9 [BM-TEGEN]|PB [1·SWEDEN 2·HISTORY 3·MUSICOLOGY 4·ENTERTAIN 5·C19 6·MUSIC EXX.]

Popzamelwerk. Delft: Popzamelwerk (1974) 113 pp. [BMR]
• Stikvoort, F 113 pp. [BMR]|PB [1·ROCK 2·LPs 3·USA 4·UK 5·EUROPE 6·DISCOGR. 7·1970S]

Poster for Fernando lecture, Carleton University, April 85. Ottawa: Carleton University, Music Department (1985) [CP193192]
• Tagg, Philip [CP193192]|UX [1·PT 2·DOCUMENT]

Poster for talk at Budapest, October 1984. Budapest: MS (1984) 1 pp. [CP755096]
• Zenetudomanyu Intézet 1 pp. [CP755096]|UX [1·HUNGARY 2·DOCUMENT 3·PT]

Postgraduate Seminar "Caribbean Societies". London: Institute of Commonwealth Studies (1979) [CP327/07]
• Pring-Mill, Robert: The Climate of Current Cuban Poetry |EN|US [1·POETRY 2·CUBA]

Post-October Soviet and Symbol. Paper given at Spaziomusica conference, Cagliari (1988) 084-108 pp. [CP823-042]
• Ivashkin, Alexandr 084-108 pp. [CP823-042]|UX [1·USSR 2·CULTPOLIT. 3·EUROARTMUS]

Pour une philosophie du dialogue. Les combats singuliers de Ferdinand Gonseth. Lausanne: L'âge d'Homme (1995) ii+180 pp. #2-8251-0660-7 [BCP-EMERY]
• Émery, Éric ii+180 pp. #2-8251-0660-7 [BCP-EMERY]|PB [1·PHILOSOPHY 2·SWISS 3·DEFINE 4·FRANCE] {Gonseth, Ferdin}

Pour une philosophie du dialogue. Les combats singuliers de Ferdinand Gonseth. Lausanne: L'Age d'Homme (1995) #2-8251-0660-7 [BCP-EMERY]
• Éméry, Eric #2-8251-0660-7 [BCP-EMERY]|PB [1·PHILOSOPHY]

Pour une philosophie du dialogue. Les combats singuliers de Ferdinand Gonseth. Lausanne: L'¶ge d'Homme (1995) ii+180 pp. #2-8251-0660-7 [BCP-EMERY]
• Éméry, Éric ii+180 pp. #2-8251-0660-7 [BCP-EMERY]|PB

Pouvoir chanter. Montréal: VLB éditeur (1991) #2-89005-427-6 [BM-ROY]
• Roy, Bruno #2-89005-427-6 [BM-ROY]|PB [1·QUÉBEC 2·LYRICS 3·POLITICS 4·CANADA 5·POETRY]

Pouvoir chanter. Essai d'analyse politique. Montréal: VLB Éditeur (1989) 452 pp. #2-89005-427-6 [BM-ROY]
• Roy, Bruno 452 pp. #2-89005-427-6 [BM-ROY]|PB [1·QUÉBEC 2·CANADA 3·LYRICS 4·POLITICS 5·C19 6·C20 7·HISTORY 8·C17 9·C18] {VIGNEAUL, Gille; LECLERC, Félix}

Poverty Knock. A picture of industrial life in the 19th century through songs, ballads and contemporary accounts. Cambridge: Cambridge University Press (1974) 64 pp. #0-521-20443-7 [BMA4-PALMER]
• Palmer, Roy, ed. 64 pp. #0-521-20443-7 [BMA4-PALMER]|PB [1·UK 2·BALLADS 3·WORKERS 4· 5·POVERTY 6·MUSIC EXX. 7·ILL.]

Practical Midi Handbook (2nd Edition). Tonbridge: PC Publishing (1990) 152 pp. #1-870775-13-9 [BM-PENFOLD]
• Penfold, R A 152 pp. #1-870775-13-9 [BM-PENFOLD]|PB [1·SYNTHS 2·MIDI 3·HANDBOOK 4·REFERENCE 5·COMPUTERS 6·REC.ENGINR 7·RECORDING]

A Preliminary Survey of Stress in Popular Musicians. Stockport: Health Authority (1982) [CP124313]
• Wills, Geoffrey I [CP124313]|US [1·MUSICIANS 2·HEALTH 3·PSYCHOLOGY 4·NEUROLOGY 5·UNIONS 6·UK 7·1970S]

The Present State of Musics. Wien: Mediacult (1986) [CP502/3]
• Blaukopf, Kurt: Music, music policies and the tasks of research |5-14|EN|PA [1·GENRES 2·TECHNOLOGY 3·CULTPOLIT.]
• Various: Changes in the acoustic environment and their impact on musical communication |16-19|EN|PA [1·SOUNDSCAPE 2·TECHNOLOGY 3·GENRES]
• Various: The image of music and the status of the musician |24-29|EN|PA [1·MUSICIANS 2·COPYRIGHT 3·RECORDING 4·CULTPOLIT.]
• Various: The role of the electronic media: international standardisation versus cultural identity |19-24|EN|PA [1·MASS MEDIA 2·TECHNOLOGY 3·INTERNATNL 4·NATIONALSM 5·GENRES]

La Presse, 1980-11-17. Montréal: La Presse (1980) [CP195185]
• Givras, Claude: Place au tango (review of Pelinski's Tango Ensemble) |FR|PA [1·TANGO 2·REVIEW 3·ARGENTINA 4·QUÉBEC 5·CANADA]

La Presse Dimanche, 1985-08-11. Montréal: La Presse (1985) [CP757]
• Brunet, Alain: Le juke-box passé au microscope |62|FR|PA [1·PT 2·IASPM 3·QUÉBEC 4·CANADA 5·CONFERENCE 6·REVIEW]

Press release "Inga gränser mellan folkligt och fint i ny bok om 20 000 år av musik". Stockholm: Esselte (1983) [CP 318014]
• Ling, Jan [CP 318014]|US [1·GÖTEBORG 2·BIBLIOGR. 3·ADVERTS]

Principles of Orchestration. 1publ 1894, 2 vols: Text, Music ex. Bound here as 1 vol. New York: Dover (1964) 152 + 337 pp. #0-486-21266-1 [BM-RIMSKY]
• Rimsky Korsakov 152 + 337 pp. #0-486-21266-1 [BM-RIMSKY]|PB [1·ORCHESTRAL 2·INSTRUMENT 3·SKILLS 4·COMPOSE 5·MUSIC EXX. 6·OPERA 7·TONE POEM 8·PROGRAMMUS 9·ROMANTIC 10·ARRANGE]

The Private Future. Causes and consequences of community collapse in the West. London: Thames & Hudson (1973) 208 pp. #0-500-01106-0 [BCP-PAWLEY]
• Pawley, Martin 208 pp. #0-500-01106-0 [BCP-PAWLEY]|PB [1·SOCIOLOGY 2·POLITICS 3·CULTPOLIT. 4·MASS MEDIA 5·CONSUME] {DYSTOPIA}

Il problema del tempo. Saggio sulla metodologia della ricerca. 1 publ 1964 Éditions du Griffon, Neuchâtel. Catania: Edizioni di Ipotesi Neuchâtel, 1964) (1984) 158 pp. [BCP-GONSETH]
• Gonseth, Ferdinand; Lizzio, Maria 158 pp. [BCP-GONSETH]|PB [1·TIME/SPACE 2·PHILOSOPHY]

O Problema do Tempo - Sua interpretação filosófica. Trad Joel Silveira. Rio de Janeiro: Paz e Terra (1969) 219 pp. [BCP-ASKIN]
• Askin, I F 219 pp. [BCP-ASKIN]|PB [1·TIME/SPACE 2·PHILOSOPHY]

Le problème de la connaissance en philosophie ouverte. Ensemble de textes présentés, choisis et annotés. Lausanne: Dialectica - L'âge d'homme (1990) 233 pp. #2-8251-0100-1 [BM-GONSETH]
• Gonseth, Ferdinand; Émery, Éric, ed. 233 pp. #2-8251-0100-1 [BM-GONSETH]|PB [1·PHILOSOPHY 2·FRANCE 3·SWISS 4·MATHEMATIC 5·PSYCHOLOGY 6·SEMIOTICS]

Problems in the Analysis of Popular Music. (1983) 31 + 5 pp. [CP754128]
• Tagg, Philip 31 + 5 pp. [CP754128]|UX [1·DDR 2·MUSICOLOGY 3·SEMIOTICS 4·MUS.ANALYS 5·AESTHETICS 6·MANUSCRIPT]

Problemy razvitiya sovremennogo iskusstva. Moskva: Vsesoyuznyi Nauchno-isledovatel'skii Institut Iskusstvoznaniya Ministerstva Kultury SSSR (1988) [BM-PROBLEMY]
• Barmak, A A: O diletantisme i shkole |54-67|RU|PA [1·USSR 2·SOCIOLOGY 3·POPULARMUS]
• Belova, E P: Chto proiskhodit s sovremennym estradnym tantsem? |142-165|RU|PA [1·USSR 2·SOCIOLOGY 3·POPULARMUS]
• Boiko, A I: Ilastichkeie i estradno-tsirkovye zhanri |113-129|RU|PA [1·USSR 2·SOCIOLOGY 3·POPULARMUS]

Problemy razvitiya sovremennogo iskusstva. Moskva: Vsesoyuznyi Nauchno-isledovatel'skii Institut Iskusstvoznaniya Ministerstva Kultury SSSR (1988) 246 pp. [BM-PROBLEMY]
• Dukov, E V, ed.; Britaeva, N Kh, ed.; Bartanov, A S, ed. 246 pp. [BM-PROBLEMY]|PB [1·USSR 2·SOCIOLOGY 3·POPULARMUS]

Proceedings from Brno Musicological Colloquium 1983 (Frthc). (1984f) 7 pp. [CP754106]
• Tagg, Philip: Zur Analyse von Populärer Musik |DE|UX [1·MUZAK 2·INNOVATE 3·DEFINE 4·ROCK 5·FILM MUSIC 6·CULTPOLIT. 7·IASPM 8·AESTHETICS 9·ADVERTS 10·PROGRESSIV]

Processes of Change in Finnish Music Culture during the Industrialization Period. Helsinki: typescript (1983) [CP324093]
• Kurkela, Vesa; Tarasti, Eero [CP324093]|US [1·FINLAND 2·HISTORY 3·URBAN 4·GENRES 5·C19 6·C20 7·WORKERS]

Processus compositionnel. Genèse de chansons de Gilles Vigneault: un témoignage. Göteborg: Skrifter från musikvetenskap nr 28 (1992) #91-85974-21-8 [BM-ROCHON]
• Rochon, Gaston #91-85974-21-8 [BM-ROCHON]|PB [1·COMPOSE 2·MUSIC EXX. 3·DOCUMENT 4·BIBLIOGR. 5·QUÉBEC 6·CANADA 7·SSONGWRITR 8·HARMONY 9·DISCOGR. 10·MUSICOLOGY]

Processus de la création musicale en Amerique Latine. (1987?) 070-075 pp. [CP825047-069]
• Aharonián, Coriún 070-075 pp. [CP825047-069]|UX [1·COMPOSE 2·L AMERICA]

Producing Pop - Culture and Conflict in the Popular Music Industry. London: Edward Arnold (1992) 175 pp. #0-340-51759-X [BM-NEGUS]
• Negus, Keith 175 pp. #0-340-51759-X [BM-NEGUS]|PB [1·MUS INDUST 2·MASS MEDIA 3·SOCIOLOGY 4·CULT.STUDY]

Les professionnels du disque. Une sociologie des variétés. Paris: A.M. Métaillié (1981) 255 pp. #2-86424-008-4 [BM-HENNION]
• Hennion, Antoine 255 pp. #2-86424-008-4 [BM-HENNION]|PB [1·RECORDING 2·MUSICIANS 3·PRODUCERS 4·FRANCE 5·AESTHETICS 6·ANTHROPOL. 7·INTERVIEW 8·MUS INDUST 9·SOCIOLOGY 10·MUSICOLOGY]

Programa del concierto de intérpretes de la RSS de Armenia, Teatro Carlos Brussa, Montevideo, 860930. Montevideo: (1986) 6 pp. [CP827116-121]
• Aharonián, Coriún: Introducción a la música de los Armenios |SP|PX [1·USSR 2·URUGUAY 3·ARMENIA 4·EUROARTMUS 5·FOLK MUSIC 6·PERFORM 7·HISTORY]

Programmare i sintetizzatori Yamaha DX. Padova: Muzzio (1987) [JM-MUSICAREA]
• Sani, Nicola; Tamburini, S [JM-MUSICAREA]|US [1·SYNTHS 2·COMPUTERS 3·SKILLS 4·COMPOSE 5·EDUC ITEM 6·HANDBOOK]

Programme de Musique Commerciale. Montréal: Institut Trebas (1985) [CP193030]
• Institut Trébas [CP193030]|PS [1·EDUCATION 2·SKILLS 3·MUS INDUST 4·DOCUMENT]

Programme Music. A brief survey from the 16th century to the present day. London: Davis-Poynter (1975) c.200 pp. #0-7067-0171-2 [CP 215082-92]
• Orrey, Leslie c.200 pp. #0-7067-0171-2 [CP 215082-92]|PB [1·PROGRAMMUS 2·AFFECT 3·MUSICOLOGY 4·EUROARTMUS 5·ROMANTIC 6·IMPRESSNSM]

Projects for Coordinating Popular Music Studies in Socialist Countries. Göteborg: typescript for RPM 1 (1983) 3 pp. [CP755026]
• Tagg, Philip 3 pp. [CP755026]|UX [1·IASPM 2·SOCIALISM 3·REPORT 4·ORGANISE]

Projektbeskrivning "Finländare i Älvsborgs Län". Vänersborg: Älvsborgs Läns Landstings Centralförvaltning (1984) [CP 318024]
• Vesala, Markku [CP 318024]|US [1·FINLAND 2·SWEDEN 3·MINORITIES 4·CULTPOLIT. 5·1970S 6·1980S]

Prologo, enero-julio de 1969. Montevideo (1969) [CP320006]
• Aharonián, Coriún: Apuntes acerca de la mesomúsica |89-96|SP|PA [1·GENRES 2·L AMERICA 3·MASS MEDIA 4·FOLK MUSIC]

The Promotion of Popular Music in the 1990s. Failed Msc diss. Glasgow: Department of Marketing, University of Strathclyde (1995) [BMA4-LITHGOW]
• Lithgow, Lorna [BMA4-LITHGOW]|UX [1·ADVERTS 2·MUS INDUST 3·UK 4·ROCK 5·CHARTS 6·Stud.Proj.]

Proposal for a Grammar of Melody (The Bach Chorales). Montréal: Presses de l'Université de Montréal (1978) 155 pp. [BMA4-BARONI]
• Baroni, Mario; Jacobini, Carlo 155 pp. [BMA4-BARONI]|PB [1·BAROQUE 2·MUSICOLOGY 3·SEMIOTICS 4·MELODY 5·MUSIC EXX.]

Proposals Concerning the Establishment of an International Society for Popular Music. Amsterdam: handout at IASPM 1st international conference (1981) [CP755023]
• Tagg, Philip [CP755023]|US [1·IASPM 2·CONFERENCE 3·DOCUMENT 4·ORGANISE]

A proposito de "Revolver" - ¡PUM!. (1965?) [CP320024]
• Aharonián, Coriún [CP320024]|PA [1·ELECTRONIC 2·ROCK 3·MOD.CLASS. 4·REVIEW]

Psychological Monographs, 19/82. (1915) [CP824306]
• Givler, R C: The psycho-physiological effect of the elements of speech in relation to poetry Notes only on transmogrification of sounds in Gray's `Elegy' |EN|PA [1·POETRY 2·SOUND 3· 4·]

The Psychology of Music. London: Hutchinson (1980) 240 pp. #0-09-129501-7 [BM-DAVIES]
• Davies, John Booth 240 pp. #0-09-129501-7 [BM-DAVIES]|PB [1·PSYCHOLOGY 2·ANTHROPOL. 3·PERCEIVE 4·METHODOL. 5·MELODY 6·HARMONY 7·RHYTHM]

Psychology of Music, 2/2. (1974?) [CP-306126]
• Blaukopf, Kurt: The Influence of Electroacoustics on Patterns of Musical Behaviour |29-31|EN|PA [1·TECHNOLOGY 2·MASS MEDIA 3·PERCEIVE 4·COMMUNICAT 5·ELECTROAC.]

Psykologiska aspekter på musikupplevande. En experimentell undersökning. Lund: Institutionen för tillämpad psykologi (1979) [BMA4-MAGNUSS]
• Magnusson, Per-Åke; Lundqvist, Thomas [BMA4-MAGNUSS]|US [1·PSYCHOLOGY 2·SEMIOTICS 3·EUROARTMUS]

PUB 84. Stockholm: Sveriges Radio/PUB (1985) #91-7552-354-X [BCP-PUB]
• Abrahamsson, Ulla B; Bergvall, Christina, ed.: Mormor blev myndig - blir sonsonen jämställd? |6-34|SV|PA [1·PUBL.AUTHO 2·SEX/GENDER 3·MEN 4·WOMEN 5·CULTPOLIT. 6·SWEDEN]
• Cronholm, Margareta: Den lilla TV-publiken - som växte |51-55|SV|PA [1·CULT.STUDY 2·TELEVISION 3·SWEDEN 4·STATISTICS]

PUB 84. Stockholm: Allmänna Barnhuset och Liber (1986) #91-40-71692-9 [BCP-ROSENGRE]
• Elmhorn, Kerstin; Bergvall, Christina, ed.: Vad kan vi göra? |103-117|SV|PA [1·TELEVISION 2·VIDEO 3·YOUTH 4·CONFERENCE 5·CULTPOLIT.]

PUB 84. Stockholm: Sveriges Radio/PUB (1985) #91-7552-354-X [BCP-PUB]
• Felitzen, Cecilia von: Barns TV-tittande, bokläsning och fritid |56-71|SV|PA [1·CHILDREN 2·TELEVISION 3·LITERATURE 4·LEISURE 5·SWEDEN 6·STATISTICS]

PUB 84. Stockholm: Allmänna Barnhuset och Liber (1986) #91-40-71692-9 [BCP-ROSENGRE]
• Flodin, Bertil: TV och ungdomars yrkesförväntan |66-74|SV|PA [1·TELEVISION 2·VIDEO 3·YOUTH 4·CONFERENCE]
• Höjerbeck, Ingrid: Forskningsprojektet "Barn och ungdom, TV och video" |89-91|SV|PA [1·TELEVISION 2·VIDEO 3·YOUTH 4·CONFERENCE]
• Jarlbro, Gunilla: Mätning eller samtal? Vägar till kunskap om medieanvändning |75-88|SV|PA [1·TELEVISION 2·VIDEO 3·YOUTH 4·CONFERENCE]
• Johnsson-Smaragdi, Ulla: Familjen, kamraterna och TV-tittandet |17-30|SV|PA [1·TELEVISION 2·VIDEO 3·YOUTH 4·CONFERENCE]
• Jönsson, Annelis: TV:s inverkan på skolresultaten |43-52|SV|PA [1·TELEVISION 2·VIDEO 3·YOUTH 4·CONFERENCE]
• Lindell, Ebbe: Videon i elevuppsatser |97-102|SV|PA [1·TELEVISION 2·VIDEO 3·YOUTH 4·CONFERENCE]

PUB 84. Stockholm: Sveriges Radio/PUB (1985) #91-7552-354-X [BCP-PUB]
• Löwander, Birgitta: Ord och uppgivenhet inför cancer och kärnkraft |72-79|SV|PA [1·CULT.STUDY 2·MASS MEDIA 3·SWEDEN 4·NUCLEAR 5·POLITSTUDY]

PUB 84. Stockholm: Allmänna Barnhuset och Liber (1986) #91-40-71692-9 [BCP-ROSENGRE]
• Mannheimer, Carin: En provokation |13-16|SV|PA [1·TELEVISION 2·VIDEO 3·YOUTH 4·CONFERENCE]

PUB 84. Stockholm: Sveriges Radio/PUB (1985) #91-7552-354-X [BCP-PUB]
• Nordberg, Jan: Byrålådsdikter eller dikter skrivs av var fjärde svensk |44-50|SV|PA [1·POETRY 2·SWEDEN 3·AMATEURS 4·STATISTICS 5·RADIO]

PUB 84. Stockholm: SR/PUB (1984) 52+46 pp. #91-7552-352-3 [BMA4-PUB]
• Nordström, Bengt; Bergvall, Christina, ed.: Radions publik 1983/84 |SV|PB [1·SWEDEN 2·RADIO 3·1980S 4·STATISTICS 5·AUDIENCE 6·GENRES]

PUB 84. Stockholm: Sveriges Radio/PUB (1985) #91-7552-354-X [BCP-PUB]
• Nordström, Bengt: P2-publiken - när nollorna fick liv |35-43|SV|PA [1·AUDIENCE 2·EUROARTMUS 3·RADIO 4·SWEDEN 5·MASS MEDIA 6·STATISTICS]

PUB 84. Stockholm: Sveriges Radio/PUB (1983) 7 pp. #91-7552-300-0 [CP322100]
• Publik- och programforskning (SR); Bergvall, Christina, ed.: TV-tittandet säsongen 1982/83 |SV|PB [1·SWEDEN 2·TELEVISION 3·STATISTICS 4·1980S]

PUB 84. Stockholm: Sveriges Radio/PUB (1985) #91-7552-354-X [BCP-PUB]
• Publik- och programforskning (SR): Bilagor: mätperioder, målskrivning för SR/PUB, bibliografi |93-100|SV|PA [1·CULT.STUDY 2·SWEDEN 3·STATISTICS 4·RADIO 5·TELEVISION 6·1980S 7·BIBLIOGR.]
• Publik- och programforskning (SR): Mediebarometern: hur används massmedierna |82-83|SV|PA [1·CULT.STUDY 2·SWEDEN 3·STATISTICS 4·RADIO 5·TELEVISION 6·1980S]
• Publik- och programforskning (SR): Radio- och TV-publiken i siffror |80-81|SV|PA [1·CULT.STUDY 2·SWEDEN 3·STATISTICS 4·RADIO 5·TELEVISION 6·1980S]

PUB 84. Stockholm: Allmänna Barnhuset och Liber (1986) #91-40-71692-9 [BCP-ROSENGRE]
• Roe, Keith: Forskningsprojektet "Ungdomar i den nya medievärlden" |92-96|SV|PA [1·TELEVISION 2·VIDEO 3·YOUTH 4·CONFERENCE]
• Roe, Keith: Skolan och medierna |53-65|SV|PA [1·SOCIOLOGY 2·TELEVISION 3·VIDEO 4·YOUTH 5·CONFERENCE]
• Rosengren, Karl-Erik: Konferensen på Sätra Bruk - ett diskussionsreferat |118-126|SV|PA [1·TELEVISION 2·VIDEO 3·YOUTH 4·CONFERENCE]
• Rosengren, Karl-Erik, ed.: Rapporter från forskningsprogrammet Mediapanel |127-128|SV|PA [1·TELEVISION 2·VIDEO 3·YOUTH 4·CONFERENCE 5·BIBLIOGR.]
• Sonesson, Inga: TV, aggressivitet och ängslan |31-42|SV|PA [1·TELEVISION 2·VIDEO 3·YOUTH 4·CONFERENCE]
• Windahl, Sven: Mediapanel - en presentation |7-12|SV|PA [1·TELEVISION 2·VIDEO 3·YOUTH 4·CONFERENCE]

Public Studies into Popular Music. A Matter for International and Interdisciplinary Organisation. (1983) 4 pp. [CP754045]
• Tagg, Philip 4 pp. [CP754045]|UX [1·IASPM 2·CULTPOLIT. 3·EDUCATION 4·INTERNATNL]

Puccini - Keeper of the Seal. London: Hutchinson (1958) 256 pp. [BM-PUCCINI]
• Greenfield, Edward 256 pp. [BM-PUCCINI]|PB [1·OPERA 2·BIOGRAPHY 3·ITALY 4·ROMANTIC 5·1850-1899 6·1900-1909 7·1910S]

Puhdys. Eine Kultband aus dem Osten. Berlin: Elefanten Press (1994) 161 pp. #3-88520-519-X [BM-PUHDYS]
• Hannover, Irmela, ed.; Wicke, Peter, ed. 161 pp. #3-88520-519-X [BM-PUHDYS]|PB [1·DDR 2·GERMANY 3·ILL. 4·HISTORY 5·1960S 6·1970S 7·1980S 8·BIOGRAPHY 9·ROCK]

PUM 9. Progetto Uomo - Musica, 9 (gennaio 1996). Educazione / Animazione / Terapia / Ricerca. Assisi: Edizioni Musicali Pro Civitate Christiana (1996) [JM-PUM]
• Benassi, Elisa: Musica e preparazione alla nascita |16-24|IT|PA [1·MUSIC EDUC 2·CHILDREN 3·MUSTHERAPY]
• Bruhn, Herbert: Visceralmente: New Age, la ragione, le emozioni e le tradizioni tedesche |66-73|IT|PA [1·PSYCHOLOGY 2·YOUTH 3·NEW AGE 4·GERMANY]
• Delalande, François: Brividi, senso, condotte |62-65|IT|PA [1·PSYCHOLOGY 2·MUSIC EDUC 3·PERCEIVE]
• Downie, Giacomo: Musica in casa di riposo |38-42|IT|PA [1·MUSTHERAPY]
• EDUCAZIONE CIVICA DE: Educazione civica, democrazia e diritti umani. Documento del Consiglio Nazionale della Pubblica Istruzione |6-9|IT|PA [1·MUSIC EDUC 2·ETHICS 3·MUSTHERAPY 4·PSYCHOLOGY 5·ANTHROPOL. 6·CULTPOLIT.]
• Ferrari, F: Quando la musica ti appaga |48-50|IT|PA [1·MUSIC EDUC 2·ROCK]
• Franco, Ombretta: Psicologia e musica: il capitolo 'Emozioni' |78-86|IT|PA [1·PERCEIVE 2·PSYCHOLOGY 3·MUSIC USES 4·DANCE 5·PHILOSOPHY]
• Gabrielsson, Alf; Linström, Siv: Esperienze musicali forti: implicazioni terapeutiche? |57-61|IT|PA [1·PSYCHOLOGY 2·MUSTHERAPY]
• Gaita, Denis: Mal di Mahler |51-56|IT|PA [1·PSYCHOLOGY 2·MUSIC EDUC 3·EDUC ITEM]
• Marconi, Luca: Gli "universali" e il concetto di musica |87-95|IT|PA [1·MUSICOLOGY 2·DEFINE 3·SEMIOTICS 4·PT]
• Minutoli, Liliana: E se pensassi a quand' ero bambina |25-28|IT|PA [1·MUSIC EDUC 2·CHILDREN 3·MUSTHERAPY]
• Spaccazocchi, Maurizio: Spararsi i Led Zeppelin |74-77|IT|PA [1·ROCK 2·PSYCHOLOGY 3·YOUTH 4·] {Led Zeppelin}
• Stefani, Gino, ed.: Emozioni in musica: racconti d'infanzia; giovani, passioni e situazioni |43-47|IT|PA [1·MUSTHERAPY 2·PSYCHOLOGY 3·ANTHROPOL.]
• Strobino, Enrico: Una musica pesante, trame e intrecci da un microcosmo quotidiano |29-37|IT|PA [1·MUSIC EDUC 2·CHILDREN 3·MUSTHERAPY 4·EVERYDAY 5·ROCK 6·SOUNDSCAPE 7·HEAVYMETAL 8·PT]
• Vitali, Maurizio: Scuola di Animazione Musicale a Lecco |10-15|IT|PA [1·MUSIC EDUC 2·ITALY]

Punk and New Wave. Limpsfield: Dragon's World (1982) #0-905895-01-0 [BMA4-ALBUM]
• Ellis, Andrew W #0-905895-01-0 [BMA4-ALBUM]|PA [1·VIS. ARTS 2·LPs 3·ROCK 4·PUNK 5·NEW WAVE]

Punk Femininity: Style and Class Conflict. Madison: University of Wisconsin, Dept of Educ. Policy Stud. (1983) [CP193198]
• Rothaus, Leslie G [CP193198]|US [1·1970S 2·PUNK 3·USA 4·WOMEN 5·ANTHROPOL. 6·YOUTH 7·GENRES 8·SUBCULTURE 9·BIBLIOGR. 10·ROCK]

Punk pod Slovenci. Ljubljana: KRT (1985) 408 pp. [JM-POPUL/RVW]
• Maleckar, Nez^; Mastnak, Tomaz^ 408 pp. [JM-POPUL/RVW]|PB [1·YUGOSLAVIA 2·ROCK 3·HISTORY 4·YOUTH 5·CULT.STUDY 6·SOCIALISM 7·PUNK 8·WORK]

Purcell. Boston, MA: Northeastern University Press (1995) #1-55553-287-X [BM-PURCELL]
• Keates, Jonathan #1-55553-287-X [BM-PURCELL]|PB [1·BAROQUE 2·ENGLAND 3·BIOGRAPHY]

Purcell. 1 publ 1936. London: Dent (Master Musician Series) (1946) 9+323 pp. [BM-PURCELL]
• Westrup, J A 9+323 pp. [BM-PURCELL]|PB [1·UK 2·BAROQUE 3·BIBLIOGR. 4·MUSIC EXX. 5·C17]

Putting the Frozen into Popular Music. Notes for a lecture at Carleton University, Ottawa. Göteborg: MS (1984) 4 pp. [CP755110]
• Tagg, Philip 4 pp. [CP755110]|UX [1·MUSIC EDUC 2·POPULARMUS 3·ORGANISE 4·POLITSTUDY]

Quarto festival nacional de canto popular - programme. La Paz (Uruguay): (1985) [CL003-304]
• ~~ [CL003-304]|PX [1·L AMERICA 2·URUGUAY 3·CONFERENCE 4·SSONGWRITR 5·POLITICS]

Que Tchan é Esse: indústria e produção musical no Brasil dos anos 90. São Paulo: Anna Blume (2003) #85-7419-357-7 [BM-LEME]
• Leme, Mônica Neves #85-7419-357-7 [BM-LEME]|PB [1·BRAZIL 2·RAP, etc. 3·L AMERICA 4·MUSICOLOGY 5·PT 6·MUS.ANALYS 7·1990S]

Racines interdites - Gwriziad difennet. J-C Lattès (1979) 221 pp. [BM-STIVELL]
• Stivell, Alan; Erwan, Jacques; Legras, Marc 221 pp. [BM-STIVELL]|PB [1·FRANCE 2·UK 3·FOLK MUSIC 4·NATIONALSM 5·REGIONALSM 6·ILL. 7·MINORITIES 8·HISTORY 9·1970S 10·ROCK]

Randy Newman's Americana. Stony Brook (NY): Music Department, SUNY (1985) [CP193113]
• Winkler, Peter [CP193113]|US [1·MOR 2·1960S 3·ROCK 4·USA 5·MUS.ANALYS 6·MUSIC EXX.]

The Rap Attack. African Jive to New York Hip Hop. London: Pluto Press (1984) 168 pp. #0-86104-777-X [BM-TOOP]
• Toop, David 168 pp. #0-86104-777-X [BM-TOOP]|PB [1·USA 2·AFR-AMER. 3·URBAN 4·1980S 5·VERBAL 6·GENRES 7·PHONOGRAM 8·CULT.STUDY 9·ILL. 10·ROCK] {JIVE; HOP HOP; RAP; BROOKLYN; NEW YORK}

Rapport från 1:a internationella konferensen om populärmusikforskning (för NOMUS 810903). Göteborg: Typescript (1981) 3 pp. [CP752208]
• Tagg, Philip 3 pp. [CP752208]|UX [1·IASPM 2·REVIEW 3·CONFERENCE]

Ravel. Utrecht: Uitgeverij Het Spectrum (1948) 199 pp. [BM-RAVEL]
• Jankelevitch, Vladimir 199 pp. [BM-RAVEL]|PB [1·BIOGRAPHY 2·COMPOSERS 3·FRANCE 4·IMPRESSNSM 5·ILL.]

Razones locas. El paso de Eduardo Mateo por la música uruguaya. Buenos Aires: (2002) 455 pp. #987-20536-0-X [BM-ALENCARPI]
• Alencar Pinto, Guilherme 455 pp. #987-20536-0-X [BM-ALENCARPI]|PB [1·URUGUAY 2·SSONGWRITR 3·BIOGRAPHY 4·L AMERICA]

Razones locas. El paso de Eduardo Mateo por la musica uruguaya. Montevideo: Metro / Ediciones de la pluma (1994) [BM-PINTO]
• Pinto, Guilherme de Alencar [BM-PINTO]|PB [1·URUGUAY 2·1960S 3·1970S 4·BIOGRAPHY 5·INTERVIEW 6·ILL.] {Mateo, Eduardo}

Readers, viewers, texts. Open University Media Course U203 (1979) [CP903091]
• Martin, Graham [CP903091]|US [1·EDUCATION 2·MASS MEDIA 3·TELEVISION 4·VIS. ARTS 5·SEMIOTICS]

Reading Images. Deakin (Victoria): Deakin University Press (1990) 135 pp. #91-518-3454-5 [BC-KRESS]
• Kress, Gunther; Leeuwen, Theo van 135 pp. #91-518-3454-5 [BC-KRESS]|PB [1·VIS. ARTS 2·SEMIOTICS 3·EDUC ITEM 4·ADVERTS 5·AUSTRALIA]

Reading Pop. Approaches to Textual Analysis in Popular Music. Oxford: Oxford University Press (2000) #0-85323-835-9 [BM-MIDDLETON]
• Björnberg, Alf; Middleton, Richard, ed.: Structural Relationships of Music and Images in Music Video |347-378|EN|PA [1·ROCK 2·VIDEO 3·DEFINE 4·MUSICOLOGY 5·BIBLIOGR. 6·SEMIOTICS 7·PT]
• Brackett, David: James Brown's 'Superbad' and the Double-Voiced Utterance |122-140|EN|PA [1·MUSICOLOGY 2·SOUL 3·LYRICS 4·VOICE]
• Bradby, Barbara; Torode, Brian: Pity Peggy Sue |203-228|EN|PA [1·MUSIC EXX. 2·LYRICS 3·MUSICOLOGY 4·MUS.ANALYS 5·WOMEN 6·USA 7·1950S]
• Cubitt, Sean: 'Maybellene': Meaning and the Listening Subject |141-160|EN|PA
• Fiori, Umberto: Listening to Peter Gabriel's 'I Have the Touch' |183-191|EN|PA [1·UK 2·ROCK 3·LYRICS 4·SOUND 5·MUS.ANALYS]
• Griffiths, Dai: Three Tributaries of 'The River' |192-202|EN|PA [1·LYRICS 2·MUSIC EXX. 3·RHYTHM 4·RELIGION 5·HARMONY 6·USA 7·ROCK 8·1980S]
• Hamm, Charles: Genre, Performance, and Ideology in the Early Songs of Irving Berlin |297-306|EN|PA [1·MUSICOLOGY 2·POPULARMUS 3·USA 4·SCHLAGER] {Berlin, Irving}
• Hawkins, Stan: Harmonic Analysis of "Anna Stesia" |58-70|EN|PA [1·MUSICOLOGY 2·MUSIC EXX. 3·HARMONY 4·ROCK 5·ROCK 6·USA] {Prince}
• Hisama, Ellie M: Postcolonialism on the Make: The Music of John Mellencamp, David Bowie, and John Zorn |329-346|EN|PA
• Leppert, Richard; Lipsitz, George: 'Everybody's Lonesome for Somebody': Age, the Body, and Experience in the Music of Hank Williams |307-328|EN|PA [1·C&W 2·USA 3·1930S 4·1940S 5·CLASSES 6·SEX/GENDER 7·LYRICS 8·PSYCHOLOGY 9·SOCIOLOGY]
• Middleton, Richard: Introduction |v-vi|EN|PA
• Middleton, Richard: Locating the Popular Music Text |1-26|EN|PA
• Middleton, Richard: Modes of Representation |231-234|EN|PA
• Middleton, Richard: Popular Music Analysis and Musicology: Bridging the Gap |104-121|EN|PA [1·SYNAESTHES 2·MUSICOLOGY 3·GESTURES 4·DEFINE] {Maróthy, János}
• Middleton, Richard: Words and Music |163-164|EN|PA [1·LYRICS]
• Moore, John: "The hieroglyphics of love": the torch singers and interpretation |262-296|EN|PA [1·USA 2·1920S 3·1930S 4·PERFORM 5·WOMEN 6·DRAMA 7·LOVE 8·SEX/GENDER] {BRICE Fanny; HOLMAN Libby; TUCKER Sophie; MORGAN Helen; ZIEGFELD FOLLIE}
• Tagg, Philip: Analysing Popular Music: Theory, Method, Practice |71-103|EN|PA [1·AFFECT 2·POPULARMUS 3·MUSICOLOGY 4·DEFINE 5·MUSIC EXX. 6·ABBA 7·KOJAK 8·SEMIOTICS 9·POLITSTUDY]
• Taylor, Timothy D: His Name was in Lights: Chuck Berry's 'Johnny B Goode' |165-182|EN|PA [1·USA 2·ROCK 3·1960S 4·LYRICS 5·MUSICOLOGY 6·MUSIC EXX. 7·CULT.STUDY] {Berry, Chuck}
• Whiteley, Sheila: Progressive Rock and Psychedelic Coding in the Work of Jimi Hendrix |235-261|EN|PA [1·ROCK 2·MUSIC EXX. 3·MUSICOLOGY 4·1960S 5·DRUGS]
• Winkler, Peter: Randy Newman's Americana |27-57|EN|PA [1·USA 2·ROCK 3·MUSIC EXX. 4·MUSICOLOGY 5·HARMONY 6·MELODY] {PASTICHE; NIHILISM; AMERICAN WAY OF; NEWMAN R}

Readings in Black American Music. New York: W W Norton (1971) 302 pp. #0-393-09892-3 [BM-SOUTHERN]
• Southern, Eileen, ed. 302 pp. #0-393-09892-3 [BM-SOUTHERN]|PB [1·AFRICA 2·USA 3·HISTORY 4·MUSIC EXX. 5·EUROARTMUS 6·FOLK MUSIC 7·POPULARMUS 8·GOSPEL 9·DANCE 10·AFR-AMER.]

Reading Sounds. An Essay on the Soundscape and Music, Knowledge and Society. Göteborg: IASPM-Norden Working Papers (1987) [CP]
• Tagg, Philip [CP]|PS [1·DEFINE 2·PHILOSOPHY 3·PSYCHOLOGY 4·MUSICOLOGY 5·ANTHROPOL. 6·MELODY 7·SOUNDSCAPE 8·ROCK 9·EUROARTMUS 10·GENRES]

Recorded Music - Complete Catalogue 78 RPM Records. London: Boosey and Hawkes (1969) 104 pp. [BM-BOOSEY]
• Boosey & Hawkes 104 pp. [BM-BOOSEY]|PB [1·MOOD MUSIC 2·FILM MUSIC 3·CATALOGUE 4·DISCOGR. 5·1940S 6·1950S 7·UK]

Recording, Syncing and Synths (For Home and Studio Recording). Newbury Park, CA: Alexander Publishers (1988) 87 pp. [CL004-B]
• Goldfield, Paul; Griffey, Terry; Lychner, Lorenz M 87 pp. [CL004-B]|PB [1·MIDI 2·RECORDING 3·SYNTHS 4· 5·SAMPLING 6·HANDBOOK 7·MUSIC EDUC]

Recording the Blues. London: Novmber Books (1970) 85 pp. #0-289-79829-9 [BM-DIXON]
• Dixon, R M W; Goodrich, J 85 pp. #0-289-79829-9 [BM-DIXON]|PB [1·BLUES 2·RECORDS 3·MUS INDUST 4·USA 5·1920S 6·1930S 7·1940S 8·HISTORY 9·ILL. 10·RECORDING]

The Record Producers. London: BBC (1982) 248 pp. #0-563-17958-9 [BMA4-TOBLER]
• Tobler, John, ed.; Grundy, Stuart, ed. 248 pp. #0-563-17958-9 [BMA4-TOBLER]|PB [1·PRODUCERS 2·MUS INDUST 3·USA 4·UK 5·ROCK 6·INTERVIEW 7·REC.ENGINR 8·RECORDING 9·ILL.]

The Record Producers. Les Professionnels du disque. MS of review of TOBLER & GRUNDY + HENNION for Popular Music, 3 (1983) [CP753249]
• Tagg, Philip [CP753249]|UM [1·RECORDING 2·PRODUCERS 3·BUSINESS 4·REVIEW 5·FRANCE 6·UK 7·USA 8·MANUSCRIPT 9·INTERVIEW]

Réflexions critiques sur la Poésie et sur la Peinture. Per Druud - private course material (1719) [CP495-002]
• Dubos, Jean-Baptiste: Von der Musik im engeren Sinne |xcr|DE|PA [1·AESTHETICS 2·SEMIOTICS]

Reggae, a Peoples' Music. London: Carib-Arawak Publications (1973?) 38 pp. [BM-KALLYNDYR]
• Kallyndyr, Rolston; Dalrymple, Henderson 38 pp. [BM-KALLYNDYR]|PB [1·REGGAE 2·CARIBBEAN 3·UK 4·1970S 5·1960S 6·GENRES 7·NATIONALSM 8·MUSICIANS 9·MINORITIES 10·LYRICS]

Rembrandt 1669/1969. Exhibition commemorating Rembrandt's death on October 4, 1969, 13 September - 30 November. Amsterdam: Rijksmuseum (1969) 270 pp. [BCP-REMBRAND]
• Various 270 pp. [BCP-REMBRAND]|PB [1·VIS. ARTS 2·C17 3·NETHERLAND 4·DOCUMENT 5·ILL.]

Remote Control: Legal Censorship of the Creative Process. Philadelphia: Temple University Press (2003) #1-56639-990-4 [BM-CLOONAN]
• Greenfield, Steve; Osborn, Guy #1-56639-990-4 [BM-CLOONAN]|PA [1·CENSORSHIP 2·LAW]

Reply to articles by J Kryzl and C Bakesova (18 April 1983). Prague: private (1983) [CP453033]
• Vlcek, Josef [CP453033]|US [1·CZECHOSLOV 2·USA 3·OPPOSE 4·YOUTH 5·POLITSTUDY 6·CULTPOLIT. 7·1960S 8·1970S 9·1980S 10·ORGANISE]

Report from the 12th Cursos Latinoamericanos de música contemporanea, Tatuí, 1984. Göteborg: typescript - report for Svenska Institutet (1984) 3 pp. [CP755020]
• Tagg, Philip 3 pp. [CP755020]|UX [1·L AMERICA 2·REPORT 3·DOCUMENT 4·MUSIC EDUC]

Report on DOPMUS activities, May 1984. Göteborg: IASPM (1984) 3 pp. [CP755009]
• Tagg, Philip 3 pp. [CP755009]|UX [1·IASPM 2·BIBLIOGR. 3·ORGANISE]

Representing African Music. New York & London: Routledge (2003) #0-415-94390-6 [BM-AGAWU]
• Agawu, Kofi #0-415-94390-6 [BM-AGAWU]|PB [1·AFRICA 2·W AFRICA 3·MUSIC EXX. 4·ETHNMCOLG. 5·IDEOLOGY 6·SEMIOTICS 7·MUS.ANALYS]

La Repubblica 880411 (Spettacoli Milano). Milano: (1988) [CP824317]
• ~~: Il re delle colonne sonore ora sogna un'opera lirica. Ennio Morricone oggi al Teatro Studio per l'esecuzione del suo `Refrains' |IT|PA [1·FILM MUSIC 2·OPERA 3·ITALY] {Morricone, E}

The Republic. Harmondsworth: Penguin (1955) 405 pp. [BCL-PLATO]
• Plato; Lee, H D P, trans. 405 pp. [BCL-PLATO]|PB [1·OLD GREECE 2·PHILOSOPHY 3·POLITICS 4·CULTPOLIT. 5·AFFECT 6·EDUCATION]

RéR Quarterly Magazine, 3/3. London: November Books (1991) #0954-8807 [JMA4-RECOMME]
• Cutler, Chris: Proposals |40-48|EN|PA [1·AESTHETICS 2·DEFINE]
• Djll, Tom: Synthesiser + Improvisation = Impossible? |12-15|EN|PA [1·SYNTHS 2·IMPROVISE]
• Helm, Bogomil: Wall Pictures |31-34|EN|PA [1·ILL.]
• Hodgkinson, Tim: Alternative Spaces |35-39|EN|PA [1·ACOUSTICS 2·ARCHITECT. 3·URBAN 4·POLITICS]
• Jenkins, Alan: How to be in a Pop Group (part 1) |4-11|EN|PA [1·ROCK 2·MUSICIANS 3·HUMOUR 4·DEFINE 5·HANDBOOK]
• Ravenstine, Allen: Music Lessons |16-22|EN|PA [1·ROCK 2·SOCIOLOGY 3·UK]
• Sutherland, Roger: Intermedia |23-30|EN|PA [1·USA 2·NEW YORK 3·AVANTGARDE] {Fluxus}

En resa till olika "folkliga" musikmiljöer i Europa. Göteborg: Department of Musicology (1983) [CP322290]
• Ling, Jan [CP322290]|US [1·FOLK MUSIC 2·EUROPE 3·SWEDEN 4·UK 5·ANTHROPOL. 6·HISTORY 7·MUSICOLOGY]

Research materials, Brazilian mass media. CD also contains music productions, see MUS DBFs. Rio de Janeiro: (2000) [CD-NEGREIROS]
• Negreiros, Alexandre: Potencial de crescimento da TV por assinatura era de 40% nos nove principais mercados do Brasil |3|PG|PA [1·BRAZIL 2·TELEVISION 3·RADIO 4·MASS MEDIA]
• Negreiros, Alexandre, ed.: TV and radio audience statistics in Brazil (Excel/HTML) |EN|PA [1·RADIO 2·TELEVISION 3·BRAZIL 4·MASS MEDIA 5·STATISTICS]
• Negreiros, Alexandre: TV audience statistics |EN|PA [1·BRAZIL 2·MASS MEDIA 3·STATISTICS 4·RADIO 5·TELEVISION]

Revija Glasbene Mladine Slovenije, 3/10/12 (1982). Ljubljana: Jeunesses Musicales Slovenia (1982) [CP328/06]
• Barbarich, Peter: Prekriti z listjem. Intervju z Elektric^nim Orgazmom |19|SL|PA [1·YUGOSLAVIA 2·ROCK 3·CHARTS 4·REVIEW 5·INTERVIEW]
• Barber-Kersovan, Alenka: Blues C<#z luZ<#o. O razvoju akultururanih glasbenih oblik na slovenskem |11|SL|PA [1·UK 2·USA 3·YUGOSLAVIA 4·NATIONALSM 5·ROCK 6·GENRES]
• Vogrinc, Jozhe: Mnoz^ichna godba. Glasbena omara z mnogimi predali |18|SL|PA [1·USA 2·UK 3·ROCK 4·PUNK]

Revolution in the Head. The Beatles' Records and the Sixties. London: Pimlico (Random House) (1995) 387 pp. #0-7126-6208-1 [BM-MACDONALD]
• MacDonald, Ian 387 pp. #0-7126-6208-1 [BM-MACDONALD]|PB [1·BEATLES 2·REVIEW 3·1960S 4·REFERENCE]

La revue musicale, 1971. Paris (1971) [CP-309057]
• Blaukopf, Kurt: L'éspace en musique électronique |157-172|FR|PA [1·PERCEIVE 2·TIME/SPACE 3·ELCTRNCMUS]

Rezeptionsforschung in der Musikwissenschaft. Darmstadt: Wissenschaftliches Buchges (1983) 443 pp. #3-534-07868-3 [BM-ROSING]
• Rösing, Helmut, ed. 443 pp. #3-534-07868-3 [BM-ROSING]|PB [1·PERCEIVE 2·MUSICOLOGY 3·DEFINE]

Rhythm and Noise. An aesthetics of rock. Durham NC, London: Duke University Press (1996) xv+280 pp. #0-8223-1743-5 [BM-GRACYK]
• Gracyk, Theodore xv+280 pp. #0-8223-1743-5 [BM-GRACYK]|PB [1·ROCK 2·USA 3·AESTHETICS 4·DEFINE]

Right On: From Blues to Soul in Black America. London: Eddison Press (1974) 187 pp. #0-85649-016-4 [BM-HARALAMBO]
• Haralambos, Michael 187 pp. #0-85649-016-4 [BM-HARALAMBO]|PB [1·USA 2·AFR-AMER. 3·1960S 4·BLUES 5·SOUL 6·GOSPEL 7·GENRES 8·SOCIOLOGY 9·POLITSTUDY 10·ILL.]

Rio 40 Graus, Beleza e caos. incl CD ROM of presentations and debate (lo-res AVI files). Rio de Janeiro: Instituto Cultural Cravo Albin (2002) #85-85696-57-5 [BCP RIO]
• Cravo Albin, Ricardo; Costa, Alcir Henrique da, ed.; Pelos, Jorge, ed.: Prefácio |7-8|PG|PA [1·BRAZIL]
• Fawcett, Fausto: Rio 40 graus: purgatório da beleza e do caos |34-37|PG|PA [1·BRAZIL]
• Fortuna, Perfeito: A cultura está na festa, no lúdico, no terreiro... |22-23|PG|PA [1·BRAZIL]
• Junqueira, Bia: Tatuagem: texto visual 16 suggestive photos of life in Rio |38-54|PG|PA [1·BRAZIL 2·VIS. ARTS]
• Lessa, Carlos: O carioca foi forjado em laboratório urbano |18-21|PG|PA [1·BRAZIL]
• Pereira, Rui: Texto musical "Urbano, suburbano, interurbano" City described by quotes from popular song |14-17|PG|PA [1·BRAZIL 2·LYRICS]
• Saad, Paulo: O carioca joga e deixa jogar |29-30|PG|PA [1·BRAZIL]
• Silva, Itamar: Olhares cariocas: um álibi para o encontro |24-28|PG|PA [1·BRAZIL]
• Sodré, Muniz: Rio Rio |31-33|PG|PA [1·BRAZIL]
• Vieralves, Ricardo, ed.; Pereira, Rui, ed.: Debate "Onde os olhares se encontram..." |55-82|PG|PA [1·BRAZIL]
• Vieralves, Ricardo: Introdução |9-13|PG|PA [1·BRAZIL]

The Rise of Jazz. Milton Keynes: Open University Press (1979) 76 pp. #0-335-05457-9 [BMA4-OPENUNI]
• Middleton, Richard 76 pp. #0-335-05457-9 [BMA4-OPENUNI]|PB [1·RELIGION 2·WORK 3·BLUES 4·RAGTIME 5·JAZZ 6·MUSICIANS 7·BANDS 8·MINSTRELSY 9·TRAD JAZZ 10·ILL.]

Riviera Remont. Warszawa: Centrum Klubowe SZSP Politechni Warszawskiej (1981) [CP123038]
• Riviera Remont [CP123038]|PS [1·POLAND 2·JAZZ 3·CLUBS 4·PERFORM 5·DOCUMENT 6·1980S]

Rivista di estetica, 11. (1984) [CP823-154]
• Prato, Paolo: La fenonmenologia della musica di Alfred Schütz |89-100|IT|PA [1·BAROQUE 2·GERMANY 3·SEMIOTICS]

Rivista italiana di musicologia, 28/1. offprint. Firenze: Olschki (1993) [BM-CAMILLERI]
• Camilleri, Lelio: Metodologie e concetti analitici nello studio di musiche elettroacustiche |131-174|IT|PA [1·MOD.CLASS. 2·AVANTGARDE 3·MUSICOLOGY 4·SEMIOTICS 5·METHODOL. 6·DEFINE] {Stockhausen, K; Ligeti, G; Egg, The}

Riviste musicali in Europa - Banca dati 1. Anno1, nº1 - luglio 1988. Roma, Milano: Cidim, Musica/Realtà (1989) 647 pp. #88-400-0186-7 [JM-RME]
• Pestalozza, Luigi, ed.; Cerocchi, Antonietta, ed. 647 pp. #88-400-0186-7 [JM-RME]|PB [1·BIBLIOGR. 2·EUROPE 3·1980S]

The Road to Rock: A Zigzag book of interviews. London: Charisma Books (1974) 223 pp. #0-85947-014-8 [BM-ROAD TO R]
• Frame, Pete, ed. 223 pp. #0-85947-014-8 [BM-ROAD TO R]|PB [1·UK 2·INTERVIEW 3·ROCK 4·MUSICIANS 5·1960S 6·1970S]

Rock à la clé. Bonnat: Magnard/Dilisco (1989) 93 pp. [BM-BILLIET]
• Billiet, Frédéric 93 pp. [BM-BILLIET]|PB [1·ROCK 2·MUSIC EDUC 3·EDUCATION 4·FRANCE 5·MUSIC EXX. 6·ILL. 7·EDUC ITEM 8·SKILLS]

Rock Around The Clock - Saturday Night Fever: en 80-sidig sammanställning av vad som schlagit i Sverige 1955-1978. Vara: Dominique Muzic-Club (1975) 80 pp. [BMR]
• Johansson, Carl-Owe 80 pp. [BMR]|PB [1·ROCK 2·MOR 3·SCHLAGER 4·USA 5·UK 6·SWEDEN 7·CHARTS 8·CATALOGUE 9·HISTORY]

Rock... Aspekter på industri, elektronik och sound. Stockholm: Esselte Studium (1981) 246 pp. #91-24-31445-5 [BM-BROL]
• Brolinson, Per-Erik; Larsen, Holger 246 pp. #91-24-31445-5 [BM-BROL]|PB [1·USA 2·UK 3·SWEDEN 4·ROCK 5·COMMODITY 6·AESTHETICS 7·DEFINE 8·INSTRUMENT 9·RECORDING 10·SOUND]

Rock Culture in Liverpool. Popular Music in the Making. Oxford: Oxford University Press (1991) 246 pp. #0-19-816178-6 [BM-COHEN]
• Cohen, Sara 246 pp. #0-19-816178-6 [BM-COHEN]|PB [1·ROCK 2·UK 3·GROUPS 4·LIVERPOOL 5·ANTHROPOL. 6·SOCIOLOGY 7·PERFORM 8·MUS INDUST 9·DISS. PhD.]

Rock Dreams. London: Pan Books (1973) Unp. pp. #0-330-24008-0 [BMA4-PEELLAE]
• Peelaert, Guy; Cohn, Nik Unp. pp. #0-330-24008-0 [BMA4-PEELLAE]|PB [1·VIS. ARTS 2·ROCK 3·USA 4·UK 5·PSYCHOLOGY 6·1960S 7·1970S 8·1950S 9·ILL.]

Rockens introduktion i Sverige. Stockholm: Skrifter från Musikvetenskapliga institutionen, 4 (1983) 94 pp. [BM-BROLISNSS]
• Brolinsson, Per-Erik; Larsen, Holger 94 pp. [BM-BROLISNSS]|PB [1·SWEDEN 2·ROCK 3·1950S 4·DANCE]

Rockens roll. Stockholm: Ordfront (1975) 262 pp. #91-7324-014-1 [BM-RANDER]
• Rander, Tommy; Sandblad, Håkan 262 pp. #91-7324-014-1 [BM-RANDER]|PB [1·USA 2·UK 3·ROCK 4·1950S 5·1960S 6·MUS INDUST 7·YOUTH 8·GENRES 9·HISTORY]

Rockens roll. Stockholm: Ordfront (3e upplaga) (1976) 274 pp. #91-7324-037-0 [BM-RANDER]
• Rander, Tommy; Sandblad, Håkan 274 pp. #91-7324-037-0 [BM-RANDER]|PB [1·USA 2·UK 3·1970S 4·ROCK 5·1950S 6·1960S 7·MUS INDUST 8·YOUTH 9·GENRES 10·HISTORY]

Rock File. London: New English Library (1972) [BM-GILLETT]
• Copasetic, Johnny: Johnny Cool and the Isle of Sirens |27-44|EN|PA [1·UK 2·USA 3·CARIBBEAN 4·1950S 5·1960S 6·REGGAE 7·LYRICS 8·GENRES 9·SUBCULTURE 10·ROCK]
• Fowler, Pete; Fowler, Annie: Log of British Chart Hits, 1955-1969 |73-156|EN|PA [1·ROCK 2·UK 3·CHARTS 4·STATISTICS]
• Fowler, Pete: Skins Rule |10-26|EN|PA [1·ROCK 2·UK 3·SUBCULTURE 4·GENRES 5·1960S 6· 7·AUDIENCE 8·GENRES]
• Frith, Simon: Holyground |52-60|EN|PA [1·ROCK 2·UK 3·1960S 4·1970S 5·RECORDING 6·MUS INDUST 7·ADVERTS 8·FANS 9·POLITSTUDY 10·CAPITALISM]
• Gillett, Charlie, ed. |52-60|EN|PB [1·DISCOGR. 2·UK 3·CHARTS 4·ROCK 5·1950S 6·1960S 7·SOUL 8·USA 9·ILL. 10·MUS INDUST]
• Gillett, Charlie: So You Want to be a Rock'n'Roll Writer (Keep a Carbon) |61-72|EN|PA [1·ROCK 2·UK 3·USA 4·VERBAL 5·JOURNALISM 6·MUS INDUST 7·FANS]
• Laing, Dave: Roll Over Lonnie (Tell George Formby the News) |45-51|EN|PA [1·UK 2·FOLK MUSIC 3·ROCK 4·1960S]

Rock File 2. St Albans: Granada (1974) 169 pp. #0-586-04261-X [BM-GILLETT]
• Gillett, Charlie, ed. 169 pp. #0-586-04261-X [BM-GILLETT]|PB [1·UK 2·1960S 3·1970S 4·CHARTS 5·USA 6·MUS INDUST 7·REGGAE 8·REVIEW 9·DISCOGR. 10·LPs]

Rock File, 3. St Albans: Granada (1974) #0-586-04087-0 [BM-GILLETT]
• Edmands, Bob; Frith, Simon, ed.: Have Pity for the Rich |50-60|EN|PA [1·UK 2·USA 3·ROCK 4·MUS INDUST 5·MUSICIANS 6·POLITSTUDY]
• Ford, John: Country and British |61-67|EN|PA [1·UK 2·C&W 3·1960S 4·1970S 5·MUS INDUST 6·FESTIVAL 7·MUSICIANS 8·RADIO 9·USA]
• Frith, Simon; Cummings, Tony: Playing Records |21-48|EN|PA [1·UK 2·1970S 3·ROCK 4·DISCO 5·DJS 6·MUS INDUST 7·AUDIENCE]
• Gillett, Charlie, ed.: Rock File 3 Includes: sources and original versions of British hit songs and their authors (1955-1973). Also hot 100 singles and 100 essential albums |EN|PB [1·CHARTS 2·1950S 3·1960S 4·1970S 5·COMPOSE 6·LYRICS 7·CATALOGUE 8·RADIO 9·ROCK 10·ILL.]
• Gillett, Charlie: The Writers with their Names on Most Hits |212-224|EN|PA [1·COMPOSE 2·LYRICS 3·CHARTS 4·ROCK 5·MOR 6·UK 7·USA]
• Nugent, Stephen: British Hit Songs and their Sources Includes details of composer, author, publisher, artist and chart entry data |68-211|EN|PA [1·COMPOSE 2·LYRICS 3·CHARTS 4·ROCK 5·MOR 6·UK 7·USA]

Rock File, 4. St Albans: Granada (1976) #0-586-04370-5 [BM-GILLETT]
• Frith, Simon; Gillett, Charlie, ed.; Frith, Simon, ed.: The A&R Men |25-46|EN|PA [1·UK 2·USA 3·ROCK 4·MUS INDUST 5·PRODUCERS 6·1960S 7·1970S]
• Gambaccini, Paul: American Radio Today |47-56|EN|PA [1·USA 2·RADIO 3·MUS INDUST 4·GENRES 5·AUDIENCE 6·DJS 7·CHARTS]
• Gillett, Charlie, ed.; Frith, Simon, ed.: Rock File 4 Incorporates Rock File 1 (but not its articles) and a log of US and UK Top 20 hits 1955-1974 |EN|PB [1·UK 2·USA 3·CHARTS 4·ROCK 5·RADIO 6·PRODUCERS 7·STARS]
• Nugent, Stephen; Fowler, Annie; Fowler, Pete: American Chart Toppers 1955-1974 |371-385|EN|PA [1·USA 2·ROCK 3·MOR 4·CHARTS 5·1950S 6·1960S 7·1970S]
• Nugent, Stephen; Fowler, Annie; Fowler, Pete: British Chart Toppers 1955-1974 |371-385|EN|PA [1·UK 2·ROCK 3·MOR 4·CHARTS 5·1950S 6·1960S 7·1970S]
• Nugent, Stephen; Fowler, Annie; Fowler, Pete: Log of American / British Top 20 Hits, 1955-74 |57-370|EN|PA [1·UK 2·USA 3·ROCK 4·MOR 5·CHARTS 6·1950S 7·1960S 8·1970S]
• Nugent, Stephen; Fowler, Annie; Fowler, Pete: Roll Call of Hit Makers in America (USA) and Britain 1955-74 |398-400|EN|PA [1·USA 2·UK 3·ROCK 4·MOR 5·CHARTS 6·1950S 7·1960S 8·1970S]

Rock File, 5. St Albans: Granada (1978) 31-214 pp. #0-586-04680-1 [BM-GILLETT]
• Fowler, Pete; Fowler, Annie; Gillett, Charlie, ed.; Frith, Simon, ed.: Log of Chart Hits 1967-77: Top 30 entries, Index of Producers, Singles Chart Toppers |EN|PB [1·UK 2·ROCK 3·1960S 4·1970S 5·MOR 6·CHARTS 7·PRODUCERS 8·STATISTICS]
• Fowler, Pete; Fowler, Annie: Log of Chart Hits 1967-77: Artists and producers with most hits and chart toppers |EN|PB [1·UK 2·ROCK 3·1960S 4·1970S 5·MOR 6·CHARTS 7·PRODUCERS 8·STATISTICS]
• Frith, Simon: Youth Culture/Youth Cults: A Decade of Rock Consumption |EN|PB [1·UK 2·YOUTH 3·ROCK 4·1960S 5·1970S 6·CONSUME 7·SUBCULTURE 8·MUS INDUST 9·POLITSTUDY 10·SEX/GENDER]
• Gillett, Charlie: In Praise of the Professionals |EN|PB [1·UK 2·USA 3·PRODUCERS 4·MUS INDUST 5·ROCK 6·1950S 7·1960S 8·1970S 9·STATISTICS]
• Gillett, Charlie, ed.; Frith, Simon, ed.: Rock File 5 Includes Chart Log of Top 30 singles and Top 10 LPs 1967-77 |EN|PB [1·UK 2·ROCK 3·CHARTS 4·MOR 5·1960S 6·1970S 7·LPs 8·SINGLES]
• Nugent, Stephen: Log of Top-10 Albums 1967-1977 Includes list and index of producers and LP chart toppers |EN|PB [1·UK 2·LPs 3·CHARTS 4·1960S 5·1970S 6·STATISTICS 7·PRODUCERS 8·REC.ENGINR 9·ROCK]
• Nugent, Stephen: Roll Call of Hit Makers 1967-77 List of artists and producers with most Top 10 LPs and n§ 1s |EN|PB [1·UK 2·LPs 3·CHARTS 4·1960S 5·1970S 6·STATISTICS 7·PRODUCERS 8·REC.ENGINR 9·ROCK]

Rock Hardware. The Instruments and Technology of Rock. Poole: Blandford Pres (1981) 224 pp. #0-7137-11906 [BMA4-BACON]
• Bacon, Tony, ed. 224 pp. #0-7137-11906 [BMA4-BACON]|PB [1·RECORDING 2·TECHNOLOGY 3·INSTRUMENT 4·ROCK 5·REFERENCE 6·ILL.]

Rocking Against Racism in Massachusetts. Boston (MA): (1985) 12 pp. [CP824178-189]
• Garofalo, Reebee 12 pp. [CP824178-189]|UX [1·USA 2·ROCK 3·RACISM 4·POLITICS 5· 6·1980S]

Rockin' Las Américas. The Global Politics of rock in Latin/o America. Pittsburgh: University of Pittsburgh Press (2004) #0-8229-5841-4 [BM-PACINIHER]
• Alvarado, Paul: Guatemala's Alux Nahual: a non-"Latin American" Latin American rock group? |220-240|EN|PA [1·ROCK 2·L AMERICA] {Guatemala}
• Arévalo Mateus, Jorge: Boricua Rock: Puerto Rican by Necessity? |91-114|EN|PA [1·PUERTORICO 2·L AMERICA 3·ROCK]
• Asensio, Susana: The Nortec Edge: border traditions and "Electronica" in Tijuana |312-331|EN|PA [1·MEXICO 2·USA 3·ROCK 4·HOUSE/RAVE 5·L AMERICA]
• Castillo Bethier, Héctor: My Generation: Rock and la Banda's forced survival opposite the Mexican state |241-260|EN|PA [1·ROCK 2·L AMERICA 3·MEXICO 4·POLITICS]
• Fernández L'Hoeste, Héctor: On How Bloque de Búsqueda Lost Part of Its Name: the predicament of Colombian Rock in the US market |179-199|EN|PA [1·COLOMBIA 2·USA 3·ROCK 4·MUS INDUST 5·L AMERICA]
• Habell-Pallán, Michelle: "Soy punkera, ¿y qué?": sexuality, translocality and punk in Los Angeles and beyond |160-178|EN|PA [1·USA 2·L AMERICA 3·ROCK 4·PUNK 5·SEX/GENDER]
• Kun, Josh: Esperando la última ola / Waiting for the Last Wave: Manu chao and the music of globalization |332-346|EN|PA [1·POLITICS 2·MEXICO 3·ROCK 4·INTERVIEW]
• McCann, Brian: Black Pau: uncovering the history of Brazilian soul |68-90|EN|PA [1·BRAZIL 2·SOUL 3·L AMERICA]
• Pacini Hernandez, Deborah; Garofalo, Reebee: Between Rock and a Hard Place. Negotiating rock in revolutionary Cuba |43-67|EN|PA [1·CUBA 2·ROCK 3·L AMERICA]
• Pacini Hernandez, Deborah, ed.; Fernández L'Hoeste, Héctor, ed.; Zolov, Eric, ed.; Pacini Hernanez, Deborah: Mapping Rock Music Cultures across the Americas |1-21|EN|PA [1·L AMERICA 2·ROCK]
• Palacios, Julia; Estrada, Tere: "A contra corriente": a history of women rockers in Mexico |142-159|EN|PA [1·MEXICO 2·WOMEN 3·ROCK 4·L AMERICA]
• Pino-Ojeda, Walescka: A Detour to the Past: memory and mourning in Chilean post-authoritarian rock |290-311|EN|PA [1·CHILE 2·ROCK 3·POLITICS 4·L AMERICA]
• Semán, Pablo; Vila, Pablo; Benedetti, Cecilia: Neoliberalism and Rock in the Popular Sectors of Contemporary Argentina |261-289|EN|PA [1·POLITICAL 2·CAPITALISM 3·MUS INDUST 4·ARGENTINA 5·L AMERICA 6·ROCK]
• Trigo, Abril: The Politics and anti-Politics of Uruguayan Rock |115-141|EN|PA [1·URUGUAY 2·ROCK 3·L AMERICA]
• Ulhôa, Martha Tupinambá de: Let Me Sing My "BRock": learning to listen to Brazilian Rock |200-219|EN|PA [1·BRAZIL 2·ROCK 3·L AMERICA]
• Zolov, Eric: La Onda Chicana: Mexico's Forgotten Rock Counterculture |22-42|EN|PA [1·MEXICO 2·ROCK 3·OPPOSE 4·L AMERICA]

Rock in the Reservation. Songs from the Leningrad Rock Club 1981-86. Thesis submitted in accordance with the requirements of the Dr. Art. degree. Bergen: Department of Russian Studies, Bergen University (2004) #82-497-0251-4 [BMA4-STEINHO]
• Steinholt, Yngvar #82-497-0251-4 [BMA4-STEINHO]|PB [1·USSR 2·RUSSIA 3·ROCK 4·POLITICS 5·ANTHROPOL. 6·ILL. 7·MUSIC EXX.]

Rock in the Reservation. Songs from the Leningrad Rock Club 1981-86. interim version. Bergen: University of Bergen (2004) vi+229 pp. [BM-STEINHOLT]
• Steinholt, Yngvar Bordewich vi+229 pp. [BM-STEINHOLT]|PB [1·USSR 2·RUSSIA 3·ROCK 4·POLITICS 5·LYRICS 6·MUSICOLOGY 7·INTERVIEW 8·MUSIC EXX. 9·DISS. PhD.]

Rock/Jazz - Infor 1989. Aus-, fort- und Weiterbildungsangebote in der BRD. Hamburg: Institut für Musikalische Bildung (1989) 342 pp. [JM-ROCK]
• Barber-Kersovan, Alenka; Poppensieker, Karin 342 pp. [JM-ROCK]|PB [1·BRD 2·EDUCATION 3·MUSIC EDUC 4·ROCK 5·CATALOGUE 6·1980S]

Rock Music. Culture, Aesthetics and Sociology. Cambridge: Cambridge University Press (1990) xii+228 pp. #0521399149 [BM-WICKE]
• Wicke, Peter xii+228 pp. #0521399149 [BM-WICKE]|PB

Rockmusik. Mainz: Schott (1977) #3-7957-2049-4 [BM-SANDNER]
• Feuerich, Hans-Jürgen; Sandner, Wolfgang, ed.: Warengeschichte und Rockmusik |53-80|DE|PA [1·CAPITALISM 2·ROCK 3·POLITSTUDY 4·COMMODITY 5·]
• Kneif, Tibor: Ästhetische und nichtästhetische Wertungskriterien der Rockmusik |101-112|DE|PA [1·AESTHETICS 2·ROCK]
• Kneif, Tibor: Chuck Berry: Johnny B Goode - Analyse |160-161|DE|PA [1·MUSICOLOGY 2·MUS.ANALYS 3·ROCK 4·1950S 5·MUSIC EDUC]
• Kneif, Tibor |160-161|DE|PA [1·AESTHETICS 2·ROCK 3·MUSIC EDUC 4·CULT.STUDY]
• Kneif, Tibor |160-161|DE|PA [1·SOCIOLOGY 2·GROUPS 3·SUBCULTURE 4·ROCK 5·BRD]
• Olshausen, U; Sandner, W; Feuerich, Hans-Jürgen: Chuck Berry: Johnny B Goode - Analyse |162-167|DE|PA [1·MUSICOLOGY 2·MUS.ANALYS 3·ROCK 4·1950S 5·MUSIC EDUC]
• Olshausen, Ulrich: Die Dorflinde im Aufnahmestudio. Folklore und Folksong als Teil der Rockmusik-Szene |113-130|DE|PA [1·ROCK 2·FOLK MUSIC 3·RECORDING 4·BRD]
• Olshausen, Ulrich; Feuerich, Hans-Jürgen: Interview: Gentle Giant |171-196|DE|PA [1·ROCK 2·INTERVIEW]
• Sandner, Wolfgang; Kneif, Tibor: Interview: Gentle Giant |162-167|DE|PA [1·ROCK 2·INTERVIEW]
• Sandner, Wolfgang, ed. |162-167|DE|PB [1·ROCK 2·MUSIC EDUC 3·MUSICOLOGY 4·ANTHOLOGY]
• Sandner, Wolfgang: Rock'n'Roll - Rock and Roll - Rock. Aspekte zur Geschichte der Rockmusik |9-36|DE|PA [1·ROCK 2·MUSIC EDUC 3·HISTORY 4·USA 5·UK 6·DEFINE]
• Sandner, Wolfgang: Sound & Equipment |81-100|DE|PA [1·RECORDING 2·INSTRUMENT 3·ROCK 4·MUSIC EDUC]

Rock-musikeren og sangskriveren Björn Afzelius. En politisk og kunstnerisk exponent för musikbevægelsen i Sverige. Köbenhavn: RUC (Dansk Modul 2, vejledning Peter Brask) (1982) [BMA4-AFZELIU]
• Jagd, Michael [BMA4-AFZELIU]|US [1·SWEDEN 2·ROCK 3·1970S 4·1980S 5·LYRICS 6·POLITICAL 7·MUSICIANS 8·PROGRESSIV 9·Stud.Proj. 10·POETRY]

Rockmusik. Zur Ästhetik und Soziologie eines Massenmediums. Leipzig: Reclam (1987) 314 pp. #3-379-00141-4 [BM-WICKE]
• Wicke, Peter 314 pp. #3-379-00141-4 [BM-WICKE]|PB [1·ROCK 2·USA 3·UK 4·EUROPE 5·MUS INDUST 6·CULT.STUDY 7·RADIO 8·TELEVISION 9·PHONOGRAM 10·ILL.] {SOCIOLOGY; MASS MEDIA; AESTHETICS; DDR; YOUTH}

Rock'n'Roll. London: Socion Books (1975?) #0-903985-00-4 [BMA4-PEELLAE]
• May, Chris #0-903985-00-4 [BMA4-PEELLAE]|PB [1·USA 2·UK 3·1950S 4·RECORDS 5·DISCOGR. 6·BIOGRAPHY 7·FILM 8·INTERVIEW 9·CHARTS 10·RADIO]

Rock'n'roll is Here to Pay. The History and Politics of the Music Industry. Chicago: Nelson Hall (1977) 354 pp. #0-88229-437-7 [BM-CHAPPLE]
• Chapple, Steve; Garofalo, Reebee 354 pp. #0-88229-437-7 [BM-CHAPPLE]|PB [1·ROCK 2·POLITICAL 3·ECONOMICS 4·USA 5·MEDIA IND. 6·MUS INDUST 7·1950S 8·1960S 9·1970S 10·WOMEN]

Rock, Pop, Jazz, Folk - Handbuch der Populären Musik. Leipzig: VEB Deutscher Verlag für Musik (1985) 583 pp. [BMR]
• Wicke, Peter; Ziegenrücker, Wieland 583 pp. [BMR]|PB [1·ROCK 2·JAZZ 3·FOLK MUSIC 4·REFERENCE 5·USA 6·UK 7·DDR 8·BRD 9·E EUROPE 10·BIBLIOGR.]

Rock: The Primary Text. Buckingham: Open University Press (1993) #0-335-09786-3 [BM-MOORE]
• Moore, Allan F #0-335-09786-3 [BM-MOORE]|PB [1·ROCK 2·MUSICOLOGY 3·MUSIC EXX. 4·RHYTHM 5·TIMBRE 6·MELODY 7·HARMONY 8·SEMIOTICS 9·MUS.ANALYS]

The role of the acoustic reflex in industrial noise exposure. Göteborg: Departments of Otolaryngology and Audiology, University of Göteborg; Department of Applied Electronics, Chalmers University of Technology; Department of Physiology II, Karolinska Institute, Stockholm, Sweden (1983) 110 pp. [BCP-NILSSON]
• Nilsson, Roland 110 pp. [BCP-NILSSON]|PB [1·SOUND 2·NEUROLOGY 3·PHYSICS 4·HEALTH 5·SOUNDSCAPE]

Die rolle der Musik in der Film-, Funk- und Fernsehwerbung. Berlin (West): Merseburger (1978) 63 pp. #3-87537-157-7 [BM-WUSTHOFF]
• Wüsthoff, Klaus 63 pp. #3-87537-157-7 [BM-WUSTHOFF]|PB [1·ADVERTS 2·COMPOSE 3·INSTRUMENT 4·AFFECT 5·TELEVISION 6·FILM 7·AESTHETICS]

The Rolling Stone Interviews, 1. New York: Warner Books (1971) #0-446-78244-0 [BM-ROLLING]
• Berry, Chuck; Wenner, Jan, ed.: Interview (1968) |173-188|EN|PA [1·USA 2·UK 3·ROCK 4·INTERVIEW 5·STARS 6·MUSICIANS 7·1960S]
• Bloomfield, Mike: Interview (1968) |43-70|EN|PA [1·USA 2·UK 3·ROCK 4·INTERVIEW 5·STARS 6·MUSICIANS 7·1960S 8·BLUES 9·R&B]
• Booker T & the MG's: Interview (1968) |129-158|EN|PA [1·USA 2·UK 3·ROCK 4·INTERVIEW 5·STARS 6·MUSICIANS 7·1960S 8·R&B 9·SOUL]
• Clapton, Eric: Interview (1968) |11-28|EN|PA [1·USA 2·UK 3·ROCK 4·INTERVIEW 5·STARS 6·MUSICIANS 7·1960S]
• Crosby, David: Interview (1970) |395-434|EN|PA [1·USA 2·ROCK 3·INTERVIEW 4·STARS 5·MUSICIANS 6·1960S]
• Dylan, Bob: Interview (1969) |277-318|EN|PA [1·USA 2·ROCK 3·INTERVIEW 4·STARS 5·MUSICIANS 6·1960S]
• Fogarty, John: Interview (1970) |331-362|EN|PA [1·USA 2·ROCK 3·INTERVIEW 4·STARS 5·MUSICIANS 6·1960S]
• Jagger, Mick: Interview (1968) |159-172|EN|PA [1·USA 2·UK 3·ROCK 4·INTERVIEW 5·STARS 6·MUSICIANS 7·1960S]
• Lennon, John: Interview (1968) |189-208|EN|PA [1·USA 2·UK 3·ROCK 4·INTERVIEW 5·STARS 6·MUSICIANS 7·1960S]
• Little Richard: Interview (1970) |363-394|EN|PA [1·USA 2·ROCK 3·INTERVIEW 4·STARS 5·MUSICIANS 6·1960S]
• Morrison, Jim: Interview (1969) |207-234|EN|PA [1·USA 2·ROCK 3·INTERVIEW 4·STARS 5·MUSICIANS 6·1960S]
• Robertson, Robbie: Interview (1969) |319-330|EN|PA [1·USA 2·ROCK 3·INTERVIEW 4·STARS 5·MUSICIANS 6·1960S]
• Shankar, Ravi: Interview (1968) |29-42|EN|PA [1·USA 2·UK 3·ROCK 4·INTERVIEW 5·STARS 6·MUSICIANS 7·1960S 8·INDIA 9·ACCULTUR.]
• Slick, Grace; Kantner, Paul: Interview (1970) |435-463|EN|PA [1·USA 2·ROCK 3·INTERVIEW 4·STARS 5·MUSICIANS 6·1960S]

The Rolling Stone Interviews, 1. New York: Warner Books (1969) #0-446-78244-0 [BM-ROLLING]
• Spector, Phil; Wenner, Jann, ed.: Interview |235-276|EN|PA [1·USA 2·ROCK 3·INTERVIEW 4·STARS 5·MUSICIANS 6·1960S 7·RECORDING]

The Rolling Stone Interviews, 1. New York: Warner Books (1971) #0-446-78244-0 [BM-ROLLING]
• Townshend, Pete: Interview (1968) |89-128|EN|PA [1·USA 2·UK 3·ROCK 4·INTERVIEW 5·STARS 6·MUSICIANS 7·1960S]
• Wenner, Jann, ed.: The Rolling Stone Interviews, Volume 1 |EN|PB [1·USA 2·UK 3·ROCK 4·INTERVIEW 5·STARS 6·MUSICIANS 7·1960S]
• Zappa, Frank: Interview (1968) |71-88|EN|PA [1·USA 2·UK 3·ROCK 4·INTERVIEW 5·STARS 6·MUSICIANS 7·1960S]

Die Rolling Stones - zum 20-jährigen Bühnenjubiläum. Kassel: Gesamthochschule, Fachbereich 3 (1982) [CP453054]
• Frohmann, Gerhard; Krug, Sabine [CP453054]|US [1·ROCK 2·UK 3·BRD 4·PERFORM 5·MUSIC EXX. 6·MUS.ANALYS 7·BIOGRAPHY 8·1980S 9·Stud.Proj.]

Romanistisches Jahrbuch, 34. London: Institute of Commonwealth Studies (1983) [CP327/07]
• Pring-Mill, Robert: Cantas Canto Cantemos: las canciones de lucha y esperanza como signos de reunión e identitad |318-354|SP|PA [1·LYRICS 2·POETRY 3·OPPOSE 4·PROGRESSIV 5·CHILE 6·NICARAGUA 7·MEXICO 8·L AMERICA]

The Romantic Generation. Includes CD. London: Harper Collins (1996) xv+723 pp. #0-00-255627-8 [BM-ROSEN]
• Rosen, Charles xv+723 pp. #0-00-255627-8 [BM-ROSEN]|PB [1·EUROARTMUS 2·C19 3·MUSIC EXX. 4·MUSICOLOGY 5·OPERA 6·PIANO 7·GERMANY 8·ITALY 9·FRANCE 10·AUSTRIA] {Schubert, F; Mendelssohn, F; Meyerbeer, G; Schumann, R; Liszt, F; Bellini; Chopin, F; Berlioz, H}

The Roots of the Blues. London: Quartet Boks (1981) 151 pp. #0-7043-3416-X [BM-CHARTERS]
• Charters, Samuel Barclay 151 pp. #0-7043-3416-X [BM-CHARTERS]|PB [1·BLUES 2·W AFRICA 3·ILL.]

ROSA (Rocksambandsorganisation i Danmark - presentation). Köbenhavn: Samrådet for tilrettelæggelse av RMU i Danmark (1986) [CPR326/5]
• Various [CPR326/5]|PS [1·DENMARK 2·1980S 3·JAZZ 4·ROCK 5·MUSIC EDUC 6·CULTPOLIT. 7·PERFORM 8·WOMEN 9·MUSICIANS 10·ILL.]

Röster på Cuba. Om musik,kultur, samhälle. Stockholm: Sveriges Radios Förlag (1978) 227 pp. #91-522-1530-X [BM-HELLQVIST]
• Hellqvist, Per-Anders 227 pp. #91-522-1530-X [BM-HELLQVIST]|PB [1·CUBA 2·CARIBBEAN 3·FOLK MUSIC 4·LYRICS 5·GENRES 6·AFR-AMER. 7·SSONGWRITR 8·DANCE 9·INSTRUMENT 10·CULTPOLIT.]

RPM 4, 5, 6. Stony Brook, NY: IASPM (1985) [CP124]
• Iaspm, Various: Various |EN|PS [1·IASPM] {WINKLER P}

RPM 4, 5, 6. Prague: private copy (1983) [CP453032]
• Kryzl, Jan: New Wave with Old Content Eng transl by J Vlcek |EN|US [1·CZECHOSLOV 2·USA 3·OPPOSE 4·YOUTH 5·POLITSTUDY 6·CULTPOLIT. 7·1960S 8·1970S 9·1980S 10·ORGANISE]

En rundresa med Charles Burney. 1700-talets musikmiljöer. Stockholm: Atlantis (2004) 447 pp. #91-7353-014-X [BM-LING2004]
• Ling, Jan 447 pp. #91-7353-014-X [BM-LING2004]|PB [1·C18 2·DOCUMENT 3·EUROPE 4·EUROARTMUS]

Running with the Devil. Power, Gender and Madness in Heavy Metal Music. Middlebury, CT: Wesleyan University Press (1993) xviii+222 pp. #0-8195-6260-2 [BM-WALSER]
• Walser, Bob xviii+222 pp. #0-8195-6260-2 [BM-WALSER]|PB [1·ROCK 2·HEAVYMETAL]

Rural Life in English Poetry of the Mid-Eighteenth Century. Unpublished doctoral dissertation. Newcastle-upon-Tyne: Department of English, University of Newcastle-on-Tyne (1990) vii+318 pp. [BCA4-GOODRID]
• Goodridge, John A vii+318 pp. [BCA4-GOODRID]|PB [1·ENGLAND 2·RURAL 3·NATURE 4·POETRY]

Rytmisk Musik - Jazz. Köbenhavn: Danmarks Radio (Skolradioen). (1979) 56 pp. [CP454]
• Gravesen, Finn; Haastrup, Bent 56 pp. [CP454]|PB [1·EDUC ITEM 2·RADIO 3·DENMARK 4·JAZZ 5·MUSIC EXX. 6·BLUES 7·IMPROVISE 8· 9·HISTORY 10·ROCK]

Sachen Disko, 35. Leipzig: Zentralhaus-Publikation (1983) 56 pp. [CP453116]
• Bratfisch, Rainer: Reggae - Musik aus Jamaika |DE|PB [1·REGGAE 2·CARIBBEAN 3·1970S 4·1980S 5·OPPOSE 6·RELIGION 7·UK 8·MUS INDUST 9·DDR]

Sälj det i toner. Om musik i TV-reklam. Stockholm: Konsumentverket (1993) 103 pp. #91-7398-448-5 [BM-BJURSTROM]
• Bjurström, Erling; Lilliestam, Lars 103 pp. #91-7398-448-5 [BM-BJURSTROM]|PB [1·TELEVISION 2·ADVERTS 3·FILM MUSIC 4·PT]

Samband mellan arbetsliv och utbildning. Stockholm: Högskolan för lärarutbildning, inst för Pedagogik (1983) [CP909]
• Broady, Donald [CP909]|PS [1·WORK 2·SOCIOLOGY 3·EDUCATION 4·CULT.STUDY]

The Same Stars Shine. The Great War Diary and Letters of Corporal Ernest Goodridge. Loughborough: Teamprint Trinity Methodist Church (2000) #1-871321-09-3 [BCP-GOODRIDG]
• Goodridge, Ernest; Goodridge, Ernest N, ed.; Goodridge, John A, ed. #1-871321-09-3 [BCP-GOODRIDG]|PB

Samlade skrifter. Stockholm: Bonniers (1948) [BCP-BOYE]
• Boye, Karin: För lite |x+244|SV|PA [1·SWEDEN 2·PHILOSOPHY 3·RELIGION 4·LITERATURE]
• Boye, Karin: Kris |xix+272|SV|PA [1·SWEDEN 2·PHILOSOPHY 3·RELIGION 4·LITERATURE]

Samtal med mannen bakom bakgrundsmusiken. Arbetsmaterial. Göteborg: Stencilled Papers from the Musicology Department (1986) #0349-3407 [CP325]
• Stockfelt, Ola #0349-3407 [CP325]|US [1·MUZAK 2·INTERVIEW]

Samtiden, 1982/2. Oslo (1982) [JM-SAMTIDEN]
• Johnson, Geir: Fra skillingsviser till nyveiv (popmusikk - hva er det?) |2-14|NO|PA [1·DEFINE 2·GENRES 3·BALLADS 4·SCHLAGER 5·ROCK 6·NEW WAVE]

SÄMUS - en musikutbildning i kulturpolitikens tjänst. Göteborg: Skrifter från musikvetenskapliga avdelningen, musikhögskolan, nr 33 (1993) 273 pp. #91-85974-25-0 [BM-OLSSON]
• Olsson, Bengt 273 pp. #91-85974-25-0 [BM-OLSSON]|PB [1·SWEDEN 2·MUSIC EDUC 3·CULTPOLIT. 4·1970S 5·GMH]

No Satisfaction? Politics and Popular Music. Exeter: IASPM UK Working Paper 5 (1985) 24 pp. [JM-IASPM]
• Street, John 24 pp. [JM-IASPM]|PB [1·POLITICS 2·MUS INDUST 3·DEFINE 4·BIBLIOGR. 5·ROCK 6·JAZZ 7·SOCIOLOGY]

Satisfactions - Studier i ungdomskulturens musikestetik. Stockholm: Kungliga Musikaliska Akademiens skriftserie nr 63 (1990) 419 pp. #91-85428-61-2 [BM-BROLINSON]
• Brolinson, Per-Erik; Larsen, Holger 419 pp. #91-85428-61-2 [BM-BROLINSON]|PB [1·ROCK 2·USA 3·UK 4·SWEDEN 5·YOUTH 6·AESTHETICS]

Satsa på dig själv. Stockholm: SAF, Kreativ Information AB (1979) [CP 318336]
• Lyngstad, Annifrid: Drivkraften var hela tiden att lyckas med sången "The driving power was to sing successfully". From "Back Yourself", published by the Swedish Employers' Union |2-3|SV|PA [1·ABBA 2·MONEY 3·ROCK]

Satsa på dig själv. Stockholm: SAF, SIF, Kreativ Information AB (1979) [CP 318336]
• ~~: Annifrid Lyngstad, Snöresor,"Ingenting är omöjligt","Starta eget", Gul-Blå, tveka aldrig, Ta chansen, lyckas, kul med affärer, vinn USA-resa, etc |SV|PA [1·CAPITALISM 2·MONEY 3·ADVERTS 4·SWEDEN 5·1970S]

Saturday Night or Sunday Morning? From Arts to Industry - New Forms of Cultural Policy. London: Comedia (1986) 133 pp. [JM-POPULAR]
• Mulgan, Geoff; Worpole, Ken 133 pp. [JM-POPULAR]|PB [1·UK 2·CULTPOLIT. 3·SOCIALISM] {LABOUR PARTY}

Savannah Syncopators: African Retentions in the Blues. London: November Books (1970) 112 pp. #0-289-79827-2 [BM-OLIVER]
• Oliver, Paul 112 pp. #0-289-79827-2 [BM-OLIVER]|PB [1·W AFRICA 2·USA 3·FOLK MUSIC 4·BLUES 5·INSTRUMENT 6·VOCAL MUS. 7·ANTHROPOL. 8·AFR-AMER. 9·DISCOGR. 10·ILL.]

Scandinavian Music. London: Faber & Faber (1963) 180 pp. [BM-HORTON]
• Horton, John 180 pp. [BM-HORTON]|PB [1·DENMARK 2·NORWAY 3·SWEDEN 4·FINLAND 5·EUROARTMUS 6·FOLK MUSIC 7·HISTORY 8·MEDIEVAL 9·BAROQUE 10·ROMANTIC]

La scena e lo schermo, 1/2 - Rassegna di studi sulla spettacolo. Siena: Edizioni ALSABA. Facoltà di lettere e filosofia, Università (1989) [BCP-SCENA]
• Alberti, Luciano: Per una preistoria della regia d'opera |7-28|IT|PA [1·OPERA 2·FILM 3·DRAMA]
• Alberti, M: De Chirico tra prospettiva e scenografia: il senso architettonico della pittura metafisica |65-82|IT|PA [1·DRAMA 2·VIS. ARTS]
• Argentieri, M: Un promemoria sugli anni Cinquanta del cinema italiano |83-98|IT|PA [1·FILM 2·ITALY 3·1950S]
• Brunetta ,G P: La lunga marcia del cinema americano in Italia tra il fascismo e guerra freddo |29-48|IT|PA [1·FILM 2·USA 3·ITALY 4·1940S 5·1950S]
• Bruno, G: Video Culture: A colloquio con John Hanhardt |221-223|IT|PA [1·VIDEO 2·INTERVIEW]
• Casetti, F: Le teorie del cinema nel dopoguera: tre paradigni, tre generazioni |99-114|IT|PA [1·FILM 2·ITALY 3·1950S 4·1960S 5·1970S]
• Ceseli, M R, ed.: "I cavalieri della non rotella". Autodrama del Teatro Povero di Monticchiello |183-220|IT|PA [1·DRAMA 2·ITALY]
• Lapini, L: Il teatro del "cattivo gusto". Gramsci e l'industria dell' applauso |133-144|IT|PA [1·FILM 2·AESTHETICS 3·CULTPOLIT. 4·MARXISM 5·ITALY]
• Martini, A: Cocteau, la cité Monthiers e il Surrealismo |145-152|IT|PA [1·FILM 2·DRAMA 3·FRANCE 4·AVANTGARDE]
• Moneti, G: Prime ipotesi per uno studio del "politico" nella commedia italiana degli anni Cinquanta |115-132|IT|PA [1·FILM 2·ITALY 3·HUMOUR 4·POLITICS 5·1950S]
• Polla, F la: Lo spazio: dal teatro all' immagine riprodotta |153-160|IT|PA [1·DRAMA 2·FILM 3·TELEVISION 4·VIS. ARTS 5·TIME/SPACE]
• Sainati, A: Il film comico e la coerenza |49-64|IT|PA [1·FILM 2·HUMOUR] {COHERENCE}
• Zagarrio, V: L'ideologia "altrove". Esempio di indagine storica su due film del fascismo |161-182|IT|PA [1·FILM 2·ITALY 3·FASCISM 4·IDEALISM 5·EXOTICISM]

La scena e lo schermo, 1/2: supplemento. Siena: Edizioni ALSABA. Facoltà di lettere e filosofia, Università di Siena (1989) [BCP-SCENA]
• Sbicego, Laura: A proposito di un canto popolare nei film di Pasolini |51-58|IT|PA [1·FILM 2·FILM MUSIC 3·ITALY 4·FOLK MUSIC 5·POPULARMUS] {PASOLINI Pier P}

Schlager - Das Lied als Ware. Untersuchungen zu einer Kategorie der Illusionsindustrie. Stuttgart: Metzler (1976) ix+205 pp. #3-476-00319-1 [BM-KAYSER]
• Kayser, Dietrich ix+205 pp. #3-476-00319-1 [BM-KAYSER]|PB [1·MUS INDUST 2·BRD 3·EUROPE 4·USA 5·AESTHETICS 6·ROCK]

Der Schlager: ein Panorama der leichten Musik. Berlin: VEB Lied der Zeit (1968) 301 pp. [BM-CZERNY]
• Czerny, Peter; Hofmann, Heinz Peter 301 pp. [BM-CZERNY]|PB [1·GERMANY 2·C19 3·1900-1909 4·1910S 5·USA 6·SCHLAGER 7·DANCE 8·AFR-AMER. 9·MUSIC EXX. 10·ILL.]

Schlager in Deutschland. Wiesbaden: Breitkopf & Härtel (1972) 392 pp. #3-7651-0066-8 [BM-HELMS]
• Helms, Siegmund 392 pp. #3-7651-0066-8 [BM-HELMS]|PB [1·BRD 2·SCHLAGER 3·LYRICS 4·COMPOSERS 5·MUSICIANS 6·ARRANGE 7·DDR 8·RECORDING 9·PRODUCERS 10·DJS]

Schlager i Sverige 1910-1940. Göteborg: Skrifter från Musikvetenskap, Göteborgs Universitet (1989) 355 pp. #91-7970-726-2 [BM-EDSTR™M]
• Edström, Olle 355 pp. #91-7970-726-2 [BM-EDSTRÖM]|PB [1·SWEDEN 2·SCHLAGER 3·HARMONY 4·MELODY 5·MUSIC EXX. 6·GERMANY 7·1910S 8·1920S 9·1930S 10·TANGO] {WALTZ; FOXTROT; DANCE; ONESTEP; TWOSTEP; JAZZ; ROLF Ernst; SAILORS; MARCHES}

Schlagerkungen Fred Winter och hans glada tid. Stockholm: STIM (1980) 92 pp. #91-85470-20-1 [BM-HASLUM]
• Haslum, Bengt 92 pp. #91-85470-20-1 [BM-HASLUM]|PB [1·SWEDEN 2·SCHLAGER 3·ENTERTAIN 4·1920S 5·1930S 6·ILL.]

Schnittpunkte Mensch Musik? Walter Gieseler zum 65 Geburtstag. Regensburg: Gustav Bosse (198?) [CP328/08]
• Rauhe, Hermann: Hochschuldidaktische Fragen der Ausbildung von Popmusikern |219-225|DE|PA [1·MUSIC EDUC 2·POPULARMUS 3·BRD]

Science, Technology and Popular Culture (1). Milton Keynes: Open University Press (1982) #0-335-10130-5 [BMA4-OPENUNI]
• Bennett, Tony; Donald, James: The Image and Mass Production Block 6 Unit 25 in Popular Culture Course U203 |53-87|EN|PA [1·WOMEN 2·FASCISM 3·POLITICAL 4·POLITSTUDY 5·VIS. ARTS 6·PHOTOGRAPH 7·CULT.STUDY 8·MASS PROD. 9·EDUC ITEM]
• Elliott, Dave: The Rock Music Industry Block 6 Unit 24 in Popular Culture Course U203 |5-51|EN|PA [1·MUS INDUST 2·RECORDING 3·TECHNOLOGY 4·UNIONS 5·COPYRIGHT 6·MUSICIANS 7·ADVERTS 8·STATISTICS 9·PHONOGRAM]
• Middleton, Richard; Muncie, John: Pop Culture, Pop Music and Post-War Youth: Countercultures Block 5 Unit 18 Popular Culture |63-92|EN|PA [1·UK 2·YOUTH 3·SUBCULTURE 4·CULT.STUDY 5·PERCEIVE 6·AUDIENCE 7·POSTWAR 8·ILL. 9·GENRES 10·OPPOSE]
• Muncie, John: Pop Culture, Pop Music and Post-War Youth: Subcultures Block 5 Unit 18 Popular Culture |32-62|EN|PA [1·UK 2·YOUTH 3·SUBCULTURE 4·GENRES 5·CULT.STUDY 6·ILL. 7·POSTWAR]

ScoreMaster - The Hyper-Media Production Music Library Index and Audition System. New York: Computer Music Consortium, Inc (1989) [CP823-167]
• ~~ [CP823-167]|PB [1·MOOD MUSIC]

Scoring For Films. New York: Criterion Books (1971) 253 +5" 3 pp. [BMA4-HAGEN]
• Hagen, Earle 253 +5" 3 pp. [BMA4-HAGEN]|PB [1·FILM MUSIC 2·MUSIC EXX. 3·ILL. 4·HANDBOOK 5·COMPOSE 6·ARRANGE 7·SKILLS 8·EDUC ITEM 9·USA]

Scott Joplin and the Ragtime Era. London: Abacus (1975) 223 pp. #0-349-11412-9 [BM-JOPLIN]
• Gammond, Peter 223 pp. #0-349-11412-9 [BM-JOPLIN]|PB [1·USA 2·PIANO 3·1850-1899 4·1900-1909 5·1910S 6·COMPOSE 7·ILL. 8·DISCOGR. 9·MOD.CLASS. 10·MUSICIANS]

Screen Digest, June 1984. London (1984) [CP324175]
• Anon: The Year of the Music Video |107-113|EN|PA [1·VIDEO 2·TELEVISION 3·STATISTICS 4·UK 5·EUROPE 6·MUS INDUST 7·ROCK]

The Second Album Cover Album. Limpsfield: Dragon's World (1982) 160 pp. #0-905895-01-0 [BMA4-ALBUM]
• Dean, Roger, ed.; Howells, David, ed. 160 pp. #0-905895-01-0 [BMA4-ALBUM]|PB [1·VIS. ARTS 2·LPs 3·ROCK]

The Second Book of English Madrigals for Five Voices. Harmonsworth: Penguin (1970) 158 pp. #0-14-070837-5 [SONGBOOKS-ST]
• Stevens, Denis 158 pp. #0-14-070837-5 [SONGBOOKS-ST]|PB [1·VOICE 2·MUSIC EXX. 3·C16 4·C17 5·UK 6·TUDOR 7·RENAISSNC.]

Selection of Canciones de Lucha y Esperanza - notes. Oxford: St Catherine's College - private MS (1982) [CP323151]
• Pring-Mill, Robert [CP323151]|US [1·L AMERICA 2·CHILE 3·CUBA 4·DISCOGR. 5·PROGRESSIV]

Sémantique musicale: Essai de psycho-physiologie auditive. Paris: Hermann (1978) 131 pp. #2-7056-1334-X [BM-DANIELOU]
• Daniélou, Alain 131 pp. #2-7056-1334-X [BM-DANIELOU]|PB [1·SEMIOTICS 2·PSYCHOLOGY 3·MATHEMATIC 4·PERCEIVE 5·COMMUNTHEO 6·EDUCATION 7·HEALTH 8·ACOUSTICS 9·INDIA]

Seminarium om arbetarkultur, Norrköping, sept 1986. Göteborg (1986) [CPR326/2]
• Thorsén, Stig-Magnus: Musik under arbetetet. Om arbetetes musikestetik |SV|US [1·MUZAK 2·WORK 3·HISTORY 4·DEFINE 5·SOCIOLOGY 6·PSYCHOLOGY]

Semiosis in Hindustani Music. Imatra: Acta Semiotica Fennica V (1997) xxiv+396 pp. #951-96306-6-X [BM-MARTINEZ]
• Martinez, José Luiz xxiv+396 pp. #951-96306-6-X [BM-MARTINEZ]|PB [1·SEMIOTICS 2·INDIA 3·DEFINE 4·MUSIC EXX. 5·AFFECT] {Peirce, C S; raga}

Semiotica 110-1/2. Berlin & New York: Mouton De Gruyter (1996) [JM-SEMIOTICA]
• Martinez, José Luiz: Icons in music: A Peircean rational |57-86|EN|PA [1·SEMIOTICS 2·MUS.ANALYS 3·DEFINE 4·MUSIC EXX.] {Peirce, C S}

Semiotics - The Basics. London: Routledge (2001) ix+273 pp. #0-415-26594-0 [BCP-CHANDLER]
• Chandler, David ix+273 pp. #0-415-26594-0 [BCP-CHANDLER]|PB [1·SEMIOTICS]

The Semiotic Web. Berlin: Mouton de Gruyter (1986) [CL003-332]
• Hosakawa, Shuhei; Tarasti, Eero, ed.: The Technology of Reproduction in Music |536-555|EN|PA [1·TECHNOLOGY 2·SEMIOTICS]

De senectute. On old age. Torino: UTET (2004) [BCP-GALENO]
• Bacon, Roger: Come ritardare i mali della vecchiaia How to delay the pains of old age |57-124|IT|PA [1·VIS. ARTS 2·HISTORY 3·AGE GROUP 4·RENAISSNC.]
• Cardano, Girolamo: Come conservare la salute How to keep in good health |125-152|IT|PA [1·VIS. ARTS 2·HISTORY 3·AGE GROUP 4·RENAISSNC.]
• Galeno: Il marasmo |33-56|IT|PA [1·VIS. ARTS 2·HISTORY 3·AGE GROUP 4·RENAISSNC.]
• Mazzini, Innocenzo, ed. |33-56|IT|PB [1·VIS. ARTS 2·HISTORY 3·AGE GROUP 4·RENAISSNC.]

Sensemayá. Un juego de espejos entre música y poesía. Bibliotheca Litterarum Humaniorum Euterpe II. México: JGH Editores (1997) #968-7860-03-0 [BMA4-GONZALE]
• González Akroties, Susana; Neuhaus, Roberto Kolb #968-7860-03-0 [BMA4-GONZALE]|PB [1·MUS.ANALYS 2·POETRY 3·EUROARTMUS 4·DOCUMENT] {Reveultas, S}

The Sense of Music. with a foreword by Robert Hatten. Princeton & Oxford: Princeton University Press (2000) #0-691-05716-8 [BM-MONELLE]
• Monelle, Raymond #0-691-05716-8 [BM-MONELLE]|PB [1·MUSICOLOGY 2·SEMIOTICS 3·EUROARTMUS 4·TIME/SPACE 5·GENRES 6·DEFINE 7·MUSIC EXX.] {Bach, Johann S; Wagner, Richard; Leitmotiv; Schumann, R; Brahms, J; Dvorak, A; Tchaikovsky, P; Mahler, G; Wunderhorn; allegory}

Il senso in musica. Bologna: Cooperativa Libraria Universitaria Editrice Bologna (1987) [BM-SENSO]
• Blacking, John: Le percezioni "etniche" |267-278|IT|PA [1·ANTHROPOL. 2·PERCEIVE 3·S AFRICA 4·SEMIOTICS 5·DEFINE]
• Boilès, Charles: La significazione nella musica da film |327-341|IT|PA [1·FILM MUSIC 2·SEMIOTICS 3·MUSIC EXX. 4·TIME/SPACE 5·DEFINE]
• Delalande, François: Dalle condotte all'oggetto |257-266|IT|PA [1·DEFINE 2·SEMIOTICS 3·BEHAVIOUR 4·MUSICOLOGY]
• Imberty, Michel: L'occhio e l'orecchio: "Sequenza III" di Berio |163-186|IT|PA [1·MOD.CLASS. 2·ACOUSTICS 3·SEMIOTICS 4·MUSICOLOGY]
• Jiranek, Jaroslav; Marconi, Luca, ed.; Stefani, Gino, ed.: Strati della significazione |61-82|IT|PA [1·SEMIOTICS 2·DEFINE]
• Karbušicky, Vladimir: Il segno indicale in musica |83-92|IT|PA [1·SEMIOTICS 2·DEFINE]
• Kubik, Gerhard: "Capire" la musica nelle culture africani |279-286|IT|PA [1·ANTHROPOL. 2·AFRICA 3·SEMIOTICS 4·PERCEIVE]
• Laske, Otto E: Dalla psicolinguistica alla "psicomusicologia" |151-162|IT|PA [1·SEMIOTICS 2·PSYCHOLOGY 3·DEFINE]
• Lerdahl, Fred; Jackendoff, Ray: Grammatica generativa e analisi |197-220|IT|PA [1·MELODY 2·HARMONY 3·EUROARTMUS 4·SEMIOTICS 5·MUSIC EXX.]
• Marconi, Luca: Introduzione |IT|PB [1·SEMIOTICS 2·DEFINE 3·BIBLIOGR.]
• Meyer, Leonard B: Le "implicazioni" nella melodia tonale |187-196|IT|PA [1·MELODY 2·EUROARTMUS 3·SEMIOTICS]
• Middleton, Richard: Sulla ripetizione |287-300|IT|PA [1·SEMIOTICS 2·RECURRENCE 3·POPULARMUS 4·DEFINE 5·ROCK]
• Nattiez, Jean-Jacques: "Syrinx" di Debussy: un analisi paradigmatica |93-138|IT|PA [1·SEMIOTICS 2·EUROARTMUS 3·ROMANTIC 4·MOD.CLASS. 5·MUSIC EXX.]
• Noske, Frits: Categorie segniche nel melodrama |319-326|IT|PA [1·OPERA 2·EUROARTMUS 3·SEMIOTICS 4·LYRICS]
• Rauhe, Hermann: Tipi di appropriazione |251-256|IT|PA [1·PERCEIVE 2·PSYCHOLOGY 3·SEMIOTICS]
• Tagg, Philip: Musicologia, semiotica, "popular music" |139-150|IT|PA [1·SEMIOTICS 2·DEFINE 3·MUSICOLOGY 4·POPULARMUS]

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• Marconi, Luca, ed.; Stefani, Gino, ed. 341 pp. [BM-SENSO]|PB [1·SEMIOTICS]

Settimana musicale senese, 19-26 agosto 1990. Siena: Fondazione Accademia Musicale Chigiana (1988) [JM-SETTIMANA]
• Anon: Convegno "Musica e Cinema" - programma dei lavori |120-122|IT|PA [1·FILM 2·FILM MUSIC 3·SILENTFILM 4·CONFERENCE 5·ITALY 6·PT]
• Martini, Franco Maria: Rapsodia Satanica - poema cinemamusicale |65-72|IT|PA [1·FILM 2·FILM MUSIC 3·SILENTFILM 4·LYRICS 5·ITALY]
• Miceli, Sergio: L'assassinat du Duc de Guise / Cabiria / Entr'acte / Ballet mécanique. Dall' Accademia all' Avanguardia |94-119|IT|PA [1·FILM 2·FILM MUSIC 3·MUSICOLOGY 4·FRANCE 5·ITALY 6·SILENTFILM 7·ILL.] {SAINT-SAENS Cam; PIZZETTI Ildebr; SATIE Erik; ANTHEIL George}
• Morini, Mario: Cavalleria Rusticana e un carteggio familiare di Mascagni |35-64|IT|PA [1·OPERA 2·ITALY 3·DOCUMENT 4·ILL.] {MASCAGNI Pietro; LETTERS; COSTUMES}
• Piccardi, Carlo: Rapsodia Satanica/Cavelleria Rusticana: Mascagni e l'ipotesi del "dramma musicale cinematografico" |16-34|IT|PA [1·FILM MUSIC 2·SILENTFILM 3·ROMANTIC 4·ITALY 5·OPERA] {MASCAGNI Pietro}

The Seventh Stream - The Emergence of Rocknroll in American Popular Music. Hanover NH: Wesleyan University Press (1992) #0-8195-6257-2 [BM-ENNIS]
• Ennis, Philip H #0-8195-6257-2 [BM-ENNIS]|PB [1·ROCK 2·USA 3·1940S 4·1950S 5·1960S 6·MUS INDUST 7·SOCIOLOGY 8·UK 9·DJS 10·RADIO]

Sharp Dressed Men. ZZ Top behind the scenes from blues to boogie to beards. New York: Hyperion (1994) xii+239 pp. #0-7868-8005-8 [BM-ZZTOP]
• Blayney, David xii+239 pp. #0-7868-8005-8 [BM-ZZTOP]|PB [1·ROCK 2·USA 3·BIOGRAPHY]

A Short History of World Music. 1 publ "Our Musical Heritage", New York: Prentice-Hall. London: Dobson (1956) 351 pp. [BM-SACHS]
• Sachs, Curt 351 pp. [BM-SACHS]|PB [1·MUSIC HIST 2·HISTORY 3·MUSICOLOGY 4·EDUC ITEM]

Signal, 1975/1. Oslo (1975) [CP757]
• Anon: Röda Kapellet |26-27|SV|PA [1·NORWAY 2·PT 3·DOCUMENT 4·REVIEW 5·POLITICAL 6·ROCK 7·]

Signal, 1975/2. Oslo (1975) [CP757]
• Anon: Röda Kapellet: Vi er först og fremst kommunister |10, 22|NO|PA [1·NORWAY 2·PT 3·DOCUMENT 4·REVIEW 5·POLITICAL 6·ROCK 7·]

Signs of Music. Berlin, New York: Mouton De Gruyter (2002) #3-11-017227-5 [BM-TARASTI]
• Tarasti, Eero #3-11-017227-5 [BM-TARASTI]|PB [1·SEMIOTICS 2·MUSIC EXX. 3·DEFINE]

Sinatra. London: W H Allen (1976) 377 pp. #0-352-30194-5 [BM-SINATRA]
• Wilson, Earl 377 pp. #0-352-30194-5 [BM-SINATRA]|PB [1·USA 2·1940S 3·1950S 4·1960S 5·BIOGRAPHY 6·ILL. 7·SCHLAGER 8·PERSONAL 9·MUS INDUST]

Sin disfraz. La murga vista de adentro. Montevideo: (1998) 147 pp. #9974-7528-6-8 [BM-LAMELLE]
• Lamelle, Guillerme 147 pp. #9974-7528-6-8 [BM-LAMELLE]|PB [1·URUGUAY 2·L AMERICA 3·ANTHROPOL. 4·MUSIC EXX. 5·DRUMS 6·RHYTHM]

Singing Archaeology. Philip Glass's Akhnaten. Hanover & London: Wesleyan University Press (1999) xiv+294 pp. #0-8195-6342-0 [BM-RICHARDSO]
• Richardson, John xiv+294 pp. #0-8195-6342-0 [BM-RICHARDSO]|PB [1·EUROARTMUS 2·OPERA 3·MUSICOLOGY 4·MUS.ANALYS 5·MUSIC EXX.] {Glass, Philip}

Singing Australian. Melbourne: Pluto Press Australia (2005) #1-86403-241-3 [BM-SMITHGRAE]
• Smith, Graeme #1-86403-241-3 [BM-SMITHGRAE]|PB [1·AUSTRALIA 2·FOLK MUSIC 3·C&W 4·WORLD MUS. 5·ROCK 6·FESTIVAL 7·NATIONAL 8·ETHNICITY 9·GENRES 10·MASS MEDIA]

The Singing Bourgeois. Songs of the Victorian Drawing Room and Parlour. Milton Keynes: Open University Press (1989) xiv+242 pp. #0-335-15296-1 [BM-SCOTT]
• Scott, Derek xiv+242 pp. #0-335-15296-1 [BM-SCOTT]|PB [1·UK 2·C19 3·PARLOURMUS 4·MUS INDUST 5·NATIONALSM 6·RELIGION 7·POLITSTUDY 8·MUSIC EXX. 9·BALLADS 10·MUSIC HALL] {CLARIBEL; DIBDIN Charles; SULLIVAN Arthur; HÄNDEL G F; RUSSELL Henry; WEATHERLY F}

Sinn und Gehalt. Aufsätze zur musikalischen Analyse. Wilhelmshaven: Heinrichshofen (1979) #3-7959-0223-1 [BM-EGGEBRECH]
• Eggebrecht, Hans-Heinrich: Die Freischütz-Ouvertüre. Eine historische Interpretation |200-212|DE|PA [1·MUSICOLOGY 2·MUS.ANALYS 3·OPERA 4·C19 5·GERMANY 6·SEMIOTICS 7·MUSIC EXX.]
• Eggebrecht, Hans-Heinrich: Heinrich Schütz |106-139|DE|PA [1·MUSICOLOGY 2·MUS.ANALYS 3·BAROQUE 4·MUSIC EXX.]
• Eggebrecht, Hans-Heinrich: Machauts Motette Nr 9 |43-105|DE|PA [1·MUSICOLOGY 2·MUS.ANALYS 3·MEDIEVAL 4·MUSIC EXX.]
• Eggebrecht, Hans-Heinrich: Mannheimer Stil-Technik und Gehalt |140-161|DE|PA [1·MUSICOLOGY 2·MUS.ANALYS 3·EUROARTMUS 4·MUSIC EXX.]
• Eggebrecht, Hans-Heinrich: Musikverstehen und Musikanalyse: Musikanalyse im Unterricht |264-279|DE|PA [1·MUSICOLOGY 2·MUS.ANALYS 3·MUSIC EDUC]
• Eggebrecht, Hans-Heinrich: Un punto di vista latinoamericano in un saggio da pioniere |280-303|DE|PA [1·MUSICOLOGY 2·MOD.CLASS. 3·RADIO 4·TELEVISION 5·BRD]
• Eggebrecht, Hans-Heinrich: Vertontes Gedicht. Über das Verstehen von Kunst durch Kunst |213-263|DE|PA [1·MUSICOLOGY 2·MUS.ANALYS 3·POETRY 4·COMPOSE 5·C19 6·GERMANY 7·SEMIOTICS 8·MUSIC EXX.]

The Situation of Music and Musicians in Countries of the Orient. Firenze: Leo S Olschki (1971) 122 pp. [BM-DANIELOU]
• Danielou, Alain; Evarts, J, trans. 122 pp. [BM-DANIELOU]|PB [1·E ASIA MUS 2·NATIONALSM 3·INTERNATNL 4·CULTPOLIT. 5·GENRES 6·3RD WORLD 7·MASS MEDIA 8·COPYRIGHT 9·MUSICIANS 10·MUSIC EDUC]

Situez le phénomène des guérisseurs comme mode particulier de rapport au corps. Texte en réponse à la question formulée par M Luc Racine. Montréal: Université de Montréal, Département de sociologie (1985) [CP124]
• Guénette, Alain [CP124]|US [1·HEALTH 2·PHILOSOPHY 3·DEFINE 4·MYTHOLOGY]

Sjung, av hjärtat sjung. Församlingssång och musikliv i svenska missionsförbundet fram till 1950-talet. Göteborg: Gothia (1986) 254 pp. #91-7228-218-3 [BM-BERNSKIOL]
• Bernskiöld, Hans 254 pp. #91-7228-218-3 [BM-BERNSKIOL]|PB [1·SWEDEN 2·USA 3·MUSIC EXX. 4·HISTORY 5·DISS. PhD. 6·MUSICOLOGY 7·BIBLIOGR. 8·AESTHETICS 9·SOCIOLOGY]

SKAP-nytt, 1985/1. Stockholm: SKAP (1985) #0348-1403 [CP453149]
• Elmqvist, Håkan: Musikutbudet i P3 brott mot radioavtalet |2|SV|PA [1·RADIO 2·ROCK 3·SWEDEN 4·NATIONAL 5·CULTPOLIT. 6·1980S]
• Fuglestad, Anders: Musiken i P3 |1-2|SV|PA [1·RADIO 2·ROCK 3·SWEDEN 4·NATIONAL 5·CULTPOLIT. 6·1980S]
• Wallis, Roger: Skall svensk populärmusik kunna höras över Sveriges nya stora radiosändare i Sölvesborg? |3|SV|PA [1·RADIO 2·SWEDEN 3·EUROPE 4·CULTPOLIT. 5·NATIONAL]

Skillingtryck. Studier i svensk folklig vissång före 1800. Stockholm: Svenska Visarkivet (1975) 491 pp. #91-85374-00-8 [BM-JERSILD]
• Jersild, Margareta 491 pp. #91-85374-00-8 [BM-JERSILD]|PB [1·BALLADS 2·SWEDEN 3·DISS. 4·C16 5·C17 6·C18]

Skrifter från Musikvetenskapliga institutionen, 14. Göteborg: Musikvetenskapliga institutionen vid Göteborgs universitet (1987) 297 pp. #91-85974-05-6 [BM-BJORNBERG]
• Björnberg, Alf: En liten sång som alla andra. Melodifestivalen 1959-1983 Doctoral thesis |SV|PB [1·MUSICOLOGY 2·MUS.ANALYS 3·MOR 4·EUROVISMUS 5·SWEDEN 6·STATISTICS 7·MUSIC EXX. 8·DISS. PhD. 9·LYRICS 10·CULT.STUDY]

Skrifter från Musikvetenskapliga institutionen, 18. Göteborg: Musikvetenskapliga institutionen vid Göteborgs universitet (1988) 239 pp. #91-85974-10-2 [BM-STOCKFELT]
• Stockfelt, Ola: Musik som lyssnandets konst. En analys av W A Mozarts synfoni Nº 40, g moll K.550 Doctoral dissertation in musicology, 10 June 1988. = "Music as the Art of Listening. An analysis of Mozart's Symphony N§ 40 in G minor (K.550)". General interest as a systematisation of modes of listening. |SV|PB [1·PERCEIVE 2·EUROARTMUS 3·MUZAK 4·AESTHETICS 5·SOUND 6·PSYCHOLOGY 7·SOCIOLOGY 8·MUSIC EXX. 9·C19 10·C20] {MOZART W A; MOMIGNY J J DE; VIENNA; PARIS; BOURGEOIS; RIOS Waldo de l}

Skrifter från Musikvetenskapliga institutionen, 02. Göteborg: Musikvetenskapliga institutionen vid Göteborgs universitet (1979) 301 pp. #91-7222-235-2 [BMA4-TAGG]
• Tagg, Philip: Kojak: 50 Seconds of Television Music. Towards the Analysis of Affect in Popular Music Reviewed by Andreas Ballstaedt in Die Musikforschung 34/4: 511 (CP754073), in Svensk tidskrift f”r Musikforskning 1979/ 1 (n§61):106 by Bill Brooks (@CP752229), in Studia Musicologica Academiae Scientiarum Hungaricae 24 (1982): 255-256 by J nos Mar¢thy (@CP525119, CP753), by Krister Malm in Tonfallet (@CP752221, CP751045), by Leo Sanama in Haagse Post 31 May 1980:54-55 (@CP752353, CP754042), by Mark Steedman in Popular Music, 1: 185-187. Notice in Scanorama June/July 1979 and in DN/TV by Glanzelius |EN|PB [1·MUSICOLOGY 2·MUSIC EXX. 3·MUS.ANALYS 4·FILM MUSIC 5·TELEVISION 6·SEMIOTICS 7·MEDIA IND. 8·TITLE MUS. 9·AFFECT 10·VVA]

Skrifter från Musikvetenskapliga institutionen. Stockholm (1982) 116 pp. [BM-TEGEN]
• Tegen, Martin: "Tonernas vågor" eller Vilken musik var populär på 1860-talet |SV|PB [1·SWEDEN 2·URBAN 3·DANCE 4·LYRICS 5·MELODY 6·EUROPE 7·MUSIC EXX. 8·STATISTICS 9·SOCIOLOGY]

Skrifter från Musikvetenskapliga institutionen, 06. Göteborg: Musikvetenskapliga institutionen vid Göteborgs universitet (1982) 462 pp. [BM-WALLIN]
• Wallin, Nils L: Den musikaliska hjärnan. En kritisk essä om musik och perception i biologisk belysning |SV|PB [1·NEUROLOGY 2·BIOLOGY 3·AESTHETICS 4·PHILOSOPHY 5·EUROARTMUS 6·MOD.CLASS. 7·DISS. PhD.]

Skriftfest: 19 uppsatser tillägnade Martin Tegen - 60 år. Stockholm: Institutionen för musikvetnskap (1979) [BM-TEGEN]
• Brolinson, Per-Erik: Några funderingar kring begreppet kommersiell musik |41-51|SV|PA [1·DEFINE 2·AESTHETICS 3·EUROPE 4·ECONOMICS]
• Larsen, Holger; Sandahl, Sten: Svensk Revival- och skolbandsjazz. Försök till kartläggning av en "glömd" musikrörelse |115-129|SV|PA [1·SWEDEN 2·JAZZ 3·MUSIC USES 4·EDUCATION 5·HARMONY 6·GENRES 7·MUSICIANS]
• Ling, Jan: Assafjevs intonationsteori: ett försök till analys |130-145|SV|PA [1·MUSICOLOGY 2·MUSIC EXX. 3·MUS.ANALYS 4·EUROARTMUS 5·EUROPE 6·USSR 7·AESTHETICS 8·POLITSTUDY 9·SEMIOTICS 10·ANTHROPOL.]
• Reimers, Lennart: Den svenska barnvisan |150-160|SV|PA [1·SWEDEN 2·CHILDREN 3·MELODY]
• Waldekranz, Rune: Stumfilmens musik |179-199|SV|PA [1·SWEDEN 2·EUROPE 3·USA 4·FILM 5·1900-1909 6·1910S 7·1920S 8·AESTHETICS 9·MUSIC USES 10·DRAMA]

Skval och harmoni. Värnamo: Etermedia i Sverige (1998) #91-518-3454-5 [BM-BJORNBERG]
• Björnberg, Alf #91-518-3454-5 [BM-BJORNBERG]|PB [1·SWEDEN 2·RADIO 3·CULTPOLIT. 4·C20 5·STATISTICS] {Sveriges Radio}

Slow Country Music and Drinking. Phoenix: American Anthropological Association (1988) 15 pp. [CP824286-302]
• Schaefer, James M; Sykes, Richard; Rowley, Richard; Baek, Seon 15 pp. [CP824286-302]|UX [1·CONFERENCE 2·DRUGS 3·C&W 4·HEALTH 5·SAD 6·PSYCHOLOGY 7·STATISTICS] {BEER}

Slutrapport om stöd för försöksverksamhet med lokalt arbete med video. Stockholm: Svenska Filminsitutet (1985) [CP909/05]
• Nerman, Bengt; Eisberg, Ted [CP909/05]|PS [1·SWEDEN 2·TELEVISION 3·VIDEO 4·ORGANISE 5·REPORT]

Små länder - stor musik. Stockholm: Utbildningsradion (1984) 42 pp. #91-26-83376-X [BMA4-MALM]
• Malm, Krister 42 pp. #91-26-83376-X [BMA4-MALM]|PB [1·MUS INDUST 2·MUSIC USES 3·3RD WORLD 4·EDUC ITEM 5·EUROPE 6·USA 7·ILL.]

Smmanfattning av `Jazz Improvisation - A comprehensive method of study for all players' by David Baker. Göteborg: Musikvetenskap (1975) 40 pp. [CP821-050]
• Baker, David; Eldenius, Magnus, ed. 40 pp. [CP821-050]|UX [1·JAZZ 2·IMPROVISE 3·HARMONY 4·MELODY 5·EDUC ITEM 6·HANDBOOK]

Sociologia delle musiche. Teorie e modelli di ricerca. Milano: FrancoAngeli (2002) 254 pp. #88-464-4104-4 [BM-GROSSO]
• Grosso Destreri, Luigi del 254 pp. #88-464-4104-4 [BM-GROSSO]|PB [1·SOCIOLOGY 2·HISTORY 3·DEFINE 4·PHILOSOPHY 5·AESTHETICS]

The Sociology of Music. London: Routledge & Kegan Paul (1963) 216 pp. [BM-SILBERMAN]
• Silbermann, Alphons 216 pp. [BM-SILBERMAN]|PB [1·SOCIOLOGY 2·GENRES 3·AUDIENCE 4·MUSIC USES 5·BEHAVIOUR 6·EUROPE 7·MASS MEDIA 8·1950S]

The Sociology of Rock. London: Constable (1978) 255 pp. #0-09-462290-6 [BM-FRITH]
• Frith, Simon 255 pp. #0-09-462290-6 [BM-FRITH]|PB [1·UK 2·YOUTH 3·LEISURE 4·MEN 5·WOMEN 6·RADIO 7·MUS INDUST 8·ROCK 9·POLITSTUDY 10·SOCIOLOGY]

Sohlmans Musiklexikon, 1. Stockholm: Sohlmans (1975) [BMR-SOHLMNAN]
• Bengtsson, Ingmar: Analys |128-129|SV|PA [1·MUSICOLOGY 2·MUS.ANALYS 3·DEFINE 4·MUSIC EXX.]
• Eppstein, Hans: Affektlära |40-41|SV|PA [1·AFFECT 2·BAROQUE 3·MUSIC EXX. 4·ILL. 5·C16 6·C17 7·MUSICOLOGY]

Sohlmans Musiklexikon, 2. 2nd ed. Stockholm: Sohlmans Förlag (1975) [BMR]
• Åhlén, Carl-Gunnar; Hedström, L: Filmljud |572-5|SV|PA [1·FILM 2·SOUND 3·ELECTRONIC 4·RECORDING 5·HISTORY]

Sohlmans musiklexikon, 2. 2nd ed. Stockholm: Sohlmans Förlag (1975) #91-7198-020-2 [BMR-SOHL]
• Candé, Roland de; Pauli, Hansjörg; Silén, Lars: Filmmusik |568-569|SV|PA

Sohlmans Musiklexikon, 2. 2nd ed. Stockholm: Sohlmans Förlag (1975) [BMR]
• Eppstein, Hans: Figurlära |564-565|SV|PA [1·AFFECT 2·BAROQUE 3·MUSIC EXX. 4·C16 5·C17 6·MUSICOLOGY]
• Straarup, Ole: Muzak (1977) |669-70|SV|PA [1·MUZAK 2·DEFINE 3·MUSIC USES 4·WORK 5·HISTORY]

Sohlmans musiklexikon, 2. 2nd ed. Stockholm: Sohlmans Förlag (1975) #91-7198-020-2 [BMR-SOHL]
• Tagg, Philip; Malmström, Dan; Silén, Lars: Country and Western |141-144|EN|PA [1·C&W 2·USA 3·MASS MEDIA 4·1930S 5·1940S 6·MUSICOLOGY 7·MUS INDUST 8·POSTWAR]

Sohlmans Musiklexikon, 3. Stockholm: Sohlmans (1976) [BM-REF-SOHL]
• Sundberg, Johann: Generativ musikteori |91-92|SV|PA

Sohlmans Musiklexikon, 4. 2nd ed. Stockholm: Sohlmans Förlag (1977) 608-610 pp. [BMR-SOHLMANS]
• Andersson, S; Malm, Krister: Musik och massmedia |SV|PB
• Bengtsson, Ingmar: Musikteori |650-656|SV|PA
• Sörbom, Göran; Sondell, N O; Kask, J; Dahlstedt, Sten: Musikestetik |621-628|SV|PA [1·AESTHETICS 2·DEFINE]

Sohlmans musiklexikon, 5. 2nd ed. Stockholm: Sohlmans Förlag (1979) #91-7198-020-2 [BMR]
• Tagg, Philip; Malm, Krister; Tegen, Martin; Silén, Lars: Popmusik |90-100|SV|PA [1·ROCK 2·HISTORY 3·MUSIC EXX. 4·DEFINE 5·USA 6·UK 7·MUS INDUST 8·POSTWAR 9·RECORDING 10·MUSICOLOGY]

Solid Gold: The Popular Record Industry. New Brusnwick (NJ): Transaction (1975) 504 pp. #0-87855-586-2 [BM-DENISOFF]
• Denisoff, R Serge 504 pp. #0-87855-586-2 [BM-DENISOFF]|PB [1·MUS INDUST 2·USA 3·ROCK 4·YOUTH 5·MUSICIANS 6·AUDIENCE 7·ADVERTS 8·JOURNALISM 9·FESTIVAL 10·MASS MEDIA]

O Som Nosso de Cada Dia. Porto Alegre: L & PM Editores (1983) 200 pp. [BM-SOUZA]
• Souza, Tárik de 200 pp. [BM-SOUZA]|PB [1·BRAZIL 2·1970S 3·1980S 4·MUSICIANS 5·JOURNALISM 6·POPULARMUS 7·YOUTH 8·DANCE 9·CULTPOLIT. 10·ILL.]

Son del sur 3-4. Part 1: no.3 , Nov 96: 24-36; part 2: no.4, June 97: 33-46. México: Chuchumbe A.C. (1996) [BMA4-PEREZR]
• Pérez, Rolando: El chuchumbé y la buena palabra |24-36|SP|PA [1·FOLK MUSIC 2·MEXICO 3·ILL. 4·INSTRUMENT 5·ANTHROPOL.]

Song and Music in Language Learning. An analysis of pop song lyrics and the use of song and music in teaching English to speakers of other languages. Neuchâtel: Faculté des lettres, Université de Neuchâtel (1989) 343 pp. [BMA4-MURPHEY]
• Murphey, Tim 343 pp. [BMA4-MURPHEY]|PB [1·ROCK 2·MOR 3·UK 4·VERBAL 5·LYRICS 6·EDUCATION 7·DISS. PhD. 8·PSYCHOLOGY]

Song of Subjectivities: Theorizing Hollywood Film Music of the 80s and 90s. Stanford: (1993) #2-7351-0463-X [BMA4-KASSAB]
• Kassabian, Anahid #2-7351-0463-X [BMA4-KASSAB]|PB [1·FILM MUSIC 2·SEX/GENDER 3·1980S 4·1990S 5·DISS. PhD. 6·DEFINE 7·MUSIC EXX. 8·PT]

Songsters and Saints. Vocal Traditions on Race Records. Cambridge: Cambridge University Press (1984) 9+339 pp. #0-521-26942-3 [BM-OLIVER]
• Oliver, Paul 9+339 pp. #0-521-26942-3 [BM-OLIVER]|PB [1·USA 2·VOCAL MUS. 3·DANCE 4·RELIGION 5·AFR-AMER. 6·RAGTIME 7·GOSPEL 8·BIBLIOGR. 9·DISCOGR. 10·ILL.] {LYRICS}

Son, musique et cinéma. Chicoutimi (Qué): Gaëtan Morin (1980) 232 pp. #2-89105-029-0 [BM-FRENAIS]
• Fresnais, Gilles 232 pp. #2-89105-029-0 [BM-FRENAIS]|PB [1·FILM 2·SOUND 3·RECORDING 4·HANDBOOK 5·ELECTRONIC 6·1970S]

Sorgens musik, sangstemmernes ritornel. Notes from lecture by Orla Winther, 15/9/89. Göteborg: (1989) [CP822-192]
• Winther, Orla [CP822-192]|UX [1·SAD 2·SEMIOTICS 3·ROMANTIC 4·EUROARTMUS]

The Soul Book. London: Methuen (1975) #0-413-32150-9 [BM-HOARE]
• Anderson, Clive; Cummings, Tony, ed.; Hoare, Ian, ed.; Frith, Simon, ed.: Memphis and the Sounds of the South |60-116|EN|PA [1·SOUL 2·1960S 3·1970S 4·USA 5·MUSICIANS 6·MUS INDUST 7·AFR-AMER. 8·RECORDING]
• Anderson, Clive: Soul in the Seventies |169-189|EN|PA [1·1970S 2·GOSPEL 3·ROCK 4·USA 5·MUSICIANS]
• Cummings, Tony: Roots, forerunners and originators |1-31|EN|PA [1·SOUL 2·USA 3·1950S 4·1940S 5·1960S 6·BLUES 7·URBAN 8·AFR-AMER. 9·DOOWOP 10·ROCK]
• Frith, Simon: You Can Make It If You Try: The Motown Story |32-59|EN|PA [1·SOUL 2·USA 3·1960S 4·1970S 5·UK 6·AUDIENCE 7·MUS INDUST 8·SOCIOLOGY 9·MUSICIANS]
• Hoare, Ian: Mighty, mighty spade and whitey: black lyrics and soul's interaction with white culture |117-189|EN|PA [1·CULT.STUDY 2·SOUL 3·LYRICS 4·MUSIC USES 5·AESTHETICS 6·RELIGION 7·DANCE 8·USA 9·UK]

Sound and Semblance. Reflections on Musical Representation. Princeton: Princeton University Press (1984) 235 pp. #0-691-07282-5 [BM-KIVY]
• Kivy, Peter 235 pp. #0-691-07282-5 [BM-KIVY]|PB [1·MUSICOLOGY 2·MUSIC EXX. 3·SEMIOTICS 4·AFFECT 5·EUROARTMUS 6·ROMANTIC 7·VIS. ARTS 8·GESTURES 9·NOTATION 10·PHILOSOPHY]

Sound and Symbol. Music and the External World. 1 publ in German. 1 Eng version 1956, New York: Bollingen Foundation. Princeton: Princeton University Press (1969) 399 pp. #0-691-01759-X [BM-WORK]
• Zuckerkandl, Victor; Trask, Willard R, trans. 399 pp. #0-691-01759-X [BM-WORK]|PB [1·MUSICOLOGY 2·PERCEIVE 3·TIME/SPACE 4·PHILOSOPHY 5·SEMIOTICS 6·AESTHETICS 7·MELODY 8·HARMONY 9·RHYTHM 10·EUROARTMUS]

Sound Effects. Youth, Leisure and the Politics of Rock'n'Roll. London: Constable (1983) 255 pp. #0-09-464950-2 [BM-FRITH]
• Frith, Simon 255 pp. #0-09-464950-2 [BM-FRITH]|PB [1·UK 2·USA 3·ROCK 4·YOUTH 5·LEISURE 6·SOCIOLOGY 7·MASS MEDIA 8·MUS INDUST 9·SEX/GENDER 10·AESTHETICS]

Sounding out the City. Personal stereos and the management of everyday life. Oxford & New York: Berg (2000) vii+208 pp. #1-85973-342-5 [BM-BULL]
• Bull, Michael vii+208 pp. #1-85973-342-5 [BM-BULL]|PB [1·PSYCHOLOGY 2·SOCIOLOGY 3·SOUNDSCAPE 4·CULT.STUDY 5·ANTHROPOL. 6·INTERVIEW 7·TECHNOLOGY] {Walkman}

The Sound of Our Time. London & Syndney: Sheed & Ward (1969) 198 pp. #0-7220-0593-8 [BM-LAING]
• Laing, Dave 198 pp. #0-7220-0593-8 [BM-LAING]|PB [1·ROCK 2·SOCIOLOGY 3·SEMIOTICS 4·HISTORY 5·UK 6·USA]

The Sound of the City. London: Sphere Books (1971) 387 pp. [BM-GILLETT]
• Gillett, Charlie 387 pp. [BM-GILLETT]|PB [1·ROCK 2·USA 3·HISTORY 4·1940S 5·1950S 6·R&B 7·C&W 8·GOSPEL 9·MUS INDUST 10·AFR-AMER.]

The Sound of the City. The Rise of Rock and Roll. Revised Edition. London: Book Club Associates (1983) xii+515 pp. [BM-GILLETT]
• Gillett, Charlie xii+515 pp. [BM-GILLETT]|PB [1·ROCK 2·USA 3·UK 4·HISTORY 5·SOCIOLOGY 6·GENRES 7·MUS INDUST]

Sounds and Scores. A Practical Guide to Professional Orchestration. Greenwich (CT): Northridge Music (1973) 243+3x5"3 pp. #0-89524-060-2 [BMA-MANCINI]
• Mancini, Henry 243+3x5"3 pp. #0-89524-060-2 [BMA-MANCINI]|PB [1·FILM MUSIC 2·MUSIC EXX. 3·ARRANGE 4·COMPOSE 5·INSTRUMENT 6·ORCHESTRAL 7·MOR 8·JAZZ 9·USA 10·EDUC ITEM]

Sounds and Society. Manchester: Manchester University Press (1996) #0-7190-3224-5 [BM-MARTIN]
• Martin, Peter J #0-7190-3224-5 [BM-MARTIN]|PB [1·SOCIOLOGY 2·POPULARMUS 3·EUROARTMUS 4·POLITICS 5·MUS INDUST 6·AESTHETICS 7·DEFINE 8·METHODOL.] {Adorno, Th W}

Soundscapes. Essays on Vroom and Moo. www.tagg.org/articles/virrat.html. Tampere: Department of Folk Tradition (1994) #951-44-3541-9 [BM-JARVILUOM]
• Alanne, Pia, ed.; Järviluoma, Helmi, ed.: Selected soundscape bibliography |121-135|EN|PA [1·SOUNDSCAPE 2·BIBLIOGR.]
• Johnson, Bruce: Klactoveesedstene - Music, coundscape and me |39-47|EN|PA [1·SOUNDSCAPE]
• Karlsson, Henrik: Music in the year 2002 - a research project |67-70|EN|PA [1·SOUNDSCAPE]
• Pöyskö, Maru: The blessed noise and little moo - aspects of soundscape in cowsheds |71-89|EN|PA [1·SOUNDSCAPE]
• Schafer, R Murray; Järviluoma, Helmi, ed.: Soundscape - art and science. Interview with R Murray Schafer |107-120|EN|PA [1·SOUNDSCAPE 2·INTERVIEW]
• Schafer, R Murray: The Soundscape Designer |9-17|EN|PA [1·SOUNDSCAPE]
• Stockfelt, Ola: Cras, buildings, soundscapes |19-38|EN|PA [1·SOUNDSCAPE]
• Tagg, Philip; Järviluoma, Helmi, ed.: Subjectivity and soundscape, motorbikes and music |48-66|EN|PA [1·SOUNDSCAPE]
• Vikman, Noora: Tones in the soundscape - the listener's viewpoint |90-106|EN|PA [1·SOUNDSCAPE]

Sounds for Silents. New York: DBS Publications / Drama Book Specialists (1970) [BMA4-HOFMANN]
• Hofmann, Charles [BMA4-HOFMANN]|PB [1·SILENTFILM 2·FILM MUSIC 3·ILL. 4·MUSIC EXX. 5·1910S 6·1920S 7·USA]

The Sounds of Social Change. Chicago: Rand McNally & Co (1972) #0-528-68712-3 [BM-DENISOFF]
• Agnew, Spiro; Denisoff, R Serge, ed.; Peterson, Richard A, ed.: Talking Brainwashing Blues |307-10|EN|PA [1·ROCK 2·USA]
• Allen, Gary: More Subversion Than Meets the Ear |151-66|EN|PA [1·SOCIOLOGY 2·YOUTH 3·ROCK 4·USA]
• Becker, Howard S: The Professional Jazz Musician and His Audience |248-60|EN|PA [1·SOCIOLOGY 2·MUSICIANS 3·AFR-AMER. 4·JAZZ 5·USA 6·UNIONS 7·AUDIENCE]
• Brazier, Richard: The Industrial Workers of the World's "Little Red Songbook" |60-71|EN|PA [1·USA 2·UNIONS 3·WORK 4·POLITICS 5·SOCIALISM]
• Carey, James T: Changing Courtship Patterns in the Popular Song |198-212|EN|PA [1·SOCIOLOGY 2·LYRICS 3·ROCK 4·USA]
• Coffman, James T: "So You Want To Be A Rock & Roll Star!" Role Conflict and the Rock Musician 1 publ in Popular Music and Society, 1 (1971) (p20-32) |261-73|EN|PA [1·MUSICIANS 2·SOCIOLOGY 3·BUSINESS 4·ROCK]
• Denisoff, R Serge; Levine, Mark H: Brainwashing or Background Noise: the Popular Protest Song |213-212|EN|PA [1·CHARTS 2·FOLK MUSIC 3·LYRICS 4·ROCK 5·USA]
• Denisoff, R Serge: Evolution of the Protest Song in America |15-25|EN|PA [1·ROCK 2·HISTORY 3·FOLK MUSIC]
• Denisoff, R Serge: Folk Music and the American Left |105-20|EN|PA [1·FOLK MUSIC 2·USA]
• Dimaggio, Paul; Paterson, Richard A: Country Music: Ballad of the Silent Majority |38-55|EN|PA [1·BIBLIOGR. 2·SOCIOLOGY 3·AUDIENCE 4·LITERATURE 5·LYRICS 6·C&W 7·USA]
• Gillett, Charles: The Black Market Roots of Rock |274-81|EN|PA [1·MUSICIANS 2·BUSINESS 3·PRODUCERS 4·AFR-AMER. 5·USA 6·ROCK]
• Gleason, Ralph J: A Cultural Revolution |137-46|EN|PA [1·ROCK]
• Huck, Susan: The Great Kid-Con |167-72|EN|PA [1·SOCIOLOGY 2·ROCK 3·USA]
• Johnson, Nicholas: Turning on the Vice President |311-16|EN|PA [1·ROCK 2·USA]
• Larkin, Rochelle: The Soul Message |92-104|EN|PA [1·SOUL 2·AFR-AMER. 3·USA 4·ROCK]
• Lund, Jens: Fundamentalism, Racism, and Political Reaction in Country Music |79-91|EN|PA [1·HISTORY 2·C&W 3·USA]
• Meade, Marion: The Degradation of Women |173-77|EN|PA [1·WOMEN 2·ROCK]
• Miller, Lloyd; Skipper, James K: Sounds of Black Protest in Avant-Garde Jazz |26-37|EN|PA [1·JAZZ 2·AFR-AMER. 3·USA]
• Mooney, H F: Popular Music Since the 1920s: the Significance of Shifting Taste |181-97|EN|PA [1·SOCIOLOGY 2·ROCK 3·JAZZ 4·USA]
• Peterson, Richard A: Market and Moralist Censors of a Black Art Form: Jazz |236-47|EN|PA [1·BIBLIOGR. 2·AFR-AMER. 3·JAZZ 4·USA]
• Peterson, Richard A; Berger, D G: Three Eras in the Manufacture of Popular Music Lyrics |282-303|EN|PA [1·BIBLIOGR. 2·MEDIA IND. 3·TECHNOLOGY 4·LITERATURE 5·LYRICS 6·ROCK 7·FOLK MUSIC 8·USA]
• Robinson, John P; Hirsch, Paul M: Teenage Response to Rock and Roll Protest Song |222-31|EN|PA [1·CHARTS 2·AUDIENCE 3·YOUTH 4·ROCK 5·USA]
• Warren, Roland L: The Nazi Use of Music as an Instrument of Social Control |72-78|EN|PA [1·FASCISM 2·GERMANY]
• Wolfe, Paul: Dylan's Sellout of the Left |147-50|EN|PA [1·ROCK 2·FOLK MUSIC 3·USA]

Soundtrack, 2/5. Mechelen (1983) [JM-SOUNDTR]
• Bohn, R; Pecqueiaux, J-P; Mangodt, Daniel: Alex North: filmography/discography (1963-1982) |6-8|EN|PA [1·FILM MUSIC 2·USA 3·1960S 4·1970S 5·DISCOGR.] {NORTH A}
• Caps, John; Ven, Luc van de, ed.: Dungeons and Dragons. Three Medieval Scores |3-4|EN|PA [1·FILM MUSIC 2·UK 3·USA 4·MEDIEVAL 5·REVIEW]
• Davis, Carl: Interviewed by John Williams |10-15|EN|PA [1·FILM MUSIC 2·COMPOSE 3·INTERVIEW 4·BIOGRAPHY 5·USA 6·UK]
• Morricone, Ennio: A tribute to Ennio Morricone, Fabriano, 5 September 1982 (Pictures only) |17-19|EN|PA [1·FILM MUSIC 2·ILL.]
• Pecqueriaux, Jean-Pierre; Ven, Luc van de: Bruno Nicolai: filmography/discography (1963-1971) |21-23|EN|PA [1·FILM MUSIC 2·USA 3·1960S 4·DISCOGR.] {NICOLAI B}
• Reiner, Carl: Interviewed by David and Richard Craft |4-5|EN|PA [1·FILM MUSIC 2·PRODUCERS 3·INTERVIEW]

Soundtrack, 2/6. Mechelen (1983) [JM-SOUNDTR]
• Bernstein, Elmer: Interviewed by John Caps |14-22|EN|PA [1·FILM MUSIC 2·USA 3·1960S 4·1970S 5·INTERVIEW 6·COMPOSE 7·ILL.]
• Mangodt, Daniel: Lalo Schifrin: filmography/discography (1952-1967) |24-25|EN|PA [1·FILM MUSIC 2·USA 3·DISCOGR. 4·1950S 5·1960S] {SCHIFRIN L}
• Pecqueriaux, Jean-Pierre; Ven, Luc van de; Ven, Luc van de, ed.: Bruno Nicolai: filmography/discography (1971-1980) |10-12|EN|PA [1·FILM MUSIC 2·USA 3·1970S 4·DISCOGR.] {NICOLAI B}
• Various: Checklist of soundtracks released February-April 1983 in Japan, Italy, the UK and Spain |30-32|EN|PA [1·FILM MUSIC 2·DISCOGR. 3·1980S 4·ITALY 5·JAPAN 6·UK 7·SPAIN]
• Various: Checklist of soundtracks released February-April 1983 in Australia, USA, France, Belgium, BRD |34-35|EN|PA [1·FILM MUSIC 2·DISCOGR. 3·1980S 4·AUSTRALIA 5·USA 6·FRANCE 7·BELGIUM 8·BRD]

Soundtrack, 2/7. Mechelen (1983) [JM-SOUNDTR]
• Bernstein, Elmer; Ven, Luc van de, ed.: Interviewed by John Caps (Part 2) |3-6|EN|PA [1·FILM MUSIC 2·COMPOSE 3·INTERVIEW 4·USA]
• Mangodt, Daniel: Lalo Schifrin: filmography/discography (1967-1983) |7-10|EN|PA [1·FILM MUSIC 2·USA 3·DISCOGR. 4·1960S 5·1970S 6·1980S] {SCHIFRIN L}
• Various: Checklist of film soundtracks released May-July 1983 in Europe, Japan, USA and Australia |29-35|EN|PA [1·DISCOGR. 2·ITALY 3·SPAIN 4·JAPAN 5·UK 6·BRD 7·USA 8·AUSTRALIA 9·FRANCE 10·BELGIUM]

Soundtrack, 2/8. Mechelen (1983) [JM-SOUNDTR]
• Kraft, David; Ven, Luc van de, ed.: Jerry Goldsmith. Entering Hermann's Zone |3-9|EN|PA [1·INTERVIEW 2·COMPOSE 3·USA 4·FILM MUSIC] {GOLDSMITH J; HERMANN B}
• Pecqueriaux, Jean-Pierre; Mangodt, Daniel; Ven, Luc van de: John Barry: filmography/discography (1958-1965) |21-23|EN|PA [1·FILM MUSIC 2·DISCOGR. 3·UK 4·1960S] {BARRY J}
• Pecqueriaux, Jean-Pierre; Ven, Luc van de: Nicola Piovani: filmography/discography (1970-1975) |10-11|EN|PA [1·FILM MUSIC 2·DISCOGR. 3·ITALY 4·1970S] {PIOVANI N}
• Various: Checklist of film soundtracks released August-October 1983 in Europe, Japan and USA |31-35|EN|PA [1·DISCOGR. 2·FILM MUSIC 3·SPAIN 4·JAPAN 5·ITALY 6·UK 7·USA 8·BRD 9·FRANCE 10·BELGIUM]

Sound Tracks. Tracce, convergenze e scenari negli studi musicali. Roma: Meltemi (2002) #88-8353-130-2 [BM-AMATO]
• Agostini, Roberto: Chimere. Note su alcune musiche (im)popolari contemporanee |97-128|IT|PA [1·HOUSE/RAVE 2·GENRES 3·AVANTGARDE 4·RHYTHM 5·MUSICOLOGY 6·PT 7·DEATHMETAL] {Blast Beat; distorsion; Techno music; loops; groove; form; riff}
• Amato, Francesco D': Coordinate e prospettive: le riflessioni sui rapporti fra testo e contesto Coordinates and perspectives: reflections on relationships between text and context |27-64|IT|PA [1·PT]
• Amato, Francesco D'; Amato, Francesco, D', ed.: Premessa |7-10|IT|PA
• Fabbri, Franco: Appunti sui generi: da Aristotele a Yahoo! |89-96|IT|PA [1·GENRES 2·INTERNET]
• Frith, Simon: Note introduttive |11-26|IT|PA [1·IASPM 2·PT 3·INTERDISC.]
• Jones, Steve: Distribuzione e downloading: la musica e le tecnologie del web "Distribution and dowloading: music and internet technology" |149-162|IT|PA
• Kassabian, Anahid: L'ascoloto ubiquo "Ubiquitous listening" |163-174|IT|PA
• Lipsitz, George: World cities e world beat: la musica come pharmakon |129-148|IT|PA [1·WORLD MUS. 2·USA 3·L AMERICA 4·POLITICS 5·IMPERIALSM]
• Shepherd, John: Del testo al genere: musica, comunicazione e società "From text to genre: music, communication and society" |65-88|IT|PA

Source Readings in Music History. London: Faber (1952) #0-571-07009-4 [BM-STRUNK]
• Plato; Strunk, Oliver, ed.: The Republic, I (extracts on music: 245-269, 287-295) c. 400 B.C. London, W Heinemann, 1930 |3-10|EN|PA [1·OLD GREECE 2·AESTHETICS 3·POLITICS 4·MUSICOLOGY] {Socrates}

Source Readings in Music History. London: Faber (1952) xxi+919 pp. #0-571-07009-4 [BM-STRUNK]
• Strunk, Oliver, ed. xxi+919 pp. #0-571-07009-4 [BM-STRUNK]|PB [1·MUSIC HIST 2·DOCUMENT]

* source unknown *. Oslo: (1984?) [CPR326/3]
• Jensen, Tron: Orkestrerte fiksjoner |24-30|NO|PA [1·EUROPE 2·USA 3·FILM MUSIC 4·AESTHETICS 5·SEMIOTICS 6·EUROARTMUS 7·ROCK]

* source unknown *. (1982) [CP 318002]
• Tarasti, Eero: Om musikens tolkning |SV|US [1·MUSICOLOGY 2·SEMIOTICS 3·PERFORM]

So you Want to be in the Music Business. London: Everest (1976) 240 pp. #0-903925-44-3 [BM-HATCH]
• Hatch, Tony 240 pp. #0-903925-44-3 [BM-HATCH]|PB [1·MUS INDUST 2·UK 3·ARRANGE 4·EDUC ITEM 5·CATALOGUE 6·MUSIC EXX. 7·GENRES 8·MUSICIANS 9·MANAGERS]

The Spectre of Sound: Music in Film and Television. London: BFI Publishing (2005) #1-84457-026-6 [BM-DONNELLY]
• Donnelly, K J #1-84457-026-6 [BM-DONNELLY]|PB [1·FILM MUSIC 2·AESTHETICS 3·TELEVISION 4·SEMIOTICS 5·] {manipulation}

Speech, Music, Sound. London: Macmillan (1999) 231 pp. #0-333-64289-9 [BM-LEEUWEN]
• Leeuwen, Theo van 231 pp. #0-333-64289-9 [BM-LEEUWEN]|PB [1·MUSICOLOGY 2·DEFINE 3·VERBAL 4·SOUNDSCAPE 5·MUSIC EDUC 6·SEMIOTICS]

Spela för livet. Fria kulturgrupper inför 1980-talet. Stockholm: Liber (1977) 224 pp. #91-38-03403-4 [BM-RYNELL]
• Rynell, Erik, ed.; Åberg, Lars, ed. 224 pp. #91-38-03403-4 [BM-RYNELL]|PB [1·1970S 2·SWEDEN 3·CULTPOLIT. 4·PROGRESSIV 5·FILM 6·DRAMA 7·ROCK 8·JAZZ 9·FOLK MUSIC 10·ILL.]

SPICS - Studio Paolino Internazionale della Communicazione Sociale. Roma: SPICS (1986) 2 pp. [CP824307]
• ~~ 2 pp. [CP824307]|PX [1·RELIGION 2·CULT.STUDY 3·MASS MEDIA 4·INSTITUTNS 5·ORGANISE] {Vatican}

Spov, 8. Sundsvall: Institutet för pedagogisk textforskning (1989) #0284-0618 [JCP-SPOV]
• Flodin, Ann Mari: Att läsa sångböcker som pedagogiska texter |38-56|SV|PA [1·MUSIC EDUC 2·SINGING 3·EDUCATION]
• Henningsson, Ingemar; Ling, Jan; Olsson, Bengt: Musikutbildning i kulturpolitikens tjänst |3-11|SV|PA [1·MUSIC EDUC 2·CULTPOLIT. 3·GMH 4·1960S 5·1970S 6·GÖTEBORG]
• Kemp, Anthony: Läroplansdiskussioner i England under 1980-talet |34-37|SV|PA [1·MUSIC EDUC 2·UK 3·1980S]
• Lindgren, Kurt: Några punkter till frågan om improvisationskonstens roll i musikundervisningen |57-64|SV|PA [1·MUSIC EDUC 2·EDUCATION 3·SINGING]
• Olsson, Bo Ingvar: I elfte timmen. Debattinlägg om instrumentallärarutbildning vid musikhögskolan |19-33|SV|PA [1·MUSIC EDUC]
• Swanick, Keith: Musikundervisning i ett pluralistiskt samhälle |12-18|SV|PA [1·MUSIC EDUC]

Sprache und Musik: binäre Oppositionen (notes from lecture). Göteborg: private MS (1986) 2 pp. [CP323123]
• Stockmann, Doris 2 pp. [CP323123]|UX [1·LITERATURE 2·DEFINE 3·MUSICOLOGY]

Språk, musik och kultur. En studie av hur språkbruket i musikrecensioner speglar kulturella värderingar. Stockholm: Meddelanden från Institutionen för nordiska språk vid Stockholms universitet [MINS 35] (1992) 268 pp. #91-86762-34-6 [BM-KOIRANEN]
• Koiranen, Sirpa 268 pp. #91-86762-34-6 [BM-KOIRANEN]|PB [1·REVIEW 2·EUROARTMUS 3·JAZZ 4·POPULARMUS 5·SWEDEN 6·FINLAND 7·VERBAL 8·CLASSES 9·SEMIOTICS 10·DISS. PhD.]

Sprog og lyd i analysen af rockmusiken. Indleveret til forsvaret for ph.g.-graden. Köbenhavn: Musikvidenskabeligt Institut, Köbenhavns Universitet (1997) [BMA4-MICHELS]
• Michelsen, Morten [BMA4-MICHELS]|PB [1·ROCK 2·SOUND 3·VERBAL 4·DISS. PhD. 5·MUSICOLOGY 6·MUSIC EXX. 7·SEMIOTICS]

A Star is Torn. Oxford: Blackwell (1986) 208 pp. [JM-POPUL/RVW]
• Simmonds, Diana 208 pp. [JM-POPUL/RVW]|PB [1·WOMEN 2·JAZZ 3·ROCK 4·MUSICALS 5·BIOGRAPHY] {Joplin, Janis}

Statement on the Political and Economic Situation of Ghana. Accra (1985) 8 pp. [CP757]
• Various 8 pp. [CP757]|UX [1·GHANA 2·W AFRICA 3·POLITICAL 4·MONEY 5·DOCUMENT 6·OPPOSE]

Statens försöksverksamhet med rikskonserter. Stockholm: Accent nr 3 (1971) 114 pp. [BM-KARLSSON]
• Karlsson, Henrik 114 pp. [BM-KARLSSON]|PB [1·GENRES 2·1960S 3·1970S 4·CULTPOLIT. 5·MUS INDUST 6·AESTHETICS]

Statens offentliga utredningar 1972:67. Stockholm: Utbildningsdepartementet (1972) 112 pp. #91-38-01413-0 [BCP-KULTURRA]
• Kulturrådet: Ny kulturpolitik. Del 2: sammanfattning |SV|PB [1·SWEDEN 2·CULTPOLIT. 3·1960S 4·1970S]

Stencilled Occasional Paper, 53. Birmingham: Centre for Contemporary Cultural Studies (1978) [CP453001]
• McRobbie, Angela: Jackie: An Ideology of Adolescent Feminity |EN|PS [1·WOMEN 2·POLITSTUDY 3·YOUTH 4·SEMIOTICS]

Stencilled Papers from Gbg Univ Musicol Dept, 8101. Göteborg: Musikvetenskapliga institutionen (1980) #0349-3407 [CP330001]
• Fornäs, Johan: Karneval, reformation, revolution. En referatmosaik |49|SV|PA [1·EUROPE 2·YOUTH 3·GENRES 4·HISTORY 5·DOCUMENT 6·FESTIVAL 7·CULT.STUDY]

Stencilled Papers from Göteborgs Univ Musicology Dept, 8005. Göteborg: Musikvetenskapliga institutionen (1981) #0349-3407 [CP329]
• Björnberg, Alf; Lilliestam, Lars: Schlagerns Mystik. En analys av musiken i den svenska Eurovisionsschlageruttagningen 1980 (1980) |84|SV|PA [1·SWEDEN 2·SCHLAGER 3·MOR 4·FESTIVAL 5·MUS.ANALYS 6·MUSIC EXX. 7·MELODY 8·HARMONY 9·MUS. FORM 10·LYRICS]

Stencilled Papers from Göteborgs Univ Musicology Dept, 8104. Göteborg: Musikvetenskapliga institutionen (1981) #0349-3407 [CP330/4]
• Björnberg, Alf: Den osannolika konsten. Ett referat av Abraham Moles' bok Information Theory and Esthetic Perception |28|SV|PA [1·STATISTICS 2·SEMIOTICS 3·MATHEMATIC 4·AESTHETICS 5·PERCEIVE 6·]

Stencilled Papers from Göteborgs Univ Musicology Dept, 8112. Göteborg: Musikvetenskapliga institutionen (1981) #0349-3407 [CP330/6]
• Edström, Karl-Olof: Till förståelsen av sång/musik i kulturen |33|SV|PA [1·NEUROLOGY 2·BIOLOGY 3·DEFINE]

Stencilled Papers from Göteborgs Univ Musicology Dept, 8005. Göteborg: Musikvetenskapliga institutionen (1981) #0349-3407 [CP329]
• Fornäs, Johan: Socialisationsteori för Musikvetare (1980) |56|SV|PA [1·SOCIOLOGY 2·GENRES 3·CULT.STUDY 4·YOUTH 5·PSYCHOLOGY 6·BIBLIOGR. 7·DEFINE 8·CHILDREN 9·BRD 10·CAPITALISM]

Stencilled Papers from Göteborgs Univ Musicology Dept, 8102. Göteborg: Musikvetenskapliga institutionen (1981) #0349-3407 [CP330/2]
• Fornäs, Johan: Exemplet Beethoven. Några jämförande referat kring Rudolf Bahros essä |SV|PA [1·EUROPE 2·GERMANY 3·DDR 4·EUROARTMUS 5·CULT.STUDY]

Stencilled Papers from Göteborgs Univ Musicology Dept, 8103. Göteborg: Musikvetenskapliga institutionen (1981) #0349-3407 [CP330/3]
• Fornäs, Johan: Den svenska musikrörelsens organisering |14|SV|PA [1·SWEDEN 2·PROGRESSIV 3·1970S 4·ORGANISE 5·POLITSTUDY]

Stencilled Papers from Göteborgs Univ Musicology Dept, 8104. Göteborg: Musikvetenskapliga institutionen (1981) #0349-3407 [CP330/4]
• Fornäs, Johan: Tältet i pressen. Rapport om tidningarnas recensioner av Tältprojektet - Vi äro tusenden |15|SV|PA [1·SWEDEN 2· 3·PROGRESSIV 4·JOURNALISM 5·REVIEW 6·STATISTICS 7·SOCIOLOGY]

Stencilled Papers from Göteborgs Univ Musicology Dept, 8005. Göteborg: Musikvetenskapliga institutionen (1981) #0349-3407 [CP329]
• Ling, Jan: Hjort Anders' "Twelfth Night March". Stylistical and ideological Change (1978) |10|EN|PA [1·MUSICOLOGY 2·MUSIC EXX. 3·POLITSTUDY 4·SEMIOTICS 5·HARMONY 6·INSTRUMENT 7·MUS.ANALYS 8·SWEDEN 9·RURAL 10·NATIONALSM]

Stencilled Papers from Göteborgs Univ Musicology Dept, 8001. Göteborg: Musikvetenskapliga institutionen (1980) #0349-3407 [CP329/1]
• Ling, Jan: Musiken i samhället |35|SV|PA [1·SOCIOLOGY 2·GENRES 3·AESTHETICS 4·MUSICOLOGY 5·DANCE 6·FOLK MUSIC 7·EUROARTMUS 8·POPULARMUS 9·RELIGION 10·GROUPS]

Stencilled Papers from Göteborgs Univ Musicology Dept, 8107. Göteborg: Musikvetenskapliga institutionen (1981) #0349-3407 [CP330/7]
• Ling, Jan: Adorno och Randgebiet Schweden |16|SV|PA [1·GERMANY 2·SWEDEN 3·PHILOSOPHY 4·EUROARTMUS 5·FOLK MUSIC 6·PERCEIVE]

Stencilled Papers from Göteborgs Univ Musicology Dept, 8005. Göteborg: Musikvetenskapliga institutionen (1981) #0349-3407 [CP329]
• Ling, Jan: Folkmusik - en brygd |23|SV|PA [1·SWEDEN 2·FOLK MUSIC 3·MUSICOLOGY 4·POLITSTUDY 5·DEFINE 6·MUSIC EXX. 7·SOCIOLOGY]

Stencilled Papers from Göteborgs Univ Musicology Dept, 8107. Göteborg: Musikvetenskapliga institutionen (1981) #0349-3407 [CP330/7]
• Ling, Jan: Musikens sociologi |19|SV|PA [1·SOCIOLOGY 2·DEFINE 3·SEMIOTICS 4·AESTHETICS]
• Ling, Jan: Populärmusiken under 1950-talet |18|SV|PA [1·SWEDEN 2·1950S 3·FOLK MUSIC 4·POPULARMUS 5·ROCK 6·AESTHETICS 7·NATIONALSM]

Stencilled Papers from the Gothenburg University Music Dept, 8600. Göteborg: Göteborgs universitet, Musikvetenskapliga inst (1986) [CP327/03]
• Garofalo, Reebee: How Autonomous is Relative? Popular Music, The Social Formation and Cultural Struggle (1) |EN|PS [1·MUS INDUST 2·D.I.Y. 3·OPPOSE 4·AESTHETICS 5·GROUPS 6·POLITSTUDY 7·DEFINE 8·SOCIOLOGY 9·POLITICS]

En stil-analytisk innfallsvinkel til forståelsen av musikken i reklameuttrykket. Trondheim: Musikkvidenskapelig institut, Universitetet i Trondheim (1992) 399+332 pp. [BMA4-KLEMPE]
• Klempe, Hroar 399+332 pp. [BMA4-KLEMPE]|PB [1·ADVERTS 2·MUSICOLOGY 3·MUSIC EXX. 4·SEMIOTICS 5·DEFINE 6·DISS. PhD.] {Coca Cola}

STIM Nytt, 1986/4. Stockholm: STIM (1986) [CPR326/9]
• Anon: Kunden ÄR värd musiken |6-7|SV|PA [1·SWEDEN 2·COPYRIGHT 3·ORGANISE 4·MONEY]
• Anon: Musik till bild |4-5|SV|PA [1·VIDEO 2·COPYRIGHT 3·SCANDINAVI 4·1980S 5·FILM MUSIC]
• Tretow, Michael B: STIMpengar är en jättekick |8-9|SV|PA [1·SWEDEN 2·COPYRIGHT 3·ABBA 4·RECORDING 5·VIDEO 6·1980S]

Stock-Taking of Musical Life. Wien: Doblinger (1981) #3-900035-70-9 [BM-STOCK]
• Axelsen, Doris: Swedish Adolescents and the Phonogram |47-51|EN|PA [1·SWEDEN 2·YOUTH 3·AUDIENCE 4·MUSIC USES 5·STATISTICS]
• Batel, Günther: Mass Media and Contemporary Musical Life ("Funkkolleg Musik") |52-55|EN|PA [1·BRD 2·RADIO 3·EDUCATION 4·1970S 5·GENRES]
• Blaukopf, Kurt: The Mutation of Musical Culture - Statement of the Problem |9-18|EN|PA [1·EUROPE 2·SOCIOLOGY 3·MUS INDUST 4·1970S 5·STATISTICS 6·PHONOGRAM]
• Bontinck, Irmgard; Mark, Desmond, ed.: Sociological Research and its Relevance to Music Education |21-25|IT|PA [1·EUROPE 2·1970S 3·SOCIOLOGY 4·MUSIC EDUC]
• Dienes, Gedeon: The Relevance of Stock-taking and Bibliographical Work to the UNESCO Projects |123-127|EN|PA [1·EUROPE 2·COMPUTERS 3·BIBLIOGR. 4·CULTPOLIT. 5·ORGANISE]
• Elste, Martin: A Plea for Historically Oriented Appreciation of Sound Recordings |56-59|EN|PA [1·EUROARTMUS 2·PHONOGRAM 3·EUROPE 4·RECORDING]
• Etzkorn, K Peter: The Practice of Formal Music in America |79-87|EN|PA [1·USA 2·EUROARTMUS 3·YOUTH 4·STATISTICS 5·1970S 6·1980S]
• Fenger, Pim: Music in Cultural, Educational and Communication Policies in the Netherlands |89-96|EN|PA [1·NETHERLAND 2·CULTPOLIT. 3·EDUCATION]
• Greckel, Wil: Some Musical Realities of Our Time |26-30|EN|PA [1·EUROPE 2·EUROARTMUS 3·POPULARMUS 4·DEFINE 5·AESTHETICS 6·1970S 7·AUSTRIA]
• Grosso Destreri, Luigi del |26-30|EN|PA [1·SOCIOLOGY 2·EUROARTMUS 3·FOLK MUSIC 4·POPULARMUS 5·AESTHETICS 6·METHODOL. 7·DEFINE]
• Illasiewicz, Elzbieta: Polish Composers as a Social Group |60-65|EN|PA [1·POLAND 2·COMPOSERS 3·UNIONS 4·EDUCATION 5·SOCIOLOGY]
• Jost, Ekkehard: Musical Subcultures in Rural Communities of Hessen. Report on a Socio-musicological |66-71|EN|PA [1·BRD 2·RURAL 3·SOCIOLOGY]
• Karlsson, Henrik: Music-sociological Research on Sweden |97-101|EN|PA [1·SOCIOLOGY 2·SWEDEN 3·GÖTEBORG 4·1960S 5·1970S]
• Mark, Desmond: The Music School System in Austria |72-76|EN|PA [1·AUSTRIA 2·MUSIC EDUC 3·CULTPOLIT. 4·ORGANISE]
• Mark, Desmond, ed. |72-76|EN|PB [1·ANTHOLOGY 2·SOCIOLOGY 3·STATISTICS 4·EUROPE 5·USA 6·EDUCATION]
• Ostleitner, Elena: The Sociography of Cultural Life in Austria |31-39|EN|PA [1·AUSTRIA 2·SOCIOLOGY]
• Pint, Ingeborg: Stock-taking of Musical Life - Publications Related to the Project |128-130|EN|PA [1·SOCIOLOGY 2·BIBLIOGR.]
• Sagi, Mária: Musical Life - Structures and Changes in the Seventies. A bibliographical Survey |102-104|EN|PA [1·HUNGARY 2·AUSTRIA 3·EDUCATION 4·CULTPOLIT.]
• Tapper, Karl-Herman: Regional Music Policy in Sweden. Problems and Projects |104-107|EN|PA [1·SWEDEN 2·ADMINISTR. 3·CULTPOLIT.]
• Taylor, Dorothy: Trends and Developments in Music Education - A British Perspective |108-120|EN|PA [1·UK 2·MUSIC EDUC]
• Vitanyi, Ivan: Music Sociology and Music Education |40-44|EN|PA [1·HUNGARY 2·SOCIOLOGY]

Stöd till kolgruvarbetarna i Storbritannien. Göteborg: typescript (1984) 1 pp. [CP755080]
• Tagg, Philip 1 pp. [CP755080]|UX [1·UK 2·POLITICAL 3·SWEDEN 4·UNIONS 5·WORK]

Stora dragspelsboken. Stockholm: Lindqvist förlag (1976) 127 pp. #91-7090-283-6 [BM-NAHLBOM]
• Nahlbom, Stig; Walter, Andrew 127 pp. #91-7090-283-6 [BM-NAHLBOM]|PB [1·SWEDEN 2·INSTRUMENT 3·HISTORY 4·ILL. 5·ACCORDION]

Una storia della musica. Artisti e pubblico in occidente dal medioevo ai giorni nostri. Milano: Bibliotecca Universale Rizzoli (1998) 785 pp. #88-17-11826-5 [BM-MONTECCHI]
• Montecchi, Giordano 785 pp. #88-17-11826-5 [BM-MONTECCHI]|PB [1·HISTORY 2·EUROARTMUS]

The Story of Pop. London: Phoebus/Octopus (1974) 253 pp. #0-7064-0409-2 [BMA4-STORY]
• Pascal, Jeremy 253 pp. #0-7064-0409-2 [BMA4-STORY]|PB [1·ROCK 2·UK 3·USA 4·MUSICIANS 5·BIOGRAPHY 6·ILL.]

The Story of the Blues. London: Penguin (1972) Ill. 176. pp. #0-14-00-3509-5 [BMA4-OLIVER]
• Oliver, Paul Ill. 176. pp. #0-14-00-3509-5 [BMA4-OLIVER]|PB [1·BLUES 2·USA 3·RURAL]

Strains of Utopia. Gender, Nostalgia and Hollywood Film Music. Princeton: Princeton University Press (1992) 195 pp. #0-691-00619-9 [BM-FLINN]
• Flinn, Caryl 195 pp. #0-691-00619-9 [BM-FLINN]|PB [1·FILM MUSIC 2·SEX/GENDER 3·HOLLYWOOD 4·POLITSTUDY]

Strelnikoff: Censorship in Contemporary Slovenia. Philadelphia: Temple University Press (2003) #1-56639-990-4 [BM-CLOONAN]
• Parvo, David #1-56639-990-4 [BM-CLOONAN]|PA [1·CENSORSHIP 2·SLOVENIA]

The Structure of the Popular Music Industry. The filtering process by which records are preselected for public consumption. Ann Arbor: Institute for Social Research (1969) ii+72 pp. #0-87944068-6 [BM-HIRSCH]
• Hirsch, Paul M ii+72 pp. #0-87944068-6 [BM-HIRSCH]|PB [1·MUS INDUST 2·PHONOGRAM 3·USA 4·MONEY 5·1960S]

Studia Musicologica Academiae Scientiarum Hungaricae, 24. Budapest: Zenetudomani Intézet (1982) [CP757]
• Maróthy, János: Kojak - reviewed |255-256|EN|PA [1·PT 2·REVIEW 3·KOJAK]

Studia Musicologica Academiae Scientiarum Hungaricae, 21. Budapest: Akadémiai Kiadó (1979) [CL003-102]
• Prato, Paolo: Musica e forme di socialità giovanile |295-308|IT|PA [1·YOUTH 2·ROCK 3·CULT.STUDY 4·SOCIOLOGY 5·MASS MEDIA 6·TECHNOLOGY]

Studia Musicologica Norvegica, 87/13. Oslo (1987) [BM-LEDANG]
• Ledang, Ola Kai: Europeisk barokkmusikk i koloniperspektiv = European Baroque Music from a Colonial Perspective |45-81|NO|PA [1·PORTUGAL 2·SPAIN 3·W AFRICA 4·EUROPE 5·BAROQUE 6·L AMERICA 7·MUSICOLOGY 8·MUSIC EXX. 9·INSTRUMENT 10·N AMERICA] {AFRO-AMERICAN}

En studie i Cantus Sororum - hymnerna och deras melodier. Uppsala: Musikvetenskap (1986) 13 pp. [CP824228-242]
• Nilsson, Anne-Marie 13 pp. [CP824228-242]|UX [1·MEDIEVAL 2·RELIGION 3·SWEDEN]

En studie i Saronkyrkans ungdomsmusik. Göteborg: Göteborgs universitet, Musikvetenskapliga institutionen (1985) [CPR326/6]
• Pierson, Steve; Bergendahl, Sven [CPR326/6]|US [1·GÖTEBORG 2·SWEDEN 3·RELIGION 4·YOUTH 5·ROCK 6·GOSPEL 7·Stud.Proj. 8·1980S]

Studieplan för forskarutbildning i musikvetenskap - alternativ konstnärlig och kreativ linje vid Universitetet i Göteborg. Göteborg: Avdelning för Musikvetenskap (1977) [CP823-316]
• Ling, Jan [CP823-316]|UX [1·MUSIC EDUC 2·DOCUMENT 3·UNIVERSITY 4·RESEARCH 5·1980S 6·PERFORM 7·COMPOSE]

Studier i hverdagsmusikkens sociologi. Teori, empiri og analyse (2 vols). Aarhus: PubliMus (1981) 439 pp. #87-87531-31-3 [BM-DRUUD]
• Druud-Nielsen, Per 439 pp. #87-87531-31-3 [BM-DRUUD]|PB [1·SOCIOLOGY 2·EVERYDAY 3·DENMARK 4·MASS MEDIA 5·DEFINE 6·STATISTICS 7·MUSIC EXX. 8·GENRES 9·COMMUNITY]

Studier i hverdagsmusikkens sociologi. Teori, empiri og analyse. 2 vols. Århus: PubliMus (1981) 439 pp. [BM-DRUUD NIE]
• Druud-Nielsen, Per 439 pp. [BM-DRUUD NIE]|PB [1·MUSICOLOGY 2·SOCIOLOGY 3·MASS MEDIA 4·MUS INDUST 5·DENMARK 6·AUDIENCE 7·STATISTICS 8·POLITSTUDY 9·EVERYDAY 10·LEISURE]

Studies from Gothenburg University Dept Musicology, 12. Göteborg: Musikvetenskapliga Institution (1986) 274 pp. #91-85974-04-8 [BM-DAHLSTEDT]
• Dahlstedt, Sten: Fakta och förnuft. Svensk akademisk musikforskning 1909-1941 |SV|PB [1·SWEDEN 2·MUSICOLOGY 3·AESTHETICS 4·PHILOSOPHY 5·HISTORY 6·C20 7·POLITSTUDY 8·Gbg.Mvet.]

Studies in Cinema, 38. Ann Arbor (MI): University Microfilms International (UMI) (1985) #0-8357-1709-7 [BM-HERMANN]
• Bruce, Graham D: Bernard Herrmann: film music and narrative Revision of author's Ph.D. thesis, New York (1982) |248|EN|PA [1·HOLLYWOOD 2·FILM 3·FILM MUSIC 4·COMPOSE 5·ORCHESTRAL 6·HARMONY 7·MUSIC EXX. 8·MUS.ANALYS 9·DISCOGR.] {HERRMANN B; VERTIGO; OBSESSION; PSYCHO; MURDER}

Studies in Entertainment: Critical Approaches to Mass Culture. Bloomington: Indiana University Press (1987) 210 pp. #0-85170-296-1 [JM-POPULAR]
• Modleski, Tania 210 pp. #0-85170-296-1 [JM-POPULAR]|PB [1·ENTERTAIN 2·SOCIOLOGY 3·POLITSTUDY] {ADORNO}

Studium, 15-16 (Nr 1-2, 1999). Dwumiesie<,cznik Literacko-artystyczny. Krakow: Ml#1425-1574 [JM-STUDIUM]
• Tagg, Philip; Socha, Ireneusz, trans.: Od refrenu do rave'u: pomniesjazanie figury i uwydatnianie tl|208-236|PO|PA

Subway nº2, Estate 1987. (1987) [CP823-150]
• Prato, Paolo: On Interstate 10: automobili, autostrade e autocarri nel nuovo cinema americano |54-57|EN|PA [1·TRAVEL 2·USA]

Sufi Music of India and Pakistan: Sound, Context and Meaning. Cambridge: Cambridge University Press (1986) 233+cass. pp. [JM-POPULAR]
• Qureshi, Regula Burckhardt 233+cass. pp. [JM-POPULAR]|PB [1·ANTHROPOL. 2·INDIA 3·PAKISTAN 4·POETRY 5·ISLAM 6·RITUAL 7·PERFORM 8·METHODOL.] {SAMA`}

Sumlen. Årsbok för vis- och folkmusikforskning. Stockholm (1978) #0346-8119 [CP306244]
• Ling, Jan: "O tysta ensamhet". Från känslosam still till hembygdsnostalgi |40-58|SV|PA [1·MUSICOLOGY 2·MUSIC EXX. 3·POLITSTUDY 4·SEMIOTICS 5·HARMONY 6·INSTRUMENT 7·MUS.ANALYS 8·SWEDEN 9·RURAL 10·NATIONALSM] {HEMMINGSSON M; SCHLAGER}

Sun City - Lyrics and Booklet. Trenton, NJ: Africa World Press, Inc (1985) [CP823-036]
• Zandt, Little Stevie van [CP823-036]|PX

Suomen antropologi, 1983/4. Helsinki: Suomen Antropologinen Seura (1983) [BM-SUOMEN]
• Donner, Philip: The Frame of Reference of Music - Two Realities |184-197|EN|PA [1·MUSICOLOGY 2·ANTHROPOL. 3·FINLAND 4·INSTRUMENT 5·SKILLS 6·AESTHETICS 7·MUSIC EXX. 8·TANZANIA 9·E AFRICA 10·DEFINE]
• Korhonen, Teppo: On the Metamorphosis of the Ob-Ugrian Arched Harp (1984) |224-233|EN|PA [1·FINLAND 2·USSR 3·CHINA 4·INSTRUMENT 5·ANTHROPOL. 6·ILL.]
• Kurkela, Vesa: Worker's Music in a Finnish Industrial Town |218-223|EN|PA [1·FINLAND 2·1970S 3·URBAN 4·FOLK MUSIC 5·DANCE 6·MUS INDUST 7·GENRES 8·STATISTICS 9·SOCIOLOGY 10·WORKERS]
• Leisiö, Timo: Surface and Deep Structure in Music - An Expedition into Finnish Music Culture |198-208|EN|PA [1·FINLAND 2·ANTHROPOL. 3·FOLK MUSIC 4·POPULARMUS 5·DEFINE 6·AESTHETICS 7·GENRES 8·SOCIOLOGY]
• Pekkilä, Erkki: "Musiikki" and "Kappalevalikoima": Aspects of the Ethno-theory of a Finnish Folk Musician |209-217|EN|PA [1·FINLAND 2·DEFINE 3·PHILOSOPHY 4·FOLK MUSIC 5·POPULARMUS 6·MUSIC USES]
• Similä, Jussi: Suavecito - Verbal Improvisation in Cuban Son Singing |244-149|EN|PA [1·VOICE 2·SSONGWRITR 3·CUBA 4·SKILLS 5·LYRICS 6·PERFORM 7·1960S 8·1970S]
• Tarasti, Eero: Reflections on the Logic of Musical Discourse |242-244|EN|PA [1·SEMIOTICS 2·DEFINE 3·MUSICOLOGY]

Suomen etnomusikologisen seuran julkaisuja, 3. Jyväskylä: Gummerus Kirjapaino OY (1989) 441 pp. #951-96171-1-6 [BM-KURKELA]
• Kurkela, Vesa: Musiikifolklorismi ja järjestökulttuuri. Kansanmusiikin ideologinen ja taiteellinen hyödyntäminen suomalaisissa musiiki- ja nuorisojärjestöissä Musical Folklorism and Organisation Culture: The ideological and artistic utilisation of folk music in Finnish musical and youth organisations. English summary (pp.394-414) by Jyri Kokkonen |SF|PB [1·FINLAND 2·C19 3·C20 4·FOLK MUSIC 5·ANTHROPOL. 6·NATIONALSM 7·YOUTH 8·ORGANISE 9·MYTHOLOGY 10·IDEALISM] {IDENTITY; IDEOLOGY}

Suoni d'artificio: strumenti nuovi e nuovi gesti. unpublished typescript, April 1988 (1988) [CP822-026]
• Fabbri, Franco [CP822-026]|UX [1·SYNTHS 2·BODY 3·GESTURES 4·PERFORM]

Il suono di chi? Popular Music e Tecnologia. Milano: typescript (1984) 12 pp. [CP324047]
• Fabbri, Franco 12 pp. [CP324047]|UX [1·RECORDING 2·INSTRUMENT 3·ELECTRONIC 4·AESTHETICS 5·TECHNOLOGY]

Il suono in cui viviamo. Second edition publ by ArcanaMusica (Roma), 260 pp., 2002, ISBN 88-7966-278-3. Milano: Feltrinelli (1996) 199 pp. #88-07-81377-7 [BM-FABBRI]
• Fabbri, Franco 199 pp. #88-07-81377-7 [BM-FABBRI]|PB [1·ITALY 2·GENRES 3·IDEOLOGY 4·MUS.ANALYS 5·MUSICOLOGY 6·IDEOLOGY 7·MUSIC EXX. 8·BEATLES 9·MUS. FORM]

Il suono in cui viviamo. 2nd edition; 1st ed reviewed in Musica/Realtà 50 by Roberto Favoro (pp. 163-168); by Tony Mitchell in Popular Music 16/3:315-316. Roma: Arcana (2002) 260 pp. #88-7966-278-3 [BM-FABBRI]
• Fabbri, Franco 260 pp. #88-7966-278-3 [BM-FABBRI]|PB [1·ITALY 2·GENRES 3·IDEOLOGY 4·MUS.ANALYS 5·MUSICOLOGY 6·IDEOLOGY 7·MUSIC EXX. 8·BEATLES 9·MUS. FORM]

Surveys from Exile. London: Penguin (1973) 375 pp. #0-14-02-1603-0 [BCP-MARX]
• Marx, Karl 375 pp. #0-14-02-1603-0 [BCP-MARX]|PB [1·POLITICS 2·SOCIALISM 3·MONEY]

Suzi Quatro. London: Futura (1976) 142 pp. #0-8600-7270-3 [BM-QUATRO]
• Mander, Margaret 142 pp. #0-8600-7270-3 [BM-QUATRO]|PB [1·UK 2·ROCK 3·WOMEN 4·1960S 5·1970S 6·BIOGRAPHY 7·USA 8·SEX/GENDER 9·HEAVYMETAL 10·ILL.]

Svenska akustiska grammofoninspelningar 1903-28. Stockholm: Arkivet för ljud och bild (Svenska diskografier 3) (1987) 789 pp. [BCP-BURKE]
• Liliedahl, Karleric 789 pp. [BCP-BURKE]|PB [1·DISCOGR. 2·SWEDEN 3·1900-1909 4·1910S 5·1920S]

Svensk folkmusik. Stockholm: Prisma (1964) 150 pp. [BM-LING]
• Ling, Jan 150 pp. [BM-LING]|PB [1·SWEDEN 2·FOLK MUSIC 3·INSTRUMENT 4·MUSICIANS 5·AUDIENCE 6·HISTORY 7·GENRES 8·MUSIC EXX. 9·ILL.]

Svenskhet i musiken. Stockholm: Skrifter från Musikvetenskapliga institutionen nr 7 (1993) #91-972063 [BM-SVENSKHET]
• : Svenska musikutredningar efter 1950 (1981) |106-108|SV|PA
• Andersson, Greger: 'Och i parken konserterar' ... Ett bidrag till frågan om blåsmusikens nationalkaraktär |22-30|SV|PA
• Andersson, Joakim; Brolinsson, Per-Erik: Några hypoteser kring harmonikens roll i svensk nationalromantik |31-43|SV|PA
• Bucht, Gunnar: Den svenska sången? Kring andra satsen ur Lidholms 'Toccata e canto' |44-48|SV|PA
• Edström, Olle: Den svenska schlagerns förfall -- fallet svensk vals |49-67|SV|PA
• Gabrielsson, Alf: Kan man undersöka 'svenskhet' i musiken på empirisk väg? |68-73|SV|PA
• Hedwall, Lennart: Ställ flaggan så att jag ser den! En annorlunda aspekt på Hugo Alfvén's svenskhet |74-87|SV|PA
• Jonsson, Leif: Enkelhetens evangelium i 1800-talets svenska vokalestetik |88-95|SV|PA
• Karlsson, Henrik: 'I korpungar små' ... Svenskt musikliv från bönhus till bidragsbehov |96-105|SV|PA
• Larsen, Holger: Företal |7-8|SV|PA
• Larsen, Holger; Larsen, Holger, ed.: I sökandet efter en svensk musikalisk mentalitet |9-21|SV|PA
• Lilliestam, Lars: Svensk musik -- musik och svenskhet. Ett kulturanalytiskt perspektiv |109-122|SV|PA
• Reimers, Lennart: Finns det ett svenskt kör-sound? |123-136|SV|PA
• Tegen, Martin: Sex sorters nationalism i nordisk musik |137-145|SV|PA

Svensk populärmusik. Visor, barnvisor, schlager, underhållningsmusik, jazz. Supplement 1967-69. Stockholm: STIM (1982) 79 pp. [BMA4-SVENSK]
• Haslum, Bengt, ed.; Haslum, M, ed. 79 pp. [BMA4-SVENSK]|PB [1·SWEDEN 2·JAZZ 3·SCHLAGER 4·ROCK 5·LEISURE 6·COPYRIGHT 7·CATALOGUE]

Svensk populärmusik. Visor, barnvisor, schlager, underhållningsmusik, jazz. Stockholm: STIM (1982) 300 pp. [BMA4-SVENSK]
• Haslum, Bengt, ed.; Haslum, M, ed. 300 pp. [BMA4-SVENSK]|PB [1·SWEDEN 2·JAZZ 3·SCHLAGER 4·ROCK 5·LEISURE 6·COPYRIGHT 7·CATALOGUE]

Svensk Tidskrift för Musikforskning, 54. Stockholm: (1972) [CP213123-139]
• Sundberg, Johann: Naturvetenskaplig metodik i musikforskning |103-114|SV|PA
• Wedin, Lage: Multidimensional Scaling of Emotional Expression in Music |115-131|EN|PA [1·SEMIOTICS 2·PERCEIVE 3·AFFECT 4·STATISTICS 5·PSYCHOLOGY 6·MUSICOLOGY 7·DEFINE]

Svensktoppen 1962-1974. Vara: Dominique Muzic-Club (1975) 48 pp. [BMR]
• Johansson, Carl-Owe (?) 48 pp. [BMR]|PB [1·SWEDEN 2·EUROPE 3·MOR 4·SCHLAGER 5·CHARTS 6·CATALOGUE 7·HISTORY]

Sverige - vardag och kultur. Stockholm: Nordstedts (1988) [CL003-001]
• Löfgren, Orvar: Vardagskultur och livsform |55-82|SV|PA [1·SWEDEN 2·ANTHROPOL.]

Sweeping the Blues Away. A Celebration of the Merseysippi Jazz Band. Liverpool: IPM (2002) #1-8988060-3-9 [BM-LEIGH]
• Leigh, Spencer #1-8988060-3-9 [BM-LEIGH]|PB [1·LIVERPOOL 2·JAZZ 3·HISTORY 4·ILL.]

Sweet Saturday Night. Pop Song 1840-1920. London: Macgibbon and Kee (1967) 160 pp. [BM-MABEY]
• Macinnes, Colin 160 pp. [BM-MABEY]|PB [1·MUSIC HALL 2·LEISURE 3·ENTERTAIN 4·LYRICS 5·UK 6·C19 7·1900-1909 8·1910S 9·ROCK 10·WORKERS]

Sygdomen til döden. Köbenhavn: Gyldendal. 1publ 1849 (1964) 132 pp. [PT-BCP]
• Kierkegaard, Sören 132 pp. [PT-BCP]|PB [1·RELIGION 2·PHILOSOPHY]

Syllabuses. Ottawa: Carleton University Music Department (1985) [CP124]
• Anon [CP124]|US [1·DOCUMENT 2·MUSIC EDUC]

Sympraxis. Semiotics, Aesthetics and Consumer Participation. Mannheim: Paper delivered at First International Conference on Marketing and Semiotics: `New Directions in the Study of Signs for Sale', July 10-12, 1986 (1986) [CL003-240]
• Kloepfer, Rolf [CL003-240]|UX [1·SEMIOTICS 2·ADVERTS 3·CONSUME]

Synopses for Rock Arrangement, Jingle Writing, Demos, C&W. Northbridge (MA): private (1984) [CP193152]
• Rose, Bob [CP193152]|US [1·ARRANGE 2·PRODUCERS 3·ADVERTS 4·C&W 5·RECORDING 6·SKILLS 7·EDUCATION]

Synopsis of paper on semiotics of Beatles. Oslo: Private (1985) [CP193102]
• Ringås, Johs [CP193102]|US [1·NORWAY 2·UK 3·SEMIOTICS 4·LITERATURE]

Synthesizer. En bok om elektroniska musikinstrument. Stockholm: Akademiförlaget (1986) 90 pp. #91-24-16214-0 [BM-LEYMAN]
• Leyman, Johannes 90 pp. #91-24-16214-0 [BM-LEYMAN]|PB [1·SYNTHS 2·ELECTRONIC 3·COMPOSE 4·MUSIC MAKE 5·RECORDING 6·SKILLS 7·INSTRUMENT 8·MUSIC EXX. 9·COMPUTERS 10·ILL.]

Taistojen tiellä soiteltin ja soiton tahdissa tanssittiin. Helsinki: Työväenenmusiikki-institutti (1983) 336 pp. #951-95603-1-9 [BM-KURKELA]
• Kurkela, Vesa 336 pp. #951-95603-1-9 [BM-KURKELA]|PB [1·FINLAND 2·SOCIOLOGY 3·REPORT 4·DANCE 5·WORKERS]

A Tale of Two Cities. Memphis Rock and New Orleans Roll. Brooklyn: Institute for Studies in American Music (1979) 37 pp. [BM-PALMER]
• Palmer, Robert 37 pp. [BM-PALMER]|PB [1·USA 2·ROCK 3·1950S 4·HISTORY 5·FANS]

Tales sur la pointe des pieds. Montréal: Press Porcépic (1972) 79 pp. #0-88878-004-4 [BM-VIGNEAULT]
• Vigneault, Gilles 79 pp. #0-88878-004-4 [BM-VIGNEAULT]|PB [1·CANADA 2·QUÉBEC 3·POETRY 4·LITERATURE]

La del taller, 1985/4. Montevideo: Talleres latinoamericanos de musica popular (1986) [JM-TALLER]
• Masliah, Leo: Comentarios sobre el artículo "Bien cantado y bien amado" |27-28|SP|PA [1·DRAMA 2·COMPOSE 3·LYRICS 4·AESTHETICS]
• Nieto, Alfonso: ¿Salsa o son montuno? |12-15|SP|PA [1·CUBA 2·CARIBBEAN 3·USA]
• Oliart, Patricia; Llorens, José: Perú: la nueva canción |4-11|SP|PA [1·PERU 2·L AMERICA 3·PROGRESSIV 4·ORGANISE 5·1970S 6·1980S]
• Trochon, Luís: Música para niños |1-2|SP|PA [1·CHILDREN 2·YOUTH 3· 4·MUSIC EDUC 5·MUSIC MAKE]
• Trochon, Luís: Tercer taller latinoamericano de música popular |3-4|SP|PA [1·CONFERENCE 2·REVIEW 3·DOCUMENT 4·L AMERICA]
• Zobl, Wilhelm: Música nueva a comienzos del '80 |16-18|SP|PA [1·MOD.CLASS. 2·POLITSTUDY]

La del taller, 5/6 (1986). Montivedeo: Talleres latinoamericanos de música popular (1986) [JM-TALLER]
• Andacht, Fernando: ¿Qué sentido tiene la canción? |13-21|SP|PA [1·SEMIOTICS 2·SSONGWRITR 3·L AMERICA]
• Bonaldi, Jorge: Reflexiones surtidas (a cuenta de mayor cantidad) |23-25|SP|PA [1·POLITICAL 2·SSONGWRITR 3·L AMERICA 4·CAPITALISM]
• Curto, Daniel: Poliacordeol grageas |10-12|SP|PA [1·GUITAR 2·HARMONY 3·EDUC ITEM]
• Olivera, Rubén: La canción política |2-9|SP|PA [1·POLITICAL 2·L AMERICA 3·DEFINE 4·LYRICS 5·IMPERIALSM 6·AFFECT]
• Paraskevaidis, Graciela: Acerca de las mujeres que, ademés de ser mujeres, componen |33-36|SP|PA [1·WOMEN 2·COMPOSE 3·EUROARTMUS 4·L AMERICA]
• Plassaras, Juan: Lubolos |25-29|SP|PA [1·L AMERICA 2·FESTIVAL 3·URUGUAY 4·MUSICOLOGY]
• Prudencio, Cergio: La música contemporánea y el público en América Latina |29-32|SP|PA [1·MOD.CLASS. 2·EUROPE 3·L AMERICA 4·EDUCATION 5·POLITSTUDY 6·POPULARMUS]

La del taller, 7. Rosario: (1986) [JM-DEL]
• Andacht, Fernando: El canto popular: su público, su crisis |28-36|SP|PA [1·URUGUAY 2·ARGENTINA 3·CUBA 4·SSONGWRITR 5·CULTPOLIT. 6·LYRICS] {NEUVA TROVA; CANTO POPULAR}
• Benedictis, Hector: Editorial "primeras palabras" |1|SP|PA [1·L AMERICA 2·CULTPOLIT.]
• Busto, José Luís García del: Entrevista |16-17|SP|PA [1·CUBA 2·CULTPOLIT.]
• Feliu, Santiago; Varela, Carlos; Nicola, Noél: Entrevista |18-20|SP|PA [1·L AMERICA] {NUEVA TROVA}
• Leon, Argeliers: Entrevista |23-26|SP|PA [1·CUBA 2·MUSICOLOGY 3·CULTPOLIT. 4·MUSIC EDUC 5·MOD.CLASS. 6·INTERVIEW]
• Rabe, Folke: Medios técnicos, música y sociedad |7-10|SP|PA [1·SWEDEN 2·MEDIA IND. 3·MASS MEDIA 4·MUSIC EDUC 5·EUROARTMUS]
• Sandoval, Arturo: Entrevista |12-15|SP|PA [1·CUBA 2·JAZZ 3·INTERVIEW] {IKAKERE}
• Yupanqui, Atahualpa; Viglietti, Daniel; Masliah, Leo: Guitarristas y guitarreros - Entrevistas |3-6|SP|PA [1·ARGENTINA 2·URUGUAY 3·GUITAR]

La del taller, 8/9. Rosario: Talleres latinoamericanos de música popular (1988) [JM-DEL]
• Abonizio, Adrián: La armonía de vivir |60|SP|PA [1·LITERATURE]
• Aretz, Isabel: Musicología: Estudiar el passado |21-24|SP|PA [1·L AMERICA 2·MUSICOLOGY 3·FOLK MUSIC 4·EUROARTMUS 5·POPULARMUS 6·INTERVIEW]
• Benedetti, Mario: La expresión |64|SP|PA [1·LITERATURE]
• Benedictis, Héctor de: Sintetizadores: una visión |1-4|SP|PA [1·EUROARTMUS 2·ROCK 3·SYNTHS] {VARESE Edgar}
• Camps, Sibila: Regionalismo en la Argentina |47-52|SP|PA [1·SSONGWRITR 2·ARGENTINA 3·REGIONALSM] {SOSA Mercedes; NUEVA CANCION}
• Duran, Jesús: En las concavidades acerca de la música popular tradicional boliviana |61-63|SP|PA [1·SSONGWRITR 2·BOLIVIA 3·FOLK MUSIC 4·GENRES 5·EDUCATION 6·IDEALISM]
• Gismonti, Egberto: Un artista en la gran ensalada |32-38|SP|PA [1·BRAZIL 2·MUS INDUST 3·SYNTHS 4·POLITICS 5·CULTPOLIT.]
• Gonzalez, Lucho: Pequeña crónica de una señora con vida |57-59|SP|PA [1·PERU 2·EUROARTMUS 3·CRITIQUE]
• Guzman, García: La canción popular: Esa cadencia me nace del alma |11-14|SP|PA [1·BOLIVIA 2·L AMERICA 3·FOLK MUSIC 4·POPULARMUS 5·BEHAVIOUR 6·POLITSTUDY]
• Jardim, Antonio: Educacción musical y liberalismo |25-31|SP|PA [1·BRAZIL 2·EDUCATION 3·CULTPOLIT.]
• Miralles, Ricardo: Reportaje |53-56|SP|PA [1·ARGENTINA 2·MUSICIANS 3·SSONGWRITR 4·FOLK MUSIC 5·INTERVIEW 6·PHONOGRAM 7·BIOGRAPHY]
• Pascoal, Hermeto: Un beso de Papá Noël |43-46|SP|PA [1·BRAZIL 2·INTERVIEW 3·EDUCATION 4·INSTITUTNS]
• Pinto, Guilherme de Alencar: Música en el bolsillo |39-42|SP|PA [1·BRAZIL 2·BANDS 3·MUSICIANS 4·1970S 5·1980S] {RIO DE JANEIRO}
• Prudencio, Cergio: Insonancias, una visión crítica de la música culta en Bolivia |15-20|SP|PA [1·BOLIVIA 2·EUROARTMUS 3·CRITIQUE 4·POPULARMUS]
• Salton, Ricardo: Musicologia: panorama de la actividad musicológica en la Argentina |7-10|SP|PA [1·ARGENTINA 2·MUSICOLOGY 3·REPORT 4·FOLK MUSIC 5·POPULARMUS]
• Trochon, Luís: El quehacer musical: Te amo |5-6|SP|PA [1·MUSIC MAKE 2·L AMERICA]

Tältet - The Tent. Stockholm: Hagafilm (1978) [CP322093]
• Various [CP322093]|PS [1·SWEDEN 2·PROGRESSIV 3·DOCUMENT]

Tältprojektet. Musikteater som manifestation. Göteborg: Srifter från Musikvetenskapliga institutionen, 10 (1985) 360 pp. #91-7868-018-2 [BMA4-FORN[S]
• Fornäs, Johan 360 pp. #91-7868-018-2 [BMA4-FORN[S]|PB [1·SWEDEN 2·PROGRESSIV 3·OPPOSE 4·COMMUNITY 5· 6·ROCK 7·JAZZ 8·DRAMA 9·1970S 10·DISS. PhD.]

Tanhuten Valistukseen. Helsinki: Työväenmusiikki-instituuti (1986) 213 pp. #951-95603-4-3 [BM-KURKELA]
• Kurkela, Vesa 213 pp. #951-95603-4-3 [BM-KURKELA]|PB [1·FINLAND 2·FOLK MUSIC 3·EDUCATION 4·INNOVATE 5·WORKERS 6·SOCIALISM 7·POLITSTUDY 8·ORGANISE]

Tænk, 1983/3. Köbenhavn: Tænk (1983) [CP322012]
• Sepstrup, Preben: Sat'erne er over os |3-11|DK|PA [1·TECHNOLOGY 2·MASS MEDIA 3·MEDIA IND. 4·IMPERIALSM 5·DENMARK 6·INTERNATNL]

Tchaïkovsky. London: Duckworth (1944) 144 pp. [BM-TCHAIKOV]
• Abraham, Gerald 144 pp. [BM-TCHAIKOV]|PB [1·RUSSIA 2·1850-1899 3·ROMANTIC 4·EUROARTMUS 5·BIOGRAPHY]

Teaching Rock 'n' Roll as Social History: Materials and Methodologies (synopsis). Tucson: University of Arizona, Dept of History (1985) 1 pp. [CP193133]
• Anderson, Kent 1 pp. [CP193133]|UX [1·HISTORY 2·ROCK 3·USA 4·EDUCATION]

The Technique of Film Music. 2nd ed., New York: Hastings House, 1975.. London & New York: Focal Press (1974) 310 pp. #0-240-50848-3 [BM-MANVELL]
• Manvell, Roger; Huntley, John; Arnell, Richard; Day, Peter 310 pp. #0-240-50848-3 [BM-MANVELL]|PB [1·FILM MUSIC 2·ILL. 3·HISTORY 4·MUSIC EXX. 5·COMPOSE]

A Technological History of Motion Pictures and Television. Berkeley: University of California Press (1967) 255 pp. #0-520-03981-5 [BMA4-FIELD]
• Fielding, Raymond 255 pp. #0-520-03981-5 [BMA4-FIELD]|PB [1·REC.ENGINR 2·RECORDING 3·FILM 4·SOUND 5·FILM MUSIC 6·HOLLYWOOD 7·HISTORY]

Techno-Trance. Una rivoluzione di fine millenio. Roma: Castelvecchi (1998) #88-8210-067-7 [BM-SALVATORE]
• Agostini, Roberto: Techno ed esperienza ambientale. Stratificazione, circolarità e flusso |45-68|IT|PA
• Arcangelo, Dino D'; Pacoda, Pierfrancesco: Cronache di un decennio techno (1988-1998) |19-32|IT|PA
• Doninicis, Marco De: Sonni furiosi. I ravers tornano a casa |69-92|IT|PA
• Guerra Lisi, Stefania: Musicavernoteca. Dalla caverna al rave |93-102|IT|PA
• Lapassade, Georges: Discoteche e rave parties. La questione della «trance» |103-110|IT|PA
• Pacoda, Pierfrancesco: Techno-music. Una storia |33-44|IT|PA
• Salvatore, Gianfranco: Dea ex machina. La trance, i rave e il «bisogno di trascendenza» |111-126|IT|PA
• Salvatore, Gianfranco; Salvatore, Gianfranco, ed.: Introduzione |489-18|IT|PA

De Telegraaf, 1979-10-16. Amsterdam: De Telgraaf (1979) [CP 319006]
• Charts, (NL): Amerika, Nederlandse Top 40, Nationale Hitparade, TROS, Engeland, Elpee, Duitsland |NL|PA [1·CHARTS 2·NETHERLAND 3·UK 4·USA 5·BRD 6·1970S]

Television in Transition. Papers from the First International TV Studies Conference. London: British Film Institute (1985) 8+280 pp. #0-85170-182-5 [BM-DRUMMOND]
• Drummond, Phillip, ed.; Paterson, Richard, ed. 8+280 pp. #0-85170-182-5 [BM-DRUMMOND]|PB [1·FILM 2·TELEVISION 3·CONFERENCE 4·REPORT 5·VIS. ARTS 6·POLITSTUDY 7·INTERNATNL 8·CULTPOLIT. 9·COMMUNTHEO 10·SEMIOTICS]

Television Music: The Intended and Interpreted Meanings. Partial fulfillment of MA Thesis. Carbondale: Department of Radio-Television, Graduate School, Southern Illinois University (1994) [BMA4-FRY]
• Fry, Janice L [BMA4-FRY]|UX [1·STATISTICS 2·MUSIC EXX. 3·MUSIC EXX. 4·INTERVIEW 5·SEMIOTICS 6·PERCEIVE 7·COMPOSE 8·TELEVISION 9·FILM MUSIC]

Television Mythologies: Stars, Shows and Signs. London: Comedia (1984) 140 pp. #0-906-890-56-X [BCP-MASTERMA]
• Masterman, Len, ed. 140 pp. #0-906-890-56-X [BCP-MASTERMA]|PB [1·1980S 2·UK 3·USA 4·TELEVISION 5·MASS MEDIA 6·RITUAL 7·SEMIOTICS 8·FILM 9·SOCIOLOGY 10·VIS. ARTS]

Television Mythologies: Stars, Shows and Signs. London: Comedia (1984) #0-906-890-56-X [BCP-MASTERMA]
• McArthur, Colin: TV Commercials: Moving Statues and Old Movies |63-66|EN|PA [1·TELEVISION 2·UK 3·1980S 4·ADVERTS 5·FILM 6·VIS. ARTS 7·ARCHITECT. 8·MYTHOLOGY]
• Myers, Kathy: Television Previewers: No Critical Comment |132-138|EN|PA [1·UK 2·TELEVISION 3·1980S 4·AESTHETICS 5·JOURNALISM 6·ADVERTS]
• Robins, Kevin; Webster, Frank: Today's Television and Tomorrow's World |110-113|EN|PA [1·TELEVISION 2·UK 3·1980S 4·SCI.FICT. 5·TECHNOLOGY 6·MYTHOLOGY 7·HISTORY 8·CAPITALISM]
• Simpson, Philip: One Man and his Dog Show |16-20|EN|PA [1·1970S 2·1980S 3·TELEVISION 4·UK 5·RITUAL 6·EVERYDAY 7·GROUPS 8·RACISM 9·YOUTH]
• Thompson, John O: TV Magazines: Workers' Profiles? |114-117|EN|PA [1·TELEVISION 2·UK 3·1980S 4· 5·]
• Widgery, David: The "A" Team: Paradigms of Masculinity |94-98|EN|PA [1·TELEVISION 2·UK 3·USA 4·HOLLYWOOD 5·1980S 6·MEN 7·BEHAVIOUR 8·VIOLENCE]
• Wilson, Elizabeth: All in the Family: Russell Grant on Breakfast Television |99-109|EN|PA [1·1970S 2·1980S 3·USA 4·MUSICIANS 5·MYTHOLOGY 6·RITUAL]

Television - Technology and Cultural Form. London: Fontana (1974) 160 pp. #0-00-633571-3 [BCP-WILLIAMS]
• Williams, Raymond 160 pp. #0-00-633571-3 [BCP-WILLIAMS]|PB [1·TELEVISION 2·TECHNOLOGY 3·CULT.STUDY 4·POLITSTUDY 5·BUSINESS 6·POLITICS 7·STATISTICS 8·MASS MEDIA]

Temps et Musique. Lausanne: L'Age d'Homme (collection Dialectica) (1975) 696 pp. [BCP-EMERY]
• Émery, Éric 696 pp. [BCP-EMERY]|PB [1·TIME/SPACE 2·PHILOSOPHY]

Ten Little Title Tunes. ISBN 0-9701684-2-X. New York: Mass Media Music Scholars' Press (2002) xvi+898 pp. #9780970168429 [BM-TAGG]
• Tagg, Philip; Clarida, Bob xvi+898 pp. #9780970168429 [BM-TAGG]|PB [1·MUS.ANALYS 2·SEMIOTICS 3·POPULARMUS 4·FILM MUSIC 5·TELEVISION 6·IDEOLOGY 7·MUSIC EXX. 8·EUROARTMUS 9·TITLE MUS. 10·ROCK] {brass band; Western; cowboy; harmony; melody; crime; loneliness; military; romance; news; detective}

Terminus. Translations from the Italian. Dublin: Poetry Ireland Ltd (1998) #1-902121-12-0 [BCP-FIORI]
• Fiori, Umberto #1-902121-12-0 [BCP-FIORI]|PB [1·POETRY]

The Texas-Mexican Conjunto. History of a working-class music. Austin: University of Texas Press (1995) #0-292-78080-X [BM-PENA]
• Peña, Manuel #0-292-78080-X [BM-PENA]|PB [1·USA 2·MEXICO 3·1920S 4·1930S 5·1940S 6·1950S 7·1960S 8·HISTORY 9·SOCIOLOGY 10·GENRES] {Texas}

The Theban Plays. Harmondsworth: Penguin (1947) [BCL-SOPHOCLE]
• Sophocles; Watling, E F, trans.: King Oedipus (-460) |25-68|EN|PA [1·OLD GREECE 2·DRAMA]
• Sophocles: Antigone |126-162|EN|PA [1·OLD GREECE 2·DRAMA]
• Sophocles; Watling, E F, trans.: Oedipus at Colonus |71-124|EN|PA [1·OLD GREECE 2·DRAMA]

Theory and Method in Ethnomusicology. London: The Free Press of Glencoe; Collier-Macmillan Limited (1964) x+306 pp. [BM-NETTL]
• Nettl, Bruno x+306 pp. [BM-NETTL]|PB [1·METHODOL. 2·MUSICOLOGY 3·ANTHROPOL.]

A Theory of Semiotics. Bloomington & London: Indiana Univ Press (1967) #0-253-35955-4 [PT-BCP]
• Eco, Umberto: Appunti per una semiotica della communicazione visive |ix+354|IT|PA [1·SEMIOTICS 2·LITERATURE 3·PHILOSOPHY 4·DEFINE 5·VERBAL]
• Eco, Umberto: La struttura assente (1968) |ix+354|EN|PA [1·SEMIOTICS 2·LITERATURE 3·PHILOSOPHY 4·DEFINE 5·VERBAL]
• Eco, Umberto: Le forme del contenuto English version. Translated by U Eco & D Osmond Smith (1971) |ix+354|IT|PA [1·SEMIOTICS 2·LITERATURE 3·PHILOSOPHY 4·DEFINE 5·VERBAL]

A Theory of Semiotics. Bloomington & London: Indiana Univ Press (1976) ix+354 pp. #0-253-35955-4 [PT-BCP]
• Eco, Umberto ix+354 pp. #0-253-35955-4 [PT-BCP]|PB [1·SEMIOTICS 2·LITERATURE 3·PHILOSOPHY 4·DEFINE 5·VERBAL]

They All Played Ragtime. New York: Oak Publications (1971) 347+9 pp. #0-8256-0091-X [BM-BLESH]
• Blesh, Rudi; Janis, Harriet 347+9 pp. #0-8256-0091-X [BM-BLESH]|PB [1·USA 2·RAGTIME 3·PIANO 4·NOTATION 5·ILL. 6·DISCOGR. 7·BIBLIOGR. 8·1900-1909 9·1910S 10·MUSIC EXX.]

This is Country Music. London: Phoebus (1976) 63 pp. [BMA4-THIS IS]
• Chalker, Brian 63 pp. [BMA4-THIS IS]|PB [1·SWEDEN 2·GENRES 3·EDUC ITEM 4·POLITSTUDY 5·MUS INDUST 6·MUZAK 7·ILL.]

This Is Your Brain on Music. The Science of a Human Obsession. New York: Dutton/Penguin (2006) #0-525-94969-0 [BM-LEVITIN]
• Levitin, Daniel #0-525-94969-0 [BM-LEVITIN]|PB [1·NEUROLOGY 2·PSYCHOLOGY 3·ACOUSTICS]

Through the Jingle Jungle. The art and business of making music for commercials. New York: Billboard Books (1989) 262 pp. #0-8230-7707-1 [BM-KARMEN]
• Karmen, Steve 262 pp. #0-8230-7707-1 [BM-KARMEN]|PB [1·ADVERTS 2·COMPOSE 3·MUS INDUST 4·MEDIA IND. 5·TELEVISION 6·RADIO]

Time and the Other. How anthropology makes its object. Originally Bob White's. New York: Columbia University Press (1983) #0-231-05591-9 [BCP-FABIAN]
• Fabian, Johannes #0-231-05591-9 [BCP-FABIAN]|PB [1·ANTHROPOL. 2·TIME/SPACE]

Tio-i-topp: uppslagsverk med samtliga artister och melodier, 1961-1974. Vara: Dominique Muzic-Club, Längjum (1975) 48 pp. [BMREF]
• TIOITOPPUPPSLAGSVERKMEDSAMTLIGAARTIS 48 pp. [BMREF]|PB

Tjänstledighet beviljad. Göteborg: typescript (1983) 1 pp. [CP755042]
• Göteborgs Univ / Musikhögskolan 1 pp. [CP755042]|UX [1·GÖTEBORG 2·SWEDEN 3·DOCUMENT 4·PT]

Tonality in Western Culture. London: University of Pennsylvania Press (1984) 306 pp. #0-271-00359-6 [BM-NORTON]
• Norton, Richard 306 pp. #0-271-00359-6 [BM-NORTON]|PB [1·EUROPE 2·EUROARTMUS 3·MOD.CLASS. 4·HARMONY 5·MELODY 6·MUS. FORM 7·MEDIEVAL 8·BAROQUE 9·MUSIC EXX. 10·MUSICOLOGY]

Tonfallet, 1983-01-31. Stockholm: Rikskonserter (1983) [CP322214]
• Lindqvist, Gunnar: Blaj! |1|SV|PA [1·REVIEW 2·NEUROLOGY 3·MUSICOLOGY 4·SWEDEN 5·Gbg.Mvet.]

Tonfallet, 1983-02-17. Stockholm: Rikskonserter (1983) [CP324086]
• Falk, Anders: Mindre strul blir mera spel/Våga efter förmåga |11|SV|PA [1·ROCK 2·YOUTH 3·SWEDEN 4·MUSIC MAKE 5·MUSIC EDUC]
• Glanzelius, Ingmar: Han fick oss att flyga i stället för på knä |3-5|SV|PA [1·SWEDEN 2·JAZZ 3·1950S 4·1960S 5·PIANO]
• Svensson, Per: Spela rock på jobbet ("Ös där du står") |12|SV|PA [1·SWEDEN 2·WORK 3·AMATEURS 4·MUSIC MAKE]
• Wigardt, Mats: Lizzard ett av 40 källarband i Ö-vik |8-10|SV|PA [1·MUSIC EDUC 2·SWEDEN 3·YOUTH 4·ROCK 5·MUSIC MAKE]

Tonfallet, 1984/4 (April). Stockholm: Rikskonseter (1984) [CP754292]
• Tagg, Philip; Malm, Krister: Musiken i massmediautvecklingen Interviewed by Karl-Ola Nilsson |4-5|SV|PA [1·MASS MEDIA 2·INTERVIEW 3·PT 4·1970S 5·MUS INDUST 6·CULT.STUDY]

Tonfallet, 1986/5 (26 maj 1986). Stockholm: Rikskonserter (1986) [CPR326/4]
• Lindström, Nina: Rocken rullar fram - på kurs in i rockmusiken |1,13|SV|PA [1·SWEDEN 2·1980S 3·ROCK 4·MUSIC EDUC]

Top LP's 1945-1972. Menomonee Falls (WI): Record Research (1973) 215 pp. [BMR]
• Whitburn, Joel, ed. 215 pp. [BMR]|PB [1·CHARTS 2·USA 3·DISCOGR. 4·ROCK 5·MOR 6·STATISTICS 7·LPs]

Top Pop Records 1940-1955. Menomonee Falls (WI): Record Research (1973) 87 pp. [BMR]
• Whitburn, Joel, ed. 87 pp. [BMR]|PB [1·USA 2·MOR 3·SCHLAGER 4·CHARTS 5·1940S 6·1950S 7·DISCOGR. 8·REFERENCE]

Top Pop Records 1945-1972. Menomonee Falls (WI): Record Research (1973) 416 pp. [BMR]
• Whitburn, Joel, ed. 416 pp. [BMR]|PB [1·USA 2·CHARTS 3·DISCOGR. 4·STATISTICS 5·ROCK 6·MOR 7·SINGLES]

Tore photographed as president of the Nina Hagen fan club. (1989) [CL003-323]
• Håkansson, Tore [CL003-323]|UX [1·ROCK 2·SWEDEN 3·GERMANY 4·PUNK]

A Touch of the Times: songs of social change. London: Penguin (1 publ 1976, Weidenfield and Nicholson, London) (1974) 352 pp. #0-297-77251-1 [BCP-PACKARD]
• Palmer, Roy 352 pp. #0-297-77251-1 [BCP-PACKARD]|PB [1·BALLADS 2·MUSIC EXX. 3·HISTORY 4·UK 5·ILL.]

Towards a Socially Grounded Criticism of Music. Ottawa: Typescript (1988?) 30 pp. [CP826165-193]
• Shepherd, John 30 pp. [CP826165-193]|UX [1·MUSICOLOGY 2·SOCIOLOGY 3·DEFINE 4·POLITSTUDY]

Towards the Analysis of Affect in Popular Music (MS TARASTI). (1979) 29 pp. [CP306004*]
• Tagg, Philip 29 pp. [CP306004*]|UX [1·MANUSCRIPT 2·MUSICOLOGY 3·SEMIOTICS 4·DEFINE 5·TITLE MUS.]

Traité d'harmonie. Théorique et Pratique. xl Gaston Rochon. Paris: Heugel (1921) 253 pp. [BMA4-DUBOIS]
• Dubois, Théodore 253 pp. [BMA4-DUBOIS]|PB [1·EUROARTMUS 2·MUSIC EXX. 3·HARMONY 4·MUSIC EDUC]

Travesia, 1/2. London: Centre for Latin American Cultural Studies, King's College (1992) #0965-8343 [JCP-TRAVESIA]
• Díaz, Jorge: Counterpoint for Two Tired Voices |4-29|EN|PA [1·L AMERICA]
• Montoya, Rodrigo: The Colonial Legacy: Five Hundred Years On |30-53|EN|PA [1·L AMERICA]

Tredje världen i nyheterna. En fallstudie av tretton utländska tidningars rapportering från inbördeskriget i Nigeria 1967-1970. Uppsala: Almqvist & Wiksell (1986) 250 pp. #91-554-1917-8 [BCP-NORHSTED]
• Nohrstedt, Stig Arne 250 pp. #91-554-1917-8 [BCP-NORHSTED]|PB [1·NEWS 2·MASS MEDIA 3·INTERNATNL 4·POLITICS 5·EUROPE 6·W AFRICA 7·3RD WORLD 8·WAR 9·DISS. PhD. 10·NEWSPAPERS] {NIGERIA; BIAFRA}

Trento Cinema 1987. Trento: (1987) [CP822-154]
• Simeon, Ennio: La prima biografia cinematografica di Richard Wagner |81-83|IT|PA [1·FILM 2·ROMANTIC 3·FILM MUSIC 4·BIOGRAPHY] {WAGNER, R}

Trento Cinema 1988 (English version). Incontri internazionali con la musica per il cinema. Trento: Provincia Autonoma di Trento - Servizio Attività Culturali (1988) [BM-TRENTO]
• Thiel, Wolfgang: Problems, Tasks and Future Perspectives of a Film-Music-Science |139-141|EN|PA [1·FILM MUSIC 2·MUSICOLOGY]

Trento Cinema 1990 - Concorso internazionale di composizione. Trento: Provinicia Autonoma di Trento, Servizio Attività Culturale (1990) [JM-TRENTOCIN]
• Bassetti, Sergio: Cinema e canzone d'autore. Una retrospettiva in 7 film |72-81|IT|PA [1·ITALY 2·FILM MUSIC 3·SSONGWRITR]
• Comuzio, Ermanno: Alessandro Cicognini - un musicista italiano per il cinema |35-70|IT|PA [1·ITALY 2·FILM MUSIC 3·BIOGRAPHY 4·DISCOGR. 5·FILMOGR.]

The Triumph of Vulgarity: Rock Music in the Mirror of Romanticism. Oxford & New York: Oxford University Press (1987) 280 pp. [JM-POPULAR]
• Pattison, Robert 280 pp. [JM-POPULAR]|PB [1·ROCK 2·DEFINE 3·POLITSTUDY 4·USA]

Troubadours, Trumpeters, Troubled Makers. Lyricism, Nationalism, and Hybridity in China and Its Others. London: Hurst & Company (1996) #1-85065-265-1 [BCP-LEEG]
• Lee, Gregory B #1-85065-265-1 [BCP-LEEG]|PB [1·CHINA 2·CULT.STUDY 3·LYRICS 4·CULTPOLIT. 5·POLITICS 6·COLONIAL 7·POPULARMUS]

La Tuba, 1. Montevideo: Taller Urugayo de Música Popular (1989) [JM-TUBA]
• Aharonián, Coriún: La vital vida de Jorge Lazaroff (Brecha 13/4/89) |6-11|SP|PA [1·URUGUAY 2·L AMERICA 3·SSONGWRITR 4·DOCUMENT 5·REVIEW]
• Bonaldi, Jorge: Laza (Brecha 13/4/89) |2-3|SP|PA [1·URUGUAY 2·L AMERICA 3·SSONGWRITR 4·DOCUMENT 5·REVIEW]
• Castro, Raúl: Con el fútbol en el alma en el corazón y en la garganta (La República 17/8/88) |12-13|SP|PA [1·URUGUAY 2·L AMERICA 3·SSONGWRITR 4·DOCUMENT 5·REVIEW]
• Lazaroff, Jorge: Música Popular. ¿Militancia o empresa? (Asamblea 5/1/84) |14-16|SP|PA [1·URUGUAY 2·L AMERICA 3·SSONGWRITR 4·DOCUMENT 5·REVIEW]
• Lazaroff, Jorge: Various writings |17-50|SP|PA [1·URUGUAY 2·L AMERICA 3·MUSIC EXX. 4·MUSIC EDUC 5·POPULARMUS 6·EUROARTMUS 7·GUITAR 8·SSONGWRITR 9·PERFORM 10·COMPOSE]
• Trochon, Luís: Como guardafaro firme y tembloroso (Brecha 13/4/89) |4-5|SP|PA [1·URUGUAY 2·L AMERICA 3·SSONGWRITR 4·DOCUMENT 5·REVIEW]

The Tuning of the World. Bancroft (Ontario): Arcana Editions (1977) 301 pp. #0-7710-7965-6 [BM-SCHAFER M]
• Schafer, R Murray 301 pp. #0-7710-7965-6 [BM-SCHAFER M]|PB [1·SOUND 2·ENVIRONMNT 3·MUSIC HIST 4·CULT.STUDY 5·EUROPE 6·PSYCHOLOGY 7·ANTHROPOL. 8·SOUNDSCAPE]

Två musikavdelningar vid Stadsbiblioteket i Göteborg. Fonogrammens betydelse i verksamheten. Göteborg: Göteborgs universitet, Musikvetenskapliga institutionen (1985) [CPR326/6]
• Barkefors, Laila; Ström, Charlotta [CPR326/6]|US [1·GÖTEBORG 2·SWEDEN 3·BOOKS 4·PHONOGRAM 5·CULTPOLIT. 6·ORGANISE 7·1980S]

De två musikkulturerna. Stockholm: Sveriges Radios Förlag (1971) 160 pp. [BM-WIGGEN]
• Wiggen, Knut 160 pp. [BM-WIGGEN]|PB [1·ELCTRNCMUS 2·SWEDEN 3·MOD.CLASS. 4·AESTHETICS 5·GENRES 6·CULTPOLIT. 7·RECORDING]

Tvärsnitt, 1986/4. Uppsala: Swedish Science Press (1986) #0348-7997 [JM-TVARSNITT]
• Albrektson, Bertil: Svenska bibelöversättningar |24-32|SV|PA [1·RELIGION 2·SWEDEN 3·LITERATURE 4·BOOKS]
• Alfredson, Hans: "Jönsson" - En okänd Platon-dialog |4-12|SV|PA [1·HUMOUR 2·SWEDEN 3·PHILOSOPHY]
• Brunsson, Nils: Vårt behov av irrationalitet |42-47|SV|PA [1·ORGANISE 2·GROUPS 3·PHILOSOPHY 4·DEFINE]
• Dahlbäck, Kerstin: Strindbergs brev |33-41|SV|PA [1·SWEDEN 2·DOCUMENT 3·C19 4·1900-1909]
• Frykman, Jonas: Hur förstås en svensk intelektuell |54-61|SV|PA [1·SWEDEN 2·EDUCATION 3·SOCIOLOGY]
• Reimer, Bo: Medievåld och moralisk panik |49-53|SV|PA [1·TELEVISION 2·VIOLENCE 3·SEX/GENDER 4·MASS MEDIA 5·CULTPOLIT.]
• Sjögren, Olle: Folkhemmet i skrattspegeln |13-23|SV|PA [1·SWEDEN 2·FILM 3·HUMOUR]
• Sörlin, Sverker: De intelektuella |1-3|SV|PA [1·LYRICS 2·DISCO 3·USA 4·1970S 5·INTERVIEW]

Tvärsnitt, 1987/2. Stockholm: HSFR (1987) #0348-7997 [JCP-TVARSNIT]
• Åman, Anders: Situationens logik |41-51|SV|PA [1·ARCHITECT. 2·POLITSTUDY 3·CZECHOSLOV 4·POLAND 5·HUNGARY 6·DDR 7·USSR]
• Broberg, Gunnar: De judiska vännerna |6-13|SV|PA [1·JEWISH 2·SWEDEN 3·HISTORY 4·SOCIOLOGY 5·1890S 6·1900-1909]
• Danielsson, Tage: Den akterseglade humanisten (1985) |52-59|SV|PA [1·POETRY 2·HUMOUR 3·SWEDEN 4·TIME/SPACE 5·NUCLEAR 6·PHILOSOPHY]
• Lundgren, Britta: En kvinna på sin post |22-26|SV|PA [1·WOMEN 2·SWEDEN 3·COMMUNITY 4·1890S 5·1900-1909 6·HISTORY 7·POLITSTUDY]
• Nohrstedt, Stig Arne: Medierna och tredje världen |27-32|SV|PA [1·MEDIA IND. 2·3RD WORLD 3·POLITICAL 4·POLITSTUDY]
• Sellerberg, Ann-Mari: Modets växlingar |14-21|SV|PA [1·FASHION 2·WOMEN 3·MEN 4·GROUPS 5·POLITSTUDY]
• Sörlin, Sverker: Forskningspropositionens idéer |1-5|SV|PA [1·SWEDEN 2·CULTPOLIT. 3·EDUCATION 4·CULT.STUDY]
• Teleman, Ulf: Grammatiken som frihet och tvång |33-40|SV|PA [1·LITERATURE 2·EDUCATION]

Tvärspel - 31 artiklar om musik. Festskrift till Jan Ling. Expanded version, www.tagg.org/articles/timesens.pdf (1999). Göteborg: Skrifter från Musikvetenskapliga institutionen, 9 (1984) #91-85974-02-1 [BM-TVARSPEL]
• Benestad, Finn: Motivic-Thematic Unity in Grieg's Chamber Music. 1st movement Sonata in G maj, Op. 13 |292-304|EN|PA [1·C19 2·NORWAY 3·EUROARTMUS 4·FOLK MUSIC 5·MUSICOLOGY 6· 7·HARMONY 8·CHAMB.MUS.]
• Bengtsson, Ingmar: Ett kapitelavsnitt om "Expression and Emotions" |91-99|SV|PA [1·AESTHETICS 2·AFFECT 3·SEMIOTICS 4·HERMENEUT.]
• Berger, Sven; Berger, Satoko: Brev beträffande barocka benbeteenden |217-229|SV|PA [1·DANCE 2·BAROQUE 3·C17 4·C18]
• Björkvold, Jon-Roar: Shostakovich's Opera "Nesen" i spenningsfeltet mellom folketradisjon, intonationsteori og |313-324|NO|PA [1·USSR 2·FOLK MUSIC 3·MOD.CLASS. 4·AESTHETICS 5·MUSICOLOGY 6·CULTPOLIT.]
• Björnberg, Alf: "There's Something Going On" - om eolisk harmonik i nutida rockmusik |371-386|SV|PA [1·ROCK 2·SWEDEN 3·UK 4·USA 5·HARMONY 6·MUSICOLOGY 7·AESTHETICS 8·SEMIOTICS]
• Brolinson, Per-Erik; Larsen, Holger: Från början - om "intro" och inledningsfunktioner hos ABBA |343-351|SV|PA [1·ROCK 2·1970S 3·SWEDEN 4·MUSICOLOGY 5·MUS. FORM]
• Dahlstedt, Sten: Arbetarens sång: något om Albert Rubenssons tonsättning av Pehr Thomassons dikt |263-276|SV|PA [1·SWEDEN 2·C19 3·MUSICOLOGY 4·COMPOSE 5·POETRY 6·HISTORY 7·WORK]
• Dahlstedt, Sten: Arbetarens sång: något om Albert Rubenssons tonsättning av Per Thomassons dikt |253-262|SV|PA [1·C19 2·SWEDEN 3·AESTHETICS 4·MUSICOLOGY 5·HISTORY 6·FOLK MUSIC 7·WORKERS 8·WORK]
• Edström, Karl-Olof: Har du hört på väderleksrapporten |325-342|SV|PA [1·JAZZ 2·ROCK 3·HARMONY 4·MUSICOLOGY 5·MUSIC EXX. 6·1970S]
• Eppstein, Hans: "Im Rhein, im heiligen Strome" - Om en dikt och dess musikaliska uttolkningar |277-285|DE|PA [1·GERMANY 2·C19 3·AESTHETICS 4·POETRY 5·MUSICOLOGY]
• Fornäs, Johan: Framtiden i det som hittills varit |197-213|SV|PA [1·CULT.STUDY 2·ROCK 3·MUSICOLOGY 4·POLITSTUDY 5·SWEDEN]
• Gronow, Pekka: The 78 |57-65|EN|PA [1·PHONOGRAM 2·HISTORY 3·DISCOGR. 4·EUROPE 5·SCANDINAVI 6·USSR 7·MUS INDUST]
• Hall, Lennart: En saga blir till verklighet |253-262|SV|PA [1·C19 2·EUROARTMUS 3·ROMANTIC 4·OPERA 5·COMPOSE 6·MUSICOLOGY 7·EUROPE 8·GERMANY]
• Holen, Arne: Musiksociologisk forskning i Trondheim på 1970-talet - et tillbakablik |106-113|NO|PA [1·NORWAY 2·SOCIOLOGY 3·MUSICOLOGY 4·1970S]
• Jonsson, Leif: Från Marseljäsen, genom Kung Karl den Unge Hjälte och andra Mankörssånger till Arbetets Söner |305-312|SV|PA [1·SWEDEN 2·MEN 3·CHORAL 4·WORKERS 5·VOCAL MUS. 6·MUSICOLOGY 7·POLITSTUDY 8·NATIONALSM]
• Kettlewell, Dave: The Gothenburg Fragments |230-252|EN|PA [1·MEDIEVAL 2·C16 3·GÖTEBORG 4·MANUSCRIPT 5·ARCHIVIST 6·SWEDEN]
• Knepler, Georg: Neue Räume im alten Haus: Überlegungen zum Stand der Musikwissenschaft J Ling zum 50 Geburtstag. |154-167|DE|PA [1·MUSICOLOGY 2·EUROPE 3·AESTHETICS 4·PHILOSOPHY 5·HISTORY 6·POLITSTUDY]
• Ledang, Kai-Ola: Frå gjetarinstrument til turist-suvenir - sejleflöyta plastalderen |44-53|NO|PA [1·FOLK MUSIC 2·INSTRUMENT 3·TECHNOLOGY 4·NORWAY 5·MUS INDUST 6·1970S]
• Lilliestam, Lars: Syntarnas intåg eller från melodi och harmonik till klang och rytm: 10 teser |352-370|SV|PA [1·ROCK 2·SWEDEN 3·USA 4·UK 5·HARMONY 6·MELODY 7·SOUND 8·RHYTHM 9·1980S 10·MUSICOLOGY]
• Malm, Krister; Wallis, Roger: Transculturation and the Rise of National Pop and Rock in Small Countries |79-90|EN|PA [1·CULT.STUDY 2·MUS INDUST 3·NATIONALSM 4·3RD WORLD 5·PROGRESSIV 6·ROCK 7·SCHLAGER 8·INTERNATNL 9·COPYRIGHT]
• Mayer, Günter: From Music IN the Media to Music FOR the Media. Towards an Aesthetics of "Radiogenic" Mus |386-405|EN|PA [1·RADIO 2·AESTHETICS 3·ROCK 4·SCHLAGER 5·CULT.STUDY 6·POLITSTUDY 7·EUROPE 8·USA]
• Reimers, Lennart: Schumann i Schlesien: anteckningar kring en förlorad topografi, synnerligen op. 39 |138-153|SV|PA [1·C19 2·COMPOSE 3·AESTHETICS 4·NATURE 5·GERMANY 6·EUROARTMUS]
• Rolander, Julius: För nya högre kvaliteter - eller fåfängligheternas fåfänglighet |100-105|SV|PA [1·SWEDEN 2·MOD.CLASS. 3·SOCIOLOGY 4·CULTPOLIT.]
• Sjöström, Gunnar: Ett subjektiv perspektiv på konstmusiken i Sverige under 50 år |168-176|SV|PA [1·SWEDEN 2·EUROARTMUS 3·MOD.CLASS. 4·CULTPOLIT.]
• Sjöström, N Gunnar: Ett subjektivt perspektiv på konstmusiken i Sverige |168-176|SV|PA [1·SWEDEN 2·EUROARTMUS 3·MOD.CLASS. 4·CULTPOLIT.]
• Skyllstad, Kjell: Musikken i fascismens kulturbilde: omkring en tidlig-fascistisk og en nyfscistisk musiktraktat |168-176|NO|PA [1·FASCISM 2·POLITSTUDY 3·AESTHETICS 4·HERO(IN)ES 5·HISTORY 6·C20 7·GERMANY]
• Stockmann, Doris: Volksmusik und Musica Vulgaris: zur Klärung eines hochmittelalterlichen Terminus |117-137|DE|PA [1·AESTHETICS 2·PERFORM 3·GESTURES 4·POLITSTUDY 5·PHILOSOPHY 6·SEMIOTICS 7·HISTORY 8·EUROPE 9·MEDIEVAL 10·DEFINE]
• Tagg, Philip: Understanding 'Time Sense': concepts, sketches, consequences |21-43|EN|PA [1·TIME/SPACE 2·HISTORY 3·MUSICOLOGY 4·CULTPOLIT. 5·PHILOSOPHY 6·MUZAK 7·INDIA 8·Ling Item 9·DJS]
• Tagg, Philip: Understanding "Time Sense": Concepts, Sketches, Consequences |21-43|EN|PA [1·TIME/SPACE 2·HISTORY 3·MUSICOLOGY 4·CULT.STUDY 5·SEMIOTICS 6·POLITSTUDY 7·MUZAK 8·INDIA 9·MEDIEVAL 10·ROCK]
• Tegen, Martin: Harteveld och Titanic |286-291|SV|PA [1·1910S 2·SWEDEN 3·SCHLAGER 4·RELIGION 5·MUSICOLOGY 6·LYRICS]
• Wallner, Bo: En idé banar sig |68-78|SV|PA [1·SWEDEN 2·MOD.CLASS. 3·AESTHETICS]

Twenty Years of Music Censorship around the World. Philadelphia: Temple University Press (2003) #1-56639-990-4 [BM-CLOONAN]
• Bastian, Vanessa; Laing, Dave #1-56639-990-4 [BM-CLOONAN]|PA [1·CENSORSHIP]

Twilight of the Gods. The Beatles in Retrospect. London: Faber (1973) 205 pp. #0-571-10341-3 [BM-MELLERS]
• Mellers, Wilfrid 205 pp. #0-571-10341-3 [BM-MELLERS]|PB [1·MUSICOLOGY 2·MUS.ANALYS 3·MUSIC EXX. 4·UK 5·1960S 6·1970S 7·SEMIOTICS 8·ROCK]

"Two for the Show". Nordisk Forum, 39-40 (8/3+4). Köbenhavn: Nordisk Forum (1983) #0029-1366 [BM-TWO FOR]
• Adler, Henrik; Bonde, Lars-Ole: Malurt - kriserock eller rock i krise |51-62|SV|PA [1·ROCK 2·DENMARK 3·YOUTH 4·SUBCULTURE 5·1970S 6·1980S 7·MUSICIANS 8·LYRICS 9·PROGRESSIV]
• Björnberg, Alf: Bättre begagnat - om musikalisk återvändning i 80-talet |63-69|SV|PA [1·ROCK 2·SWEDEN 3·PROGRESSIV 4·1970S 5·1980S 6·HARMONY 7·MUSICOLOGY]
• Björnberg, Alf; Brette, Katharina; Fornäs, Johan: Skräck och fascination - två hitanalyser |40-44|SV|PA [1·USA 2·UK 3·ROCK 4·MUS.ANALYS 5·LYRICS]
• Bjurström, Erling; Fornäs, Johan: Svenska musikalternativ på sjuttiotalet / Det kommersiella tomrummet / Inventering |110-122|SV|PA [1·SWEDEN 2·ROCK 3·PROGRESSIV 4·MUS INDUST 5·1960S 6·1970S 7·ORGANISE 8·SOCIALISM]
• Fornäs, Johan; Sernhede, Ove: Ungdomskultur, rockmusik och ungdomsarbete |124-128|SV|PA [1·YOUTH 2·SOCIALISAT 3·ROCK 4·MUSIC USES 5·SUBCULTURE 6·WORK 7·GENRES]
• Gudmundsson, Gestur: To slags rockrebeller - Jim Morrison og Bruce Springsteen |83-90|DK|PA [1·USA 2·YOUTH 3·PROGRESSIV 4·GENRES 5·SUBCULTURE 6·SOCIALISAT 7·ROCK]
• Hagen, Rune: CRASS: Anarki - Fred - Kjærlighet |76-82|DK|PA [1·WAR 2·PEACE 3·PROGRESSIV 4·NORWAY 5·YOUTH 6·ROCK 7·1980S]
• Hellman, Heikki: Skivindustrin, offentligheten och musikens omvandlingar i Finland |19-27|SV|PA [1·FINLAND 2·MUS INDUST 3·CULTPOLIT. 4·STATISTICS 5·PROGRESSIV 6·1960S 7·1970S 8·1980S]
• Johansen, Gisle: "Jungeltelegrafen selger meg best". Chris de Burghs bemerkelseverdige vei til berömmelse |32-39|DK|PA [1·EUROPE 2·NORWAY 3·MUSICIANS 4·MUS INDUST 5·JOURNALISM 6·LYRICS 7·SELL 8·ROCK]
• Johnson, Geir: Poplåten som fortellerteknisk form |28-31|SV|PA [1·ROCK 2·SCHLAGER 3·AESTHETICS 4·SEMIOTICS 5·POLITSTUDY 6·SCANDINAVI]
• Koudal, Jens Henrik: Folkemusik - drömmen om håbet |92-103|DK|PA [1·DENMARK 2·FOLK MUSIC 3·ORGANISE 4·LYRICS 5·NATIONALSM 6·MUSIC EXX. 7·STATISTICS 8·MUSIC USES 9·PROGRESSIV]
• Nielsen, Elo: CCCS-Teorierne: mellem kulturproduktion og musikkonsumtion |13-18|DK|PA [1·CULT.STUDY 2·SOCIOLOGY 3·ROCK 4·USA 5·UK 6·SUBCULTURE 7·SCANDINAVI 8·METHODOL.]
• Ritamäki, Tapani; Söderling, Trygve: Rock och nationalitet i Finland |104-109|SV|PA [1·NATIONALSM 2·FINLAND 3·ROCK 4·PUNK 5·NEW WAVE 6·PROGRESSIV 7·YOUTH 8·LYRICS 9·1980S 10·SUBCULTURE]
• Ritamäki, Tapani: Tuomari Nurmio - Lasten Mehuhetki |45-48|SF|PA [1·FINLAND 2·ROCK 3·YOUTH 4·1980S 5·CHILDREN 6·PROGRESSIV]
• Schanz, Hans-Jörgen: Om den uenige enighed |139-146|EN|PA [1·SOCIALISM 2·POLITSTUDY 3·PHILOSOPHY]
• Schmidt, Sören: En rock dukke-opera om de danske bönder |129-138|DK|PA [1·ROCK 2·DRAMA 3·MUSIC EDUC 4·EDUCATION 5·DENMARK 6·AGRICULT. 7·HISTORY 8·SOCIALISAT 9·SKILLS 10·YOUTH]
• Sernhede, Ove: Att växa i rocken |139-146|SV|PA [1·ROCK 2·ORGANISE 3·SWEDEN 4·YOUTH 5·PROGRESSIV 6·SOCIALISAT 7·MUSIC USES 8·GENRES 9·1970S 10·1980S]
• Söderling, Trygve; Ritamäki, Tapani: Hitanalys av Mistakes "Pidä huolta" |49-50|SV|PA [1·FINLAND 2·ROCK 3·LYRICS 4·EVERYDAY]
• Söderling, Trygve: Rock Credibility |8-12|EN|PA [1·ROCK 2·USA 3·UK 4·SCANDINAVI 5·VIS. ARTS 6·SEX/GENDER 7·AESTHETICS]
• Welde, Solveig; Johansen, Gisle: Noen Kjente, mange rom og mest lyd? |70-75|DK|PA [1·NORWAY 2·YOUTH 3·PROGRESSIV 4·MUSIC USES 5·SOCIALISAT 6·ROCK]

Über die disharmonischen Funktionen eines staatlichen Tanz- und Musikensembles. Göteborg: (1987) 13 pp. [CL003-346]
• Ste<,szewski, Jan 13 pp. [CL003-346]|UX [1·POLAND 2·DANCEMUSIC 3·DANCE 4·CULTPOLIT. 5·SOCIOLOGY 6·HISTORY 7·MUSICIANS]

Über die erzieherisch-bildende Funktion der Massenmedien bei der Vermittlung traditioneller Musik und des musikalischen Erbes (Thesen). (see LOC) (1986) [CP328/11]
• Abel-Struth, Sigrid [CP328/11]|US [1·MUSIC EDUC 2·MASS MEDIA 3·TELEVISION 4·CULTPOLIT. 5·AESTHETICS]

Über Kunst und Literatur. Moscow: Progress Publishers (1977) [BCP-LENIN]
• Lenin, Vladimir Ilyich [BCP-LENIN]|PB [1·POLITICS 2·SOCIALISM 3·COMMUNISM 4·LITERATURE 5·VIS. ARTS]

umeLecções difficís - max 160 chrs.. Very sill extras for a very silly SO entry sporting a very silly SO. Also restricted to 160 chrs in normal edit screen. São Paulo: Aouimbaouê Maxí Xalambú, your friendly neighbourhood printers and publishers occupying a helluva lot of space (max. 160 chrs in edit screen) (1991) #0-340-60877-3 [JM-MUSIQUE]
• Zzzz, François-Noël Åke; ÆbloPuddleduck-Horsington, Jemima Q; Ffyffe-Spiffington-Horsewhip, George, ed.: Você é linda come uma canção. Dans la forêt tous les mêmes bêtes te gênent. This is an extremely long title (max 254 chrs in edit screen) Some room here for an abstract about this nonexistent book (1999) |9998-9999|PG|PA [1·MEDIEVAL 2·WAR 3·SEX/GENDER 4·VIOLENCE 5·MUSICOLOGY 6·FRANCE 7·DOCUMENT 8·USA SOUTH 9·L AMERICA 10·FILM] {TEST KEYWORD 1; TEST KEYWORD 2; TEST KEYWORD 3; TEST KEYWORD 4; TEST KEYWORD 5; TEST KEYWORD 6; TEST KEYWORD 7; TEST KEYWORD 8; TEST KEYWORD 9; TEST KEYWORD 10; TEST KEYWORD 11}

The Unanswered Question. Cambridge (MA): Harvard University Press (1976) 428 pp. #0-674-92000-7 [BM-BERNSTEIN]
• Bernstein, Leonard 428 pp. #0-674-92000-7 [BM-BERNSTEIN]|PB [1·MUSICOLOGY 2·MUSIC EXX. 3·SEMIOTICS 4·AESTHETICS 5·USA 6·EUROARTMUS 7·HERMENEUT.]

Uncommon People: resistance, rebellion and jazz. London: Weidenfeld and Nicolson (Orion) (1998) #0-297-81916-X [BCP-HOBSBAWN]
• : Billie Holliday 1publ 1959 in The New Statesman and Nation (1988) |293-294|EN|PA [1·JAZZ 2·USA 3·SINGING] {Holiday, Billie}
• Hobsbawn, Eric: Count Basie 1publ New York Review of Boos, 16 Jan 1986 (1990) |246-253|EN|PA
• Hobsbawn, Eric: The Duke 1publ New York Review of Books, 19 Nov 1987 (1990) |254-264|EN|PA [1·JAZZ 2·REVIEW 3·USA]
• Hobsbawn, Eric: Jazz Comes to Europe 1publ as 'On the Reception of Jazz in Europe' in Jazz und Sozialgeschichte, ed. Theo M„usli, Zurich 1994 (1990) |265-273|EN|PA [1·JAZZ 2·EUROPE 3·POLITICS]
• Hobsbawn, Eric: Jazz since 1960 Introductions for new editions of Hobsbawn's The Jazz Scene, 1989 and 1992 (1990) |281-292|EN|PA [1·JAZZ 2·ROCK 3·USA]
• Hobsbawn, Eric: The People's Swing 1publ London Review of Books, 24 Nov 1994 (1990) |274-280|EN|PA [1·JAZZ 2·POLITICS 3·USA 4·1930S 5·1940S] {Ellington, Duke}
• Hobsbawn, Eric: The Caruso of Jazz 1publ New York Review of Books, 12 May 1988 |236-245|EN|PA [1·JAZZ 2·POLITICS 3·USA] {Bechet, Sidney}

Unconscious Workings, Emotional Appeals: Gender, Film Music and Identification Processes. Redwood City: (1989) [CP823-001]
• Kassabian, Anahid [CP823-001]|UX [1·FEMINISM 2·FILM MUSIC 3·GENRES]

Undated review of Phil Ochs TV documentary + personal letter. London: private (1985) 2 pp. [CP453143]
• Cutler, Chris 2 pp. [CP453143]|UX [1·DOCUMENT 2·REVIEW 3·USA 4·FOLK MUSIC 5·OPPOSE 6·TELEVISION 7·AVANTGARDE]

... und der Jazz ist nicht von Dauer. Aspekte afro-amerikanischer Musik. Festschrift für Michael Dauer. Karben: (1998) #3-00-003272-X [BM-DAUER]
• Hendler, Maximilian: Afro-maghrebinische Musik |145-174|DE|PA [1·AFRICA 2·N AFRICA 3·ANTHROPOL. 4·ARABIC]
• Heuger, Markus: Don't call my music POPULARMUSIK! Anmerkungen zu einem akademischen Phantom |407-427|DE|PA [1·POPULARMUS 2·GERMANY 3·DEFINE]
• Hoffmann, Bernd: ... und der Jazz ist nicht von Dauer. Zum 75. Geburtstag des Musikethnologen Alfons Michael Dauer |25-68|DE|PA
• Hoffmann, Bernd: Zug um Zug: das Train-Motiv in der afro-amerikanischen Musik |175-214|DE|PA [1·USA 2·AFR-AMER. 3·BLUES 4·LYRICS] {Trains}
• Hunkenmöller, Jürgen: Jazz-Rezpetion in Deutschland. Interviews mit Komponisten (1986-1987) |389-406|DE|PA [1·JAZZ 2·GERMANY 3·1980S]
• Jost, Ekkehard: Charlie Mingus (1922+1979). Fragmente zu einem Portrait |287-308|DE|PA [1·JAZZ 2·AFR-AMER. 3·USA] {Mingus, Charlie}
• Jost, Ekkehard: "My Daddy sings the blues but I rap it". Zur Tradition verbaler Manipulation in Blues- und Rap-Music |257-286|DE|PA [1·BLUES 2·RAP, etc. 3·POETRY 4·LYRICS 5·POLITICS 6·AFR-AMER.]
• Knauer, Wolfram: Black Beauty - Black Power. Tradition und Revolution in der Musik John Coltranes dargestellt an vershiedenen Interpretationen von My Favorite Things |309-332|DE|PA [1·JAZZ 2·USA 3·POLITICS 4·AFR-AMER.] {Coltrane, John}
• Krieger, Franz: "Honky Tonk Train Blues". Gestaltungsprinzipien eines Boogie Woogie und Überlegungen zu dessen Notation |215-256|DE|PA [1·BOOGIE 2·USA 3·C20 4·MUSIC EXX. 5·MUSICOLOGY] {Trains}
• Kubik, Gerhard: Unterricht im Yoruba-Trommeln. Alfons Michael Dauer und meine Forschungen in Westafrika 1966 |113-134|DE|PA [1·AFRICA 2·ANTHROPOL. 3·MUSICOLOGY 4·DRUMS 5·MUSIC EDUC 6·MUSIC EXX. 7·W AFRICA]
• Müller, Ernst Wilhelm: Die Musikinstrumente der Ekonda in der Sammlung des Mainzer Instituts für Ethnologie und Afrika-Studien |135-144|DE|PA [1·INSTRUMENT 2·ANTHROPOL. 3·AFRICA]
• Putschögl, Gerhard: Zu den rhytmisch freien Gestaltungsformen der afro-amerikanischen Musik am Beispiel von John Coltrane |333-372|DE|PA [1·JAZZ 2·USA 3·RHYTHM] {Coltrane, John}
• Reichow, Jan: Netzwerk einer anderen Ästhetik. 50 Punkte für Alfons Michael Dauer |69-112|DE|PA
• Straka, Manfred; Hoffmann, Bernd, ed.; Rösing, Helmut, ed.: Laudatio für Prof Dr Alfons Michael Dauer |11-24|DE|PA
• Wilson, Peter Niklas: Der "Meta-Music" auf der Spur. Überlegungen zur Analyse frei improvisierter Musik |373-388|DE|PA [1·JAZZ 2·AVANTGARDE 3·IMPROVISE]

Underscore. A combination method-text-treatise on scoring music for film or TV. New York: Criterion Music (1950) 239 pp. [BM-SKINNER]
• Skinner, Frank 239 pp. [BM-SKINNER]|PB [1·FILM 2·MOOD MUSIC 3·FILM MUSIC 4·COMPOSE 5·MUSIC EXX. 6·HANDBOOK 7·USA 8·AFFECT 9·ARRANGE 10·VVA]

Understanding Rock 'n' Roll. Popular Music in Britain 1955-1964. Buckingham: Open University Press (1992) vi+191 pp. #0-335-09754-5 [BM-BRADLEY]
• Bradley, Dick vi+191 pp. #0-335-09754-5 [BM-BRADLEY]|PB [1·ROCK 2·UK 3·1950S 4·1960S]

Undervisningskompendium i musikhistoria. Göteborg: GUMV (1972) [BMA4-LING]
• Ling, Jan [BMA4-LING]|US [1·MUSIC HIST 2·MUSICOLOGY 3·COMPOSERS 4·EUROARTMUS 5·MEDIEVAL 6·BAROQUE 7·ROMANTIC 8·EDUC ITEM 9·Gbg.Mvet.]

Une analyse des rapports texte-musique dans «Digging In The Dirt» de Peter Gabriel. Québec: École de musique, Faculté des Arts, Université Laval (1995) [BMA4-LACASSE]
• Lacasse, Serge [BMA4-LACASSE]|PB [1·SEMIOTICS 2·MUSIC EXX. 3·MUS.ANALYS 4·ROCK 5·LYRICS 6·DISS. M.A.]

Unesco Courier, Nov 1976. Wien: Institut für Musiksoziologie und musikpäd. Forschung (1976) [CP309130]
• Schafer, R Murray: Exploring the New Soundscape - pioneer research into the new global acoustic environment |4-9|EN|PA [1·SOUND 2·ENVIRONMNT 3·ANTHROPOL. 4·PSYCHOLOGY 5·MUSIC HIST 6·MUSICOLOGY]

Unfiled - Music under New Technology. Recommended Sourcebook 0401. London: Recommended Records (1994) #0954-8807 [JMA4-RECOMME]
• Born, Georgina: IRCAM, Legitimation, Post-Modern Music Policy |51-55|EN|PA [1·TECHNOLOGY 2·RECORDING 3·FRANCE 4·AVANTGARDE]
• Colli, Giuseppe: AAD - ADD - DDD. Remixes: cosmetics or fraud |46-48|EN|PA [1·TECHNOLOGY 2·RECORDING 3·PHONOGRAM 4·1990S]
• Cutler, Chris: Remix Notes |49-50|EN|PA [1·TECHNOLOGY 2·RECORDING 3·PHONOGRAM]
• Davies, Hugh: A history of sampling |5-12|EN|PA [1·SAMPLING 2·SYNTHS 3·RECORDING]
• Gerzon, Michael: Digital Technology - The Next Generation |27-33|EN|PA [1·TECHNOLOGY 2·RECORDING 3·MUSIC MAKE 4·1990S]
• Jenkins, Alan: How to be in a pop group, part 2 |66-77|EN|PA [1·ROCK 2·MUSIC MAKE 3·UK 4·MUS INDUST]
• Oswald, John: Mandatory Meltdown 1 - an interview on the destruction of his CD plunderphonic with John Oswald and Mandatory Meltdown 2 - U2 Negativland - the case from our side |13-25|EN|PA [1·INTERVIEW 2·MUS INDUST 3·RECORDING] {Jackson, M; Beethoven, L; U2}
• Rickard, Stephen: Virgin |56-61|EN|PA [1·PHONOGRAM 2·UK 3·MUS INDUST 4·MONEY 5·1970S 6·1980S 7·1990S 8·BIOGRAPHY] {Branson, R}
• Sony, Warrick: Strange business: the independent music culture in South Africa |62-65|EN|PA [1·S AFRICA 2·MUS INDUST 3·1980S 4·RADIO]
• Sutherland, Roger: Graphics and indeterminacy |78-93|EN|PA [1·AVANTGARDE 2·MUSIC EXX. 3·USA 4·UK 5·MOD.CLASS.] {Cage, John; Feldman, M; Bussotti, S; Carderw, C; Nehaus, Max; Wolff}

Unforgettable Fire: the Story of U2. London: Viking Press (1987) 320 pp. [JM-POPULAR]
• Dunphy, Eamon 320 pp. [JM-POPULAR]|PB [1·IRELAND 2·USA 3·ROCK 4·ETHICS 5·RELIGION 6·POLITICS 7·YOUTH 8·UK]

Ungdomars konsumption -85. En enkätundersökning om konsumtion, ekonomi och fritid bland studerande ungdomar i åldern 15-19 år i Gävle 1985. Uppsala: Sociologiska institutionen, Uppsala universitet (1986) 175+26 pp. [BCP-CZAPLIC]
• Czaplicka, Magdalena; Ekerwald, Hedwig 175+26 pp. [BCP-CZAPLIC]|PB [1·SOCIOLOGY 2·YOUTH 3·CONSUME 4·LEISURE 5·ENTERTAIN 6·SWEDEN]

Ungdom i rörelse - En antologi om ungdomars kultur och uppväxtvillkor. Göteborg: Daidalos (1991) 416 pp. #91-86320-70-X [BCP-CARLE]
• Carle, Jan, ed.; Hermansson, Hans-Erik, ed. 416 pp. #91-86320-70-X [BCP-CARLE]|PB [1·YOUTH 2·SWEDEN 3·ANTHOLOGY]

Ungdomsuppror - verklighetsflykt eller andligt sökande. Lidingö: US Teologiska seminariet (1982) [CP121163-183]
• Ahlström, Jarl [CP121163-183]|PS [1·ROCK 2·YOUTH 3·RELIGION 4·POLITSTUDY]

Unheard Melodies: Narrative Film Music. Bloomington & London: Indiana University Press / BFI Publishing (0-85170-209-0) (1987) 190 pp. #0-253-20436-4 [BM-GORBMAN]
• Gorbman, Claudia 190 pp. #0-253-20436-4 [BM-GORBMAN]|PB [1·FILM 2·FILM MUSIC 3·DEFINE 4·PHILOSOPHY 5·MUSIC EXX. 6·ILL. 7·USA 8·REVIEW] {Kassabian, A}

unidentified Italian volume. [CL002014-025]
• Minganti, Franco: Rock'n'Roll & Beat. L'Italia e la musica giovanile americana 1958-1964 |429-451|IT|PA [1·ITALY 2·USA 3·ROCK 4·1950S 5·1960S]

* unknown source *. (198?) [CP328/08]
• Fuhrmann, Roderick: Tendenzen moderner Mozart-Rezeption in Film und Theater u.a. Fallstudie "Amadeus" - Film |EN|US [1·EUROARTMUS 2·PERCEIVE 3·FILM 4·DRAMA]

* unknown source *. Eng transl of extracts. (1735) [CP909/04]
• Kant, Immanuel: Kritik der Urteilskraft |214-229|DE|PA [1·PHILOSOPHY 2·AESTHETICS]

* unknown source *. (198?) [CP328/08]
• Norell, Margareta: Susannorna - om unga kvinnor i olika kulturella miljöer |14-26|SV|PA [1·SWEDEN 2·WOMEN 3·SEX/GENDER 4·CULT.STUDY]

* unknown source *. (198?) [CP327/06]
• Shepherd, John: Music Consumption and Cultural Self-Identities: some theoretical and methodological reflections |305-330|EN|PA [1·CANADA 2·USA 3·UK 4·AESTHETICS 5·CULT.STUDY 6·POPULARMUS 7·GENRES 8·STATISTICS 9·AUDIENCE 10·SOCIOLOGY]

unknown US periodical. [CP824339]
• Zorn, John: Zornography |32-36|EN|PA [1·FILM MUSIC 2·AVANTGARDE] {Morricone, E}

Unpublished, handwritten notes from lecture, 1986-05-27. Göteborg: Musikvetenskap (1986) 4 pp. [CP822-185]
• Garofalo, Reebee; Tagg, Philip, ed.: Black Music in the US Market Place |EN|UX [1·USA 2·AFR-AMER. 3·MUS INDUST]

unpublished student project, typewritten. Göteborg: SÄMUS (1977) 32 pp. [CP822-264+]
• Agerberg, Torbjörn: Mussorgsky Pictures at an Exhibition. Ravel, Stokowski, Emerson Lake and Palmer |EN|UX [1·RUSSIA 2·FRANCE 3·PROGRAMMUS 4·ROMANTIC 5·ROCK 6·EUROARTMUS 7·C19 8·1960S 9·1970S 10·Stud.Proj.]

unpublished student project. Göteborg: SÄMUS (1977) 51 pp. [CP822-339+]
• Blomkvist, Marie: Musik och tradition i Bretagne |SV|UX [1·FRANCE 2·CELTIC 3·HISTORY 4·MUSIC EXX. 5·BRETAGNE] {STIVELL, A}

unpublished student project. Göteborg: SÄMUS (1977) 40 pp. [CP822-300+]
• Götborg, Anders; Hansson, Martha; Svantesson, Ingegerd: Spola rubbet. Protestsång i USA i början av 1960-talet. Hopp och lidande i Bob Dylans sånger |SV|UX [1·FOLK MUSIC 2·ROCK 3·USA 4·1960S 5·POLITICS 6·OPPOSE 7·Stud.Proj.] {DYLAN, BOB}

unpublished student project. Göteborg: SÄMUS (1977) 26 pp. [CP822-411+]
• Honkanen, Pauli: Med hammaren i slaget? Om 1800-talet och des pianospel |SV|UX [1·PIANO 2·C19 3·MUSIC EXX. 4·Stud.Proj.]

unpublished student project. Göteborg: SÄMUS (1977) 19 pp. [CP822-392+]
• Meyer, Rolf: Munspel, dragspel och harmonium. En sammanfattande och delvis kritisk beskrivning av deras historia, konstruktion och spelteknik |SV|UX [1·ACCORDION 2·HARMONICA 3·HARMONIUM 4·HISTORY 5·PERFORM 6·TECHNOLOGY 7·INSTRUMENT 8·C19 9·Stud.Proj.]

unpublished typescript. Roma: (1990) 12 pp. [CP822-209]
• Bassetti, Sergio: Oltre la musica |IT|UX [1·SOUND 2·FILM 3·FILM MUSIC]

unpublished typescript. Göteborg: Avd f Masskommunikation (1990) 21 pp. [CP822-221+]
• Brette-Kromsten, Katharina: Form i kaos. Det sociala könets förändringslopp tematiserat i kvinnorockens historia 1955-85 |SV|UX [1·WOMEN 2·SWEDEN 3·USA 4·UK 5·ROCK 6·SEX/GENDER 7·HISTORY]

Unpublished typescript. Göteborg: (1989) [CP822-191]
• Tagg, Philip: Myth and TV Music Stereotypes. Abstract for Ethnomusicology Conference, Cambridge, 5-10 August 1989 |1|EN|PA [1·ANTHROPOL. 2·SEMIOTICS 3·TELEVISION 4·MYTHOLOGY]

Unpublished, typewritten notes for KIM-gruppen. Göteborg: Inst för lingvistik (1990) 2 pp. [CP822-189]
• Tagg, Philip: Musikens valfrihet |EN|UX

Un roi africain et sa musique de cour. Chants et danses du palais à Porto-Novo sous le règne de Gbèfa (1948-1976). Incl 2 CD. Transcriptions musicales de Trân Quang Hai avec la collaboration de l'auteur. Publié avec le concours de la Fondation Singer-Polignac. Paris: CNRS Editions (1996) #2-271-05255-6 [BM-ROUGET]
• Rouget, Gilbert #2-271-05255-6 [BM-ROUGET]|PB [1·W AFRICA 2·MUSIC EXX. 3·ETHNICITY 4·ANTHROPOL. 5·ILL. 6·MUSICOLOGY] {Benin}

Unterhaltungskunst, 1984/5. Berlin (1984) [CP328/03]
• Demmler, Kurt; Bergholz, Wilfried, ed.: Zwischenbilanz |8-9|DE|PA [1·DDR 2·SSONGWRITR 3·INTERVIEW]
• Leitner, Olaf: "Rockszene DDR". Reviewed by Peter Wicke |26-28|DE|PA [1·DDR 2·ROCK 3·BRD 4·REVIEW]

Unterhaltungskunst, 1984/6. Berlin (1984) [CP328/04]
• Balitzki, Jürgen: Rock - Interpretenwettbewerb der Unterhaltungskunst der DDR |13 ff|DE|PA [1·DDR 2·COMPETE 3·ROCK 4·MUSICIANS 5·REVIEW 6·FESTIVAL 7·ILL.]
• Lasch, Stefan: Diskoteken - Interpretenwettbewerb der Unterhaltungskunst dr DDR |13-1|DE|PA [1·DDR 2·DISCO 3·CLUBS 4·COMPETE 5·REVIEW 6·FESTIVAL 7·ILL.]
• Slomma, Horst: "Hier für Euch - Test '84" |10-1|DE|PA [1·DDR 2·SINGERS 3·WOMEN 4·COMPETE 5·FESTIVAL 6·REVIEW 7·SCHLAGER 8·ILL.]
• Traeger, Volkmar: Tanz - Interpretenwettbewerb der Unterhaltungskunst der DDR |18-2|DE|PA [1·DDR 2·DANCE 3·COMPETE 4·FESTIVAL 5·REVIEW 6·ILL.]

"Unterhaltungsmusik" als soziokulturelles Phänomen des 19. Jahrhunderts. Untersuchung über den Einfluß der musikalischen Öffentlichkeit auf die Herausbildung eines neuen Musiktypes. Regensburg: Bosse (1977) 143 pp. #3-7649-2115-3 [BM-KELDANY]
• Keldany-Mohr, Irmgard 143 pp. #3-7649-2115-3 [BM-KELDANY]|PB [1·C19 2·GERMANY 3·PIANO 4·PARLOURMUS 5·VOCAL MUS. 6·ENTERTAIN 7·MUS.ANALYS]

Untitled notes about Algerian national anthem. Typescript (1986?) 2 pp. [CP826027-028]
• Bouzar-Kasbadji, Nadya 2 pp. [CP826027-028]|UX [1·ALGERIA 2·NATIONALSM 3·HISTORY 4·MUSICOLOGY]

Uppslagsverk med samtliga artister och melodier från Tio i Topp. Vara: Dominique Muzic-Club (1975) 48 pp. [BMR]
• Johansson, Carl-Owe (?) 48 pp. [BMR]|PB [1·ROCK 2·USA 3·UK 4·SWEDEN 5·CHARTS 6·CATALOGUE 7·SCHLAGER 8·MOR]

Urban Blues. Chicago University Press (1966) 9+231 pp. #0-226-42960-1 [BM-KEIL]
• Keil, Charles 9+231 pp. #0-226-42960-1 [BM-KEIL]|PB [1·USA 2·BLUES 3·R&B 4·URBAN 5·SOCIOLOGY 6·AESTHETICS]

Urban Rhythms. London: Macmillan (1985) 272 pp. #0-333-34012-4 [BM-CHAMBERS]
• Chambers, Iain 272 pp. #0-333-34012-4 [BM-CHAMBERS]|PB [1·ROCK 2·YOUTH 3·AESTHETICS 4·PSYCHOLOGY 5·BEHAVIOUR 6·VIS. ARTS 7·HISTORY 8·CLUBS 9·FASHION 10·CULT.STUDY]

Urfantasin och ordningen. Om begäret, det heliga och det moderna samhället. Göteborg: Bokförlaget Daidalos AB (1987) 317 pp. #91-86320-20-3 [BCP-OLOFSSON]
• Olofsson, Per Olof 317 pp. #91-86320-20-3 [BCP-OLOFSSON]|PB [1·HISTORY 2·PHONOGRAM 3·TECHNOLOGY 4·RECORDING 5·NAT.SCI. 6·DOCUMENT 7·C19 8·C20 9·RECORDS]

URSS - Rússia Ontem Hoje Amanhã. Brasilia: Alva (1996) #5-88010-010-3 [BCP]
• Ziugánov, Guennádiy #5-88010-010-3 [BCP]|PB

Utrota varenda jävel. Stockholm: Bonniers (1992) #91-0-055446-4 [BCP-LINDQVIS]
• Lindqvist, Sven #91-0-055446-4 [BCP-LINDQVIS]|PB [1·RACISM 2·AFRICA 3·UK 4·FRANCE 5·GERMANY 6·FASCISM 7·IMPERIALSM 8·C19]

Vad sjunger den kristna församlingen i dag? En frekvensundersökning av psalmer och sånger i svenskt gudstjänstliv med historiska kommentarer. Göteborg: Göteborgs universitet, Musikvetenskapliga institutionen (1973) [BMA4-BERGENZ]
• Bergentz, Ingrid; Widmark, Else [BMA4-BERGENZ]|US [1·SWEDEN 2·RELIGION 3·VOCAL MUS. 4·SOCIOLOGY 5·STATISTICS 6·Gbg.Mvet. 7·Stud.Proj. 8·GÖTEBORG]

The Vancouver Soundscape. Vancouver: A.R.C. Publications (1979) 23 pp. [BM-SCHAFER]
• Schafer, R Murray 23 pp. [BM-SCHAFER]|PB [1·ACOUSTICS 2·ENVIRONMNT 3·URBAN 4·NVC 5·ANTHROPOL.]

Les variations de William Byrd et Thomas Tomkins sur "John Come Kiss Me Now". Presses de l'Université de Montréal (1979) 112+144 pp. #0-8405-0416-0 [BMA4-MORIN]
• Morin, Elisabeth 112+144 pp. #0-8405-0416-0 [BMA4-MORIN]|PB [1·MUSICOLOGY 2·MUSIC EXX. 3·MUS.ANALYS 4·KEYBOARDS 5·UK 6·TUDOR]

(Various materials from Music Video course, Holsterbro). Århus (1983) [CP322303]
• Straarup, Ole [CP322303]|US [1·VIDEO 2·EDUC ITEM 3·DENMARK]

Veckans Affärer, 1975-11-20. Stockholm: Veckans Affärer (1975) [CP 318316]
• Anon: Marknadskrigets vinnare 1975: importen och lyxvarorna |19-33|SV|PA [1·BUSINESS 2·MUS INDUST 3·MONEY 4·SWEDEN 5·CONSUME 6·1970S]

Vem bestämmer din musik?. Stockholm: A.B.F. (1977) 95 pp. [BM-NORDSTR]
• Nordström, Sixten, ed. 95 pp. [BM-NORDSTR]|PB [1·SWEDEN 2·MUS INDUST 3·MASS MEDIA 4·CULTPOLIT. 5·1970S]

Vermeer. London: Blandford Press (1961) 90 pp. [BCP-VERMEER]
• Gowing, Lawrence, ed.; Vermeer, Johannes 90 pp. [BCP-VERMEER]|PB [1·VIS. ARTS 2·NETHERLAND 3·C17 4·ILL.]

Versus - Quaderni di studi semiotici, 13. Milano: Bompiani (1976) [JM-VS]
• Boilès, Charles L: Signification in Cinema Music |49-61|EN|PA [1·FILM MUSIC 2·SEMIOTICS 3·AFFECT 4·MUSIC EXX. 5·MUSICOLOGY 6·DEFINE]

Versus - Quaderni di studi semiotici, 13. Milano: Bompiani (1976) [JM-VERSUS]
• Gasparov, Boris: Le fonctionnement sémantique des musiques vocales et instrumentales |11-18|FR|PA [1·SEMIOTICS 2·DEFINE 3·VERBAL 4·MUSIC EXX.]

Versus - Quaderni di studi semiotici, 13. Milano: Bompiani (1976) [JM-VS]
• Imberty, Michel; Nattiez, Jean-Jacques, ed.: Le problème de la médiation sémantique en psychologie de la musique |35-48|FR|PA [1·SEMIOTICS 2·DEFINE 3·MUSICOLOGY]

Versus - Quaderni di studi semiotici, 13. Milano: Bompiani (1976) [JM-VERSUS]
• Lissa, Zofia: Fonctions esthétiques de la citation musicale |19-34|FR|PA [1·SEMIOTICS 2·C19 3·EUROPE]
• Nattiez, Jean-Jacques: La funzione della musica |2-5|IT|PA [1·SEMIOTICS 2·MUSICOLOGY 3·PHILOSOPHY]
• Nattiez, Jean-Jacques, ed.: Sémiologie musicale: essai de bibliographie systematique |97-113|FR|PA [1·BIBLIOGR. 2·SEMIOTICS]
• Osmond-Smith, David: The semantics of pluralism: a study of connotations of origin and use in music |5-10|EN|PA [1·SEMIOTICS 2·DEFINE 3·GENRES 4·PHILOSOPHY]
• Prodi, Giorgio: Le basi materiali della significazione |69-96|IT|PA [1·SEMIOTICS 2·PHILOSOPHY 3·DEFINE 4·COMMUNTHEO]

Vi äro musikanter allt ifrån Skaraborg. Skara: Skaraborgs länsmuseum (1983) #91-85884-13-8 [BM-VIAROMUSI]
• Bohlin, Folke: Sången i Skara under reformationstiden |69-96|SV|PA [1·SWEDEN 2·HISTORY 3·BAROQUE 4·ORGANISE 5·CHRISTIAN 6·VOICE 7·C16 8·C17]
• Hagberg, Ulf Erik: Skaraborg - en historisk snabbskiss |9-12|SV|PA [1·SWEDEN 2·HISTORY]
• Kjellberg, Erik: Musiklivet i stormaktstidens Västergötland |97-128|SV|PA [1·SWEDEN 2·HISTORY 3·MUSICOLOGY 4·MANUSCRIPT 5·COMPOSERS 6· 7·CHRISTIAN 8·CHAMB.MUS. 9·C17 10·C18]
• Kjellström, Birgit: Instrumentporträtt i Skaraborgs länsmuseum |153-180|SV|PA [1·SWEDEN 2·HISTORY 3·INSTRUMENT 4·ILL. 5·C18]
• Landtmanson, Samuel: Folklig dansmusik i Skaraborg |241-254|SV|PA [1·SWEDEN 2·C20 3·ENTERTAIN 4·OPERETTA 5·DANCE 6·SWING 7·JAZZ 8·ROCK 9·SCHLAGER 10·AMATEURS]
• Landtmanson, Samuel: Folkmusik i Västergötland. (1publ Uppsala, 1911) |203-240/1|SV|PA [1·SWEDEN 2·HISTORY 3·FOLK MUSIC 4·VIOLIN 5·DANCE 6·MUSIC EXX. 7·DOCUMENT]
• Larsson, Assar |203-240/1|SV|PA [1·SWEDEN 2·HISTORY]
• Ling, Jan; Nilsson, Ann-Marie: Medeltidens musik i kloster, katedral, slott och koja |41-68|SV|PA [1·SWEDEN 2·MEDIEVAL 3·MANUSCRIPT 4·ARCHIVIST 5·MUSICOLOGY 6·MUSIC EXX. 7·RELIGION 8·COMMUNITY 9·EVERYDAY]

Vi äro musikanter allt ifrån Skaraborg - studier i västgötsk musikhistoria. Skara: Skaraborgs länsmuseum (1983) 255 pp. #91-85884-13-8 [BM-VIAROMUSI]
• Ling, Jan; Andersson, Ulla; Larsson, Assar 255 pp. #91-85884-13-8 [BM-VIAROMUSI]|PB [1·SWEDEN 2·HISTORY 3·FOLK MUSIC 4·POPULARMUS 5·EUROARTMUS 6·RELIGION 7·MUSICIANS 8·AUDIENCE 9·ORGANISE 10·ANTHOLOGY]

Vi äro musikanter allt ifrån Skaraborg. Skara: Skaraborgs länsmuseum (1983) #91-85884-13-8 [BM-VIAROMUSI]
• Lund, Cajsa: Benflöjten i Västergötland - fynd och traditioner |13-40|SV|PA [1·SWEDEN 2· 3·ARCHIVIST 4·INSTRUMENT]
• Rudén, Jan Olof: Musiklivet i 1700-talets Västergötland |129-154|SV|PA [1·SWEDEN 2·HISTORY 3·C18 4·AMATEURS 5·ORCHESTRAL 6·EVERYDAY 7· 8·MANUSCRIPT 9·OPERA 10·CHRISTIAN]
• Thorsén, Stig-Magnus; Öhrström, Eva: Från borgerlig salong till storband - 100 år Skara musiksällskap |153-180|SV|PA [1·HISTORY 2·SWEDEN 3·PARLOURMUS 4·SWING 5·AMATEURS 6·ORGANISE 7·CHORAL 8·1850-1899 9·C20]

Victorian Illustrated Music Sheets. London: Her Majesty's Stationery Office (1981) 32 pp. #0-11-29-0355-X [BM-VICTORIAN]
• Haill, Catherine, ed. 32 pp. #0-11-29-0355-X [BM-VICTORIAN]|PB [1·1850-1899 2·1880S 3·1890S 4·1900-1909 5·VIS. ARTS 6·MUSIC PUBL 7·PARLOURMUS 8·POPULARMUS 9·ILL.]

Videreuddanelsesprojekt 1981-1982. Rapport. Köbenhavn: Samrådet for tilrettelæggelse av RMU i Danmark (1982) [CPR326/4]
• Höjris, Mikael; Simonsen, K; Madsen, Flemming [CPR326/4]|PS [1·DENMARK 2·ROCK 3·MUSIC EDUC 4·1980S]

Videreuddannelsesprojekt 1981-1982. Köbenhavn: Samrådet for tilrettelægelse af rytmisk mus. i DK (1982) [CP]
• Various [CP]|PS [1·SKILLS 2·DENMARK 3·MUSIC EDUC 4·INSTRUMENT 5·ROCK 6·JAZZ 7·DOCUMENT]

Den virkelige motorsavs massakre. Köbenhavn: (1983?) [CP322016]
• Schumacher, Kim [CP322016]|PA [1·CULTPOLIT. 2·MEDIA IND. 3·AESTHETICS 4·PORNOGRAPH]

Visioni e archetipi. Il mito nell'arte sperimentale e di avanguardia del primo novecento. Trento: Università degli studi di Trento (1996) 508 pp. #88-86135-44-0 [BCP-VISIONI]
• Bartoli, F, ed.; Dalmonte, Rosanna, ed.; Donati, C, ed. 508 pp. #88-86135-44-0 [BCP-VISIONI]|PB [1·VIS. ARTS 2·AVANTGARDE 3·C19]

The Visual Display of Quantative Information. Cheshire 8CN9: Graphics Press (1983) 197 pp. [BCP-TUFTE]
• Tufte, Edward R 197 pp. [BCP-TUFTE]|PB [1·VIS. ARTS 2·STATISTICS 3·AESTHETICS]

Vladimir Karbus. Göteborg: Musikvetenskap (1976) 10 pp. [CP822-123]
• Ling, Jan 10 pp. [CP822-123]|UX [1·SOCIOLOGY 2·SEMIOTICS 3·POLITICS 4·SOCIALISM] {KARBUSIKY, V}

Voice, 790212. New York (1979) [CP324046,027]
• Kopkind, Andrew: The Dialectic of Disco |1,11-16|EN|PA [1·USA 2·DISCO 3·ROCK 4·1970S 5·GENRES 6·GENRES]

Volume!/1. Clermont-Ferrand: Éditions Mélanie Séteun (2003) #1634-5495 [JM-VOLUME01]
• APO33: L'orchestre au XXIe siècle |69-108|FR|PA
• Étienne, Samuel: "First & Last & Always": kes valeurs de l'éphémère dans la presse musicale alternative |5-42|FR|PA
• Lescop, Gildas: «Honnie soit la Oi!» Naissance, émergence et déliquescence d'une forme de protestation sociale et musicale |109-128|FR|PA
• Perret, Carine: Une rencontre entre musique savante et jazz, musique de tradition orale: les oeuvres aux accents jazzistiques d'Érik Satie, Darius Milhaud, Igor Stravinsky et Maurice Ravel |43-68|FR|PA

Vom Musikalisch-Schönen. +@ CL005 (better details). Per Druud - private course material (1854) xcr pp. [CP495029-032]
• Hanslick, Eduard xcr pp. [CP495029-032]|PB [1·AESTHETICS 2·SEMIOTICS]

Von Mozart zu Madonna. Eine Kulturgeschichte der Popmusik. Leipzig: Gustav Kiepenheuer (1998) 320 pp. #3-378-01030-4 [BM-WICKE]
• Wicke, Peter 320 pp. #3-378-01030-4 [BM-WICKE]|PB [1·EUROARTMUS 2·POPULARMUS 3·ROCK 4·HISTORY 5·ILL.]

Vorschlag für ein Internationales Kooperationsprojekt der sozialistischen länder. Berlin (1982) [CP124236]
• Wicke, Peter [CP124236]|US [1·DOCUMENT 2·DDR 3·ADMINISTR. 4·SOCIALISM 5·POPULARMUS]

Voxpop. Profiles of the Pop Process. London: Harrap (1972) 320 pp. #0-245-51083-4 [BM-WALE]
• Wale, Michael 320 pp. #0-245-51083-4 [BM-WALE]|PB [1·UK 2·ROCK 3·MUS INDUST 4·RECORDING 5·PRODUCERS 6·COMPOSE 7·MUSICIANS 8·PERFORM 9·INTERVIEW]

VS 68/69, maggio-dicembre 1994. Bologna: Versus quaderni di studi semiotici (1994) #88-452-2472-4 [JM-VERSUSQUA]
• Marconi, Luca: Insegnare la teoria a partire dall'ascolto: la semiotica degli intervalli |113-124|IT|PA [1·SEMIOTICS 2·MUSIC EDUC 3·MELODY]

Wage Labour and Capital. Moscow: Progress (1952) 45 pp. [BCP-MARX]
• Marx, Karl 45 pp. [BCP-MARX]|PB

Wages, Price and Profit. Moscow: Progress (1947) 55 pp. [BCP-MARX]
• Marx, Karl 55 pp. [BCP-MARX]|PB [1·POLITICS 2·MONEY 3·SOCIALISM]

Wagner's "Ring" and its Symbols. London: Faber (1974) 342 pp. #0-571-04818-8 [BM-DONNINGTO]
• Donnington, Robert 342 pp. #0-571-04818-8 [BM-DONNINGTO]|PB [1·ROMANTIC 2·C19 3·EUROPE 4·OPERA 5·SEMIOTICS 6·MUSICOLOGY 7·MUSIC EXX.]

Wake Up Dead Man. Afro-American Worksongs from Texas Prisons. Cambridge (MA): Harvard University Press (1972) 326 pp. #0-674-94546-8 [BM-JACKSON]
• Jackson, Bruce, ed. 326 pp. #0-674-94546-8 [BM-JACKSON]|PB [1·USA 2·AFR-AMER. 3·WORK 4·ILL. 5·1950S 6·MUSICOLOGY 7·ANTHROPOL. 8·BLUES 9·JUSTICE]

Walking Bass - En undersökning av Percy Heaths spel i blues-formen. Uppstats för 60 poäng. Uppsala: Uppsala Universitet, Institution för Musikvetenskap (1983) [CP 318195]
• Jansson, Roine [CP 318195]|US [1·JAZZ 2·BLUES 3·INSTRUMENT 4·USA 5·PERFORM]

Walking to New Orleans. The Story of New Orleans Rhythm and Blues. Bexhill-on-Sea: Blues Unlimited (1974) 15+249 pp. [BM-BROVEN]
• Broven, John 15+249 pp. [BM-BROVEN]|PB [1·R&B 2·USA 3·ILL. 4·1940S 5·1950S 6·1960S 7·MUSICIANS 8·RADIO 9·PHONOGRAM 10·TRAD JAZZ]

War Child. (nd) 2 pp. [CP706108]
• Anon 2 pp. [CP706108]|PX [1·WAR 2·CHILDREN]

Ways of Seeing. London: BBC and Penguin (1977) 165 pp. #0-563-12244-7 [BCP-BERGER]
• Berger, John 165 pp. #0-563-12244-7 [BCP-BERGER]|PB [1·VIS. ARTS 2·ADVERTS 3·EUROPE 4·USA 5·HISTORY 6·AESTHETICS 7·SEMIOTICS 8·SYMPHONY]

Wegzeichen - Studien zur Musikwissenschaft. Berlin: Verlag Neue Musik (1985) [BM-WICKE]
• Druskin, Michail: Über einige unklare Episoden in Johann Sebastian Bachs Biographie |25-33|DE|PA [1·BAROQUE 2·C18 3·GERMANY 4·BIOGRAPHY]
• Goldschmidt, Harry: Den Gesang fortsetzend. Eine Mahler-Studie |194-262|DE|PA [1·MUSICOLOGY 2·ROMANTIC 3·ORCHESTRAL 4·VOICE 5·LYRICS 6·AESTHETICS 7·MUSIC EXX. 8·SEMIOTICS 9·AFFECT]
• Heister, Hanns-Werner: Absolute Musik und angewandte Virtuosität. Das Konzert als nichtmimetische Zeremonie |132-178|DE|PA [1·MUSICOLOGY 2·PERFORM 3·AESTHETICS 4·EUROARTMUS 5·DEFINE 6·RITUAL 7·SEMIOTICS 8·NVC 9·DRAMA]
• Hesse, Axel: Das spiritistische Transmissions-Singen und die Dialektik der Transkulturationsprozesse. |341-357|DE|PA [1·MUSICOLOGY 2·CUBA 3·INTERNATNL 4·FOLK MUSIC 5·MUSIC EXX. 6·RITUAL 7·W AFRICA 8·PERFORM 9·RELIGION 10·AESTHETICS]
• Jiranek, Jaroslav: Beethovens revolutionäre Ästhetik |34-61|SV|PA [1·EUROARTMUS 2·ROMANTIC 3·STATISTICS 4·AESTHETICS 5·REVOLUTION 6·POLITSTUDY 7·SEMIOTICS 8·MUS. FORM]
• Kaden, Christian: Ein Ritardando bei Hugo Wolf |179-194|DE|PA [1·MUSICOLOGY 2·ROMANTIC 3·VOICE 4·RHYTHM 5·LYRICS 6·GERMANY 7·1880S 8·1890S]
• Kluge, Reiner: Tonale Normen einstimmiger Volksliedmelodien. Zum Normierungsnachweis bei qualitativen Merkmalen |375-380|DE|PA [1·MUSICOLOGY 2·FOLK MUSIC 3·ACOUSTICS 4·STATISTICS 5·MATHEMATIC]
• Kolland, Hubert: Wagner wäre heute Filmemacher |117-125|DE|PA [1·MUSICOLOGY 2·FILM MUSIC 3·DRAMA 4·GERMANY 5·1850-1899 6·C19]
• Ling, Jan: Volksmusik und Ideologie in Schweden |308-331|DE|PA [1·MUSICOLOGY 2·SWEDEN 3·FOLK MUSIC 4·POLITSTUDY]
• Mainka, Jürgen: Schumann und der Realismus |74-91|DE|PA [1·MUSICOLOGY 2·ROMANTIC 3·EUROARTMUS 4·GERMANY 5·POLITSTUDY 6·MUSIC EXX. 7·PIANO 8·C19]
• Mainka, Jürgen, ed.; Wicke, Peter, ed. |74-91|DE|PB [1·MUSICOLOGY 2·EUROARTMUS 3·FOLK MUSIC 4·ROCK 5·MUSIC EXX. 6·MUS.ANALYS 7·SEMIOTICS 8·POLITSTUDY 9·ANTHOLOGY]
• Mann, Rosemarie: Retrospektive als Vermittlung und Fortschritt. Musikalischer Klassizismus im 2.Jh.v.u.Z.? |21-24|DE|PA [1·ANCNT ROME 2·GREECE 3·B.C. 4·AESTHETICS 5·GENRES]
• Maróthy, János: Die Wiedergeburt der Symphonie aus dem Geiste der Tragödie |125-132|DE|PA [1·MUSICOLOGY 2·USSR 3·1920S 4·CULTPOLIT. 5·1930S 6·AESTHETICS 7·HUNGARY 8·HARMONY]
• Mayer, Günter: Musik aus kapitalistischen Ländern |289-308|DE|PA [1·MUSICOLOGY 2·CAPITALISM 3·GENRES 4·ROCK 5·AVANTGARDE 6·USA 7·UK]
• Reinäcker, Gerd: Beobachtungen zur "Wolfsschlucht"-Szene |91-117|DE|PA [1·MUSICOLOGY 2·ROMANTIC 3·OPERA 4·GERMANY 5·C19 6·DRAMA 7·NATURE]
• Schneider, Frank: Sinn der Musik: Bild der Sprache |262-276|DE|PA [1·MUSICOLOGY 2·MOD.CLASS. 3·OPERA 4·POETRY 5·LYRICS 6·AESTHETICS]
• Stockmann, Doris: Tonalität in europäischer Volksmusik als historiches Problem |357-375|DE|PA [1·MUSICOLOGY 2·DEFINE 3·HISTORY 4·EUROPE 5·FOLK MUSIC 6·MELODY 7·HARMONY 8·MUS. FORM 9·AESTHETICS]
• Stockmann, Erich: Zum Professionalismus instrumentaler Volksmusikanten |331-341|DE|PA [1·MUSICOLOGY 2·AMATEURS 3·MUSICIANS 4·FOLK MUSIC]
• Tembrock, Günter: Kommunikation im Vorfeld der Menschwerdung |9-21|DE|PA [1·MUSICOLOGY 2·ACOUSTICS 3·BIOLOGY 4·NEUROLOGY 5·ANTHROPOL. 6·SEMIOTICS 7·POLITSTUDY]
• Wehnert, Martin: Quid ita musica communicatio |62-74|DE|PA [1·ANCNT ROME 2·GREECE 3·B.C. 4·DEFINE 5· 6·SEMIOTICS 7·AESTHETICS 8·MUS. FORM 9·RHYTHM 10·MUSICOLOGY]
• Wicke, Peter: Von der Aura der technisch produzierten Klanggestalt. Zur Ästhetik des Pop |276-289|DE|PA [1·MUSICOLOGY 2·ROCK 3·AESTHETICS 4·RECORDING 5·PERFORM 6·1960S]

The Western Impact on World Music: Change, Adaptation and Survival. New York: Schirmer (1985) 190 pp. [JM-YEARB/RVW]
• Nettl, Bruno 190 pp. [JM-YEARB/RVW]|PB [1·INTERNATNL 2·ACCULTUR. 3·MUS INDUST 4·ANTHROPOL. 5·INSTRUMENT 6·MUSICOLOGY]

Westoff, Giugno '87. (1987) [CP823-143]
• Morricone, Ennio; Prato, Paolo, ed.: La musica per film è buona quando è musica di per sé solo cosi<` può servire bene il cinema |58-59|IT|PA [1·FILM MUSIC 2·INTERVIEW]

Whatever Happened to the Tango?. Montevideo: (1984) 16 pp. [CP825094]
• Aharonián, Coriún 16 pp. [CP825094]|UX [1·TANGO 2·ARGENTINA 3·COLONIAL]

What is Popular Music? Quaderni di Musica/realtà, 8. Milano: Unicopli (1985) #88-7061-894-3 [BM-POPULAR]
• Aharonián, Coriún: Un punto di vista latinoamericano in un saggio da pioniere |66-79|IT|PA [1·DEFINE 2·FOLK MUSIC 3·MUSICOLOGY 4·URUGUAY 5·ARGENTINA 6·POPULARITY] {VEGA, Carlos}
• Ala, Nemesio; Ghezzi, Emilio: Musica e pubblicità nella televisione italiana |461-473|IT|PA [1·ITALY 2·ADVERTS 3·TELEVISION 4·SEMIOTICS 5·YOUTH 6·WOMEN 7·CHILDREN 8·MUSICOLOGY]
• Ala, Nemesio; Fabbri, Franco; Fiori, Umberto; Ghezzi, Emilio: Schemi del consumo musicale a Milano e a Reggio Emilia |492-527|IT|PA [1·GENRES 2·ITALY 3·SOCIOLOGY 4·STATISTICS 5·1980S 6·EUROARTMUS 7·ROCK 8·FOLK MUSIC 9·MOR 10·SSONGWRITR]
• Baroni, Mario; Callegari, Laura: Origini e storia della popular music |176-193|IT|PA [1·DEFINE 2·HISTORY 3·EUROPE 4·PHILOSOPHY 5·GENRES 6·SSONGWRITR 7·MELODY 8·MUSIC EXX.]
• Birrer, Frans A J: Definizioni e orientamenti di ricerca: abbiamo bisogno di una definizione di popular music? |138-145|IT|PA [1·DEFINE 2·PHILOSOPHY 3·POPULARITY 4·RESEARCH 5·POPULARMUS]
• Broere, Bernard J: El chambú: uno studio sulle musiche popolari del Nariño (Colombia meridionale) |358-374|IT|PA [1·COLOMBIA 2·FOLK MUSIC 3·ANTHROPOL. 4·DEFINE 5·EVERYDAY 6·GENRES 7·REGIONALSM]
• Chambers, Iain: La musica pop, la cultura popolare e il possibile |119-124|IT|PA [1· 2·YOUTH 3·MUS INDUST 4· 5·SOUND 6·MUS. FORM 7·OPPOSE]
• Destrempes, Josée: "Gens du Pays", un simbolo della "Québécitude" |302-305|FR|PA [1·QUÉBEC 2·NATIONALSM 3·GENRES 4·LYRICS 5·MUSIC USES]
• Elderen, P Louis van: Commemorazioni per il "piccolo uomo" - Tra gli anni '30 e gli anni 80: Pop songs olandesi |243-260|IT|PA [1·NETHERLAND 2·CHARTS 3·STATISTICS 4·REGIONALSM 5·GENRES 6·EVERYDAY 7·SOCIOLOGY 8·WORK 9·CULTPOLIT. 10·LYRICS]
• Erlmann, Veit: La canzone politica nera in Sud Africa - Alcune prospettive di ricerca |306-329|EN|PA [1·S AFRICA 2·FOLK MUSIC 3·JAZZ 4·ROCK 5·MASS MEDIA 6·LIBERTY 7·GENRES 8·RACISM 9·MUSIC EXX. 10·WORKERS]
• Fabbri, Franco: Nota di cura |11-14|IT|PA [1·DOCUMENT 2·IASPM 3·CONFERENCE 4·DEFINE 5·CULTPOLIT. 6·HISTORY]
• Fabbri, Franco, ed.: What is Popular Music? 41 saggi, ricerche, interventi sulla musica di ogni giorno |IT|PB [1·IASPM 2·CONFERENCE 3·DEFINE 4·ANTHOLOGY]
• Fairley, Jan: Karaxú e Incantation: quando diventa "popular" la musica "folk"? |348-357|IT|PA [1·CHILE 2·FOLK MUSIC 3·URBAN 4·UK 5·FASCISM 6·VOICE 7·POPULARITY]
• Fiori, Umberto: Popular music: teoria, pratica, valore |92-103|IT|PA [1·IASPM 2·CONFERENCE 3·DEFINE 4·HISTORY 5·POLITSTUDY 6·COMMUNTHEO 7·COMMUNITY 8·GENRES 9·ROCK 10·AVANTGARDE]
• Fornäs, Johan: Il "Progetto Tenda" - Una manifestazione del movimento musicale progressivo degli anni 70 |261-266|IT|PA [1·SWEDEN 2·ROCK 3·YOUTH 4·PROGRESSIV 5·1970S 6·ORGANISE 7·AESTHETICS 8·MUSIC USES 9·GENRES 10·POLITSTUDY]
• Galden, Manfred P: La "popular music" nella terminologia della teoria della comunicazione e informazione |125-137|IT|PA [1·DEFINE 2·COMMUNTHEO 3· 4·EDUCATION 5·BRD 6·PT 7·LYRICS 8· 9·]
• Green, Marian: Le canzioni di Willie Nelson: espressione del sé durante l'era della contestazione |290-295|IT|PA [1·USA 2·C&W 3·EVERYDAY 4·SCHLAGER 5·OPPOSE]
• Grossberg, Lawrence: Se il rock'n'roll comunica, perché allora è così rumoroso? Il piacere e il popolare |104-118|IT|PA [1·ROCK 2·USA 3·YOUTH 4·1980S 5·POLITSTUDY 6·SOCIOLOGY]
• Harker, David: Fakesong, ovvero il folksong non esiste |331-347|IT|PA [1·UK 2·FOLK MUSIC 3·RURAL 4·URBAN 5·DEFINE 6·HISTORY 7·POLITSTUDY 8·COMMUNITY 9·WORKERS]
• Hatch, Martin: La musica popolare in Indonesia |415-433|EN|PA [1·GENRES 2·ANTHROPOL. 3·FOLK MUSIC 4·NATURE 5·URBAN 6·RURAL 7·E ASIA MUS 8·C&W 9·CASSETTES 10·LYRICS]
• Hidalgo, M; Brunelli, O G; Salton, R D: L'evoluzione del rock in Argentina |405-414|EN|PA [1·ARGENTINA 2·ROCK 3·TANGO 4·1960S 5·1970S 6·YOUTH]
• Horn, David: Progetti di lavoro: alcuni appunti sui futuri compiti della IASPM |528-538|IT|PA [1·BIBLIOGR. 2·IASPM 3·ORGANISE 4·CULTPOLIT. 5·ECONOMICS]
• Johnson, Geir: Cambiamenti nella popular music norvegese fra il 1976 e il 1981 |267-272|IT|PA [1·NORWAY 2·CHARTS 3·RADIO 4·YOUTH 5·REGIONALSM 6·ROCK 7·SCHLAGER 8·GENRES 9·1970S 10·POLITSTUDY]
• Julien, Jean-Rémy: L'utilizzazione del folklore e della musica popolare nel messaggio pubblicitario |450-460|IT|PA [1·ADVERTS 2·RADIO 3·FRANCE 4·FOLK MUSIC 5·URBAN 6·RURAL 7·LYRICS 8·MUSIC EXX. 9·MUSICOLOGY 10·]
• Ling, Jan; Ramsten, Märta: Il Canto di Gärdeby - Un caso di emigrazione e immigrazione musicale |170-175|IT|PA [1·SWEDEN 2·MUSICOLOGY 3·FOLK MUSIC 4·MASS MEDIA 5·INTERNATNL 6·MUSIC EXX. 7·SEMIOTICS 8·VIOLIN 9·ARRANGE]
• Meyer, Gust de: Gli aspetti minimali e ripetitivi nella popular music |223-235|IT|PA [1·MINIMALISM 2·RECURRENCE 3·AESTHETICS 4·USA 5·UK 6·AVANTGARDE 7·ROCK 8·BELGIUM]
• Middleton, Richard: Popular music: conflitto di classe e campo storico-musicale |25-49|IT|PA [1·IASPM 2·EUROPE 3·USA 4·UK 5·MUSIC HIST 6·POLITSTUDY 7·HISTORY 8·COMMUNITY 9·MUS INDUST 10·GENRES]
• Pelinski, Ramón: Dal tango al "rock nacional". Uno studio sui cambiamenti del gusto musical a Buenos Aires |397-404|IT|PA [1·ARGENTINA 2·TANGO 3·DANCE 4·LYRICS 5·MUSIC USES 6·POLITSTUDY 7·GROUPS 8·INSTRUMENT 9·ROCK 10·URBAN]
• Plas, Wim van der: Può essere arte, il rock? |236-242|IT|PA [1·SOCIOLOGY 2·ROCK 3·USA 4·UK 5·AESTHETICS 6·POLITSTUDY 7·NETHERLAND 8·DEFINE 9·CAPITALISM 10·REVOLUTION]
• Prato, Paolo: Il Kitsch musicale. Incontri ravvicinati tra pop e musica classica |208-222|IT|PA [1·EUROARTMUS 2·ARRANGE 3·AESTHETICS 4·HUMOUR 5·ORCHESTRAL 6·ROCK 7·EUROPE 8·N AMERICA 9·MASS MEDIA]
• Riedel, Johannes: Il pasillo ecuadoriano: è musica popular, musica nacional o musica folklorica? |375-396|IT|PA [1·ECUADOR 2·DANCE 3·GENRES 4·DEFINE 5·DISCOGR. 6·MUSICOLOGY 7·PERFORM 8·LYRICS 9·NATIONALSM 10·MUSIC EXX.]
• Sample, Duane: La musica popolare della guerra ispano-americana: quanto era popolare? |194-201|IT|PA [1·USA 2·FOLK MUSIC 3·WAR 4·C19 5·VIS. ARTS 6·LYRICS 7·MUSIC USES 8·VIOLENCE 9·IMPERIALSM 10·POPULARITY]
• Schüller, Dietrich; Thiel, Helga: Tra folk e pop. La pluralità stilistica nelle attività musiali in alcune regioni austriache |434-449|IT|PA [1·AUSTRIA 2·GENRES 3·FOLK MUSIC 4·SCHLAGER 5·ROCK 6·JAZZ 7·REGIONALSM 8·STATISTICS 9·COMMUNTHEO 10·SOCIOLOGY]
• Shepherd, John: Definizione e mistificazione: considerazioni sulle etichette come ostacoli alla comprensione della musica |50-65|IT|PA [1·ROCK 2·UK 3·DEFINE 4·MUSIC USES 5·YOUTH 6·GENRES 7·SEX/GENDER 8·N AMERICA]
• Szemere, Anna: Il rock d'avanguardia in Ungheria |285-289|IT|PA [1·HUNGARY 2·ROCK 3·AVANTGARDE 4·1970S 5·YOUTH 6·SOCIOLOGY 7·MUS INDUST 8·POLITSTUDY 9·PERFORM 10·NEW WAVE]
• Tagg, Philip: Perché la IASPM? Quali compiti? |539-546|IT|PA [1·IASPM 2·CULTPOLIT. 3·POLITSTUDY 4·ORGANISE 5·IDEALISM 6·INTERNATNL]
• Tagg, Philip; Fabbri, Franco: Programma della conferenza |17-24|IT|PA [1·DOCUMENT 2·IASPM 3·CONFERENCE]
• Tegen, Martin: Le trasformazioni del concetto di musica popolare occidentale prima e dopo il 1900 |202-207|IT|PA [1·DEFINE 2·HISTORY 3·C19 4·C20 5·EUROARTMUS 6·POPULARMUS 7·POPULARITY]
• Tokaji, András: Le canzioni politiche di sinistra in Ungheria prima e dopo il 1948 |273-284|IT|PA [1·HUNGARY 2·SOCIALISM 3·VOCAL MUS. 4·CULTPOLIT. 5· 6·MUSIC USES 7·POLITSTUDY 8·POPULARITY]
• Wicke, Peter: La popularità in musica: aspetti di una teoria storico-materialista della popular music |146-150|IT|PA [1·IASPM 2·MEDIA IND. 3·YOUTH 4·PROGRESSIV 5·DDR 6·WORK 7·DEFINE 8·POPULARITY]
• Willett, Ralph: La musica country: come una forma "popolare" è divenuta "veramente popolare" |296-301|IT|PA [1·POPULARITY 2·USA 3·C&W 4·HISTORY 5·POLITICAL 6·RELIGION 7·POLITSTUDY 8·LYRICS 9·MUS INDUST 10·CAPITALISM]
• Wolfe, Arnold S: Pop sul video: modelli narrativi nella visualizzazione della popular music in Your Hit Parade and Solid Gold |474-491|IT|PA [1·VIDEO 2·TELEVISION 3·ROCK 4·USA 5·YOUTH 6·SEMIOTICS 7·VIS. ARTS 8·]
• Zak, Vladimir: Il meraviglioso mondo dell'intonazione popolare |151-169|IT|PA [1·MUSICOLOGY 2·MUSIC EXX. 3·MELODY 4·SEMIOTICS]

What's Techno? Geschichte, Diskurse und musikalische Gestalt elektronisher Unterhaltungsmusik. Osnabrück: Epos Music / Osnabrücker Beiträge zur systematischen Musikwissenschaft, Band 4 (2003) viii+205 pp. #3-923486-42-1 [BM-VOLKWEIN]
• Volkwein, Barbara viii+205 pp. #3-923486-42-1 [BM-VOLKWEIN]|PB [1·HOUSE/RAVE 2·MUSICOLOGY 3·GERMANY 4·MUSIC EXX. 5·ILL.]

When the Music Stops. Managers, maestros and the corporate murder of classical music. Pocket Books imprint of 2nd ed (1st ed 1996). London: Simon & Schuster (1997) #0-671-01025-5 [BM-LEBRECHT]
• Lebrecht, Norman #0-671-01025-5 [BM-LEBRECHT]|PB [1·EUROARTMUS 2·MUS INDUST 3·C19 4·C20 5·USA 6·EUROPE 7·UK]

When Words Sing. Wien: Universal Edition (1970) 50 pp. #0-900938-30-7 [BM-SCHAFER]
• Schafer, R Murray 50 pp. #0-900938-30-7 [BM-SCHAFER]|PB [1·VOICE 2·MUSIC EDUC 3·PROGRAMMUS 4·LITERATURE 5·VIS. ARTS]

When Words Sing. Wien: Universal Edition (1979) 50 pp. #0-900938-30-7 [BM-SCHAFER M]
• Schafer, R Murray 50 pp. #0-900938-30-7 [BM-SCHAFER M]|PB [1·SOUND 2·POETRY]

The Who. London: November Books (1971) 112 pp. #0-289-70134-1 [BM-WHO]
• Herman, Gary 112 pp. #0-289-70134-1 [BM-WHO]|PB [1·UK 2·1960S 3·ROCK 4·YOUTH 5·GROUPS 6·GENRES 7·VIOLENCE 8·ILL. 9·DISCOGR.]

Whose Music? A Sociology of Musical Languages. London: Latimer (1977) #0-901539-62-7 [BM-SHEPHERD]
• Shepherd, John: The "Meaning" of Music |53-68|EN|PA [1·SEMIOTICS 2·POLITICAL 3·DEFINE]
• Shepherd, John; Shepherd, John, ed.; Virden, Phil, ed.; Vulliamy, Graham, ed.: Media, Social Process and Music |7-52|EN|PA [1·MASS MEDIA 2·VIS. ARTS 3· 4·PHILOSOPHY 5·AESTHETICS 6·CULT.STUDY 7·POLITSTUDY]
• Shepherd, John: The Musical Coding of Ideologies |69-124|EN|PA [1·SEMIOTICS 2·EUROPE 3·HISTORY 4·POLITSTUDY 5·MELODY 6·HARMONY]
• Virden, Phil; Wishart, Trevor: Some Observations on the Social Stratification of Twentieth Century Music |155-178|EN|PA [1·MUSICOLOGY 2·GENRES 3·AESTHETICS 4·POLITSTUDY 5·EUROPE 6·USA 7·SEMIOTICS]
• Vulliamy, Graham: Music and the Mass Culture Debate. |179-200|EN|PA [1·UK 2·ROCK 3·USA 4·SCHLAGER 5·MUS INDUST 6·POLITSTUDY]
• Vulliamy, Graham: Music as a Case Study in the "New Sociology of Education" |201-232|EN|PA [1·SOCIOLOGY 2·EDUCATION 3·UK 4·MUSIC EDUC 5·GENRES]
• Wishart, Trevor: Musical Writing, Musical Speaking |125-154|EN|PA [1·COMPOSE 2·VERBAL 3·SKILLS 4·AESTHETICS 5·NOTATION 6·MEDIA IND.]
• Wishart, Trevor: On Radical Culture |233-256|EN|PA [1·SOCIOLOGY 2·CULT.STUDY 3·POLITSTUDY 4·AVANTGARDE 5·PROGRESSIV]

Who's Listening? A Story of BBC Audience Research. London: George Allen and Unwin (1974) 219 pp. #0-04384001-9 [BCP-SILVEY]
• Silvey, Robert 219 pp. #0-04384001-9 [BCP-SILVEY]|PB [1·UK 2·STATISTICS 3·HISTORY 4·RADIO 5·PERCEIVE]

Why am I in Paradise...? The `Great War' Diaries of J.B. Goodridge. Loughborough: Teamprint (1994) #1-871431-03-4 [BCP-GOODRIDG]
• Goodridge, Joseph B; Goodridge, Ernest N, ed. #1-871431-03-4 [BCP-GOODRIDG]|PB [1·WAR 2·PT 3·UK 4·DOCUMENT 5·1910S]

Wiener Veröffentlichungen zur Musikwissenschaft, 14. Tutzing: Hans Schneider (1979) 87 pp. #3-7952-0241-8 [BM-DIETTRICH]
• Diettrich, Eva: Tendenzen der Pop-Musik. Dargestellt am Beispiel der Beatles |DE|PB [1·Stud.Proj. 2·UK 3·ROCK 4·1960S 5·MUSICOLOGY 6·MUSIC EXX. 7·MUS.ANALYS 8·HARMONY 9·MELODY]

Wild Boys/Girl's Fun. Stony Brook (NY): Department of Music (1985) [CP193080]
• Winkler, Peter [CP193080]|US [1·MUSIC EXX. 2·MUS.ANALYS 3·ROCK 4·USA 5·UK 6·1980S 7·VIDEO]

Women, Fire and Dangerous Things. Chicago & London: University of Chicago Press (1990) xvii+614 pp. #0-226-46804-6 [BCP-LAKOFF]
• Lakoff, George xvii+614 pp. #0-226-46804-6 [BCP-LAKOFF]|PB [1·LINGUISTIC 2·PHILOSOPHY 3·SEMIOTICS 4·ANTHROPOL.]

Work and Culture / Music. Notes taken at a lecture. Göteborg (1986) 2 pp. [CP757]
• Thorsén, Stig Magnus 2 pp. [CP757]|UX [1·MUZAK 2·WORK 3·CULT.STUDY]

Working Class Culture: studies in history and theory. London: Hutchinson (1979) #0-09-138221-1 [BCP-CLARKE]
• Blanch, Michael: Imperialism, nationalism and organised youth |103-120|EN|PA [1·WORKERS 2·UK]
• Clarke, John: Capital and culture: the post-war working class revisited |238-253|EN|PA [1·WORKERS 2·UK 3·DEFINE 4·CAPITALISM]
• Critcher, Chas: Football since the war |161-184|EN|PA [1·WORKERS 2·UK]
• Critcher, Chas; Clarke, John, ed.; Critcher, Chas, ed.; Johnson, Richard, ed.: Sociology, cultural studies and the post-was working class |13-40|EN|PA [1·WORKERS 2·UK]
• Johnson, Richard: Culture and the historians |41-74|EN|PA [1·WORKERS 2·UK]
• Johnson, Richard: 'Really useful knowledge': radical education and working-class culture, 1790-1848 |75-102|EN|PA [1·WORKERS 2·UK]
• Johnson, Richard: Three problematics: elements of theory of working class culture |201-237|EN|PA [1·WORKERS 2·UK 3·DEFINE]
• Taylor, Pam: Daughters and mothers - maids and mistresses: domestic service between the wars |121-139|EN|PA [1·WORKERS 2·UK 3·WOMEN]
• Wild Paul: Recreation in Rochdale, 1900-1940 |140-160|EN|PA [1·WORKERS 2·UK]
• Willis, Paul: Shop-floor culture, masculinity and the wage form |185-200|EN|PA [1·WORKERS 2·UK 3·MEN]

Worldbeat, 1. IASPM (1991) #0-19-508235-4 [JM-WORLDBEAT]
• Aharonián, Coriún: Revolution and Dependency in Latin America |115-128|EN|PA [1·L AMERICA 2·EUROARTMUS 3·EUROPE 4·3RD WORLD 5·IMPERIALSM 6·DEFINE 7·POPULARMUS]
• Alaja-Browne, Afolabi: On Music, Emotions and Mobilization |34-46|EN|PA [1·NIGERIA 2·POLITICS 3·JUJUHILIFE]
• Alén Rodriguez, Olavo: Center for the Research and Development of Cuban Music |186-193|EN|PA [1·REVIEW 2·ARCHIVIST 3·RESEARCH 4·CUBA] {DESAROLLO; INVESTIGACION}
• Cook, Susan C: The Career and Times of Irene Castle. Revolutions in Music and Manners |34-46|EN|PA [1·USA 2·DANCE 3·1900-1909 4·1910S]
• Fabbri, Franco: Copyright: the dark side of the music business |109-114|EN|PA [1·USA 2·UK 3·ITALY 4·MUS INDUST 5·COPYRIGHT]
• Floyd Jr, Samuel A: Center for Black Music Research, Columbia College, Chicago |215-218|EN|PA [1·RESEARCH 2·REVIEW 3·ARCHIVIST 4·EDUCATION 5·USA 6·AFR-AMER.]
• Frith, Simon: The John Logie Baird Centre, Universities of Strathclyde and Glasgow |199-202|EN|PA [1·REVIEW 2·ARCHIVIST 3·RESEARCH 4·EDUCATION 5·UK 6·SCOTLAND 7·MASS MEDIA]
• Grossberg, Larry: Review of Peter Wicke's "Rock Music: Culture, Aesthetics and Sociology" |174-180|EN|PA [1·REVIEW]
• Horn, David: The Institute of Popular Music, University of Liverpool |203-209|EN|PA [1·REVIEW 2·ARCHIVIST 3·RESEARCH 4·EDUCATION 5·UK 6·LIVERPOOL]
• Ju Qi-hong: La musique populaire de la Chine du XXe siècle dans le contexte des relations complexes entre la révolution et la démocratie |13-21|FR|PA [1·CHINA 2·REVOLUTION 3·SOCIOLOGY 4·CULT.STUDY 5·POLITICS]
• Kaufmann, Dorothea: "Wenn Damen pfeifen, gehen die Gracien flöten". Die Musikerin in der deutschen Tanz- und Unterhaltungsmusik des 19. Jahrhunderts |55-80|DE|PA [1·GERMANY 2·DANCE 3·ENTERTAIN 4·WOMEN 5·C19 6·SEX/GENDER]
• Mitsui, Toru: Popular Music Research in Japan. A Report on Research in Institutional Settings |219-222|EN|PA [1·RESEARCH 2·REVIEW 3·ARCHIVIST 4·EDUCATION 5·JAPAN 6·INSTITUTNS]
• Pekacz, Jolanta: "Gott erhalte unsern Kaiser." The Image of the World in Galician School Songbooks in the Second Half of the Nineteenth Century |95-108|EN|PA [1·GERMANY 2·POLAND 3·AUSTRIA 4·IMPERIALSM 5·SINGING 6·CHILDREN 7·EDUCATION 8·MUSIC EDUC]
• Schurk, William L: The Sound Recording Archives, Bowling Green State University |181-185|EN|PA [1·REVIEW 2·ARCHIVIST 3·RESEARCH 4·USA]
• Straw, Will: The Popular Music Workshop, The Centre for Research on Culture and Society, Carleton University |223-228|EN|PA [1·RESEARCH 2·REVIEW 3·ARCHIVIST 4·EDUCATION 5·CANADA 6·SOCIOLOGY 7·CULT.STUDY]
• Ulloa Anmiguel, Alejandro: La salsa en Cali. Cultura urbana de música y medios de communicación |55-81|EN|PA [1·NIGERIA 2·POLITICS 3·JUJUHILIFE]
• Wells, Paul F: The Center for Popular Music, Mddle Tennessee State University |210-214|EN|PA [1·RESEARCH 2·REVIEW 3·ARCHIVIST 4·EDUCATION 5·USA]
• Wicke, Peter: Forschungszentrum populäre Musik, Humboldt-Universität, Berlin |194-198|DE|PA [1·REVIEW 2·ARCHIVIST 3·RESEARCH]
• Wicke, Peter; Grenier, Line; Vila, Paolo Sergio; Shepherd, John: Reviews of Richard Middleton's "Studying Popular Music" |129-173|EN|PA [1·REVIEW]
• Zeng Sui-jin: Une étude sociologique de la chanson populaire de la Chine contemporaine |22-33|FR|PA [1·CHINA 2·REVOLUTION 3·SOCIOLOGY 4·CULT.STUDY 5·POLITICS]

Writings and Drawings. St Albans: Panther (1974) 478 pp. #0-586-04088-9 [BM-DYLAN]
• Dylan, Bob 478 pp. #0-586-04088-9 [BM-DYLAN]|PB [1·USA 2·FOLK MUSIC 3·POETRY 4·ROCK 5·1960S]

The Writings of Erik Satie. London: Eulenburg Books (1980) 179 pp. #0-903873-57-5 [BMA-SATIE]
• Satie, Erik; Wilkins, Nigel 179 pp. #0-903873-57-5 [BMA-SATIE]|PB [1·FRANCE 2·1890S 3·1900-1909 4·1910S 5·1920S 6·BIOGRAPHY 7·POETRY 8·DRAMA 9·VIS. ARTS 10·ILL.]

Wunsch und Wirklichkeit der Nachwuchsförderung in der Popularmusik. Hamburg: Deutsche Phono-Akademie (1981) #2-07-032349-8 [BM-DEUTSCHE]
• Bauer, Gerd; Samson, Klaus-Peter, ed.: aus der Sicht des Fernsehens |28-35|DE|PA [1·CONFERENCE 2·REPORT 3·MUSIC EDUC 4·CULTPOLIT. 5·BRD 6·TELEVISION 7·ENTERTAIN 8·MUSICIANS]
• Baum, Hans-Georg: aus der Sicht der Schallplatte |36-39|DE|PA [1·CONFERENCE 2·REPORT 3·EDUCATION 4·CULTPOLIT. 5·MUS INDUST 6·BRD 7·RECORDS 8·MUSICIANS 9·ENTERTAIN]
• Bilstein, Helmut: aus der Sicht der Kulturpolitikers |DE|PB [1·CONFERENCE 2·REPORT 3·MUSIC EDUC 4·CULTPOLIT. 5·BRD 6·MUSICIANS 7·ENTERTAIN]
• Kunert, Wolfgang: aus der Sicht des Hörfunks |DE|PB [1·CONFERENCE 2·REPORT 3·MUSIC EDUC 4·CULTPOLIT. 5·BRD 6·RADIO 7·ENTERTAIN 8·MUSICIANS]
• Rauhe, Hermann: aus der Sicht des Musikpädagogen |DE|PB [1·CONFERENCE 2·REPORT 3·MUSIC EDUC 4·CULTPOLIT. 5·ADMINISTR. 6·BRD 7·MUSICIANS 8·ENTERTAIN]
• Reinecke, Hans-Peter: aus der Sicht der Musikwissenschaftlers |DE|PB [1·CONFERENCE 2·REPORT 3·MUSIC EDUC 4·CULTPOLIT. 5·BRD 6·MUSICIANS 7·ENTERTAIN 8·MUSICOLOGY]
• Schmid, Christof: aus der Sicht des Fernshens |DE|PB [1·CONFERENCE 2·REPORT 3·MUSIC EDUC 4·CULTPOLIT. 5·MUSICIANS 6·ENTERTAIN 7·TELEVISION 8·BRD]
• Sikorski, Hans: aus der Sicht der Musikverlegers |DE|PB [1·CONFERENCE 2·REPORT 3·MUSIC EDUC 4·CULTPOLIT. 5·MUSIC PUBL 6·MUS INDUST 7·BRD 8·MUSICIANS 9·ENTERTAIN]

Yearbook For Traditional Music, 18. New York: International Council for Traditional Music (1986) #0740-1558 [JM-YEARBOOK]
• Anderson-Sutton, R: The Crystallization of a Marginal Tradition: Music in Banyumas, West Central Java |115-132|EN|PA [1·INDONESIA 2·GENRES 3·MUS INDUST 4·DRAMA 5·PHONOGRAM]

Yearbook for Traditional Music, 15. East Asian Musics. Seoul: International Council for Traditional Music (1983) [JM YEARBOOK]
• Atsuko, Tsukamoto: The Music of Tibetan Buddhism in Ladakh (Bskan-gso ritual in the Dge-Lugs-pa sect) |126-140|EN|PA [1·E ASIA 2·CHINA 3·ANTHROPOL. 4·MUSICOLOGY 5·RELIGION 6·VOICE 7·MELODY 8·INSTRUMENT 9·AESTHETICS]

Yearbook for Traditional Music, 22. New York: International Council for Traditional Music (1988) #0740-1588 [JM-YEARBOOK]
• Baily, John: Anthropological and Psychological Approaches to the Study of Music Theory and Musical Cognition |114-124|EN|PA [1·FOLK MUSIC 2·AFGHAN 3·HINDUISM 4·ANTHROPOL.]

Yearbook for Traditional Music, 22. New York: International Council for Traditional Music (1990) #0740-1558 [JM-YEARBOOK]
• Baily, John: John Blacking and his Place in Ethnomusicology (Obituary) |xii-xxi|EN|PA [1·ANTHROPOL. 2·MUSICOLOGY 3·DOCUMENT 4·BIBLIOGR.] {BLACKING John}

Yearbook for Traditional Music, 23. New York: International Council for Traditional Music (1991) #0740-1558 [JM-YEARBOOK]
• Bakka, Egil: The Computer as a Tool in Dance Research |125-130|EN|PA [1·DANCE 2·NOTATION 3·COMPUTERS]

Yearbook for Traditional Music, 22. New York: International Council for Traditional Music (1990) #0740-1558 [JM-YEARBOOK]
• Barwick, Linda: Central Australian Women's Ritual Music: Knowing through Analysis versus Knowing through Performance |60-79|EN|PA [1·ANTHROPOL. 2·MUSICOLOGY 3·AUSTRALIA 4·LYRICS 5·MELODY 6·RHYTHM 7·WOMEN] {ABORIGINAL}

Yearbook For Traditional Music, 17. New York: International Council for Traditional Music (1985) #0740-1558 [JM-YEARBOOK]
• Baumann, Max Peter: The Cantu ensemble of the Kallawaya at Charazani (Bolivia) |146-166|EN|PA [1·BOLIVIA 2·L AMERICA 3·INSTRUMENT 4·MUSICOLOGY 5·ANTHROPOL. 6·AMERINDIAN]
• Bielawski, Ludwik: History in Ethnomusicology |8-15|EN|PA [1·ANTHROPOL. 2·PHILOSOPHY 3·DEFINE 4·HISTORY 5·MUSICOLOGY 6·TIME/SPACE]
• Blacking, John: The Context of Venda Possession Music: Reflections on the Effectiveness of Symbols |64-87|EN|PA [1·S AFRICA 2·ANTHROPOL. 3·SEMIOTICS 4·POETRY 5·MUSIC EXX. 6·VERBAL 7·MONEY 8·GENRES]

Yearbook for Traditional Music, 21. New York: International Council for Traditional Music (1989) 17-24 pp. #0740-1588 [JM-YEARBOOK]
• Blacking, John: Challenging the Myth of "Ethnic" Music: First Performances of a New Song in an African Oral Tradition, 1961 |EN|PB [1·AFRICA 2·DEFINE 3·FOLK MUSIC 4·ANTHROPOL. 5·POLITSTUDY]

Yearbook for Traditional Music, 16. New York: International Council for Traditional Music (1984) #0740-1558 [JM-Y]
• Bohlman, Philip V: Central European Jews in Israel: The Reurbanisation of musical Life in an Immigrant |67-83|EN|PA [1·JEWISH 2·RURAL 3·URBAN 4·MINORITIES 5·CULT.STUDY 6·MUSIC MAKE]

Yearbook for Traditional Music, 22. New York: International Council for Traditional Music (1988) #0740-1588 [JM-YEARBOOK]
• Bohlman, Philip V: Traditional Music and Cultural Identity: Persistent Paradigm in the History of Ethnomusicology |26-43|EN|PA [1·FOLK MUSIC 2·ANTHROPOL. 3·CULT.STUDY 4·DEFINE 5·HISTORY]

Yearbook For Traditional Music, 17. New York: International Council for Traditional Music (1985) #0740-1558 [JM-YEARBOOK]
• Bolle-Zemp, Sylvie: Appels au bétail et identité en Haute-Gruyère (Suisse) |167-197|FR|PA [1·SWISS 2·FOLK MUSIC 3·SEMIOTICS 4·ANTHROPOL. 5·MUSICOLOGY 6·MUSIC EXX. 7·ACOUSTICS 8·RURAL 9·EVERYDAY]

Yearbook for Traditional Music, 22. New York: International Council for Traditional Music (1990) #0740-1558 [JM-YEARBOOK]
• Bolle-Zemp, Sylvie: Institutionalized Folklore and Helvetic Ideology |127-140|EN|PA [1·ANTHROPOL. 2·MUSICOLOGY 3·SWISS 4·TOURISM] {BOVET Joseph}

Yearbook for Traditional Music, 22. New York: International Council for Traditional Music (1988) #0740-1588 [JM-YEARBOOK]
• Bor, Joep: The Rise of Ethnomusicology: Sources on Indian Music c.1780-c.1890 |51-73|EN|PA [1·INDIA 2·BIBLIOGR. 3·FOLK MUSIC 4·ANTHROPOL. 5·HISTORY 6·C19]

Yearbook for Traditional Music, 23. New York: International Council for Traditional Music (1991) #0740-1558 [JM-YEARBOOK]
• Buckland, Theresa Jill: Institutions and Ideology in the Dissemination of Morris Dances in the Northwest of England |53-68|EN|PA [1·UK 2·DANCE 3·FOLK MUSIC 4·EDUCATION 5·CULTPOLIT.]

Yearbook for Traditional Music, 22. New York: International Council for Traditional Music (1988) #0740-1588 [JM-YEARBOOK]
• Christensen, Dieter: The International Folk Music Council and 'The Americans': On the Effects of Stereotypes on the Institutionalization of Ethnomusicology |11-18|EN|PA [1·FOLK MUSIC 2·ORGANISE 3·USA 4·ADMINISTR. 5·SYMPHONY]

Yearbook for Traditional Music, 23. New York: International Council for Traditional Music (1991) #0740-1558 [JM-YEARBOOK]
• Dunin, Elsie Ivancich: Personal Computers and Dance Ethnology Research |113-124|EN|PA [1·DANCE 2·NOTATION 3·COMPUTERS]

Yearbook for Traditional Music, 15. East Asian Musics. Seoul: International Council for Traditional Music (1983) [JM YEARBOOK]
• Emmert, Richard: The "Magioto of No" - Musical Analysis of the "Chu-no-Mai" |5-13|EN|PA [1·E ASIA 2·ANTHROPOL. 3·MUSICOLOGY 4·PERFORM 5·JAPAN]

Yearbook For Traditional Music, 17. New York: International Council for Traditional Music (1985) #0740-1558 [JM-YEARBOOK]
• Erlmann, Veit: Model, Variation and Performance: Ful'be praise-song in Northern Cameroon |88-112|EN|PA [1·C AFRICA 2·ANTHROPOL. 3·MUSICOLOGY 4·MUSIC EXX. 5·MUSIC USES 6·SEMIOTICS]

Yearbook for Traditional Music, 22. New York: International Council for Traditional Music (1988) #0740-1588 [JM-YEARBOOK]
• Etzkorn, K Peter: Publications and their Influence on the Development of Ethnomusicology |43-50|EN|PA [1·FOLK MUSIC 2·ANTHROPOL. 3·ORGANISE 4·MUSIC PUBL]

Yearbook for Traditional Music, 23. New York: International Council for Traditional Music (1991) #0740-1558 [JM-YEARBOOK]
• Farnell, Brenda: Nak`ota mak`oc`e: An American Indian Storytelling Performance |79-100|EN|PA [1·DANCE 2·FOLK MUSIC 3·USA 4·AMERINDIAN]

Yearbook for Traditional Music, 16. New York: International Council for Traditional Music (1984) #0740-1558 [JM-Y]
• Feld, Steve: Communication, Music and Speech about Music |1-18|EN|PA [1·ANTHROPOL. 2·MUSICOLOGY 3·DEFINE]

Yearbook for Traditional Music, 22. New York: International Council for Traditional Music (1988) #0740-1588 [JM-YEARBOOK]
• Feld, Steve: Aesthetics as Iconicity of Style, or 'Lift-up-over Sounding': Getting into the Kaluli groove Cassette examples 'Lift-Up-Over Sounding' Kaluli, Bosavi, Papua New Guinea (1-26) and Voices in the Forest - A Kaluli Soundscape, see K343 |74-113|EN|PA [1·FOLK MUSIC 2·ANTHROPOL. 3·CULT.STUDY 4·SOUNDSCAPE 5·AESTHETICS 6·SEMIOTICS 7·SOCIOLOGY 8·MUSICOLOGY 9·DEFINE 10·ILL.]

Yearbook for Traditional Music, 15. East Asian Musics. Seoul: International Council for Traditional Music (1983) [JM YEARBOOK]
• Fritsch, Ingrid: A Comparison of "Tozanryu" and "Kinkoryu Shakuhachi" |14-30|EN|PA [1·E ASIA 2·ANTHROPOL. 3·MUSICOLOGY 4·PERFORM 5·MUS INDUST 6·JAPAN 7·]

Yearbook for Traditional Music, 23. New York: International Council for Traditional Music (1991) #0740-1558 [JM-YEARBOOK]
• Fügedi, János: Dance Notation and Computers |101-112|EN|PA [1·DANCE 2·NOTATION 3·COMPUTERS]

Yearbook for Traditional Music, 15. East Asian Musics. Seoul: International Council for Traditional Music (1983) [JM YEARBOOK]
• Fujie, Linda: Effects of Urbanization on "Matsuri-Bayashi" in Tokyo |38-44|EN|PA [1·E ASIA 2·ANTHROPOL. 3·MUSICOLOGY 4·SOCIOLOGY 5·FOLK MUSIC 6·URBAN 7·JAPAN]
• Fuller, Paul: Thai Music |152-154|EN|PA [1·BIBLIOGR. 2·ANTHROPOL. 3·MUSICOLOGY 4·E ASIA]

Yearbook for Traditional Music, 16. New York: International Council for Traditional Music (1984) #0740-1558 [JM-Y]
• Garfias, Robert: Dance among the Urban Gypsies of Romania |84-96|EN|PA [1·ROMANIA 2·RURAL 3·URBAN 4·ANTHROPOL. 5·DANCE 6·GYPSY MUS.]

Yearbook For Traditional Music, 18. New York: International Council for Traditional Music (1986) #0740-1558 [JM-YEARBOOK]
• Giurchescu, Anca: Power and Charm. Interaction of Adolescent Men and Women in Transylvania |37-46|EN|PA [1·ROMANIA 2·DANCE 3·FOLK MUSIC 4·SEX/GENDER 5·RITUAL 6·MUSIC EXX. 7·YOUTH]

Yearbook for Traditional Music, 23. New York: International Council for Traditional Music (1991) #0740-1558 [JM-YEARBOOK]
• Giurchescu, Anca; Torp, Lisbet: Theory and Methods in Dance Research. A European Approach to the Holistic Study of Dance |1-10|EN|PA [1·DANCE 2·EUROPE 3·METHODOL.]

Yearbook for Traditional Music, 15. East Asian Musics. Seoul: International Council for Traditional Music (1983) [JM YEARBOOK]
• Hahn, Man-Young: The Four Types of Buddhist Chant in Korea |45-58|EN|PA [1·E ASIA 2·ANTHROPOL. 3·MUSICOLOGY 4·KOREA 5·RELIGION 6·MUSIC EXX.]
• Helfer, Mireille: Le Gandi: un simandre tibétain d'origine indienne |112-125|FR|PA [1·E ASIA 2·ANTHROPOL. 3·MUSICOLOGY 4·INDIA 5·INSTRUMENT 6·RELIGION]

Yearbook for Traditional Music, 22. New York: International Council for Traditional Music (1988) #0740-1588 [JM-YEARBOOK]
• Herndon, Marcia: Cultural Engagement: The Case of the Oakland Symphony Orchestra |134-145|EN|PA [1·EUROARTMUS 2·USA 3·ANTHROPOL. 4·ORCHESTRAL 5·CULT.STUDY 6·SOCIOLOGY]

Yearbook for Traditional Music, 21. New York: International Council for Traditional Music (1989) 36-56 pp. #0740-1588 [JM-YEARBOOK]
• Hirschberg, Jehoash: The Role of Music in the Renewed Self-Identity of Karaite Jewish Refugee Communities from Cairo |EN|PB [1·ISRAEL 2·ARABIC 3·GENRES 4·MUSICOLOGY 5·ANTHROPOL.]

Yearbook for Traditional Music, 15. East Asian Musics. Seoul: International Council for Traditional Music (1983) [JM YEARBOOK]
• Hood, Mantle: Musical Ornamentation as History: The Hawaiian Steel Guitar |141-148|EN|PA [1·ANTHROPOL. 2·MONEY 3·SOCIOLOGY 4·INSTRUMENT 5·]

Yearbook For Traditional Music, 18. New York: International Council for Traditional Music (1986) #0740-1558 [JM-YEARBOOK]
• Jinko, Katsumura: Some Innovations in Musical Instruments of Japan during the 1920's |157-172|EN|PA [1·JAPAN 2·INSTRUMENT 3·1920S 4·INNOVATE]

Yearbook for Traditional Music, 16. New York: International Council for Traditional Music (1984) #0740-1558 [JM-Y]
• Johnson, Anna: Voice Physiology and Ethnomusicology. Physiology and Acoustical Studies in the. |42-66|EN|PA [1·VOICE 2·ANTHROPOL. 3·ACOUSTICS]

Yearbook for Traditional Music, 23. New York: International Council for Traditional Music (1991) #0740-1558 [JM-YEARBOOK]
• Kaeppler, Adrienne: American Approaches to the Study of Dance |11-22|EN|PA [1·DANCE 2·USA 3·METHODOL.]

Yearbook for Traditional Music, 19. New York: International Council for Traditional Music (1987) #0740-1558 [JM-YEARBOOK]
• Kaeppler, Adrienne L: Spontaneous Choreography: Improvisation in Polynesian Dance |13-22|EN|PA [1·POLYNESIA 2·DANCE 3·ANTHROPOL.]
• Kassebaum, Gayathri Rajapur: Improvisation in Alpana Performance: A Comparative View of Raga Shankarabharana |45-64|EN|PA [1·INDIA]

Yearbook For Traditional Music, 18. New York: International Council for Traditional Music (1986) #0740-1558 [JM-YEARBOOK]
• Keillor, Elaine: The Role of Youth in the Continuation of Dogrib Musical Traditions |61-76|EN|PA [1·N AMERICA 2·AMERINDIAN 3·CANADA 4·YOUTH 5·GENRES 6·MUSIC EXX. 7·DANCE 8·RITUAL 9·ANTHROPOL.]

Yearbook for Traditional Music, 19. New York: International Council for Traditional Music (1987) #0740-1558 [JM-YEARBOOK]
• Kennedy, Rymond F: Jazz Style and Improvisation Codes |37-44|EN|PA [1·JAZZ 2·IMPROVISE 3·SYMPHONY]

Yearbook for Traditional Music, 23. New York: International Council for Traditional Music (1991) #0740-1558 [JM-YEARBOOK]
• Kimiko, Ohtani: Japanese Approaches to the Study of Dance |23-32|EN|PA [1·DANCE 2·JAPAN 3·METHODOL.]

Yearbook for Traditional Music, 16. New York: International Council for Traditional Music (1984) #0740-1558 [JM-Y]
• Kiyoko, Motegi: Aural Learning in Gidayu-Bushi. Music of the Japanese Puppet Theater |97-108|EN|PA [1·DRAMA 2·MUSIC EDUC 3·JAPAN]

Yearbook For Traditional Music, 18. New York: International Council for Traditional Music (1986) #0740-1558 [JM-YEARBOOK]
• Kopytko, Tania: Breakdance as an Identity Marker in New Zealand |21-28|EN|PA [1·DANCE 2·ROCK 3·N ZEALAND 4·YOUTH 5·GENRES 6·GROUPS 7·ANTHROPOL.]

Yearbook for Traditional Music, 22. New York: International Council for Traditional Music (1990) #0740-1558 [JM-YEARBOOK]
• Kosacheva, Rimma: Traditional Music in the Context of Social-Political Development in the USSR |17-19|EN|PA [1·ANTHROPOL. 2·MUSICOLOGY 3·FOLK MUSIC 4·USSR]
• Krader, Barbara: Recent Achievements in Soviet Ethnomusicology with Remarks on Russian Terminology |1-16|EN|PA [1·ANTHROPOL. 2·MUSICOLOGY 3·USSR 4·DEFINE]

Yearbook For Traditional Music, 17. New York: International Council for Traditional Music (1985) #0740-1558 [JM-YEARBOOK]
• Kubik, Gerhard: African Tone Systems - A Reassessment |31-63|EN|PA [1·AFRICA 2·MUSICOLOGY 3·MUSIC EXX. 4·INSTRUMENT 5·MELODY]

Yearbook for Traditional Music, 15. East Asian Musics. Seoul: International Council for Traditional Music (1983) [JM YEARBOOK]
• Kwon Oh-Sung: Melodic Structure of Korean Funeral Procession Songs |59-70|EN|PA [1·E ASIA 2·ANTHROPOL. 3·MUSICOLOGY 4·KOREA 5·RELIGION 6·MUSIC EXX. 7·DEATH]

Yearbook for Traditional Music, 21. New York: International Council for Traditional Music (1989) 109-117 pp. #0740-1588 [JM-YEARBOOK]
• Lawrence, Helen Reeves: Guidelines for Researchers in the Pacific |EN|PB [1·MUSICOLOGY 2·METHODOL. 3·ANTHROPOL. 4·OCEANIA]

Yearbook For Traditional Music, 18. New York: International Council for Traditional Music (1986) #0740-1558 [JM-YEARBOOK]
• Ledang, Ola Kai: Revival and Innovation: The Case of the Norwegian Sejleflöyte |145-156|EN|PA [1·NORWAY 2·FOLK MUSIC 3·MASS MEDIA 4·INNOVATE 5·INSTRUMENT]

Yearbook for Traditional Music, 15. East Asian Musics. Seoul: International Council for Traditional Music (1983) [JM YEARBOOK]
• Lee Hye-Ku: The Ultimate Aim of Musicology and Ethnomusicology |1-6|EN|PA [1·JOURNALISM 2·ANTHROPOL. 3·MUSICOLOGY 4·PERFORM 5·KOREA 6·BIBLIOGR. 7·E ASIA]

Yearbook For Traditional Music, 18. New York: International Council for Traditional Music (1986) #0740-1558 [JM-YEARBOOK]
• Ling, Jan: Folk Music Revival in Sweden. The Lilla Edet Fiddle Club |1-8|EN|PA [1·SWEDEN 2·FOLK MUSIC 3·1970S 4·AMATEURS 5·GENRES 6·ANTHROPOL.]

Yearbook for Traditional Music, 16. New York: International Council for Traditional Music (1984) #0740-1558 [JM-Y]
• Lortat-Jacob, Bernard: Music and Complex Societies: Control and Management of Musical Production |19-33|EN|PA [1·ADMINISTR. 2·CULT.STUDY 3·MUS INDUST 4·MUSIC MAKE]

Yearbook for Traditional Music, 22. New York: International Council for Traditional Music (1990) #0740-1558 [JM-YEARBOOK]
• Mallah, Issam El: Some Observations on the Naming of Musical Instruments and on Rhythm in Oman |123-126|EN|PA [1·ANTHROPOL. 2·MUSICOLOGY 3·INSTRUMENT 4·ISLAM 5·RHYTHM 6·MUSIC EXX.]

Yearbook for Traditional Music, 21. New York: International Council for Traditional Music (1989) 70-94 pp. #0740-1588 [JM-YEARBOOK]
• Manuel, Peter: Modal Harmony in Andalusian, Eastern European and Turkish Syncretic Musics |EN|PB [1·MUSICOLOGY 2·ANTHROPOL. 3·SPAIN 4·TURKEY 5·EUROPE 6·MUSIC EXX. 7·HARMONY 8·GREECE 9·MODAL HARM]

Yearbook for Traditional Music, 22. New York: International Council for Traditional Music (1990) #0740-1558 [JM-YEARBOOK]
• Matyakubov, Otanazar: 19th Century Khorezmian Tanbur Notation: Fixing Music in the Oral Tradition |29-35|EN|PA [1·ANTHROPOL. 2·MUSICOLOGY 3·USSR 4·HISTORY 5·C ASIA 6·ISLAM 7·VOICE 8·MUSIC EXX. 9·NOTATION 10·DRUMS]

Yearbook For Traditional Music, 18. New York: International Council for Traditional Music (1986) #0740-1558 [JM-YEARBOOK]
• Merrill-Mirsky, Carol: Girls' Handclapping Games in Three Los Angeles Schools |47-60|EN|PA [1·CHILDREN 2·WOMEN 3·GAMES 4·DANCE 5·GENRES 6·MUSIC EXX. 7·LYRICS]

Yearbook for Traditional Music, 15. East Asian Musics. Seoul: International Council for Traditional Music (1983) [JM YEARBOOK]
• Moon Il-Ji: Chu'anaenjon (Nightingale Dance), A Korean Court Dance |71-88|EN|PA [1·E ASIA 2·ANTHROPOL. 3·KOREA 4·EUROARTMUS 5·DANCE]

Yearbook for Traditional Music, 22. New York: International Council for Traditional Music (1990) #0740-1558 [JM-YEARBOOK]
• Mukhambetova, Asiya: Philosophical Problems of Being in the Art of Kazakh Küyshi |36-41|EN|PA [1·ANTHROPOL. 2·MUSICOLOGY 3·PHILOSOPHY 4·USSR 5·C ASIA]

Yearbook for Traditional Music, 22. New York: International Council for Traditional Music (1988) #0740-1588 [JM-YEARBOOK]
• Nettl, Bruno: The IFMC/ICTM and the Development of Ethnomusicology in the United States |19-25|EN|PA [1·FOLK MUSIC 2·ORGANISE 3·ANTHROPOL. 4·USA]

Yearbook for Traditional Music, 21. New York: International Council for Traditional Music (1989) 1-16 pp. #0740-1588 [JM-YEARBOOK]
• Nettl, Bruno: Mozart and the Ethnomusicological Study of Western Culture |EN|PB [1·EUROPE 2·ANTHROPOL. 3·MUSICOLOGY]

Yearbook For Traditional Music, 18. New York: International Council for Traditional Music (1986) #0740-1558 [JM-YEARBOOK]
• Reyes-Schramm, Adelaida: Tradition in the Guise of Innovation. Music among a Refugee Population |91-102|EN|PA [1·N AMERICA 2·AMERINDIAN 3·USA 4·RITUAL 5·MUSIC EXX. 6·GENRES 7·ANTHROPOL.]

Yearbook for Traditional Music, 22. New York: International Council for Traditional Music (1988) #0740-1588 [JM-YEARBOOK]
• Romero, Raul R: Development and Balance of Peruvian Ethnomusicology |146-157|EN|PA [1·PERU 2·ANTHROPOL. 3·FOLK MUSIC 4·BIBLIOGR.]

Yearbook for Traditional Music, 21. New York: International Council for Traditional Music (1989) 95-107 pp. #0740-1588 [JM-YEARBOOK]
• Ronström, Owe: Making Use of History - The Revival of the Bagpipe in Sweden in the 1980s |EN|PB [1·MUSICOLOGY 2·ANTHROPOL. 3·SWEDEN 4·FOLK MUSIC 5·1980S]

Yearbook for Traditional Music, 23. New York: International Council for Traditional Music (1991) #0740-1558 [JM-YEARBOOK]
• Ronström, Owe: Folklor: Staged Folk Music and Folk Dance Performances of Yugoslavs in Stockholm |69-78|EN|PA [1·DANCE 2·FOLK MUSIC 3·SWEDEN 4·YUGOSLAVIA 5·CULTPOLIT.]

Yearbook for Traditional Music, 21. New York: International Council for Traditional Music (1989) 57-69 pp. #0740-1588 [JM-YEARBOOK]
• Sanger, Annette: Music and Musicians, Dance and Dancers: Socio-musical Interrelationships in Balinese Performance |EN|PB [1·MUSICOLOGY 2·ANTHROPOL. 3·INDONESIA 4·E ASIA 5·PERFORM 6·DANCE]

Yearbook For Traditional Music, 17. New York: International Council for Traditional Music (1985) #0740-1558 [JM-YEARBOOK]
• Sarosi, Bálint: An Instrumental Melody |198-205|EN|PA [1·HUNGARY 2·MELODY 3·INSTRUMENT 4·MUSICOLOGY 5·MUSIC EXX. 6·GYPSY MUS.]

Yearbook for Traditional Music, 21. New York: International Council for Traditional Music (1989) 25-35 pp. #0740-1588 [JM-YEARBOOK]
• Schramm, Adelaida Reyes: Music and Tradition: From Native to Adopted Land Through the Refugee Experience |EN|PB [1·MUSICOLOGY 2·ANTHROPOL. 3·E ASIA 4·USA 5·MINORITIES]

Yearbook for Traditional Music, 23. New York: International Council for Traditional Music (1991) #0740-1558 [JM-YEARBOOK]
• Seebass, Tilman: Iconography and Dance Research |33-52|EN|PA [1·DANCE 2·VIS. ARTS 3·ILL. 4·METHODOL.]

Yearbook For Traditional Music, 18. New York: International Council for Traditional Music (1986) #0740-1558 [JM-YEARBOOK]
• Shapiro, Anne Dhu; Talamantez, Inez: The Mescalero Apache Girls' Puberty Ceremony: The Role of Music in Structuring Ritual Tim |77-90|EN|PA [1·AMERINDIAN 2·N AMERICA 3·FOLK MUSIC 4·TIME/SPACE 5·MUSIC EXX. 6·YOUTH 7·WOMEN]

Yearbook for Traditional Music, 22. New York: International Council for Traditional Music (1988) #0740-1588 [JM-YEARBOOK]
• Shawan Castelo-Branco, Salwa El; Toscano, Maria Manuela: 'In Search of a Lost World': An Overview of Documentation and Research on the Traditional Music of Portugal |158-192|EN|PA [1·PORTUGAL 2·FOLK MUSIC 3·BIBLIOGR.]

Yearbook For Traditional Music, 17. New York: International Council for Traditional Music (1985) #0740-1558 [JM-YEARBOOK]
• Simon, Artur: The Terminology of Batak instrumental music in Northern Sumatra |113-145|EN|PA [1·INDONESIA 2·E AFRICA 3·ANTHROPOL. 4·DEFINE 5·MUSICOLOGY]

Yearbook For Traditional Music, 18. New York: International Council for Traditional Music (1986) #0740-1558 [JM-YEARBOOK]
• Skillman, Teri: The Bombay Hindi Film Song Genre: a Historical Survey |133-144|EN|PA [1·INDIA 2·FILM 3·VOICE 4·HISTORY 5·MEDIA IND. 6·AESTHETICS 7·CULTPOLIT.]

Yearbook for Traditional Music, 16. New York: International Council for Traditional Music (1984) #0740-1558 [JM-Y]
• Slobin, Mark: Klezmer Music: An American Ethnic Genre |34-41|EN|PA [1·BALKAN 2·USA 3·FOLK MUSIC 4·ANTHROPOL. 5·GENRES 6·ROMANIA 7·BULGARIA]

Yearbook for Traditional Music, 15. East Asian Musics. Seoul: International Council for Traditional Music (1983) [JM YEARBOOK]
• Song Bang-Song: The Historical Reliability of the "Akhak Kwebom" (Korean musical treatise from 1493) |89-111|EN|PA [1·E ASIA 2·ANTHROPOL. 3·MUSICOLOGY 4·MEDIEVAL 5·KOREA 6·HISTORY 7·STATISTICS 8·CHINA]

Yearbook For Traditional Music, 17. New York: International Council for Traditional Music (1985) #0740-1558 [JM-YEARBOOK]
• Stockmann, Doris: Music and Dance Behavior in Anthropogenesis |16-30|EN|PA [1·ANTHROPOL. 2·DANCE]
• Stockmann, Erich: Zoltán Kodály and the International Folk Music Council |1-7|EN|PA [1·HUNGARY 2·ORGANISE 3·INTERNATNL 4·ANTHROPOL. 5·MUSICOLOGY]

Yearbook for Traditional Music, 22. New York: International Council for Traditional Music (1988) #0740-1588 [JM-YEARBOOK]
• Stockmann, Erich: The International Folk Music Council / International Council For Traditional Music - Forty Years |1-10|EN|PA [1·FOLK MUSIC 2·ORGANISE 3·HISTORY]

Yearbook For Traditional Music, 18. New York: International Council for Traditional Music (1986) #0740-1558 [JM-YEARBOOK]
• Sturman, Janet L: Zarzuela Productions in New York |103-114|EN|PA [1·USA 2·URBAN 3·STATISTICS 4·GROUPS 5·PRODUCERS 6·L AMERICA 7·GENRES 8·PERFORM]

Yearbook for Traditional Music, 29. New York: International Council for Traditional Music (1987) #0740-1558 [JM-YEARBOOK]
• Susilo, Hardja: Improvisation in Wayang Wong Panggung: Creativity within Cu: |1-12|EN|PA [1·INDONESIA 2·ANTHROPOL.]

Yearbook for Traditional Music, 19. New York: International Council for Traditional Music (1987) #0740-1558 [JM-YEARBOOK]
• Sutton, R Anderson: Variation and Composition in Java |65-96|EN|PA [1·INDIA 2·ANTHROPOL. 3·MUSICOLOGY 4·IMPROVISE]

Yearbook for Traditional Music, 25. New York: International Council for Traditional Music (1983) [JM-YEARBOOK]
• Taeko, Kusano: Unknown Aspects of Korean influence on Japanese Folk Music |31-37|EN|PA [1·KOREA 2·JAPAN 3·FOLK MUSIC 4·ANTHROPOL. 5·MUSICOLOGY]

Yearbook for Traditional Music, 22. New York: International Council for Traditional Music (1990) #0740-1558 [JM-YEARBOOK]
• Tolbert, Elizabeth: Women Cry with Words: Symbolization of Affect in the Karelian Lament |80-105|EN|PA [1·ANTHROPOL. 2·MUSICOLOGY 3·WOMEN 4·FINLAND 5·POETRY 6·LYRICS 7·MUSIC EXX. 8·INTONATION 9·COMPUTERS]

Yearbook For Traditional Music, 18. New York: International Council for Traditional Music (1986) #0740-1558 [JM-YEARBOOK]
• Torp, Lisbet: Hip Hop Dances - Their Adoption and Function among Boys in Denmark, 1983-1984 |29-86|EN|PA [1·DENMARK 2·YOUTH 3·MEN 4·DANCE 5·SEX/GENDER 6·GENRES 7·ANTHROPOL. 8·1980S 9·ROCK 10·RAP, etc.]

Yearbook for Traditional Music, 15. East Asian Musics. Seoul: International Council for Traditional Music (1983) [JM YEARBOOK]
• Tran Van Khe: A propos des publications sur la musique vietnamienne aux cours des 10 dernières années |149-151|FR|PA [1·BIBLIOGR. 2·ANTHROPOL. 3·MUSICOLOGY 4·E ASIA]

Yearbook For Traditional Music, 18. New York: International Council for Traditional Music (1986) #0740-1558 [JM-YEARBOOK]
• Trimillos, Ricardo: Music and Ethnic Identity: Strategies among Overseas Filipino Youth |9-20|EN|PA [1·USA 2·YOUTH 3·E ASIA MUS 4·GENRES 5·NATIONALSM 6·ANTHROPOL.]

Yearbook for Traditional Music, 19. New York: International Council for Traditional Music (1987) #0740-1558 [JM-YEARBOOK]
• Trimillos, Ricardo D: Time-Distance and Melodic Models in Improvisation Among the Tausug of the Southern Philippines |23-36|EN|PA [1·TIME/SPACE 2·MELODY 3·IMPROVISE 4·]

Yearbook for Traditional Music, 16. New York: International Council for Traditional Music (1984) #0740-1558 [JM-Y]
• Various: Book Reviews |109-135|EN|PA [1·POPULARMUS 2·ROCK 3·BIBLIOGR. 4·1980S]

Yearbook for Traditional Music, 22. New York: International Council for Traditional Music (1990) #0740-1558 [JM-YEARBOOK]
• Vaughn, Kathryn: Exploring Emotion in Sub-Structural Aspects of Karelian Lament: Application of Time Series Analysis to Digitized Melody |106-122|EN|PA [1·ANTHROPOL. 2·MUSICOLOGY 3·WOMEN 4·FINLAND 5·MUSIC EXX. 6·INTONATION 7·COMPUTERS]
• Zannos, Iannis: Intonation in Theory and Practice of Greek and Turkish Music |42-59|EN|PA [1·ANTHROPOL. 2·MUSICOLOGY 3·GREECE 4·TURKEY]
• Zemtovsky, Izaly: Music and Ethnic History - An Attempt to Substantiate a Eurasian Hypothesis |20-28|EN|PA [1·ANTHROPOL. 2·MUSICOLOGY 3·FOLK MUSIC 4·USSR 5·C ASIA 6·E ASIA 7·RHYTHM 8·MELODY 9·HISTORY 10·BULGARIA] {GEORGIA; MONGOLIA; UKRAINE; C13}

Yearbook for Traditional Music, 22. New York: International Council for Traditional Music (1988) #0740-1588 [JM-YEARBOOK]
• Zile, Judy van: Examining Movement in the Context of the Music Event: A Working Model |125-133|EN|PA [1·GESTURES 2·DANCE 3·NVC 4·ANTHROPOL. 5·GENRES 6·FOLK MUSIC 7·EUROARTMUS]

A Year of Singles in Britain. St Albans: Granada (1974) #0-586-04261-X [BM-GILLETT]
• Frith, Simon #0-586-04261-X [BM-GILLETT]|PA [1·UK 2·1970S 3·CHARTS 4·STATISTICS 5·MUS INDUST 6·EUROVISMUS 7·MOR]

Yesterdays. Popular Song in America. New York: W W Norton (1979) 533 pp. #0-393-01257-3 [BM-HAMM]
• Hamm, Charles 533 pp. #0-393-01257-3 [BM-HAMM]|PB [1·USA 2·HISTORY 3·POPULARMUS 4·SINGING 5·EUROPE 6·C18 7·C19 8·C20 9·MUSIC EXX. 10·MUSICOLOGY]

Yodel-Ay-Ee-Ooo. London & New York: Routledge (2004) x+342 pp. #0-415-93990-9 [BM-PLANTENGA]
• Plantenga, Bart x+342 pp. #0-415-93990-9 [BM-PLANTENGA]|PB [1·SWISS 2·GERMANY 3·USA 4·C&W 5·VOICE]

Yodelling in American Popular Music. PhD Thesis, IPM, School of Music. Liverpool: University of Liverpool (2004) [BMA4-WISE]
• Wise, Tim [BMA4-WISE]|PB [1·USA 2·C&W 3·BLUES 4·FOLK MUSIC 5·DISS. PhD. 6·SEMIOTICS 7·HISTORY 8·SINGING 9·AESTHETICS 10·IDEOLOGY]

Yorubaerne Kommer. (1980?) [CP322008]
• Gjedsted, Jens Jörn [CP322008]|PA [1·W AFRICA 2·DENMARK 3·MUSIC EDUC 4·JUJUHILIFE 5·ROCK]

Young Australians and Music. Melbourne: Australian Broadcasting Tribunal Research Branch (1985) 124+24 pp. [BM-AUSTRALIA]
• Agardy, S; Heath, D; Burke, J; Berry, M 124+24 pp. [BM-AUSTRALIA]|PB [1·AUSTRALIA 2·CHARTS 3·YOUTH 4·GENRES 5· 6·CONSUME 7·1980S 8·MASS MEDIA 9·MUS INDUST 10·STATISTICS]

Youth and Folk Music: Searching for the roots. Unpublished typescript (1980?) 5 pp. [CP822-022]
• Alekseev, Eduard 5 pp. [CP822-022]|UX

Youth and Music. London: Thomas Nelson (1945) 104 pp. [BM-MACMAHON]
• Macmahon, Desmond 104 pp. [BM-MACMAHON]|PB [1·YOUTH 2·EDUCATION 3·EUROARTMUS 4·POPULARMUS]

Youth and Music in the Netherlands. Nijmegen: typescript (1985) [CP324001]
• Rutten, Paul [CP324001]|US [1·YOUTH 2·ROCK 3·STATISTICS 4·USA 5·UK 6·MASS MEDIA 7·IMPERIALSM]

Zapadnaja Evropa i Kul'turnaja Ekspantsija "Amerikanizma". Moskva: Isskustvo (1985) [BCP-ZAPAD]
• Bobrova, O B: "Krest'janskij fil'm" protiv "global'noi derevin" |148-174|RU|PA [1·USA 2·EUROPE 3·FILM 4·POLITSTUDY]
• Fedosionok, I V: Anglo-amerikanskie kul'turnye otnoshenija glazami anglichan |175-194|RU|PA [1·USA 2·EUROPE 3·POLITSTUDY]
• Golenpol'skij, T G; Shestakov, V P: Zapadnaja Evropa - S.SH.A: kul'turnyj obmen ili kul'turnaja ekspansija? |6-31|RU|PA [1·USA 2·EUROPE 3·POLITICAL 4·CULT.STUDY]
• Gurevich, P S: Amerika - Evropa: 200 let ideologicheskoj kontroverzy |32-54|RU|PA [1·USA 2·EUROPE 3·POLITICAL 4·CULT.STUDY]
• Kagramanov, Yu M: Amerika "zakrivaet" Evropu |3-6|RU|PA [1·USA 2·EUROPE 3·POLITICAL 4·CULT.STUDY]
• Kagramanov, Yu M: Evropa, amerikanizm i "Transnatsionalizatsija" kul'tury |212-228|RU|PA [1·USA 2·EUROPE 3·CULT.STUDY 4·POLITSTUDY 5·INTERNATNL]
• Karaganov, S A: Zapadnaja Evropa i S.SH.A: kinobiznes i kinomatograf |83-120|RU|PA [1·EUROPE 2·USA 3·FILM 4·POLITSTUDY]
• Pereverzev, L B; Uhov, D P: Muzykal'naja kul'tura zapadnoj Evropy i ekspansija Amerikanizma |54-82|RU|PA [1·USA 2·EUROPE 3·POLITSTUDY 4·POLITICAL 5·CULT.STUDY]
• Timasheva, O V: Ugroza amerikanizatsij i sovremennaja hudozhestvennaja literatura Frantsij |195-211|RU|PA [1·USA 2·EUROPE 3·LITERATURE 4·POLITSTUDY 5·FRANCE]
• Toidze, M G: Zaokeanskie prishel'tsy na evropeiskom telekrane |121-147|RU|PA [1·USA 2·EUROPE 3·POLITSTUDY 4·TELEVISION]

Zappa. A Biography. London: Virgin & W H Allen (1987) 190 pp. #0-86369-156-0 [BM-ZAPPA]
• Colbeck, Julian 190 pp. #0-86369-156-0 [BM-ZAPPA]|PB [1·ROCK 2·USA 3·PROGRESSIV 4·BIOGRAPHY 5·ILL. 6·INTERVIEW 7·1960S 8·1970S 9·1980S]

Die Zeichen. Frankfurt-am-Main: Fischer (1981) #3-596-26900-8 [BM-HENZE]
• Bertaux, Pierre; Laroche-Bouvy, Danielle; Henze, Hans Werner, ed.: Semiologie, Musik, Poesie. Ein Dialog |179-194|DE|PA [1·SEMIOTICS 2·POETRY 3·DEFINE]
• Brockmeier, Jens; Henze, Hans Werner: Nur insofern etwas in sich selbst einen Widerspruch hat, bewegt es sich, hat Trieb und Tätigkeit |333-366|DE|PA [1·SEMIOTICS 2·EUROARTMUS 3·ORCHESTRAL 4·POLITSTUDY 5·GERMANY 6·C19 7·MUSICOLOGY 8·MELODY 9·HARMONY 10·MUS. FORM]
• Coker, Wilson: Einige semiotische Merkmale in "Heliogabalus Imperator" |195-221|DE|PA [1·MOD.CLASS. 2·BRD 3·USA 4·MUSICOLOGY 5·RHYTHM 6·HARMONY 7·SEMIOTICS 8·WAR 9·ANCNT ROME 10·POLITSTUDY]
• Dijkstra, Bram: Nicht-repressive rhythmische Strukturen in einigen Formen afro-amerikanischer und westindischer Musik |60-97|DE|PA [1·ROCK 2·REGGAE 3·AFR-AMER. 4·CARIBBEAN 5·POLITSTUDY 6·EUROARTMUS 7·EUROPE 8·CALYPSO] {IRELAND; AFRO-AMERICAN; DANCE; BALLADS; MODALITY; PENTATONICS; PARLOUR SONG; MELODY; RHYTHM; PENDULUMS}
• Faltin, Peter: Ist Musik eine Sprache |32-50|DE|PA [1·PSYCHOLOGY 2·AESTHETICS 3·SEMIOTICS 4·EUROPE 5·DEFINE]
• Ford, Charlie; Clarke, Eric: Eine allgemeine semiotische Theorie der Musik |117-148|DE|PA [1·SEMIOTICS 2·COMMUNTHEO 3·DEFINE 4·EUROARTMUS 5·12-TONE 6·MOD.CLASS. 7·POLITSTUDY]
• Heister, Hanns-Werner: Modelle fortschrittlicher Musiksprache |98-118|DE|PA [1·GERMANY 2·1970S 3·1930S 4·MUSIC EXX. 5·AESTHETICS 6·POLITSTUDY 7·MUSICOLOGY 8·MOD.CLASS. 9·PROGRESSIV 10·SEMIOTICS]
• Henze, Hans Werner: Musik als tonale Geste (1995) |9-31|DE|PA [1·NVC 2·EUROARTMUS 3·FOLK MUSIC 4·SPAIN 5·EUROPE 6·SEMIOTICS]
• Jiranek, Jaroslav: Semantische Analyse der Musik |256-277|DE|PA [1·SEMIOTICS 2·ANTHROPOL. 3·DEFINE 4·PSYCHOLOGY 5·COMMUNTHEO]
• Jungheinrich, Hans-Klaus: Alte Zeichen - und wie mit ihnen neu umzugehen wäre |315-332|DE|PA [1·SEMIOTICS 2·MOD.CLASS. 3·AESTHETICS]
• Jungheinrich, Hans-Klaus: Eine Angelegenheit des Lebens |51-59|DE|PA [1·AFRICA 2·EVERYDAY 3·AESTHETICS 4·SOCIALISAT]
• Makovsky, Janos A: Münchhausens Theorem und seine Bedeutung für die Musik und die Musikwissenschaft |278-307|DE|PA [1·PHILOSOPHY 2·MATHEMATIC 3·COMPUTERS 4·POLITSTUDY 5·SEMIOTICS 6·MOD.CLASS. 7·EUROPE 8·USA]
• Oehlschlägel, Reinhard: Musik Hören - Musiksprache Verstehen |308-314|DE|PA [1·SEMIOTICS 2·RADIO 3·GENRES 4·BRD 5·COMPOSE 6·AUDIENCE 7·COMMUNTHEO]
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Zenit, 84. (198?) [CP909/08]
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Zugabe, April 1983. Berlin: Aktion SoliBeat (1983) [CP399]
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Zur Entstehungsgeschichte (Mahlers Todtenfeier). [CL002-163]
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