A-F
Tagg's (mainly) Popular Music Studies Bibliography Database
Rough dump, Friday 7 April 2006 - Explanations

A B C D E F | G-M | N-S | T-Z |

For language codes and related issues, see http//tagg.org/bib/BibXpln.htm

A.F.I Documento dell' Associazione dei fonografici italiani di richiesta di dichiarazione dello stato di crisi del settore. 1983, Milano: Convegno Internazionale Musica e sistema dell' informazione (12p) [IT] PHONOGRAM, ITALY, EUROPE, DOCUMENT, MUS INDUST, STATISTICS, MASS MEDIA.

A.Z.. Gespr鋍h: hauptamtlicher Mitarmeiter der Hauptabteilung XX des Ministeriums f黵 Staatssicherheit. Rockmusik und Politik. Analysen, Interviews und Dokumente. Wicke, Peter (ed); M黮ler, Lothar (ed). 1996, Berlin: Ch. Links Verlag: 179-194. ISBN򉁰6153�096�1 [DE] DDR, ROCK, CULTPOLIT..

Aare, Cecilia; Roe, Keith.. Skolan farligare 鋘 h錼drock. G鰐eborgs Posten, 890517. 1989, G鰐eborg: [SV] ROCK, EDUCATION, POLITSTUDY.

Abba. Abba tr鋘ar f鰎 USA. Abba's hemliga repetitioner inf鰎 USA-turn閚. Aftonbladet, 1979-09-02. 1979, Stockholm: Aftonbladet [SV] ABBA, JOURNALISM.

Abba. Benny bantar f鰎 att klara ABBAs v鋜ldsturn�. S� ska Abba orka med sin rekordturn�. G鰐eborgs Tidningen, 2 September 1979. 1979, G鰐eborg: G鰐eborgstidningen [SV] ABBA, JOURNALISM.

Abba. Bolagskris skakar ABBA. Slutet f鰎 imperiet? ABBAs aktier till salu i dag. Aftonbladet, 1983-10-15. 1983, Stockholm: Aftonbladet [SV] ABBA, MONEY, 1980S.

Abba. ABBA slut som grupp - inte alls: Frida dr鰉mer om en ny v鋜dsturn�! G鰐eborgs Tidningen, 1983. 1983, G鰐eborg: [SV] ABBA, MONEY, 1980S.

Abba. Miljonbelopp undanh鰈ls: ABBA hotas av 錿al f鰎 skattebedr鋑eri. Dagens Nyheter, 840707. 1984, Stockholm: 28 [SV] ABBA, SWEDEN, MUS INDUST.

Abba. Skatte錿al hotar ABBA. GT, 1984-07-07. 1984, G鰐eborg: : 1,9 [SV] ABBA, SWEDEN, MUS INDUST.

Abdulkarim, Dina; Abu-Obied, Natheer. The Sonic Image of the Environment - Characterising and Evaluating Soundscapes. Sound Practice. Drever, John Levack (ed). 2001, Dartington: UKISC (UK and Ireland Soundscape Community): 1-10 (Papers from the 1st UKISC conference on sound culture and environments, Dartington College of Arts, 16-20 February 2001) [EN] SOUNDSCAPE.

Abe, K (comp). Jazz Giants: a Visual Retrospective. 1988, New York: Billboard Books [EN] JAZZ, MUSICIANS, PHOTOGRAPH.

舃erg, Lars see Rynell, Erik (1977).

Abimbola, W (ed). The Interrelationship of Poetry and Music in Yoruba Tradition. Yoruba Oral Tradition: Poetry in Music, Dance and Drama. 1975, Ife: Department of African Languages and Literature, University: 471-487 [EN] NIGERIA, POETRY, W AFRICA.

Abonizio, Adri醤. La armon韆 de vivir. La del taller, 8/9. 1988, Rosario: Talleres latinoamericanos de m鷖ica popular: 60 [SP] LITERATURE.

Abraham, Gerald. Debussy. Lives of the Great Composers, vol 3. Bacharach, A L (ed). 1943, London: Penguin: 35-50 [EN] FRANCE, COMPOSE, HISTORY, BIOGRAPHY, EUROPE, ROMANTIC.

Abraham, Gerald. Wagner. Lives of the Great Composers, vol 3. Bacharach, A L (ed). 1943, London: Penguin: 143-175 [EN] GERMANY, OPERA, NATIONALSM, ROMANTIC, COMPOSE, HISTORY, BIOGRAPHY, EUROPE.

Abraham, Gerald. Wolf. Lives of the Great Composers, vol 3. Bacharach, A L (ed). 1943, London: Penguin: 176-190 [EN] GERMANY, VOCAL MUS., ROMANTIC, COMPOSE, BIOGRAPHY, HISTORY, EUROPE.

Abraham, Gerald. Tcha飇ovsky. 1944, London: Duckworth (144p) [EN] RUSSIA, 1850-1899, ROMANTIC, EUROARTMUS, BIOGRAPHY.

Abrahams, Roger D. Anglo-American Folksong Style. 1968, Englewood Cliffs, NJ: Prentice-Hall [EN] USA, FOLK MUSIC.

Abrahams, Roger D. Deep the Water, Shallow the Shore. 1974, Austin & London: University of Texas Press (125p). ISBN򈆦92�71502�1 [EN] CARIBBEAN, VOCAL MUS., LYRICS, MUSIC EXX., UK, EUROPE, AFR-AMER., WORK SONGS, SEA, WORK. [SHANTIES].

Abrahamsen, Peter. Fra id� til lay-out. Skivomslag. 1981, Stockholm: Nationalmuseum: 11-26. ISBN�91�7100�197�2 [DK] VIS. ARTS, LPs, ROCK.

Abrahamsen, Peter. Sound. En diskussion af termen sounds relevans for popul鎟musikanalyse set i et socialpsykologisk perspektiv. 1988, 舕borg: Department of Music and Music Therapy, Aalborg University Centre [EN] SOUND, DEFINE, ROCK.

Abrams, Mark. The Teenage Consumer. 1959, London: London Press Exchange [EN] YOUTH, CONSUME, 1950S, UK, SOCIOLOGY.

Abruzzese, A; Chambers, Iain; Ghezzi, Emilio. Estetiche del Walkman. Calabrese, O. 1990, Napoli: Flavio Pagano Editore (136p) Short review in Musica/Realt�, 36: 180 [IT] AESTHETICS, PSYCHOLOGY, SOCIOLOGY, SOUNDSCAPE, ROCK. [PRATO,稰aolo; SONY稺ALKMAN].

Abt, Dean. Music Video: The Impact of the Visual Dimension. Popular Music & Communication. Lull, James (ed). 1987, Newbury Park, CA: Sage Publications, Inc.: 96-111. ISBN򈆬039�2825�4 [EN] VIDEO, ROCK, USA, VIS. ARTS, ADVERTS, CONSUME, PSYCHOLOGY, STATISTICS.

Abdulkarim, Dina; Abu-Obied, Natheer. The Sonic Image of the Environment - Characterising and Evaluating Soundscapes. Sound Practice. Drever, John Levack (ed). 2001, Dartington: UKISC (UK and Ireland Soundscape Community): 1-10 (Papers from the 1st UKISC conference on sound culture and environments, Dartington College of Arts, 16-20 February 2001) [EN] SOUNDSCAPE.

Achilli, Alessandro; Chang, Paolo; Pioli, Riccardo. Questa rivista. Musiche, 1. 1988, La Spezia: Associazione Mongezi Feza: 3-4 [IT] ITALY, AVANTGARDE, DOCUMENT, ROCK.

Achilli, Alessandro. Bruniferd: una conversazione. Musiche, 1. 1988, La Spezia: Associazione Mongezi Feza: 15-20 [IT] FRANCE, AVANTGARDE, ROCK.

Achilli, Alessandro. Kalahari Surfers. Musiche, 1. 1988, La Spezia: Associazione Mongezi Feza: 20-21 [IT] S AFRICA, ROCK, AVANTGARDE, POLITICS. [KALAHARI稴URFER; SONY稺; WARRIC稴ONY].

Achilli, Alessandro. 2� Festival MIMI (Mouvement International des Musiques Innovatrices) Musiche, 1. 1988, La Spezia: Associazione Mongezi Feza: 27-32 [IT] FRANCE, ELCTRNCMUS, AVANTGARDE, ROCK, FESTIVAL, REVIEW. [MAK; HENRY稢OW; JULE稸ERNE; SCHWINDLER稤ie; FISH稟ND稲OSES; QUATRE稧UITARRI; APOCALYPSO稡AR; CASSIBER; ART稭OULU].

Achilli, Alessandro see Jeffes, Simon (1988).

Ackerman, Paul (ed); Zhito, Lee (ed). The Complete Report of the First International Music Industry Conference. 1969, New York: Billboard Publications [EN] MUS INDUST, CONFERENCE, 1960S, USA, INTERNATNL.

Ackerman, Paul (ed). The Complete Report of the First International Music Industry Conference. 1969, New York: Billboard Publishing [EN] REPORT, CONFERENCE, INTERNATNL.

Acosta, Leonardo. Canciones de la neuva trova. 1981, Cubanas: Editorial Letras Cubanas [SP] CUBA, VOCAL MUS..

Acuuff, Roy; Neeley, William. Roy Acuff's Nashville: the Life and Good Times of Country Music. 1983, New York: Perigree Books (224p) [EN] USA, C&W, USA S.E.. [TENNESSEE].

Adamek, Karl. Das Arbeiterlied und die bundesdeutsche Gewerkschaftsbewegng. Lied und Politische Bewegung. 1984, Leipzig: Zentralhaus f黵 Kulturarbeit der DDR: 116-122 (Wissenschafliche Beitr鋑e, 13) [DE] BRD, WORKERS, UNIONS, VOCAL MUS., POLITICS.

Adamo, Giorgio. Tradizioni musicali in Africa. Conversazione con Gerhard Kubik (II) Musica/realt�, 28. 1989, Milano: Unicopli: 75-88. ISBN�88�400�0173�5 [IT] AFRICA, INTERVIEW, C AFRICA, S AFRICA, E AFRICA. [ANGOLA; MALAWI; KUBIK稧erhard; MALAMUSI稭oya稟].

Adamo, Giorgio. Un modello per l'analisi fonetico-acustica dei rapporti testo-musica. Secondo convegno europeo di analisi musicale. Dalmonte, Rosanna (ed); Baroni, Mario (ed). 1992, Trento: Universit� degli studi di Trento, Dipartimento di storia della civilt� europea: 143-154. ISBN�88�86135�09�2 (www.tagg.org/articles/trento91.html (1999)) [IT] MUSICOLOGY, MUS.ANALYS, CONFERENCE, LYRICS, ACOUSTICS, INTONATION, RHYTHM.

Adamo, Giorgio. Guardare, ascoltare: il suono e l'immagine nell'esperienza musicale. Norme con ironie. Scritti per i settant' anni di Ennio Morricone. Miceli, Sergio (ed); Gallenga, Laura (ed); Kokkaliari, Lena (ed). 1998, Milano: Suvini Zerboni: 3-18 (www.tagg.org/articles/morric70.pdf) [IT] FILM, MASS MEDIA, PERCEIVE, VIS. ARTS.

Adamo, Giorgio. L'etnomusicologia e l'educazione. Musica come ponte tra i popoli / Die Musik als Br點ke zwischen den V鰈kern. Tonini, Giuliano (ed). 2001, Bolzano: Libreria Musicale Italiana: 21-27. ISBN�88�7096�224�5 (Atti del convegno internazionale di studi / Beitr鋑e der internationalen Studientagung (5-7 november, 1998)) [IT] MUSIC EDUC, ANTHROPOL..

Adams, John Luther. Strange and sacred noise. Northern Soundscapes. Yearbook of Soundscape Studies, Vol.1. J鋜viluoma, Helmi (ed); Schafer, R Murray (ed). 1998, Tampere: Department of Folk Tradition, University of Tampere: 143-146. ISBN�951�44�4371�3 [EN] SOUNDSCAPE.

Adams, Michael Charles (1982). The Lyrics of Stephen Sonheim: Form and Function. 1974, Ann Arbor: University Microfilms [EN] USA, SINGING, LYRICS, MUSICALS.

Adamson, Barry; Dee, Michael (ed). Interview. Filmmusik x 8. 1994, G鰐eborg: Filmkonst / G鰐eborgs filmfestival: 16-29. ISBN�91�88282�34�1 (shelved next door to accompanying CD) [SV] FILM MUSIC, COMPOSE, UK.

Addessi, Anna Rita. Gli scritti di Manuel de Falla su Claude Debussy nella Spagna dell'inizio del secolo. Musica/Realt�, 59. 1998, Lucca: LIM: 121-142. ISBN�88�7096�065稾 [IT] SPAIN, FRANCE, MOD.CLASS., C20, NATIONALSM.

Addis, Laird. La musica che attraversa la mente. L'immaginazione musicale e la natura della conscienza. L'esperienza musicale. Per una femnomenologia dei suoni. Nostro, Luca (ed). 2002, Roma: Montag/Manifestolibri: 137-150. ISBN�88�7285�304�4.

Addiss, Stephen. Music from North and South Vietnam. n.d. Folkways Records FE 4219 Liner Notes [EN] RECORDING, E ASIA MUS.

Addiss, Stephen. Theatre Music of Vietnam. Southeast Asia, an International Quarterly 1/2. [EN] DRAMA, E ASIA MUS. [Vietnam].

Adinolfi, Francesco. Rap. Musica da ballare, musica per lottare xx. Progetto Uomo - Musica, 5 (Identit� musicali). 1994, Assisi: Edizioni Musicali Pro Civitate Christiana: 116-118 Costa & Nolan, Genova, 1989. Reviewed by Roberto Agostini [IT] RAP, etc., REVIEW.

Adison, Fred. Dans ma vie y'a d'la musique: Histoire du show-biz de 1930 � nos jours. 1983, Paris: Clancier-Gu閚aud (240p) [FR] FRANCE, MUSIC HALL.

Adler, Bill. Love Letters to the Beatles. 1964, London: Blond & Briggs [EN] UK, ROCK, FANS, 1960S.

Adler, Henrik. Rock-billeder. Nogle historisk hop over temaet rock-musik och seksualitet. Modspil, 4/6. Musik og sexualitet. 1982, 舝hus: PubliMus: 7-15 [DK] R&B, SEX/GENDER, ROCK, USA, LYRICS, DISCO, SLEEVES, ILL..

Adler, Henrik see Malmros, Anna-Lise (1982).

Adler, Henrik; Bonde, Lars-Ole. Malurt - kriserock eller rock i krise. "Two for the Show". Nordisk Forum, 39-40 (8/3+4). 1983, K鯾enhavn: Nordisk Forum: 51-62. ISSN�0029�1366 [SV] ROCK, DENMARK, YOUTH, SUBCULTURE, 1970S, 1980S, MUSICIANS, LYRICS, PROGRESSIV.

Adler, Thomas P. The Musical Dramas of Stephen Sondheim: Some Critical Approaches. Journal of Popular Culture, 12/3. 1978, Bowling Green, Ohio: Bowling Green State University Popular Press: 513-525 [EN] USA, MUSICALS, COMPOSERS, LYRICS.

Adolfo Sierra, Lu韘. Historia de la orquesta t韕ica: evoluci髇 instrumental del tango. 1966, Buenos Aires: Orestes S.E.C [SP] S AMERICA, TANGO, MUSIC HIST.

Adolfo Sierra, Lu韘. Historia de la orquestra t韕ica: evoluci髇 instrumental del tango. 1985, Buenos Aires: Corregidor (259p) [SP] TANGO, ARGENTINA.

Adolfo Sierra, Lu韘. Historia de la orquestra t韕韈a: evoluci髇 instrumental del tango. 1985, Buenos Aires: Corregidor (259p) [SP] MUSIC HIST, TANGO.

Adolfo, Antonio. Rhythmic music education in Brazil. Rhythmic Music Education. 1996, Copenhagen: Danish Music Council: 30-37. ISBN򈆤5001035�2 [EN] CONFERENCE, JAZZ, EDUCATION, RHYTHM, BRAZIL.

Adorno, Theodor W (1941). On Popular Music. On Record: Rock, Pop and the Written Word. Frith, Simon (ed); Goodwin, Andrew (ed). 1990, London: Routledge: 301-314 (xi+492 pp) 1publ `Studies in Philosophy and Social Science, 9' (1941) [EN] AESTHETICS, POPULARMUS, MUSICOLOGY.

Adorno, Theodor W; Nielsen, Poul (tr) (1956). Musik og sprog - et fragment. Musik og betydningsinhold - kompendium i musik鎠tetik. Druud-Nielsen, Per (ed). 1987, 舕borg: Institut for musik og musikterapi, AUC: 44-47 xtr. pp. 13-18 [DK] AESTHETICS, MUSICOLOGY, EUROARTMUS, AFFECT, VERBAL, PHILOSOPHY, SEMIOTICS.

Adorno, Theodor W.; Bernstein, J M (edSO). Transparencies On Film. The Culture Industry. 1991, London: Routledge [EN] FILM MUSIC.

Adorno, Theodor Wiesengrund. On Popular Music. Studies in Philosophy of Social Science, 9. 1941, New York: Institute of Social Research: 17-48 [EN] PHILOSOPHY, CULT.STUDY, POPULARMUS, COMMUNICAT.

Adorno, Theodor Wiesengrund. Musik og sprog. [DK] AESTHETICS, SEMIOTICS.

Adorno, Theodor Wiesengrund. Sociologie de la musique. Musique en jeu, 02. 1971, Paris: 蒬itions du Seuil: 5-13 Traduit par S D Jameux (Francfort 1967) [FR] SOCIOLOGY, SEMIOTICS, PHILOSOPHY, METHODOL., POLITSTUDY, ENTERTAIN, EUROARTMUS.

Adorno, Theodor Wiesengrund. Om l鋞t musik. 1975?, Lund?:.

Adorno, Theodor Wiesengrund. Introduction to the Sociology of Music. 1976, New York: Seabury [EN] SOCIOLOGY, CULT.STUDY, COMMUNICAT.

Adrono, Theodor Wiesengrund; Apitzsch, Hartmut (tr). Musiksociologi - 12 teoretiska f鰎el鋝ningar. 1976, Kristianstad: Cavefors. ISBN�91�504�0412�1 (German original "Musiksoziologie" (1962), Frankfurt: Suhrkamp).

Advis, Luis (ed); Gonz醠ez, Juan Pablo (ed). Cl醩icos de la M鷖ica Popular Chilena 1900-1960. 1994, Santiago: Sociedad Chilena del Derecho de Autor. ISBN�956�14�0341�2 [EN] CHILE, MUSIC EXX..

Advis, Luis. Historia y caracter韘ticas de la Nueva Canci髇 Chilena. Cl醩icos de la m鷖ica popular chilena, volumen II, 1960-1973: ra韟 folcl髍ica, segunda edici髇. Advis, Luis (ed); C醕eres, Eduardo (ed); Garc韆, Fernando (ed); Gonz醠ez, Juan Pablo (ed). 1997, Santiago: Ediciones Universidad Cat髄ica de Chile: 29-41. ISBN�956�14�0454�0.

Pr髄ogo. Cl醩icos de la m鷖ica popular chilena, volumen II, 1960-1973: ra韟 folcl髍ica, segunda edici髇. Advis, Luis (ed); C醕eres, Eduardo (ed); Garc韆, Fernando (ed); Gonz醠ez, Juan Pablo (ed). 1997, Santiago: Ediciones Universidad Cat髄ica de Chile: 6-7. ISBN�956�14�0454�0.

Aeppli, Felix. Heart of Stone: the Definitive Rolling Stones Discography, 1962-1983. 1985, Ann Arbor: Pierian Press (535p) [EN] ROCK, USA, UK, DISCOGR..

Afnin, I (ed); Troitsky, G (ed). Muzyka i televidinie. 1978, Moskva: Soyuz kompozitorov SSSR (255p) =Music and television [RU] TELEVISION, RUSSIA, USSR.

African Pop - 鷏timo cap韙ulo. Jornal do Brasil 890609. 1989, Rio de Janeiro: A Metavideo e a Rede Manchete apresentam uma superprodu玢o .... [PG] ADVERTS, JOURNALISM, AFRICA, ACCULTUR., ROCK, TELEVISION, WORLD MUS., ALGERIA, ETHIOPIA. [Paris; Clegg,稪ohnny; Rai; Roha稡and].

Agamennone, Maurizio. Stabilit� areale e variabilit� locali nella musica delle confraternite cilentane. Secondo convegno europeo di analisi musicale. Dalmonte, Rosanna (ed); Baroni, Mario (ed). 1992, Trento: Universit� degli studi di Trento, Dipartimento di storia della civilt� europea: 285-302. ISBN�88�86135�09�2 (www.tagg.org/articles/trento91.html (1999)) [IT] MUSICOLOGY, MUS.ANALYS, CONFERENCE, EUROARTMUS, CHRISTIAN.

Agamennone, Maurizio. Le polifonie viventi. Storia di una scoperta, procedimenti e tassonomie. Polifonie: procedimenti, tassonomie e forme: una riflessione 玜 pi� voci�. Agamennone, Maurizio (ed). 1996, Venezia: Il Cardo: 1-96. ISBN�88�8079�078�1 [IT] TAXONOMY, POLYPHONY, MUSIC EXX., ETHNMCOLG., HETEROPHO., BALKAN, BULGARIA. [Albania; Arom,稴imha; Schaeffner,稟; Lomax,稟lan; hocket].

Agamennone, Maurizio; Facci, Serena; Giannatasio, Francesco. I procedimenti polifonici nella musica tradizionale italiana. Proposta di tassonomia generale. Polifonie: procedimenti, tassonomie e forme: una riflessione 玜 pi� voci�. Agamennone, Maurizio (ed). 1996, Venezia: Il Cardo: 239-278. ISBN�88�8079�078�1 [IT] POLYPHONY, ITALY, DEFINE, TAXONOMY, MUSICOLOGY, MUSIC EXX., ANTHROPOL., ETHNMCOLG..

Agamennone, Maurizio; Facci, Serena; Giannatasio, Francesco. I procedimenti polifonici nella musica tradizionale italiana. Proposta di tassonomia generale. Polifonie: procedimenti, tassonomie e forme: una riflessione 玜 pi� voci�. Agamennone, Maurizio (ed). 1996, Venezia: Il Cardo: 239-278. ISBN�88�8079�078�1 [IT] POLYPHONY, ITALY, DEFINE, TAXONOMY, MUSICOLOGY, MUSIC EXX., ANTHROPOL., ETHNMCOLG..

Agardy, S; Heath, D; Burke, J; Berry, M [et al.]. Young Australians and Music. 1985, Melbourne: Australian Broadcasting Tribunal Research Branch (124+24p) [EN] AUSTRALIA, CHARTS, YOUTH, GENRES, CONSUME, 1980S, MASS MEDIA, MUS INDUST, STATISTICS.

Agawu, Kofi. Representing African Music. 2003, New York & London: Routledge. ISBN򈆨15�94390�6 [EN] AFRICA, W AFRICA, MUSIC EXX., ETHNMCOLG., IDEOLOGY, SEMIOTICS, MUS.ANALYS.

Agnello, Francesco. Il CIDIM e la "Banca dati delle Rivisti Musicali in Europa". Riviste musicali in Europa, 1/1. 1989, Roma, Milano: Cidim, Musica/Realt�: 14-19. ISBN�88�400�0186�7 [IT] BIBLIOGR., EUROPE, 1980S, COMPUTERS.

Agnello, Francesco. CIDIM and the "Data Bank of Music Periodicals in Europe". Riviste musicali in Europa, 1/1. 1989, Roma, Milano: Cidim, Musica/Realt�: 14-19. ISBN�88�400�0186�7 [EN] BIBLIOGR., EUROPE, 1980S, COMPUTERS.

Agnew, Spiro. Talking Brainwashing Blues. The Sounds of Social Change. Denisoff, R Serge (ed); Peterson, Richard A (ed). 1972, Chicago: Rand McNally & Co: 307-10. ISBN򈆩28�68712�3 [EN] ROCK, USA.

Agostinelli, Anthony J. The Newport Jazz Festival: Rhode Island, 1954-1971: a Bibliography, Discography and Filmography. 1977, Providence, RI: Agostinelli [EN] FESTIVAL, USA, 1950S, 1960S, 1970S.

Agostini, Roberto. Analizzare la "popular music": Philip Tagg e l'analisi dell' "affetto". 1990, Bologna: D.A.M.S., Facolt� di lettere e filosofia, Universit� degli Studii (280p) (Tesi di Laurea, Relatore Prof Gino Stefani. Anno Accademico 1989-90) [IT] PT, AFFECT, SEMIOTICS, MUSICOLOGY, KOJAK, DISS., POPULARMUS.

Agostini, Roberto. Studiare la popular music. Dal blues al liscio. Stefani, Gino (ed). 1992, Verona: Edizioni Ianua: 167-189 [IT] METHODOL., REVIEW, DEFINE, SEMIOTICS, SOCIOLOGY, PT.

Agostini, Roberto (ed); Marconi, Luca (ed). Tagg, Philip; Popular music. Da Kojak al Rave. 1994, Bologna: CLUEB (Cooperativa Libraria Universitaria Editrice Bologna) (424p). ISBN�88�8091�044�2.

Agostini, Roberto. Lucy in the Sky with Diamonds: un analisi. Analisi e canzoni. Dalmonte, Rosanna (ed). 1996, Trento: Editrice Universit� degli Studi di Trento: 265-290. ISBN�88�86135�54�8 [IT] MUSIC EXX., MUS.ANALYS, MELODY, HARMONY, SEMIOTICS, BEATLES.

Agostini, Roberto. Techno ed esperienza ambientale. Stratificazione, circolarit� e flusso. Techno-Trance. Una rivoluzione di fine millenio. Salvatore, Gianfranco (ed). 1998, Roma: Castelvecchi: 45-68. ISBN�88�8210�067�7.

Agostini, Roberto. Musica popolare e studi musicali: note sullo stato della ricerca. Musica/Realt�, 62. 2000, Lucca: LIM: 9-15. ISBN�88�7096�261稾 [IT] EDUCATION, ITALY, RESEARCH.

Agostini, Roberto. Una didattica ancora in formazione. Musica Domani, 116. 2000, Torino: EDT: 32-33. ISSN�0391�4380 [IT] MUSIC EDUC, POPULARMUS.

Agostini, Roberto. Chimere. Note su alcune musiche (im)popolari contemporanee. Sound Tracks. Tracce, convergenze e scenari negli studi musicali. Amato, Francesco, D' (ed). 2002, Roma: Meltemi: 97-128. ISBN�88�8353�130�2 [IT] HOUSE/RAVE, GENRES, AVANTGARDE, RHYTHM, MUSICOLOGY, PT, DEATHMETAL. [Blast稡eat; distorsion; Techno穖usic; loops; groove; form; riff].

舋ren, Bengt see Edstr鰉, Karl-Olof (1983).

Aharoni醤, Cori鷑. Luiz Gonzaga - Asa Branca. Various articles from La Brecha, etc.. n.d. Montevideo: : 001 [SP] BRAZIL. [Gonzaga,稬uiz].

Aharoni醤, Cori鷑. De maravilla - opera pequinesa. Various articles from La Brecha, etc.. n.d. Montevideo: : 001 [SP] CHINA, OPERA. [Peking稯pera].

Aharoni醤, Cori鷑. Cuba proh韇e la entrada de dos publicaciones sovi閠icas - `En defensa del marxismo-leninsmo'. Various articles from La Brecha, etc.. n.d. Montevideo: : 002 Brecha 890811 [SP] USSR, CUBA.

Aharoni醤, Cori鷑. 縎eguir? - Los cursos latioamericanos de m鷖ica contempor醤ea. Various articles from La Brecha, etc.. n.d. Montevideo: : 004 Brecha, 890120 [SP] L AMERICA, CULTPOLIT., EDUCATION.

Aharoni醤, Cori鷑. Lazaroff. Various articles from La Brecha, etc.. n.d. Montevideo: : 005 [SP] URUGUAY, DISCOGR., BIOGRAPHY.

Aharoni醤, Cori鷑. Dame un mate. Various articles from La Brecha, etc.. n.d. Montevideo: : 006 [SP] URUGUAY, POLITICS, CULTPOLIT..

Aharoni醤, Cori鷑. La vital vida de Jorge Lazaroff - Muerte de un m鷖ico poular. Various articles from La Brecha, etc.. n.d. Montevideo: : 007 Brecha, 890331 [SP] URUGUAY, BIOGRAPHY.

Aharoni醤, Cori鷑. Opera pequinesa. Various articles from La Brecha, etc.. n.d. Montevideo: : 011 Brecha, 890411 [SP] CHINA, OPERA.

Aharoni醤, Cori鷑. Mar韆 Beth鈔ia en Montevideo. Various articles from La Brecha, etc.. n.d. Montevideo: : 012 Brecha, 891020 [SP] BRAZIL, SINGING, PERFORM.

Aharoni醤, Cori鷑. El oncierto - Chico, Pablo y Jaime. Various articles from La Brecha, etc.. n.d. Montevideo: : 014 Brecha, 870410 [SP] BRAZIL, SPAIN, GUITAR, URUGUAY, ARGENTINA, PERFORM, REVIEW. [Buarque,稢hico; Milan俿,稰ablo; Roos,稪aime].

Aharoni醤, Cori鷑. El congreso de la cultura en Cuba. Various articles from La Brecha, etc.. n.d. Montevideo: : 023 Brecha, 880304 [SP] URUGUAY, CUBA, CONFERENCE, REVIEW, CULTPOLIT..

Aharoni醤, Cori鷑. Y qu� decir de la educaci髇 musical (Do-o-o, cuatro) Various articles from La Brecha, etc.. n.d. Montevideo: : 027 Brecha, 860411 [SP] URUGUAY, CUBA, CONFERENCE, REVIEW, CULTPOLIT..

Aharoni醤, Cori鷑. Todo en orden. Various articles from La Brecha, etc.. n.d. Montevideo: : 029 Brecha, 871224 [SP] URUGUAY, MASS MEDIA, CULTPOLIT..

Aharoni醤, Cori鷑. Los veinticinco a駉s de Los Olimare駉s. Various articles from La Brecha, etc.. n.d. Montevideo: : 031 Brecha, 861219 [SP] URUGUAY, BIOGRAPHY, DISCOGR., ILL..

Aharoni醤, Cori鷑. (Los Olimare駉s) Various articles from La Brecha, etc.. n.d. Montevideo: : 035 Brecha, 870123 [SP] URUGUAY, INTERVIEW.

Aharoni醤, Cori鷑. Carlos Vega y Lauro Ayester醤 - Veinte a駉s de silencio. Various articles from La Brecha, etc.. n.d. Montevideo: : 036 Brecha, 861114 [SP] URUGUAY, ARGENTINA, MUSICOLOGY, CULTPOLIT., COLONIAL, BIBLIOGR..

Aharoni醤, Cori鷑. Aproximaci髇 a Zitarosa, m鷖ico. Various articles from La Brecha, etc.. n.d. Montevideo: : 43-44 Brecha, 890203 [SP] L AMERICA, URUGUAY, GUITAR, POLITICS.

Aharoni醤, Cori鷑. Algunas preguntas por cifra o por milonga. Various articles from La Brecha, etc.. n.d. Montevideo: : 046 [SP] URUGUAY, DANCE, ARGENTINA.

Aharoni醤, Cori鷑. A proposito de "Revolver" - UM! [SP] ELECTRONIC, ROCK, MOD.CLASS., REVIEW.

Aharoni醤, Cori鷑. Boom-Tac, Boom-Tac. Marcha, 1969-05-30. 1969, Montevideo [SP] URUGUAY, PHONOGRAM, MUS INDUST, 1960S, L AMERICA, CULTPOLIT., ROCK.

Aharoni醤, Cori鷑. Mesom鷖ica y educaci髇 musical. Educaci髇 art韘tica para ni駉s y adolescentes. Tomeo (ed). 1969, Montevideo: Tauro: 81-89 (1 publ 1968) [SP] POPULARMUS, MUSIC EDUC, YOUTH, CHILDREN, FOLK MUSIC, URBAN, L AMERICA, TANGO, HISTORY, CULTPOLIT..

Aharoni醤, Cori鷑. Apuntes acerca de la mesom鷖ica. Prologo, enero-julio de 1969. 1969, Montevideo: 89-96 [SP] GENRES, L AMERICA, MASS MEDIA, FOLK MUSIC.

Aharoni醤, Cori鷑. M鷖ica para corbatas. El Oriental, 1970-12-29. 1970, Montevideo: El Oriental [SP] L AMERICA, REVIEW, MOD.CLASS., EUROPE, AVANTGARDE.

Aharoni醤, Cori鷑. El pr韓cipe Igor. Marcha, 1971-04-16. 1971, Montevideo: Marcha [SP] REVIEW, EUROARTMUS, C20, DEATH.

Aharoni醤, Cori鷑. Sobre carnaval, tamboril y negritudes. Marcha, 1971-02-19. 1971, Montevideo [SP] FESTIVAL, INSTRUMENT, AFRICA, L AMERICA.

Aharoni醤, Cori鷑. Juan Carlos Paz. Marcha, 1972-09-08. 1972, Montevideo: Marcha [SP] ARGENTINA, MOD.CLASS., BIOGRAPHY, REVIEW, DEATH.

Aharoni醤, Cori鷑. 縌uien me escondi� los discos? Marcha, 1972-12-07. 1972, Montevideo [SP] MASS MEDIA, PHONOGRAM, EUROARTMUS, MOD.CLASS., COPYRIGHT, MUS INDUST.

Aharoni醤, Cori鷑. Las patas de la mesa. Marcha, 1972-10-13. 1972, Montevideo [SP] L AMERICA, FRANCE, LITERATURE, PHONOGRAM.

Aharoni醤, Cori鷑. Armenios. Marcha, 1973-05-23. 1973, Montevideo: Marcha [SP] URUGUAY, USSR, REVIEW.

Aharoni醤, Cori鷑. Tercer Curso de M鷖ica Contempor鈔ea. Marcha, 1974-02-01. 1974, Montevideo: Marcha: 10 [SP] L AMERICA, MUSIC EDUC, REVIEW, CONFERENCE, COMPOSE, EUROARTMUS.

Aharoni醤, Cori鷑. Latinamerika i dag. Nutida Musik, 1978-79/4. 1974, Stockholm: Sveriges Radio [SV] L AMERICA, EUROPE, IMPERIALSM, CULTPOLIT., POLITSTUDY, MOD.CLASS..

Aharoni醤, Cori鷑. Latinamerica, Hoy. 1975, Montevideo: Private typescript. Original Spanish version of article in "Nutida Musik": 13 [SP] L AMERICA, MOD.CLASS..

Aharoni醤, Cori鷑. Situaci髇 de la creaci髇 musical en America latina. Amais fo I simp髎io Internacional de Compositores. 1977, S鉶 Bernardo Campo: : 15-17 [SP] L AMERICA, MOD.CLASS..

Aharoni醤, Cori鷑. La m鷖ica electroacustica en Latinamerica. Ficciones. 1977, Montevideo: 27-29 [SP] MOD.CLASS., L AMERICA, COMPOSE, CULTPOLIT., ELCTRNCMUS.

Aharoni醤, Cori鷑. Hacia una m鷖ica electroacustica nuestra. Ficciones. 1978, Montevideo: 37-40 [SP] MOD.CLASS., L AMERICA, URUGUAY, MEXICO, 1970S, CULTPOLIT., ELCTRNCMUS.

Aharoni醤, Cori鷑. M鷖ica y teatro. Escenario, a駉 3/4. 1982, Montevideo: Teatro Circular de Montevideo: 1-4 [SP] AESTHETICS, MUSIC USES, COMPOSE, PERCEIVE, DRAMA.

Aharoni醤, Cori鷑. Liner notes. El Arte del Payador. 1982, Montevideo: Ayu� A/E 37 [SP] SSONGWRITR, L AMERICA, URUGUAY, DANCE, NATIONAL.

Aharoni醤, Cori鷑. Bach: Una Supercheria Historica de Juan Carlos Paz. Panta, octubre 1983. 1983, Montevideo: typescript - MS for publ: 2 [SP] REVIEW, EUROARTMUS.

Aharoni醤, Cori鷑. Bibliographie. Neue Musik aus Lateinamerika. 1984, Berlin: Hochschule der K黱ste: 34-41 [DE] MOD.CLASS., L AMERICA, PROGRESSIV, BIOGRAPHY, HISTORY.

Aharoni醤, Cori鷑. Biographien und Kommentare. Neue Musik aus Lateinamerika. 1984, Berlin: Hochschule der K黱ste: 11-21 [DE] MOD.CLASS., L AMERICA, PROGRESSIV, BIOGRAPHY, HISTORY.

Aharoni醤, Cori鷑. Andere lateinamerikanische Komponisten. Neue Musik aus Lateinamerika. 1984, Berlin: Hochschule der K黱ste: 21-23 [DE] MOD.CLASS., L AMERICA, PROGRESSIV, BIOGRAPHY, HISTORY.

Aharoni醤, Cori鷑. En torno a la m鷖ica aqu� y ahora. 1984, Montevideo: 4-9 [SP] L AMERICA, MOD.CLASS., COMPOSE, POLITSTUDY, CULTPOLIT., INTERVIEW.

Aharoni醤, Cori鷑. A Latin-American Approach in a Pioneering Essay. Popular Music Perspectives, 2. Horn, David (ed). 1985, G鰐eborg, Exeter: IASPM: 52-65. ISBN�91�87030�00�4 [EN] DEFINE, FOLK MUSIC, MUSICOLOGY, URUGUAY, ARGENTINA, POPULARITY. [VEGA,稢arlos].

Aharoni醤, Cori鷑. Un punto di vista latinoamericano in un saggio da pioniere. What is Popular Music? Quaderni di Musica/realt�, 8. 1985, Milano: Unicopli: 66-79. ISBN�88�7061�894�3 [IT] DEFINE, FOLK MUSIC, MUSICOLOGY, URUGUAY, ARGENTINA, POPULARITY. [VEGA,稢arlos].

Aharoni醤, Cori鷑. Identidad, colonialismo y educaci髇 musical. Consejo lationamericano de educaci髇 por el arte, 1. 1986, Montevideo: : 19-26 [SP] GENRES, COLONIAL, MUSIC EDUC, L AMERICA, URUGUAY, BIBLIOGR..

Aharoni醤, Cori鷑. Introducci髇 a la m鷖ica de los Armenios. 1986, Montevideo: (6p) [SP] USSR, URUGUAY, ARMENIA, EUROARTMUS, FOLK MUSIC, PERFORM, HISTORY.

Aharoni醤, Cori鷑. Silvio de vuelta. Miscellaneous writings. Aharoni醤, Cori鷑. 1987, Montevideo: [SP] REVIEW, CUBA, SSONGWRITR, 1980S.

Aharoni醤, Cori鷑. La vital vida de Jorge Lazaroff (Brecha 13/4/89) La Tuba, 1. 1989, Montevideo: Taller Urugayo de M鷖ica Popular: 6-11 [SP] URUGUAY, L AMERICA, SSONGWRITR, DOCUMENT, REVIEW.

Aharoni醤, Cori鷑. H閏tor Tosar, compositor uruguayo. 1991, Montevideo: Ediciones Trilce (143p). ISBN�9974�32�002�1 [SP] URUGUAY, MOD.CLASS., AVANTGARDE, MUSIC EXX., BIOGRAPHY, ILL..

Aharoni醤, Cori鷑. Revolution and Dependency in Latin America. Worldbeat, 1. 1991, IASPM: 115-128. ISBN򈆥9�508235�4 [EN] L AMERICA, EUROARTMUS, EUROPE, 3RD WORLD, IMPERIALSM, DEFINE, POPULARMUS.

Aharoni醤, Cori鷑. Teatro y situaci髇 cultural en Latinoam閞ica. Conversaciones sobre m鷖ica, cultura e identidad. Aharoni醤, Cori鷑. 1992, Montevideo: Omb�: 21-30. ISBN�9974�588�00�6 [SP] L AMERICA, DRAMA, DRAMA, CULTPOLIT..

Aharoni醤, Cori鷑. Problem醫ica del compositor en la m鷖ica popular Latinoamericana. Conversaciones sobre m鷖ica, cultura e identidad. Aharoni醤, Cori鷑. 1992, Montevideo: Omb�: 31-64. ISBN�9974�588�00�6 [SP] COMPOSE, L AMERICA, POPULARMUS, CULTPOLIT..

Aharoni醤, Cori鷑. Meditaci髇 de verano en torno a la m鷖ica popular. Conversaciones sobre m鷖ica, cultura e identidad. Aharoni醤, Cori鷑. 1992, Montevideo: Omb�: 75-78. ISBN�9974�588�00�6 [SP] URUGUAY, ARGENTINA.

Aharoni醤, Cori鷑. Music, Revolution and Dependency in Latin America. 1789-1989. Musique, Histoire, D閙ocratie. Colloque international organis� par Vibrations et l'IASPM, Paris 17-20 juillet 1989. Hennion (ed). 1992, Paris: 蒬itions de la Maison des Sciences de l'Homme: 181-190. ISBN򈮃531�0532�6 (in 3 volumes (ISBN 2-7531-0532-6, 0533-4, -0534-2). Soutien de la Direction de la Musique (Minist鑢e de la Culture) et du Centre d'Ethnologie fran鏰ise. Vol 1 pp 1-260, vol 2 pp 263-506, vol 3 pp 509-829) [EN] L AMERICA, POLITICS, REVOLUTION, IMPERIALSM.

Aharoni醤, Cori鷑. Nosotros y la cultura. Conversaciones sobre m鷖ica, cultura e identidad. Aharoni醤, Cori鷑. 1992, Montevideo: Omb�: 5-8. ISBN�9974�588�00�6 [SP] CULTPOLIT., L AMERICA.

Aharoni醤, Cori鷑. Dame un mate. Conversaciones sobre m鷖ica, cultura e identidad. Aharoni醤, Cori鷑. 1992, Montevideo: Omb�: 15-20. ISBN�9974�588�00�6 [SP] L AMERICA, CULTPOLIT., POLITSTUDY, MUSICOLOGY.

Aharoni醤, Cori鷑. En torno a la m鷖ica aqu� y ahora. Conversaciones sobre m鷖ica, cultura e identidad. Aharoni醤, Cori鷑. 1992, Montevideo: Omb�: 65-74. ISBN�9974�588�00�6 [SP] L AMERICA, EUROARTMUS, INTERVIEW. [Granaldea].

Aharoni醤, Cori鷑. Identidad, colonialismo y educaci髇 musical. Conversaciones sobre m鷖ica, cultura e identidad. Aharoni醤, Cori鷑. 1992, Montevideo: Omb�: 79-90. ISBN�9974�588�00�6 [SP] L AMERICA, COLONIAL, IMPERIALSM, MUSIC EDUC.

Aharoni醤, Cori鷑. Cultura y estado. Conversaciones sobre m鷖ica, cultura e identidad. Aharoni醤, Cori鷑. 1992, Montevideo: Omb�: 91-102. ISBN�9974�588�00�6 [SP] L AMERICA, CULTPOLIT..

Aharoni醤, Cori鷑. 緾r韙ica? Conversaciones sobre m鷖ica, cultura e identidad. Aharoni醤, Cori鷑. 1992, Montevideo: Omb�: 103-104. ISBN�9974�588�00�6 [SP] L AMERICA, JOURNALISM. [Lambada].

Aharoni醤, Cori鷑. La creaci髇 y el consumo musicales como 韓dice de la lucha contra la dependencia en Am閞ica Latina. Conversaciones sobre m鷖ica, cultura e identidad. Aharoni醤, Cori鷑. 1992, Montevideo: Omb�: 105-120. ISBN�9974�588�00�6 [SP] L AMERICA, BRAZIL, COLONIAL, IMPERIALSM, JOURNALISM, EUROPE.

Aharoni醤, Cori鷑. A manera de ep韑ogo: el largo silenciamiento de Carlos Vega y Lauro Ayestar醤. Conversaciones sobre m鷖ica, cultura e identidad. Aharoni醤, Cori鷑. 1992, Montevideo: Omb�: 121-130. ISBN�9974�588�00�6 [SP] MUSICOLOGY, L AMERICA. [Vega,稢; Ayester爊,稬].

Aharoni醤, Cori鷑 (ed). Aportes para una bibliograf韆 general. Conversaciones sobre m鷖ica, cultura e identidad. Aharoni醤, Cori鷑. 1992, Montevideo: Omb�: 131-141. ISBN�9974�588�00�6 [SP] BIBLIOGR., POLITSTUDY, L AMERICA.

Aharoni醤, Cori鷑. Todo en orden. Conversaciones sobre m鷖ica, cultura e identidad. Aharoni醤, Cori鷑. 1992, Montevideo: Omb�: 9-15. ISBN�9974�588�00�6 [SP] L AMERICA, CULTPOLIT., EDUCATION.

Aharoni醤, Cori鷑 (ed). Aportes para una bibliograf韆 general. Conversaciones sobre m鷖ica, cultura e identidad. Aharoni醤, Cori鷑. 1992, Montevideo: Omb�: 131-141. ISBN�9974�588�00�6 [SP] BIBLIOGR., POLITSTUDY, L AMERICA.

Aharoni醤, Cori鷑. Marxism as Seen from the Far South. Musikwissenschaftlicher Paradigmenwechsel? Zum Stellenwert marxistischer Ans鋞ze in der Musikforschung. Stroh, Wolfgang Martin (ed); Mayer, G黱ter (ed). 2000, Oldenburg: Bibliotheks- und Informationssystem der Universit鋞 Oldenburg: 80-88. ISBN򉁰142�0726�2 [EN] MARXISM, MUSICOLOGY, L AMERICA, MEXICO, ARGENTINA, URUGUAY, BRAZIL, CUBA.

Aharoni醤, Cori鷑. Some relationships between revolutionary movements in Latin America and popular music creators. Musikwissenschaftlicher Paradigmenwechsel? Zum Stellenwert marxistischer Ans鋞ze in der Musikforschung. Stroh, Wolfgang Martin (ed); Mayer, G黱ter (ed). 2000, Oldenburg: Bibliotheks- und Informationssystem der Universit鋞 Oldenburg: 222-227. ISBN򉁰142�0726�2 [EN] MARXISM, MUSICOLOGY, MUSIC MAKE, POPULARMUS, L AMERICA.

Aharoni醤, Cori鷑. Introducci髇 a la m鷖ica. 2002, Montevideo: (178p). ISBN�9974�7572򉁩 [SP] MUSIC EDUC, HISTORY, MUSICOLOGY, EDUC ITEM, ACOUSTICS, MODAL, C20, ILL..

Aharoni醤, Cori鷑. Texto para el 醠bum de discos "Violeta Parra: El folklore de Chile". nd, Montevideo: typescript (4p) [SP] CHILE, FOLK MUSIC, NATIONAL, INTERVIEW, DOCUMENT. [PARRA稸].

Ahlb鋍k, Sven. Folkmusik som estetisk uttrycksform. Om ny forskning inom svensk folkmusik. Nord-Nytt, 24. 1985, Lyngby: Nordisk Etnologisk Folkloristisk Arbejdsgruppe: 51-52 (Nordisk tidskrift for folklivsforskning, 24 (3/85)) [SV] SWEDEN, FOLK MUSIC, AESTHETICS.

舎l閚, Carl-Gunnar; Hedstr鰉, L. Filmljud. Sohlmans Musiklexikon, 2. 1975, Stockholm: Sohlmans F鰎lag: 572-5 (2nd ed) [SV] FILM, SOUND, ELECTRONIC, RECORDING, HISTORY.

舎l閚, Carl-Gunnar. Det mesta om tango. 1984, Stockholm: Svenska Dagbladets F鰎lag (229p). ISBN�91�7738�034�7 [SV] DANCE, ARGENTINA, MUSIC EXX., HISTORY, VOICE, TANGO, ORCHESTRAL.

舎l閚, Carl-Gunnar. Tangon i Europa - en pyrrusseger? Studier kring mottagandet av tangon i Europa och genrens musikaliska omst鋖lningsprocess. 1987, Stockholm: Proprius (188+5"LPp). ISBN�91�7118�594�1 [SV] ARGENTINA, URUGUAY, FRANCE, SWEDEN, FINLAND, TANGO, MUSICIANS, GENRES, HISTORY, MUSICOLOGY.

Ahlstr鰉, Jarl. Ungdomsuppror - verklighetsflykt eller andligt s鰇ande. 1982, Liding�: US Teologiska seminariet (39p) [SV] ROCK, YOUTH, RELIGION, POLITSTUDY.

Aida, Akira. Hiji to haikyo soshite kagami. 1988, Tokyo: Shinyasosho Sha (420p) [JP] JAPAN. [LINER-NOTES].

Aig-Imoukhuede, Frank. Contemporary Culture. Lagos: The Development of an African City. 1975, Lagos: Longman Nigeria: 197-226 [EN] AFRICA, CULT.STUDY, NIGERIA.

Aikura, Hisato. Toshi no irodori, toshi no oto. 1982, Tokyo: T鬸u-sha (298p) [JP] USA, UK, JAPAN, RECORDS, URBAN.

Aikura, Hisato. An Introduction to Japanese Rockology. 1986, Tokyo: Shincho-Sha (365p) all in Japanese, including title [JP] ROCK, JAPAN, MASS MEDIA, INTERVIEW, REFERENCE.

Ajibola, J O. Yoruba Songs. 1974, Nigeria: University of Ife Press [EN] NIGERIA, VOCAL MUS., DRUMS. [Muslim].

Akenson, James E see Wolfe, Charles K (2000).

Akpabot, Samuel. Standard Drum Patterns In Nigeria. African Music, 5/1. [EN] NIGERIA, DRUMS.

Aksnes, Hallgjerd. Music and its resonating body. Musical Signification Between Rhetoric and Pragmatics. Stefani, Gino (ed); Tarasti, Eero (ed); Marconi, Luca (ed). 1998, Bologna: CLUEB: 173-182 (Proceedings of the 5th International Congress on Musical Signification).

Aksnes, Hallgjerd. Music and its Resonating Body. Musical Signification: Between Rhetoric and Pragmatics. 1998, Bologna: CLUEB (Cooperativa Libraria Universitaria Editrice Bologna)/International Semiotics Institute: 173-182.

Al-Taee, Nasser. Voices of peace and the legacy of reconciliation: popular music, nationalism, and the quest for peace in the Middle East. Popular Music, 21/1. 2002, Cambridge: Cambridge University Press: 41-62. ISSN�0261�1430 [EN] ISRAEL, PALESTINE, WAR, PEACE. [Jerusalem].

Ala, Nemesio; Fabbri, Franco; Fiori, Umberto; Ghezzi, Emilio. Schemi del consumo musicale a Milano e a Reggio Emilia. Musica/realt�, 13. 1984, Milano: Unicopli: 137-174 [IT] STATISTICS, AUDIENCE, GENRES, MUS INDUST, ITALY, 1980S.

Ala, Nemesio. Bob Dylan. 1984, Milano: Gammalibri (302p) Revised ed [IT] ROCK, BIOGRAPHY, FOLK MUSIC, USA.

Ala, Nemesio; Fabbri, Franco; Fiori, Umberto; Ghezzi, Emilio. Patterns of Music Consumption in Milan and Reggio Emilia from April to May 1983. Popular Music Perspectives, 2. Horn, David (ed). 1985, G鰐eborg, Exeter: IASPM: 464-500. ISBN�91�87030�00�4 [EN] GENRES, ITALY, SOCIOLOGY, STATISTICS, 1980S, EUROARTMUS, ROCK, FOLK MUSIC, MOR, SSONGWRITR.

Ala, Nemesio; Fabbri, Franco; Fiori, Umberto; Ghezzi, Emilio. Schemi del consumo musicale a Milano e a Reggio Emilia. What is Popular Music? Quaderni di Musica/realt�, 8. 1985, Milano: Unicopli: 492-527. ISBN�88�7061�894�3 [IT] GENRES, ITALY, SOCIOLOGY, STATISTICS, 1980S, EUROARTMUS, ROCK, FOLK MUSIC, MOR, SSONGWRITR.

Ala, Nemesio; Fabbri, Franco. Generi musicali, forme di consumo, gusti del pubblico: 'popular music' e ricerca in Italia. Musica e sistema dell'informazione in Europa. Rampi, Francesco (ed). 1985, Milano: Unicopli: 153-166. ISBN�88�7061�885�4 [IT] GROUPS, SOCIOLOGY, YOUTH, MUS INDUST, ITALY, SELL.

Ala, Nemesio; Fiori, Umberto; Ghezzi, Emilio; Fabbri, Franco. Schemi del consumo musicale a Milano e Reggio Emilia nell' aprile-maggio 1983. Musica e sistema dell'informazione in Europa. Rampi, Francesco (ed). 1985, Milano: Unicopli: 192-280. ISBN�88�7061�885�4 [IT] STATISTICS, MUS INDUST, PERCEIVE, GENRES, GROUPS, CULT.STUDY, SELL, ITALY, CONFERENCE.

Ala, Nemesio; Ghezzi, Emilio. Music and Advertising on Italian Television. Popular Music Perspectives, 2. Horn, David (ed). 1985, G鰐eborg, Exeter: IASPM: 405-416. ISBN�91�87030�00�4 [EN] ITALY, ADVERTS, TELEVISION, SEMIOTICS, YOUTH, WOMEN, CHILDREN, MUSICOLOGY.

Ala, Nemesio; Ghezzi, Emilio. Musica e pubblicit� nella televisione italiana. What is Popular Music? Quaderni di Musica/realt�, 8. 1985, Milano: Unicopli: 461-473. ISBN�88�7061�894�3 [IT] ITALY, ADVERTS, TELEVISION, SEMIOTICS, YOUTH, WOMEN, CHILDREN, MUSICOLOGY.

Alaja-Browne, Afolabi. Juju Music: A Study of its Social History of Style. 1985, Pittsburgh, PA.: University of Pittsburgh [EN] W AFRICA, SOCIOLOGY, CULT.STUDY, MUSIC HIST, MUSIC USES. [Juju; Nigeria].

Alaja-Browne, Afolabi. A diachronic study of change in juju music. Popular Music, 08/3. 1989, Cambridge: Cambridge University Press: 231-242. ISBN򈆩21�38919�4 [EN] W AFRICA, JUJUHILIFE.

Alaja-Browne, Afolabi. On Music, Emotions and Mobilization. Worldbeat, 1. 1991, IASPM: 34-46. ISBN򈆥9�508235�4 [EN] NIGERIA, POLITICS, JUJUHILIFE.

Alaja-Browne, Afolabi. On Music, Emotions and Mobilization. 1789-1989. Musique, Histoire, D閙ocratie. Colloque international organis� par Vibrations et l'IASPM, Paris 17-20 juillet 1989. Hennion (ed). 1992, Paris: 蒬itions de la Maison des Sciences de l'Homme: 213-220. ISBN򈮃531�0532�6 (in 3 volumes (ISBN 2-7531-0532-6, 0533-4, -0534-2). Soutien de la Direction de la Musique (Minist鑢e de la Culture) et du Centre d'Ethnologie fran鏰ise. Vol 1 pp 1-260, vol 2 pp 263-506, vol 3 pp 509-829) [EN] NIGERIA, JUJUHILIFE, POLITICS.

Alanne, Pia (ed); J鋜viluoma, Helmi (ed). Selected soundscape bibliography. Soundscapes. Essays on Vroom and Moo. J鋜viluoma, Helmi (ed). 1994, Tampere: Department of Folk Tradition: 121-135. ISBN�951�44�3541�9 (www.tagg.org/articles/virrat.html) [EN] SOUNDSCAPE, BIBLIOGR..

Alarcon, Isabelle. Figuralisme et 閏riture musicale dans le dessin anim�. Vibrations, 4. 1987, Paris: : 110-124. ISBN򈮃089�6193�4 [FR] FILM MUSIC, COMICS, HOLLYWOOD, AFFECT, GESTURES.

Alb鑢a, Philippe. Tradition et la rupture de tradition. Musiques du XXe si鑓le (Musiques, vol. 1). Nattiez, Jean-Jacques (ed). 2003, Paris: Actes Sud/Cit� de la musique: 113-135. ISBN򈮃427�4204�2 (1pub Einaudi, Torino, 2001).

Alb鑢a, Philippe. Le mythe et l'inconscient. Musiques du XXe si鑓le (Musiques, vol. 1). Nattiez, Jean-Jacques (ed). 2003, Paris: Actes Sud/Cit� de la musique: 136-157. ISBN򈮃427�4204�2 (1pub Einaudi, Torino, 2001).

Alb鑢a, Philippe. Modernit� 1. Le mat閞iau sonore. Musiques du XXe si鑓le (Musiques, vol. 1). Nattiez, Jean-Jacques (ed). 2003, Paris: Actes Sud/Cit� de la musique: 213-233. ISBN򈮃427�4204�2 (1pub Einaudi, Torino, 2001).

Alb鑢a, Philippe. Modernit� 2. La forme musicale. Musiques du XXe si鑓le (Musiques, vol. 1). Nattiez, Jean-Jacques (ed). 2003, Paris: Actes Sud/Cit� de la musique: 234-263. ISBN򈮃427�4204�2 (1pub Einaudi, Torino, 2001).

Alb鑢a, Philippe. L'op閞a. Musiques du XXe si鑓le (Musiques, vol. 1). Nattiez, Jean-Jacques (ed). 2003, Paris: Actes Sud/Cit� de la musique: 377-440. ISBN򈮃427�4204�2 (1pub Einaudi, Torino, 2001).

Alberoni, Fred. The Powerless "Elite". Theory and sociological research on the phenomenon of the stars. Sociology of Mass Communication. McQuail, Denis (ed). 1972, London: Faber & Faber: 75-98 [EN] ROCK, MUS INDUST, SOCIOLOGY, USA, UK, STARS.

Albert, George; Hoffmann, Frank. The Cash Box Black Contemporary Singles Charts, 1960-1984. 1984, Metuchen and London: Scarecrow Press (704p) [EN] USA, CHARTS, DISCOGR., AFR-AMER., SOUL, FUNKY, GOSPEL, BLUES.

Albert, Werner G. Dimensionality of perceived violence in rock music. Musical intensity and lyrical violence content. Popular Music in Society, January 1978. [EN] ROCK, CENSORSHIP, VIOLENCE, STATISTICS.

Alberti, Luciano see Fink, Guido (1988).

Alberti, Luciano. Eric Rohmer: un regista di cinema che sa e scrive di musica. Norme con ironie. Scritti per i settant' anni di Ennio Morricone. Miceli, Sergio (ed); Gallenga, Laura (ed); Kokkaliari, Lena (ed). 1998, Milano: Suvini Zerboni: 19-28 (www.tagg.org/articles/morric70.pdf) [IT] FILM, FRANCE. [Rohmer,稥ric].

Albold, Volker. Blues Heute: Musik zwischen Licht und Schatten. 1987, Berlin: Lied der Zeit (317p) [DE] BLUES, HISTORY, SOCIOLOGY.

Alburger, Mary Anne. Scottish Fiddlers and Their Music. 1983, London: Gollancz (256p) [EN] SCOTLAND, VIOLIN, MUSICIANS.

Aldrich, Richard. Concert Life in New York, 1902-1923. 1941, New York: Putnam [EN] CULT.STUDY, 1900-1909, 1910S, 1920S.

Alekseev, Eduard Y; Golovinskii, Grigoriy L. From the Experience of the Moscow Youth Music Club: On the question of the socio-psychogical. New Patterns of Musical Behaviour. Bontink, Irmgard (ed). 1974, Wien: Universal Edition.: 91-102. ISBN򈚒34�567�89�1 [EN] BIBLIOGR., PSYCHOLOGY, SOCIOLOGY, STATISTICS, GENRES, CONSUME, YOUTH.

Alekseev, Eduard Y. Sotsiologiya i muzykal'naya fol'kloristika. Sotsiologicheskiye aspekty izucheniya muzykal'nogo fol'klora iskusstvo. 1978, Alma-Ata: : 4-11 [RU] SOCIOLOGY, FOLK MUSIC, ROCK, JAZZ, USSR, C ASIA. [FOLKLORE; FOLKLORISTICA].

Alekseev, Eduard Y; Andrukovich, P; Golovinskii, Grigoriy L. Molodezh i muzyka segodnya. Social'nye funkcii iskusstva i ego vidov. 1980, Moskva: Nauka: 210-247 [RU] USSR, YOUTH, GENRES, MUSIC USES.

Alekseev, Eduard Y. Neskol'ko myslei o fol'klornykh plastinkakh. Melodiya, 1981/4. 1981, Moskva: : 73-74 [RU] PHONOGRAM, FOLK MUSIC, USSR.

Alekseev, Eduard Y. Muzykal'nyi fol'klor na gramplastinkye. Narodnoye tvorchestvo i SMK. 1981, Moskva: : 90-107 "Musical folklore on disc" [RU] FOLK MUSIC, PHONOGRAM, USSR.

Alekseev, Eduard Y see Andrukovich, P (1985).

Alekseev, Eduard Y. Rannye fol'klornoye intonirovaniye. 1986, Moskva: Sovyetskii Kompozitor (202p) "The Pitch Nature of Primitive Singing", "L'intonation archa飍ue dans les airs folokloriques (l'aspect de la formation de la hauteur des sons)". 20 page summaries in English, German and French [RU] FOLK MUSIC, MELODY, INTONATION, USSR, VOICE, MUSIC EXX., MUSICOLOGY, ANTHROPOL..

Alekseev, Eduard Y. Fol'klor v gorodye. Muzikalni khorizonti, 1986/9. 1986, Sofia: "Folklore in the city" [RU] FOLK MUSIC, RURAL, URBAN, USSR.

Alekseev, Eduard Y. O sootnoshenii muzykovedcheskogo, sotiologicheskogo i drugikh metodov izucheniya muzykal'nogo fol'klora. Voprosy khudozhestvennoi kul'tury v svete reshenii, 27 siezda KPSS. 1986, Moskva: [RU] MUSICOLOGY, SOCIOLOGY, METHODOL., FOLK MUSIC, POPULARMUS, USSR, DEFINE, RESEARCH, CULTPOLIT..

Alekseev, Eduard Y. Razgovor v pustynye Gobi. Sovietskaya muzyka, 1987/8. "Story teller in the Gobi desert" [RU] FOLK MUSIC, C ASIA, USSR.

Alekseev, Eduard Y. Prinzipien der tonh鰄em溥igen Beschaffenheit archaischer Volkssingweisen. Secondo convegno europeo di analisi musicale. Dalmonte, Rosanna (ed); Baroni, Mario (ed). 1992, Trento: Universit� degli studi di Trento, Dipartimento di storia della civilt� europea: 259-268. ISBN�88�86135�09�2 (www.tagg.org/articles/trento91.html (1999)) [DE] MUSICOLOGY, MUS.ANALYS, CONFERENCE, USSR, FOLK MUSIC.

Alembert, Jean le Rond d'. Encyclop閐ie, ou dictionnaire raisonn� des sciences, des arts et des m閠iers, vol 1 (Paris 1751), pp xi-xii. Music and Aesthetics in the Eighteenth and Early Nineteenth Centuries. Huray, Peter Le (ed); Day, James (ed). 1988, Cambridge: Cambridge University Press: 48-50. ISBN򈆩21�35901�5 [EN] EUROARTMUS, AESTHETICS.

Al閚 Rodriguez, Olavo. Conformazione generale della musica cubana. Musica/Realt�, 31. 1990, Milano: Unicopli: 55-64. ISBN�88�400�0205�7 [IT] CUBA, POPULARMUS, EUROARTMUS.

Al閚 Rodriguez, Olavo. Center for the Research and Development of Cuban Music. Worldbeat, 1. 1991, IASPM: 186-193. ISBN򈆥9�508235�4 [EN] REVIEW, ARCHIVIST, RESEARCH, CUBA. [DESAROLLO; INVESTIGACION].

Alencar Pinto, Guilherme. Razones locas. El paso de Eduardo Mateo por la m鷖ica uruguaya. 2002, Buenos Aires: (455p). ISBN�987�20536�0稾 La biograf韆 de Mateo. 3rd edition (1994, 1995) [SP] URUGUAY, SSONGWRITR, BIOGRAPHY, L AMERICA.

Alessandrini, Marjorie. Le rock au f閙inin. 1980, Paris: Albin Michel (215p). ISBN򈭾26�00959�0 [FR] ROCK, WOMEN, ILL., BIOGRAPHY, SEX/GENDER, C&W, USA, UK, POLITSTUDY.

Alessandrini, Marjorie see Alessandrini, Paul (1982).

Alessandrini, Paul; Alessandrini, Marjorie (1982). L'ann閑 du rock 1982-83. 1983, Paris: Clancier-Gu閚aud (192p) [FR] ROCK, ILL., INTERNATNL.

Alexandrov, G V see Eisenstein, Sergei M (1985).

Alfaro, Hugo. Milonga triste. Various articles from La Brecha, etc.. n.d. Montevideo: : 019 Brecha, 890120 [SP] DANCE.

Ali, Tariq see Blackburn, Robin (1971).

Alison, Archibald. Essays on the Nature and Principles of Taste (Dublin 1790), Essay I, pp.3-4; Essay II, ch.2, pp.265-275. Music and Aesthetics in the Eighteenth and Early Nineteenth Centuries. Huray, Peter Le (ed); Day, James (ed). 1988, Cambridge: Cambridge University Press: 149-153. ISBN򈆩21�35901�5 [EN] EUROARTMUS, AESTHETICS.

Allander, Bertil see Tagg, Philip (1980).

Allen, Frederick Lewis. Only Yesterday: An Informal History of the 1920s. 1964, New York: Harper & Row [EN] USA, MUSIC HIST, 1920S, HISTORY.

Allen, Frederick Lewis. The Big Change: America Transforms Itself, 1900-1959. 1969, New York: Harper & Row [EN] USA, CULT.STUDY, MUSIC HIST.

Allen, Frederick Lewis. Since Yesterday: The 1930s in America. 1972, New York: Harper & Row [EN] USA, 1930S, MUSIC HIST, HISTORY.

Allen, Gary. More Subversion Than Meets the Ear. The Sounds of Social Change. Denisoff, R Serge (ed); Peterson, Richard A (ed). 1972, Chicago: Rand McNally & Co: 151-66. ISBN򈆩28�68712�3 [EN] SOCIOLOGY, YOUTH, ROCK, USA.

Allen, Jules Verne. Cowboy Lore. 1971, San Antonio: Naylor. ISBN򈆬11�10358�7 [EN] USA.

Fiske, John. chapter on Madonna. Allen, Robert C (ed). 1987, University of North Carolina Press [EN] USA, ROCK, SEX/GENDER, CULT.STUDY. [MADONNA].

Allinson, Francesca (1931). Musikalische Volksbr鋟che in Spanien. Musik und Gesellschaft, 01/7. Kolland, Dorothea (ed). 1978, Berlin: Das europ鋓sche Buch: 244-245. ISBN򉁱20�30383�0 (Reprint of original periodical) [DE] SPAIN, 1930S, MUSIC EDUC, FESTIVAL, CHILDREN, AMATEURS, FOLK MUSIC, GUITAR, DANCE.

Allnutt, Mike (ed); Herl, Michael (ed). WA-Ahnsinn: der Wackersdorf-Film; die Filmbilder, Lieder, Texte, Reden, Interviews, Dokumente. 1986, N鰎dlingen: Greno (143p) [DE] ROCK, FESTIVAL, OPPOSE, POLITICS, NUCLEAR, GERMANY, FILM, INTERVIEW, DOCUMENT, LYRICS.

Allwood, Jens see Tagg, Philip (1982).

Alm, Ari. Radion musiikkiviestin鋘 muutuvat merkitykset. Toosa Soi. Musiiki radion kilpailuv鋖ineen�. Salminen, Kimmo (ed); Alm, Ari (ed). 1992, Helsinki: YLE Tutkimus ja kehitysosasto: 29-47. ISBN�951�43�0557�4 [SF] RADIO, FINLAND.

Alm, Ari see Salminen, Kimmo (1992).

Alsmann, G鰐z see Blankertz, Stefan (1979).

Alsmann, G鰐z. Nichts als Krach: die unabh鋘gigen Schallplattenfirmen und die Entwicklung der amerikanischen popul鋜en Musik. 1985, Drensteinfurt: Huba (180p) [DE] USA, MUS INDUST, ROCK, DISS..

Alterhoug, Bj鰎n. H錸dverk og estetisk dimensjon - improvisasjoner over et satsl鎟etema. Musikklidenskapelig: Tretten Essay. Ledang, Ola Kai (ed). 1987, Trondheim: Universitetet, Musikkvitenskapelig institutt.: 17-24 [NO] SKILLS, HARMONY, MUSIC EDUC.

Altman, Rick (ed). Genre: the Musical. Popular Music, 03. 1981, Cambridge: Cambridge University Press: 286-289. ISSN�0261�1430 Reviewed by Richard Maltby in Popular Music, 2: 286-289 [EN] MUSICALS, REVIEW.

Altman, Rick. The Evolution of Sound Today. Film Sound - Theory and Practice. Weis, Elisabeth (ed); Belton, John (ed). 1985, New York: Columbia University Press: 44-53. ISBN򈆦31�05637�0 [EN] SOUND, FILM, SKILLS, RECORDING, FILM MUSIC.

Altman, Rick. The American Film Musical. 1987, Bloomington: Indiana University Press (386p). ISBN򈆬5170�296�1 BFI backlist �15.95 (1992). Reviewed in Screen, 31/1 (1990):119-124 by Anahid Kassabian @ CP826035 [EN] USA, FILM, MUSICALS, HOLLYWOOD, TELEVISION, REVIEW. [Adorno,稵h稺; Kassabian,稟].

Altman, Rick. The Silence of the Silents. Musical Quarterly, 80/4. [EN] FILM MUSIC.

Altman, Rick. Cinema and Popular Song: the lost tradition. Soundtrack Available. Essays on Film and Popular Music. Wojcik, Pamela Robertson (ed); Knight, Arthur (ed). 2001, Durham NC: Duke University Press: 19-30. ISBN򈆬223�2797稾 [EN] FILM MUSIC.

Alunno, Marco. Vittorio Gelmetti. Sperimentazione e cinema. La musica nel cinema. Tematiche e metodi di ricerca. Miceli, Sergio (ed). 2004, Firenze: Civilt� musicale, 51/52: 190-203. ISBN�88�87621�49�7 (Anno XIX, gennaio-agosto 2004) [IT] FILM MUSIC, CONFERENCE, ITALY, AVANTGARDE, C20, COMPOSERS.

Alvarado, Paul. Guatemala's Alux Nahual: a non-"Latin American" Latin American rock group? Rockin' Las Am閞icas. The Global Politics of rock in Latin/o America. Pacini Hernandez, Deborah (ed); Fern醤dez L'Hoeste, H閏tor (ed); Zolov, Eric (ed). 2004, Pittsburgh: University of Pittsburgh Press: 220-240. ISBN򈆬229�5841�4 [EN] ROCK, L AMERICA. [Guatemala].

Alvarenga, Oneyda. A influencia negra na m鷖ica brasileira. Bolet韓 Latinoamericano de M鷖ica, 1.VI. [PG] BRAZIL, AFRICA, MUSICOLOGY.

Alvarenga, Oneyda. M鷖ica popular brasileira. 1982, S鉶 Paulo: Livraria Duas Cidades. ed.nr.82-0166 (374p) [PG] FOLK MUSIC, MUSICOLOGY, INSTRUMENT, BRAZIL, GAMES, DRAMA, MUSIC EXX., DANCE, SOCIOLOGY, ANTHROPOL..

Alves de Souza, Ant鬾io Marcus. Silencios e esquecimentos culturais do Mercosul. Musica popular na Am閞ica Latina - Pontos de escuta. Ulh鬭, Martha Tupinamb� de (ed); Ochoa, Ana Maria (ed). 2005, Porto Alegre: Editora da Universidade do Rio Grande do Sul: 71-111 [PG] L AMERICA, BRAZIL, CULTPOLIT..

Alves, Ataulfo. Lo, Ataulfo Alves (Liner notes). nd, Rio de Janeiro: Companha Brasileira de Discos. LPNG 44031 (2p) [SP] BRAZIL, FOLK MUSIC, RURAL, URBAN.

Alvey, R Gerald. Dulcimer Maker: the Craft of Homer Ledford. 1984, Louisville: University Press of Kentucky. ISBN򈆬13�11447�0 [EN] INSTRUMENT.

Alvin, Juliette. L錸gsiktig musikterapi med en autistisk pojke. Musikterapi. Geck, Martin (ed). 1977, Stockholm: W & W: 103-113. ISBN�91�46�12738�0 (1publ, Klett, Stuttgart 1973) [SV] EUROPE, HEALTH, PSYCHOLOGY, EDUCATION, MUSIC MAKE, IMPROVISE.

Alzate, P Alberto. El musica de banda: approximac韔n a su realidad social. 1980, Bogata: Editorial America Latina (100p) [SP] S AMERICA, SOCIOLOGY, MUSIC USES.

Amar, Licco (1931). Ende des Konzertlebens? (Situation des Konzerts) Musik und Gesellschaft, 01/7. Kolland, Dorothea (ed). 1978, Berlin: Das europ鋓sche Buch: 212-214. ISBN򉁱20�30383�0 (Reprint of original periodical) [DE] GERMANY, 1930S, EUROARTMUS, PERFORM, AMATEURS, COMMUNITY, MUS INDUST.

Amarook, L see Pelinski, Ram髇 (1979).

Amato, Francesco D'. Premessa. Sound Tracks. Tracce, convergenze e scenari negli studi musicali. Amato, Francesco, D' (ed). 2002, Roma: Meltemi: 7-10. ISBN�88�8353�130�2.

Amato, Francesco D'. Coordinate e prospettive: le riflessioni sui rapporti fra testo e contesto. Sound Tracks. Tracce, convergenze e scenari negli studi musicali. Amato, Francesco, D' (ed). 2002, Roma: Meltemi: 27-64. ISBN�88�8353�130�2 Coordinates and perspectives: reflections on relationships between text and context [IT] PT.

Amato, Francesco D'. Premessa. Sound Tracks. Tracce, convergenze e scenari negli studi musicali. Amato, Francesco, D' (ed). 2002, Roma: Meltemi: 7-10. ISBN�88�8353�130�2.

Ambrozic-Paic, Arlette. Mass Media and Pop Groups in Yugoslavia. New Patterns of Musical Behaviour. Bontink, Irmgard (ed). 1974, Wien: Universal Edition.: 119-128. ISBN򈚒34�567�89�1 [EN] BUSINESS, RECORDS, FESTIVAL, EDUC ITEM, FOLK MUSIC, ROCK, STATISTICS, YOUTH, MEDIA IND., YUGOSLAVIA.

Amendt, G黱ter. Reunion Sundown Jokerman 84 Revisits Highway 61: eine Reportage 黚er Dylans Europaturne 1984. 1985, Frankfurt-am-Main: Zweitauseneins (115p) [DE] ROCK, USA, EUROPE, PERFORM, JOURNALISM, FANS.

Ames, D W. Glossary of Hausa Music and its Social Context. 1971, Evanstown: Northwestern University Press [EN] NIGERIA, CULT.STUDY, REFERENCE, SOCIOLOGY. [Percussion].

Ames, David W. Urban Hausa Music. African Urban Notes, 5/4. [EN] NIGERIA, URBAN, DRUMS. [Hausa].

Ames, David W. A Sociocultural View of Hausa Musical Activity. The Traditional Artists in African Societies. 1973, Bloomington, Ind.: Indiana University Press: 128-61 [EN] NIGERIA, SOCIOLOGY, CULT.STUDY. [Hausa].

Ames, Russell. The Story of American Folk Song. 1955, New York: Grosset & Dunlap [EN] FOLK MUSIC, POLITICS, MUSIC USES, MUSIC HIST.

Ames, Russell. The Story of American Folk Song. 1960, New York: Grosset & Dunlap Republished in: [EN] USA.

Amico, Fedele D'; Gavazzeni, Giannandrea. Musica e cinematografo. Un connubio difficile. Musica/Realt�, 51. 1996, Lucca: Libreria Musicale Italiana: 165-173. ISBN�88�7096�188�5 [IT] FILM MUSIC.

Amico, Stephen. 'I Want Muscles': house music, homosexuality and masculine signification. Popular Music, 20/3. 2001, Cambridge: Cambridge University Press: 359-378. ISSN�0261�1430 [EN] SEX/GENDER.

Ammann, Judith. Who's Been Sleeping in My Bed?. 1987, Frankfurt: Suhrkamp (479p) [EN] INTERVIEW, EUROPE, UK, USA, MUSICIANS, 1980S.

Ammer, Christine. Unsung. 1986, Westport, Conn.: Greenwood/Praeger [EN] MUSIC HIST, USA, WOMEN.

Amster, Isabella (1930). Klavier黚ung im Alltag des Musizierens. Musik und Gesellschaft, 01/6. Kolland, Dorothea (ed). 1978, Berlin: Das europ鋓sche Buch: 172-176. ISBN򉁱20�30383�0 (Reprint of original periodical) [DE] GERMANY, 1930S, EUROARTMUS, PIANO, EVERYDAY.

Amunugama, Sarath. Notes on Sinhala Culture. 1980, Colombo: Gunasena [EN] CULT.STUDY.

Ancelet, Barry Jean. The Makers of Cajun Music/ Musiciens cadiens et cr閛les. 1984, Austin: University of Austin (160p). ISBN򈆦92�75078�1 [EN] USA, CAJUN, FRANCE, FOLK MUSIC, MUSIC HIST.

Andacht, Fernando. 縌u� sentido tiene la canci髇? La del taller, 5/6 (1986). 1986, Montivedeo: Talleres latinoamericanos de m鷖ica popular: 13-21 [SP] SEMIOTICS, SSONGWRITR, L AMERICA.

Andacht, Fernando. El canto popular: su p鷅lico, su crisis. La del taller, 7. 1986, Rosario: : 28-36 [SP] URUGUAY, ARGENTINA, CUBA, SSONGWRITR, CULTPOLIT., LYRICS. [NEUVA稵ROVA; CANTO稰OPULAR].

Andersen, J鰎n. En p鎟edansk Amerikaner-dansker. Et kig p� Ehlert Falch p� vej mod det andet land. Modspil, 8/34. 1987, 舝hus: PubliMus: 5-9. ISSN�0105�9238 [DK] DENMARK, ROCK, USA, 1980S, NATIONALSM.

Andersen, J鰎n Erslev. 舗d, lyre og plektrum - et sp鰎gsm錶 om musik og filosofi. Musik og betydningsinhold - kompendium i musik鎠tetik. Druud-Nielsen, Per (ed). 1987, 舕borg: Institut for musik og musikterapi, AUC: 54-59 mimeo, 舝hus universitet [DK] AESTHETICS, MUSICOLOGY, EUROARTMUS, MOD.CLASS., RELIGION, PHILOSOPHY, DREAMS. [Bloch,稥rnst].

Andersen, J鰎n T. Regnbuens endestation. Provinsr鰀der og rockmusik 1958-86. 1986, 舝hus: Forlaget Klim (177p) [DK] DENMARK, ROCK, 1950S, 1960S, 1970S, 1980S.

Anderson, A M (?). Music in the Mix: The Story of South African Popular Music. n.y., n.pl.: Ravan Press [EN] S AFRICA, MUSIC HIST.

Anderson, B; Hesbacher, P; Etzkorn, K Peter; Denisoff, R Serge. Hit Record Trends 1940-1977. Journal of Communication, 32 (1980/2). [EN] CHARTS, SCHLAGER, ROCK, LYRICS, SOCIOLOGY, USA.

Anderson, Clive. Memphis and the Sounds of the South. The Soul Book. Cummings, Tony (ed); Hoare, Ian (ed); Frith, Simon (ed). 1975, London: Methuen: 60-116. ISBN򈆨13�32150�9 [EN] SOUL, 1960S, 1970S, USA, MUSICIANS, MUS INDUST, AFR-AMER., RECORDING.

Anderson, Clive. Soul in the Seventies. The Soul Book. Cummings, Tony (ed); Hoare, Ian (ed); Frith, Simon (ed). 1975, London: Methuen: 169-189. ISBN򈆨13�32150�9 [EN] 1970S, GOSPEL, ROCK, USA, MUSICIANS.

Anderson, Gilian. Opera e film: i fiocchi e gli artigli di Carmen. Cinema & cinema, 18/60 (Audiofane - Voci, rumori e musica del cinema). 1991, Bologna: CLUEB: 55-64 [IT] FILM MUSIC, OPERA.

Anderson, Gillian. Musical missionaries: "Suitable" music in the cinema 1913-1915. La musica nel cinema. Tematiche e metodi di ricerca. Miceli, Sergio (ed). 2004, Firenze: Civilt� musicale, 51/52: 173-189. ISBN�88�87621�49�7 (Anno XIX, gennaio-agosto 2004) [EN] FILM MUSIC, CONFERENCE, DOCUMENT, USA, HISTORY, AESTHETICS, 1910S, SILENTFILM.

Anderson, Gillian B. Freedom's Voice in Poetry and Song. 1977, Wilmington, Del.: Scholarly Resources. ISBN򈆬42�02124�8 [EN] USA, BALLADS, SSONGWRITR, MUSIC USES, OPPOSE, POLITICS.

Anderson, Gillian B. The Presentation of Silent Films, or, Music as Anaesthesia. The Journal of Musicology, 5/2. [EN] SILENTFILM, FILM MUSIC.

Anderson, Gillian B. Music for Silent Films 1894-1929. 1988, Washington: Library of Congress (xlix+182p). ISBN򈆬333�0580�9 (Stock # 030-000-00199-1) [EN] SILENTFILM, FILM MUSIC, REFERENCE, BIBLIOGR., 1890S, 1900-1909, 1910S, 1920S, USA, ILL..

Anderson, Robert; North, Gail. Gospel Music Encyclopedia: Introduction by Don Butler. 1979, New York: Sterling Publishing Co (320p). ISBN򈆬06�90174�8 [EN] USA, GOSPEL, REFERENCE, BIOGRAPHY.

Anderson, Robert D see Ferland, Yvon (1982).

Anderson, Terri. Oral History of Sound: The National Sound Archive compiles a record of recording (report) Studio Sound, 27/3 (March 1985). 1985, London: Link House Publications: 98-102. ISSN�0133�5944 [EN] RECORDING, HISTORY, DOCUMENT, UK, REPORT.

Anderson, Tim. The Problem of Interdisciplinarity in Popular Music Studies. Looking Back, Looking Ahead. Popular Music Studies 20 Years Later. K鋜ki, Kim (ed); Leydon, Rebecca (ed); Terho, Henri (ed). 2002, Turku: IASPM-Norden: 135-141. ISBN�951�98789򈚒 (Proceedings of the Elevnth Biannual IASPM Conference July 6-10, 2001, Turku, Finland).

Anderson, W R. Dvorak. Lives of the Great Composers, vol 3. Bacharach, A L (ed). 1943, London: Penguin: 51-72 [EN] CZECHOSLOV, NATIONALSM, COMPOSE, HISTORY, BIOGRAPHY, EUROPE, ROMANTIC.

Anderson-Sutton, R. The Crystallization of a Marginal Tradition: Music in Banyumas, West Central Java. Yearbook For Traditional Music, 18. 1986, New York: International Council for Traditional Music: 115-132. ISSN�0740�1558 [EN] INDONESIA, GENRES, MUS INDUST, DRAMA, PHONOGRAM.

Andersson, Greger. 'Och i parken konserterar' ... Ett bidrag till fr錱an om bl錽musikens nationalkarakt鋜. Svenskhet i musiken. Larsen, Holger (ed). 1993, Stockholm: Skrifter fr錸 Musikvetenskapliga institutionen nr 7: 22-30. ISBN�91�972063.

Andersson, Joakim; Brolinsson, Per-Erik. N錱ra hypoteser kring harmonikens roll i svensk nationalromantik. Svenskhet i musiken. Larsen, Holger (ed). 1993, Stockholm: Skrifter fr錸 Musikvetenskapliga institutionen nr 7: 31-43. ISBN�91�972063.

Andersson, Muff. Music in the Mix: The Story of South African Popular Music. 1981, Johannesburg: Ravan [EN] S AFRICA, MUSIC HIST.

Andersson, S; Malm, Krister. Musik och massmedia. 1977, Stockholm: Sohlmans F鰎lag (608-610p) (2nd ed).

Andersson, Sven. Har musiken n錱ot att s鋑a? Mellan konst och vetande. 1996, G鰐eborg: Daidalos: 65-82. ISBN�91�7173047�8 [SV] CULT.STUDY, PT, DEFINE, SEMIOTICS.

Andersson, Tony; Bergendahl, ELisabet. L錿 tusen stenar rulla - kuratorgruppens musikverksamhet - teori och praktik. 1982, G鰐eborg: Socialh鰃skolan (73p) [SV] AMATEURS, YOUTH, SOCIOLOGY, G橳EBORG, SWEDEN, ROCK.

Andersson, Ulla see Ling, Jan (1983).

Andr�, David. Introduction. Folk Music of the Seychelles. 1988, Victoria (Mahe): Conservatoire de musique et danse: 1-7 [EN] MUSIC EXX., FOLK MUSIC, GUITAR, ARRANGE, GENRES.

Andreani, Eveline. Antitrait� d'harmonie. 1979, Paris: Union g閚閞ale d'閐itions (444p). ISBN򈭾64�00941�1 [FR] MUSICOLOGY, EUROPE, TIME/SPACE, HARMONY, MELODY, NOTATION, MUS. FORM, TIMBRE, ORCHESTRAL, EUROARTMUS.

Andreas, Reinhard. Kreativit鋞. Improvisation. Musikpsychologie - ein Handbuch. Bruhn, Herbert (ed); Oerter, Rolf (ed); R鰏ing, Helmut (ed). 1985, M黱chen: Urban & Schwarzenberg: 243-259. ISBN򉁭41�14291稾 [DE] PSYCHOLOGY, MUSIC EDUC, DEFINE, EUROARTMUS, JAZZ, SOCIALISAT.

Andreas, Reinhard. Improvisation. Musikpsychologie - Ein Handbuch. Bruhn, Herbert (ed); Oerter, Rolf (ed); R鰏ing, Helmut (ed). 1993, Reinbek bei Hamburg: Rowohlts Enzyklop鋎ie: 506-513. ISBN򉁬99�55526�3 [DE] PSYCHOLOGY, DEFINE, SOCIALISAT, IMPROVISE.

Andreas, Reinhard. Kreativit鋞. Musikpsychologie - Ein Handbuch. Bruhn, Herbert (ed); Oerter, Rolf (ed); R鰏ing, Helmut (ed). 1993, Reinbek bei Hamburg: Rowohlts Enzyklop鋎ie: 520-528. ISBN򉁬99�55526�3 =Creativity [DE] PSYCHOLOGY, DEFINE, SOCIALISAT, CREATE.

Andreasson, Kenth. Abba lurade alla "D錶iga aff鋜en" gav 86 miljoner i vinst. GT, 1983-10-21. 1983, G鰐eborg: G鰐eborgs Tidningen: 1,5 [SV] SWEDEN, ROCK, MOR, MUS INDUST, JOURNALISM.

Andr閚, Gunnar see Tagg, Philip (1981).

Andr閚, Gunnar see Nowak, Kjell (1985).

Andresen, Uwe. Keith Jarrett: sein Leben, seine Musik, seine Schallplatten. 1985, Gauting-Buchendorf: Oreos (187p) [DE] BIOGRAPHY, DISCOGR., USA, JAZZ, IMPROVISE, PIANO.

Andrews, Edward Deming. The Gift to be Simple: Songs, Dance and Rituals of the American Shakers. 1962, New York: Dover Publications [EN] USA, MUSIC USES, RELIGION, CHRISTIAN, HYMNS, SPIRITUALS. [NEW稥NGLAND].

Andrews, Frank. Columbia 10-inch Records 1904-30. 1985, City of London Phonograph and Gramophone Society (unpagedp) [EN] DISCOGR., UK, 1900-1909, 1910S, 1920S.

Andrews, Frank. The Edison Phonograph: the British Connection. 1986, Rugby: City of London Phonograph and Gramophone Society (138p) [EN] DISCOGR., USA, UK, PHONOGRAM.

Andrukovich, P see Golovinskii, Grigoriy L (1979).

Andrukovich, P see Alekseev, Eduard Y (1980).

Andrukovich, P see Golovinskii, Grigoriy L (1980).

Andrukovich, P. Zvukozapis' i molodoi sludhatel' muzyki. Hudozhestvennye problemy zvukozamisi v ekrannyh. Alekseev, Eduard Y (ed). 1985, Moskva: : 90-110 [RU] SOUND, RECORDING, USSR, PERCEIVE, DEFINE, YOUTH, TELEVISION, RADIO.

Angeletti, Maurizio. American Guitar. 1982, Milan: Gammalibri (255p) [EN] USA, GUITAR.

Angeloni, Patrizia. Il mantice armonico. Fisarmonica 2000, dalla storia per il futuro. Musica/Realt�, 62. 2000, Lucca: LIM: 16-19. ISBN�88�7096�261稾 [IT] INSTRUMENT, HARMONY, ACCORDION.

Angiolini, Giuliano d'. Intervista a Karlheinz Stockhausen. Musica/realt�, 28. 1989, Milano: Unicopli: 11-15. ISBN�88�400�0173�5 [IT] MOD.CLASS., INTERVIEW, 1980S, GERMANY, ITALY.

Angiolini, Giuliano d'. Contrechamp n�9: "Karlheinz Stockhausen". Musica/Realt�, 31. 1990, Milano: Unicopli: 14-16. ISBN�88�400�0205�7 [IT] MOD.CLASS..

Angus, Janet. Training - Tonmeisters in industry. Studio Sound, 27/1 (January 1985). 1985, London: Link House: 34-39. ISSN�0133�5944 [EN] RECORDING, PRODUCERS, COMPOSE, EDUCATION, UK, MUS INDUST, REPORT, RECORDING.

Angus, R. Are Cassettes Here to Stay?. [EN] CASSETTES, 1960S.

ANHANGE DER BUROKRAT. Anh鋘ge: Der b黵okratische Apparat. Die Bands. Abk黵zungsverzeichnis. Personenregister. Bandregister. Die Herausgeber. Rockmusik und Politik. Analysen, Interviews und Dokumente. Wicke, Peter (ed); M黮ler, Lothar (ed). 1996, Berlin: Ch. Links Verlag: 251-277. ISBN򉁰6153�096�1 [DE] DDR, ROCK, CULTPOLIT..

Ankerman, Bernhard. Die Afrikanschen Musikinstrumente. 1901, Berlin: A. Haack [DE] INSTRUMENT, AFRICA.

Ankli, Ruedi; Burri, Peter. Cantautore R閜ublic: die italienischen Rockpoetik, ihre Geschichte, ihre Texte. 1985, Basel: Lenos (400p) [DE] ITALY, SSONGWRITR, LYRICS.

Annaud, Jean-Jacques see Bassetti, Sergio (1988).

Anon. Newport Jazz Festival, July 1-9, 1972, New York City. 1972, New York: Newport Jazz Festival (40p) [EN] JAZZ, PERFORM, DOCUMENT, ILL..

Anon. Marknadskrigets vinnare 1975: importen och lyxvarorna. Veckans Aff鋜er, 1975-11-20. 1975, Stockholm: Veckans Aff鋜er: 19-33 [SV] BUSINESS, MUS INDUST, MONEY, SWEDEN, CONSUME, 1970S.

Anon. R鰀a Kapellet. Signal, 1975/1. 1975, Oslo: 26-27 [SV] NORWAY, PT, DOCUMENT, REVIEW, POLITICAL, ROCK.

Anon. R鰀a Kapellet: Vi er f鰎st og fremst kommunister. Signal, 1975/2. 1975, Oslo: 10, 22 [NO] NORWAY, PT, DOCUMENT, REVIEW, POLITICAL, ROCK.

Anon. 99 錼 med inspelat ljud i Sverige. Ord & Ton, 1977/2. 1977, Stockholm: STIM: 14-17 [SV] RECORDS, SWEDEN, HISTORY, MUS INDUST, ILL..

Anon. Liederbuch: Which Side Are You On? Anschl鋑e, 1/3. 1978, Bremen: Archiv f黵 Popul鋜e Musik: 106-13. ISSN�0344�2667 [DE] UNIONS, FOLK MUSIC, USA.

Anon. "Hoch die rote Blaskapelle?": 黚er die Entwicklung und Arbeit einer linken Freiburger BlK. Anschl鋑e, 1/4. 1978, Bremen: Archiv f黵 Popul鋜e Musik: 43-64. ISSN�0344�2667 [DE] GERMANY.

Anon. Zum Corrido. Anschl鋑e, 1/1. 1978, Bremen: Archiv f黵 Popul鋜e Musik: 74-75. ISSN�0344�2667 [DE] MUSICOLOGY, FOLK MUSIC, MEXICO.

Anon. Von heute an gibt's mein Programm: 黚er Lieder aus der Frauenbewegung. Anschl鋑e, 2/5. 1979, Bremen: Archiv f黵 Popul鋜e Musik: 28-49. ISSN�0344�2667 [DE] ROCK, SSONGWRITR, WOMEN, GERMANY.

Anon. Ny teknik. Compact Disc: miniskiva med 1 timmes speltid - l鋝erstr錶e som pick-up-n錶. Ord & Ton, 1979/1. 1979, Stockholm: STIM: 9 [SV] PHONOGRAM, CDs, TECHNOLOGY, ILL..

Anon. I v錼 鋜 det 20 錼 sedan Radio Nord slog till. Ord & Ton, 1980/2. 1980, Stockholm: STIM: 14-1 [SV] SWEDEN, RADIO, ADVERTS, 1960S, LAW, PIRACY, MEDIA IND., ILL..

Anon. Magyar rock - ki kicsoda a magyar rock zeneben. 1982, Budapest: Ifj鷖醙i Lapkiad� V醠lalat (200 maxp) [HU] HUNGARY, ROCK, REFERENCE.

Anon. Lieder und Leute: die Singbewegung der FDJ. 1982, Berlin: Verlag Neues Leben (374p) [DE] GERMANY, FESTIVAL, HANDBOOK, DDR, GROUPS, CULTPOLIT.. [FDJ].

Anon. Film, Dance and Porno Adverts (N鰆essidorna) GT, 1983-10-21. 1983, G鰐eborg: G鰐eborgs Tidningen: 14-19 [SV] ADVERTS, DOCUMENT, SEX/GENDER, PORNOGRAPH, ENTERTAIN, G橳EBORG.

Anon. Spelet bakom kulisserna avsett skada Sovjet som olympisk tanke. Norrskensflamman, 1984-05-23. 1984, Lule�: 20-24 [SV] SPORT, USA, USSR, 1980S.

Anon. The Year of the Music Video. Screen Digest, June 1984. 1984, London: 107-113 [EN] VIDEO, TELEVISION, STATISTICS, UK, EUROPE, MUS INDUST, ROCK.

Anon. Den kommunala musikskolan. 1984, Stockholm: Svenska kommunf鰎bundet (66p). ISBN�91�7344�446�4 [SV] SWEDEN, EDUCATION, MUSIC EDUC, CULTPOLIT., 1970S, 1980S.

Anon. The authoritative Publication of Record for Fans of the Beatles, Volumes 1 & 2 1978-80. [EN] ROCK, FANS, DISCOGR..

Anon. "Helsingborgs Konserthus - Sveriges f鰎sta funktionalistiska monumentalbyggnad". Folk, Form & Funktionalism. Kapitel 5, 1986-04-17. [SV] ARCHITECT., EUROARTMUS, SWEDEN, 1930S.

Anon. Musik till bild. STIM Nytt, 1986/4. 1986, Stockholm: STIM: 4-5 [SV] VIDEO, COPYRIGHT, SCANDINAVI, 1980S, FILM MUSIC.

Anon. Kunden 腞 v鋜d musiken. STIM Nytt, 1986/4. 1986, Stockholm: STIM: 6-7 [SV] SWEDEN, COPYRIGHT, ORGANISE, MONEY.

Anon. Seminarium med k鋘d musikforskare. MSO-Nytt, Mars 1987. 1987, Malm�: Malm� Synfoniorkestrars V鋘ner: 4 [SV] PT, DOCUMENT.

Anon. Du romantique. Music and Aesthetics in the Eighteenth and Early Nineteenth Centuries. Huray, Peter Le (ed); Day, James (ed). 1988, Cambridge: Cambridge University Press: 240-242. ISBN򈆩21�35901�5 1publ Le Globe, Paris 24 March 1825: 423ff [EN] EUROARTMUS, AESTHETICS.

Anon. Korg Music Workstation M1 - Owner's Manual. 1988, Korg Instruments (135p) [EN] SYNTHS, HANDBOOK, ELECTRONIC, INSTRUMENT, 1980S.

Anon. Un se駉r muy viejo con unas alas enormes (1988) Trento Cinema 1988. 1988, Trento: Provincia Autonoma di Trento - Servizio Attivit� Culturali: 40-41 (Incontri internazionali con la musica per il cinema) [IT] FILM, FILM MUSIC, CUBA, SPAIN, ITALY. [BIRRI稦ernando; VITIER稪os偡Mar; NOCENZI稧ianni].

Anon. Chuck Berry: Hail! Hail! Rock'n'Roll. Trento Cinema 1988. 1988, Trento: Provincia Autonoma di Trento - Servizio Attivit� Culturali: 43-43 (Incontri internazionali con la musica per il cinema) [IT] FILM, FILM MUSIC, USA.

Anon. Linie 1. Trento Cinema 1988. 1988, Trento: Provincia Autonoma di Trento - Servizio Attivit� Culturali: 44-45 (Incontri internazionali con la musica per il cinema) [IT] FILM, FILM MUSIC, BRD. [HAUFF稲einhard; HEYMANN稡irger].

Anon. Notturno. Trento Cinema 1988. 1988, Trento: Provincia Autonoma di Trento - Servizio Attivit� Culturali: 46-46 (Incontri internazionali con la musica per il cinema) [IT] FILM, FILM MUSIC, AUSTRIA.

Anon. Sternberg - Shooting Star. Trento Cinema 1988. 1988, Trento: Provincia Autonoma di Trento - Servizio Attivit� Culturali: 47-48 (Incontri internazionali con la musica per il cinema) [IT] FILM, FILM MUSIC, BRD. [LIST種iki; KLOSER稨arald].

Anon. Malen'kaya Vera. Trento Cinema 1988. 1988, Trento: Provincia Autonoma di Trento - Servizio Attivit� Culturali: 49-49 (Incontri internazionali con la musica per il cinema) [IT] FILM, FILM MUSIC, USSR.

Anon. Sur. Trento Cinema 1988. 1988, Trento: Provincia Autonoma di Trento - Servizio Attivit� Culturali: 50-50 (Incontri internazionali con la musica per il cinema) [IT] FILM, FILM MUSIC, ARGENTINA, TANGO. [SOLANAS稦ernand; PIAZZOLA稟stor].

Anon. K醨hozat. Trento Cinema 1988. 1988, Trento: Provincia Autonoma di Trento - Servizio Attivit� Culturali: 51-51 (Incontri internazionali con la musica per il cinema) [IT] FILM, FILM MUSIC, HUNGARY.

Anon. Convegno "Musica e Cinema" - programma dei lavori. Settimana musicale senese, 19-26 agosto 1990. 1988, Siena: Fondazione Accademia Musicale Chigiana: 120-122 [IT] FILM, FILM MUSIC, SILENTFILM, CONFERENCE, ITALY, PT.

Anon. John Blacking Scholarhip Appeal. Popular Music, 09/3. 1990, Cambridge: Cambridge University Press: 373-374. ISBN򈆩21�39943�2 [EN] MONEY, DEATH, POPULARMUS, ANTHROPOL.. [BLACKING稪ohn].

Anon. Musik som skapar v鋘ligare milj�. n.d., Stockholm: Funktionell Musik/Philips (4p) [SV] MUZAK, DOCUMENT, 1970S, SWEDEN.

Anon. War Child. [EN] WAR, CHILDREN.

Anon. Bruton Music. Catalogue. nd, London: Bruton Music [EN] MOOD MUSIC.

Anon. Selected Sounds Recorded Music Library. nd, Hamburg: Selected Sounds [DE] MOOD MUSIC.

Anon. CAM - album sleeves CAM 001-074, PRE 1-9. nd, Roma: Creazione artistiche musicale [IT] MOOD MUSIC.

Anon. KPM Music Recorded Library. nd, London: Keith Prowse Music [EN] MOOD MUSIC.

Anon. Montparnasse 2000 "Illustration sonore", production 70-74. Album sleeves. nd, Paris: 蒬itions Montparnasse [FR] MOOD MUSIC.

Anon (Muzak). Muzak - The Only One. 1973, New York: Muzak Coroporation (14p) [EN] MUZAK, SELL, WORK, PSYCHOLOGY, BUSINESS.

Anon (Muzak). Significant Studies on the Effects of Muzak on Employee Performance. 1974, New York: Muzak Coroporation (37p) [EN] MUZAK, WORK, SELL, PSYCHOLOGY, BUSINESS, MUSIC USES.

Anon (Muzak). Here's the Effective Sound Way to Dispel Job Monotony. nd, New York: Muzak Coroporation (6p) [EN] MUZAK, WORK, SELL, BUSINESS, PSYCHOLOGY.

Anon (Muzak). Muzak Joins the Surgical Team at Union Hospital. nd, New York: Muzak Coroporation (2p) [EN] MUZAK, WORK, HEALTH, SELL, PSYCHOLOGY.

Anon (Muzak). Muzak Helps Reduce Grievances at Bulova. nd, New York: Muzak Coroporation (2p) [EN] MUZAK, WORK, SELL, BUSINESS.

Anon (Muzak). Why Does Muzak Record all its Own Music?. nd, New York: Muzak Coroporation (4p) [EN] MUZAK, RECORDING, MUSIC USES, SELL, PSYCHOLOGY.

Anon (Muzak). Why Can't Johnny Work? Profit Erosion: Some Causes, Effects and Recommendations. nd, New York: Muzak Coroporation (5p) [EN] MUZAK, WORK, BUSINESS, SELL, MUSIC USES, PSYCHOLOGY.

Anon (Muzak). The Science of Stimulus Progression. A Productivity Tool of Contemporary Management. nd, New York: Muzak Coroporation (4p) [EN] MUZAK, MUSIC USES, AESTHETICS, SELL, WORK, BUSINESS, PSYCHOLOGY.

Anon (Muzak). How to Save Time, Money and Energy and Improve Productivity with your Muzak Sound System. nd, New York: Muzak Coroporation (2p) [EN] MUZAK, WORK, SELL, BUSINESS, PSYCHOLOGY.

Anon (Warner). The Music Department. 1973, Burbank: Warner Brothers (7p) booklet of LP size accompanying two triple albums [EN] FILM MUSIC, HOLLYWOOD, PRODUCERS, COMPOSE, ILL., HISTORY.

Anscomb, Elizabeth see Blair, Dike (1978).

Anselm, Ernst. Philosophischen Untersuchungen zum Zeitbegriff in der Musik. 1973, Aachen: Dissertation [DE] TIME/SPACE, DISS. PhD..

Ansermet, Ernest. Su un'orchestra negra. Musica/Realt�, 58. 1999, Lucca: LIM Editrice: 173-178. ISBN�88�7096�147�8 (Marzo 1999) [IT] EUROARTMUS, JAZZ.

Anson, Robert S. Gone Crazy and Back Again. The Rise and Fall of the Rolling Stones Generation. 1981, New York: Doubleday [EN] USA, ROCK, YOUTH, 1960S, 1970S, OPPOSE, GROUPS.

Anthony, Bob. A-1 Audio's two-truck tour. How a PA system can be kept compact while effective. Studio Sound, 27/2 (February 1985). 1985, London: Link House: 74-77. ISSN�0133�5944 [EN] RECORDING, TECHNOLOGY, INSTRUMENT, SOUND, INNOVATE, REVIEW.

Antoni, Giovanni degli; Haus, Goffredo. Netz-Repr鋝entationen von Musikst點ken. Musikpsychologie - ein Handbuch. Bruhn, Herbert (ed); Oerter, Rolf (ed); R鰏ing, Helmut (ed). 1985, M黱chen: Urban & Schwarzenberg: 141-148. ISBN򉁭41�14291稾 [DE] PSYCHOLOGY, PERCEIVE, MUSICOLOGY.

Antonioni, Michelangelo. Deserto rosso (1964) Trento Cinema 1988. 1988, Trento: Provincia Autonoma di Trento - Servizio Attivit� Culturali: 179-187 (Incontri internazionali con la musica per il cinema) [IT] FILM MUSIC, SOUND. [FUSCO稧iovanni; GELMETTI稸ittor].

Antonmarini, Brunella. La preistoria acustica della poesia. L'esperienza musicale. Per una femnomenologia dei suoni. Nostro, Luca (ed). 2002, Roma: Montag/Manifestolibri: 151-168. ISBN�88�7285�304�4 [IT] POETRY.

Anttonen, Albert. Nordiskt seminarium om alternativkultur i Helsingfors. Nord-Nytt, 24. 1985, Lyngby: Nordisk Etnologisk Folkloristisk Arbejdsgruppe: 25-26 (Nordisk tidskrift for folklivsforskning, 24 (3/85)) [SV] PROGRESSIV, FINLAND, CULTPOLIT., NORDIC, SCANDINAVI.

Anttonen, Albert. Masskultur, motkultur eller nya traditioner? Nord-Nytt, 24. 1985, Lyngby: Nordisk Etnologisk Folkloristisk Arbejdsgruppe: 28-34 (Nordisk tidskrift for folklivsforskning, 24 (3/85)) [SV] PROGRESSIV, FINLAND, CULTPOLIT., NORDIC, SCANDINAVI.

Aparicio, Frances R. Listening to Salsa: Gender, Latin Popular Music and Puerto Rican Cultures. 1999, Oxford: Blackwell (311p) (Reviewed in Popular Music, 20/1, p.123 by Brian Longhurst) Reviewed in Popular Music, 20/1 by Lee Marshall [EN] L AMERICA, SALSA, PUERTORICO, SEX/GENDER.

Apel, Willi (ed). The Harvard Dictionary of Music. 1958, Cambridge, MA: Harvard University Press (x+833p) (1publ 1944, 11th printing 1958).

Adrono, Theodor Wiesengrund; Apitzsch, Hartmut (tr). Musiksociologi - 12 teoretiska f鰎el鋝ningar. 1976, Kristianstad: Cavefors. ISBN�91�504�0412�1 (German original "Musiksoziologie" (1962), Frankfurt: Suhrkamp).

Apleby, David P. The Music of Brazil. 1983, Austin, TX: University of Texas Press (209p). ISBN򈆦92�75068�4 Chapter 4: Folk, Popular and Art Music [EN] BRAZIL, FOLK MUSIC, POPULARMUS, NOTATION, MUSIC HIST.

Appel, Robert see Dorf, Michael Ethan (1986).

Appel, Robert see Dorf, Michael (1989).

Appelbaum, Louis (1946). Documentary Film Music. Film Music: from Violins to Video. Limbacher, James L (ed). 1974, Metuchen (NJ): Scarecrow Press: 66-71. ISBN򈆬108�0651�7 1publ in Film Music, 6:13, Nov - Dec 1946.

Appelbaum, Louis (1947). The Best Years of Our Lives. Limbacher, James L (ed). 1974, Metuchen (NJ): Scarecrow Press (81-82p). ISBN򈆬108�0651�7 1publ in Film Music, 6:11, May - June 1947 and 13:15, Jan - Feb 1954.

Appelbaum, Stanley. Stars of the American Musical Theatre in Historic Photographs: 361 Portraits from the 1860s to 1950. 1981, New York: Dover Publications. ISBN򈆨86�24209�9 [EN] USA, MUSICALS, C19, C20, PHOTOGRAPH.

Appiah-Boateng, Desmond. Rhythm used in the teaching of arithmetic in a primary school in Ghana. Rhythmic Music Education. 1996, Copenhagen: Danish Music Council: 66-67. ISBN򈆤5001035�2 [EN] CONFERENCE, AFRICA, EDUCATION, RHYTHM.

Applebaum, Ed see Wasserman, Paul (1984).

Applebaum, Louis. Documentary Music. Film Music: from Violins to Video. Limbacher, James L (ed). 1974, Metuchen (NJ): Scarecrow Press: 66-72. ISBN򈆬108�0651�7 1 publ Film Music 6:13, Nov-Dec 1946 [EN] CANADA, FILM MUSIC, 1930S, 1940S.

Applebaum, Louis. The Best Years of Our Lives. Film Music: from Violins to Video. Limbacher, James L (ed). 1974, Metuchen (NJ): Scarecrow Press: 81-82. ISBN򈆬108�0651�7 1 publ Film Music, 6/11 May-Jun 1947 [EN] FILM MUSIC, REVIEW, COMPOSE.

Appleby, Amy see Pickow, Peter (1988).

Appleby, David. The Music of Brazil. 1983, Austin: University of Texas Press [EN] BRAZIL.

Appleton, J H. The Development and Practice of Electronic Music. 1975, Englewood Cliffs, NJ: Prentice-Hall [EN] ELCTRNCMUS, MUSIC HIST.

Appleton, Jon H (ed); Perera, Ronald C (ed). The Development and Practice of Electronic Music. 1975, Englewood Cliffs, NJ: Prentice-Hall (384p). ISBN򈆥3�207605�5 [EN] ANTHOLOGY, HISTORY, ELECTRONIC, SOUND, MANAGERS, COMPUTERS, HANDBOOK.

Aprile, Al; Mayer, Luca. La musica rock-progressiva Europa. 1982, Milan: Gammalibri (255p) [IT] ROCK, EUROPE.

Aptheker, Herbert (ed). A Documentary History of the Negro People in the United States. 1951, New York: Citadel Press [EN] USA, AFR-AMER., HISTORY.

Aquila, Richard. The Old Time Rock and Roll: A Chronicle of an Era. 1989, New York: Schirmer (370p) [EN] 1950S, 1960S, USA, ROCK, MUSIC HIST, ACCULTUR., CULT.STUDY.

Arafah, Abd al Muncim. Tarikh Aclam al Musiq� al Sharqiyyah (History of the Stars of Eastern Music). 1947, Cairo: Matbacat Anani [AR] MUSIC HIST, ARABIC.

Arajo de Molina, Consuelo. Vallenatolog韆. 1973, Bogot�: Ediciones Tercer Mundo [SP] COLOMBIA, VOICE, FOLK MUSIC, POPULARMUS.

Aranza, Jacob. Backward Masking Unmasked: Backward Satanic Messages of Rock and Roll Exposed. 1983, Shreveport, LA.: Huntington House (115p) [EN] ROCK, CHRISTIAN, RELIGION, CULT.STUDY, RECORDS, MUSIC USES.

Ara鷍o, Samuel. Samba e coexist阯cia no Rio de Janeiro contempor鈔ea. Musica popular na Am閞ica Latina - Pontos de escuta. Ulh鬭, Martha Tupinamb� de (ed); Ochoa, Ana Maria (ed). 2005, Porto Alegre: Editora da Universidade do Rio Grande do Sul: 194-213 [PG] L AMERICA, BRAZIL, GENRES.

Arbose, Jules. How to Succeed in the Rich Man's World. International Management, Dec 1979. 1979, London: International Management: 38-40 [EN] MUS INDUST, MEDIA IND., MOR, ROCK, ADVERTS, ABBA.

Arcangelo, Dino D' see Pacoda, Pierfrancesco (1998).

Arche, Augusta Dell'. Parole, immagini e suoni per giocare raccontarsi. Musica Domani, 116. 2000, Torino: EDT: 17-23. ISSN�0391�4380 [IT] MUSIC EDUC, LINGUISTIC, VIS. ARTS. [narrative; play; games].

Archer, Gleason L. A History of Radio to 1926. 1938, New York: American Historical Company [EN] MUSIC HIST, HISTORY, RADIO, BROADCAST, COMMUNICAT.

Archer, Gleason L. Big Business and Radio. 1939, New York: American Historical Company [EN] MUS INDUST, RADIO, BROADCAST, MUSIC HIST, COMMUNICAT.

Aretz, Isabel. M鷖ica tradicional argentina. 1946, Tucum醤: Universidad Nacional de Tucum醤 [SP] ARGENTINA, FOLK MUSIC, POPULARMUS.

Aretz, Isabel. Musicolog韆: Estudiar el passado. La del taller, 8/9. 1988, Rosario: Talleres latinoamericanos de m鷖ica popular: 21-24 [SP] L AMERICA, MUSICOLOGY, FOLK MUSIC, EUROARTMUS, POPULARMUS, INTERVIEW.

Ar関alo Mateus, Jorge. Boricua Rock: Puerto Rican by Necessity? Rockin' Las Am閞icas. The Global Politics of rock in Latin/o America. Pacini Hernandez, Deborah (ed); Fern醤dez L'Hoeste, H閏tor (ed); Zolov, Eric (ed). 2004, Pittsburgh: University of Pittsburgh Press: 91-114. ISBN򈆬229�5841�4 [EN] PUERTORICO, L AMERICA, ROCK.

Argozzini, A. Enciclopedia del Festival di Sanremo. Quarant'anni di storia e di costume. 1990, Milano: Rusconi (340p) Musica/Realt�, 36: 181-182 [IT] ITALY, SCHLAGER, EUROVISMUS, FESTIVAL, FASHION, MOR, REFERENCE.

Arias, Julan Guillermo Contreras. Atlas Cultural de M閤ico - M鷖ica. 1988, Ciudad M閤ico: Secretaria de Educadi髇 P鷅lica, Instituto Nacional de Antropolog韆 e Historia, Grupo Editorial Planeta. ISBN�968�406�121�8 [EN] MEXICO, ILL., REFERENCE, INSTRUMENT, HISTORY, ANTHROPOL., FOLK MUSIC.

Arizaga, Rodolfo. Enciclopedia de la m鷖ica argentina. 1972, Buenos Aires: Fondo Nacional de las Artes (371p) [SP] ARGENTINA, REFERENCE, MUSICIANS, GENRES, BIOGRAPHY, DISCOGR..

Armand, Adrian L' see Armand, Kathleen L' (1978).

Armand, Adrian L'. Music in Madras: The Urbanization of a Cultural Tradition. Eight Urban Musical Cultures: Tradition and Change. 1978, Urbana, Ill.: University of Illinois Press: 115-45 [EN] INDIA, URBAN, CULT.STUDY.

Armand, Kathleen L'; Armand, Adrian L'. Music in Madras: The Urbanization of a Cultural Tradition. Nettl, Bruno (ed). 1978, Urbana & London: University of Illinois Press Folklore and Linguistics Folklore and Linguistics: 115-145. ISBN򈆦52�00208�3 [EN] INDIA, URBAN, CULTPOLIT., MUSICIANS, SEX/GENDER, WOMEN, FILM, RADIO, MUSIC USES. [CASTE].

Arming, Wolfgang. Economic Aspects of the Phonographic Industry. The Phonogram in Cultural Communication. Blaukopf, Kurt (ed). 1982, Wien: Springer-Verlag: 75-78. ISBN򉁪11�81725�5 [EN] PHONOGRAM, INTERNATNL, STATISTICS, MUS INDUST.

Armstrong, Louis (1955). Satchmo: My Life in New Orleans. 1970, London: IPC [EN] BIOGRAPHY, USA, AFR-AMER., JAZZ, NEWORLEANS. [ARMSTRONG稬ouis].

Arnell, Richard see Manvell, Roger (1975).

Arnheim, Rudolf. La radio. 1987, Roma: Editori Riuniti (1 publ 1933) (168p) [IT] RADIO, TECHNOLOGY.

Arnhem, Rudolf. A New Laco鰊: Artistic Composites and the Talking Film. Film Sound - Theory and Practice. Weis, Elisabeth (ed); Belton, John (ed). 1985, New York: Columbia University Press: 112-115. ISBN򈆦31�05637�0 [EN] FILM, SOUND.

Arnold, Alison. Popular film song in India - a case of mass market musical eclecticism. Popular Music, 07/2. 1988, Cambridge: Cambridge University Press: 177-189. ISBN򈆩21�35896�5 [EN] INDIA, FILM, SINGING, ARRANGE, INSTRUMENT, ILL., MUSIC EXX., MUS INDUST. [NAYYAR稯稰; RAMCHANDRA稢; CALCUTTA; BOMBAY; HINDI; BENGAL].

Arnold, Byron. Folksongs of Alabama. 1950, University of Alabama Press [EN] USA, FOLK MUSIC.

Arnold, Herbert A. Oral Tradition and Critical Song in Comteporary Germany. Journal of Popular Culture, 15/3. 1981, Bowling Green, Ohio: Bowling Green State University Popular Press: 144-154 [EN] GERMANY, SINGING, BALLADS, POPULARMUS, SSONGWRITR, MUSIC HIST.

Arnold, Thurman. The Bottlenecks of Business. 1940, New York: Reynal & Hitchcock [EN] MUS INDUST.

Arnold, Tony. The Role of Maintenance. Studio Sound, 27/1 (January 1985). 1985, London: Link House: 44-47. ISSN�0133�5944 [EN] RECORDING, TECHNOLOGY, INSTRUMENT, MANAGERS, REPORT, JOURNALISM.

Arom, Simha; Thom, Martin (tr); Tuckett, Barbara (tr); Boyd, Raymond (tr). African Polyphony and Polyrhythm: Musical Structure and Methodology. 1991, Cambridge: . ISBN򈆩21�24160稾 (�100 hardback!) [EN] AFRICA, MUSICOLOGY, MUSIC EXX., RHYTHM, POLYPHONY, W AFRICA.

Arom, Simha. Traits structurels et variables dans les musiques centrafricaines. Secondo convegno europeo di analisi musicale. Dalmonte, Rosanna (ed); Baroni, Mario (ed). 1992, Trento: Universit� degli studi di Trento, Dipartimento di storia della civilt� europea: 273-278. ISBN�88�86135�09�2 (www.tagg.org/articles/trento91.html (1999)) [FR] MUSICOLOGY, MUS.ANALYS, CONFERENCE, C AFRICA.

Arom, Simha. Su alcune impreviste parentele fra le polifonie mdievali e africane. Polifonie: procedimenti, tassonomie e forme: una riflessione 玜 pi� voci�. Agamennone, Maurizio (ed). 1996, Venezia: Il Cardo: 163-180. ISBN�88�8079�078�1 [IT] POLYPHONY, EUROPE, AFRICA, C AFRICA, TAXONOMY, DEFINE, ETHNMCOLG..

Arora, V N. Popular Songs in Hindi Films. Journal of Popular Culture, 20/2. 1986, Bowling Green, Ohio: Bowling Green State University Popular Press: 143-166 [EN] INDIA, FILM MUSIC, FILM, LYRICS, POPULARMUS.

Artale, Roberto. Storia della filuzzi bolognese. Dal 1903 al 1970. 1986, Imola: Grafiche Galeati [IT] ITALY, DANCE. [BOLOGNA; EMILIA; LISCIO].

Arteche, Miguel. Gardel: tango que me hiciste bien. 1985, Santiago: Editorial Andr閟 Bello (231p) [SP] TANGO.

Artigas, Gustavo; Moncada, Perla Valencia (ed). Antolog韆 de canciones de lucha y esperanza. 1973, Santiago de Chile: Empresa Editora Nacional Quimantu Ltda [SP] L AMERICA, POETRY, LYRICS, OPPOSE, REVOLUTION, S AMERICA, CHILE, URUGUAY.

Artis, Bob. Bluegrass. 1975, New York: Hawthorne Books [EN] USA, GUITAR.

Arvidson, Peter. On Interest, Activity and Taste in Music. New Patterns of Musical Behaviour. Bontink, Irmgard (ed). 1974, Wien: Universal Edition.: 142-155. ISBN򈚒34�567�89�1 [EN] MEDIA IND., STATISTICS, GENRES, CONSUME, YOUTH, SWEDEN.

Arvidsson, Alf. Rockmusiken i lokalsamh鋖let. Nord-Nytt, 24. 1985, Lyngby: Nordisk Etnologisk Folkloristisk Arbejdsgruppe: 5-16 (Nordisk tidskrift for folklivsforskning, 24 (3/85)) [SV] ROCK, SOCIOLOGY, ANTHROPOL., SWEDEN, CULT.STUDY, REGIONALSM, GROUPS.

Asakura, Takashi. Hayari uta no tanjo. 1989, Toyko: Seiku-sha (196p) [JP] JAPAN.

Asante-Darko, Nimrod. Male Chauvinism: Men and Women in Ghanaian Highlife Songs. Female and Male in West Africa. 1983, London: George Allen and Unwin [EN] GHANA, SEX/GENDER, VOCAL MUS.. [Highlife].

Asch, Moses see Dunson, Josh (1965).

Asch, Moses (ed); Silber, Irwin (ed). 900 Miles - The Ballads, Blues and Folksongs of Cisco Houston. 1965, New York: Oak.

Asensio, Susana. The Nortec Edge: border traditions and "Electronica" in Tijuana. Rockin' Las Am閞icas. The Global Politics of rock in Latin/o America. Pacini Hernandez, Deborah (ed); Fern醤dez L'Hoeste, H閏tor (ed); Zolov, Eric (ed). 2004, Pittsburgh: University of Pittsburgh Press: 312-331. ISBN򈆬229�5841�4 [EN] MEXICO, USA, ROCK, HOUSE/RAVE, L AMERICA.

Ashton, J. Truth in Folksong: Some Developments and Applications. [EN] FOLK MUSIC, MUSIC USES, MUSIC HIST, CANADA, NARRATIVE.

Aspinal, Michael. The 獿ucia� cadenza. Secondo convegno europeo di analisi musicale. Dalmonte, Rosanna (ed); Baroni, Mario (ed). 1992, Trento: Universit� degli studi di Trento, Dipartimento di storia della civilt� europea: 15-20. ISBN�88�86135�09�2 (www.tagg.org/articles/trento91.html (1999)) [EN] MUSICOLOGY, MUS.ANALYS, CONFERENCE, ITALY, OPERA, SINGING. [Donizetti].

Asriel, Andre. Jazz: Analysen und Aspekte. 1985, Berlin (DDR): Lied der Zeit (435p) 4th edition [DE] JAZZ, MUS.ANALYS.

Assafiev, Boris. Musical Form as a Process. 1976, Columbus: Ohio State University Press [EN] INTONATION.

Assafiev, Boris. Die musikalische Form als Proze�. Kuhn, Ernst (tr); Lehmann, F (ed); Lippold, E (ed). 1976, Berlin: Verlag neue Musik (412p) Orig title "Muzykal'naya forma kak process" (1947) [DE] MUSICOLOGY, INTONATION, SEMIOTICS, MUSIC EXX., MUS.ANALYS, EUROARTMUS, EUROPE, HISTORY, PHILOSOPHY.

Associazioni/Gruppi/Centri. (1) APIM. Giornata di studi sui modelli applicativi per la formazione in musicoterapia. (2) Gruppo regionale Emilia Romagna. (3) Animazione musicale e anziani. (4) Musica e tossicodipendenze. (5) Percorsi didattici al DAMS. Progetto Uomo - Musica, 5 (Identit� musicali). 1994, Assisi: Edizioni Musicali Pro Civitate Christiana: 110-112 [IT] HEALTH, CONFERENCE, ORGANISE, ITALY, MUSIC EDUC, DRUGS. [Bologna].

Asta, Monica Dall' see Boschi, Alberto (1991).

Astatke, Mulatu. Etiojazz perustuu perinnemusiikkiin. Musiikin suunta, 1986 (8/4). 1986, Helsinki: Suomen Etnomusikologinen Seura: 127-129 [SF] ETHIOPIA, AFRICA, JAZZ.

舠trand, Hans. Den poietiska musikanalysen. Tankar fr錸 samtal. Analytica. Studies in the Description and Analysis of Music. 1985, Stockholm: Kungliga Musikaliska Akademien: 337-344. ISBN�91�85428�40稾 [SV] SEMIOTICS, PHILOSOPHY, MUS.ANALYS, INTERVIEW.

Atkins, Irene Kahn. Source Music in Motion Pictures. 1983, Rutherford: Fairleigh Dickinson University Press. ISBN򈆭50�94390�8 [EN] FILM MUSIC.

Atkinson, Bob. Songs of the Open Road: The Poetry of Folk Rock and the Journey of the Hero. 1974, New York: Signet/New American Library [EN] FOLK MUSIC, ROCK, LYRICS, VOCAL MUS..

Atkinson, Micahel. Long black limousine: pop biopics. Celluloid Jukebox. Popular music and the Movies since the Fifties. Romney, Jonathan (ed); Wootton, Adrian (ed). 1995, London: British Film Institute: 20-31. ISBN򈆬5170�507�3 [EN] FILM, FILM MUSIC, ROCK, USA, UK.

Atsuko, Tsukamoto. The Music of Tibetan Buddhism in Ladakh (Bskan-gso ritual in the Dge-Lugs-pa sect) Yearbook for Traditional Music, 15. 1983, Seoul: International Council for Traditional Music: 126-140 (East Asian Musics) [EN] E ASIA, CHINA, ANTHROPOL., MUSICOLOGY, RELIGION, VOICE, MELODY, INSTRUMENT, AESTHETICS.

Attali, Jacques. Bruits. Essai sur l'閏onomie politique de la musique. 1977, Paris: PUF.ISBN 2-22403071-1-77 (301p). ISBN򈭾2403071򈚗 [FR] SOCIOLOGY, POLITSTUDY, HISTORY, ECONOMICS, FESTIVAL, PERCEIVE, MASS MEDIA, COMMUNTHEO, POLITICS, SOUND.

Attenborough, Richard (et al). A Chorus Line (promotional handout). 1984, Stockholm: Svensk Filmindustri (24p) [EN] ADVERTS, DOCUMENT, ILL., FILM, MUSICALS, DANCE.

Attinello, Paul. Geroglifico, gesto, segno, significato: analisi di "Pi鑓es de chair II" di Sylvano Bussotti. Musica/Realt�, 46. 1995, Lucca: Libreria Musicale Italiana: 111-121. ISBN�88�7096�116�8 [IT] MOD.CLASS., SEMIOTICS. [Bussotti,稴].

Atton, Chris. 'Living in the Past'?: value discourses in progressive rock fanzines. Popular Music, 20/1. 2001, Cambridge: Cambridge University Press: 29-46. ISSN�0261�1430 [EN] ROCK, JOURNALISM, FANS.

Augustin, Gerhard; Gatter, Nikolaus. Tina Turner. 1986, Bergisch Gladbach: Bastei Luebbe (159p) [EN] ROCK, SOUL, FUNKY, USA, BIOGRAPHY, WOMEN, AFR-AMER..

Augustin, Gerhard. Die Beat-Jahre: Musik in Deutschland - Die sechziger Jahre. 1987, M黱chen: Goldmann (215p) [DE] GERMANY, 1960S, MUSIC HIST. [BEAT稭USIC].

Augustin, Joachin; Sailer, Rudolf. Probleme der musikalischen Vermittlung von "ernster" Musik im Fernesehen. Musik in den Massenmedien Rundfunk & Fernsehen. Schmidt, Hans-Christian (ed). 1976, Mainz: Schott: 67-73. ISBN򉁯957�2611�5 [DE] TELEVISION, BRD, EUROARTMUS, VIS. ARTS, PRODUCERS.

Aus dem Totenhaus: Filmmusik in Deutschland - eine Bestandsaufnahme. Auf der Tonspur: Filmmusik und Popmusik. Husslein, Uwe (ed); Jud, Reinhard (ed); Niemczyk, Ralf (ed). 1991, K鰈n & Wuppertal: Filmmusiktage GbR (K鰈n) und Institut f黵 Popkultur (Wuppertal): 12-19 (Catalogue of Filmmusiktage, 1991) [DE] FILM MUSIC, GERMANY, ROCK.

Austin, Mary. The American Federation of Musicians' Recording Ban, 1942-1944, and its Effect on Radio Broadcasting in the United States. 1982, Ann Arbor: University Microfilms [EN] USA, POLITICS, UNIONS, 1940S.

Auti�, Dominique. Corail pour Fran鏾is de Roubaix. Vibrations, 4. 1987, Paris: : 214-217. ISBN򈮃089�6193�4 [FR] FILM, SOUND, FILM MUSIC. [DONOVAN].

Autry, Gene. The Art of Writing Songs and How to Play Guitar. 1933, Evanston, IL: Frontier Publishers [EN] HANDBOOK, COMPOSE, VOCAL MUS., GUITAR.

Averbach, Elena. La musica contemporanea e la radio-estetica. Note problematiche. Musica/realt�, 18. 1985, Milano: Unicopli: 75-92 [IT] RADIO, EUROARTMUS, USSR, AESTHETICS.

Avison, Charles. An Essay on Musical Expression (London 1753, 3rd edition 1775), pt 1, section 2. Music and Aesthetics in the Eighteenth and Early Nineteenth Centuries. Huray, Peter Le (ed); Day, James (ed). 1988, Cambridge: Cambridge University Press: 51-54. ISBN򈆩21�35901�5 [EN] EUROARTMUS, AESTHETICS.

Avron, Dominique see Lyotard, Jean-Fran鏾is (1971).

Axelrod, Alan see Kingsbury, Paul (1988).

Axelsen, Doris. Swedish Adolescents and the Phonogram. Stock-Taking of Musical Life. Mark, Desmond (ed). 1981, Wien: Doblinger: 47-51. ISBN򉁱00035�70�9 [EN] SWEDEN, YOUTH, AUDIENCE, MUSIC USES, STATISTICS.

Ayestaran, F de & M R de see Ayesteran, Lauro (1965).

Ayesteran, Lauro; Ayestaran, F de & M R de. El minue montonero - danzas, canciones e instrumentos del pueblo del Uruguay. 1965, Montevideo: Ediciones de la Banda Oriental (64p). ISBN򈭾26�00959�0 [SP] URUGUAY, FOLK MUSIC, ANTHROPOL., DANCE, MUSIC MAKE, MUSICOLOGY, HISTORY, INSTRUMENT.

Aylesworth, Thomas G. History of Movie Musicals. 1984, London: Hamlyn. ISBN򈆪00�34754�0 [EN] MUSIC HIST, FILM MUSIC, MUSICALS.

B

Baacke, Dieter. Jugendkultur und Musik. Musikpsychologie - Ein Handbuch. Bruhn, Herbert (ed); Oerter, Rolf (ed); R鰏ing, Helmut (ed). 1993, Reinbek bei Hamburg: Rowohlts Enzyklop鋎ie: 228-236. ISBN򉁬99�55526�3 [DE] PSYCHOLOGY, YOUTH, DEFINE, GROUPS.

Baacke, Dieter; Thier, Michaela; Christian, Gr黱inger; Lindemann, Frank. Rock von Rechts. 1994, Bielefeld: AJZ-Druck & Verlag (199p) Reviewed by Alenka Barber-Kersovan in Popular Music 16/1 [DE] GERMANY, RACISM, FASCISM, ROCK.

Bab, Julius (1931). Die soziale Funktion des Publikums im Theatervorgang. Musik und Gesellschaft, 01/7. Kolland, Dorothea (ed). 1978, Berlin: Das europ鋓sche Buch: 209-212. ISBN򉁱20�30383�0 (Reprint of original periodical) [DE] GERMANY, 1930S, DRAMA, AUDIENCE, SOCIOLOGY, PSYCHOLOGY.

Babbitt, Milton. Contemporary Music Composition and Music Theory as Contemporary Intellectual Theory. Perspectives in Musicology. Brook, Barry (ed); Downes, E (ed); Solkema, S van (ed). 1975, New York: W W Norton: 151-184. ISBN򈆧93�00784�7 [EN] MUSICOLOGY, COMPOSE, EUROARTMUS, MOD.CLASS., EUROPE.

Babington, Bruce; Evans, Peter William. Blue Skies and Silver Linings: Aspects of the Hollywood Musical. 1985, Manchester and Dover: Manchester and Dover (NH): Manchester University Press (258p) [EN] FILM, HOLLYWOOD, MUSICALS.

Bach, Anna Magdalena. The Little Chronicle of Magdalena Bach. 1925, London: Chatto & Windus (183p) [EN] DOCUMENT, GERMANY, BAROQUE, BIOGRAPHY, C18, COMPOSE, FAMILY.

Bach, Carl Philipp Emmanuel (1762). Versuch 黚er die wahre Art das Klavier zu spielen. * Unknown source *. nd, Aalborg: Per Druud - private course material: xcr [DE] AESTHETICS, SEMIOTICS, KEYBOARDS, PIANO.

Bach, Carl Philipp Emmanuel [1714-1788]; Mitchell, W J (tr) (1762). Essay on the True Art of Playing Keyboard Instruments. 1974, London: Eulenberg (449p). ISBN򈆭038�7301稾 "Versuch 黚er die wahre Art das Clavier zu spielen" - 1753, 1762 [EN] ACCOMPANY, COMPOSE, EUROARTMUS, C18, KEYBOARDS, PERFORM, IMPROVISE, HARMONY, HANDBOOK, AFFECT.

Bach, Carl Philipp Emanuel [1714-1788] (1762). Et essay om at spille klaver p� den rigtige m錮e. Musik og betydningsinhold - kompendium i musik鎠tetik. Druud-Nielsen, Per (ed). 1987, 舕borg: Institut for musik og musikterapi, AUC: 21-22 Danish transl of xtr from Auff黨rung chapter of `Versuch 黚er die wahre Art das Klavier zu spielen (1753-62), new ed V W Niemann, Leipzig, 1906. See English edition, pp.151-153 [DK] AESTHETICS, MUSICOLOGY, EUROARTMUS, AFFECT, MELODY, SINGING, PERFORM, KEYBOARDS.

Bacharach, A L. Lives of the Great Composers, vol 3. Brahms, Wagner and their contemporaries. 1943, London: Penguin (191p) [EN] COMPOSE, HISTORY, EUROPE, ROMANTIC.

Bacharach, A L see Abraham, Gerald (1943).

Bacharach, A L. British Music of Our Time. 1946, London: Penguin (256p) [EN] UK, MOD.CLASS., ROMANTIC, BIOGRAPHY, EUROPE. [DELIUS稦; HOLST稧; WARLOCK稰; VAUGHAN稺ILLIAM; IRELAND稪; GOOSSENS稥; BAX稟; WALTON稺; BLISS稟; 1 LAMBERT稢].

Bacharach, A L. The Music Masters - 4. 1957, London: Penguin (416p) HINDEMITH; HOLST; HONEGGER; GRECHANINOV; IRELAND; MOERAN; SUK J腞NEFLT; KHATCHATURIAN; KODALY; LEKEU; MALIPIERO; RUBBRA; PALMGREN; PIZZETTI; PIJPER; POULENC; PROKOFIEV; GLAZUNOV; RACHMANINOV; REGER; RESPIGHI; SCHUMAN; SCH諲BERG; GRANADOS; SHAPORIN; SHOSTAKOVICH; COLERIDGE-TAYLOR; SIBELIUS; MARTINU; SZYMANOWSKI; TURINA; VAUGHAN-WILLIAMS R; VILLA-LOBOS; WALTON [EN] EUROPE, COMPOSE, MOD.CLASS., ROMANTIC, BIOGRAPHY, HISTORY. [BARBER稴; BARTOK稡; BAX稟; BERG稟; BLOCH稥; BUSONI稦; BRITTEN稡; SKRYABIN; DOHNANYI稥; 1 DUKAS稰; 1 MILHAUD稤].

Bachmann, Fritz. Tanzmusik und Gesellschaft. Zu einigen Fragen der Entwicklung von Tanzmusik und Schlagerlied. 1967, Leipzig: Zentralhaus f黵 Kulturarbeit [DE] DDR, SCHLAGER, ROCK, 1960S, DANCE.

Baclay, Michael. Have not been the same: the CanRock renaissance, 1985-95. 2001, Toronto: ECW Press (xvi+757p) (ML 3534.6 C2 B37 2001) [EN] ROCK, CANADA, 1980S, 1990S, HISTORY, CRITIQUE.

Bacon, T (ed). Rock Hardware. 1981, New York: Harmony Books [EN] INSTRUMENT, ROCK, ELECTRONIC.

Bacon, Tony (ed). Rock Hardware. The Instruments and Technology of Rock. 1981, Poole: Blandford Pres (224p). ISBN򈆫137�11906 [EN] RECORDING, TECHNOLOGY, INSTRUMENT, ROCK, REFERENCE, ILL..

Baes, Jonas and Amapola. East-West synthesis or cultural hegemony? Questions on the use of indigenous elements in Philippines popular music. Popular Music: Intercultural Interpretations. Mitsui, T魊u (ed). 1998, Kanazawa: Graduate Program in Music, Kanazawa University: 461-468. ISBN򉕝980684򈚕.

Baez, Joan. Sybil With Guitar. The American Folk Scene. Deturk, David A (ed); Poulin, A Jr (ed). 1962, New York: Dell Publishing: 216-230 1 publ in "Time", 1962 [EN] BIOGRAPHY, USA, 1950S, 1960S, FOLK MUSIC, LYRICS.

Baez, Joan. Daybreak. 1968, New York: Dial Press [EN] USA, BIOGRAPHY, FOLK MUSIC, 1960S.

Bagehot, Richard. Music Business Agreements. 1989, London: Waterlow (522p) [EN] MUS INDUST, LAW, UK, COPYRIGHT.

Baggaley, John; Duck, Steve. Dynamics of television. 1976, Farnborough: Saxon House (xv+190p). ISBN򈆩66�00124�1 [EN] TELEVISION, STATISTICS, PERCEIVE, SOCIOLOGY, CULT.STUDY, SEMIOTICS.

Baggelaar, Kristen. Folk Music: More Than a Song. 1976, New York: Crowell. ISBN򈆪90�01159�8 [] FOLK MUSIC, MUSIC USES, CULT.STUDY.

Baghli, Sid-Ahmad. Aspects of Algerian Cultural Policy. 1978, Paris: Unesco [EN] N AFRICA, CULT.STUDY.

Baier, Frank. Arbeitsweisen mit alten und neuen Liedern im Ruhrgebiet. Lied und Politische Bewegung. 1984, Leipzig: Zentralhaus f黵 Kulturarbeit der DDR: 123-134 (Wissenschafliche Beitr鋑e, 13) [DE] WORKERS, BRD, VOCAL MUS., HISTORY, 1980S, SOCIOLOGY.

Baier, Randall (1985). Jaipongan: Indigenous Popular Music of West Java. Asian Music, 18/1. [EN] INDONESIA, POPULARMUS. [Java].

Bailey, Derek. Improvisation - Its Nature and Practice. 1992, London: British Library National Sound Archive. ISBN򈆫123�0506�8 (c.�12.95) [EN] IMPROVISE, MUSIC EXX..

Bailey, Peter. Champagne Charlie: Performance and Ideology in the Music Hall Swell Song. Music Hall - Performance & Style. Bratton, J S (ed). 1986, Milton Keynes: Open University Press: 49-69. ISBN򈆧35�15131�0 [EN] MUSIC HALL, UK, C19, SOCIOLOGY, POLITSTUDY, CLASSES.

Bailey, Peter (ed). Music Hall: the Business of Pleasure. 1986, Milton Keynes: Open University Press (166p) [EN] UK, MUSIC HALL, MUS INDUST, ENTERTAIN, AESTHETICS.

Baily, John. A System of Modes Used in the Urban Music of Afghanistan. Ethnomusicology, 25/1. [EN] AFGHAN, URBAN, MUS. FORM.

Baily, John. Cross-Cultural Perspectives in Popular Music: The Case of Afghanistan. Popular Music, 01. [EN] AFGHAN, CULT.STUDY, ACCULTUR..

Baily, John. Cross-cultural perspectives in popular music: the case of Afghanistan. Popular Music, 01. 1981, Cambridge: Cambridge University Press: 105-122.

Baily, John. Amin-e Diwaneh: the musician as madman of Bengal as Apostles of Brotherhood. Popular Music, 07/2. 1988, Cambridge: Cambridge University Press: 133-146. ISBN򈆩21�35896�5 [EN] ILL., INSTRUMENT, MUSICIANS, ANTHROPOL.. [GYPSIES; DIWANEH稟min-e; HERAT; ZIRBAGHALI].

Baily, John. Anthropological and Psychological Approaches to the Study of Music Theory and Musical Cognition. Yearbook for Traditional Music, 22. 1988, New York: International Council for Traditional Music: 114-124. ISSN�0740�1588 [EN] FOLK MUSIC, AFGHAN, HINDUISM, ANTHROPOL..

Baily, John. Music of Afghanistan. 1988, Cambridge: Cambridge University Press (183p). ISBN򈆩21�25000�5 [EN] AFGHAN, C20, URBAN, MUSIC HIST, WOMEN, MUSICOLOGY, POPULARMUS, MUSIC USES, RITUAL, MUS.ANALYS. [KABUL; HERAT; COURT稭USIC].

Baily, John. Qawwali in Bradford: Traditional Music in a Muslim Community. Black Music in Britain. Oliver, Paul (ed). 1990, Buckingham: Open University Press: 153-165. ISBN򈆧35�15297稾 [EN] E ASIA, ISLAM, UK, FOLK MUSIC.

Baily, John. John Blacking and his Place in Ethnomusicology (Obituary) Yearbook for Traditional Music, 22. 1990, New York: International Council for Traditional Music: xii-xxi. ISSN�0740�1558 [EN] ANTHROPOL., MUSICOLOGY, DOCUMENT, BIBLIOGR.. [BLACKING稪ohn].

Baines, Anthony. Musical Instruments Through the Ages. 1961, London: Penguin (383p) [EN] INSTRUMENT, EUROPE, HISTORY.

Baines, Anthony. Brass Instruments - Their History and Development. 1976, London: Faber (298p). ISBN򈆩71�10600�5 [EN] BRASSINSTR, HISTORY, INSTRUMENT, EUROPE.

Hind, Harold C; Baines, Anthony C. Military band. Groves Dictionary of Music and Musicians. [EN] BRASSINSTR, HISTORY, ILL., WAR.

Bajema, Roeland [et al.]. Nederpop: 25 jaar popmuziek in Nederland; compleet overzicht van alle artiesten en hun platen. 1982, Utrecht: Het Spectrum (191p) [NL] NETHERLAND, ROCK, POPULARMUS, BIOGRAPHY, REFERENCE.

Baker, Bob. Music Videos Inspire Fast, Flashy Flicks. USA Today. [EN] VIDEO.

Baker, Glenn. Monkeemania: the True Story of the Monkees. 1986, New York: St Martin's Press (144p) [EN] USA, ROCK, MUS INDUST, FANS, 1960S.

Baker, Glenn A; Coupe, Stuart. The New Music. 1980, London: Bay Books (128p). ISBN򈆬5835�493�4 [EN] ROCK, PUNK, NEW WAVE, USA, UK, 1970S.

Baker, Houston A see Waterman, Christopher A (2000).

Baker, Theodore. Uber die Musik der Nordamerikanischen Wilden: eine Abhandlung zur Erlangung der Doctorwurde an der Universitat Leipzig. 1982, Leipzig: Breitkopf & Hartel. ISBN򈆨04�08337�4 [DE] 3RD WORLD.

Baker, W J. A History of the Marconi Company. 1971, London: Methuen [EN] USA, HISTORY, RADIO, COMMUNICAT.

Bakka, Egil. The Computer as a Tool in Dance Research. Yearbook for Traditional Music, 23. 1991, New York: International Council for Traditional Music: 125-130. ISSN�0740�1558 [EN] DANCE, NOTATION, COMPUTERS.

Bakke, Reidar. Praktiske fag i musikkstudiet. Musikklidenskapelig: Tretten Essay. Ledang, Ola Kai (ed). 1987, Trondheim: Universitetet, Musikkvitenskapelig institutt.: 25-28 [NO] SKILLS, MUSIC EDUC, HARMONY.

Balakan, Peter. Soul no yukue. 1989, Tokyo: Shincho-sha (253p) [JP] JAPAN, RECORDS, HANDBOOK, SOUL.

Balazs, B閘a. Theory of the Film: Sound. Film Sound - Theory and Practice. Weis, Elisabeth (ed); Belton, John (ed). 1985, New York: Columbia University Press: 116-125. ISBN򈆦31�05637�0 [EN] SOUND, FILM.

Bal醶s, Istv醤. La fine del modo del punto di vista inferiore. "Le Grand Macabre". Il contributo di Gy鰎gy Ligety al teatro musicale di nostro secolo. Musica/Realt�, 36. 1991, Milano: Unicopli: 55-66. ISBN�88�400�0267�7 [IT] HUNGARY, MOD.CLASS., DRAMA, OPERA, C20.

Balding, Doug. Punk Rock and the First Amendment. Critique of America. Summer 1987 [EN] PUNK, LAW, POLITICS, ETHICS, USA.

Balfour, Victoria. Rock Wives: the Hard Lives and Good Times of the Wives, Girlfriends and Groupies of Rock and Roll. 1986, New York: Beech Tree Books (270p) [EN] ROCK, USA, UK, WOMEN, MEN, SEX/GENDER, FAMILY.

Balitzki, J黵gen. Rock - Interpretenwettbewerb der Unterhaltungskunst der DDR. Unterhaltungskunst, 1984/6. 1984, Berlin: 13 ff [DE] DDR, COMPETE, ROCK, MUSICIANS, REVIEW, FESTIVAL, ILL..

Balitzki, J黵gen. Rock aus erster Hand. 1985, Berlin (DDR): Lied der Zeit (174p) [DE] ROCK, DDR.

Ballantine, Chris. Marabi Nights: Early South African Jazz and Vaudeville. 1993, Johannesburg: Raven Press (Reviewed in Popular Music 15/2 by Louise Meintjes) [EN] S AFRICA, JAZZ, MUSIC HALL, MUSIC EXX..

Ballantine, Christopher. A brief history of South African popular music. Popular Music, 08/3. 1989, Cambridge: Cambridge University Press: 304-310. ISBN򈆩21�38919�4 [EN] S AFRICA, HISTORY.

Ballantine, Christopher. 'Brothers'. The indigenization of American male close-harmony-group song style in South Africa during the 1940s and 1950s. Popular Music: Intercultural Interpretations. Mitsui, T魊u (ed). 1998, Kanazawa: Graduate Program in Music, Kanazawa University: 374-378. ISBN򉕝980684򈚕.

Ballantine, Christopher. Looking to the USA: The politics of male close-harmony song style in South Africa during the 1940s and 1950s. Popular Music 18/1. 1999, Cambridge: Cambridge University Press: 9998-1-18.

Ballantine, Christopher. Marxist Musicology in South Africa. Musikwissenschaftlicher Paradigmenwechsel? Zum Stellenwert marxistischer Ans鋞ze in der Musikforschung. Stroh, Wolfgang Martin (ed); Mayer, G黱ter (ed). 2000, Oldenburg: Bibliotheks- und Informationssystem der Universit鋞 Oldenburg: 70-71. ISBN򉁰142�0726�2 [DE] MARXISM, MUSICOLOGY, S AFRICA.

Ballantine, Christopher. Re-thinking "whiteness"? Identity, change and "white" popular music in post-apartheid South Africa. Popular Music, 23/2. 2004, Cambridge: Cambridge University Press: 105-132 [EN] ETHNICITY, POLITICS, LYRICS, CRITIQUE, BIBLIOGR., DISCOGR.. [ANC].

Balliet, Whitney. Dinosaurs in the Morning: 41 Pieces on Jazz. 1962, Philadelphia & N.Y.: J.B. Lippincott [EN] USA, JAZZ.

Balliet, Whitney. Such Sweet Thunder. 1968, London: MacDonald [EN] USA, JAZZ.

Balliet, Whitney. Improvising: Sixteen Jazz Musicians and Their Art. 1977, New York: Oxford University Press. ISBN򈆥95�02149�5 [EN] USA, JAZZ.

Balliet, Whitney. New York Notes: a Journal of Jazz, 1972-1975. 1977, New York: Da Capo Press. ISBN򈆧06�80037�3 [EN] USA, JAZZ.

Balliet, Whitney. American Musicians: Fifty-Six Portraits in Jazz. 1986, New York: Oxford University Press (512p) [EN] JAZZ, REVIEW, MUSICIANS.

Balmir, Guy-Claude. Du chant au po閙e: essai de litt閞ature sur le chant et la po閟ie populaire des noirs am閞icains. 1982, Paris: Payot (384p) [FR] VOCAL MUS., AFR-AMER., POETRY, LITERATURE.

Balzan, Alessandro. Il senso e le metamorfosi. Musicoterapia nella globalit� dei linguaggi. 1997, Bologna: Fuori Thema / Gio Editing: 106-150 [IT] MUSTHERAPY.

Bandt, Ros. Sound Sculpture in Australia (handout) The Tuning of the World, Vol 2 - Proceedings of The First International Conference on Acoustic Ecology, 8-14 August 1993. 1993, Banff: Banff Center for the Arts [EN] SOUNDSCAPE.

Bandt, Ros. Sounding Giant Cylinders: Discrete Acoustic Environments. Sound Practice. Drever, John Levack (ed). 2001, Dartington: UKISC (UK and Ireland Soundscape Community): 11-15 (Papers from the 1st UKISC conference on sound culture and environments, Dartington College of Arts, 16-20 February 2001) [EN] SOUNDSCAPE.

Bane, Michael. The Outlaws: Revolution in Country Music. 1978, New York: Country Music Magazine Press, Doubleday. ISBN򈆧85�12596�8 [EN] USA, C&W, FOLK MUSIC.

Banerji, Sabita. Ghazals to Bhangra in Great Britain. Popular Music, 07/2. 1988, Cambridge: Cambridge University Press: 207-214. ISBN򈆩21�35896�5 [EN] INDIA, UK, FOLK MUSIC, FUNKY, ROCK, ACCULTUR., GENRES, 1980S, YOUTH. [GHAZAL; NAJMA; BHASAKI; BHANGRA; PUNJAB; LONDON; HEERA; ALAAP; BIRMINGHAM; 1 BENGAL].

Banerji, Sabita; Baumann, Gerd. Bhangra 1984-8: Fusion and Professionalisation in a Genre of South Asian Dance Music. Black Music in Britain. Oliver, Paul (ed). 1990, Buckingham: Open University Press: 137-152. ISBN򈆧35�15297稾 [EN] E ASIA, INDIA, UK, DANCE, ACCULTUR., 1980S.

Banfi, Emanuele; Winkler, Daniele. Riflessi dell 玦taliano in movimento� in un corpus di canzoni italiane di area alto-atesina. Analisi e canzoni. Dalmonte, Rosanna (ed). 1996, Trento: Editrice Universit� degli Studi di Trento: 125-144. ISBN�88�86135�54�8 [IT] ITALY, LYRICS, GENRES, REGIONALSM.

Bangs, Alan. Nightflights: das Tagebuch eines Dee Jay. 1985, D黶seldorf: Econ (207p) [DE] DJS, ROCK.

Reed, Lou; Bangs, Lester. A deaf mute in a telephone booth - Lester Bangs spends a perfect day with Lou Reed. Let it Rock, 14 (November). [EN] ROCK, USA, INTERVIEW. [Reed,稬ou].

Bangs, Lester; Marcus, Greil (ed). Psychotic Reactions and Carburettor Dung. 1987, New York: Alfred A Knopf (386p) Reviewed in Popular Music, 7/3: 348 ff [EN] ROCK, USA, POLITSTUDY, PSYCHOLOGY, JOURNALISM, REVIEW.

Banks, Jack. Video in the machine: the incorporation of music video in the recording industry. Popular Music, 16/3. 1997, Cambridge: Cambridge University Press: 293-310. ISSN�0261�1430 [EN] VIDEO, ROCK, MUS INDUST.

Banning, William Peck. Commerical Broadcasting Pioneer: The WEAF Experiment, 1922-1925. 1946, Cambridge, MA: Harvard University Press [EN] USA, BROADCAST, 1920S, COMMUNICAT.

Bannister, Matthew. Positively George Street. Sneaky Feelings and the Dunedin Sound - a Personal Reminiscence. 1999, Auckland: Reed Books (207p) Reviewed in Popular Music, 21/1: 138-9 by Roy Shuker [EN] N ZEALAND, ROCK, AMATEURS, GENRES, MUS INDUST.

Baragary, Ray. The Billboard Guide to Home Recording. 1990, New York: Billboard Books (264p). ISBN򈆬230�7531�1 [EN] SYNTHS, MIDI, HANDBOOK, REFERENCE, COMPUTERS, REC.ENGINR, RECORDING.

Baraka, Amiri. The Autobiography of LeRoi Jones/Amiri Baraka. 1984, New York: Freundlich Books (329p) [EN] BIOGRAPHY, USA, AFR-AMER., AESTHETICS, POLITICS, JAZZ.

Barancoski, Ingrid. A identidade nacional nos 'Cicolos Nordestinos' para piano de Marlos Nobre. Cadernas de Col髊uio, 1998. 1998, Rio de Janeiro: Programa de P髎-Gradua玢o em M鷖ica, Centro de Letras e Artes, UNI-RIO: 13-24 "National identity in the 'Northeastern Cycles' for piano by MN" [PG] BRAZIL, NATIONAL, HISTORY, MUSIC EXX..

Gandelman, Salom閍; Barancovski, Ingrid. Edino Krieger - Obras para Piano. Debates, 3 (Mar鏾 de 1999). 1999, Rio de Janeiro: Centro de Letras e Artes, Uni-Rio: 25-56. ISBN�1414�7939.

Pierini, Giovanni; Baratta, Stefano; Esposti, Paola Degli; Facchini, Irene. Musica e stati modificati di conscienza. L'esperienza musicale. Per una femnomenologia dei suoni. Nostro, Luca (ed). 2002, Roma: Montag/Manifestolibri: 169-186. ISBN�88�7285�304�4 [IT] PSYCHOLOGY.

Barbarich, Peter. Prekriti z listjem. Intervju z Elektric@@nim Orgazmom. Revija Glasbene Mladine Slovenije, 3/10/12 (1982). 1982, Ljubljana: Jeunesses Musicales Slovenia: 19 [SL] YUGOSLAVIA, ROCK, CHARTS, REVIEW, INTERVIEW.

B鋜bel, Skiba see Husslein, Uwe (1991).

Barber, Gary see Jarrett, Jack (1990).

R鰏ing, Helmut; Barber-Ker歰van, Alenka. Konzertbezogene Verhaltensrituale. Musikpsychologie - Ein Handbuch. Bruhn, Herbert (ed); Oerter, Rolf (ed); R鰏ing, Helmut (ed). 1993, Reinbek bei Hamburg: Rowohlts Enzyklop鋎ie: 136-146. ISBN򉁬99�55526�3 [DE] PSYCHOLOGY, MUSICOLOGY, DEFINE, PERCEIVE, GROUPS, PERFORM, SOCIOLOGY.

BArber-Ker歰van, Alenka. The issue of performance in a system of socialist self-government. A case study on Slovenia. Music on Show: Issues of Performance. Hautam鋕i, Tarja (ed); J鋜viluoma, Helmi (ed). 1998, Tampere: Department of Folk Tradition: 18-21. ISBN�951�44�4290�3 [EN] IASPM, CONFERENCE, SOCIALISM, SLOVENIA.

Barber-Kersovan, Alenka. Tradition and Acculturation as Polarities of Slovenian Popular Music. Popular Music Perspectives, 1. Horn, David (ed); Tagg, Philip (ed). 1982, G鰐eborg and Exeter: IASPM: 174-189. ISBN�91�7260�610稾 [EN] IASPM, YUGOSLAVIA, POPULARMUS, SOCIOLOGY, FOLK MUSIC, ANTHROPOL., GENRES, YOUTH.

Barber-Kersovan, Alenka. Blues C@@z luZ@@o. O razvoju akultururanih glasbenih oblik na slovenskem. Revija Glasbene Mladine Slovenije, 3/10/12 (1982). 1982, Ljubljana: Jeunesses Musicales Slovenia: 11 [SL] UK, USA, YUGOSLAVIA, NATIONALSM, ROCK, GENRES.

Barber-Kersovan, Alenka. Autodidaktisches Lernen in der Popmusik. Jazzforschung, 17 (Sonderdruck). 1985, Akademische Druck- und Verlagsanstalt: 37-39 [DE] BRD, 1980S, EDUCATION, MUSIC MAKE, PERFORM, MUSIC EXX., ROCK, POPULARMUS.

Barber-Kersovan, Alenka. Popularmusik und gesellschaftlicher Kontext. Jazzforschung, 17 (Sonderdruck). 1985, Akademische Druck- und Verlagsanstalt: 68 [DE] BRD, SOCIOLOGY, POPULARMUS, REPORT, CONFERENCE, SUMMARY.

Barber-Kersovan, Alenka see R鰏ing, Helmut (1985).

Barber-Kersovan, Alenka; Poppensieker, Karin. Rock/Jazz - Infor 1989. Aus-, fort- und Weiterbildungsangebote in der BRD. 1989, Hamburg: Institut f黵 Musikalische Bildung (342p) [DE] BRD, EDUCATION, MUSIC EDUC, ROCK, CATALOGUE, 1980S.

Barber-Kersovan, Alenka. Laibach in Ljubljana: a symbolic challenge to a system of socialist self-government. 1789-1989. Musique, Histoire, D閙ocratie. Colloque international organis� par Vibrations et l'IASPM, Paris 17-20 juillet 1989. Hennion (ed). 1992, Paris: 蒬itions de la Maison des Sciences de l'Homme: 705-712. ISBN򈮃531�0532�6 (in 3 volumes (ISBN 2-7531-0532-6, 0533-4, -0534-2). Soutien de la Direction de la Musique (Minist鑢e de la Culture) et du Centre d'Ethnologie fran鏰ise. Vol 1 pp 1-260, vol 2 pp 263-506, vol 3 pp 509-829) [EN] YUGOSLAVIA, POLITICS, ROCK, NATIONAL, GENRES.

Barber-Kersovan, Alenka. German Nazi Bans: Between Provocation and Repression. Cloonan, Martin (ed); Garofalo, Reebee (ed). 2003, Philadelphia: Temple University Press: 186-204. ISBN򈚕6639�990�4.

Barbrook, Richard. Melodies or rhythms? The competition for the Greater London FM radio licence. Popular Music, 09/2. 1990, Cambridge: Cambridge University Press: 203-220. ISBN򈆩21�39944�0 [EN] UK, RADIO, GENRES. [IBA].

Barce, Ram髇. Profilo ideologico di Manuel de Falla. Musica/Realt�, 42. 1993, Modena: Mucchi Editore: 31-56 (Dicembre 1993) [IT] SPAIN, ROMANTIC, MOD.CLASS., NATIONALSM, POLITSTUDY.

Barce, Ram髇. Sintesi di folklori professionali in Isaac Alb閚iz. Musica/Realt�, 51. 1996, Lucca: Libreria Musicale Italiana: 117-130. ISBN�88�7096�188�5 [IT] FOLK MUSIC, EUROARTMUS, AESTHETICS, SPAIN.

Barcia, Jos�. Primer diccionario gardeliano. 1985, Buenos Aires: Corregidor (283p) [SP] TANGO, ARGENTINA, BIOGRAPHY, REFERENCE.

Barducci, Marcella; Parrini, Graziano; Guerra, Stefania. Stati alteri di coscienza e musicoterapia. Quaderni di musica apllicata, 18. Musica "fuori di s�". Stefani, Gino (ed). 1996, Assisi: CEP/Sezione Musica, Pro Civitate Christiana: 121-127 [IT] MUSTHERAPY, DRUGS, GENRES, PSYCHOLOGY.

Barducci, Marcella; Campigli, Marco; Malfa, Giampaolo La; Mangiapane, Antonio; Parrini, Graziano. Progetto O.D.A: un modello di ribalitazione per l'handicappato grave adulto. Quaderni di musica apllicata, 18. Musica "fuori di s�". Stefani, Gino (ed). 1996, Assisi: CEP/Sezione Musica, Pro Civitate Christiana: 128-133 [IT] MUSTHERAPY, DRUGS, GENRES, PSYCHOLOGY.

Bargainnier, Earl F. W.S. Gilbert and American Musical Theatre. Journal of Popular Culture, 12/3. 1978, Bowling Green, Ohio: Bowling Green State University Popular Press: 446-458 [EN] USA, UK, MUSICALS, DRAMA.

Barkefors, Laila. Musik p� Valltorp Om f鰎uts鋞tningarna f鰎 musik- och kulturverksamhet p� ett servicehus. 1985, G鰐eborg: Stencilled Papers from the Musicology Department, 8503 (96p). ISSN�0349�3407 [SV] SWEDEN, HEALTH, SOCIOLOGY, MUSIC MAKE, CULTPOLIT..

Barker, Danny (ed); Shipton, Alyn (ed). A Life in Jazz. 1985, London: Macmillan (192p) [EN] JAZZ, USA, TRAD JAZZ, RACISM, MUSICIANS, BIOGRAPHY, 1930S.

Barlow, Priscilla. Surreal Symphonies: L'Age d'or and the discreet charms of classical music. Soundtrack Available. Essays on Film and Popular Music. Wojcik, Pamela Robertson (ed); Knight, Arthur (ed). 2001, Durham NC: Duke University Press: 31-52. ISBN򈆬223�2797稾 [EN] FILM MUSIC.

Barmak, A A. O diletantisme i shkole. Problemy razvitiya sovremennogo iskusstva. Dukov, E V (ed). 1988, Moskva: Vsesoyuznyi Nauchno-isledovatel'skii Institut Iskusstvoznaniya Ministerstva Kultury SSSR: 54-67 [RU] USSR, SOCIOLOGY, POPULARMUS.

Barnard, Stephen. In a Week, Maybe Two, We'll Make You a Star. Gillett, Charlie (ed). 1974, St Albans: Granada: 24-36. ISBN򈆩86�04261稾 [EN] UK, USA, MUS INDUST, MUSICIANS, ROCK, ADVERTS, STARS.

Barnard, Stephen. Rock: an Illustrated History. 1986, London: Orbis. ISBN򈆬56�13968�8 [EN] MUSIC HIST, PHOTOGRAPH.

Barnard, Stephen. On the Radio: Music Radio in Britain. 1989, Milton Keynes: Open University Press (213p) [EN] RADIO, UK, POLITICS, ECONOMICS, MASS MEDIA.

Barnard, Stephen. On the Radio: Music Radio in Britain. 1989, Milton Keynes: Open University Press (213p) [EN] UK, RADIO.

Barnes, Ken. Twenty Years of Pop. 1973, Brighton: Southern Publishing Ltd (96p). ISBN򈆬5937024�0 [EN] ROCK, UK, RECORDS.

Barnes, Ken. Top 40 Radio - A Fragment of the Imagination. Facing the Music. Frith, Simon (ed). 1990, London: Mandarin: 8-50. ISBN򈆫493�0181�3 (1st published by Pantheon Books, New York, 1988) [EN] ROCK, USA, RADIO, CHARTS, DJS, MUS INDUST.

Barnes, Richard. Mods!. 1979, London: Eel Pie [EN] UK, YOUTH, GROUPS, GENRES, SOCIOLOGY.

Barnes, Stephen H. Muzak - the Hidden Messages in Music: a Social Psychology of Culture. 1988, Lewiston, New York: Edwin Mellen Press (142p) [EN] PSYCHOLOGY.

Barnett, Steven; Morrison, David. The Listener Speaks: the Radio Audience and the Future of Radio. 1989, London: HMSO (138p) [EN] RADIO, UK, MASS MEDIA, ECONOMICS, POLITICAL.

Barnouw, Eric. A Tower in Babel: A History of Broadcasting to 1933. 1966, New York: Oxford University Press [EN] USA, HISTORY, BROADCAST, COMMUNICAT.

Barnouw, Eric. The Golden Web: A History of Broadcasting from 1933 to 1953. 1968, New York: Oxford University Press [EN] HISTORY, 1930S, 1940S, 1950S, USA, COMMUNICAT.

Barnouw, Eric. The Image Empire: A History of Broadcasting from 1953. 1970, New York: Oxford University Press [EN] HISTORY, USA, 1950S, BROADCAST, COMMUNICAT.

Barnow, Erik; Krishnaswamy, S. Indian Film. 1980, New York: Oxford University Press [EN] INDIA, FILM, FILM MUSIC.

Baron, Robert. Syncretism and Idelology: Latin New York Salsa Musicians. Western Folkore, 36. [EN] S AMERICA, SALSA, MUSICIANS, POLITSTUDY.

Baron, Robert,. Syncretism and Ideology: Latin New York Salsa Musicians. Western Folklore (36). 1977, ?: : 209-225 [EN] L AMERICA, MUSICIANS, USA. [New穀ork; Salsa].

Baron, Stanley (ed). Benny Goodman - King of Swing: eine Bildbibliographie mit Fotographien aus Benny Goodmans eigenem Archiv. 1984, Wilhelmshaven: Heinrichshofen [EN] BIBLIOGR., ILL., SWING, JAZZ, USA, ILL..

Baroni, Mario; Jacobini, Carlo. Proposal for a Grammar of Melody (The Bach Chorales). 1978, Montr閍l: Presses de l'Universit� de Montr閍l (155p) [EN] BAROQUE, MUSICOLOGY, SEMIOTICS, MELODY, MUSIC EXX..

Baroni, Mario (ed); Callegari, Laura (ed). Musical Grammar and Computer Analysis. Atti del Convegno.. 1984, Firenze: Olschki (374p) Reviewed in Musica/realt�, 17 (agosto 1985):146-148 [EN] COMPUTERS, COMPOSE, PRODUCERS, MUSIC EDUC, CONFERENCE, ITALY, TECHNOLOGY, MOD.CLASS..

Baroni, Mario. Sviluppi della ricerca e tecnologie di ricerca. Musica e sistema dell'informazione in Europa. Rampi, Francesco (ed). 1985, Milano: Unicopli: 130-135. ISBN�88�7061�885�4 [IT] ITALY, CONFERENCE, TECHNOLOGY, RESEARCH.

Baroni, Mario. L'opera, la festa, il privato e il collettivo. Musica/realt�, 17. 1985, Milano: Unicopli: 12-15 review pp.146-148 [IT] OPERA, GENRES, CULTPOLIT., ITALY, AESTHETICS, REVIEW.

Baroni, Mario; Callegari, Laura. The History and Origins of Popular Music. Popular Music Perspectives, 2. Horn, David (ed). 1985, G鰐eborg, Exeter: IASPM: 317-339. ISBN�91�87030�00�4 [EN] DEFINE, HISTORY, EUROPE, PHILOSOPHY, GENRES, SSONGWRITR, MELODY, MUSIC EXX..

Baroni, Mario; Callegari, Laura. Origini e storia della popular music. What is Popular Music? Quaderni di Musica/realt�, 8. 1985, Milano: Unicopli: 176-193. ISBN�88�7061�894�3 [IT] DEFINE, HISTORY, EUROPE, PHILOSOPHY, GENRES, SSONGWRITR, MELODY, MUSIC EXX..

Baroni, Mario. Accompaniment formulas in Verdi's "Ernani". Semiotica, 66-1/3. 1987, Amsterdam: Mouton de Gruyter: 129-140. ISSN�0037�1998 [EN] SEMIOTICS, EUROARTMUS, ROMANTIC, LYRICS, OPERA, DRAMA, HARMONY, MUS. FORM.

Baroni, Mario; Nanni, Franco. Crescere con il rock. L'educazione musicale nella societ� dei mass-media. 1989, Bologna: Cooperativa Libraria Universitaria Editrice Bologna (313p) [IT] CHILDREN, YOUTH, ROCK, ITALY, SOCIOLOGY, STATISTICS, EDUCATION, VIDEO, MASS MEDIA, SOCIALISAT.

Baroni, Mario. Italianit�, un problema semantico. Musica/Realt�, 31. 1990, Milano: Unicopli: 141-150. ISBN�88�400�0205�7 [IT] ITALY, DEFINE, EUROARTMUS, SEMIOTICS.

Baroni, Mario see Dalmonte, Rosanna (1992).

Baroni, Mario. Le musiche d'oggi sono malate. A chi spetta curarle? Musica/Realt�, 50. 1996, Lucca: Libreria musicale italiana: 32-33. ISBN򉁫78�01030�4 [IT] EUROPE, ITALY, CULTPOLIT..

Baroni, Mario. L'analisi musicale. Musica/Realt�, 50. 1996, Lucca: Libreria musicale italiana: 48-52. ISBN򉁫78�01030�4 [IT] MUS.ANALYS.

Baroni, Mario. Analisi musicale e giudizio di valore nella musica leggera. Analisi e canzoni. Dalmonte, Rosanna (ed). 1996, Trento: Editrice Universit� degli Studi di Trento: 81-102. ISBN�88�86135�54�8 [IT] MUS.ANALYS, CANONS, AESTHETICS. [Dahlhaus,稢arl].

Baroni, Mario. La percezione delle strutture contrappuntistiche. Polifonie: procedimenti, tassonomie e forme: una riflessione 玜 pi� voci�. Agamennone, Maurizio (ed). 1996, Venezia: Il Cardo: 115-122. ISBN�88�8079�078�1 [IT] PERCEIVE, CONTRAPNT., POLYPHONY, TAXONOMY.

Baroni, Mario. Presentazione. Bollettino GATM, IV/1 (settembre 1997): La musica e la tradizione ermeneutica. Baroni, Mario (ed). 1997, Bologna: Gruppo Analisi e Teoria Musicale: 7-8 [IT] HERMENEUT., MUSICOLOGY, MUS.ANALYS.

Baroni, Mario. Lo statuto psicologico dell'ermeneutica musicale. Bollettino GATM, IV/1 (settembre 1997): La musica e la tradizione ermeneutica. Baroni, Mario (ed). 1997, Bologna: Gruppo Analisi e Teoria Musicale: 93-114 [IT] HERMENEUT., MUS.ANALYS, MUSICOLOGY, PSYCHOLOGY.

Baroni, Mario. Presentazione. Bollettino GATM, IV/1 (settembre 1997): La musica e la tradizione ermeneutica. Baroni, Mario (ed). 1997, Bologna: Gruppo Analisi e Teoria Musicale: 7-8 [IT] HERMENEUT., MUSICOLOGY, MUS.ANALYS.

Baroni, Mario. Naissance et d閏adence des avant-gardes. Musiques du XXe si鑓le (Musiques, vol. 1). Nattiez, Jean-Jacques (ed). 2003, Paris: Actes Sud/Cit� de la musique: 89-112. ISBN򈮃427�4204�2 (1pub Einaudi, Torino, 2001).

Baroni, Mario. Groupes sociaux et go鹴s musicaux. Musiques du XXe si鑓le (Musiques, vol. 1). Nattiez, Jean-Jacques (ed). 2003, Paris: Actes Sud/Cit� de la musique: 1147-1168. ISBN򈮃427�4204�2 (1pub Einaudi, Torino, 2001).

Baroni, Maroni; Dalmonte, Rosanna; Jacoboni, Carlo. Analysis via synthesis: the program 獿egre�. Secondo convegno europeo di analisi musicale. Dalmonte, Rosanna (ed); Baroni, Mario (ed). 1992, Trento: Universit� degli studi di Trento, Dipartimento di storia della civilt� europea: 599-608. ISBN�88�86135�09�2 (www.tagg.org/articles/trento91.html (1999)) [EN] MUSICOLOGY, MUS.ANALYS, CONFERENCE, COMPUTERS.

Barreto, Mascarenhas. Fado: Origens Liricas e Motiva玢o Po閠ica (Lyrical Origins and Poetic Motivations). n.d., Lisbon: Aster English translation by George Dykes [PG] PORTUGAL, VOCAL MUS., POETRY, LYRICS.

Barron, F. Monologues and Comic Songs. This England, 19. [EN] VOCAL MUS., HUMOUR, NARRATIVE, LYRICS.

Barry, John. Interview. The Score. Interviews with Film Composers. Schelle, Michael (ed). 1999, Los Angeles: Silman-James: 1-42. ISBN򈚘79505�40�1 [EN] FILM MUSIC, USA.

Barsamian, Jacques; Fran鏾is,Jouffa. L'鈍e d'or de la pop music. 1982, Paris: Ramsay (244p) [FR] USA, UK, 1960S.

Barsamian, Jacques see Jouffa, Francois (1983).

Barsamian, Jacques; Jouffa, Fran鏾is. L'鈍e d'or du rock et folk: la pop am閞icaine des sixties. 1984, Paris: Ramsay (230p) [FR] USA, ROCK, FOLK MUSIC, 1960S.

Barson, Michael, comp. Rip It Up! Postcards from the Heyday of Rock 'n' Roll. 1989, New York: Pantheon Books (unpagedp) [EN] SLEEVES, ROCK, FILM, VIS. ARTS, ILL., PHOTOGRAPH.

Bart, Teddy. Inside Music City, USA. 1970, Nashville: Aurora Publishers (164p) [EN] C&W, SSONGWRITR.

Bartanov, A S see Dukov, E V (1988).

Bartel, Dietrich. Musica Poetica. Musical-Rhetorical Figures in German Baroque Music. 1997, Lincoln, NE: University of Nebraska Press. ISBN򈆬032�1276�3 [EN] BAROQUE, AFFECT, MUSIC EXX., MUSICOLOGY, GERMANY, DOCUMENT, PHILOSOPHY, AESTHETICS, REFERENCE. [Luther,稭artin; Kircher,稟; Vogt,稭稪; Burmeister,稪; Walther,稪稧; Mattheson,稪; Forkel,稪種; Spiess,稭; Nucius,稪; 1 Thuringus,稪; 1 Printz,稺稢].

Bartel, Walter. Gespr鋍h: Chefredakteur des Jugendfernsehens der DDR. Rockmusik und Politik. Analysen, Interviews und Dokumente. Wicke, Peter (ed); M黮ler, Lothar (ed). 1996, Berlin: Ch. Links Verlag: 89-103. ISBN򉁰6153�096�1 [DE] DDR, ROCK, CULTPOLIT..

Barth閘emy, Jean-Jacques. Entretiens sur l'閠at de la musique grecque au quatri鑝e si鑓le (Paris 1777); text taken from the 1788 "Voyages du jeune Anacharsis", pp. 245-269. Music and Aesthetics in the Eighteenth and Early Nineteenth Centuries. Huray, Peter Le (ed); Day, James (ed). 1988, Cambridge: Cambridge University Press: 121-130. ISBN򈆩21�35901�5 [EN] EUROARTMUS, AESTHETICS.

Barthes, Roland. Mythologies. 1957, Paris: Editions du Seuil [FR] SEMIOTICS, POPULARMUS, CULT.STUDY, MYTHOLOGY, SOUND, VOICE, TIMBRE.

Barthes, Roland. Image, Music, Text. 1977, New York: Hill & Wang [EN] SEMIOTICS, PSYCHOLOGY, COMMUNICAT.

Barthes, Roland; Heath, Stephen (tr) (1977). The Grain of the Voice. On Record: Rock, Pop and the Written Word. Frith, Simon (ed); Goodwin, Andrew (ed). 1990, London: Routledge: 293-300 (xi+492 pp) 1publ in English in `Image-Music-Text' (Hill & Wang, 1977) [EN] TIMBRE, VOICE, POPULARMUS, SEMIOTICS.

Bartkowski, Peter von. The Story of Rock: Musicians and Groups in North America and Great Britain. 1987, Wilhelmshaven: Noetzel [EN] ROCK, MUSIC HIST, USA, UK, BANDS.

Bartlett, Elizabeth C. On the Freedom of the Theatre and Censorship: the `Adrien' Controversy (1792) 1789-1989. Musique, Histoire, D閙ocratie. Colloque international organis� par Vibrations et l'IASPM, Paris 17-20 juillet 1989. Hennion (ed). 1992, Paris: 蒬itions de la Maison des Sciences de l'Homme: 13-30. ISBN򈮃531�0532�6 (in 3 volumes (ISBN 2-7531-0532-6, 0533-4, -0534-2). Soutien de la Direction de la Musique (Minist鑢e de la Culture) et du Centre d'Ethnologie fran鏰ise. Vol 1 pp 1-260, vol 2 pp 263-506, vol 3 pp 509-829) [EN] USA, CENSORSHIP.

Bartnik, Norbert; Bordon, Frieda. Keep On Rockin'. Rockmusik zwischen Protest und Profit. 1981, Weinheim (Basel): Beltz [DE] ROCK, OPPOSE, MUS INDUST, CONSUME, YOUTH.

Bartok, B閘a. The Hungarian Folk Song. 1981, Albany, NY.: State University of New York Press (399p) Edited by Benjamin Suchoff. Translated by M.D. Calvocoressi. [EN] HUNGARY, ANTHROPOL., HISTORY, MELODY, LYRICS, STATISTICS.

Bartolani, Paolo. La questione strumentale alla luce delle conquiste della tecnologia informatica nel campo musicale. Musica/Realt�, 56 (Luglio 1998). 1998, Lucca: LIM: 11-23. ISBN�88�7096�205�9 [IT] INSTRUMENT, TECHNOLOGY, AESTHETICS.

Bartolozzi, Bruno. New Sounds for Woodwinds. 1982, London: Oxford University Press (113p). ISBN򈆥9�318611稾 [EN] INSTRUMENT, MUSICOLOGY, PERFORM, MUSIC MAKE, WOODWIND.

Barton, William E. Old Plantation Hymns: a Collection of Hitherto Unpublished Melodies of the Slave and the Freedman, with Historical and Descriptive Notes. 1899, Boston: Lamson Wolffe. ISBN򈆨04�09918�1 [EN] USA, AFR-AMER., HYMNS, CHRISTIAN, HISTORY, CULTPOLIT..

Barwick, Linda. Central Australian Women's Ritual Music: Knowing through Analysis versus Knowing through Performance. Yearbook for Traditional Music, 22. 1990, New York: International Council for Traditional Music: 60-79. ISSN�0740�1558 [EN] ANTHROPOL., MUSICOLOGY, AUSTRALIA, LYRICS, MELODY, RHYTHM, WOMEN. [ABORIGINAL].

Barwick, Linda. Gender 'Taboos' and Didjeridus. The Didjeridu: From Arnhem Land to Internet. Neuenfeldt, Karl (ed). 1997, London: John Libbey / Perfect Beat Publications: 89-98. ISBN򈚘6462�004�8 [EN] AUSTRALIA, ABORIGINE, SEX/GENDER. [Didjeridu].

Barzun, Jacques. Music in American Life. 1956, New York: Doubleday [EN] USA, MUSIC HIST, MUSIC USES, CULT.STUDY.

Bashe, Philip. Heavy Metal Thunder: the Music, its History, its Heroes. 1985, Garden City: Dolphin (224p) [EN] ROCK, HEAVYMETAL, ILL., ILL..

Basie, Count; Murray, Albert. Good Morning Blues: the Autobiography. 1985, New York: Random House (400p) [EN] SWING, JAZZ, USA, 1920S, 1930S, 1940S, BIOGRAPHY, ROCK.

Baskerville, David. Music Business Handbook. 1979, Denver, CO: Sherwood [EN] REFERENCE, HANDBOOK, MUS INDUST.

Bassetti, Sergio. Cinema and Electronic Music. Trento Cinema 1988. 1988, Trento: Provincia Autonoma di Trento - Servizio Attivit� Culturali: 164-168 (Incontri internazionali con la musica per il cinema) [IT] FILM MUSIC, FILM, SOUND, ELCTRNCMUS.

Bassetti, Sergio. L'Id閑 (Honegger, 1933) and Forbidden Planet (Barron, 1956) Trento Cinema 1988. 1988, Trento: Provincia Autonoma di Trento - Servizio Attivit� Culturali: 169-178 (Incontri internazionali con la musica per il cinema) [IT] FILM MUSIC, SOUND. [HONEGGER稟rthur; BARTOSCH稡ertho; BARRON稬ouse稡e; WILCOX稦red稭cL].

Bassetti, Sergio see Teshgahara, Hirosh (1988).

Bassetti, Sergio see Bergman, Ingmar (1988).

Bassetti, Sergio see Tarkovsky, Andrej (1988).

Bassetti, Sergio see Herzog, Werner (1988).

Bassetti, Sergio see Lynch, David (1988).

Bassetti, Sergio see Coppola, Francis Ford (1988).

Bassetti, Sergio see Donaldson, Roger (1988).

Bassetti, Sergio see Lang, Fritz (1988).

Bassetti, Sergio. The Killing Fields (1985) Trento Cinema 1988. 1988, Trento: Provincia Autonoma di Trento - Servizio Attivit� Culturali: 248-254 (Incontri internazionali con la musica per il cinema) [IT] FILM MUSIC, SOUND, UK. [OLDFIELD稭ike].

Bassetti, Sergio; Annaud, Jean-Jacques. Il nome della rosa (1986) Trento Cinema 1988. 1988, Trento: Provincia Autonoma di Trento - Servizio Attivit� Culturali: 262-269 (Incontri internazionali con la musica per il cinema) [IT] FILM MUSIC, SOUND, ITALY, BRD, FRANCE. [HORNER稪ames].

Bassetti, Sergio. The Hitcher (1986) Trento Cinema 1988. 1988, Trento: Provincia Autonoma di Trento - Servizio Attivit� Culturali: 270-276 (Incontri internazionali con la musica per il cinema) [IT] FILM MUSIC, SOUND, USA. [HARMON稲obert; ISHAM稭ark].

Bassetti, Sergio; Hopkins, Anthony; Weir, Peter. Witness (1985) Trento Cinema 1988. 1988, Trento: Provincia Autonoma di Trento - Servizio Attivit� Culturali: 255-261 (Incontri internazionali con la musica per il cinema) [IT] FILM MUSIC, SOUND, UK. [JARRE稭aurice].

Bassetti, Sergio. Cinema e canzone d'autore. Una retrospettiva in 7 film. Trento Cinema 1990 - Concorso internazionale di composizione. 1990, Trento: Provinicia Autonoma di Trento, Servizio Attivit� Culturale: 72-81 [IT] ITALY, FILM MUSIC, SSONGWRITR.

Bassetti, Sergio. Letteratura musicale tra passione e ideologia nel cinema di Pier Paolo Pasolini. Norme con ironie. Scritti per i settant' anni di Ennio Morricone. Miceli, Sergio (ed); Gallenga, Laura (ed); Kokkaliari, Lena (ed). 1998, Milano: Suvini Zerboni: 29-78 (www.tagg.org/articles/morric70.pdf) [IT] ITALY, FILM.

Bassetti, Sergio. Recenti modelli formali e applicativi del comporre per il cinema a Hollywood: James Horner e il caso Titanic. Musica come ponte tra i popoli / Die Musik als Br點ke zwischen den V鰈kern. Tonini, Giuliano (ed). 2001, Bolzano: Libreria Musicale Italiana: 143-156. ISBN�88�7096�224�5 (Atti del convegno internazionale di studi / Beitr鋑e der internationalen Studientagung (5-7 november, 1998)) [IT] MUSIC EDUC, FILM MUSIC. [Horner,稪ames].

Bassi, Alberto. Giorgio Gaslini. 1986, Padova: Muzzio (207p) [IT] ITALY, SSONGWRITR, BIOGRAPHY, INTERVIEW, LYRICS, POLITICAL.

Bassi, Luca; Carra, Francesca; Colangelo, Filippo; Dattolo, Gianni; Gramazio, Pina; Mantovani, Eleonora; Minardi, Giorgio; Signorini, Anna. Storie personali. Intense emozioni in musica. Stefani, Gino (ed). 1996, Bologna: CLUEB: 11-34. ISBN�88�8091�290�9 [IT] PSYCHOLOGY, PERCEIVE, MUSIC USES, AFFECT.

Basso, Alberto. An instrument of study. Riviste musicali in Europa, 1/1. 1989, Roma, Milano: Cidim, Musica/Realt�: 61-63. ISBN�88�400�0186�7 [EN] BIBLIOGR., EUROARTMUS, ITALY.

Basso, Alberto. La musica di concezione massonica e il mito della fratellanza universale. La musica come linguaggio universale. Pozzi, Raffaele (ed). 1990, Firenze: Leo S. Olschki: 65-76. ISBN�88�222�3748稾 [EN] C18, UK, NETHERLAND, GERMANY, EUROARTMUS, POLITSTUDY.

Basso, Alberto. L'immagine della musica italiana nei paesi tedeschi ai tempi di Bach. Musica/Realt�, 31. 1990, Milano: Unicopli: 162-172. ISBN�88�400�0205�7 [IT] ITALY, DEFINE, EUROARTMUS, SEMIOTICS, C17.

Bastian, Hans G黱ther. Zeitgen鰏sische Musik. Musikpsychologie - ein Handbuch. Bruhn, Herbert (ed); Oerter, Rolf (ed); R鰏ing, Helmut (ed). 1985, M黱chen: Urban & Schwarzenberg: 406-413. ISBN򉁭41�14291稾 [DE] MOD.CLASS., ELECTRONIC, BRD, AESTHETICS.

Bastian, Hans G黱ther. Musik im Fernsehen: Funktion und Wirking bei Kindern und Jugendlichen. 1986, Wilhelmshaven: F. Noetzel (280p) [DE] TELEVISION, YOUTH, CHILDREN, SOCIOLOGY.

Bastian, Peter. Ind i musikken. 1987, K鯾enhavn & 舝hus: Gyldendal/PubliMus (xcrp) +@CL005-078 [DK] AESTHETICS, SEMIOTICS.

Bastian, Peter. Musik og sprog; Musikbeskrivelse; En bevidsthedsmodel; F鎛omenologi; Tonh鰆de; Interval; Bev鎔else; Substans, kraft og energi; Melodi; Struktur. Musik og betydningsinhold - kompendium i musik鎠tetik. Druud-Nielsen, Per (ed). 1987, 舕borg: Institut for musik og musikterapi, AUC: 78-104 xtr pp.24-115 from `Ind i musikken' (Gyldendal/PubliMus, K鯾enhavn/舝hus 1987) [DK] AESTHETICS, MUSICOLOGY, SEMIOTICS, PSYCHOLOGY, MELODY, MUSIC EXX., RHYTHM, MUS. FORM, PERCEIVE.

Bastian, Vanessa; Laing, Dave. Twenty Years of Music Censorship around the World. Cloonan, Martin (ed); Garofalo, Reebee (ed). 2003, Philadelphia: Temple University Press: 46-64. ISBN򈚕6639�990�4 [EN] CENSORSHIP.

Bastin, Bruce. Red River Blues: the Blues Tradition in the Southwest. 1986, Urbana & London: University of Illinois Press (379p) [EN] USA, BLUES, RURAL, URBAN, HISTORY, MUSICIANS.

Bastos, Rafael de Menezes; Bastos, Hermenegildo de Menezes. A festa da jaguatiricia: primeiro e s閠imo cntos. Introdu玢o, transcri珲es e coment醨io. 1996, Florian髉olis: Ilha de Santa Catarina: Antropologia Primeira M鉶 (55p) [PG] BRAZIL, W AFRICA, ANTHROPOL., LYRICS.

Bastos, Rafael de Menezes; Bastos, Hermenegildo de Menezes. A festa da jaguatiricia: primeiro e s閠imo cntos. Introdu玢o, transcri珲es e coment醨io. 1996, Florian髉olis: Ilha de Santa Catarina: Antropologia Primeira M鉶 (55p) [PG] BRAZIL, W AFRICA, ANTHROPOL., LYRICS.

Basu, Siddhartha. Cinema and Society: A Search for Meaning in a New Genre. [EN] INDIA, FILM, SOCIOLOGY, CULT.STUDY.

Batari, M醨ta see Mar髏hy, J醤os (1986).

Mar髏hy, J醤os; Bat醨i, M醨ta. Ordine banale contro disordine rico. Musica/Realt�, 54. 1998, Lucca: : 8-11. ISBN�88�7096�214�8 [IT] AVANTGARDE, RHYTHM, PERIODICTY, ELECTROAC., INNOVATE, VOICE.

Bate, Philip. The Flute: a Study of its History, Development and Construction. 1979, London: Ernest Benn (288p). ISBN򈆩10�36350�4 New York: W.W. Norton, 1979 [EN] HISTORY, MUSICOLOGY, WOODWIND, FLUTE.

Batel, G黱ther. Mass Media and Contemporary Musical Life ("Funkkolleg Musik") Stock-Taking of Musical Life. Mark, Desmond (ed). 1981, Wien: Doblinger: 52-55. ISBN򉁱00035�70�9 [EN] BRD, RADIO, EDUCATION, 1970S, GENRES.

Bateman, Wayne. Introduction to Computer Music. 1980, New York: John Wiley & Sons (314p). ISBN򈆨71�05266�3 [EN] COMPUTERS, MUSICIANS, HARMONY, COMPOSE.

Batteaux, Charles (1746). Les beaux Arts r閐uits � un m阭e principe. Musik og betydningsinhold - kompendium i musik鎠tetik. Druud-Nielsen, Per (ed). 1987, 舕borg: Institut for musik og musikterapi, AUC: 6-9 xtr [DE] AESTHETICS, MUSICOLOGY, EUROARTMUS.

Batteux, Charles (1746). Les beaux Arts r閐uits � un m阭e principe. nd, Aalborg: Per Druud - private course material (xcrp) [FR] AESTHETICS, SEMIOTICS.

Batteux, Charles. Les beaux-arts r閐uits � un m阭e principe (Paris 1746), preface, table of contents (pts I, II and III) Music and Aesthetics in the Eighteenth and Early Nineteenth Centuries. Huray, Peter Le (ed); Day, James (ed). 1988, Cambridge: Cambridge University Press: 31-47. ISBN򈆩21�35901�5 [FR] EUROARTMUS, AESTHETICS.

Battier, Marc. Science et technologie comme sources d'inspiration. Musiques du XXe si鑓le (Musiques, vol. 1). Nattiez, Jean-Jacques (ed). 2003, Paris: Actes Sud/Cit� de la musique: 512-532. ISBN򈮃427�4204�2 (1pub Einaudi, Torino, 2001).

Battier, Marc. Laboratoires. Musiques du XXe si鑓le (Musiques, vol. 1). Nattiez, Jean-Jacques (ed). 2003, Paris: Actes Sud/Cit� de la musique: 558-574. ISBN򈮃427�4204�2 (1pub Einaudi, Torino, 2001).

Baud-Bovy, Samuel. Essai sur la chanson populair gr鑓que. 1983, Navplion: Fondation ethnographique du P閘epon鑣e (xvii+123p) [FR] GREECE, TURKEY, HISTORY, GENRES, FOLK MUSIC.

Baudrillard, Jean. La soci閠� de consommation. 1970, Paris: Deno雔 (Folio/Essais). ISBN򈭼7�032349�8 (La consommation est devenue la morale de notre monde. Elle est en train de d閠ruire les bases de l'阾re humain, c'est-�-dire l'閝uilibre que la pens閑 europ閑nne, depuis les Grecs, a maintenu entre les racines mythologiques et le monde du logos.) [EN] IDEOLOGY, CONSUME, PHILOSOPHY, CRITIQUE.

Bauer, Gerd. aus der Sicht des Fernsehens. Wunsch und Wirklichkeit der Nachwuchsf鰎derung in der Popularmusik. Samson, Klaus-Peter (ed). 1981, Hamburg: Deutsche Phono-Akademie: 28-35. ISBN򈭼7�032349�8 [DE] CONFERENCE, REPORT, MUSIC EDUC, CULTPOLIT., BRD, TELEVISION, ENTERTAIN, MUSICIANS.

Bauer, Raymond A; Greyser, Stephen A. Advertising in America: The Consumer View. 1968, Cambridge: Research Publication cited in Denisoff & Peterson (1972), p. 5.

Bauer, Svetlana. Modalities and intonation in music analysis: Some observations on the Fourth Symphony of Alfred Schnittke. Musical Semiotics in Growth. Tarasti, Eero (ed). 1996, Bloomington, Imatra: Indiana University Press (International Semiotics Institute). Also Acta Semiotica Fennica IV: 585-632. ISBN򈆦53�21009�7 [EN] SEMIOTICS, MOD.CLASS., EUROARTMUS.

Baum, Hans-Georg. aus der Sicht der Schallplatte. Wunsch und Wirklichkeit der Nachwuchsf鰎derung in der Popularmusik. Samson, Klaus-Peter (ed). 1981, Hamburg: Deutsche Phono-Akademie: 36-39. ISBN򈭼7�032349�8 [DE] CONFERENCE, REPORT, EDUCATION, CULTPOLIT., MUS INDUST, BRD, RECORDS, MUSICIANS, ENTERTAIN.

Bauman, R. Verbal Art as Performance. 1977, Prospect Heights: no pub [EN] PERFORM, VOICE.

Baumann, Gerd see Banerji, Sabita (1990).

Baumann, Max Peter. The Cantu ensemble of the Kallawaya at Charazani (Bolivia) Yearbook For Traditional Music, 17. 1985, New York: International Council for Traditional Music: 146-166. ISSN�0740�1558 [EN] BOLIVIA, L AMERICA, INSTRUMENT, MUSICOLOGY, ANTHROPOL., AMERINDIAN.

Bausch, Armando. Jazz in Europa. 1985, Trier: Edition Phi (184p) [EN] JAZZ, EUROPE, 1980S.

Baxendale, John. '... into another kind of life in which anything might happen ...; Popular music and late modernity, 1910-1930. Popular Music, 14/2. 1995, Cambridge: Cambridge University Press: 137-154. ISSN�0261�1430 [EN] CULT.STUDY, CLASSPERSP, UK, POLITICS, MEDIA IND., ENTERTAIN.

Baxter, Ed. No More Songs? R� Records Quarterly, 1/4. 1986, London: Recommended Records: 48-51 [EN] AVANTGARDE, CONSUME, POLITSTUDY, BLUES, PHILOSOPHY, OPPOSE, ROCK, MOD.CLASS., ETHICS.

Baxter, Ed. Crisis of production in some popular songs. * Check source * (R镽 Records Quarterly). 1986, London: : 9-11 [EN] ROCK, AVANTGARDE, BLUES, PHONOGRAM, AESTHETICS, POLITSTUDY, 1970S, SEMIOTICS, PHILOSOPHY.

Baxter, Ed. Rueing meaning ruin? R� Records Quarterly, 2/1. 1987, London: November Books/R� Records: 30-36 [EN] VIS. ARTS, PHOTOGRAPH, AESTHETICS, AVANTGARDE.

Baxter, Ed. The setting of value. R� Records Quarterly, 2/1. 1987, London: November Books/R� Records: 46-49 [EN] EUROARTMUS, POPULARMUS, TECHNOLOGY, AVANTGARDE, REVIEW, AESTHETICS.

Baxter, Les. A Filmography/Discography by James Marshall, Ronald Bohn and Tom DeMary. Motion Picture Music. Ven, Luc van de (ed). 1980, Mechelen: Soundtrack: 115-121 [EN] USA, FILM, TELEVISION, 1950S, 1960S, 1970S, DISCOGR..

Baxter, Ma; Polk, Videt. Gospel Songwriters Biography. 1971, Dallas: Stamps-Baxter [EN] AFR-AMER., GOSPEL, SSONGWRITR, BIOGRAPHY.

Bayton, Mavis. How Women Become Musicians. On Record: Rock, Pop and the Written Word. Frith, Simon (ed); Goodwin, Andrew (ed). 1990, London: Routledge: 238-257 (xi+492 pp) [EN] USA, ROCK, MUS INDUST, MUSICIANS, WOMEN.

Bazelon, Irwin. Knowing the Score. Notes on Film Music. 1975, New York: Arco (352p). ISBN򈆪68�05132�9 Also interviews with BARRY J, KUBIK Gail and others (see extra keywords file BKWPLUS) [EN] FILM MUSIC, USA, UK, COMPOSERS, HISTORY, AESTHETICS, COMPOSE, SKILLS, ARRANGE, INTERVIEW. [BERNSTEIN稥; GOLDSMITH稪; WILLIAMS稪; NORTH稟; HERRMANN稡; RASKIN稤; SEGALL稡; ROSENTHAL稬; MANDEL稪; 1 GLASS稰aul].

Beatles, The. Beatles Lyrics Illustrated. 1975, New York: Dell (208p). ISBN򈆨40�90615�6 [EN] UK, 1960S, LYRICS, ROCK, VOCAL MUS..

Beauchamp, James W see Foerster, Heinz von (1969).

Beaud, Paul. L'閘ectro-acoustique. Musique et vie quotidienne. Beaud, Paul (ed); Willener, Alfred (ed). 1973, Paris: Mame: 21-108. ISBN򈭾50�00512�5 [FR] FRANCE, 1960S, 1970S, SOCIOLOGY, MUSICIANS, COMPOSE, RECORDING, MOD.CLASS., JAZZ, YOUTH.

Beaud, Paul (ed); Willener, Alfred (ed). Musique et vie quotidienne. Essai de sociologie d'une nouvelle culture. Musique et vie quotidienne. Beaud, Paul (ed); Willener, Alfred (ed). 1973, Paris: Mame: 272. ISBN򈭾50�00512�5 [FR] FRANCE, 1960S, 1970S, SOCIOLOGY, MUSICIANS, YOUTH, EVERYDAY.

Beaud, Paul. L'閘ectro-acoustique. Musique et vie quotidienne. Beaud, Paul (ed); Willener, Alfred (ed). 1973, Paris: Mame: 21-108. ISBN򈭾50�00512�5 [FR] FRANCE, 1960S, 1970S, SOCIOLOGY, MUSICIANS, COMPOSE, RECORDING, MOD.CLASS., JAZZ, YOUTH.

Beaud, Paul. Musical Sub-cultures in France. New Patterns of Musical Behaviour. Bontink, Irmgard (ed). 1974, Wien: Universal Edition.: 212-218. ISBN򈚒34�567�89�1 [EN] AESTHETICS, SOCIOLOGY, ROCK, SUBCULTURE, FRANCE, CULT.STUDY.

Beaud, Paul. Masses, minorit閟, marginaux. International Review of the Aesthetics and Sociology of Music, 05. 1974, Zagreb: : 155-167 [FR] MINORITIES, SOCIOLOGY, GENRES.

Beaud, Paul. Et si l'on reparlait d'Adorno? Popular Music Perspectives, 1. Horn, David (ed); Tagg, Philip (ed). 1982, G鰐eborg and Exeter: IASPM: 82-92. ISBN�91�7260�610稾 [FR] IASPM, SOCIOLOGY, POLITSTUDY, DEFINE.

Beaud, Paul. Statistics and Methodology. The Phonogram in Cultural Communication. Blaukopf, Kurt (ed). 1982, Wien: Springer-Verlag: 7-18. ISBN򉁪11�81725�5 [EN] SOCIOLOGY, METHODOL., STATISTICS.

Beauvarlet, Genevi鑦e (1983). Tr閚et. 1982, Paris: Ramsay (192p) [FR] FRANCE, BIOGRAPHY, SSONGWRITR. [TR怤ET稢harles].

Bebey, F. Africa Music: A People's Arts. n.y., New York: Lawrence Hill [EN] AFRICA, MUSIC USES.

Bebey, Francis. African Music: A People's Art. 1975, London: Harrap (183p). ISBN򈆦45�52735�4 [EN] AFRICA, MUSICIANS, INSTRUMENT, MUSIC USES, CULT.STUDY, DISCOGR.. [GRIOT].

Bebey, Francis. African Musical Tradition in the Face of Foreign Influence. Cultures, 6/2. 1979, Paris: UNESCO: 134-40 [EN] AFRICA, ACCULTUR., POLITICS.

Becco, Horacio J. Negros y morenos en el cancionero rioplatense. 1953, Buenos Aires: [SP] AFRICA, ARGENTINA, ACCULTUR., FOLK MUSIC, POPULARMUS.

Becerra-Schmidt, Gustavo. Modern Music South of the Rio Grande. World of Music, 14/1. [EN] MEXICO, S AMERICA, WORLD MUS..

Becerra-Schmidt, Gustavo. Marxistische Musikwissenschaft in Chile. Musikwissenschaftlicher Paradigmenwechsel? Zum Stellenwert marxistischer Ans鋞ze in der Musikforschung. Stroh, Wolfgang Martin (ed); Mayer, G黱ter (ed). 2000, Oldenburg: Bibliotheks- und Informationssystem der Universit鋞 Oldenburg: 34-37. ISBN򉁰142�0726�2.

Becerra-Schmidt, Gustavo. Thesen zu m鰃lichen Alternativen im Globalisierungsprozess der Kultur gemessen am Musikentwicklungsprozess aus marxistischer Sicht. Musikwissenschaftlicher Paradigmenwechsel? Zum Stellenwert marxistischer Ans鋞ze in der Musikforschung. Stroh, Wolfgang Martin (ed); Mayer, G黱ter (ed). 2000, Oldenburg: Bibliotheks- und Informationssystem der Universit鋞 Oldenburg: 212-218. ISBN򉁰142�0726�2 [DE] MARXISM, MUSICOLOGY.

Bechdolf, Ute. Musikvideos im Alltag: geschlechtsspezifische Rezeptionsweisen. Forum Musik Wissenschaft 1. Popmusik Yesterday Today Tomorrow. Heuger, Markus (ed); Prell, Matthias (ed). 1995, Regensburg: ConBrio Verlagsgesellschaft: 122-132. ISBN򉁱30079�73�9 (9 Beitr鋑e von 8 Internationalen Studentischen Symposium f黵 Musikwissenschaft in K鰈n, September 1993) [DE] SEX/GENDER, VIDEO, PERCEIVE, GERMANY, PSYCHOLOGY, MUSIC TV.

Bechdolf, Ute. Dancing to Latin American music: Exoticism and creolization. Popular Music: Intercultural Interpretations. Mitsui, T魊u (ed). 1998, Kanazawa: Graduate Program in Music, Kanazawa University: 93-98. ISBN򉕝980684򈚕.

Beck, Karin. Rhythmus und Timing. Musikpsychologie - Ein Handbuch. Bruhn, Herbert (ed); Oerter, Rolf (ed); R鰏ing, Helmut (ed). 1993, Reinbek bei Hamburg: Rowohlts Enzyklop鋎ie: 459-465. ISBN򉁬99�55526�3 [DE] PSYCHOLOGY, DEFINE, RHYTHM, SOCIALISAT.

Becker, Alton. A Musical Icon: Power and Meaning in Javanese Gamelan Music. The Sign in Music and Literature. 1981, Austin: University of Texas Press: 203-215 [EN] INDONESIA. [Java; Gamelan].

Becker, Bart. 'Til the Cows Come Home: Rock 'n' Roll Nebraska. 1986, Seattle: Real Gone (183p) [EN] USA, ROCK, C&W, BLUES, BANDS, MUSICIANS, 1960S, REFERENCE.

Becker, Constantin Julius. Ideen 黚er Baukunst und Musik. Music and Aesthetics in the Eighteenth and Early Nineteenth Centuries. Huray, Peter Le (ed); Day, James (ed). 1988, Cambridge: Cambridge University Press: 331-335. ISBN򈆩21�35901�5 [DE] EUROARTMUS, ROMANTIC, AESTHETICS, EUROPE, ARCHITECT..

Becker, D. Deux aspects de la chanson polyphonique en Espagne: le chansonner d銾ppsala et la "Recoplilaci髇" de Juan Vasquez. La chanson � la Renaissance. Vaccaro, Jean-Michel (ed). 1981, Tours: Van de Velde: 275-293. ISBN򈮄5868�067�1 (Actes du XXe Colloque d'蓆udes humanistes du Centre d'蓆udes Sup閞ieures de la Renaissance de l'Universit� de Tours. Juillet 1977) [FR] C16, EUROARTMUS, VOICE, SPAIN.

Becker, Howard S. The Culture and Career of the Dance Musician. 1972, New Brunswick (NJ): Transaction (65-98p). ISBN򈆬7855�007�0 [EN] USA, DANCE, BANDS, MUSICIANS, 1940S, 1950S, EVERYDAY, ANTHROPOL., SOCIOLOGY, UNIONS.

Becker, Howard S. The Professional Jazz Musician and His Audience. The Sounds of Social Change. Denisoff, R Serge (ed); Peterson, Richard A (ed). 1972, Chicago: Rand McNally & Co: 248-60. ISBN򈆩28�68712�3 [EN] SOCIOLOGY, MUSICIANS, AFR-AMER., JAZZ, USA, UNIONS, AUDIENCE.

Becker, Judith (1981). Kroncong, Indonesian Popular Music. [EN] INDONESIA, POPULARMUS.

Becker, Rita. Canci髇 y realidad en Centroamerica. Hispanorama, 41. 1985, N黵nberg: Deutsche Spanischlehrverbands: 119-123. ISSN�0720�1168 [SP] C AMERICA, POLITICAL, 1970S, 1980S, LYRICS, POETRY, EDUC ITEM, VOCAL MUS..

Becket, Samuel. Paroles et Musique/Words and Music. Paroles et Musique, Com閐ie, Dis Joe (1972). 1962, Paris: Editions de Minuit: 147-180 [EN] DRAMA, AVANTGARDE, FRANCE, UK, 1960S, LITERATURE.

Beckley, Timothy G; Elmlark, Walli. Rock Raps of the 70's. 1972, New York: Drake Publishers [EN] USA, UK, ROCK, 1970S.

Middleton, Jason; Beebe, Roger. The racial politics of hybridity and 'neo-eclecticism' in contemporary popular music. Popular Music, 21/2. 2002, Cambridge: Cambridge University Press: 159-172. ISSN�0261�1430 [EN] ROCK, USA, MEN.

Beecher, John see Frame, Pete (1989).

Beeman, William O. You Can Take the Music Out of the Country, But . . .: The Dynamics of Change in Iranian Musical Tradition. Asian Music, 7/2. [EN] ARABIC. [Iran].

Beghelli, Marco. Instrumental Idiolects: a case of "First Articulation" in musical language. Musical Signification: Between Rhetoric and Pragmatics. 1998, Bologna: CLUEB (Cooperativa Libraria Universitaria Editrice Bologna)/International Semiotics Institute: 447-456 [EN] SEMIOTICS, RHETORIC, OPERA.

Behague, Gerald. Bossa and Bossas: Recent Changes in Brazilian Urban Popular Music. Ethnomusicology, 17/2. [EN] BRAZIL, URBAN.

B閔ague, Gerard. Bossa and Bossas: Recent Changes in Brazilian Urban Popular Music. Ethnomusicology 17/2. [EN] BRAZIL, URBAN.

B閔ague, Gerard. Music in Latin American: an Introduction. 1979, Englewood Cliffs, NJ: Prentice-Hall (368p). ISBN򈆥3�608919�4 [EN] L AMERICA, MUSIC HIST.

B閔ague, Gerard. Brazilian Musical Values of the 1960s and 1970s: Popular Urban Music from Bossa Nova to Tropicalia. Journal of Popular Culture, 14/3. 1980, Bowling Green, Ohio: Bowling Green State University Poplar Press: 437-452 [EN] BRAZIL, 1960S, 1970S, URBAN, CLASSES. [BOSSA種OVA].

Behague, Gerard. Tango. New Grove's Dictionary of Music and Musicians. 1980, New York: Macmillan [EN] BRAZIL, DANCE, TANGO.

B閔ague, Gerard see Nettl, Bruno (1990).

B閔ague, G閞ard. L'influence de la musique africaine sur les musiques traditionnelles et populaires de l'Am閞ique Latine. Musiques du XXe si鑓le (Musiques, vol. 1). Nattiez, Jean-Jacques (ed). 2003, Paris: Actes Sud/Cit� de la musique: 1239-1268. ISBN򈮃427�4204�2 (1pub Einaudi, Torino, 2001) [FR] AFRICA, L AMERICA, BRAZIL, COLOMBIA, VENEZUELA, ARGENTINA, URUGUAY. [Guyana; Surinam].

Latin American Music Review. B閔ague, Gerard H (ed). nd, Bowling Green, Ohio: Bowling Green State University Popular Press music journal [EN] CRITIQUE.

Behne, Klaus-Ernst. Musikpr鋐erenzen und Musikgeschmak. Musikpsychologie - Ein Handbuch. Bruhn, Herbert (ed); Oerter, Rolf (ed); R鰏ing, Helmut (ed). 1993, Reinbek bei Hamburg: Rowohlts Enzyklop鋎ie: 339-353. ISBN򉁬99�55526�3 [DE] PSYCHOLOGY, DEFINE, AESTHETICS, TASTE, IDEOLOGY.

Behrens, Roger. Das hedonistische Ohr. Pr鋖iminarien zur 膕thetik musikalischer Subkulturen. Musik und 膕thetik, 1/2. Mahnkopf, Claus-Steffen (ed). 1997, Stuttgart: Klett-Cotta: 75-92. ISBN򉁮08�98576稾 [DE] POPULARMUS, DEFINE, AESTHETICS.

Beilby, Peter (ed); Roberts, Michael (ed). The Australian Music Directory. 1981, Melbourne: Australian Music Directory (520p) [EN] AUSTRALIA, REFERENCE, BIBLIOGR..

Beishuizen, Piet (ed). The Industry of Human Happiness. 1981, London: IFPI [EN] MUS INDUST, CONSUME, PRODUCERS, MEDIA IND..

Bekker, Paul (1931). Krise des Operntheaters. Musik und Gesellschaft, 01/7. Kolland, Dorothea (ed). 1978, Berlin: Das europ鋓sche Buch: 206-209. ISBN򉁱20�30383�0 (Reprint of original periodical) [DE] GERMANY, 1930S, OPERA, MUS INDUST, AUDIENCE, MASS MEDIA, CULTPOLIT..

Belafonte, Harry. Was mich bewget: gespr鋍he mit G黱ter Amendt. 1982, Hamburg: Konktret Literatur Verlag (142p) [DE] POLITICS, SOCIOLOGY, OPPOSE, RACISM.

Belisto, Peter; Davis, Bob. A History of Punk and New Wave. 1983, Berkeley (CA): Last Grasp of San Francisco [EN] PUNK, NEW WAVE, ROCK, USA, UK, 1970S, 1980S.

Bell, J. Rhymes of Northern Bards. 1971, Newcastle: [EN] LYRICS, C19.

Bell, Malcolm F. Theme Songs of the Dance Band Era. 1981, Memphis: KWD Corporation (52p) [EN] DISCOGR., SWING.

Bellow, Alexander. The Illustrated History of the Guitar. 1970, Lond Island, NY.: Franco Columbo Publications (215p) [EN] GUITAR, HISTORY, PHOTOGRAPH, B.C., C20.

Belova, E P. Chto proiskhodit s sovremennym estradnym tantsem? Problemy razvitiya sovremennogo iskusstva. Dukov, E V (ed). 1988, Moskva: Vsesoyuznyi Nauchno-isledovatel'skii Institut Iskusstvoznaniya Ministerstva Kultury SSSR: 142-165 [RU] USSR, SOCIOLOGY, POPULARMUS.

Belsito, Peter; Davis, Bob. Hardcore California: a History of Punk and New Wave. 1983, Berkeley: Last Gasp of San Francisco (128p) [EN] USA, PUNK, NEW WAVE, MUSIC HIST, ILL..

Belton, John. Technology and the Aesthetics of Film Sound. Film Sound - Theory and Practice. Weis, Elisabeth (ed); Belton, John (ed). 1985, New York: Columbia University Press: 63-72. ISBN򈆦31�05637�0 [EN] SOUND, FILM, AESTHETICS.

Belton, John see Weis, Elisabeth (1985).

Belton, John see Gomery, Douglas (1985).

Belz, Carl. The Story of Rock. 1972, New York: Harper Colophon (286p). ISBN򈆤6�090344�9 Second Edition. 1publ New York: OUP [EN] ROCK, USA, UK, HISTORY, ILL., C&W, BLUES, 1950S, 1960S.

Belz, Carl. Relationships Between the Popular and Fine Arts - Recent Developments. New Patterns of Musical Behaviour. Bontink, Irmgard (ed). 1974, Wien: Universal Edition.: 84-88. ISBN򈚒34�567�89�1 [EN] DRAMA, VIS. ARTS, ROCK, EUROARTMUS, ACCULTUR., 1960S, 1970S, UK, USA.

Belzner, William. Music, Modernization and Westernization Among the Macuma Shuar. Cultural Transformations and Ethnicity in Ecuador, 1. 1981, Urbana, Ill.: University of Illinois Press: 731-48 [EN] ECUADOR, AMERINDIAN. [Jivaro].

Bemba, S. 50 Ans de Musique du Zaire-Congo. 1984, Paris: Presence Africaine [EN] MUSIC HIST, C AFRICA.

Benassi, Elisa. Musica e preparazione alla nascita. PUM 9. 1996, Assisi: Edizioni Musicali Pro Civitate Christiana: 16-24 (Progetto Uomo - Musica, 9 (gennaio 1996). Educazione / Animazione / Terapia / Ricerca) [IT] MUSIC EDUC, CHILDREN, MUSTHERAPY.

Bencini, David see Camillieri, Lelio (1992).

Bender, Wolfgang. Sweet Mother: moderne Afrikanische Musik. 1985, M黱chen: Trickster Verlag (241p) [DE] AFRICA.

Bender, Wolfgang. `Independence Chacha': Independence Songs in Africa during the '60s. 1789-1989. Musique, Histoire, D閙ocratie. Colloque international organis� par Vibrations et l'IASPM, Paris 17-20 juillet 1989. Hennion (ed). 1992, Paris: 蒬itions de la Maison des Sciences de l'Homme: 167-180. ISBN򈮃531�0532�6 (in 3 volumes (ISBN 2-7531-0532-6, 0533-4, -0534-2). Soutien de la Direction de la Musique (Minist鑢e de la Culture) et du Centre d'Ethnologie fran鏰ise. Vol 1 pp 1-260, vol 2 pp 263-506, vol 3 pp 509-829) [EN] AFRICA, POLITICS, REVOLUTION, 1960S.

Benedetti, Cecilia see Sem醤, Pablo (2004).

Benedetti, Mario. La expresi髇. La del taller, 8/9. 1988, Rosario: Talleres latinoamericanos de m鷖ica popular: 64 [SP] LITERATURE.

Benedictis, Angela Ida De; Schomerus, Ute. La lotta 'con le armi dell'art': Erwin Piscator e Luigi Nono. Riflessioni e documenti (II) Musica/Realt�, 61. 2000, Milano: : 151-186. ISBN�88�7096�243�1 [IT] ITALY, POLITICS, C20, EUROARTMUS.

Benedictis, Hector. Editorial "primeras palabras". La del taller, 7. 1986, Rosario: : 1 [SP] L AMERICA, CULTPOLIT..

Benedictis, H閏tor de. Sintetizadores: una visi髇. La del taller, 8/9. 1988, Rosario: Talleres latinoamericanos de m鷖ica popular: 1-4 [SP] EUROARTMUS, ROCK, SYNTHS. [VARESE稥dgar].

Benestad, Finn. Musikk og tanke. 1976, Oslo: Aschehoug (468p). ISBN�83�03�08893�7 [NO] AESTHETICS, EUROPE, MUSIC HIST, EUROARTMUS, BAROQUE, ROMANTIC, PHILOSOPHY, MUSICOLOGY.

Benestad, Finn. Motivic-Thematic Unity in Grieg's Chamber Music. 1st movement Sonata in G maj, Op. 13. Tv鋜spel - 31 artiklar om musik. Festskrift till Jan Ling. 1984, G鰐eborg: Skrifter fr錸 Musikvetenskapliga institutionen, 9: 292-304. ISBN�91�85974�02�1 (Expanded version, www.tagg.org/articles/timesens.pdf (1999)) [EN] C19, NORWAY, EUROARTMUS, FOLK MUSIC, MUSICOLOGY, HARMONY, CHAMB.MUS..

Benestad, Finn. A note on Edvard Grieg's "forbidden symphony". Analytica. Studies in the Description and Analysis of Music. 1985, Stockholm: Kungliga Musikaliska Akademien: 211-232. ISBN�91�85428�40稾 [EN] NORWAY, ROMANTIC, EUROARTMUS, MUSICOLOGY, ORCHESTRAL.

Benestad, Finn. Helt fra begynnelsen av. Musikklidenskapelig: Tretten Essay. Ledang, Ola Kai (ed). 1987, Trondheim: Universitetet, Musikkvitenskapelig institutt.: 11-16 [NO] ORGANISE, HISTORY, NORWAY.

Bengtsson, Ingmar. Tremolo. Sohlmans Musiklexikon. 1952, Stockholm: Sohlmans: 1252 [SV] MUSICOLOGY, MUSIC HIST, INSTRUMENT.

Bengtsson, Ingmar; Tove, P-A; Thors閚, Stig-Magnus. Sound analysis equipment and rhythm research ideas at the Institute of Musicology in Uppsala. Studia Instrumentorum Musicae Popularis II. Stockmann, Erich (ed). 1972, Stockholm: Musikhistoriska Museet: 53-76 [EN] RHYTHM, TECHNOLOGY, MUSICOLOGY, REPORT.

Bengtsson, Ingmar. Verstehen - Prolegomena zu einem semiotisch-hermeneutischen Ansatz. Musik und Verstehen. Faltin, Peter (ed); Reinecke, Hans-Peter (ed). 1973, K鰈n: Gerig: 11-36. ISBN򉁰7252�076�8 [DE] AESTHETICS, SEMIOTICS, MUSICOLOGY, PHILOSOPHY, EUROARTMUS, HERMENEUT..

Bengtsson, Ingmar. Musikvetenskap. 1973, Stockholm: Esselte (xvi+448p). ISBN�91�24�21690�9 [SV] MUSICOLOGY, EUROARTMUS, HISTORY, EUROPE, DEFINE, AESTHETICS, PHILOSOPHY, SEMIOTICS, MUSIC EXX., GENRES.

Bengtsson, Ingmar. On notation of time signature and rhythm in Swedish polkas. Studia Instrumentorum Musicae Popularis III (Festschrift for Ernst Emsheimer). 1974, Stockholm: Nordiska Musikf鰎laget: 22-31 [EN] RHYTHM, SWEDEN, MUSICOLOGY.

Bengtsson, Ingmar. Analys. Sohlmans Musiklexikon, 1. 1975, Stockholm: Sohlmans: 128-129 [SV] MUSICOLOGY, MUS.ANALYS, DEFINE, MUSIC EXX..

Bengtsson, Ingmar. Musikteori. Sohlmans Musiklexikon, 4. 1977, Stockholm: Sohlmans F鰎lag: 650-656 (2nd ed).

Bengtsson, Ingmar. Men je f錼st錼 int' me p� d鋗 da prickar. Om att uppteckna folkmusik. Folkmusikboken. Ling, Jan (ed); Ternhag, Gunnar (ed); Ramsten, M鋜ta (ed). 1980, Stockholm: Prisma: 297-312. ISBN�91�518�1180�4 [SV] SWEDEN, FOLK MUSIC, MUSICOLOGY, NOTATION.

Bengtsson, Ingmar. Ett kapitelavsnitt om "Expression and Emotions". Tv鋜spel - 31 artiklar om musik. Festskrift till Jan Ling. 1984, G鰐eborg: Skrifter fr錸 Musikvetenskapliga institutionen, 9: 91-99. ISBN�91�85974�02�1 (Expanded version, www.tagg.org/articles/timesens.pdf (1999)) [SV] AESTHETICS, AFFECT, SEMIOTICS, HERMENEUT..

Bengtsson, Ingmar. Bibliography. Analytica. Studies in the Description and Analysis of Music. 1985, Stockholm: Kungliga Musikaliska Akademien: 345-361. ISBN�91�85428�40稾 [EN] BIBLIOGR., MUSICOLOGY.

Bengtsson, Ingmar. Musikanalys och den uttrycksb鋜ande r鰎elsen. Nielsen, Frede V (ed); Vinther, Orla (ed). 1988, Egtved: Edition Egtved [SV] MUSICOLOGY, SKILLS, PERFORM, PERCEIVE, MUSIC EDUC, MUS.ANALYS, SCANDINAVI, GESTURES.

Benjamin, Arthur. Film Music. Musical Times, July. [EN] FILM MUSIC.

Benjamin, Peter. The Story of Motown. 1979, New York: Grove Press [EN] USA, AFR-AMER., SOUL, MUSIC HIST.

Benmayor, Rina. 'La neuva trova': New Cuban Song. Latin American Music Review, 1/1. [EN] CUBA, VOCAL MUS..

Bennett, Andrew. "Going down the pub!": The pub rock scene as a resource for the consumption of popular music. Popular Music, 16/1. 1997, Cambridge: Cambridge University Press: 97-108. ISBN򈆩21�47198�2 [EN] SOCIOLOGY, UK, ANTHROPOL., AUDIENCE, MUSICIANS. [Pink稦loyd; Benwell稦loyd].

Bennett, Andrew. Going down the pub. The pub rock scene as a resource for the consumption of popular music. Music on Show: Issues of Performance. Hautam鋕i, Tarja (ed); J鋜viluoma, Helmi (ed). 1998, Tampere: Department of Folk Tradition: 22-26. ISBN�951�44�4290�3 [EN] IASPM, CONFERENCE, UK, ROCK.

Bennett, Andy. 'Something old, something new'. Expatriate musicians and musical authenticity. Popular Music: Intercultural Interpretations. Mitsui, T魊u (ed). 1998, Kanazawa: Graduate Program in Music, Kanazawa University: 318-324. ISBN򉕝980684򈚕.

Bennett, Andy. Popular Music and Youth Culture. Music, Identity and Place. 2000, London: Macmillan. ISBN򈆧33�73229�4 [EN] YOUTH, URBAN, INDIA, RAP, etc., GERMANY, UK, E ASIA, TASTE, GENRES, PLACE. [Bhangra; Benwell稦loyd].

Bennett, Andy. Popular Music and Youth Culture: Music, Identity and Place. 2000, Houndmills: MacMillan (viii+223p) Reviewed in Popular Music, 21/1: 141-2 by Colin Coulter [EN] YOUTH, ROCK, GENRES.

Bennett, Andy. Cultures of Popular Music. 2001, Buckingham: Open University Press (ix+194p) (Reviewed in Popular Music 22/1).

Bennett, Anthony. Sources of Popular Song in Early Nineteenth-Century Britain: Problems and Methods of Research. Popular Music, 02. 1982, Cambridge: Cambridge University Press: 69-89 [EN] C19, UK, VOCAL MUS., RESEARCH, METHODOL..

Bennett, Anthony. Music in the Halls. Music Hall - Performance & Style. Bratton, J S (ed). 1986, Milton Keynes: Open University Press: 1-22. ISBN򈆧35�15131�0 [EN] MUSIC HALL, UK, C19, MUSIC EXX., MELODY, HARMONY.

Bennett, H Stith (1980). The Realities of Practice. On Record: Rock, Pop and the Written Word. Frith, Simon (ed); Goodwin, Andrew (ed). 1990, London: Routledge: 221-237 (xi+492 pp) 1publ in `On Becoming a Rock Musician' (Amherst: University of Massachusetts Press, 1980) [EN] USA, ROCK, MUS INDUST, MUSICIANS.

Bennett, H Stith. Notation and identity in contemporary popular music. Popular Music, 03. 1983, Cambridge: Cambridge University Press: 215-234. ISSN�0261�1430 [EN] POLITSTUDY, ACOUSTICS, RECORDING, PERCEIVE, MATHEMATIC, NOTATION, AESTHETICS, EUROPE, AFR-AMER., RELIGION.

Bennett, H Stith. The Realities of Practice. On Record. 1983, New York: Pantheon Books: 221-237.

Bennett, Richard Rodney. Interviewed by John Caps with a Filmography/Discography by John Caps and Tom DeMary. Motion Picture Music. Ven, Luc van de (ed). 1980, Mechelen: Soundtrack: 93-107 [EN] UK, FILM, 1960S, 1970S, COMPOSE, ARRANGE, GENRES, INTERVIEW, DISCOGR..

Bennett, Roy C. The Songwriter's Guide to Writing and Selling Hit Songs. 1983, Englewood Cliff, NJ: Prentice-Hall (161p) [EN] MUS INDUST, MONEY, MUSIC PUBL, LYRICS, VOCAL MUS., COMPOSE.

Bennett, Stephanie; Berry, Chuck; Hackford, Taylor. Hail! Hail! Rock'n'Roll (A documentary). 1987, Universal City: Universal Pictures (121 minsp) Reviewed in Popular Music, 8/2 by Thomas Doherty [EN] ROCK, FILM, USA, 1950S, 1960S.

Bennett, Tony; Donald, James. The Image and Mass Production. Science, Technology and Popular Culture (1). 1982, Milton Keynes: Open University Press: 53-87. ISBN򈆧35�10130�5 Block 6 Unit 25 in Popular Culture Course U203 [EN] WOMEN, FASCISM, POLITICAL, POLITSTUDY, VIS. ARTS, PHOTOGRAPH, CULT.STUDY, MASS PROD., EDUC ITEM.

Bennett, Tony. Popular Culture and Hegemony in Post-War Britain. 1982, Milton Keynes: Open University Press: 6-30. ISBN򈆧35�10128�3 Block 5, Unit 18 Popular Culture [EN] UK, POSTWAR, POLITICAL, POLITSTUDY, CULT.STUDY.

Bensignor, Francis. Sons d'Afrique. 1988, Paris: Marabout (128p) Popularity of African music in France [FR] AFRICA, POPULARMUS, FRANCE.

London, Kurt; Bensinger, Eric S (tr); Lambert, Constant [foreword, pp.7-9] (1938?). Film Music. 1936, London: Faber & Faber (280p) A Summary of the Characteristic features of its History, Aesthetics, Technique; and possible Developments [EN] FILM MUSIC, DOCUMENT, HISTORY, AESTHETICS, MUSIC EXX., 1910S, 1920S, 1930S, USA, USSR.

Benson, Dennis C. The Rock Generation. 1976, Nashville: Abington [EN] USA, ROCK, YOUTH, AGE GROUP.

Bensusan, Ben. A Consideration of Norte馻 and Chicano Music. Studies in Latin American Popular Culture, 4. [EN] L AMERICA.

Bent, Ian; Drabkin, William. Analysis. 1987, New York: W.W. Norton (184p). ISBN򈆧93�02447�4 [EN] MUS.ANALYS, MUSICOLOGY, MUSIC EXX., BIBLIOGR., HISTORY.

Bentley, Arnold. Musical Ability in Children - its measurement. 1966, London: Harrap (151p) [EN] CHILDREN, SKILLS, MUSIC EDUC, STATISTICS, RHYTHM, MELODY.

Benyan, George. Musical Presentation of Motion Pictures,. 1921, New York: Schirmer [EN] FILM MUSIC.

Bereczki, G醔or see Vikar, L醩zl� (1979).

Berendt, Joachim Ernst. Blues. 1957, Munich: Nymphenburger Verlagshandlung (122p) [DE] LYRICS, SOCIOLOGY, MUS. FORM, BLUES, JAZZ.

Berendt, Joachim Ernst. The Jazz Book. From new Orleans to Jazz now. 1976, St Albans: Paladin (16+459p) [EN] JAZZ, HISTORY, INSTRUMENT, GENRES, MUSICIANS, BANDS, MUSIC EXX., DISCOGR., BIOGRAPHY.

Berendt, Joachim Ernst. Ein Fenster aus Jazz: Essays, Portrait, Reflexionen. 1978, Frankfurt am Main: Fischer. ISBN򉁭96�23002�0 [DE] JAZZ.

Berendt, Joachim Ernst. Jazz: a Photo History. 1979, London: Deutsch. ISBN򈆦33�97224�2 [EN] JAZZ, PHOTOGRAPH, MUSIC HIST.

Berendt, Joachim Ernst. Das dritte Ohr: vom H鰎en der Welt. 1985, Reinbek: Rowohlt (540p) [DE] JAZZ, PERCEIVE, VIS. ARTS, PSYCHOLOGY, PHILOSOPHY.

Berendt, Joachim Ernst. Nada Brahma: die Welt ist Klang. 1985, Reinbek: Rowohlt (308p) [DE] JAZZ, INDIA, PERCEIVE, SOUND, PHILOSOPHY, BUDDHISM.

Berendt, Joachim Ernst. Das Jazz-Buch. Von New Orleans bis in die achtziger Jahre/ 黚erarb, u. fortget. von Gunther Huesmann: mit ausfuhrl. Diskographie. 1989, Frankfurt am Main: Kr黦er (651p) Enlgarged edition [DE] JAZZ, AFR-AMER., NEWORLEANS, DISCOGR..

Bereza, A. Home Recording. Making Music. 1983, New York: Quill Books [EN] REFERENCE, RECORDING, AMATEURS.

Bereza, A. Home Recording. Making Music. 1983, New York: Quill Books [EN] REFERENCE, RECORDING, AMATEURS.

Berg, Charles Merrell. An Investigation of the Motives for and Realization of Music Accompanying the American Silent Film 1896-1927. 1976, Chicago: Arno Press. IBN 0-405-07531-6. (300p) University of Iowa PhD thesis, 1973 [EN] FILM MUSIC, DISS. PhD., USA, AESTHETICS, MUSICOLOGY, MUSIC EXX., 1900-1909, 1910S, MUSIC MAKE, SILENTFILM.

Hedfors, Per; Berg, Per G. Site Interpretation by Skilled Listeners. Methods for Communicating Soundscapes in Landscape Architecture and Planning. Soundscape Studies and Methods. J鋜viluoma, Helmi (ed); Wagstaff, Gregg (ed). 2002, Helsinki: Finnish Society for Ethnomusicology; Department of Art, Literature and Music, University of Turku: 91-114. ISBN�951�96171򉩉 [EN] SOUNDSCAPE.

Bergendahl, ELisabet see Andersson, Tony (1982).

Berger, D G; Peterson, Richard A. Three Eras in the Manufacture of Popular Music Lyrics. The Sounds of Social Change. Denisoff, R Serge (ed); Peterson, Richard A (ed). 1972, Chicago: Rand McNally & Co: 282-303. ISBN򈆩28�68712�3 [EN] BIBLIOGR., MEDIA IND., TECHNOLOGY, LITERATURE, LYRICS, ROCK, FOLK MUSIC, USA.

Berger, David A; Peterson, Richard A (1975). Cycles in Symbol Production: The Case of Popular Music. On Record: Rock, Pop and the Written Word. Frith, Simon (ed); Goodwin, Andrew (ed). 1990, London: Routledge: 140-159 (xi+492 pp) 1publ in `American Sociological Review, 40' (1975) [EN] USA, ROCK, MUS INDUST.

Berger, Gilda. USA for Africa: Rock Aid in the Eighties. 1987, New York: Watts (95p) [EN] 1980S, MUSIC USES, FESTIVAL.

Berger, Hans M. The Practice of Perception: Multi-Functionality and Time in the Musical Experience of a Heavy Metal Drummer. Ethnomusicology, 41/3. 1997, University of Illinois Press: 464-488 [EN] ANTHROPOL., RHYTHM, DRUMS.

Berger, Morroe. Jazz: Resistance to the Diffusion of a Culture Pattern. 1972, New Brunswick (NJ): Transaction (11-43p). ISBN򈆬7855�007�0 [EN] USA, 1920S, 1930S, 1940S, JAZZ, AFR-AMER., RACISM, MUS INDUST, SOCIOLOGY, CULTPOLIT..

Berger, Morroe. Benny Carter: a Life in American Music. 1982, Metuchen, N.J.: Scarecrow Press [EN] USA, JAZZ, CLARINET, TRUMPET, BIOGRAPHY.

Berger, Morroe [et al.]. Benny Carter: a Life in African Music. 1982, Metuchen & London: Scarecrow Press (2 volsp) [EN] BIOGRAPHY, JAZZ, CRITIQUE, DISCOGR., FILM, BIBLIOGR..

Berger, Renato. Africa Dance: afrikanischer Tanz in Vergangenheit und Zukunft Ursprung und Diaspora: Africa, Karibik, Brasilien. 1984, Wilhelmshaven: Heinrichshofen (240p) [DE] AFRICA, DANCE, BRAZIL, ARABIC.

Berger, Robert Alan. Songwriting: a Structured Approach. 1983, San Diego: Beer Flat Music (240p) [EN] SSONGWRITR, HANDBOOK, SKILLS.

Berger, Satoko see Berger, Sven (1984).

Berger, Sven; Berger, Satoko. Brev betr鋐fande barocka benbeteenden. Tv鋜spel - 31 artiklar om musik. Festskrift till Jan Ling. 1984, G鰐eborg: Skrifter fr錸 Musikvetenskapliga institutionen, 9: 217-229. ISBN�91�85974�02�1 (Expanded version, www.tagg.org/articles/timesens.pdf (1999)) [SV] DANCE, BAROQUE, C17, C18.

Tomlinson, Gary. Cultural dialogics and jazz: a white historian signifies. Bergeron (ed); Bohlman (ed). 1992, Chicago: [EN] JAZZ, CANONS, MUSICOLOGY, CRITIQUE, NOTATION.

Berggren, Olle see Eisler, Hanns (1931).

Berggren, Olle (ed). Musik och samh鋖le. 1977, Lund: Cavefors (147p). ISBN�91�504�0427稾 [SV] EUROPE, SOCIOLOGY, POLITSTUDY, GERMANY, POLITICS.

Bergheim, Irene. Musikkfagets "hva" og "hvorfor". Musikklidenskapelig: Tretten Essay. Ledang, Ola Kai (ed). 1987, Trondheim: Universitetet, Musikkvitenskapelig institutt.: 29-36 [NO] MUSIC EDUC, DEFINE.

Bergholz, Wilfried see Demmler, Kurt (1984).

Bergman, Ben. Hot Sauces: Latin and Caribbean Pop. 1985, New York: Quill [EN] L AMERICA, CARIBBEAN, ROCK.

Bergman, Billy. African Pop: Goodtime Kings. 1985, Poole: Blandford Press (143p). ISBN򈆫137�1551�0 [EN] AFRICA, ROCK, GENRES, MUSICIANS, MUS INDUST, DISCOGR., EUROPE, USA, JUJUHILIFE, ILL..

Bergman, Billy; Horn, Richard. Experimental Pop: Frontiers of the Rock Era. 1985, Poole: Blandford. New York: Quill (118p) [EN] AVANTGARDE, ROCK.

Bergman, Ingmar; Bassetti, Sergio. Vargtimmen. Trento Cinema 1988. 1988, Trento: Provincia Autonoma di Trento - Servizio Attivit� Culturali: 192-199 (Incontri internazionali con la musica per il cinema) [IT] FILM MUSIC, SOUND, SWEDEN. [WERLE稬ars-Joha].

Bergreen, Laurence. Louis Armstrong: An Extravagant Life. 1997, New York: Broadway Books (564p). ISBN򈆩53�06768�0 reviewed in American Music, 16/2 (1998):234-236 [EN] JAZZ, USA, C20, BIOGRAPHY, HISTORY. [Armstrong,稬oui].

Bergvall, Christina see Nordstr鰉, Bengt (1984).

Bergvall, Christina; Cronholm, Margareta. Massmedieforskning vid Sveriges Radio. Masskommunikationsforskning i Sverige, 1985/1-2. 1985, G鰐eborg: NORDICOM-NYTT/Sverige: 99-111. ISSN�0349�1242 [SV] MASS MEDIA, REPORT, SWEDEN, RADIO, TELEVISION.

Berio, Luciano. Commentaires au rock. Musique en jeu, 02. 1971, Paris: 蒬itions du Seuil: 56-66 [FR] ROCK, AESTHETICS, PROGRESSIV, INNOVATE, 1960S, UK, USA, RECORDING, POLITSTUDY, MOD.CLASS..

Berkaak, Odd Are; Ruud, Even. Rockeminner. Livsl鰌, folkeminner og konstruksjon av historie i John Hiatt's rockevideo 玈low Turning�. Norveg. Folkelivsgranskning, 32. 1985, Oslo: Universitetsforlaget: 205-217 [NO] VIDEO, ROCK. [Hiatt,稪ohn].

Berkman, Paul L. The "Rhythm and Blues" Fad: An Exploratory Study of a Popular Music Trend. 1955, New York: Columbia University Bureau of Applied Social Research [EN] R&B, MUSIC HIST, CULT.STUDY, USA.

Berland, Jody. Radio space and industrial time: music formats, local narratives and technological mediation. Popular Music, 09/2. 1990, Cambridge: Cambridge University Press: 179-192. ISBN򈆩21�39944�0 [EN] RADIO, TIME/SPACE, TECHNOLOGY, GENRES, CANADA, USA, 1970S, 1980S, MEDIA IND..

Berlin, E A. Ragtime. n.d. Unknown: [EN] RAGTIME.

Berliner Commins, Dorothy. All About the Symphony Orchestra and what it Plays. 1967, London: W. H. Allen (160p) [EN] ORCHESTRAL, EUROARTMUS.

Berliner, Paul F. The Soul of Mbira. 1981, Berkeley & L.A., CA.: University of California Press (312p) [EN] AFRICA, INSTRUMENT, INTONATION, MUSICIANS, PERFORM, NOTATION, CULTPOLIT.. [Zimbabwe; Mbira].

Berlioz, Hector. De l'imitation musicale. 1837, Per Druud - private course material (xcrp) [FR] AESTHETICS, SEMIOTICS.

Berlioz, Hector [1803-1869]; Kapp, Julius (tr) (1837). De l'imitation musicale. Musik og betydningsinhold - kompendium i musik鎠tetik. Druud-Nielsen, Per (ed). 1987, 舕borg: Institut for musik og musikterapi, AUC: 26-28 xtr. 1publ in Gazette musicale de Paris (1837). German trans in `Tonmalerei. Ein unbekannter Aufsatz Herctor Berlioz'' in Die Musik, Jahrgang 12, Band 46, 1912/13 [DE] AESTHETICS, MUSICOLOGY, EUROARTMUS, AFFECT, ROMANTIC, PHILOSOPHY, PROGRAMMUS.

Berlioz, Hector; Cairns, David (ed). The Memoirs of Berlioz. 1970, London: Panther. ISBN򈆩86�03408�0 (1st ed. London: Gollancz, 1969).

Berman, Leslie (ed); Woods, Heather (ed). Grass Roots International Folk Resource Directory. 1985, New York: Grass Roots (198p) [EN] FOLK MUSIC, REFERENCE.

Bermani, Cesare. Musica popolare e musica colta negli anni Sessanta-Settanta. Musica/Realt�, 42. 1993, Modena: Mucchi Editore: 79-102 (Dicembre 1993) [IT] ITALY, POPULARMUS, EUROARTMUS, SSONGWRITR, 1960S, 1970S. [Marini,稧iovana; Leydi,稲oberto].

Bermani, Cesare. La Mareseillaise: riflessi sul canto sociale del Movimento operaio italiano. Musica/Realt�, 48. 1995, Milano: Libreria Musicale Italiana: 81-110. ISBN�88�7096�159�1 [IT] FRANCE, ITALY, WORKERS, POLITICS, GENRES, C19, MUSIC EXX..

Bermani, Cesare. Le origini de 'Bandiera rossa'. Musica/Realt�, 55. 1998, Luca: LIM: 107-134. ISBN�88�7096�206�7 [IT] MUSIC EXX., ITALY, SOCIALISM, MELODY, LYRICS, FASCISM, WORKERS, REVOLUTION.

Berm鷇ez, Egberto. Por dentro y por fuera. El vallenato, su m鷖ica y sus tradiciones y can髇icas. Musica popular na Am閞ica Latina - Pontos de escuta. Ulh鬭, Martha Tupinamb� de (ed); Ochoa, Ana Maria (ed). 2005, Porto Alegre: Editora da Universidade do Rio Grande do Sul: 214-245 [SP] COLOMBIA, MUSICOLOGY, LYRICS, L AMERICA, GENRES. [PASEO; SON; MERENGUE; PUYA].

Bermudez, Egmundo. El litoral pacifico. La m鷖ica tradicional y popular colombiana, 9/0. 1987, Bogot�: Procultura [SP] COLOMBIA, CARIBBEAN.

Bernardini, Nicola. Computer Music USA: appunti di 'viaggio'. Musica/realt�, 15. 1984, Milano: Unicopli: 191-201 [IT] COMPUTERS, COMPOSE, USA.

Bernardini, Nicola. La International Computer Music Conference 1985. Musica/realt�, 18. 1985, Milano: Unicopli: 209-215 [IT] COMPUTERS, AVANTGARDE, CANADA, CONFERENCE.

Bernhardt, Clyde E B; Harris, Sheldon. I Remember: Eighty Years of Black Entertainment, Big Bands and the Blues. 1986, Philadelphia: University of Pennsylvania Press (270p) [EN] JAZZ, BLUES, BANDS, 1920S, 1930S, USA.

Bernheim, Alfred L. The Business of the Theatre: An Economic History of the American Theatre. 1972, New York: Benjamin Blom [EN] USA, DRAMA, MONEY, HISTORY.

Bernski鰈d, Hans. Sjung, av hj鋜tat sjung. F鰎samlingss錸g och musikliv i svenska missionsf鰎bundet fram till 1950-talet. 1986, G鰐eborg: Gothia (254p). ISBN�91�7228�218�3 Doctoral dissertation G鰐eborgs universitet, Musikvetenskapliga institutionen, October 1986 [SV] SWEDEN, USA, MUSIC EXX., HISTORY, DISS. PhD., MUSICOLOGY, BIBLIOGR., AESTHETICS, SOCIOLOGY.

Bernstein, Elmer. The Man With the Golden Arm. Film Music: from Violins to Video. Limbacher, James L (ed). 1974, Metuchen (NJ): Scarecrow Press: 94-96. ISBN򈆬108�0651�7 1 publ Film Music 15:3, Spring 1956 [EN] FILM MUSIC, HOLLYWOOD, COMPOSE, JAZZ, 1950S.

Bernstein, Elmer. The Ten Commandments. Film Music: from Violins to Video. Limbacher, James L (ed). 1974, Metuchen (NJ): Scarecrow Press: 154-157. ISBN򈆬108�0651�7 1 publ Film/TV Music 6:13, Nov-Dec 1956 [EN] FILM MUSIC, COMPOSE, USA, 1940S, BIBLE.

Bernstein, Elmer. Interviewed by John Caps. Soundtrack, 2/6. Ven, Luc van de (ed). 1983, Mechelen: 14-22 [EN] FILM MUSIC, USA, 1960S, 1970S, INTERVIEW, COMPOSE, ILL..

Bernstein, Elmer. Interviewed by John Caps (Part 2) Soundtrack, 2/7. Ven, Luc van de (ed). 1983, Mechelen: 3-6 [EN] FILM MUSIC, COMPOSE, INTERVIEW, USA.

Bernstein, Elmer. Interview. The Score. Interviews with Film Composers. Schelle, Michael (ed). 1999, Los Angeles: Silman-James: 43-60. ISBN򈚘79505�40�1 [EN] FILM MUSIC, USA.

Adorno, Theodor W.; Bernstein, J M (edSO). Transparencies On Film. The Culture Industry. 1991, London: Routledge [EN] FILM MUSIC.

Bernstein, Leonard. The Unanswered Question. 1976, Cambridge (MA): Harvard University Press (428p). ISBN򈆪74�92000�7 Six Talks at Harvard (Eliot Norton Lectures) [EN] MUSICOLOGY, MUSIC EXX., SEMIOTICS, AESTHETICS, USA, EUROARTMUS, HERMENEUT..

Bernstein, Leonard. Findings. 1982, New York: Simon & Schuster (376p) [EN] ANTHOLOGY, MUSICALS, COMPOSERS, POETRY, AFR-AMER., ACCULTUR..

Bernstein, Peter. Rocking to the Big Money. Fortune, 23 (April 1979). [EN] ROCK, MUS INDUST, MUSIC USES, 1970S.

Berruer, Pierre. Jacques Brel va bien, il dort aux Marquises. 1983, Paris: Presses de la Cit� (207p) [FR] SSONGWRITR, BIOGRAPHY, POLYNESIA. [BREL稪acques].

Berry, Christina Y see Lance, Larry M (1985).

Berry, Chuck (1968). Interview. The Rolling Stone Interviews, 1. Wenner, Jan (ed). 1971, New York: Warner Books: 173-188. ISBN򈆨46�78244�0 [EN] USA, UK, ROCK, INTERVIEW, STARS, MUSICIANS, 1960S.

Berry, Chuck. Chuck Berry: the Autobiography. 1987, New York: Harmony Books (346p) Reviewed in Popular Music, 8/2 by Thomas Doherty [EN] USA, ROCK, BIOGRAPHY, 1940S, 1950S, 1960S. [BERRY稢huck].

Berry, Chuck see Bennett, Stephanie (1987).

Berry, Jason. Up from the Cradle of Jazz: New Orleans Music since World War II. 1986, Athens (GA): University of Georgia Press (285p) [EN] R&B, CARIBBEAN, JAZZ, MUSICIANS, SOCIOLOGY.

Berry, Lemuel. Biographical Dictionary of Black Musicians and Music Educators. 1978, Guthrie, OK.: Educational Book Publishers [EN] USA, AFR-AMER., MUSIC EDUC, REFERENCE.

Berry, M see Agardy, S (1985).

Berry, Peter E. ". . . And the Hits Just Keep On Comin'". 1977, Syracuse, New York: Syracuse University Press [EN] USA, ROCK.

Bertaux, Pierre; Laroche-Bouvy, Danielle. Semiologie, Musik, Poesie. Ein Dialog. Die Zeichen. Henze, Hans Werner (ed). 1981, Frankfurt-am-Main: Fischer: 179-194. ISBN򉁭96�26900�8 [DE] SEMIOTICS, POETRY, DEFINE.

Bertel�, Laura. Un orecchio elettronico per riascoltare la voce della madre. Essere, 16 (agosto 1987). 1987, Torino: Essere: 46-51 [IT] SOUND, HEALTH, NEUROLOGY, PSYCHOLOGY, ELECTRONIC.

Berthier, Castilo; Zerme駉, Hector & Sergio; Ziccardi C, Alicia. Youth and gangs in Mexico City. Music on Show: Issues of Performance. Hautam鋕i, Tarja (ed); J鋜viluoma, Helmi (ed). 1998, Tampere: Department of Folk Tradition: 56-65. ISBN�951�44�4290�3 [EN] IASPM, CONFERENCE, MEXICO, YOUTH, GENRES.

Berti, Luigia; Devincenzi, Diego; Festino, Federico; Ginesi, Gianni; Kalonaris, Stefano; Recupero, Luca; Zara, Vasco. Transe, rituale e musica: il caso del Tarantismo. Intense emozioni in musica. Stefani, Gino (ed). 1996, Bologna: CLUEB: 61-118. ISBN�88�8091�290�9 [IT] PSYCHOLOGY, PERCEIVE, MUSIC USES, AFFECT, MUSTHERAPY, DRUGS.

Bertolina, Gian Carlo. Appunti sulla musica per film italiana dopo il 1970. Musica/Realt�, 20. 1986, Milano: Unicopli: 19-29 [IT] FILM, ITALY, FILM MUSIC, CATALOGUE, 1970S, 1980S.

Bertoncelli, Ricardo. Enciclopedia rock anni '60. 1985, Milano: Arcana (512p) [IT] ROCK, USA, UK, ITALY, 1960S, REFERENCE.

Bertrando, Paolo. Bologna Rock. 1980, Milan: Re Nudo (182p) [IT] ITALY, ROCK.

Besseler, Heinrich (1930). Der Zugang zur Musik aus der Allt鋑ligkeit. Musik und Gesellschaft, 01/1. Kolland, Dorothea (ed). 1978, Berlin: Das europ鋓sche Buch: 3-5. ISBN򉁱20�30383�0 (Reprint of original periodical) [DE] EVERYDAY, PERCEIVE, GERMANY, 1930S.

Besseler, Heinrich. Mozart e il "classicismo tedesco". Musica/Realt�, 36. 1991, Milano: Unicopli: 157-170. ISBN�88�400�0267�7 [IT] GERMANY, EUROARTMUS, AUSTRIA.

Besson, Dominique see Delalande, Fran鏾is (1992).

Betrock, Alan. Girl Groups: the Story of a Sound. 1982, New York: Delilah (176p) [EN] USA, WOMEN, 1960S, GROUPS, MUS INDUST.

Betrock, Alan. The I Was A Teenage Juvenile Delinquent Rock 'n' Roll Beach Party Movie Book: a Complete Guide to the Teen Exploitation Film 1954-1969. 1986, New York: St Martin's Press [EN] 1950S, 1960S, USA, ROCK, FILM, YOUTH, ILL..

Betto, Sergio. Quasi un romanzo. Progetto Uomo - Musica, 5 (Identit� musicali). 1994, Assisi: Edizioni Musicali Pro Civitate Christiana: 56-58 [IT] MUSIC EDUC, ITALY.

Betz, Albrecht; Hopkins, B (tr). Hanns Eisler Political Musician. 1982, London: Cambridge University Press [EN] FILM MUSIC.

Bevan, Clifford. Brass Band Contests: Art or Sport?. Herbert, Trevor (ed). 1991, Buckingham: Open University Press - Popular Music in Britain (102-119p). ISBN򈆧35�09702�2 Incl. Calendar of Major Developments of the Brass Band Contest and Winners of the British Open and National Contest 1853-1989, pp. 196-216 [EN] UK, C19, C20, HISTORY, BRASSINSTR.

Bevil, J Marshall. Scale in Southern Appalachian Folksong: a reexamination. College Nusic Symposium, 26. 1986, Journal of the College Music Society: 77-96. ISSN�0069�5696 [EN] USA, UK, SCOTLAND, IRELAND, MELODY, MUSICOLOGY, MUSIC EXX., C18, C19, FOLK MUSIC.

Beynon, George W. The Musical Presentation of Motion Pictures. 1921, New York: Schirmer [EN] FILM MUSIC, SILENTFILM.

Bezerra de Meneses, Adelia. Chico Buarque de Hollanda. Textos, Notas, Eststudio Biografico, historico e critico. 1980, S鉶 Paulo: Abril Educa玢o. Literatura Comentada (106p) [PG] BRAZIL, 1960S, 1970S, 1980S, POETRY, LYRICS, EDUC ITEM, PROGRESSIV, POLITSTUDY, GENRES.

Bharucha, Jamshed Jay. Kognitive Musikpsychologie. Musikpsychologie - ein Handbuch. Bruhn, Herbert (ed); Oerter, Rolf (ed); R鰏ing, Helmut (ed). 1985, M黱chen: Urban & Schwarzenberg: 123-132. ISBN򉁭41�14291稾 [DE] PSYCHOLOGY, MUSICOLOGY, DEFINE.

Biafra, Jello. The Far Right and the Censorship of Music. Harvard Law Review. 17 April 1987 [EN] ROCK, ETHICS, CENSORSHIP, LAW, CULTPOLIT., USA.

Bianco, David. Who's New Wave in Music: an Illustrated Encyclopedia. 1985, Ann Arbor: Pierian Press (430p) [EN] NEW WAVE, ROCK, USA, UK, REFERENCE, DISCOGR., ILL..

Bianco, David. Heat Wave: the Motown Fact Book. 1988, Ann Arbor, Michigan: Pierian Press (524p) [EN] USA, AFR-AMER., DISCOGR., REC LABEL, REC CORP.

Bianconi, Lorenzo. Perch� la storia dell'opera italiana? Musica/realt�, 17. 1985, Milano: Unicopli: 29-48 [IT] OPERA, ITALY, HISTORY, C18, C19, DEFINE, AESTHETICS, POLITSTUDY.

Bianconi, Lorenzo. Analisi musicale: tendenze e contraddizioni. Musica/Realt�, 49. 1996, Lucca: Libreria Musicale Italiane Editrice: 12-14. ISBN�88�7096�171�0.

Biancono, Lorenzo (ed); Bossa, Renato (ed). Musica e cultura a Napoli dal XV al XIX secolo. 1983, Firenze: Olschki (384p) reviewed in Musica/realt�, 17 (agosto 1985) [IT] ITALY, OPERA, DRAMA, MUSIC HIST, CULT.STUDY, BAROQUE, RENAISSNC., C18, C19.

Bibliografia. Musicoterapia nella globalit� dei linguaggi. 1997, Bologna: Fuori Thema / Gio Editing: 216-223.

Bielawski, Ludwik. History in Ethnomusicology. Yearbook For Traditional Music, 17. 1985, New York: International Council for Traditional Music: 8-15. ISSN�0740�1558 [EN] ANTHROPOL., PHILOSOPHY, DEFINE, HISTORY, MUSICOLOGY, TIME/SPACE.

BIELEFELDERKATALOGJA. Bielefelder Katalog-Jazz: Schallplatten, compact discs. 1984, Stuttgart: Vereinigte Motor-Verlage (460p) 22nd issue [DE] JAZZ, CATALOGUE, CDs.

Bigand, Emmanuel see Villatte, Jean-Christophe (1992).

Bigard, Barney; Martin, Barry (ed). With Louis and the Duke: the Autobiography of a Jazz Clarinetist. 1985, London: Macmillan (152p) [EN] JAZZ, BIOGRAPHY, CLARINET.

BIGET, Michelle. Long terme et court term des acquis musicaux de la R関olution fran鏰ise. 1789-1989. Musique, Histoire, D閙ocratie. Colloque international organis� par Vibrations et l'IASPM, Paris 17-20 juillet 1989. Hennion (ed). 1992, Paris: 蒬itions de la Maison des Sciences de l'Homme: 31-40. ISBN򈮃531�0532�6 (in 3 volumes (ISBN 2-7531-0532-6, 0533-4, -0534-2). Soutien de la Direction de la Musique (Minist鑢e de la Culture) et du Centre d'Ethnologie fran鏰ise. Vol 1 pp 1-260, vol 2 pp 263-506, vol 3 pp 509-829) [FR] FRANCE, C18.

Biggles, Frank. Forgetting: Beyond History or Stupid History. R� Records Quarterly, 2/1. 1987, London: November Books/R� Records: 41-44 [EN] PHILOSOPHY, HISTORY, COMMUNITY, CRITIQUE.

Bigsby, C W E (ed). Superculture: American Popular Culture and Europe. 1975, Bowling Green, OH: Bowling Green State University Press [EN] USA, EUROPE, CULT.STUDY.

Bilke, Rudolf (1931). Musikerziehung und Musikpolitik. Die politische Aktivit鋞 des Musikerziehers. Musik und Gesellschaft, 01/7. Kolland, Dorothea (ed). 1978, Berlin: Das europ鋓sche Buch: 246-248. ISBN򉁱20�30383�0 (Reprint of original periodical) [DE] GERMANY, 1930S, MUSIC EDUC, CULTPOLIT., ORGANISE, UNIONS.

Billard, Fran鏰is. La vie quotidienne des jazzmen americains jusqu'aux ann閑s cinquante. 1989, Paris: Vachette (340p) [FR] JAZZ, AFR-AMER., MUSIC HIST, 1900-1909, 1910S, 1920S, 1930S, 1940S.

Billiet, Fr閐閞ic. Rock � la cl�. 1989, Bonnat: Magnard/Dilisco (93p) Livret d'閘鑦e, livret de professeur, livret th閛rique (coll. "actions p閐agogiques"). FF25.00, 40.00, 52.00. Dilisco, BP 25, F-23220 BONNAT. "La vari閠� rock dans l'閐ucation musicale" [FR] ROCK, MUSIC EDUC, EDUCATION, FRANCE, MUSIC EXX., ILL., EDUC ITEM, SKILLS.

Bilstein, Helmut. aus der Sicht der Kulturpolitikers. Samson, Klaus-Peter (ed). 1981, Hamburg: Deutsche Phono-Akademie (44-52p). ISBN򈭼7�032349�8 [DE] CONFERENCE, REPORT, MUSIC EDUC, CULTPOLIT., BRD, MUSICIANS, ENTERTAIN.

Bimberg, Guido. Gesellschaftsrevolution und Musikwissenschaft. Zur Aktualit鋞 der Musikphilosophie Anatolij Lunacarskijs. Musikwissenschaftlicher Paradigmenwechsel? Zum Stellenwert marxistischer Ans鋞ze in der Musikforschung. Stroh, Wolfgang Martin (ed); Mayer, G黱ter (ed). 2000, Oldenburg: Bibliotheks- und Informationssystem der Universit鋞 Oldenburg: 151-160. ISBN򉁰142�0726�2 [DE] MARXISM, MUSICOLOGY, DEFINE. [Lunacarski,稟].

Bimberg, Siegfried. Musikh鰎er und Gesellschaft. Komponist und Gesellschaft. Musikpsychologie - ein Handbuch. Bruhn, Herbert (ed); Oerter, Rolf (ed); R鰏ing, Helmut (ed). 1985, M黱chen: Urban & Schwarzenberg: 302-312. ISBN򉁭41�14291稾 [DE] COMPOSE, PERCEIVE, SOCIOLOGY, AUDIENCE, AESTHETICS, EUROARTMUS.

Binas, Susanne. Die 籥nderen Bands� und ihre Kassettenproduktionen - Zwischen organisiertem Kulturbetrieb und selbstorganisierten Kulturformen. Rockmusik und Politik. Analysen, Interviews und Dokumente. Wicke, Peter (ed); M黮ler, Lothar (ed). 1996, Berlin: Ch. Links Verlag: 48-62. ISBN򉁰6153�096�1 [DE] DDR, ROCK, CULTPOLIT..

Binas, Susanne. From the Australian bush-land to the chill-out zones of technoparties. The didjeridu in the labyrinth of cultural borderlands. Popular Music: Intercultural Interpretations. Mitsui, T魊u (ed). 1998, Kanazawa: Graduate Program in Music, Kanazawa University: 522-528. ISBN򉕝980684򈚕.

Binas, Suzanne. `Keep it heavy, Keep it hard'. Zu einigen Aspekten soziokorpureller Kommunikationsmuster im Proze� der Geschlechtersozialisation. Heavy Metal in der "ehemaligen" DDR. Popscriptum, 1. 1992, Berlin: Forschungszentrum Popul鋜e Musik der Humboldt-Universit鋞: 89-95 [DE] ROCK, HEAVYMETAL, DDR, SEX/GENDER, SOCIALISAT.

Binkowski, Carol J see Wenzel, Lynn (1989).

Birch, Ian. Punk Rock. The Rock Primer. 1980, London: Penguin: 274-280 [EN] PUNK, ROCK, USA, UK, 1970S.

Birch, Michael. "I've got class and I've got style": the politics of popular music. Missing in Action: Australian Popular Music. Breen, Marcus (ed). 1987, Melbourne: Verbal Graphics Pty: 146-166. ISBN򈆫316�0472�5 [EN] AUSTRALIA, 1960S, SUBCULTURE, POLITICAL, OPPOSE, ROCK.

Birchall, Ian. The Decline and Fall of British Rhythm and Blues. The Age of Rock. Eisen, Jonathan (ed). 1969, New York: Vintage Books: 94-102 [EN] UK, R&B, 1950S, 1960S, ROCK.

Bird, Brian. Skiffle. 1958, London: Robert Hale [EN] ROCK, YOUTH, AMATEURS, D.I.Y., USA, UK, 1950S.

Bird, Steven Carl. Folk Material and its Relationship to Structure and Form in Jan醕@@ek's Sinfonietta. Acta Jan醕@@ekiana, 2. 1985, Brno: Cesk� Hudebn� Spolec@@nost: 64-75 [EN] CZECHOSLOV, EUROARTMUS, MUSICOLOGY, FOLK MUSIC, MUS.ANALYS, MUSIC EXX., MELODY, HARMONY, MUS. FORM.

Birkett, James. Popular music education - the dawning of a new age. Popular Music, 11/2. 1992, Cambridge: Cambridge University Press: 239-241. ISBN򈆩21�42938�2 [EN] MUSIC EDUC, EDUCATION, UK.

Birnbaum, Alfred. Hard Dreams / Soft Nightmares. Photofile, Spring '87. [EN] JAPAN, VIDEO.

Birosik, Patti Jean. The New Age Music Guide: Profiles and Recordings of 500 Top New Age Musicians. 1989, New York: Collier (218p) [EN] HANDBOOK, MUSICIANS, RECORDS, 1980S, USA. [NEW稟GE].

Birrer, Frans A J. Definitions and Research Orientation: Do We Need a Definition of Popular Music? Popular Music Perspectives, 2. Horn, David (ed). 1985, G鰐eborg, Exeter: IASPM: 99-105. ISBN�91�87030�00�4 [EN] DEFINE, PHILOSOPHY, POPULARITY, RESEARCH, POPULARMUS.

Birrer, Frans A J. Definizioni e orientamenti di ricerca: abbiamo bisogno di una definizione di popular music? What is Popular Music? Quaderni di Musica/realt�, 8. 1985, Milano: Unicopli: 138-145. ISBN�88�7061�894�3 [IT] DEFINE, PHILOSOPHY, POPULARITY, RESEARCH, POPULARMUS.

Bishop, Ian C. The Gibson Guitar: from 1950. 1979, London: Musical New Services (100p) vol 2 [EN] GUITAR, INSTRUMENT, HANDBOOK.

Bishop, Ian Courtney (1977). The Gibson Guitar: from 1950. 1979, London: Musical New Services (96p) vol 1 [EN] GUITAR, HISTORY.

Bisky, Lothar. Zu Umfang, Bedingungen und Folgen der Mediennutzung durch Jugendliche. Weimarer Beitr鋑e, 27 (1981/2). [DE] YOUTH, MASS MEDIA, CONSUME, ROCK, DDR.

Bisky, Lothar. The Show Must Go On. Unterhaltung am Konzernkabel: Film, Rock, Fernsehen, neue Medien. 1984, Berlin: Verlag Neues Leben [DE] ENTERTAIN, TELEVISION, VIDEO, FILM, ROCK, MASS MEDIA, EUROPE.

Bisky, Lothar. Zur Entwicklung und Befriedigung kultureller Bed黵fnisse. Deutsche Zeitschrift f黵 Philosophie, 33 (1985/1). [DE] MASS MEDIA, POPULARMUS, DDR, CULT.STUDY, CULTPOLIT..

Bissett, Andrew. Black Roots White Flowers: A History of Jazz in Australia. 1979, Sydney: Golden Press [EN] AUSTRALIA, JAZZ, MUSIC HIST.

Biswas, Anil. The Ghazal in Indian Film. Sangeet Natak, 37. [EN] INDIA, FILM.

Bizot, Jean-Fran鏾is. Les pop hereux ont une histoire. Musique en jeu, 02. 1971, Paris: 蒬itions du Seuil: 74-80 + quelques d閒initions et compl閙ents [FR] ROCK, 1960S, GENRES, HISTORY, INNOVATE, AVANTGARDE, USA, UK, DEFINE, AESTHETICS.

Bj鰎kvold, Jan-Roar. Barnas egen sangbok. 1979, Oslo: J W Cappelens Forlag (312p) [NO] CHILDREN, MUSIC EXX., NORWAY.

Bj鰎kvold, Jan-Roar. Hanns Eisler hos Arnold Schonberg. Fra l鎟etid til oppbrudd. Musikk og politikk. Bj鰎kvold, Jan-Roar (ed); Holen, Arne (ed). 1983, Oslo: Universitetsforlaget: 94-118. ISBN�82�00�06286�4 [NO] GERMANY, 1920S, AESTHETICS, CULTPOLIT., MUSICOLOGY, 1910S.

Bj鰎kvold, Jan-Roar. Hanns Eisler hos Arnold Schonberg. Fra l鎟etid til oppbrudd. Musikk og politikk. Bj鰎kvold, Jan-Roar (ed); Holen, Arne (ed). 1983, Oslo: Universitetsforlaget: 94-118. ISBN�82�00�06286�4 [NO] GERMANY, 1920S, AESTHETICS, CULTPOLIT., MUSICOLOGY, 1910S.

Bj鰎kvold, Jon-Roar (ed). Komponist og samfunn: Hanns Eislers musikk i lys av liv og skrifter Sch鰊berg og Brecht. 1980?, Oslo: Solum (211p) [NO] COMPOSE, SOCIOLOGY, CULT.STUDY, GERMANY, PHILOSOPHY, MUSICOLOGY, NORWAY.

Bj鰎kvold, Jon-Roar (ed); Holen, Arne (ed). Musikk og politikk. 1983, Oslo: Universitetsforlaget (127p). ISBN�82�00�06286�4 [NO] POLITICAL, CULT.STUDY, AESTHETICS, ADMINISTR., EUROARTMUS, POPULARMUS.

Bj鰎kvold, Jon-Roar. Shostakovich's Opera "Nesen" i spenningsfeltet mellom folketradisjon, intonationsteori og. Tv鋜spel - 31 artiklar om musik. Festskrift till Jan Ling. 1984, G鰐eborg: Skrifter fr錸 Musikvetenskapliga institutionen, 9: 313-324. ISBN�91�85974�02�1 (Expanded version, www.tagg.org/articles/timesens.pdf (1999)) [NO] USSR, FOLK MUSIC, MOD.CLASS., AESTHETICS, MUSICOLOGY, CULTPOLIT..

Bj鰎kvold, Jon-Roar. Fra Akropolis til Hollywood. 1988, Oslo: Freidig Forlag (96p). ISBN�82�991694򈆦 [NO] FILM MUSIC, EDUC ITEM, DEFINE, HISTORY, HOLLYWOOD, TELEVISION.

Bj鰎kvold, Jon-Roar. Det musiske menneske. 1989, Oslo: Freidig Forlag (375p). ISBN�82�991694򈚐 [NO] CHILDREN, BEHAVIOUR, MUSICOLOGY, MUSIC EXX., SEMIOTICS, PSYCHOLOGY, ILL., EDUCATION, SOCIALISAT.

Bj鰎nberg, Alf; Lilliestam, Lars. Schlagerns Mystik. En analys av musiken i den svenska Eurovisionsschlageruttagningen 1980. Stencilled Papers from G鰐eborgs Univ Musicology Dept, 8005. 1980, G鰐eborg: Musikvetenskapliga institutionen: 84. ISSN�0349�3407 [SV] SWEDEN, SCHLAGER, MOR, FESTIVAL, MUS.ANALYS, MUSIC EXX., MELODY, HARMONY, MUS. FORM, LYRICS.

Bj鰎nberg, Alf. Den osannolika konsten. Ett referat av Abraham Moles' bok Information Theory and Esthetic Perception. Stencilled Papers from G鰐eborgs Univ Musicology Dept, 8104. 1981, G鰐eborg: Musikvetenskapliga institutionen: 28. ISSN�0349�3407 [SV] STATISTICS, SEMIOTICS, MATHEMATIC, AESTHETICS, PERCEIVE.

Bj鰎nberg, Alf (ed); Brette-Kromsten, Katharina (ed); Forn鋝, Johan (ed); Lilliestam, Lars (ed). Discography. Nationalkassett Sverige - Discography and lyrics. 1982, G鰐eborg: NSU: 7 [SV] SWEDEN, ROCK, LYRICS, PROGRESSIV.

Bj鰎nberg, Alf; Brette, Katharina; Forn鋝, Johan. Skr鋍k och fascination - tv� hitanalyser. "Two for the Show". Nordisk Forum, 39-40 (8/3+4). 1983, K鯾enhavn: Nordisk Forum: 40-44. ISSN�0029�1366 [SV] USA, UK, ROCK, MUS.ANALYS, LYRICS.

Bj鰎nberg, Alf. B鋞tre begagnat - om musikalisk 錿erv鋘dning i 80-talet. "Two for the Show". Nordisk Forum, 39-40 (8/3+4). 1983, K鯾enhavn: Nordisk Forum: 63-69. ISSN�0029�1366 [SV] ROCK, SWEDEN, PROGRESSIV, 1970S, 1980S, HARMONY, MUSICOLOGY.

Bj鰎nberg, Alf. "There's Something Going On" - om eolisk harmonik i nutida rockmusik. Tv鋜spel - 31 artiklar om musik. Festskrift till Jan Ling. 1984, G鰐eborg: Skrifter fr錸 Musikvetenskapliga institutionen, 9: 371-386. ISBN�91�85974�02�1 (Expanded version, www.tagg.org/articles/timesens.pdf (1999)) [SV] ROCK, SWEDEN, UK, USA, HARMONY, MUSICOLOGY, AESTHETICS, SEMIOTICS.

Bj鰎nberg, Alf. Jazz and Popular Music Research in Sweden. Music in Sweden, November 1984. 1984, Stockholm: Rikskonserter: 10-11 [EN] PT, SWEDEN, MUSICOLOGY, REPORT.

Bj鰎nberg, Alf. En liten s錸g som alla andra. Melodifestivalen 1959-1983. 1987, G鰐eborg: Musikvetenskapliga institutionen vid G鰐eborgs universitet (297p). ISBN�91�85974�05�6 Doctoral thesis [SV] MUSICOLOGY, MUS.ANALYS, MOR, EUROVISMUS, SWEDEN, STATISTICS, MUSIC EXX., DISS. PhD., LYRICS, CULT.STUDY.

Bj鰎nberg, Alf. On aeolian harmony in contemporary popular music. 1989, G鰐eborg: IASPM - Nordic Branch Working Papers, no. DK 1 http://tagg.org/others/bjbgeol.html [EN] HARMONY, MUSICOLOGY.

Bj鰎nberg, Alf. Musical Spectacle as Ritual: The Eurovision Song Contest. 1989?, Aalborg: [EN] EUROVISMUS, SWEDEN, RITUAL, MUSICOLOGY, TELEVISION, MUS INDUST.

Bj鰎nberg, Alf. Sounding the Mainstream. An Analysis of the Songs Performed in the Swedish Eurovision Song Contest Semi-Finals 1959-1983. Popular Music Research. Roe, Keith (ed); Karlsson, Ulla (ed). 1990, G鰐eborg: NORDICOM-Sweden, N� 1-2 1990: 121-132. ISSN�0349�1242 (www.tagg.org/artricles/readsound.html (1999)) [EN] POPULARMUS, SWEDEN, MUSICOLOGY, POLITSTUDY, EUROVISMUS.

Bj鰎nberg, Alf. Music video and the semiotics of popular music. Secondo convegno europeo di analisi musicale. Dalmonte, Rosanna (ed); Baroni, Mario (ed). 1992, Trento: Universit� degli studi di Trento, Dipartimento di storia della civilt� europea: 379-388. ISBN�88�86135�09�2 (www.tagg.org/articles/trento91.html (1999)) [EN] MUSICOLOGY, MUS.ANALYS, CONFERENCE, VIDEO, ROCK.

Bj鰎nberg, Alf. The Eurovision Song Contest: music spectacle as ritual. 1789-1989. Musique, Histoire, D閙ocratie. Colloque international organis� par Vibrations et l'IASPM, Paris 17-20 juillet 1989. Hennion (ed). 1992, Paris: 蒬itions de la Maison des Sciences de l'Homme: 373-384. ISBN򈮃531�0532�6 (in 3 volumes (ISBN 2-7531-0532-6, 0533-4, -0534-2). Soutien de la Direction de la Musique (Minist鑢e de la Culture) et du Centre d'Ethnologie fran鏰ise. Vol 1 pp 1-260, vol 2 pp 263-506, vol 3 pp 509-829) [EN] SWEDEN, EUROVISMUS, RITUAL.

Bj鰎nberg, Alf. Structural relationships of music and images in music video. Popular Music, 13/1. 1994, Cambridge: Cambridge University Press: 51-74. ISSN�0261�1430 [EN] ROCK, VIDEO, DEFINE, MUSICOLOGY, BIBLIOGR., SEMIOTICS, PT.

Bj鰎nberg, Alf. Armonia eolia nella "popular music" contemporanea. Musica/Realt�, 46. 1995, Lucca: Libreria Musicale Italiana: 41-50. ISBN�88�7096�116�8 [IT] ROCK, SEMIOTICS, HARMONY, MODAL.

Bj鰎nberg, Alf; Stockfelt, Ola. Kirsten Klatvask fra Vejle: Danish pub music, mythscapes and "local camp". Popular Music, 15/2. 1996, Cambridge: Cambridge University Press: 131-148. ISSN�0261�1430 [EN] DENMARK, PERFORM, AUDIENCE, ANTHROPOL., CLUBS, ROCK, MOR.

Bj鰎nberg, Alf. Talking music shop. Musical analysis and interdisciplinarity. Music on Show: Issues of Performance. Hautam鋕i, Tarja (ed); J鋜viluoma, Helmi (ed). 1998, Tampere: Department of Folk Tradition: 27-32. ISBN�951�44�4290�3 [EN] IASPM, CONFERENCE, MUSICOLOGY, MUS.ANALYS, DEFINE.

Bj鰎nberg, Alf. Skval och harmoni. 1998, V鋜namo: Etermedia i Sverige. ISBN�91�518�3454�5 [EN] SWEDEN, RADIO, CULTPOLIT., C20, STATISTICS. [Sveriges稲adio].

Bj鰎nberg, Alf. Structural Relationships of Music and Images in Music Video. Reading Pop. Approaches to Textual Analysis in Popular Music. Middleton, Richard (ed). 2000, Oxford: Oxford University Press: 347-378. ISBN򈆬5323�835�9 [EN] ROCK, VIDEO, DEFINE, MUSICOLOGY, BIBLIOGR., SEMIOTICS, PT.

Bjurstr鰉, Erling; Forn鋝, Johan. Svenska musikalternativ p� sjuttiotalet / Det kommersiella tomrummet / Inventering. "Two for the Show". Nordisk Forum, 39-40 (8/3+4). 1983, K鯾enhavn: Nordisk Forum: 110-122. ISSN�0029�1366 [SV] SWEDEN, ROCK, PROGRESSIV, MUS INDUST, 1960S, 1970S, ORGANISE, SOCIALISM.

Bjurstr鰉, Erling. Get Rhythm - luonnos sosiallisen rytmin ja rockmusiikin erittelyyn. Toosa Soi. Musiiki radion kilpailuv鋖ineen�. Salminen, Kimmo (ed); Alm, Ari (ed). 1992, Helsinki: YLE Tutkimus ja kehitysosasto: 317-328. ISBN�951�43�0557�4 [SF] RADIO.

Bjurstr鰉, Erling; Lilliestam, Lars. S鋖j det i toner. Om musik i TV-reklam. 1993, Stockholm: Konsumentverket (103p). ISBN�91�7398�448�5 [EN] TELEVISION, ADVERTS, FILM MUSIC, PT.

Blackburn, Robin; Ali, Tariq. The Working Class Hero Turns Red. 1971, London: Octopus Books: 43-49 [EN] WORKERS, SOCIALISM, ROCK, UK, 1960S.

Blackford, Andy. Disco Dancing Tonight. Clubs, Dances, Fashions, Music. 1979, London: Octopus Books [EN] ROCK, DISCO, DANCE, CLUBS, FASHION, UK, USA, 1970S.

Blacking, John. Continuity and Change in African Culture. African Music, 2. [EN] AFRICA, CULTPOLIT., CULT.STUDY.

Blacking, John. How Musical is Man?. 1976, London: Faber (118p). ISBN򈆩71�10803�2 1publ Seattle, University of Washington Press [EN] S AFRICA, EUROPE, AESTHETICS, MUSIC USES, ANTHROPOL., PHILOSOPHY, EVERYDAY, MUSIC EXX., SEMIOTICS, ILL..

Blacking, John. Some Problems of Theory and Method in the Study of Musical Change. Yearbook of the International Folk Music Council, 9. [EN] METHODOL., MUSIC HIST, ACCULTUR..

Blacking, John. Trends in the Black Music of South Africa, 1959-1969. Musics of Many Cultures. May, Elizabeth (ed). 1980, Berkeley & London: University of California Press: 195-215. ISBN򈆩20�03393�0 [EN] S AFRICA, 1960S, MUSICOLOGY, POLITICS, SOCIOLOGY, WORKERS, MUSIC USES.

Blacking, John. Making artistic popular music: the goal of true folk. Popular Music, 01. 1981, Cambridge: Cambridge University Press: 9-14.

Blacking, John. The Context of Venda Possession Music: Reflections on the Effectiveness of Symbols. Yearbook For Traditional Music, 17. 1985, New York: International Council for Traditional Music: 64-87. ISSN�0740�1558 [EN] S AFRICA, ANTHROPOL., SEMIOTICS, POETRY, MUSIC EXX., VERBAL, MONEY, GENRES.

Blacking, John. Le percezioni "etniche". Il senso in musica. Marconi, Luca (ed); Stefani, Gino (ed). 1987, Bologna: Cooperativa Libraria Universitaria Editrice Bologna: 267-278 [IT] ANTHROPOL., PERCEIVE, S AFRICA, SEMIOTICS, DEFINE.

Blacking, John. Coda: making sense of the musical world. Lost in Music: Culture, Style and the Musical Event. Levine White, Avron (ed). 1987, London: : 259-264. ISBN򈆫102�1440�5 [EN] ANTHROPOL., SOCIOLOGY, IDEOLOGY, MUSICOLOGY.

Blacking, John. Challenging the Myth of "Ethnic" Music: First Performances of a New Song in an African Oral Tradition, 1961. 1989, New York: International Council for Traditional Music (17-24p). ISSN�0740�1588 [EN] AFRICA, DEFINE, FOLK MUSIC, ANTHROPOL., POLITSTUDY.

Blacking, John. Transcultural Communication and the Biological Foundations of Music. La musica come linguaggio universale. Pozzi, Raffaele (ed). 1990, Firenze: Leo S. Olschki: 179-188. ISBN�88�222�3748稾 [EN] MUSICOLOGY, ANTHROPOL., SEMIOTICS, DEFINE, BIOLOGY, CULT.STUDY.

Blacking, John. `A Common Sense View of All Music': Reflections of Percy Grainger's Contribution to Ethnomusicology and Music Education. 1990, Cambridge: Cambridge University Press (201p). ISBN򈆩21�31924�2 First pub., 1987 [EN] PERFORM.

Blacknell, Steve. The Story of Top of the Pops. 1985, London: BBC/Patrick Stephens [EN] UK, ROCK, TELEVISION, 1960S, 1970S, 1980S.

Blackstone, Orin. Index to Jazz: Jazz Recordings 1917-1944. 1984, Westport & London: Greenwood Press 4 vols. orig. pub. Fairfax, VA.: The Record Changer, 1945-48 [EN] DISCOGR., JAZZ.

Blair, Dike; Anscomb, Elizabeth. Punk. Punk Rock, Style, Stance, People, Stars. 1978, New York: Urizen [EN] PUNK, ROCK, USA, FASHION, 1970S.

Blair, John. The Illustrated Discography of Surf Music 1961-1965. 1985, Ann Arbor: Pierian Press (166p) [EN] ROCK, USA, 1960S, DISCOGR..

Blake, Andrew. The Land without Music. 1997, Manchester: Manchester University Press. ISBN򈆫190�4299�2 [EN] UK, ENGLAND, EUROARTMUS, POPULARMUS, HISTORY.

Blake, Benjamin. The Kingston Trio on Record. 1986, Naperville (IL): Kingston Corner (292p) [EN] FOLK MUSIC, USA, 1950S, 1960S, DISCOGR., ROCK.

Blake, C Fred. Love Songs and the Great Leap: the Role of a Youth Culture in the Revolutionary Phase of China's Economic Development. American Ethnologist, 6. [EN] CHINA, YOUTH, CULT.STUDY, MONEY, REVOLUTION, POLITICS.

Blanch, Michael. Imperialism, nationalism and organised youth. Working Class Culture: studies in history and theory. Clarke, John (ed); Critcher, Chas (ed); Johnson, Richard (ed). 1979, London: Hutchinson: 103-120. ISBN򈆤9�138221�1 [EN] WORKERS, UK.

Blanchard, G閞ard. Images de la musique de cin閙a. 1984, Paris: Edilig (331p) [FR] FILM MUSIC.

Blanchard, G閞ard. La Trace. Vibrations, 4. 1987, Paris: : 145-155. ISBN򈮃089�6193�4 [FR] FILM MUSIC, FILM, MUSICIANS, ACCORDION, ITALY, AESTHETICS, C19.

Blanchard, Terence. Interview. The Score. Interviews with Film Composers. Schelle, Michael (ed). 1999, Los Angeles: Silman-James: 61-86. ISBN򈚘79505�40�1 [EN] FILM MUSIC, USA.

Blanchet, Philippe. Heavy Metal Story: la bible du hard rock. 1985, Paris: Calmann-L関y (140p) [FR] ROCK, HEAVYMETAL, USA, UK, FRANCE.

Blandford, Steve (ed); Grant, Barry Keith (ed); Jim Hillier (ed). The Film Studies Dictionary. 2001, Oxford & New York: Arnold. ISBN򈆧40�74191�0 [EN] FILM, REFERENCE, DEFINE.

Blankertz, Stefan; Alsmann, G鰐z. Rock 'n' Roll Subversiv. 1979, Wetzlar: B點hse der Pandora [DE] ROCK, OPPOSE.

Blaskapelle Rote Note. Der kleine Abgang des grossen Tubaspielers: Antwort der Blaskapelle Rote Note. Anschl鋑e, 2/5. 1979, Bremen: Archiv f黵 Popul鋜e Musik: 50-53. ISSN�0344�2667 [DE] BRASSINSTR, POLITICS, 1970S, BRD.

Blassingane, John W. The Slave Community. 1979, Oxford: Oxford University Press [EN] AFRICA, N AMERICA, USA.

Blau, Dick see Keil, Charles (1992).

Blau, Judith R see Hall, William E (1987).

Blaukopf, Kurt. Die qualitative Ver鋘derung musikalischer Mitteilung in den technichen Medien der Massengesellschaft. K鰈ner Zeitschrift f黵 Soziologie u Sozialpsychologie, 21. 1969, K鰈n: 510-516 [DE] MASS MEDIA, PERCEIVE, MUSIC USES, COMM.STUDY, SOCIOLOGY.

Blaukopf, Kurt. Strukturanalyse des Musiklebens - Erfahrungen, Modelle, Aufgaben (Korreferat) Musik und Bildung, 1971/1. 1971, Mainz: 11-15 [DE] MASS MEDIA, MUS INDUST, SOCIOLOGY, CULTPOLIT., BRD.

Blaukopf, Kurt. L'閟pace en musique 閘ectronique. La revue musicale, 1971. 1971, Paris: 157-172 [FR] PERCEIVE, TIME/SPACE, ELCTRNCMUS.

Blaukopf, Kurt. New Patterns of Musical Behaviour of the Young Generation in Industrial Societies. New Patterns of Musical Behaviour. Bontink, Irmgard (ed). 1974, Wien: Universal Edition.: 13-30. ISBN򈚒34�567�89�1 [EN] MEDIA IND., GENRES, SOCIOLOGY, ROCK, YOUTH.

Blaukopf, Kurt. Neue musikalische Verhaltensweisen der Jugend. 1974, Mainz: Schott (73p). ISBN򉁯957�1704�3 [DE] YOUTH, PERCEIVE, SOCIOLOGY, ROCK.

Blaukopf, Kurt. The Influence of Electroacoustics on Patterns of Musical Behaviour. Psychology of Music, 2/2. [EN] TECHNOLOGY, MASS MEDIA, PERCEIVE, COMMUNICAT, ELECTROAC..

Blaukopf, Kurt. Jugend und musikalische Innovation. 謘terreichisches Musikzeitschrift, 1/2. 1975, Mainz: Schott: 4-8. ISBN򉁯957�1704�3 [DE] YOUTH, SOCIOLOGY, COMPOSE, MUSIC MAKE.

Blaukopf, Kurt see S鰊stevold, Gunnar (1976).

Blaukopf, Kurt. The Mutation of Musical Culture - Statement of the Problem. Stock-Taking of Musical Life. Mark, Desmond (ed). 1981, Wien: Doblinger: 9-18. ISBN򉁱00035�70�9 [EN] EUROPE, SOCIOLOGY, MUS INDUST, 1970S, STATISTICS, PHONOGRAM.

Blaukopf, Kurt. The Strategies of the Record Industries. 1982, Strasbourg: Council for Cultural Co-operation [EN] MUS INDUST, ORGANISE, PHONOGRAM, INTERNATNL, CULTPOLIT..

Blaukopf, Kurt (ed). The Phonogram in Cultural Communication. 1982, Wien: Springer-Verlag (180p). ISBN򉁪11�81725�5 [EN] PHONOGRAM, STATISTICS, SOCIOLOGY, ANTHOLOGY, MUS INDUST, MASS MEDIA, COMM.STUDY.

Blaukopf, Kurt (ed). The Phonogram in Cultural Communication: a Report on a Research Project Undertaken by Mediacult. 1982, Vienna & New York: Springer (180p) [EN] CULT.STUDY, COMMUNICAT, RESEARCH, PHONOGRAM.

Blaukopf, Kurt see Bontinck, Irmgard (1982).

Blaukopf, Kurt. Music, music policies and the tasks of research. The Present State of Musics. 1986, Wien: Mediacult: 5-14 [EN] GENRES, TECHNOLOGY, CULTPOLIT..

Blaukopf, Kurt. Tontr鋑er. Musikpsychologie - Ein Handbuch. Bruhn, Herbert (ed); Oerter, Rolf (ed); R鰏ing, Helmut (ed). 1993, Reinbek bei Hamburg: Rowohlts Enzyklop鋎ie: 175-180. ISBN򉁬99�55526�3 [DE] PSYCHOLOGY, MASS MEDIA, DEFINE.

Blaxploitation und HipHop - Schwarze Musik und Black Movies. Auf der Tonspur: Filmmusik und Popmusik. Husslein, Uwe (ed); Jud, Reinhard (ed); Niemczyk, Ralf (ed). 1991, K鰈n & Wuppertal: Filmmusiktage GbR (K鰈n) und Institut f黵 Popkultur (Wuppertal): 48-51 (Catalogue of Filmmusiktage, 1991) [DE] FILM MUSIC, ROCK, RAP, etc., AFR-AMER., ETHNICITY, USA, RACISM.

Blayney, David. Sharp Dressed Men. ZZ Top behind the scenes from blues to boogie to beards. 1994, New York: Hyperion (xii+239p). ISBN򈆫868�8005�8 [EN] ROCK, USA, BIOGRAPHY.

Blegvad, Peter. Some lyrics for The Lodge. R� Records Quarterly, 2/2. 1987, London: November Books/R� Records: 26-36 [EN] LYRICS, POETRY, AVANTGARDE.

Blesh, Rudi; Janis, Harriet. They All Played Ragtime. 1971, New York: Oak Publications (347+9p). ISBN򈆬256�0091稾 1publ Alfred A Knopf 1950 [EN] USA, RAGTIME, PIANO, NOTATION, ILL., DISCOGR., BIBLIOGR., 1900-1909, 1910S, MUSIC EXX..

Bliss, Arthur. Christopher Columbus. Film Music: from Violins to Video. Limbacher, James L (ed). 1974, Metuchen (NJ): Scarecrow Press: 123. ISBN򈆬108�0651�7 1 publ Film Music 9:16, Nov-Dec 1949 [EN] FILM MUSIC, UK, 1940S.

Bloch, Ernst. Essays on the Philosophy of Music. 1923, Per Druud - private course material (xcrp) [EN] AESTHETICS, SEMIOTICS.

Bloch, Ernst (1923). Dream. Musik og betydningsinhold - kompendium i musik鎠tetik. Druud-Nielsen, Per (ed). 1987, 舕borg: Institut for musik og musikterapi, AUC: 51-53 xtr pp.129-133 from `Essays on the philosophy of Music', tr from 2nd ed of `Geist der Utopie' (1923) [EN] AESTHETICS, MUSICOLOGY, EUROARTMUS, MOD.CLASS., RELIGION, PHILOSOPHY, DREAMS.

Bloch, Ernst; Lukacs, Gy鰎gy; Brecht, Berthold. Aesthetics and Politics. 1977, London: New Left Books (220p). ISBN򈆭02308�38�6 [EN] CULT.STUDY, AESTHETICS, MARXISM, POLITICS.

Block, Eva. Forskning om popul鋜kultur vid ALB. Forskning om popul鋜kultur. Nordicom-nytt/Sverige, 1987/1-2. 1987, G鰐eborg: Nordicom: 157-160. ISSN�0349�1242 [SV] SWEDEN, BOOKS, ARCHIVIST, MASS MEDIA.

Block, Peter. La-le-lo-lai: Puerto Rican Music and Its Performers. 1973, New York: Plus Ultra Ed. Publishers, Inc. [EN] L AMERICA, MUSICIANS, PUERTORICO.

Blom, Eric. Music in England. 1947, London: Penguin (288p) [EN] MEDIEVAL, TUDOR, C17, C18, C19, C20, EUROARTMUS, MOD.CLASS., UK, HISTORY.

Blom, Eric. Affect. Groves Dictionary of Music and Musicials, 4th edition, volume 1. 1954, London: Groves [EN] AFFECT, MUSIC HIST, SEMIOTICS.

Blom, Eric (ed). Mozart's Letters. 1956, London: Penguin (8+278p) Selected from "The Letters of Mozart and his Family" (1769-1791). Translated and annotated by Emily Anderson [EN] EUROARTMUS, EUROPE, C18, DOCUMENT, BIOGRAPHY, AUSTRIA.

Blom, Eric see Mozart, Wolfgang Amadeus (1791).

Blom, Eric. Mozart. 1962, London: J M Dent (388p) [EN] EUROARTMUS, COMPOSERS, BIOGRAPHY, C18, MUSIC EXX., EUROPE, AUSTRIA, ILL..

Bloom, Ken. American Song: the Complete Musical Theatre Companion. 1985, New York: Facts on File (2 volsp) [EN] MUSICALS, DRAMA, REFERENCE.

Bloomfield, Mike (1968). Interview. The Rolling Stone Interviews, 1. Wenner, Jan (ed). 1971, New York: Warner Books: 43-70. ISBN򈆨46�78244�0 [EN] USA, UK, ROCK, INTERVIEW, STARS, MUSICIANS, 1960S, BLUES, R&B.

Bloomfield, Mike. Me and Big Joe. 1981, San Francisco: Re/Search Publications (50p) [EN] USA, AFR-AMER., BLUES, BIOGRAPHY.

Blo�, Monika. Conference. Feminist Theory and Music II. PopScriptum 2. 1994, Berlin: Zyankrise / Forschungszentrum Popul鋜e Musik der Humboldt-Universit鋞: 146-150. ISBN򉁱28835�14�9 [DE] CONFERENCE, FEMINISM, USA, REVIEW.

Bloss, Monika. Femininity as a problem of (gender) identity. Music on Show: Issues of Performance. Hautam鋕i, Tarja (ed); J鋜viluoma, Helmi (ed). 1998, Tampere: Department of Folk Tradition: 33-36. ISBN�951�44�4290�3 [EN] IASPM, CONFERENCE, SEX/GENDER, WOMEN.

Blum, Stephen. Changing Roles of Performers in Meshhed and Bojnurd, Iran. Nettl, Bruno (ed). 1978, Urbana & London: University of Illinois Press Folklore and Linguistics Folklore and Linguistics: 19-95. ISBN򈆦52�00208�3 [EN] MUSICIANS, SOCIOLOGY, CULT.STUDY, PERFORM, MUSIC USES, MUSICOLOGY.

Blum, Stephen; Hassanpour, Amir. "The morning of freedom rose up": Kurdish popular song and the exigencies of cultural survival. Popular Music, 15/3. 1996, Cambridge: Cambridge University Press: 325-344. ISSN�0261�1430 [EN] ARABIC, TURKEY, POLITICS, OPPOSE.

Blume, Friedrich. Musical Scholarship Today. Perspectives in Musicology. Brook, Barry (ed); Downes, E (ed); Solkema, S van (ed). 1975, New York: W W Norton: 1-14. ISBN򈆧93�00784�7 [EN] MUSICOLOGY, EUROARTMUS, ROMANTIC.

B�-Rygg, Arnfinn (1985?). Th. W. Adornos musikkestetikk - aktualitet og begrensning. Musik og betydningsinhold - kompendium i musik鎠tetik. Druud-Nielsen, Per (ed). 1987, 舕borg: Institut for musik og musikterapi, AUC: 47-51 mimeo, 舝hus universitet [NO] AESTHETICS, MUSICOLOGY, EUROARTMUS, AFFECT, VERBAL, PHILOSOPHY, SEMIOTICS, REVIEW, DEFINE. [Adorno,稵h稺].

Bocchi, Francesco; Luppi, Andrea (ed). Discorso di Francesco Bocchi sopra la Musica, non secondo l'arte di quella, ma secondo la ragione alla Politica pertinente (1580) Musica/Realt�, 30. 1989, Milano: Unicopli: 163-173. ISBN�88�400�0194�8 [IT] ITALY, C16, AESTHETICS, POLITICS.

Bode, J黵gen; Wohlfart, Roland. Dokumentation von Rockmusikgruppen in Emden, Niedersachsen. Jazzforschung, 17 (Sonderdruck). 1985, Akademische Druck- und Verlagsanstalt: 75-77 [DE] BRD, 1980S, ROCK, MUSICIANS, SOCIOLOGY, REGIONALSM, REPORT, DOCUMENT.

Boeckman, Charles. And the Beat Goes On: A Survey of Pop Music in America. 1972, Washington, DC: Robert B Luce, Inc [EN] USA, ROCK, SOUL, R&B, MUSIC HIST.

Boehm, G A W. Stereo Goes to Market. Fortune. [EN] SOUND, 1950S, TECHNOLOGY.

Boer, Laurent. La Nuit Am閞icaine de Truffaut/Delerue "Providence": Alian Resnais/Miklos R髗sa. Vibrations, 4. 1987, Paris: : 179-202. ISBN򈮃089�6193�4 [FR] FILM MUSIC, 1970S, INTERVIEW, MUSIC EXX., AFFECT, SYMPHONY, LOVE. [DELERUE稧eorges; TRUFFAUT稦ran噊; NUIT稟M怰ICAINE; DANGER; GLORY; MYSTERY].

Boettcher, Hans (1930). Musik und Gesellschaft als Arbeitsprogramm. Musik und Gesellschaft, 01/1. Kolland, Dorothea (ed). 1978, Berlin: Das europ鋓sche Buch: 14-21. ISBN򉁱20�30383�0 (Reprint of original periodical) [DE] GERMANY, 1930S, SOCIOLOGY, DEFINE, WORK, EVERYDAY, ORGANISE, CULTPOLIT..

Boettcher, Hans; Trede, Hilmar (1930). Lehrst點k. Musik und Gesellschaft, 01/4. Kolland, Dorothea (ed). 1978, Berlin: Das europ鋓sche Buch: 112-116. ISBN򉁱20�30383�0 (Reprint of original periodical) [DE] GERMANY, 1930S, DRAMA, OPERA, EDUCATION, POLITSTUDY, AESTHETICS.

Bogaert, Karel. Blues Lexicon: Blues, Cajun, Boogie Woogie & Gospel. 1972, Antwerp: Standaard Uitgeverij (480p) [FL] BIOGRAPHY, REFERENCE, DISCOGR..

Boguslavskaya, L; Golovinskii, Grigoriy L. Pervyie shagi molodoi nauki. Sovietskaya muzyka, 1974/7. 1978, Moskva: : 85-88 [RU] USSR.

B鰄lander, Carlo. Die Anatomie des Swing. 1986, Frankfurt: Schmitt (276p) [DE] JAZZ, SWING.

Bohl鋘der, Carlo. Reclams Jazzf黨rer. 1989, Stuttgart: Reclam jun. (548p) Enlarged edition [DE] JAZZ, REFERENCE.

Bohlin, Folke. S錸gen i Skara under reformationstiden. Vi 鋜o musikanter allt ifr錸 Skaraborg. 1983, Skara: Skaraborgs l鋘smuseum: 69-96. ISBN�91�85884�13�8 [SV] SWEDEN, HISTORY, BAROQUE, ORGANISE, CHRISTIAN, VOICE, C16, C17.

Bohlman see Tomlinson, Gary (1992).

Bohlman, Philip V. Central European Jews in Israel: The Reurbanisation of musical Life in an Immigrant. Yearbook for Traditional Music, 16. 1984, New York: International Council for Traditional Music: 67-83. ISSN�0740�1558 [EN] JEWISH, RURAL, URBAN, MINORITIES, CULT.STUDY, MUSIC MAKE.

Bohlman, Philip V. Traditional Music and Cultural Identity: Persistent Paradigm in the History of Ethnomusicology. Yearbook for Traditional Music, 22. 1988, New York: International Council for Traditional Music: 26-43. ISSN�0740�1588 [EN] FOLK MUSIC, ANTHROPOL., CULT.STUDY, DEFINE, HISTORY.

Bohlman, Philip V. The Study of Folk Music in the Modern World. 1988, Bloomington, Indiana: Indiana University Press (179p) [EN] CULT.STUDY, CRITIQUE, WORLD MUS..

Bohlman, Philip V. The Land Where Two streams Flow: Music in the German-Jewish Community of Israel. 1989, Urbana & Chicago: University of Illinois Press (257p) Reviewed in Yearbook for Traditional Music, 23:139 [EN] ISRAEL, GERMANY, JEWISH, ACCULTUR., ANTHROPOL., BIBLIOGR., MUSIC EXX., ILL..

B鰄m, Thomas see Stark, J黵gen (1984, 1985, 1987, 1988).

Bohman, Stefan. Socialdemokratin och s錸gb鯿kerna. Nord-Nytt, 24. 1985, Lyngby: Nordisk Etnologisk Folkloristisk Arbejdsgruppe: 57-74 (Nordisk tidskrift for folklivsforskning, 24 (3/85)) [SV] VOCAL MUS., WORKERS, SCANDINAVI, SWEDEN, SOC.DEMOC..

Bohn, R; Pecqueiaux, J-P; Mangodt, Daniel. Alex North: filmography/discography (1963-1982) Soundtrack, 2/5. Ven, Luc van de (ed). 1983, Mechelen: 6-8 [EN] FILM MUSIC, USA, 1960S, 1970S, DISCOGR.. [NORTH稟].

Bohn, Thomas W. Light and Shadows: A History of Motion Pictures. 1975, Sherman Oaks: Alfred Publishing [EN] USA, FILM, HISTORY.

Boiko, A I. Ilastichkeie i estradno-tsirkovye zhanri. Problemy razvitiya sovremennogo iskusstva. Dukov, E V (ed). 1988, Moskva: Vsesoyuznyi Nauchno-isledovatel'skii Institut Iskusstvoznaniya Ministerstva Kultury SSSR: 113-129 [RU] USSR, SOCIOLOGY, POPULARMUS.

Boil鑣, Charles. La significazione nella musica da film. Il senso in musica. Marconi, Luca (ed); Stefani, Gino (ed). 1987, Bologna: Cooperativa Libraria Universitaria Editrice Bologna: 327-341 [IT] FILM MUSIC, SEMIOTICS, MUSIC EXX., TIME/SPACE, DEFINE.

Boil鑣, Charles L. Signification in Cinema Music. Versus - Quaderni di studi semiotici, 13. Nattiez, Jean-Jacques (ed). 1976, Milano: Bompiani: 49-61 [EN] FILM MUSIC, SEMIOTICS, AFFECT, MUSIC EXX., MUSICOLOGY, DEFINE.

Bolelli, Roberto. Folk appropriato. Dal blues al liscio. Stefani, Gino (ed). 1992, Verona: Edizioni Ianua: 103-134 [IT] ITALY, FOLK MUSIC, SSONGWRITR.

Bolelli, Roberto. Il rock � blu? Secondo convegno europeo di analisi musicale. Dalmonte, Rosanna (ed); Baroni, Mario (ed). 1992, Trento: Universit� degli studi di Trento, Dipartimento di storia della civilt� europea: 629-630. ISBN�88�86135�09�2 (www.tagg.org/articles/trento91.html (1999)) [IT] MUSICOLOGY, MUS.ANALYS, CONFERENCE, ROCK, BLUES.

Bolinger, Dwight see Fonagy, Ivan (1963).

Bolinger, Dwight (ed). Intonation. 1972, London: Penguin [EN] VERBAL, INTONATION.

Bolle-Zemp, Sylvie. Appels au b閠ail et identit� en Haute-Gruy鑢e (Suisse) Yearbook For Traditional Music, 17. 1985, New York: International Council for Traditional Music: 167-197. ISSN�0740�1558 [FR] SWISS, FOLK MUSIC, SEMIOTICS, ANTHROPOL., MUSICOLOGY, MUSIC EXX., ACOUSTICS, RURAL, EVERYDAY.

Bolle-Zemp, Sylvie. Institutionalized Folklore and Helvetic Ideology. Yearbook for Traditional Music, 22. 1990, New York: International Council for Traditional Music: 127-140. ISSN�0740�1558 [EN] ANTHROPOL., MUSICOLOGY, SWISS, TOURISM. [BOVET稪oseph].

Bolles, Don. Censorship L.A. Style. The L.A. Weekly. 1-7 August 1986 [EN] USA, CENSORSHIP, LAW, ETHICS.

Bollinger, Dwight. Intonation and Its Uses: Melody in Grammar and Discourse. 1989, London: Edward Arnold [EN] INTONATION, MUSIC USES, MUSICOLOGY.

Bolvin, Jean. Musique et nature. Musiques du XXe si鑓le (Musiques, vol. 1). Nattiez, Jean-Jacques (ed). 2003, Paris: Actes Sud/Cit� de la musique: 484-511. ISBN򈮃427�4204�2 (1pub Einaudi, Torino, 2001).

Bolzan, Claudio. Clara Wieck Schumann: gli ultimi anni nei ricordi di un'amica. Musica/Realt�, 58. 1999, Lucca: LIM Editrice: 95-104. ISBN�88�7096�147�8 (Marzo 1999) [IT] EUROARTMUS, BIOGRAPHY.

Bon, Fran鏾is. Rolling Stones: une biographie. 2002, Paris: Fayard (673p) (ML 421 R64 B66 2002) [FR] ROCK, UK, BIOGRAPHY.

Bonaldi, Jorge. Laza. Various articles from La Brecha, etc.. n.d. Montevideo: : 010 Brecha, 890413 [SP] URUGUAY, BIOGRAPHY.

Bonaldi, Jorge. Reflexiones surtidas (a cuenta de mayor cantidad) La del taller, 5/6 (1986). 1986, Montivedeo: Talleres latinoamericanos de m鷖ica popular: 23-25 [SP] POLITICAL, SSONGWRITR, L AMERICA, CAPITALISM.

Bonaldi, Jorge. Laza (Brecha 13/4/89) La Tuba, 1. 1989, Montevideo: Taller Urugayo de M鷖ica Popular: 2-3 [SP] URUGUAY, L AMERICA, SSONGWRITR, DOCUMENT, REVIEW.

Bonardi, Gingiuseppe. La musica e il sonoro possibili attivatori dello stato di coscienza. Quaderni di musica apllicata, 18. Musica "fuori di s�". Stefani, Gino (ed). 1996, Assisi: CEP/Sezione Musica, Pro Civitate Christiana: 146-149 [IT] MUSTHERAPY, DRUGS, GENRES, PSYCHOLOGY.

Bonavia, F. Brahms. Lives of the Great Composers, vol 3. Bacharach, A L (ed). 1943, London: Penguin: 9-34 [EN] COMPOSE, HISTORY, BIOGRAPHY, EUROPE, ROMANTIC.

Bonavia, F. Elgar. Lives of the Great Composers, vol 3. Bacharach, A L (ed). 1943, London: Penguin: 73-91 [EN] UK, NATIONALSM, COMPOSE, HISTORY, BIOGRAPHY, EUROPE, ROMANTIC.

Bond, Carrie Jacobs. The Roads of Melody. 1928, New York: Appleton [EN] USA, MUSIC HIST.

Bonde, Lars Ole. Wagner og Venusbjerget. Noter om eros og musik i Richard Wagners univers. Modspil, 4/6. Musik og sexualitet. 1982, 舝hus: PubliMus: 47-59 [DK] GERMANY, EUROPE, C19, ROMANTIC, OPERA, SEX/GENDER, MUSIC EXX., POLITSTUDY, PSYCHOLOGY, LOVE.

Bonde, Lars-Ole. Om f鰀elshj鎙p og 錸dehuller. Musik '90. 1982, K鯾enhavn: Gymnasieskolernes Musikl鎟erforening: 10-14 [DK] MUSIC EDUC, DENMARK, CULTPOLIT..

Bonde, Lars-Ole see Adler, Henrik (1983).

Bonde, Lars-Ole; H鰎lyk, Thorkil; Mortensen, Tore [et al.]. Musikken i samfundet - samfundet i musikken? Refleksioner omkring 'Gyldendals Musikhistoria'. Modspil, 6/25. 1985, K鯾enhavn: Rhodos: 22-35. ISBN�87�7245�037�1 [NO] REVIEW, DENMARK, MUSIC HIST, MUSICOLOGY.

Bonde, Lars-Ole; Kj鎟, Arne; N鰎lyng, Ole. Vi bruger ogs�: musikhistorie. Modspil, 6/25. 1985, K鯾enhavn: Rhodos: 3. ISBN�87�7245�037�1 [NO] Gbg.Mvet., Ling Item, DENMARK, SWEDEN, SOCIOLOGY, MUSIC HIST, REVIEW.

Bonde, Lars-Ole see Jespersen, Hanne Tofte (1988).

The Illustrated Encyclopedia of Black Music. Bonds, Ray (ed). 1982, London: Salamander (224p) New York: Harmony Books, 1982 [EN] REFERENCE, 1940S, 1950S, 1960S, 1970S, 1980S, BIOGRAPHY.

Boni, Monica; Fabbi, Roberto. Reggio Emilia: un sistema di biblioteche. Musica/Realt�, 50. 1996, Lucca: Libreria musicale italiana: 185-190. ISBN򉁫78�01030�4 [IT] ITALY, DOCUMENT, BIBLIOGR..

Boni, Monica see Pestalozza, Luigi (1998).

Bonis, Ferenc see Szabolcsi, Bence (1964).

Brassens, Georges; Bonnaf�, Alphonse (ed). Po閟ie et chansons. 1963, Paris: S間hers (188p) [FR] FRANCE, POETRY, VOCAL MUS., DOCUMENT, 1950S, 1960S, ILL..

Bonny, Helen L. The Role of Taped Music Programs in the GIM Process. 1978, Baltimore: ICM Books (63p) [EN] PSYCHOLOGY, HEALTH, RHYTHM, AFFECT, TIMBRE.

Bonny, Helen L. GIM Therapy, Past, Present and Future. 1980, Baltimore: ICM Books (58p) [EN] PSYCHOLOGY, HEALTH, DRUGS, DEFINE, STATISTICS.

Bonson, Manfred see Tibbe, Monika (1981).

Bontempelli, Massimo. Spunti Verdiani. Musica/Realt� 64 (Marzo 2001). 2001, Lucca: LIM: 155-160. ISBN�88�7096�275稾 [IT] OPERA, ITALY, ROMANTIC, EUROARTMUS. [Verdi,稧iuseppe].

Bontinck, Irmgard (ed). New Patterns of Musical Behaviour of the Young Generation in Industrial Societies. 1974, Wien: Universal Edition (240p) [EN] GENRES, STATISTICS, SOCIOLOGY, ROCK, YOUTH.

Bontinck, Irmgard. Sociological Research and its Relevance to Music Education. Stock-Taking of Musical Life. Mark, Desmond (ed). 1981, Wien: Doblinger: 21-25. ISBN򉁱00035�70�9 [IT] EUROPE, 1970S, SOCIOLOGY, MUSIC EDUC.

Bontinck, Irmgard. The Project: Aims and Results. The Phonogram in Cultural Communication. Blaukopf, Kurt (ed). 1982, Wien: Springer-Verlag: 3-6. ISBN򉁪11�81725�5 [EN] REPORT, SUMMARY.

Bontinck, Irmgard. Kultureller Habitus und Musik. Musikpsychologie - Ein Handbuch. Bruhn, Herbert (ed); Oerter, Rolf (ed); R鰏ing, Helmut (ed). 1993, Reinbek bei Hamburg: Rowohlts Enzyklop鋎ie: 86-93. ISBN򉁬99�55526�3 [DE] PSYCHOLOGY, CULT.STUDY, DEFINE.

Bontink, Irmgard see Alekseev, Eduard Y (1974).

Bonz, Jochen. Changing Places Within Fan-tasmatic Worlds: Subject Positions in the Case of Scritti Politti's Major Fan. Looking Back, Looking Ahead. Popular Music Studies 20 Years Later. K鋜ki, Kimi (ed); Leydon, Rebecca (ed); Terho, Henri (ed). 2002, Turku: IASPM-Norden: 76-83. ISBN�951�98789򈚒 (Proceedings of 11th Biannual IASPM Conference, Turku, 6-10 July, 2001).

Bonz, Jochen. Changing Places within Fan-tasmatic Worlds: Subject Positions in the Case of Scritti Politti's Major Fan. Looking Back, Looking Ahead. Popular Music Studies 20 Years Later. K鋜ki, Kim (ed); Leydon, Rebecca (ed); Terho, Henri (ed). 2002, Turku: IASPM-Norden: 76-83. ISBN�951�98789򈚒 (Proceedings of the Elevnth Biannual IASPM Conference July 6-10, 2001, Turku, Finland).

Booker T & the MG's (1968). Interview. The Rolling Stone Interviews, 1. Wenner, Jan (ed). 1971, New York: Warner Books: 129-158. ISBN򈆨46�78244�0 [EN] USA, UK, ROCK, INTERVIEW, STARS, MUSICIANS, 1960S, R&B, SOUL.

Boorstin, Daniel. The Americans: The Democratic Experience. 1973, New York: Random House [EN] HISTORY, SOCIOLOGY, CULT.STUDY, COMMUNICAT.

Boosey & Hawkes. Recorded Music - Complete Catalogue 78 RPM Records. 1969, London: Boosey and Hawkes (104p) [EN] MOOD MUSIC, FILM MUSIC, CATALOGUE, DISCOGR., 1940S, 1950S, UK.

Boosey & Hawkes. Cavendish Recorded Music for Film, Radio Television Supplement (Summer 1978). 1978, London: Boosey and Hawkes (4p) [EN] UK, 1970S, MOOD MUSIC, FILM MUSIC, CATALOGUE, DISCOGR..

Boosey & Hawkes. Cavendish Recorded Music for Film, Radio & Television (Summer 1979). 1979, London: Boosey and Hawkes (2p) [EN] UK, 1970S, MOOD MUSIC, FILM MUSIC, CATALOGUE, DISCOGR..

Booth, Gregory D. Socio-Musical Mobility among South Asian Clarinet Players. Ethnomusicology, 41/3. 1997, University of Illinois Press: 489-517.

Booth, Mark W (1981). Jingle: Pepsi-Cola Hits the Spot. On Record: Rock, Pop and the Written Word. Frith, Simon (ed); Goodwin, Andrew (ed). 1990, London: Routledge: 320-325 (xi+492 pp) 1publ `The Experience of Songs' (New Haven: Yale University PRess, 1981) [EN] AESTHETICS, ROCK, MUSICOLOGY, ADVERTS.

Booth, Mark W. The Experience of Songs. 1981, New Haven & London: [EN] LYRICS, ROCK, USA.

Booth, Mark W. American Popular Music: a Reference Guide. 1983, Westport & London: Greenwood Press (212p) [EN] USA, BIBLIOGR., C19, ROCK, REFERENCE.

Booth, Stanley. Dance With the Devil. The Rolling Stones and their Times. 1984, New York: Random House [EN] ROCK, USA, UK, 1960S, 1970S.

Booth, Stanley. Elvis Presley's Graceland. Photographs by William Eggleston. 1986, New York: Aperture (72p) [EN] ROCK, MUSICIANS, STARS, ARCHITECT., ILL., ILL..

Bor, Joep. The Rise of Ethnomusicology: Sources on Indian Music c.1780-c.1890. Yearbook for Traditional Music, 22. 1988, New York: International Council for Traditional Music: 51-73. ISSN�0740�1588 [EN] INDIA, BIBLIOGR., FOLK MUSIC, ANTHROPOL., HISTORY, C19.

Borde, Percival. The Sound of Trinidad: The Development of the Steel-Drum Bands. The Black Perspective in Music, 1. [EN] CARIBBEAN, BANDS, DRUMS. [Steel穌rums].

Bordman, Gerald. American Musical Theatre: a Chronicle. 1978, New York: Oxford University Press. ISBN򈆥95�02356�0 [EN] USA, MUSICALS, DRAMA, REFERENCE.

Bordman, Gerald. American Musical Revue: from "The Passing Show" to "Sugar Babies". 1985, New York: Oxford University Press (184p) [EN] USA, MUSICALS.

Bordon, Frieda see Bartnik, Norbert (1981).

Bordwell, David; Thompson, Kristin. Fundamental Aesthetics of Sound in the Cinema. Film Sound - Theory and Practice. Weis, Elisabeth (ed); Belton, John (ed). 1985, New York: Columbia University Press: 179-180. ISBN򈆦31�05637�0 [EN] FILM, SOUND, AESTHETICS.

Borg, Christer. Fenomenet ABBA. 1976, Stockholm: Polar Music International AB (144p). ISBN�91�7260�101�9 [SV] SWEDEN, EUROVISMUS, BIOGRAPHY, FANS, ILL., 1960S, 1970S.

Borgers, Berdien see Vloet, Rosita van der (1984).

Borgersen, Terje. Melodi Grand Prix - Uten lyd og bilde - et pauseinnslag. Eurovision Song Contest, 86. 6 upretentsi鰏e essays. 1986, Nordisk Institutt, Universitetet i Trondheim, AVH: 28-34 [NO] EUROVISMUS, DRAMA, 1980S, NORWAY, AESTHETICS.

Borges, Bia. Samba-canc鉶: fratura e paix鉶; uma analise das letras de Orestes Barbosa, Lupic韓o Rodrigues, Guilherme de Brito, N閘son Cavaquinho, Cartola, Carlos Cachaca, e um estudio sobr� kitsch. 1982, Rio de Janerio: Ed韙ora Codecri (163p) [PG] BRAZIL, LYRICS, VOCAL MUS., SALSA.

Borghesi, Massimo see Postacchini, Pier Luigi (1998).

Borghesi, Massimo see Postacchini, Pier Luigi (1998).

Borghetto, Gabriella; Talmelli, Andrea. L'alea controllata nei giochi musicali di Haydn e Mozrt. Secondo convegno europeo di analisi musicale. Dalmonte, Rosanna (ed); Baroni, Mario (ed). 1992, Trento: Universit� degli studi di Trento, Dipartimento di storia della civilt� europea: 631-634. ISBN�88�86135�09�2 (www.tagg.org/articles/trento91.html (1999)) [IT] MUSICOLOGY, MUS.ANALYS, CONFERENCE, EUROARTMUS. [Aleatory].

Borgna, Gianni. Il tempo della musica. 1983, Bari: Laterza (202p) [IL] MUSIC HIST, ITALY, CULT.STUDY, ROCK, POPULARMUS.

Borile, Silvana. "L'anima si cura con i carmi magici dai quali cresce la saggezza". Essere, 16 (agosto 1987). 1987, Torino: Essere: 54-59 [IT] SOUND, HEALTH, PSYCHOLOGY, NEUROLOGY.

Borio, Gianmario. A colloquio con Gy鰎gy Ligeti. Musica/realt�, 13. 1984, Milano: Unicopli: 4-5 [IT] MOD.CLASS., CONFERENCE.

Born, Georgina. IRCAM, Legitimation, Post-Modern Music Policy. Unfiled - Music under New Technology. Recommended Sourcebook 0401. 1994, London: Recommended Records: 51-55. ISSN�0954�8807 [EN] TECHNOLOGY, RECORDING, FRANCE, AVANTGARDE.

Borneman, Ernest. A Critic Looks at Jazz. 1946, London: Jazz Music Books [EN] JAZZ.

Bornoff, Jack. Music and the Twentieth Century Media. 1972, Firenze: Olschki (216p) [EN] C20, MASS MEDIA.

Borradori, Giovanna (1986). Una liaison tra Webern e Cage. Conversazione con M Feldman. Musica/realt�, 22. 1987, Milano: Unicopli: 53-66 [IT] INTERVIEW, MOD.CLASS., USA.

Borraza, Fernando. Le nueva canci髇 chilena. 1972, Casilla Chile: Editora Nacional Quimantu [SP] CHILE, VOCAL MUS..

Bortolotti, Maurizio. Gli strumenti musicali nella pittura cubista di Pablo Picasso e George Braque: tra razionalit� e Romanticismo nelle raffigurazioni dell'avantguardia. Musica/Realt�, 31. 1990, Milano: Unicopli: 21-28. ISBN�88�400�0205�7 [IT] INSTRUMENT, VIS. ARTS, AVANTGARDE.

Borwick, John. Sound Recording Practice. 1987, New York: Oxford University Press (568p) 3rd edition [EN] RECORDING, HANDBOOK, MUS INDUST.

Bos, Alfred [et al]. Pop 1987-1988: kroniek van een muziekjaar. 1987, Amsterdam: Loeb (160p) 1st Dutch yearbook [NL] STATISTICS, POPULARMUS, ROCK, MUSICIANS, BIOGRAPHY, NETHERLAND, INTERNATNL.

Bos, Jean-Baptiste du [1670-1742]. R閒lexions critiques sur la po雜ie et sur la peinture (section 45) (1719) Music and Aesthetics in the Eighteenth and Early Nineteenth Centuries. Huray, Peter Le (ed); Day, James (ed). 1988, Cambridge: Cambridge University Press: 17-26. ISBN򈆩21�35901�5 [FR] AESTHETICS, EUROARTMUS, DEFINE.

Boschi, Alberto; Asta, Monica Dall'. Al di l� dell'immagine. Cinema & cinema, 18/60 (Audiofane - Voci, rumori e musica del cinema). 1991, Bologna: CLUEB: 3-8 [IT] FILM MUSIC.

Boschi, Alberto. Appunti per una teoria del rumore. Cinema & cinema, 18/60 (Audiofane - Voci, rumori e musica del cinema). 1991, Bologna: CLUEB: 54-54 [IT] FILM, SOUND.

Bosco, Gilberto. Tre domandi sull'analisi. Musica/Realt�, 53. 1997, Lucca: Libreria Musicale Italiana: 28-30. ISBN�88�7096�219�9 [IT] MUS.ANALYS, EUROARTMUS, DEFINE. [Schenker; Agawu,稫ofi; Baroni,稭ario].

Bose, Fritz. Western Influences in Modern Asian Music. Journal of International Folk Music, 9. [EN] E ASIA, EUROPE.

Bosetto, Antonio. Nuove tecnologie e industria degli instrumenti musicali in Italia. Musica e sistema dell'informazione in Europa. Rampi, Francesco (ed). 1985, Milano: Unicopli: 189-191. ISBN�88�7061�885�4 [IT] INSTRUMENT, TECHNOLOGY, RECORDING, COMPUTERS, ITALY.

Bosio, Gianfranco de. "Tosca". Quaderni dell' I.R.T.E.M., 5/3/1. 1987, Roma: Istituto di recerca per il teatro musicale: 48-48 (L'opera in film. Seminario, L'Aquila 19-21 dicembre 1986) [IT] OPERA, FILM, FRANCE, ITALY, C20. [PUCCINI稧iacomo].

Bossa, Renato see Biancono, Lorenzo (1983).

Bosshard, Andres. Discovering and exploring the terrestrial soundscape. The Tuning of the World, Vol 2 - Proceedings of The First International Conference on Acoustic Ecology, 8-14 August 1993. 1993, Banff: Banff Center for the Arts: B [EN] SOUNDSCAPE.

Bossuyt, I. La chanson fran鏰ise en Allemagne et en Autriche dans la seconde moiti� du XVIe si鑓le. La chanson � la Renaissance. Vaccaro, Jean-Michel (ed). 1981, Tours: Van de Velde: 294-303. ISBN򈮄5868�067�1 (Actes du XXe Colloque d'蓆udes humanistes du Centre d'蓆udes Sup閞ieures de la Renaissance de l'Universit� de Tours. Juillet 1977) [FR] C16, EUROARTMUS, VOICE, GERMANY.

Boston, Virginia. Punk Rock. 1978, New York: Penguin [EN] PUNK, ROCK, 1970S.

Bostr鰉, Hans-Olof. Fr錸 folkdansorkester till alternativr鰎else. Folkmusikens skivomslag 1960-1980. Skivomslag. 1981, Stockholm: Nationalmuseum: 117-126. ISBN�91�7100�197�2 [SV] VIS. ARTS, LPs, ROCK.

Bostr鰉, Raoul; Franz閚, Ove. Att vara stum men 鋘d� kunna sjunga. Tv鋜snitt, 1985/4. 1985, Stockholm: HSFR: 38-41. ISSN�0348�7997 [SV] VOICE, MELODY, PSYCHOLOGY, C18, SWEDEN.

Botkin, B A. The Folksong Revival: Cult or Culture? The American Folk Scene. Deturk, David A (ed); Poulin, A Jr (ed). 1967, New York: Dell Publishing: 95-102 [EN] USA, FOLK MUSIC, 1930S, 1940S, 1950S, 1960S, UNIONS, PROGRESSIV, ROCK.

Botkin, Benjamin. The American Play-Party Song. 1963, New York: Ungar [EN] USA.

Bottet, B閍trice see Salachas, Gilbert (1989).

Boucher, Maurice (1931). Musik und Musizieren von der Situation Frankreichs aus betrachtet. Musik und Gesellschaft, 01/7. Kolland, Dorothea (ed). 1978, Berlin: Das europ鋓sche Buch: 217-219. ISBN򉁱20�30383�0 (Reprint of original periodical) [DE] FRANCE, 1930S, EUROARTMUS, PERFORM, AMATEURS.

Boucourechliev, Andr�. L'unit� en question. Canadian University Music Review, 1984/5. 1985, Ottawa/Montr閍l: 140-151. ISSN�0710�0353 [FR] EUROARTMUS, ROMANTIC, MOD.CLASS., MUSIC EXX., MUSICOLOGY, MUS. FORM.

Bourne, Nick. Music for everyone. 1983, Kingston: Sylvia Junge Agency (4p) role of class teacher in new areas of music education [EN] MUSIC EDUC, COMPUTERS, COMPOSE, UK.

Bourniquel, Camille. Chopin. 1960, London: Evergreen (192p) [NL] EUROARTMUS, ROMANTIC, C19, BIOGRAPHY, PIANO, ILL..

Bourre, Jean-Paul. Bob Dylan: vivre � plein. 1986, Paris: Cerf (150p) [FR] ROCK, BIOGRAPHY, RELIGION, USA, FOLK MUSIC.

Bouwman, F; Broekhuizen, C. Hitdossier 1958-1982. 1983, Amsterdam: H.J.W. Becht (382p) [NL] ROCK, REFERENCE.

Bouwman, Harry see Rutten, Paul (1984).

Bouzar-Kasbadji, Nadya. 獿a Marseillaise� en Alg閞ie coloniale et ses dissonances. 1789-1989. Musique, Histoire, D閙ocratie. Colloque international organis� par Vibrations et l'IASPM, Paris 17-20 juillet 1989. Hennion (ed). 1992, Paris: 蒬itions de la Maison des Sciences de l'Homme: 297-306. ISBN򈮃531�0532�6 (in 3 volumes (ISBN 2-7531-0532-6, 0533-4, -0534-2). Soutien de la Direction de la Musique (Minist鑢e de la Culture) et du Centre d'Ethnologie fran鏰ise. Vol 1 pp 1-260, vol 2 pp 263-506, vol 3 pp 509-829) [FR] FRANCE, POLITICS, REVOLUTION, ALGERIA.

Bowers, David. Put Another Nickel In. 1966, New York: Bonanza Books [EN] USA, FILM MUSIC, FILM.

Bowers, Q David. Put Another Nickel In: a History of Coin Operated Pianos and Orchestrions. 1966, New York: Vestal [EN] USA, INSTRUMENT.

Bowers, Q David. Nickelodeon Theatres and Their Music. 1986, New York: Vestal Press (212p) [EN] USA, MUSIC HALL.

Bowker, Robert Rogers. Copyright, its History and the Law. 1912, Boston: Houghton Mifflin [EN] HISTORY, COPYRIGHT.

Bowman, Rob. The Stax sound: a musicological analysis. Popular Music, 14/3. 1995, Cambridge: Cambridge University Press: 285-320. ISSN�0261�1430 [EN] SOUL, MUSICOLOGY, USA.

Bowman, Rob. The determining role of performance in the articulation of meaning. The case study of "Try A Little Tenderness". Music on Show: Issues of Performance. Hautam鋕i, Tarja (ed); J鋜viluoma, Helmi (ed). 1998, Tampere: Department of Folk Tradition: 37-39. ISBN�951�44�4290�3 [EN] IASPM, CONFERENCE, VOICE, USA, SOUL, SEMIOTICS. [Redding,稯tis].

Bowman, Rob. Elvis Presley and the impulse towards transculturation. Popular Music: Intercultural Interpretations. Mitsui, T魊u (ed). 1998, Kanazawa: Graduate Program in Music, Kanazawa University: 220-225. ISBN򉕝980684򈚕.

Bowman, Rob. Argh Fuck Kill � Camadoam Hardcore Goes on Trial: The Case of the Dayglo Abortions. Cloonan, Martin (ed); Garofalo, Reebee (ed). 2003, Philadelphia: Temple University Press: 113-139. ISBN򈚕6639�990�4 [EN] CENSORSHIP, CANADA, HEAVYMETAL.

Boyd, Alan. Music in Islam: Lamu, Kenya, A Case Study. Discourse in Ethnomusicology II: a Tribute to Alan P. Merriam. 1981, Bloomington, Indiana: Ethnomusicology Publications Group, Indiana University: 83-98 [EN] E AFRICA, RELIGION, HISTORY, VOCAL MUS., LYRICS, ISLAM, REC CORP, REC LABEL.

Boyd, Eddie. Gekrochen bin ich nie: Gespr鋍h mit dem Bluesman Eddie Boyd. Anschl鋑e, 1/3. 1978, Bremen: Archiv f黵 Popul鋜e Musik: 37-75. ISSN�0344�2667 [DE] BIOGRAPHY, BLUES, USA.

Boyd, Herb. Detroit Jazz Who's Who. 1983, Detroit: Jazz Research Institute (96p) [EN] USA, JAZZ, BIOGRAPHY, REFERENCE.

Boyd, Raymond see Arom, Simha (1991).

Boye, Henry. How to Make Money by $elling the $ongs you Write. 1970, New York: Fell Inc (176p) [EN] USA, MUS INDUST, COMPOSE, PRODUCERS, RADIO, CATALOGUE, HANDBOOK, SELL, VOCAL MUS., COPYRIGHT.

Brace, Tim; Friedlander, Paul. Rock and Roll on the New Long March: Popular Music, Cultural Identity and Political Opposition in the People's Republic of China. Rockin' the Boat: Mass Music and Mass Movements. Garofalo, Reebee (ed). 1992, Boston, MA: South End Press: 115-128. ISBN򈆬9608�428�0 (333 pp.) [EN] ROCK, OPPOSE, MUS INDUST, POLITICS, CHINA.

Brackett, David. Interpreting Popular Music. 1995, Cambridge: Cambridge University Press: 260. ISBN򈆩21�47337�3 reviewed by Philip Tagg in American Music, 16/2 (1998):224-227 [EN] MUSICOLOGY, SEMIOTICS, MUSIC EXX., MUS.ANALYS. [Holiday,稡illie; Crosby,稡ing; Williams,稨ank; Brown,稪ames; Costello,稥lvis; Superbad; I'll稡e稴eeing; When穀ou're稬oo].

Brackett, David. Country music goes to the movies. Music on Show: Issues of Performance. Hautam鋕i, Tarja (ed); J鋜viluoma, Helmi (ed). 1998, Tampere: Department of Folk Tradition: 40-43. ISBN�951�44�4290�3 [EN] IASPM, CONFERENCE, FILM, C&W, GENRES, USA. [Last稰icture稴h].

Brackett, David. James Brown's 'Superbad' and the Double-Voiced Utterance. Reading Pop. Approaches to Textual Analysis in Popular Music. Middleton, Richard (ed). 2000, Oxford: Oxford University Press: 122-140. ISBN򈆬5323�835�9 [EN] MUSICOLOGY, SOUL, LYRICS, VOICE.

Bradby, Barbara; Torode, Brian. Pity Peggy Sue. Popular Music, 04. 1983, Cambridge: Cambridge University Press: 183-206 [EN] MUSIC EXX., LYRICS, MUSICOLOGY, MUS.ANALYS, WOMEN, USA, 1950S.

Bradby, Barbara. Symmetry around a centre. Popular Music, 06/2. 1987, Cambridge: Cambridge University Press: 197-218. ISSN�0261�1430 [EN] PERU, BOLIVIA, FOLK MUSIC, MUSICOLOGY, MELODY, HARMONY, INSTRUMENT, ANTHROPOL., MUSIC EXX..

Bradby, Barbara. Do-Talk and Don't-Talk: The Division of the Subject in Girl-Group Music. On Record: Rock, Pop and the Written Word. Frith, Simon (ed); Goodwin, Andrew (ed). 1990, London: Routledge: 341-368 (xi+492 pp) [EN] ROCK, LYRICS, WOMEN.

Bradby, Barbara. Freedom, Feeling and Dancing: Madonna's songs traverse girl's talk. 1789-1989. Musique, Histoire, D閙ocratie. Colloque international organis� par Vibrations et l'IASPM, Paris 17-20 juillet 1989. Hennion (ed). 1992, Paris: 蒬itions de la Maison des Sciences de l'Homme: 347-362. ISBN򈮃531�0532�6 (in 3 volumes (ISBN 2-7531-0532-6, 0533-4, -0534-2). Soutien de la Direction de la Musique (Minist鑢e de la Culture) et du Centre d'Ethnologie fran鏰ise. Vol 1 pp 1-260, vol 2 pp 263-506, vol 3 pp 509-829) [EN] USA, WOMEN. [MADONNA].

Bradby, Barbara; Torode, Brian. Pity Peggy Sue. Reading Pop. Approaches to Textual Analysis in Popular Music. Middleton, Richard (ed). 2000, Oxford: Oxford University Press: 203-228. ISBN򈆬5323�835�9 [EN] MUSIC EXX., LYRICS, MUSICOLOGY, MUS.ANALYS, WOMEN, USA, 1950S.

Bradby, Barbara. Introduction to 'Gender and Sexuality' special issue. Popular Music, 20/3. 2001, Cambridge: Cambridge University Press: 295-300. ISSN�0261�1430 [EN] SEX/GENDER.

Bradby, Barbara. Oh, Boy! (Oh, Boy!): mutual desirability and musical structure in the buddy group. Popular Music, 21/1. 2002, Cambridge: Cambridge University Press: 63-92. ISSN�0261�1430 [EN] VOICE, PSYCHOLOGY, SEX/GENDER, MEN. [Holly,稡uddy].

Bradley, Dick. Understanding Rock 'n' Roll. Popular Music in Britain 1955-1964. 1992, Buckingham: Open University Press (vi+191p). ISBN򈆧35�09754�5 [EN] ROCK, UK, 1950S, 1960S.

The Schweppes Rock Yearbook. Bradley, Lloyd (ed). 1988, London: Virgin Books (208p) vol. 9 [EN] REFERENCE.

Bradshaw, John L. Funktionsteilung im Gehirn. Musikpsychologie - ein Handbuch. Bruhn, Herbert (ed); Oerter, Rolf (ed); R鰏ing, Helmut (ed). 1985, M黱chen: Urban & Schwarzenberg: 70-77. ISBN򉁭41�14291稾 [DE] PSYCHOLOGY, NEUROLOGY, PERCEIVE.

Bradshaw, Jon. Dreams That Money Can Buy: the Tragic Life of Libby Holman. 1985, New York: Morrow (431p) [EN] USA, BIOGRAPHY.

Braga, Reginaldo Gil. M鷖ica e modernidade reliosa entre Tamboreiros de Na玢o: em tonro de uma tradi鏰~o musical moderna. Em Pauta, 14. 2003, Porto Alegre: Universidade Federal do Rio Grande do Sul: 121-142. ISSN�0103�7420 (Revista do Programa de P髎-Gradua玢o em M鷖ica) [PG] DRUMS, BRAZIL, ANTHROPOL., RELIGION, MUSICIANS, AFR-AMER.. [Batuque; gaucho; cult; modernity].

Braha, Liviu von. Ph鋘om鋘e der Rockmusik. 1983, Wilhelmshaven: Heinrichshofen (180p) [DE] ROCK.

Brahms, Caryl. Song by Song: the Lives and Work of 14 Great Lyric Writers. 1984, Bolton: Ross Anderson. ISBN򈆬63�60013�1 [EN] LYRICS, VOCAL MUS..

Brake, Mike. Hippies and Skinheads. Sociological Aspects of Subcultures. 1977, London: London School of Economics (Ph.D. dissertation) [EN] SUBCULTURE, YOUTH, GROUPS, COMMUNITY, UK, CULT.STUDY.

Brake, Mike. The Skinheads. An English Working Class Subculture. Youth and Society, 6 (1977/2). [EN] SUBCULTURE, YOUTH, GROUPS, COMMUNITY, UK, WORKERS, CULT.STUDY.

Brake, Mike. The Sociology of Youth Culture and Youth Subcultures. Sex and Drugs and Rock 'n' Roll?. 1980, London: Routledge & Kegan Paul [EN] SOCIOLOGY, YOUTH, SUBCULTURE, SEX/GENDER, DRUGS, ROCK, COMMUNITY, UK, CULT.STUDY.

Brake, Mike. Comparative Youth Culture. 1985, London: Routledge & Kegan Paul [EN] SOCIOLOGY, YOUTH, SUBCULTURE, DEFINE, CULT.STUDY.

Brand, Geoffrey see Brand, Violet (1986).

Brand, Oscar (1962). The Ballad Mongers: Rise of the Modern Folk Song. 1963, New York: Ungar [EN] BALLADS, FOLK MUSIC, MUSIC HIST.

Brand, Oscar. The Ballad Mongers. 1962, New York: Funk & Wagnalls [EN] BALLADS, USA.

Brand, Violet; Brand, Geoffrey. The World of Brass Bands. 1986, Baldock, Herts.: Egon (228p) [EN] BRASSINSTR, BANDS.

Brandel, R. The Music of Central Africa. 1961, Nijhoff, The Hague: no. pub [EN] C AFRICA.

Brandl, Rudolf Maria. Musikkulturen im Vergleich. Musikpsychologie - ein Handbuch. Bruhn, Herbert (ed); Oerter, Rolf (ed); R鰏ing, Helmut (ed). 1985, M黱chen: Urban & Schwarzenberg: 359-371. ISBN򉁭41�14291稾 [DE] ANTHROPOL., INTERNATNL, DEFINE, CULT.STUDY.

Brandl, Rudolf Maria. Musik und ver鋘derte Bewu遲seinszust鋘de. Musikpsychologie - ein Handbuch. Bruhn, Herbert (ed); Oerter, Rolf (ed); R鰏ing, Helmut (ed). 1985, M黱chen: Urban & Schwarzenberg: 423-432. ISBN򉁭41�14291稾 [DE] PSYCHOLOGY, ANTHROPOL., HEALTH, NEUROLOGY, RELIGION, PERCEIVE, AFFECT, RITUAL.

Brandl, Rudolf Maria see R鰏ing, Helmut (1993).

Brandl, Rudolf Maria. Musik und ver鋘derte Bewu遲seinzust鋘de. Musikpsychologie - Ein Handbuch. Bruhn, Herbert (ed); Oerter, Rolf (ed); R鰏ing, Helmut (ed). 1993, Reinbek bei Hamburg: Rowohlts Enzyklop鋎ie: 599-612. ISBN򉁬99�55526�3 Music and altered states of consciousness [DE] PSYCHOLOGY, DEFINE, PERCEIVE, AFFECT.

Brassens, Georges; Bonnaf�, Alphonse (ed). Po閟ie et chansons. 1963, Paris: S間hers (188p) [FR] FRANCE, POETRY, VOCAL MUS., DOCUMENT, 1950S, 1960S, ILL..

Brassens, Georges. La mauvaise r閜utation. 1983, Paris: Deno雔 (224p) Volume of early songs. First pub. 1954 [FR] FRANCE, SSONGWRITR.

Brassens, Georges. Po鑝es et chansons. 1984, Paris: Editions Musicales (240p) [FR] VOCAL MUS., LYRICS, POETRY.

Bratfisch, Rainer. Reggae - Musik aus Jamaika. 1983, Leipzig: Zentralhaus-Publikation (56p) [DE] REGGAE, CARIBBEAN, 1970S, 1980S, OPPOSE, RELIGION, UK, MUS INDUST, DDR.

Bratton, J S. Introduction. Music Hall - Performance & Style. Bratton, J S (ed). 1986, Milton Keynes: Open University Press: viii-xv. ISBN򈆧35�15131�0 [EN] UK, C19, MUSIC HALL, DEFINE.

Bratton, J S. Jenny Hill: Sex and Sexism in Victorian Music Hall. Music Hall - Performance & Style. Bratton, J S (ed). 1986, Milton Keynes: Open University Press: 92-110. ISBN򈆧35�15131�0 [EN] MUSIC HALL, UK, C19, SEX/GENDER, WOMEN, CLASSES, HUMOUR.

Bratton, J S. Music Hall: Performance and Style. 1986, Milton Keynes: [EN] MUSIC HALL, PERFORM.

Bratton, J S (ed). Music Hall: Performance and Style. 1986, Milton Keynes: Open University Press (224p) [EN] UK, MUSIC HALL, MUS INDUST, ENTERTAIN, PERFORM, WORK, COMMUNITY, CAPITALISM, CONSUME, LEISURE.

Bratton, J S (ed). Music Hall. Performance and Style. 1986, Milton Keynes: Open University Press (175p). ISBN򈆧35�15131�0 [EN] UK, C19, MUSIC HALL, ENTERTAIN, SEX/GENDER, CLASSES, AFR-AMER., LYRICS, HUMOUR.

Bratton, J S see Bailey, Peter (1986).

Bratuz, Damiana. Sotto il segno dell'orso. Musical Signification Between Rhetoric and Pragmatics. Stefani, Gino (ed); Tarasti, Eero (ed); Marconi, Luca (ed). 1998, Bologna: CLUEB: 223-232 (Proceedings of the 5th International Congress on Musical Signification).

Bratuz, Damiana. Sotto il segno dell'orso. Musical Signification: Between Rhetoric and Pragmatics. 1998, Bologna: CLUEB (Cooperativa Libraria Universitaria Editrice Bologna)/International Semiotics Institute: 223-232 [IT] SEMIOTICS.

Brault, Michel; Perrault, Pierre. Il suono del diretto. Cinema & cinema, 18/60 (Audiofane - Voci, rumori e musica del cinema). 1991, Bologna: CLUEB: 103-110 [IT] FILM, SOUND, INTERVIEW.

Braun, B Vivian see Wright, Basil (1985).

Braun, D Duane. Toward a Theory of Popular Culture: The Sociologogy and History of American Music and Dance, 1920-1968. 1969, Ann Arbor, MI: Ann Arbor Publications [EN] CULT.STUDY, SOCIOLOGY, HISTORY, MUS.ANALYS, DANCE.

Braun, Werner. Kretzschmars Hermeneutik. Musikalische Hermeneutik. Dahlhaus, Carl (ed). 1975, Regensburg: Bosse Verlag: 33-40 [DE] SEMIOTICS, MUSIC HIST, GERMANY, EUROPE.

Brawley, Benjamin. A Social History of the American Negro. 1970, New York: Collier Books [EN] AFR-AMER., SOCIOLOGY, HISTORY, CULT.STUDY.

Brazier, Richard. The Industrial Workers of the World's "Little Red Songbook". The Sounds of Social Change. Denisoff, R Serge (ed); Peterson, Richard A (ed). 1972, Chicago: Rand McNally & Co: 60-71. ISBN򈆩28�68712�3 [EN] USA, UNIONS, WORK, POLITICS, SOCIALISM.

Breathnach, Brendan. Folk Music and Dances of Ireland. 1971, Dublin & Cork: The Mercier Press (8+152p). ISBN򈆬5342�509�4 [EN] IRELAND, FOLK MUSIC, DANCE, VOCAL MUS., MUSICOLOGY, MUSIC HIST, INSTRUMENT, DISCOGR., ANTHROPOL., MUSIC EXX..

Brecht, Bert (1930). Zur Soziologie der Oper. Anmerkungen zu "Mahagonny". Musik und Gesellschaft, 01/4. Kolland, Dorothea (ed). 1978, Berlin: Das europ鋓sche Buch: 105-112. ISBN򉁱20�30383�0 (Reprint of original periodical) [DE] GERMANY, 1930S, OPERA, CABARET, POLITSTUDY, DRAMA, SOCIOLOGY.

Brecht, Berthold see Bloch, Ernst (1977).

Brecy, Robert. La Muse Rouge - ein singender Arbeiterverein 1901-1939. Lied und Politische Bewegung. 1984, Leipzig: Zentralhaus f黵 Kulturarbeit der DDR: 50-62 (Wissenschafliche Beitr鋑e, 13) [DE] FRANCE, WORKERS, VOCAL MUS., 1900-1909, 1910S, 1920S, 1930S.

Brecy, Robert. La R関olution en chantant. 1988, Luyens, France: Van de Velde/C. Pirot (232p) [FR] ANTHOLOGY, VOCAL MUS., FRANCE, REVOLUTION, WAR, OPPOSE, POLITICS.

Br閏y, Robert. Chanson et r関olution. 1789-1989. Musique, Histoire, D閙ocratie. Colloque international organis� par Vibrations et l'IASPM, Paris 17-20 juillet 1989. Hennion (ed). 1992, Paris: 蒬itions de la Maison des Sciences de l'Homme: 401-408. ISBN򈮃531�0532�6 (in 3 volumes (ISBN 2-7531-0532-6, 0533-4, -0534-2). Soutien de la Direction de la Musique (Minist鑢e de la Culture) et du Centre d'Ethnologie fran鏰ise. Vol 1 pp 1-260, vol 2 pp 263-506, vol 3 pp 509-829) [FR] FRANCE, REVOLUTION, C18, LYRICS, POLITICS.

Breen, Marcus. The Bands and the Media. Arena 74. [EN] MUSICIANS, USA, UK, AUSTRALIA, SOCIOLOGY, POLITSTUDY, MUS INDUST, GROUPS, PROGRESSIV, BANDS. [ROCK].

Breen, Marcus. Musica Rock "indipendente" e cultura popolare in Australia. Musica/realt�, 22. 1987, Milano: Unicopli: 7-14 [EN] MUSICIANS, AUSTRALIA, PROGRESSIV, SOCIOLOGY, POLITICAL, CULT.STUDY, ROCK.

Breen, Marcus. Fundamentalist Music: the Popular Music Impulse. Missing in Action: Australian Popular Music. Breen, Marcus (ed). 1987, Melbourne: Verbal Graphics Pty: 8-31. ISBN򈆫316�0472�5 [EN] AUSTRALIA, USA, RELIGION, GOSPEL, ROCK.

Breen, Marcus. Rock Journalism: betrayal of the impulse. Missing in Action: Australian Popular Music. Breen, Marcus (ed). 1987, Melbourne: Verbal Graphics Pty: 202-227. ISBN򈆫316�0472�5 [EN] JOURNALISM, ROCK, AUSTRALIA, GENRES.

Breen, Marcus (ed). Missing in Action. Australian Popular Music in Perspective. 1987, Melbourne: Verbal Graphics Pty (228p). ISBN򈆫316�0472�5 [EN] AUSTRALIA, ROCK, JAZZ, MOR, AVANTGARDE, JOURNALISM, RADIO, WOMEN, FOLK MUSIC, RELIGION.

Breen, Marcus. Fundamentalist Music: the Popular Music Impulse. Missing in Action: Australian Popular Music. Breen, Marcus (ed). 1987, Melbourne: Verbal Graphics Pty: 8-31. ISBN򈆫316�0472�5 [EN] AUSTRALIA, USA, RELIGION, GOSPEL, ROCK.

Breen, Marcus. Our Place, Our Music: Aboriginal Music. 1989, Canberra: Aboriginal Studies Press (172p) [EN] AUSTRALIA, FOLK MUSIC. [ABORIGINE].

Breen, Marcus. Billboard goes into technological overdrive to make radio hits. Popular Music, 09/3. 1990, Cambridge: Cambridge University Press: 369-370. ISBN򈆩21�39943�2 [EN] USA, MUS INDUST, RADIO, 1980S, JOURNALISM, STATISTICS, AUSTRALIA.

Breen, Marcus. Desert Dreams, Media and Interventions in Reality: Australian Aboriginal Music. Rockin' the Boat: Mass Music and Mass Movements. Garofalo, Reebee (ed). 1992, Boston, MA: South End Press: 149-170. ISBN򈆬9608�428�0 (333 pp.) [EN] ROCK, OPPOSE, MUS INDUST, POLITICS, AUSTRALIA, FOLK MUSIC.

Breen, Marcus. Constructing the popular from public funding of community music: notes from Australia. Popular Music, 13/3. 1994, Cambridge: Cambridge University Press: 313-326. ISSN�0261�1430 [EN] AUSTRALIA, CULTPOLIT., GENRES, ROCK.

Bregman, Albert S. Auditory Scene Analysis. 1990, London/Cambridge MA: MIT Press [EN] SOUND, SPACE/ROOM.

Breh, Karl. High Fidelity, Stereophony and the Mutation of Musical Communication. The Phonogram in Cultural Communication. Blaukopf, Kurt (ed). 1982, Wien: Springer-Verlag: 165-178. ISBN򉁪11�81725�5 [EN] RADIO, PHONOGRAM, MUS INDUST, HISTORY, STATISTICS.

Breithaupt, Don. Precious and Few: Pop Music in the Early Seventies. 1996, New York: St Martins Press Reviewed in Popular Music 16/2 by Dave Laing [EN] 1970S, UK, USA.

Breitsameter, Sabine. Acoustic Travelling - Acoustic Experiences. The Tuning of the World, Vol 2 - Proceedings of The First International Conference on Acoustic Ecology, 8-14 August 1993. 1993, Banff: Banff Center for the Arts: C [EN] SOUNDSCAPE.

Brelet, Gis鑜e. Le temps musical. 1949, Paris: Presses Universitaires de la France (842p). ISBN򈆭2837465�0 I: La forme sonore et la forme rhythmique. II: La forme musicale [FR] TIME/SPACE, PHILOSOPHY, DEFINE, EUROARTMUS, MUSICOLOGY.

Breloer, Heinrich. Das Verkaufgespr鋍h des Dieter "Thomas" Heck. Musik in den Massenmedien Rundfunk & Fernsehen. Schmidt, Hans-Christian (ed). 1976, Mainz: Schott: 209-236. ISBN򉁯957�2611�5 [DE] ENTERTAIN, TELEVISION, MUS INDUST, BRD, SELL, DJS, MUSICIANS, AUDIENCE, ADVERTS.

Brent Zook, Kristal. Reconstructions of Nationalist Thought in Black Music and Culture. Rockin' the Boat: Mass Music and Mass Movements. Garofalo, Reebee (ed). 1992, Boston, MA: South End Press: 255-266. ISBN򈆬9608�428�0 (333 pp.) [EN] ROCK, OPPOSE, POLITICS, USA, AFR-AMER..

Bresin, Roberto; Poli, Gianni de; Vidolin, Alvise. A connectionist approach to timing deviation control in musical performance. Secondo convegno europeo di analisi musicale. Dalmonte, Rosanna (ed); Baroni, Mario (ed). 1992, Trento: Universit� degli studi di Trento, Dipartimento di storia della civilt� europea: 635-638. ISBN�88�86135�09�2 (www.tagg.org/articles/trento91.html (1999)) [EN] MUSICOLOGY, MUS.ANALYS, CONFERENCE, RHYTHM.

Bresson, Robert. Notes on Sound. Film Sound - Theory and Practice. Weis, Elisabeth (ed); Belton, John (ed). 1985, New York: Columbia University Press: 149. ISBN򈆦31�05637�0 [EN] FILM, SOUND.

Brette, Katharina see Bj鰎nberg, Alf (1983).

Discography. Nationalkassett Sverige - Discography and lyrics. Bj鰎nberg, Alf (ed); Brette-Kromsten, Katharina (ed); Forn鋝, Johan (ed); Lilliestam, Lars (ed). 1982, G鰐eborg: NSU: 7 [SV] SWEDEN, ROCK, LYRICS, PROGRESSIV.

Brette-Kromsten, Katharina. Utkast till kvinnornas rockhistoria. Ungdomar i r鰎else. 1991, G鰐eborg: Daidalos: 113-138. ISBN�91�86320�70稾 [SV] YOUTH, SWEDEN, ROCK, WOMEN.

Br関an, Bruno. La R関olution et ses publics. 1789-1989. Musique, Histoire, D閙ocratie. Colloque international organis� par Vibrations et l'IASPM, Paris 17-20 juillet 1989. Hennion (ed). 1992, Paris: 蒬itions de la Maison des Sciences de l'Homme: 565-570. ISBN򈮃531�0532�6 (in 3 volumes (ISBN 2-7531-0532-6, 0533-4, -0534-2). Soutien de la Direction de la Musique (Minist鑢e de la Culture) et du Centre d'Ethnologie fran鏰ise. Vol 1 pp 1-260, vol 2 pp 263-506, vol 3 pp 509-829) [FR] FRANCE, REVOLUTION, C18.

Brial, Jean-Michel. Georges Brassens. 1985, Paris: Pac (280p) [FR] FRANCE, SSONGWRITR, LYRICS, MUSIC EXX., BIOGRAPHY. [BRASSENS稧].

Brickell, Sean; Rothschild, Rich. The Pages of Rock and Roll History. 1983, Virginia: Sonning School text book [EN] MUSIC HIST, ROCK.

Sokal, Alan; Bricmont, Jean. Intellectual Impostures. Postmodern philosophers' abuse of science. 1998, London: Profile Books (274p). ISBN򈚘619�7074�9 (1publ 蒬itions Odile Jacob, Paris, 1997) [EN] POSTMODERN, DEFINE, NAT.SCI., CRITIQUE, IDEOLOGY.

Briel, Robert. Hitdossier 1958 tot 1987. 1987, Haarlem: Becht (430p) incs. retrospective chart (1945-57) when no official charts [NL] REFERENCE, CHARTS, NETHERLAND, SINGLES, 1940S, 1950S, 1960S, 1970S, 1980S.

Briggs, Asa. The Birth of Broadcasting. The History of Broadcasting in the United Kingdom, Vol 1. 1961, London: Oxford University Press [EN] RADIO, UK, CULTPOLIT., 1910S, 1920S.

Briggs, Asa. The Golden Age of Wireless. The History of Broadcasting in the United Kingdom, Vol 2. 1965, London: Oxford University Press [EN] RADIO, UK, 1930S, 1940S, 1950S, CULTPOLIT..

Briggs, Asa. Governing the BBC. 1979, London: BBC Publications [EN] CULTPOLIT., RADIO, TELEVISION, UK, ADMINISTR., ORGANISE.

Bright, Terry. Soviet crusade against pop. Popular Music, 05. 1985, Cambridge: Cambridge University Press: 123-148. ISSN�0261�1430 [EN] USSR, ROCK, YOUTH, CULTPOLIT., 1980S, NEW WAVE, PUNK, DISCO.

Brigl, Kathrin; Schmidt-Joos, Siegfried. Fritz Rau, Buchhalter det Tr鋟me. 1985, Berlin (West): Quadriga (287p) [DE] GERMANY, BRD, MUS INDUST, FESTIVAL, MANAGERS.

Brincker, Jens. Mod en post-moderne musik鎠tetik. Artes, 1985/5. 1985, Stockholm: : 40-52 [DK] DENMARK, GERMANY, EUROARTMUS, MOD.CLASS., PERCEIVE, USA.

Brindle, Reginald Smith. Contemporary Percussion. 1991, London & New York: Oxford University Press (212p). ISBN򈆥9�816247�2 [EN] INSTRUMENT, NOTATION, MUSICOLOGY.

Bristiger, Michal. Osservazioni sulla relazione di Jean-Jacques Nattiez. Secondo convegno europeo di analisi musicale. Dalmonte, Rosanna (ed); Baroni, Mario (ed). 1992, Trento: Universit� degli studi di Trento, Dipartimento di storia della civilt� europea: 567-572. ISBN�88�86135�09�2 (www.tagg.org/articles/trento91.html (1999)) [IT] MUSICOLOGY, MUS.ANALYS, CONFERENCE.

Bristol, Marc. Homegrown Music. 1982, Seattle: Madrona Publishers (144p) [EN] FOLK MUSIC, INSTRUMENT, POPULARMUS.

Britaeva, N Kh see Dukov, E V (1988).

British Broadcasting Corporation. BBC Popular Music Index. 1986, London: BBC (Microfichp) [EN] REFERENCE, BIBLIOGR., VOCAL MUS., PIANO.

Britt, Stan. The Jazz Guitarists. 1984, Poole: Blandford. ISBN򈆫13�71511�1 [EN] JAZZ, GUITAR.

Britten, Allen. Problemas de la Educaci髇 Musical en los Estados Unidos. Collegium Musicum, Bolet韓 11 (octubre de 1967). 1967, Buenos Aires: Collegium Musicum: 23 [SP] USA, ROCK, JAZZ, MUSIC EDUC, CULTPOLIT., GENRES, SOCIOLOGY.

Broadcasting Yearbook of America. 1975, Washington DC: National Association of Broadcasters (Also 1972 volume).

Brocklehurst, Brian. Response to Music - Principles of Music Education. 1971, London: Routledge & Kegan Paul. ISBN򈆫100�6949�9 [EN] MUSIC EDUC, UK.

Brockmeier, Jens; Henze, Hans Werner. Nur insofern etwas in sich selbst einen Widerspruch hat, bewegt es sich, hat Trieb und T鋞igkeit. Die Zeichen. Henze, Hans Werner (ed). 1981, Frankfurt-am-Main: Fischer: 333-366. ISBN򉁭96�26900�8 [DE] SEMIOTICS, EUROARTMUS, ORCHESTRAL, POLITSTUDY, GERMANY, C19, MUSICOLOGY, MELODY, HARMONY, MUS. FORM.

Broderick, William P (et al) see McCabe, Janet (1979?).

Br鰀l, G黱ter (ed). Die guten Kr鋐te: neue Rockmusik in 謘terreich. 1985, Wien: Hannibal (175p) [DE] AUSTRIA, ROCK, 1970S, 1980S.

Broeckx, Jan L. I Stravinsky - An Attempt at an Insight into his Historic Role. Contemporary Views on Musical Style and Aesthetics. 1979, Antwerpen: Metropolis: 7-21 [EN] MOD.CLASS., HISTORY, AESTHETICS.

Broeckx, Jan L. A Sch鰊berg - Interrelations between Compositional Systems *. Contemporary Views on Musical Style and Aesthetics. 1979, Antwerpen: Metropolis: 22-43 [EN] MOD.CLASS., HISTORY, AESTHETICS.

Broeckx, Jan L. On the Concept of Musical Value. Contemporary Views on Musical Style and Aesthetics. 1979, Antwerpen: Metropolis: 44-104 [EN] PHILOSOPHY, DEFINE, SOCIOLOGY, POLITSTUDY, MOD.CLASS., AESTHETICS.

Broeckx, Jan L. Works and Plays in Music - An Inquiry into the Ontology of Musical Products. Contemporary Views on Musical Style and Aesthetics. 1979, Antwerpen: Metropolis: 126-163 [EN] PHILOSOPHY, DEFINE, MUSICOLOGY, MOD.CLASS., EUROARTMUS, AESTHETICS.

Broekhuizen, C see Bouwman, F (1983).

Broere, Bernard J. El Chamb�: A Study of Popular Music in Nari駉 (South Colombia) Popular Music Perspectives, 2. Horn, David (ed). 1985, G鰐eborg, Exeter: IASPM: 235-251. ISBN�91�87030�00�4 [EN] COLOMBIA, FOLK MUSIC, ANTHROPOL., DEFINE, EVERYDAY, GENRES, REGIONALSM.

Broere, Bernard J. El chamb�: uno studio sulle musiche popolari del Nari駉 (Colombia meridionale) What is Popular Music? Quaderni di Musica/realt�, 8. 1985, Milano: Unicopli: 358-374. ISBN�88�7061�894�3 [IT] COLOMBIA, FOLK MUSIC, ANTHROPOL., DEFINE, EVERYDAY, GENRES, REGIONALSM.

Brolinson, Per-Erik. N錱ra funderingar kring begreppet kommersiell musik. Skriftfest: 19 uppsatser till鋑nade Martin Tegen - 60 錼. 1979, Stockholm: Institutionen f鰎 musikvetnskap: 41-51 [SV] DEFINE, AESTHETICS, EUROPE, ECONOMICS.

Brolinson, Per-Erik; Larsen, Holger. Rock... Aspekter p� industri, elektronik och sound. 1981, Stockholm: Esselte Studium (246p). ISBN�91�24�31445�5 [SV] USA, UK, SWEDEN, ROCK, COMMODITY, AESTHETICS, DEFINE, INSTRUMENT, RECORDING, SOUND.

Brolinson, Per-Erik; Larsen, Holger. ... and roll. Aspekter p� text och vokal gestaltning. 1981, Stockholm: Esselte Studium (146p). ISBN�91�24�31608�3 [SV] USA, UK, SWEDEN, ROCK, LYRICS, NVC, TIMBRE, VOICE, SOUND, INTERVIEW.

Brolinson, Per-Erik; Larsen, Holger. Rockmusikens estetik. Filosofisk tidskrift, december 1982. 1982, Stockholm: Akademilitteratur: 40-46 [SV] ROCK, AESTHETICS.

Brolinson, Per-Erik; Larsen, Holger. Popular music e valore estetico. Musica/realt�, 15. 1984, Milano: Unicopli: 9-14 [IT] ROCK, AESTHETICS, MUSICOLOGY, DEFINE.

Brolinson, Per-Erik; Larsen, Holger. N鋜 rocken slog i Sverige. Svensk rockhistoria 1955-1965. 1984, Stockholm: Sweden Music F鰎lags AB (156p). ISBN�91�86644�04�1 [SV] SWEDEN, ROCK, HISTORY, 1950S, 1960S, DANCE, MUS INDUST, MUSICIANS, ILL., RADIO.

Brolinson, Per-Erik; Larsen, Holger. Fr錸 b鰎jan - om "intro" och inledningsfunktioner hos ABBA. Tv鋜spel - 31 artiklar om musik. Festskrift till Jan Ling. 1984, G鰐eborg: Skrifter fr錸 Musikvetenskapliga institutionen, 9: 343-351. ISBN�91�85974�02�1 (Expanded version, www.tagg.org/articles/timesens.pdf (1999)) [SV] ROCK, 1970S, SWEDEN, MUSICOLOGY, MUS. FORM.

Brolinson, Per-Erik; Larsen, Holger. Satisfactions - Studier i ungdomskulturens musikestetik. 1990, Stockholm: Kungliga Musikaliska Akademiens skriftserie nr 63 (419p). ISBN�91�85428�61�2 [SV] ROCK, USA, UK, SWEDEN, YOUTH, AESTHETICS.

Brolinson, Per-Erik; Larsen, Holger. The Meaning of Rock. Some Problems Concerning the Aesthetics of Popular Music. Popular Music Research. Roe, Keith (ed); Karlsson, Ulla (ed). 1990, G鰐eborg: NORDICOM-Sweden, N� 1-2 1990: 115-120. ISSN�0349�1242 (www.tagg.org/artricles/readsound.html (1999)) [EN] ROCK, AESTHETICS, DEFINE.

Brolinson, Per-Erik; Larsen, Holger. Hittlista viestinn鋘 vaikuttajana - indikaattori vai katalysaattori? Toosa Soi. Musiiki radion kilpailuv鋖ineen�. Salminen, Kimmo (ed); Alm, Ari (ed). 1992, Helsinki: YLE Tutkimus ja kehitysosasto: 285-296. ISBN�951�43�0557�4 [SF] RADIO, CHARTS.

Brolinsson, Per-Erik; Larsen, Holger. Rockens introduktion i Sverige. 1983, Stockholm: Skrifter fr錸 Musikvetenskapliga institutionen, 4 (94p) [SV] SWEDEN, ROCK, 1950S, DANCE.

Brolinsson, Per-Erik; Larsen, Holger. The concept of `revolutionary' as a musical attribute. A conflict between the functional and the aesthetic? 1789-1989. Musique, Histoire, D閙ocratie. Colloque international organis� par Vibrations et l'IASPM, Paris 17-20 juillet 1989. Hennion (ed). 1992, Paris: 蒬itions de la Maison des Sciences de l'Homme: 525-532. ISBN򈮃531�0532�6 (in 3 volumes (ISBN 2-7531-0532-6, 0533-4, -0534-2). Soutien de la Direction de la Musique (Minist鑢e de la Culture) et du Centre d'Ethnologie fran鏰ise. Vol 1 pp 1-260, vol 2 pp 263-506, vol 3 pp 509-829) [EN] ROCK, AESTHETICS, SOCIOLOGY, DEFINE, SWEDEN.

Brolinsson, Per-Erik; Andersson, Joakim. N錱ra hypoteser kring harmonikens roll i svensk nationalromantik. Svenskhet i musiken. Larsen, Holger (ed). 1993, Stockholm: Skrifter fr錸 Musikvetenskapliga institutionen nr 7: 31-43. ISBN�91�972063.

Bronner, Simon J. Old-Time Music Makers of New York State. 1987, Syracuse, New York: Syracuse University State (270p) [EN] USA, MUSIC HIST, MUSIC MAKE, COMPOSE, MUSICIANS. [NEW穀ORK稴TATE].

Bronson, Harold. Rock Explosion: the British Invasion of America in Photos. 1986, Poole: Blandford Press. Santa Monica: Rhino PRess (128p) [EN] UK, USA, ROCK, 1960S, ILL..

Brook, Barry (ed); Downes, E (ed); Solkema, S van (ed). Perspectives in Musicology. 1975, New York: W W Norton (365p). ISBN򈆧93�00784�7 [EN] MUSICOLOGY, USA, HISTORY, ARCHIVIST, MUS.ANALYS, EUROARTMUS, COMPOSE, MOD.CLASS..

Brook, Barry see Reese, Gustave (1975).

Brooks, Clive. How to Form a Sucessful Band. 1989, London: Virgin (199p) [EN] HANDBOOK, GROUPS, MUS INDUST, BANDS.

Brooks, Tilford. America's Black Musical Heritage. 1984, Englewood Cliffs, NJ: Prentice-Hall. ISBN򈆥30�24315�9 [EN] USA, AFR-AMER., MUSIC HIST, HISTORY.

Brooks, William. On Being Tasteless. Popular Music, 02. 1982, Cambridge: Cambridge University Press: 9-18 [EN] GENRES, CRITIQUE, DEFINE.

Broomfield, Howard. In Doig People's Ears. Canadian University Music Review, 1984/5. 1985, Ottawa/Montr閍l: 123-135. ISSN�0710�0353 [EN] ANTHROPOL., FOLK MUSIC, MOD.CLASS., CANADA.

Brophy, Philip. Avant Garde Rock: history in the making? Missing in Action: Australian Popular Music. Breen, Marcus (ed). 1987, Melbourne: Verbal Graphics Pty: 126-145. ISBN򈆫316�0472�5 [EN] AUSTRALIA, ROCK, AVANTGARDE.

Brosh, John. Guitar Gear. 1985, New York: Quill/Guitar Player (254p) [EN] GUITAR, INSTRUMENT, TECHNOLOGY, SKILLS, ELECTRONIC, EL.INSTR., ELECTROAC..

Brosnac, Donald. The Steel Sring Guitar: Its Construction, Origin & Design. 1975, Los Angeles, CA.: Panjandrum Press (112p). ISBN򈆭15572�03�6 [EN] GUITAR, INSTRUMENT, TECHNOLOGY, HANDBOOK, PHOTOGRAPH.

Brosnac, Donald. The Electric Guitar. 1975, San Francisco: Panjandrum Press (95p). ISBN򈆭15572�00�1 [EN] GUITAR, TECHNOLOGY, HANDBOOK.

Brosta, Joseph. Key and BPM 1987 Annual Guide to Dance Music. 1988, Northridge, CA.: Time Warp Books (192p) [EN] REFERENCE, DANCE, USA, DANCEMUSIC.

Broughton, Bruce. Interview. The Score. Interviews with Film Composers. Schelle, Michael (ed). 1999, Los Angeles: Silman-James: 87-126. ISBN򈚘79505�40�1 [EN] FILM MUSIC, USA.

Broughton, Simon (ed); Ellingham, Mark (ed); Muddyman, David (ed); Trillo, Richard (ed); Burton, Kim (ed). World Music: The Rough Guide. 1994, London: Penguin (697p) Reviewed in Popular Music 15/2 by Martin Stokes [EN] WORLD MUS., REFERENCE.

Broughton, Viv. Black Gospel: an Illustrated History of the Gospel Sound. 1985, Poole: Blandford Press. New York: Sterling (165p) [EN] USA, UK, HISTORY, GOSPEL, AFR-AMER..

Brouwer, Leo. La musica, il cubano e l'innovazione. Musica/Realt�, 36. 1991, Milano: Unicopli: 103-116. ISBN�88�400�0267�7 [IT] CUBA, INNOVATE, MOD.CLASS., CARIBBEAN, RHYTHM.

Broven, John. Walking to New Orleans. The Story of New Orleans Rhythm and Blues. 1974, Bexhill-on-Sea: Blues Unlimited (15+249p) [EN] R&B, USA, ILL., 1940S, 1950S, 1960S, MUSICIANS, RADIO, PHONOGRAM, TRAD JAZZ.

Broven, John. South to Louisiana: the Music of the Cajun Bayous. 1984, Gretna, La: Pelican Publishing. ISBN򈆬82�89300�9 paperback: 1987 ISBN 0-882-89608-3 [EN] USA, BLUES, ZYDECO, CAJUN, R&B, MUSIC HIST. [Swamp穊lues; Swamp穚op].

Brown, Adam; O'Connor, Justin; Cohen, Sara. Local music policies within a global music industry. Cultural Quarters in Manchester and Sheffield. Popular Music: Intercultural Interpretations. Mitsui, T魊u (ed). 1998, Kanazawa: Graduate Program in Music, Kanazawa University: 246-260. ISBN򉕝980684򈚕.

Brown, Charles. The Art of Rock'N'Roll. 1983, Engelwood Cliffs, NJ: Prentice-Hall (202p) [EN] ROCK, MUSIC HIST, C19, AFR-AMER., USA, HISTORY.

Jazz Research Papers 1982. Brown, Charles (ed). 31982, Manhattan, Kansas: NAJE (137p) [EN] JAZZ, RESEARCH, EDUCATION, 1980S.

Brown, Charles T (ed). Proceedings of NAJE Research 1983. 1983, Manhattan, Kansas: National Association of Jazz Educators (PO Box 724) (202p) [EN] JAZZ, RESEARCH, CONFERENCE.

Brown, Charles T. Music U.S.A.: America's Country & Western Tradition. 1986, Englewood Cliffs: Prentice Hall (215p) [EN] USA, C&W.

Brown, Cyril see Brown, Ron (1985).

Brown, H M. Paroles et musique: Willaert, la chanson et le madrigal vers 1540. La chanson � la Renaissance. Vaccaro, Jean-Michel (ed). 1981, Tours: Van de Velde: 209-242. ISBN򈮄5868�067�1 (Actes du XXe Colloque d'蓆udes humanistes du Centre d'蓆udes Sup閞ieures de la Renaissance de l'Universit� de Tours. Juillet 1977) [FR] C16, EUROARTMUS, VOICE, BELGIUM. [Willaert,稟dria].

Brown, James; Tucker, Bruce (ed). James Brown: the Godfather of Soul. 1986, New York: Macmillan (320p) [EN] SOUL, BIOGRAPHY, USA.

Brown, James; Tucker, Bruce (ed). James Brown: the Godfather of Soul. 1987, London: Sidgwick and Jackson (336p) Reviewed in Popular Music, 7/3: 354 ff [EN] SOUL, GOSPEL, USA, BIOGRAPHY, ROCK. [BROWN稪ames].

Brown, Len; Friedrich, Gary. The Encyclopedia of Rock and Roll. 1970, New York: Tower Publications [EN] USA, ROCK, REFERENCE.

Brown, Marion. Recollections: Essays, Drawings, Miscellanea. 1984, Frankfurt: Jergen A. Schmitt Publications. ISBN򉁱23�39603�1 [EN] JAZZ.

Brown, Peter; Gaines, Steven. The Love You Make. An Insider's Story of the Beatles. 1983, New York: McGraw Hill [EN] UK, LIVERPOOL, ROCK, 1960S.

Brown, Rae Linda. Music, Printed and Manuscript, in the James Weldon Johnson Memorial Collection of Negro Arts and Letters: an Annotated Catalog. 1982, New York & London: Garland Publishgin (348p) [EN] AFR-AMER., ARCHIVIST, LITERATURE, REFERENCE, CATALOGUE.

Brown, Ron; Brown, Cyril. Georgia on My Mind: the Nat Gonella Story. 1985, Horndean: Milestone (192p) [EN] TRUMPET, JAZZ, BIOGRAPHY, UK.

Brown, Ros. A Total Program of Sound. Sound Practice. Drever, John Levack (ed). 2001, Dartington: UKISC (UK and Ireland Soundscape Community): 16-23 (Papers from the 1st UKISC conference on sound culture and environments, Dartington College of Arts, 16-20 February 2001) [EN] SOUNDSCAPE.

Brown, Royal S. Overtones and Undertones. Reading Film Music. 1995, Berkeley: University of California Press (x+396p). ISBN򈆩20�08544�2 [EN] FILM MUSIC, MUSIC EXX., INTERVIEW, BIOGRAPHY, USA, FRANCE. [Korngold,稥稺; Rsa,稭ikl; Eisenstein,稴; Prokofiev,稴; Godard,稪ean-L; Raksin,稤avid; Herrmann,稡; Mancini,稨enry; Jarre,稭aurice; 1 Schifrin,稬alo; 1 Barry,稪ohn].

Brown, Scott E. James P Johnson: a Case of Mistaken Identity. 1986, Metuchen & London: Scarecrow Press (500p) [EN] BLUES, PIANO, MUSICIANS, BIOGRAPHY, USA, 1930S.

Browne, Ray B (ed). The Popular Culture Explosion. 1972, Iowa City, IA.: William C. Brown [EN] CULT.STUDY, HISTORY.

Browne, Ray B. The Alabama Folk Lyric: a Study in Origins and Media of Dissemination. 1979, Bowling Green, Ohio: Bowling Green State University Popular Press (480p) [EN] USA, LYRICS, MUSIC HIST, CULT.STUDY. [ALABAMA].

Browne, Ray B. Against Academia: the History of the Popular Culture Association/American Culture Association and the Popular Culture Movement, 1967-1988. 1989, Bowling Green, Ohio: Bowling Green State University Press (195p) [EN] CULT.STUDY, CULTPOLIT., COMMUNICAT, SOCIOLOGY, USA.

Browne, Ray B see Geist, Christopher D (1989).

Brownlow, Kevin. The Parade's Gone By. 1968, London: Secker & Warburg [EN] FILM MUSIC.

Bruce, Graham D. Bernard Herrmann: film music and narrative. Studies in Cinema, 38. 1985, Ann Arbor (MI): University Microfilms International (UMI): 248. ISBN򈆬357�1709�7 Revision of author's Ph.D. thesis, New York (1982) [EN] HOLLYWOOD, FILM, FILM MUSIC, COMPOSE, ORCHESTRAL, HARMONY, MUSIC EXX., MUS.ANALYS, DISCOGR.. [HERRMANN稡; VERTIGO; OBSESSION; PSYCHO; MURDER].

Bruce, Graham Donald. Bernard Hermann: Film Music and Narrative. 1982, New York: New York University - Doctoral Diss. (425p) [EN] USA, AESTHETICS, COMPOSE, BIOGRAPHY, HOLLYWOOD, FILM.

Bru閞, Jan; Westin, Lars. Jazz - musik, m鋘niskor, milj鰁r. 1974, Stockholm: Prisma (160p). ISBN�91�518�0834稾 [SV] EDUCATION, JAZZ, HISTORY, ILL., MUSIC EDUC, USA, EUROPE, SWEDEN.

Bruhn, Herbert. Psychomotorik. Musikpsychologie - ein Handbuch. Bruhn, Herbert (ed); Oerter, Rolf (ed); R鰏ing, Helmut (ed). 1985, M黱chen: Urban & Schwarzenberg: 156-168. ISBN򉁭41�14291稾 [DE] PSYCHOLOGY, NEUROLOGY, DEFINE.

Bruhn, Herbert. Laienmusizieren. Musikpsychologie - ein Handbuch. Bruhn, Herbert (ed); Oerter, Rolf (ed); R鰏ing, Helmut (ed). 1985, M黱chen: Urban & Schwarzenberg: 399-406. ISBN򉁭41�14291稾 [DE] AMATEURS, D.I.Y., STATISTICS, BRD.

Bruhn, Herbert. Sinfonieorchester. Musikpsychologie - ein Handbuch. Bruhn, Herbert (ed); Oerter, Rolf (ed); R鰏ing, Helmut (ed). 1985, M黱chen: Urban & Schwarzenberg: 417-423. ISBN򉁭41�14291稾 [DE] ORCHESTRAL, EUROARTMUS, PERFORM, MUSICIANS, PSYCHOLOGY, PERCEIVE.

Bruhn, Herbert. Traditionelle Methode der Musikbeschreibung. Musikpsychologie - ein Handbuch. Bruhn, Herbert (ed); Oerter, Rolf (ed); R鰏ing, Helmut (ed). 1985, M黱chen: Urban & Schwarzenberg: 494-502. ISBN򉁭41�14291稾 [DE] PSYCHOLOGY, PERCEIVE, STATISTICS, METHODOL., MUSICOLOGY.

Bruhn, Herbert; R鰏ing, Helmut. Periodika. Musikpsychologie - ein Handbuch. Bruhn, Herbert (ed); Oerter, Rolf (ed); R鰏ing, Helmut (ed). 1985, M黱chen: Urban & Schwarzenberg: 545-546. ISBN򉁭41�14291稾 [DE] PSYCHOLOGY, BIBLIOGR., BRD.

Bruhn, Herbert see Pflederer-Zimmermann, M (1985).

Bruhn, Herbert see R鰏ing, Helmut (1985).

Musik und Psychologie - Musikpsychologie. Musikpsychologie - ein Handbuch. Bruhn, Herbert (ed); Oerter, Rolf (ed); R鰏ing, Helmut (ed). 1985, M黱chen: Urban & Schwarzenberg: 3-11. ISBN򉁭41�14291稾 [DE] PSYCHOLOGY, MUSICOLOGY, DEFINE.

Bruhn, Herbert (ed). Musikpsychologie. Ein Handbuch in Schl黶selbegriffen. Oerter, Rolf (ed); R鰏ing, Helmut (ed). 1985, M黱chen: Urban & Schwarzenberg (582p). ISBN򉁭41�14291稾 [DE] PSYCHOLOGY, NEUROLOGY, ACOUSTICS, STATISTICS, PERCEIVE, SKILLS, MUSIC EDUC, SOCIALISAT, SOCIOLOGY, GENRES.

Bruhn, Herbert see R鰏ing, Helmut (1985).

Bruhn, Herbert; Oerter, Rolf; R鰏ing, Helmut. Musik und Psychologie - Musikpsychologie. Musikpsychologie - Ein Handbuch. Bruhn, Herbert (ed); Oerter, Rolf (ed); R鰏ing, Helmut (ed). 1993, Reinbek bei Hamburg: Rowohlts Enzyklop鋎ie: 13-20. ISBN򉁬99�55526�3 [DE] PSYCHOLOGY, MUSICOLOGY, DEFINE.

Bruhn, Herbert; R鰏ing, Helmut. Geschichte der Musikpsychology. Musikpsychologie - Ein Handbuch. Bruhn, Herbert (ed); Oerter, Rolf (ed); R鰏ing, Helmut (ed). 1993, Reinbek bei Hamburg: Rowohlts Enzyklop鋎ie: 21-42. ISBN򉁬99�55526�3 [DE] PSYCHOLOGY, MUSICOLOGY, DEFINE, HISTORY.

Bruhn, Herbert; R鰏ing, Helmut. Typologie der Musikh鰎er. Musikpsychologie - Ein Handbuch. Bruhn, Herbert (ed); Oerter, Rolf (ed); R鰏ing, Helmut (ed). 1993, Reinbek bei Hamburg: Rowohlts Enzyklop鋎ie: 130-135. ISBN򉁬99�55526�3 [DE] PSYCHOLOGY, MUSICOLOGY, DEFINE, PERCEIVE, GROUPS.

Bruhn, Herbert. Berufsmusiker. Musikpsychologie - Ein Handbuch. Bruhn, Herbert (ed); Oerter, Rolf (ed); R鰏ing, Helmut (ed). 1993, Reinbek bei Hamburg: Rowohlts Enzyklop鋎ie: 147-156. ISBN򉁬99�55526�3 [DE] PSYCHOLOGY, SOCIOLOGY, DEFINE, MUSICIANS, WORK.

Bruhn, Herbert; R鰏ing, Helmut. Amateurmusiker. Musikpsychologie - Ein Handbuch. Bruhn, Herbert (ed); Oerter, Rolf (ed); R鰏ing, Helmut (ed). 1993, Reinbek bei Hamburg: Rowohlts Enzyklop鋎ie: 221-227. ISBN򉁬99�55526�3 [DE] PSYCHOLOGY, MUSICIANS, DEFINE, AMATEURS.

Bruhn, Herbert; Oerter, Rolf. Die erste Lebensmonate. Musikpsychologie - Ein Handbuch. Bruhn, Herbert (ed); Oerter, Rolf (ed); R鰏ing, Helmut (ed). 1993, Reinbek bei Hamburg: Rowohlts Enzyklop鋎ie: 276-282. ISBN򉁬99�55526�3 [DE] PSYCHOLOGY, DEFINE, CHILDREN, NEUROLOGY, ACOUSTICS.

Bruhn, Herbert. Singen und Erkennen von Melodien. Musikpsychologie - Ein Handbuch. Bruhn, Herbert (ed); Oerter, Rolf (ed); R鰏ing, Helmut (ed). 1993, Reinbek bei Hamburg: Rowohlts Enzyklop鋎ie: 283-291. ISBN򉁬99�55526�3 [DE] PSYCHOLOGY, DEFINE, CHILDREN, MELODY, SINGING.

Bruhn, Herbert. Rhytmus in Wahrnehmung und musikbezogener Handlung. Musikpsychologie - Ein Handbuch. Bruhn, Herbert (ed); Oerter, Rolf (ed); R鰏ing, Helmut (ed). 1993, Reinbek bei Hamburg: Rowohlts Enzyklop鋎ie: 292-298. ISBN򉁬99�55526�3 [DE] PSYCHOLOGY, DEFINE, CHILDREN, RHYTHM, PERCEIVE.

Bruhn, Herbert. Geschichte der Musiktherapie. Musikpsychologie - Ein Handbuch. Bruhn, Herbert (ed); Oerter, Rolf (ed); R鰏ing, Helmut (ed). 1993, Reinbek bei Hamburg: Rowohlts Enzyklop鋎ie: 382-387. ISBN򉁬99�55526�3 [DE] PSYCHOLOGY, DEFINE, SOCIALISAT, EDUCATION, HEALTH, HISTORY.

; Bruhn, Herbert; Decker-Voigt, Hans-Helmut. Selbstverst鋘dnis der Musiktherapie. Musikpsychologie - Ein Handbuch. Bruhn, Herbert (ed); Oerter, Rolf (ed); R鰏ing, Helmut (ed). 1993, Reinbek bei Hamburg: Rowohlts Enzyklop鋎ie: 405-411. ISBN򉁬99�55526�3 Self-conception of Music Therapy [DE] PSYCHOLOGY, DEFINE, SOCIALISAT, EDUCATION, HEALTH.

Bruhn, Herbert; Frank-Bleckwedel, Eva Maria. Rezeptive Musiktherapie. Musikpsychologie - Ein Handbuch. Bruhn, Herbert (ed); Oerter, Rolf (ed); R鰏ing, Helmut (ed). 1993, Reinbek bei Hamburg: Rowohlts Enzyklop鋎ie: 412-416. ISBN򉁬99�55526�3 [DE] PSYCHOLOGY, DEFINE, SOCIALISAT, EDUCATION, HEALTH, PERCEIVE.

Bruhn, Herbert; Frank-Bleckwedel, Eva Maria; Decker-Voigt, Hans-Helmut. Aktive Musiktherapie. Musikpsychologie - Ein Handbuch. Bruhn, Herbert (ed); Oerter, Rolf (ed); R鰏ing, Helmut (ed). 1993, Reinbek bei Hamburg: Rowohlts Enzyklop鋎ie: 417-423. ISBN򉁬99�55526�3 [DE] PSYCHOLOGY, DEFINE, SOCIALISAT, EDUCATION, HEALTH, SINGING, MUSIC MAKE.

Bruhn, Herbert. Musikinstrumente in der Musiktherapie. Musikpsychologie - Ein Handbuch. Bruhn, Herbert (ed); Oerter, Rolf (ed); R鰏ing, Helmut (ed). 1993, Reinbek bei Hamburg: Rowohlts Enzyklop鋎ie: 424-430. ISBN򉁬99�55526�3 [DE] PSYCHOLOGY, DEFINE, SOCIALISAT, EDUCATION, HEALTH, INSTRUMENT, MUSIC MAKE.

Bruhn, Herbert. Tonpsychologie - Geh鰎spsychologie - Musikpsychologie. Musikpsychologie - Ein Handbuch. Bruhn, Herbert (ed); Oerter, Rolf (ed); R鰏ing, Helmut (ed). 1993, Reinbek bei Hamburg: Rowohlts Enzyklop鋎ie: 439-451. ISBN򉁬99�55526�3 [DE] PSYCHOLOGY, DEFINE, PITCH, MELODY, SOCIALISAT.

Bruhn, Herbert. Klang, Ton und Akkord. Musikpsychologie - Ein Handbuch. Bruhn, Herbert (ed); Oerter, Rolf (ed); R鰏ing, Helmut (ed). 1993, Reinbek bei Hamburg: Rowohlts Enzyklop鋎ie: 452-458. ISBN򉁬99�55526�3 [DE] PSYCHOLOGY, DEFINE, PITCH, HARMONY, SOCIALISAT, TIMBRE.

Bruhn, Herbert, Helmut. Komposition. Musikpsychologie - Ein Handbuch. Bruhn, Herbert (ed); Oerter, Rolf (ed); R鰏ing, Helmut (ed). 1993, Reinbek bei Hamburg: Rowohlts Enzyklop鋎ie: 514-519. ISBN򉁬99�55526�3 [DE] PSYCHOLOGY, DEFINE, SOCIALISAT, COMPOSE.

Bruhn, Herbert. Reproduktion und Interpretation. Musikpsychologie - Ein Handbuch. Bruhn, Herbert (ed); Oerter, Rolf (ed); R鰏ing, Helmut (ed). 1993, Reinbek bei Hamburg: Rowohlts Enzyklop鋎ie: 529-538. ISBN򉁬99�55526�3 [DE] PSYCHOLOGY, DEFINE, SOCIALISAT, PERFORM.

Bruhn, Herbert. Ged鋍htnis und Wissen. Musikpsychologie - Ein Handbuch. Bruhn, Herbert (ed); Oerter, Rolf (ed); R鰏ing, Helmut (ed). 1993, Reinbek bei Hamburg: Rowohlts Enzyklop鋎ie: 539-545. ISBN򉁬99�55526�3 =Cognition and Knowledge [DE] PSYCHOLOGY, DEFINE, SOCIALISAT, PERFORM.

Bruhn, Herbert; Michel, Dieter. H鰎en im Raum. Musikpsychologie - Ein Handbuch. Bruhn, Herbert (ed); Oerter, Rolf (ed); R鰏ing, Helmut (ed). 1993, Reinbek bei Hamburg: Rowohlts Enzyklop鋎ie: 650-654. ISBN򉁬99�55526�3 Hearing in spaces [DE] PSYCHOLOGY, DEFINE, NEUROLOGY.

Bruhn, Herbert; Oerter, Rolf; R鰏ing, Helmut. Musik und Psychologie - Musikpsychologie. Musikpsychologie - Ein Handbuch. Bruhn, Herbert (ed); Oerter, Rolf (ed); R鰏ing, Helmut (ed). 1993, Reinbek bei Hamburg: Rowohlts Enzyklop鋎ie: 13-20. ISBN򉁬99�55526�3 [DE] PSYCHOLOGY, MUSICOLOGY, DEFINE.

Bruhn, Herbert. Visceralmente: New Age, la ragione, le emozioni e le tradizioni tedesche. PUM 9. 1996, Assisi: Edizioni Musicali Pro Civitate Christiana: 66-73 (Progetto Uomo - Musica, 9 (gennaio 1996). Educazione / Animazione / Terapia / Ricerca) [IT] PSYCHOLOGY, YOUTH, NEW AGE, GERMANY.

Brunelli, O G see Hidalgo, M (1985).

Brunet, Alain. Le juke-box pass� au microscope. La Presse Dimanche, 1985-08-11. 1985, Montr閍l: La Presse: 62 [FR] PT, IASPM, QU怋EC, CANADA, CONFERENCE, REVIEW.

Brunet, Alain. Ideas, projects and initiatives -- rhythmic music policy in France. Rhythmic Music Education. 1996, Copenhagen: Danish Music Council: 78-85. ISBN򈆤5001035�2 [EN] CONFERENCE, RHYTHM, EDUCATION, FRANCE.

Brunner, Lance W. Il repertorio orchestrale su disco prima della compasa del long-playing. Musica/realt�, 18. 1985, Milano: Unicopli: 93-152 [IT] EUROARTMUS, PHONOGRAM, MUS INDUST, SOUND, AESTHETICS, USA, EUROPE, STATISTICS.

Brunner, Rapha雔. Mod閘isation ostensive-inf閞entielle de l'oeuvre musicale moderne: la r閟istance au langage et au texte. Musical Semiotics in Growth. Tarasti, Eero (ed). 1996, Bloomington, Imatra: Indiana University Press (International Semiotics Institute). Also Acta Semiotica Fennica IV: 219-244. ISBN򈆦53�21009�7 [FR] SEMIOTICS, MOD.CLASS..

Brunner, Rapha雔. La po閠ique de l'instant dans l'oeuvre d'Henry Dutilleux. Musical Signification: Between Rhetoric and Pragmatics. 1998, Bologna: CLUEB (Cooperativa Libraria Universitaria Editrice Bologna)/International Semiotics Institute: 517-526 [FR] SEMIOTICS, RHETORIC, EUROARTMUS, C20, AVANTGARDE.

Brunning, Bob. The Blues: the British Connection. 1986, Poole: Blandford Press (256p) [EN] BLUES, UK, 1960S, R&B.

Brush, Leif. Aspects of the terrain instruments. The Tuning of the World, Vol 2 - Proceedings of The First International Conference on Acoustic Ecology, 8-14 August 1993. 1993, Banff: Banff Center for the Arts: D [EN] SOUNDSCAPE.

Brusila, Johannes. The music industry of Zimbabwe. From vinyl to piracy. Music on Show: Issues of Performance. Hautam鋕i, Tarja (ed); J鋜viluoma, Helmi (ed). 1998, Tampere: Department of Folk Tradition: 52-55. ISBN�951�44�4290�3 [EN] IASPM, CONFERENCE, MUS INDUST, E AFRICA.

Bruston, A. Entendre ou voir? Musique en jeu, 24. 1976, Paris: Editions du Seuil: 65-67 [FR] URBAN, EUROPE, SOCIOLOGY, MUSIC USES, ARCHITECT., SOUND, SOUNDSCAPE, PERCEIVE, VIS. ARTS.

Brutti, Carlo. Quel muoversi da, quel transire. Quaderni di musica apllicata, 18. Musica "fuori di s�". Stefani, Gino (ed). 1996, Assisi: CEP/Sezione Musica, Pro Civitate Christiana: 21-24 [IT] MUSTHERAPY.

Bruyninckx, Walter. Sixty Years of Recorded Jazz. 197?, Mechelen: The Author [EN] JAZZ, DISCOGR..

Bruyninckx, Walter. Jazz Discography: Swing (Vols 1-2). 1986, Mechelen: Bruyninckx [EN] JAZZ, SWING, DISCOGR..

Bruyr, Jos�. L'op閞ette. 1974, Paris: PUF (Que sais-je? 1006) (128p) [FR] OPERETTA, FRANCE, ITALY, EUROPE, HISTORY, OPERA, AUSTRIA.

Bryan, George F. The Folk Music Enigma. Tennessee Folklore Bulletin, 25/2 (June 1949). [EN] VVA, C&W, FOLK MUSIC, EL.INSTR..

Bryant, Boudleaux see Bryant, Felix (1975).

Bryant, Felix; Bryant, Boudleaux. Interview. In Their Own Words. Pollock, Bruce (ed). 1975, New York: Collier/Macmillan: 135-146 [EN] LYRICS, INTERVIEW, USA, ROCK, 1950S, 1960S, 1970S, COMPOSE, LITERATURE.

Brymer, Jack. Clarinet. 1976, London: Macdonald & Jane's (259p). ISBN򈆧56�08414�0 [EN] HISTORY, ACOUSTICS, MUSICOLOGY, EDUCATION, PERFORM, CLARINET, WOODWIND.

Buch, Esteban. La neuvi鑝e de Beethoven. Une histoire politique. 1999, Paris: Gallimard (364p). ISBN򈭼7�075118稾 [FR] EUROARTMUS, C19, AESTHETICS, SOCIOLOGY, POLITICAL. [Beethoven,稬穠; National稟nthem].

Buchanan, Loren G. The Art of composing Music Scores for Films. Film Music: from Violins to Video. Limbacher, James L (ed). 1974, Metuchen (NJ): Scarecrow Press: 25-28. ISBN򈆬108�0651�7 1 publ Motion Picture Herald 235:12/1965 [EN] FILM MUSIC, COMPOSE, HOLLYWOOD.

B點her, Karl (1930). Der Rhythmus als 鰇onomisches Entwicklungsprinzip. Musik und Gesellschaft, 01/2. Kolland, Dorothea (ed). 1978, Berlin: Das europ鋓sche Buch: 44-46. ISBN򉁱20�30383�0 (Reprint of original periodical) [DE] GERMANY, 1930S, WORK, MUZAK, RHYTHM.

Buchman, Andrew. The complementarity of musical technology. 1789-1989. Musique, Histoire, D閙ocratie. Colloque international organis� par Vibrations et l'IASPM, Paris 17-20 juillet 1989. Hennion (ed). 1992, Paris: 蒬itions de la Maison des Sciences de l'Homme: 615-622. ISBN򈮃531�0532�6 (in 3 volumes (ISBN 2-7531-0532-6, 0533-4, -0534-2). Soutien de la Direction de la Musique (Minist鑢e de la Culture) et du Centre d'Ethnologie fran鏰ise. Vol 1 pp 1-260, vol 2 pp 263-506, vol 3 pp 509-829) [EN] TECHNOLOGY, MONEY, MIDI.

Buchner, Alexandr. Mechanical instrument. Groves Dictionary of Music and Musicians. [EN] INSTRUMENT, HISTORY, ILL., TECHNOLOGY.

Buchner, Gerhard. Musiklexikon: allgemeine Musiklehre, Formen-und Harmonielehr Musikgeschichte, Instrumentenkunde, Komponisten und Interpreten der E- und U-Musik von A-Z. 1987, M黱chen: Humboldt (255p) [DE] REFERENCE, JAZZ, ROCK, POPULARMUS.

Bucht, Gunnar. Den svenska s錸gen? Kring andra satsen ur Lidholms 'Toccata e canto'. Svenskhet i musiken. Larsen, Holger (ed). 1993, Stockholm: Skrifter fr錸 Musikvetenskapliga institutionen nr 7: 44-48. ISBN�91�972063.

Buck, Elizabeth B see Robinson, Deanna Campbell (1991).

Buckland, Theresa Jill. Institutions and Ideology in the Dissemination of Morris Dances in the Northwest of England. Yearbook for Traditional Music, 23. 1991, New York: International Council for Traditional Music: 53-68. ISSN�0740�1558 [EN] UK, DANCE, FOLK MUSIC, EDUCATION, CULTPOLIT..

Buckle, Richard see Leggett, Pete (1982).

Buckley, Gail Lumet. The Hornes: an American Family. 1986, New York: Knopf [EN] USA, BIOGRAPHY, SCHLAGER, MOR, FAMILY.

Bucknor, Segun. The Big Battle: Pop vs. Juju. Drum Magazine. 1976, 20 September [EN] NIGERIA, POPULARMUS, ACCULTUR.. [Juju].

Budds, Michael J. Jazz in the Sixties: the Expansion of Musical Resources and Techniques. 1978, Iowa City: University of Iowa Press. ISBN򈆬77�45087�0 [EN] USA, JAZZ, 1960S, METHODOL., MUSICOLOGY.

Buelow, George J. Rhetoric and music. The New Grove Dictionary of Music and Musicians, 15. 1980, London: Macmillan: 793-803. ISBN򈚕6159�174�2 [EN] AFFECT, SEMIOTICS, MUSICOLOGY, MUSIC EXX., BAROQUE, RENAISSNC., C16, C17.

Buerkle, Jack V. Bourbon Street Black: the New Orleans Black Jazzman. 1973, New York: Oxford University Press [EN] USA, JAZZ, NEWORLEANS, MUSICIANS, AFR-AMER..

Buhl, Claus. Kan en trommesolo s鎙ge guld鰈? Modspil, 8/34. 1987, 舝hus: PubliMus: 37-40. ISSN�0105�9238 ="Can a drum solo sell golden beer?" [DK] DENMARK, ADVERTS, DRUMS, MONEY.

Buhl, Claus. It takes a lot of soul, man. Noter omkring rockmusikkens v鎠en. Dansk Musiktidskrift, 1986/4. 1987, K鯾enhavn: 169-171 [DK] ROCK, AESTHETICS, PERCEIVE, 1980S, SOUL.

Buhle, Paul (ed). Popular Culture in America. 1987, Minneapolis: University of Minnesota Press (271p) Includes music pieces by James Spady, George Lupsitz and [EN] ANTHOLOGY, USA, CULT.STUDY.

Bujic, Bojan. Nationalismes et traditions nationales. Musiques du XXe si鑓le (Musiques, vol. 1). Nattiez, Jean-Jacques (ed). 2003, Paris: Actes Sud/Cit� de la musique: 175-194. ISBN򈮃427�4204�2 (1pub Einaudi, Torino, 2001) [FR] SPAIN, HUNGARY, POLAND, CZECHOSLOV, UK, L AMERICA, USA, RUSSIA, USSR, GERMANY.

Bukofzer, Manfred (1930). Zur Frage der Wirklichkeit des Musizierens. Musik und Gesellschaft, 01/5. Kolland, Dorothea (ed). 1978, Berlin: Das europ鋓sche Buch: 147-151. ISBN򉁱20�30383�0 (Reprint of original periodical) [DE] GERMANY, 1930S, IDEALISM, MUSIC MAKE, EVERYDAY.

Bull, Michael. Sounding out the City. Personal stereos and the management of everyday life. 2000, Oxford & New York: Berg (vii+208p). ISBN򈚘5973�342�5 [EN] PSYCHOLOGY, SOCIOLOGY, SOUNDSCAPE, CULT.STUDY, ANTHROPOL., INTERVIEW, TECHNOLOGY. [Walkman].

Bull, Michael. Putting Sound Back intoe Urban and Cultural Studies: Investigating the Everyday World of Personal Stereo Users. Sound Practice. Drever, John Levack (ed). 2001, Dartington: UKISC (UK and Ireland Soundscape Community): 24-34 (Papers from the 1st UKISC conference on sound culture and environments, Dartington College of Arts, 16-20 February 2001) [EN] SOUNDSCAPE.

Bull-Hansen, Haaken. Rock: ni norske historier. 1984, Oslo: J W Cappelan (127p) [NO] ROCK, NORWAY.

Bullen, Margaret. Chicha in the shanty towns of Arequipa, Peru. Popular Music, 12/3. Fairley, Jan (ed); Laing, Dave (ed). 1993, Cambridge: Cambridge University Press: 229-244. ISBN򈆩21�44818�2 [EN] PERU, YOUTH, ROCK, FOLK MUSIC, ANDEAN, HUAYNO, GENRES, ANTHROPOL..

Bundgaard, Ole; Jespersen, Hanne Tofte. "Jeg gidder ikke hoppe p� den med 40 videoer og st鰎re og st鰎re lyd". Modspil, 8/34. 1987, 舝hus: PubliMus: 16-23. ISSN�0105�9238 [DK] DENMARK, ROCK, POLITICAL, SOCIALISM, PROGRESSIV, 1980S, INTERVIEW.

Bundgaard, Ole; Jespersen, Hanne Tofte. Parcelhus Pop eller Personligt udtryk. Interview med Anne Dorte Michelsen. Modspil, 8/34. 1987, 舝hus: PubliMus: 24-28. ISSN�0105�9238 [DK] DENMARK, ROCK, INTERVIEW, WOMEN, 1980S.

Bundgaard, Peder. Jeg - en omslagsdesigner. Skivomslag. 1981, Stockholm: Nationalmuseum: 31-42. ISBN�91�7100�197�2 [DK] VIS. ARTS, LPs, ROCK.

Burbat, Wolf. Die Harmonik des Jazz. 1988, Munich: Deutscher (177p) [DE] IMPROVISE, ARRANGE, COMPOSE, MUSIC HIST, BLUES, JAZZ, SWING, BEBOP, ROCK, HARMONY. [MODAL稪AZZ; ROCK稪AZZ; NEW稰OP; FUSION; JAZZ稲OCK].

Burch, No雔. On the Structural Use of Sound. Film Sound - Theory and Practice. Weis, Elisabeth (ed); Belton, John (ed). 1985, New York: Columbia University Press: 181-199. ISBN򈆦31�05637�0 [EN] FILM, SOUND, MUSIC USES, AESTHETICS.

Burchi, Raffaele. Hermes e Apollo: i cerchi della conoscenza. Musicoterapia nella globalit� dei linguaggi. 1997, Bologna: Fuori Thema / Gio Editing: 151-180 [IT] MUSTHERAPY.

Burchill, Julie; Parsons, Tony. The Boy Looked at Johnny - the Obituary of Rock and Roll. 1978, London: London: Pluto Press. ISBN 0-86104-030-9-X (96p). ISBN򈆬6104�0309稾 [EN] ROCK, POLITSTUDY, USA, UK, MUS INDUST, PUNK, NEW WAVE, CONSUME.

Burckhardt Qureshi, Regula. His Master's Voice? Exploring Qawwali and 'Gramophone Culture' in South Asia. Popular Music 18/1. 1999, Cambridge: Cambridge University Press: 63-98.

Burdach, Konrad. Syn鋝thesien. Musikpsychologie - ein Handbuch. Bruhn, Herbert (ed); Oerter, Rolf (ed); R鰏ing, Helmut (ed). 1985, M黱chen: Urban & Schwarzenberg: 188-192. ISBN򉁭41�14291稾 [DE] PSYCHOLOGY, MUSICOLOGY, AFFECT, PERCEIVE.

Burdon, Eric. I Used to be an Animal but I'm Alright Now. 1986, London: Faber (221p) [EN] UK, ROCK, R&B, 1960S, BIOGRAPHY.

Burge, David. Twentieth-Century Piano Music. 1990, New York: Schirmer (284p). ISBN򈆤2�870321�9 [EN] C20, PIANO, MUSIC HIST, BIOGRAPHY.

Burger, Jeff. The Murphy's Law MIDI Book. 1987, Newbury Park, CA: Alexander Publishing (94p) [EN] MIDI, SYNTHS, HANDBOOK, MUSIC EDUC, SYNC., TECHNOLOGY.

Burgett, Paul Joseph. Aesthetics of the Music of Afro-Americans: a Critical Analysis of the Writings of Selected Black Scholars with Implications for Black Music Studies and for Music Education. 1980, Ann Arbor: University Microfilm [EN] USA, AFR-AMER., MUSIC EDUC, HISTORY, POLITICS, CULTPOLIT., CULT.STUDY.

Burk, Bill B. Elvis: a 30-Year Chronicle. 1985, Tempe (AZ): Osbourne Enterprises (351p) [EN] USA, ROCK, JOURNALISM, 1950S, 1960S, 1970S.

Burkart, Patrick; McCourt, Tom. Napster and the Development of On-line Music Distribution. Looking Back, Looking Ahead. Popular Music Studies 20 Years Later. K鋜ki, Kimi (ed); Leydon, Rebecca (ed); Terho, Henri (ed). 2002, Turku: IASPM-Norden: 62-75. ISBN�951�98789򈚒 (Proceedings of 11th Biannual IASPM Conference, Turku, 6-10 July, 2001).

Burkart, Patrick; McCourt, Tom. When Creators, Corporations and Consumers Collide: Napster and the Development of On-line Music Distribution. Looking Back, Looking Ahead. Popular Music Studies 20 Years Later. K鋜ki, Kim (ed); Leydon, Rebecca (ed); Terho, Henri (ed). 2002, Turku: IASPM-Norden: 62-75. ISBN�951�98789򈚒 (Proceedings of the Elevnth Biannual IASPM Conference July 6-10, 2001, Turku, Finland).

Burke, Edmund. A Philosophical Enquiry into the Origin of our Ideas of the Sublime and the Beautiful (London 1757) Music and Aesthetics in the Eighteenth and Early Nineteenth Centuries. Huray, Peter Le (ed); Day, James (ed). 1988, Cambridge: Cambridge University Press: 60-65. ISBN򈆩21�35901�5 [EN] EUROARTMUS, AESTHETICS.

Burke, J see Agardy, S (1985).

Burkhardt, Werner. Der b鰏e Kritiker. Jazzforschung, 17 (Sonderdruck). 1985, Akademische Druck- und Verlagsanstalt: 94-96 [DE] BRD, JAZZ, ROCK, REVIEW, JOURNALISM.

Burlasova, Sonya. Die slowakischen antifaschistischen und Partisanen-Volkslieder des Zweiten Weltkrieges. Lied und Politische Bewegung. 1984, Leipzig: Zentralhaus f黵 Kulturarbeit der DDR: 63-68 (Wissenschafliche Beitr鋑e, 13) [DE] CZECHOSLOV, WAR, FASCISM, PROGRESSIV, JUSTICE, FOLK MUSIC, WORKERS, VOCAL MUS., POLITICS.

Burlingame, Burl. Da Kine Sound: Conversations with the People Who Create Hawaiian Music. 1978, Hawaii: Press Pacifica [EN] MUSICIANS, NARRATIVE, INTERVIEW, POLYNESIA. [Hawaii].

Burnett, Michael. Using pop music with middle-school classes. Pop, Rock and Ethnic Music in Schools. Vulliamy, Graham (ed); Lee, Ed (ed). 1982, London: Cambridge University Press: 24-39. ISBN򈆩21�29927�6 [EN] ROCK, MOR, DRUMS, MELODY, RHYTHM, MUSIC EDUC, AUDIENCE.

Burnett, Michael. Jazz. 1985, Oxford: Oxford University Press (48p) Part of a school series, `Oxford Topics in Music' [EN] JAZZ, EDUCATION.

Burnett, Robert. The Global Jukebox? The international music industry and popular culture. Forskning om popul鋜kultur. Nordicom-nytt/Sverige, 1987/1-2. 1987, G鰐eborg: Nordicom: 146-155. ISSN�0349�1242 [EN] SUMMARY, TELEVISION, VIDEO, ROCK, EUROPE, USA, MUS INDUST, GENRES, CULT.STUDY, SOCIOLOGY.

Burnett, Robert. Economic Aspects of the Phonogram Industry. NORDICOM-nytt/Sverige, 1988/3. 1988, G鰐eborg: NORDICOM-Sverige: 111-126. ISSN�0349�1242 [EN] USA, MUS INDUST, MONEY, PHONOGRAM, SWEDEN, PIRACY, STATISTICS.

Burnett, Robert. From a Whisper to a Scream. Music Video and Cultural Form. Popular Music Research. Roe, Keith (ed); Karlsson, Ulla (ed). 1990, G鰐eborg: NORDICOM-Sweden, N� 1-2 1990: 21-28. ISSN�0349�1242 (www.tagg.org/artricles/readsound.html (1999)) [EN] VIDEO, ROCK, SOCIOLOGY, MUS INDUST.

Burnett, Robert. Statistical Profile of Music Consumption in Sweden. Popular Music Research. Roe, Keith (ed); Karlsson, Ulla (ed). 1990, G鰐eborg: NORDICOM-Sweden, N� 1-2 1990: 145-156. ISSN�0349�1242 (www.tagg.org/artricles/readsound.html (1999)) [EN] POPULARMUS, SWEDEN, STATISTICS.

Burnett, Robert. Concentration and Diversity in the International Phonogram Industry. 1990, G鰐eborg: Gothenburg Studies in Journalism and Mass Communication, 1 (187p). ISBN�91�88212�00�9 [EN] MUS INDUST, PHONOGRAM, USA, INTERNATNL, STATISTICS, CULT.STUDY, DISS. PhD., PT.

Burnett, Robert. Dressed for success: Sweden from Abba to Roxette. Popular Music, 11/2. 1992, Cambridge: Cambridge University Press: 141-150. ISBN򈆩21�42938�2 [EN] SWEDEN.

Burnett, Robert. Toimiiko uusi bossi niinkuin edelt鋠� kymppi: Ylikansallinen 滗niteollissus matkalla 1990-luvulle. Toosa Soi. Musiiki radion kilpailuv鋖ineen�. Salminen, Kimmo (ed); Alm, Ari (ed). 1992, Helsinki: YLE Tutkimus ja kehitysosasto: 278-284. ISBN�951�43�0557�4 [SF] RADIO.

Burnett, Robert. Dressed for success:Sweden from Abba to Roxette. Popular Music, 11/2. 1992, Cambridge: Cambridge University Press: 141-150. ISBN򈆩21�42938�2 [EN] SWEDEN, EUROPE, MUS INDUST.

Burnett, Robert. The Global Jukebox: The International Music Industry. 1996, London: Routledge (171p) (Reviewed in Popular Music, 17/3:352-354) [EN] MUS INDUST, INTERNATNL, C20.

Burney, Charles. Essay on Musical Criticism, preface to A General History of Music, vol.3 (London 1789) Music and Aesthetics in the Eighteenth and Early Nineteenth Centuries. Huray, Peter Le (ed); Day, James (ed). 1988, Cambridge: Cambridge University Press: 143-148. ISBN򈆩21�35901�5 [EN] EUROARTMUS, AESTHETICS.

Burnim, Mellonee V. The Black Gospel Music Tradition: Symbol and Ethnicity. 1982, Ann Arbor: University Microfilms [EN] USA, AFR-AMER., GOSPEL, CHRISTIAN, ANTHROPOL..

Burns, Augustus M see Otto, John Solomon (1980).

Burns, Gary. A typology of 'hooks' in popular records. Popular Music, 06/1. 1987, Cambridge: Cambridge University Press: 1-20. ISBN򈆩21�33677�5 [EN] USA, UK, ROCK, PHONOGRAM, DEFINE, SYMPHONY.

Burns, Gary. Visualising 1950s hits on "Your Hit Parade". Popular Music, 17/2. 1998, Cambridge: Cambridge University Press: 139-152 (www.tagg.org/articles/gbgconnect.html) [EN] ROCK, USA, MOR, TELEVISION, 1950S.

Burra, Rani. Looking Back: 1896-1966. 1981, New Delhi: Directorate of Film Festivals [EN] INDIA, HISTORY, FILM, FILM MUSIC.

Burri, Peter see Ankli, Ruedi (1985).

Burrows, Elaine et al.. The British Cinema Source Book: BFI Viewing Copies and Library Materials. 1996, London: BFI Publishing [EN] FILM MUSIC.

Bursch, Horst. Lieder zum Unterrichtsthema "Spanischer B黵gerkrieg". Hispanorama, 41. 1985, N黵nberg: Deutsche Spanischlehrverbands: 115-118. ISSN�0720�1168 [DE] SPAIN, WAR, 1930S, LYRICS, POLITICAL, EDUC ITEM.

Burston, Jonathan. Theatre space as virtual space: audio technology, the reconfigured singing body and the megamusical. Popular Music, 17/2. 1998, Cambridge: Cambridge University Press: 205-218 (www.tagg.org/articles/gbgconnect.html) [EN] DRAMA, MUSICALS, BODY, SINGING.

Burt & Allen. The History of Gospel Music. 1971, Nashville: K & S Press Inc. (320p) [] HISTORY, AFR-AMER., GOSPEL.

Burt, Olive Woolley (1958). American Murder Ballads and Their Stories. 1963, New York: Ungar [EN] USA, BALLADS, MUSIC USES, HISTORY. [FOLKORE].

Burt, Rob. 25 Years of Teen-Screen Idols. 1983, Poole: Blandford Press (208p) [EN] ROCK, FILM, MUSIC HIST, PHOTOGRAPH.

Burt, Rob. Rock and Roll: the Movies. 1986, New York: Sterling (210p) [EN] ROCK, USA, FILM.

Burt, Rob. Surf City/Drag City. 1986, Poole: Blandford Press. New York: Sterling (128p) [EN] ROCK, USA, 1960S.

Burton, Frederick R. American Primitive Music: with Especial Attention to the Songs of the Ojibways. 1969, Port Washington: Kennikat Press. ISBN򈆬04�60057�0 [EN] N AMERICA, CULT.STUDY, ANTHROPOL., AMERINDIAN.

Burton, Jack. The Blue Book of Tin Pan Alley. 1950, Watkins Glen, NY: Century House [EN] USA, REFERENCE, VOCAL MUS., NOTATION.

Burton, Jack. The Blue Book of Broadway Musicals. 1952, Watkins Glen, NY: Century House [EN] USA, MUSICALS, REFERENCE.

Burton, Jack. The Blue Book of Hollywood Musicals: Songs from the Sound Tracks and the Stars Who Sang Them Since the Birth of the Talkies a Quarter-Century Ago. 1953, Watkins Glen, N.Y.: Century House [EN] USA, MUSICALS, MUSIC HIST, FILM, SINGERS.

Burton, Jack. The Blue Book of Hollywood Musicals. 1953, Watkins Glen, NY: Century House [EN] USA, MUSICALS, REFERENCE.

Burton, Jack (1965). The Blue Book of Tin Pan Alley: a Human Interest Encyclopedia of American Popular Music. 1988, Watkins Glen, N.Y.: Century House [EN] USA, POPULARMUS, REFERENCE.

Burton, Jack. The Index of American Popular Music. 1988, Watkins Glen, N.Y.: Century House [EN] USA, POPULARMUS, REFERENCE.

Burton, Kim see Broughton, Simon (1994).

Burton, Thomas G. Some Ballad Folks. 1981, Boone, N.C.: Appalachian Consortium Press [EN] USA, BALLADS, FOLK MUSIC. [Appalachian].

B黶cher, Wolfgang; Wensiereski, Peter. Null Bock auf DDR: Aussteigerjugend im anderen Deutschland. 1984, Reinbeck bei Hamburg: Rowohlt (189p) [DE] CULT.STUDY, YOUTH, GERMANY.

Buschmann, Michael. Rock im R點kw鋜tsang: Manipulation durch `backward masking'. 1989, Asslar: Schulte/Gerth (191p) `backward masking' in rock music [DE] ROCK, COMMUNICAT, RECORDING, CHRISTIAN.

Buser, Ernst W. Singing Basel: Basler Bigund Swingbands 1924-1950. 1988, Basel: Basler Zeitung (75p) History of swing and bands in Basel [DE] MUSIC HIST, SWING, GERMANY, 1920S, 1930S, 1940S, PHOTOGRAPH.

Bushell, Garvin. Jazz from the Beginning. 1988, Ann Arbor: University of Michigan Press [EN] USA, JAZZ, MUSIC HIST.

Busnar, Gene. Its Rock 'n' Roll. 1979, New York: Wanderer Books [EN] USA, ROCK, MUSIC HIST.

Busto, Jos� Lu韘 Garc韆 del. Entrevista. La del taller, 7. 1986, Rosario: : 16-17 [SP] CUBA, CULTPOLIT..

Butcher, Geoffrey. Next To A Letter From Home: Glenn Miller's Wartime Band. 1986, Edinburgh: Mainstream Publications (360p) [EN] UK, SWING, BANDS, WAR, 1940S.

Butcher, Vernon. The Organs and Music of Worcester Cathedral. 1981, Worcester: Diocese of Worcester (48p) [EN] RELIGION, VOICE, HISTORY, UK, ORGANS.

Bute, Mary Ellen. New film Music for New Films. Film Music: from Violins to Video. Limbacher, James L (ed). 1974, Metuchen (NJ): Scarecrow Press: 173-176. ISBN򈆬108�0651�7 1 publ Film Music 12:15, Winter 1956 [EN] FILM MUSIC, AVANTGARDE, VIS. ARTS.

Butler, David. Jazz Noir - Listening to music from Phantom Lady to The Last Seduction. 2002, Westport CT & London: Praeger. ISBN򈆦75�97301�8 [EN] JAZZ, FILM, DETECTIVES, CULT.STUDY, VIS. ARTS, DISS. PhD..

Butler, Mark. Taking it sersiously: intertextuality and authenticity in two covers by the Pet Shop Boys. Popular Music 22, 1. 2003, Cambridge: Cambridge University Press: 1-20. ISSN�0261�1430.

Butterfield, Arthur. Encyclopedia of Country Music. 1985, London: Multimedia (192p) [EN] C&W, REFERENCE, ILL..

Butterfield, Deborah. Toccata and fugue. The Tuning of the World, Vol 2 - Proceedings of The First International Conference on Acoustic Ecology, 8-14 August 1993. 1993, Banff: Banff Center for the Arts: E [EN] SOUNDSCAPE.

Butterworth, Katherine. Rebetika: Songs from the Old Greek Underworld. 1975, Athens: Komboloi [EN] OLD GREECE, VOCAL MUS., GREECE.

Buxton, David (1983). Rock Music, the Star System and the Rise of Consumerism. On Record: Rock, Pop and the Written Word. Frith, Simon (ed); Goodwin, Andrew (ed). 1990, London: Routledge: 427-440 (xi+492 pp) 1publ `Telos, 57' (1983) [EN] ROCK, STARS, MUS INDUST, CONSUME, USA, UK.

Buxton, David. Le rock: star-syst鑝e et soci閠� de consommation. 1985, Paris: Pens閑 Sauvage (226p) [FR] ROCK, USA, UK, FRANCE, MUS INDUST, STARS, CONSUME.

Buzasi, Nikolaus. Musikinstrumenten in der aktiven Musiktherapie. Musikpsychologie - ein Handbuch. Bruhn, Herbert (ed); Oerter, Rolf (ed); R鰏ing, Helmut (ed). 1985, M黱chen: Urban & Schwarzenberg: 459-464. ISBN򉁭41�14291稾 [EN] HEALTH, PSYCHOLOGY, INSTRUMENT, DEFINE.

Bygrave, Mike. Rock. 1978, New York: Watts [EN] ROCK.

Byrczek, Jan. Jazz Festivals Internatonal Directory, 1984-1985. 1984, New York: World Jazz Society P.O. Box 777, Times Square Station, New York, N.Y. 10108 [EN] JAZZ, FESTIVAL, 1980S, INTERNATNL.

Byrnside, Ronald. Contemporary Music and Music Cultures. 1975, Englewood Cliffs, NJ: Prentice Hall (0p) [EN] CULT.STUDY, POPULARMUS.

Bythell, Duncan. The Brass Band in Australia.: The Transplantation of British Popular Culture. Herbert, Trevor (ed). 1991, Buckingham: Open University Press - Popular Music in Britain (145-164p). ISBN򈆧35�09702�2 [EN] UK, C19, C20, HISTORY, BRASSINSTR, AUSTRALIA.

Bythell, Duncan. Provinces versus metropolis in the British brass band movement in the early twentieth century: the case of William Rimmer and his music. Popular Music, 16/2. 1997, Cambridge: Cambridge University Press: 151-164. ISSN�0261�1430 [EN] 1900-1909, 1910S, UK, BRASSINSTR.

C

Cable, Michael. The Pop Industry Inside Out. 1977, London: W H Allen [EN] ROCK, UK, MUS INDUST, 1970S, 1960S.

Cabutto, Marco. Musica Rave. Intense emozioni in musica. Stefani, Gino (ed). 1996, Bologna: CLUEB: 55-60. ISBN�88�8091�290�9 [IT] PSYCHOLOGY, PERCEIVE, MUSIC USES, AFFECT, HOUSE/RAVE, DRUGS.

Caby, Robert. Musique dans la ville - chronique. Musique en jeu, 24. 1976, Paris: Editions du Seuil: 95-97 [FR] URBAN, EUROARTMUS.

C醕eres, Eduardo (ed); Advis, Luis (ed); Garc韆, Fernando (ed); Gonz醠ez, Juan Pablo (ed). Pr髄ogo. Cl醩icos de la m鷖ica popular chilena, volumen II, 1960-1973: ra韟 folcl髍ica, segunda edici髇. 1997, Santiago: Ediciones Universidad Cat髄ica de Chile: 6-7. ISBN�956�14�0454�0.

Cachia, Pierre (1981). The Egyptian Mawwal: its Ancestory, its Development, and its Present Forms. Journal of Arabic Literature, 8. [EN] ARABIC, FOLK MUSIC, VOCAL MUS.. [Egypt; Mawwal].

Cagle, Van M. Reconstructing Pop/Subculture: Art, Rock, and Andy Warhol. 1995, Thousand Oaks, CA: Sage (240p) Reviewed in Popular Music 16/1 by Ken Gelder [EN] SUBCULTURE, AESTHETICS, ROCK, VIS. ARTS, USA, AVANTGARDE.

Cahn, Sammy. The Songwriter's Dictionary. 1983, New York: Facts on File (224p) [EN] SSONGWRITR, REFERENCE.

Caioli, L; Calabro, A R; Fraboni, M. Banda, un modo di dire. Rockabillies, Mods, Punks. 1986, Milano: Unicopli (242p) [IT] SOCIOLOGY, GENRES, YOUTH, GENRES, ITALY, 1970S, 1980S.

Cairns, David (ed). The Memoirs of Berlioz. 1970, London: Panther. ISBN򈆩86�03408�0 (1st ed. London: Gollancz, 1969).

Calabrese, O see Abruzzese, A (1990).

Calabretto, Roberto. "...l'unica zazione espressiva, forse, alta, e indefinibile come le azione della realt�". Pasolini e la musica. Musica/Realt�, 61. 2000, Milano: : 61-88. ISBN�88�7096�243�1 [IT] ITALY, FILM MUSIC.

Calabro, A R see Caioli, L (1986).

Caldi, Alexandre. Os contrapontos para sax tenor de Pixinguinha nas 34 grava珲es com Benedito Lacerda - primeiras reflex鮡s. Cadernas de Col髊uio, 1998. 1998, Rio de Janeiro: Programa de P髎-Gradua玢o em M鷖ica, Centro de Letras e Artes, UNI-RIO: 82-90 "Counterpoints for P's tenor sax in the 34 recordings made with BL - first reflections" [PG] BRAZIL.

Callegari, Laura see Baroni, Mario (1984, 1985).

Callender, Red. Unfinished Dream: the Musical World of Red Callender. 1985, London: Quartet (239p). ISBN򈆫04�32507�1 [EN] BIOGRAPHY.

Callis, John. Charlie Christian, 1939-1941: a Discography. 1978, Lewisham: Tony Middleton [EN] DISCOGR., 1940S, JAZZ, GUITAR.

Calvet, Louis-Jean see Klein, Jean-Claude (1987).

Calvocoressi, M D. Mussorgsky. 1946, London: J M Dent (viii+216p) (Master Musician Series) [EN] EUROARTMUS, ROMANTIC, NATIONALSM, RUSSIA, C19, COMPOSERS, BIOGRAPHY, ILL..

Calza, Renato. L'invenzione del folklore. I "canti popolari" armonizzati da Ravel. Musica/Realt�, 51. 1996, Lucca: Libreria Musicale Italiana: 67-86. ISBN�88�7096�188�5 [IT] FRANCE, IMPRESSNSM, FOLK MUSIC, EUROARTMUS.

Calza, Renato. "Fine dell'infnzia". L'enfant et les sortil鑗es di Maurice Ravel (1925) Musica/Realt�, 56 (Luglio 1998). 1998, Lucca: LIM: 133-168. ISBN�88�7096�205�9 [IT] FRANCE, C20, DOCUMENT, MOD.CLASS., ARCHIVIST.

Cambridge Companion to Jazz. 2002, Cambridge: Cambridge University Press.

Camellini, Teresa. Scomporre e comporre l'ascolto. Secondo convegno europeo di analisi musicale. Dalmonte, Rosanna (ed); Baroni, Mario (ed). 1992, Trento: Universit� degli studi di Trento, Dipartimento di storia della civilt� europea: 639-642. ISBN�88�86135�09�2 (www.tagg.org/articles/trento91.html (1999)) [IT] MUSICOLOGY, MUS.ANALYS, CONFERENCE.

Cameron, E.W. (Ed.). Sound and the Cinema. 1980, Pleasantville, N.Y.: Redgrave [EN] FILM MUSIC.

Camilleri, Lelio. Metodologie e concetti analitici nello studio di musiche elettroacustiche. Rivista italiana di musicologia, 28/1. 1993, Firenze: Olschki: 131-174 (offprint) [IT] MOD.CLASS., AVANTGARDE, MUSICOLOGY, SEMIOTICS, METHODOL., DEFINE. [Stockhausen,稫; Ligeti,稧; Egg,稵he].

Camillieri, Lelio. Towards a Compositional Theory of Music. The Semiotic Web 1986. Basic Concepts of Studies in Musical Signification: A Report on a New International Research Project in Semiotics of Music. Tarasti, Eero (ed). 1987, Berlin, New York: Mouton de Gruyter: 556-565 (Approaches to Semiotics, 78) [EN] SEMIOTICS, DEFINE, PHILOSOPHY, COMPOSE.

Camillieri, Lelio; Bencini, David; Ignelzi, Michele. Paradigmatic analysis through the computer. Secondo convegno europeo di analisi musicale. Dalmonte, Rosanna (ed); Baroni, Mario (ed). 1992, Trento: Universit� degli studi di Trento, Dipartimento di storia della civilt� europea: 609-612. ISBN�88�86135�09�2 (www.tagg.org/articles/trento91.html (1999)) [EN] MUSICOLOGY, MUS.ANALYS, CONFERENCE, COMPUTERS.

Cammelli, Stefano (ed). Musiche e canti popolari dell'Emilia, 4. I suonatori della valle del Savena. 1978, Albatros VPA 8414 Libretto allegato al disco Albatros [IT] ITALY, DANCE. [BOLOGNA; EMILIA; LISCIO].

Cammelli, Stefano (ed). Musiche da ballo, balli da festa. Musiche, balli e suonatori tradizionali della montagna bolognese. 1983, Bologna: Edizioni Alfa [IT] ITALY, DANCE. [BOLOGNA; EMILIA; LISCIO].

Campanino, Mario. Alea e forma nella poetica di Pierre Boulez. Musica/Realt�, 62. 2000, Lucca: LIM: 69-78. ISBN�88�7096�261稾 Aleatory (the random) and form in the poetics of Boulez [IT] MOD.CLASS..

Campbell, J G. Basal emotional patterns expressible in music. American Journal of Psychology, 55. [EN] PSYCHOLOGY, AFFECT, SEMIOTICS.

Campeanu, Pavel. The Implications of Light Music for a Group of Apprentices in Bucharest. New Patterns of Musical Behaviour. Bontink, Irmgard (ed). 1974, Wien: Universal Edition.: 103-107. ISBN򈚒34�567�89�1 [EN] SOCIOLOGY, CONSUME, YOUTH, ROMANIA, ENTERTAIN.

Campello Paes Leme, Beatriz. A transcri玢o de Guerra-Peixe para a Can玢o Machadinha do Guia Pr醫ico de Villa-Lobos. Cadernas de Col髊uio, 1998. 1998, Rio de Janeiro: Programa de P髎-Gradua玢o em M鷖ica, Centro de Letras e Artes, UNI-RIO: 31-39 "GP's transcription of CM from V-L's Practical Guide" [PG] BRAZIL, EUROARTMUS, MUSIC EXX..

Camper, Fred. Sound and Silence in Narrative and Non-Narrative Cinema. Film Sound - Theory and Practice. Weis, Elisabeth (ed); Belton, John (ed). 1985, New York: Columbia University Press: 369-382. ISBN򈆦31�05637�0 [EN] FILM, SOUND, SILENCE, AESTHETICS.

Barducci, Marcella; Campigli, Marco; Malfa, Giampaolo La; Mangiapane, Antonio; Parrini, Graziano. Progetto O.D.A: un modello di ribalitazione per l'handicappato grave adulto. Quaderni di musica apllicata, 18. Musica "fuori di s�". Stefani, Gino (ed). 1996, Assisi: CEP/Sezione Musica, Pro Civitate Christiana: 128-133 [IT] MUSTHERAPY, DRUGS, GENRES, PSYCHOLOGY.

Campo, A; Chiesa, G. Rockin' USA. 1986, Milano: Arcana (332p) [EN] USA, 1970S, ROCK.

Camps, Sibila. Regionalismo en la Argentina. La del taller, 8/9. 1988, Rosario: Talleres latinoamericanos de m鷖ica popular: 47-52 [SP] SSONGWRITR, ARGENTINA, REGIONALSM. [SOSA稭ercedes; NUEVA稢ANCION].

Canal, C. Tutti mi chiamono Ziamele. Musiche Yiddish. 1990, Firenze: Editrice La Giuntina (138p) Short (rave) review in Musica/Realt�, 36: 181 [IT] JEWISH, HUMOUR, SINGING, MUSIC EXX., LYRICS.

Cand�, Roland de. Dictionnaire de musique. 1961, Paris: Editions du Seuil (283p) [FR] EUROPE, EUROARTMUS, FOLK MUSIC, ACOUSTICS, MUSICOLOGY, MUSIC EXX., REFERENCE, MOD.CLASS., ILL..

Cand�, Roland de; Pauli, Hansj鰎g; Sil閚, Lars. Filmmusik. Sohlmans musiklexikon, 2. 1975, Stockholm: Sohlmans F鰎lag: 568-569. ISBN�91�7198�020�2 (2nd ed).

Cane, Giampiero. La fortuna critica di Duke Ellington. Musica/realt�, 22. 1987, Milano: Unicopli: 83-123 [IT] USA, JAZZ, BIOGRAPHY.

Canepa, Gina. Violetta Parra and Los Jaivas: unequal discourse or successful integration. Popular Music, 06/2. 1987, Cambridge: Cambridge University Press: 235-240. ISSN�0261�1430 [EN] CHILE, BOLIVIA, FRANCE, EUROPE, 1960S, 1970S, DISCOGR., REVIEW.

Canevacci, Massimo. Le trance alternative. Quaderni di musica apllicata, 18. Musica "fuori di s�". Stefani, Gino (ed). 1996, Assisi: CEP/Sezione Musica, Pro Civitate Christiana: 16-20 [IT] MUSTHERAPY.

Cano, Cristina. Simboli sonori. Fondamenti antropologici per una didattica dell'approccio semantico al linguaggio musicale. 1985, Milano: Angeli (203p) Review in Musica/Realt� 20: 173-175 [IT] SEMIOTICS, MUSICOLOGY, ANTHROPOL., EDUCATION.

Cano, Cristina. Colloquio con Franco Donatoni musica in G W Leibnitz. Musica/Realt�, 25. 1988, Milano: Unicopli: 79-90. ISBN�88�7061�917�6 [IT] AESTHETICS, PSYCHOLOGY, SEMIOTICS, EDUCATION. [PIAGET; CLAUDEL稰].

Cano, Cristina. Il sonoro tra esperienza corporea ed esperienza auditiva. Cinema & cinema, 18/60 (Audiofane - Voci, rumori e musica del cinema). 1991, Bologna: CLUEB: 97-102 [IT] FILM, SOUND, PSYCHOLOGY, BODY.

Cano, Cristina. Produzione e ricezione del senso in musica: emozioni e affetti vitali. Musical Signification Between Rhetoric and Pragmatics. Stefani, Gino (ed); Tarasti, Eero (ed); Marconi, Luca (ed). 1998, Bologna: CLUEB: 183-192 (Proceedings of the 5th International Congress on Musical Signification).

Cano, Cristina. Produzione e ricezione del senso in musica: emozioni e affetti vitali. Musical Signification: Between Rhetoric and Pragmatics. 1998, Bologna: CLUEB (Cooperativa Libraria Universitaria Editrice Bologna)/International Semiotics Institute: 183-192.

Canova, Gianni; Malagini, Fabio. Australia New Wave. 1984, Milan: Gammalibri (153p) [IT] AUSTRALIA, NEW WAVE.

Cantaloube-Ferrieu, Lucienne. Chanson-po閟ie 43. 1789-1989. Musique, Histoire, D閙ocratie. Colloque international organis� par Vibrations et l'IASPM, Paris 17-20 juillet 1989. Hennion (ed). 1992, Paris: 蒬itions de la Maison des Sciences de l'Homme: 735-744. ISBN򈮃531�0532�6 (in 3 volumes (ISBN 2-7531-0532-6, 0533-4, -0534-2). Soutien de la Direction de la Musique (Minist鑢e de la Culture) et du Centre d'Ethnologie fran鏰ise. Vol 1 pp 1-260, vol 2 pp 263-506, vol 3 pp 509-829) [FR] FRANCE, SSONGWRITR, 1940S.

Cantwell, Robert. Bluegrass Breakdown: The Making of the Old Southern Sound. 1986, Urbana and Chicago: University of Illinois Press (xi+309p) [EN] USA, C&W, REVIEW.

Cantwell, Robert. Ethnomimesis. Folklife and the Representation of Culture. 1993, Chapel Hill & London: University of North Carolina Press (323p) Reviewed in Popular Music 16/1 by Graeme Smith [EN] FOLK MUSIC, USA, UK.

Caprioli, Alberto. Pierre Boulez musicien-閏rivain e la letteratura francese del Novecento. Musica/Realt�, 56 (Luglio 1998). 1998, Lucca: LIM: 93-122. ISBN�88�7096�205�9 [IT] AVANTGARDE, FRANCE, LITERATURE, LITERATURE, MOD.CLASS., INTERVIEW.

Caps, John. TV Music: Music Makes all the Difference. Motion Picture Music. Ven, Luc van de (ed). 1980, Mechelen: Soundtrack: 64-68 [EN] FILM MUSIC, TELEVISION, HOLLYWOOD, COMPOSE.

Caps, John. Goldsmith on Record: Anatomy of a Reissue. Motion Picture Music. Ven, Luc van de (ed). 1980, Mechelen: Soundtrack: 33-35 [EN] USA, FILM, 1960S, 1970S, REVIEW, DISCOGR..

Caps, John. Nicholas and Alexandra. Motion Picture Music. Ven, Luc van de (ed). 1980, Mechelen: Soundtrack: 108-114 [EN] UK, FILM, 1970S, USSR, REVOLUTION, 1910S, REVIEW.

Caps, John; Krasnoborski, W F. Williams on Record. Motion Picture Music. Ven, Luc van de (ed). 1980, Mechelen: Soundtrack: 151-152 [EN] COMPOSE, USA, 1960S, 1970S, REVIEW, DISCOGR., FILM MUSIC. [WILLIAMS稪].

Caps, John. Dungeons and Dragons. Three Medieval Scores. Soundtrack, 2/5. Ven, Luc van de (ed). 1983, Mechelen: 3-4 [EN] FILM MUSIC, UK, USA, MEDIEVAL, REVIEW.

Capwell, Charles. The popular expression of religious syncretism: the Bauls of Bengal as Apostles of Brotherhood. Popular Music, 07/2. 1988, Cambridge: Cambridge University Press: 123-132. ISBN򈆩21�35896�5 [EN] INDIA, RELIGION, BUDDHISM, PHILOSOPHY, MUSIC EXX., DANCE, ANTHROPOL., SOCIOLOGY, HINDUISM, ISLAM. [MUKHOPAHDYAY稟; SIDDHACARYAS; CARYAPADAS; EKTARA; SARINDA; TABLA].

Carapezza, Paolo Emilio. "Substantia imaginum, funtamentum linguarum". La musica come linguaggio universale. Pozzi, Raffaele (ed). 1990, Firenze: Leo S. Olschki: 39-50. ISBN�88�222�3748稾 [IT] C16, SEMIOTICS, AFFECT, CHRISTIAN, MUSIC EXX., MUSICOLOGY. [MONTEVERDI; BEETHOVEN; MOZART; PETRARCH].

Carapezza, Paolo Emilio. Sviluppi della dodecafonia nel meridione d'Italia. Musica/Realt�, 53. 1997, Lucca: Libreria Musicale Italiana: 65-76. ISBN�88�7096�219�9 [IT] 12-TONE, MOD.CLASS., ITALY.

Card, Caroline (ed) [et al]. Discourse in Ethnomusicology II: a Tribute to Alan P Merriam. 1981, Bloomington, Ind.: Ethnomusicology Publications Group, Indiana University (266p) [EN] USA, AFRICA, W AFRICA, ACCULTUR., CHRISTIAN. [SERMON; PREACHER].

Cardella, Francesco. La communit� Saman. Quaderni di musica apllicata, 18. Musica "fuori di s�". Stefani, Gino (ed). 1996, Assisi: CEP/Sezione Musica, Pro Civitate Christiana: 82-84 [IT] MUSTHERAPY, DRUGS, GENRES, PSYCHOLOGY.

Cardini, Giancarlo. Il pianoforte di Feldman: cronistoria di un lungo viaggio. Musica/Realt�, 59. 1998, Lucca: LIM: 57-68. ISBN�88�7096�065稾 [IT] MOD.CLASS..

Carducci, Joe. Rock and the Pop Narcotic. 1990, Chicago: Redoubt Press (202p) Reviewed in Popular Music, 11/1 by Simon Frith [EN] ROCK, USA, AESTHETICS, POLITSTUDY.

Carey, J W. Communication as Culture. 1989, Boston: Unwin-Hyman [EN] COMMUNICAT, CULT.STUDY.

Carey, James T. Changing Courtship Patterns in the Popular Song. The Sounds of Social Change. Denisoff, R Serge (ed); Peterson, Richard A (ed). 1972, Chicago: Rand McNally & Co: 198-212. ISBN򈆩28�68712�3 [EN] SOCIOLOGY, LYRICS, ROCK, USA.

Carey, Joseph Kuhn. Big Noise From Notre Dame: History of the Collegiate Jazz Festival. 1986, Notre Dame, Ind.: University of Notre Dame Press (220p) [EN] JAZZ, FESTIVAL, USA, UNIVERSITY. [INDIANA].

Carfi, Pietro; Lutri, Ignazio. German Rock: from Drums to the Electric Drill / Il rock tedesco dalla batteria al trapano elettrico. Music & the Machine / La musica e le macchine. Prato, Paolo (ed). 1989, Torino: Progetto Lingotto / FIAT: 16-19 [EN] GERMANY, ROCK, VIDEO, WORK.

Carlin, Dan. Music in Film and Video Productions. 1991, Boston: Focal Press [EN] FILM MUSIC.

Carlson, Anders; Liliestam, Lars. The Name of the Game. NORDICOM-Nytt/Sverige, 1984/2-3. 1979, G鰐eborg: Skrifter fr錸 Musikv. Inst.: 245-260 [EN] ABBA, MUS.ANALYS, MUSICOLOGY, MUSIC EXX., SEMIOTICS, MOR, Stud.Proj., ROCK.

Ling, Jan. Inledningsanf鰎ande till 8:e nordiska musikforskarkongressen: kongressens uppl鋑gning och m錶s鋞tning. Nordisk musik och musikvetenskap under 1970-talet: en kongressraport. Carlsson, Anders (ed); Ling, Jan (ed). 1980, G鰐eborg: Skrifter fr錸 musikvetenskapliga institutionen, 4: 20-20. ISBN�91�85974�00�5.

Carmody, Kev. Ancient Voice, Contemporary Expression. The Didjeridu: From Arnhem Land to Internet. Neuenfeldt, Karl (ed). 1997, London: John Libbey / Perfect Beat Publications: 11-20. ISBN򈚘6462�004�8 [EN] AUSTRALIA, ABORIGINE. [Didjeridu].

Carnesecchi, Riccardo. Alle origini dell'opera nazionale russa: il periodo patriottico, 1812-1815. Musica/Realt�, 34. 1991, Milano: Unicopli: 33-52. ISBN�88�400�0242�1 [IT] RUSSIA, ROMANTIC, EUROARTMUS, MUSIC EXX., OPERA, DANCE, C19.

Carnesecchi, Riccardo. Alle origini dell'opera nazionale russa: il periodo patriottico 1812-1815. Musica/Realt�, 34. 1991, Milano: Unicopli: 33-52 [IT] RUSSIA, OPERA, NATIONALSM, EUROARTMUS, ROMANTIC.

Caroprese, Mariantonietta. Il compagnonaggio e le sue canzoni. Musica/Realt�, 54. 1998, Lucca: : 91-110. ISBN�88�7096�214�8 [IT] FRANCE, C19, LYRICS, TRAVEL, WORK, FOLK MUSIC, MUSIC EXX..

Carpentier, Alejo. La m鷖ica en Cuba. 1946, Mexico: Fondo de Cultura Econ髆ica [SP] COLOMBIA, CARIBBEAN.

Carpi, Andrea. Il manuale di chitarra folk. 1982, Roma: Anthropos [IT] ITALY, FOLK MUSIC, ROCK, GUITAR, HANDBOOK.

Carpitrella, Diego. Le false ideologie sul folclore musicale. La musica in Italia. 1978, Roma: Savelli [IT] ITALY, FOLK MUSIC, POPULARMUS, POLITICS, SSONGWRITR.

Carr, Ian. Music Outside: Contemporary Jazz in Britain. 1973, London: Latimer New Dimensions. ISBN򈆭01�53925�2 [EN] UK, JAZZ.

Carr, Ian [et al.]. Jazz: the Essential Companion. 1987, London: Grafton Books (562p) [EN] JAZZ, REFERENCE.

Carr, Roy. Rolling Stones: An Illustrated Record. 1976, New York: Harmony Books [EN] ROCK, USA, UK, BIOGRAPHY, ILL..

Carr, Roy. Bowie: An Illustrated Record. 1981, New York: Avon Books [EN] ROCK, UK, USA, BIOGRAPHY, ILL..

Carr, Roy. The Hip: Hipsters, Jazz and the Beat Generation. 1986, London: Faber. ISBN򈆩71�13809�8 [EN] 1950S.

Carra, Francesca see Bassi, Luca (1996).

Carraro, Mario. George Crumb, poeta del suono. Musica/Realt�, 46. 1995, Lucca: Libreria Musicale Italiana: 71-96. ISBN�88�7096�116�8 [IT] USA, AVANTGARDE, SOUND, TIMBRE.

Carrasco-Pirard, Eduardo. La nueva canci髇 en Am閞ica Latina. Revista Internacional de Ciencias Sociales, 94. 1982, Vend鬽e [FR] L AMERICA, LYRICS, PROGRESSIV.

Carrasco-Pirard, Eduardo. The nueva canci髇 in Latin America. International Social Science Journal, 34/4. [EN] L AMERICA, VOCAL MUS..

Carrera, Alessandro. Musica e pubblico giovanile. L'evoluzione del gusto musicale dagli anni sessanta ad oggi. 1980, Milano: Feltrinella Economica (257p) [IT] YOUTH, ROCK, BIOGRAPHY, JAZZ, MUSICIANS, EUROARTMUS, ITALY, MUS INDUST, PROGRESSIV.

Carrera, Alessandro. La musica dalla riproduzione alla simulazione. Musica e sistema dell'informazione in Europa. Rampi, Francesco (ed). 1985, Milano: Unicopli: 169-17217. ISBN�88�7061�885�4 [IT] AESTHETICS, MUS INDUST, ITALY, CONFERENCE.

Carrera, Alessandro. L'esperienza del parto sonore. Essere, 16 (agosto 1987). 1987, Torino: Essere: 48 [IT] SOUND, PSYCHOLOGY, BIBLIOGR., DEFINE.

Carrera, Alessandro. Gli usi del silenzio. Essere, 16 (agosto 1987). 1987, Torino: Essere: 70-77 [IT] SOUND, SOUNDSCAPE, MUSIC USES, SILENCE.

Carrera, Alessandro. I cantautori in Italia e il loro pubblico. Quaderni di Musica/Realt�, 23. 1989, Milano: Unicopli: 313-330. ISBN�88�7061�927�3 (Generi musicali / Media / Popular Music) [IT] ITALY, SSONGWRITR, SOCIOLOGY, POLITSTUDY, AUDIENCE.

Carrera, Alessandro. Musica da tavola nell'unita di abitazione. Note su Brian Eno. Quaderni di Musica/Realt�, 23. 1989, Milano: Unicopli: 399-415. ISBN�88�7061�927�3 (Generi musicali / Media / Popular Music) [IT] MUZAK, AVANTGARDE, MINIMALISM.

Carrera, Alessandro. Il lamento di Narciso. Le poesie friulane di Pasolini musicate da Giovanna Marini. Musica/Realt�, 46. 1995, Lucca: Libreria Musicale Italiana: 122-142. ISBN�88�7096�116�8 [IT] ITALY, POETRY, SSONGWRITR, COMPOSE. [Pasolini,稰; Marini,稧].

Carroll, No雔. Lang and Pabst: Paradigms for Early Sound Practice. Film Sound - Theory and Practice. Weis, Elisabeth (ed); Belton, John (ed). 1985, New York: Columbia University Press: 265-276. ISBN򈆦31�05637�0 [EN] FILM, SOUND, 1920S, 1930S, HOLLYWOOD.

Carruth, Hayden. Sitting In: Selected Writings on Jazz, Blues and Related Topics. 1986, Iowa: University of Iowa Press (192p) [EN] AFR-AMER., POETRY, ANTHOLOGY, LITERATURE.

Carse, Adam. Musical Wind Instruments. 1965, New York: Da Capo (380p) [EN] SAXOPHONE, TRUMPET, DEFINE, WOODWIND, BRASSINSTR, OBOE. [BASSOON; TROMBONE].

Carson, Bruce. Romantic Perfection: the Torvill and Dean Story. Television Mythologies: Stars, Shows and Signs. 1984, London: Comedia: 54-57. ISBN򈆭06�890�56稾 [EN] TELEVISION, UK, 1970S, 1980S, DANCE, RITUAL, FAMILY, MYTHOLOGY, EVERYDAY.

Carson, Tom (1979). Rocket to Russia. On Record: Rock, Pop and the Written Word. Frith, Simon (ed); Goodwin, Andrew (ed). 1990, London: Routledge: 441-449 (xi+492 pp) 1publ in `Rocket to Russia': reprinted from `Stranded: Rock and Roll for a Desert Island', ed. Greil Marcus (New York: Knopf, 1979) [EN] ROCK, STARS, MUS INDUST, PUNK, USA. [Ramones,稵he].

Carter, Angela (1967). Notes for a Theory of Sixties Style. New Society, 22. [EN] SUBCULTURE, CULT.STUDY, UK, 1960S, YOUTH.

Carter, Angela. Year of the Punk. New Society, 14. [EN] UK, 1970S, PUNK, ROCK, SUBCULTURE, CULT.STUDY, YOUTH.

Carter, Waller see Widner, Ellis (1987).

Carter, Walter. The Songwriter's Guide to Collaboration. 1988, Cincinnati, Ohio: Writer's Digest (178p) [EN] SSONGWRITR, HANDBOOK.

Carter, William G see Djedje, Jacqueline Cogdell (1989).

Cartmell, Dan J (1984). Stephen Sondheim and the Concept Musical. 1974, Ann Arbor: University Microfilms [EN] USA, MUSICALS.

Carvalho, Jos� Jorge (1977). La m鷖ica de origen africano en Brasil. Unesco, siglo XXI: Africa en Am閞ica Latina. 1947, UNESCO: 274-303 [SP] BRAZIL, AFRICA, ACCULTUR..

Carvalho, Martha de Ulh鬭. Can玢o da America - style and emotion in Brazilian popular song. Popular Music, 09/3. 1990, Cambridge: Cambridge University Press: 321-350. ISBN򈆩21�39943�2 [EN] BRAZIL, MUSIC EXX., LYRICS, SOCIOLOGY, TASTE, CULT.STUDY, AFFECT, MUSICIANS, DISCOGR., BIBLIOGR.. [NASCIMENTO稭ilt; BRANDT稦ernando; BUARQUE稢hico].

Carvalho, M閞io Vieira de. O essencial sobre Fernando Lopes-Gra鏰. 1989, Lisboa: Casa de Moeda [PG] PORTUGAL.

Casadei, Raoul; Manfredi, Clara (ed). Il liscio. 1981, Roma: Lato Side [IT] ITALY, DANCE, DANCEMUSIC. [BOLOGNA; EMILIA].

Cascuna, Michael. The Blue Note Label: a Discography. 1988, New York & London: Greenwood Press. ISBN򈆧13�22018�2 [EN] RECORDS, DISCOGR., USA, MUS INDUST, REC INDUST. [RECORD稬ABEL; RECORD稢OMPANY].

Case, Brian. The Illustrated Encyclopedia of Jazz. 1978, London: Salamander Books. ISBN򈆬61�01026�4 [EN] REFERENCE, JAZZ, PHOTOGRAPH.

Casey, Betty. Dance Across America. 1985, Austin: University of Texas Press (135p) [EN] USA, C&W, DANCE, HANDBOOK.

Cashmore, E Ellis. Shades of Black, Shades of White. Popular Music & Communication. Lull, James (ed). 1987, Newbury Park, CA: Sage Publications, Inc.: 245-265. ISBN򈆬039�2825�4 [EN] PUNK, UK, 1970S, YOUTH, SUBCULTURE, RACISM. [BLACKS; WHITES].

Cassidy, Donna M. Painting the Musical City: Jazz and Cultural Identity in American Art, 1910-1940. 1997, Washington: Smithsonian Institute Press (299p). ISBN򈚕6098�677�8 reviewed in American Music, 16/2 (1998):230-232 [EN] JAZZ, USA, 1910S, VIS. ARTS, 1920S, 1930S, ILL..

Castanet, Pierre-Albert. Les ann閑s 1968: les mouvances d'une r関olution socio-culturelle populaire. 1789-1989. Musique, Histoire, D閙ocratie. Colloque international organis� par Vibrations et l'IASPM, Paris 17-20 juillet 1989. Hennion (ed). 1992, Paris: 蒬itions de la Maison des Sciences de l'Homme: 143-152. ISBN򈮃531�0532�6 (in 3 volumes (ISBN 2-7531-0532-6, 0533-4, -0534-2). Soutien de la Direction de la Musique (Minist鑢e de la Culture) et du Centre d'Ethnologie fran鏰ise. Vol 1 pp 1-260, vol 2 pp 263-506, vol 3 pp 509-829) [FR] FRANCE, REVOLUTION, C18, C19, C20.

Castellana, Marcello. Seuils, codes et conventions: la m閠aphore tensive. Musical Signification Between Rhetoric and Pragmatics. Stefani, Gino (ed); Tarasti, Eero (ed); Marconi, Luca (ed). 1998, Bologna: CLUEB: 233-246 (Proceedings of the 5th International Congress on Musical Signification).

Castellana, Marcello. Seuils, codes et conventions: la m閠aphore tensive. Musical Signification: Between Rhetoric and Pragmatics. 1998, Bologna: CLUEB (Cooperativa Libraria Universitaria Editrice Bologna)/International Semiotics Institute: 233-246 [FR] SEMIOTICS.

Castelli, Vittorio. The Bix Bands: a Bix Beiderbecke Disco-Biography. 1972, Milan: Raretone [EN] JAZZ, BIOGRAPHY, DISCOGR.. [CORNET].

Castelli, Vittorio; Cerchiari, Luca. Il jazz su disco. 1983, Milan: Mondadori (350p) [IT] JAZZ, RECORDS, CRITIQUE.

Castillo Bethier, H閏tor. My Generation: Rock and la Banda's forced survival opposite the Mexican state. Rockin' Las Am閞icas. The Global Politics of rock in Latin/o America. Pacini Hernandez, Deborah (ed); Fern醤dez L'Hoeste, H閏tor (ed); Zolov, Eric (ed). 2004, Pittsburgh: University of Pittsburgh Press: 241-260. ISBN򈆬229�5841�4 [EN] ROCK, L AMERICA, MEXICO, POLITICS.

Castine, Peter. Contemporary music analysis package for the Apple Macintosh (CMAP) Secondo convegno europeo di analisi musicale. Dalmonte, Rosanna (ed); Baroni, Mario (ed). 1992, Trento: Universit� degli studi di Trento, Dipartimento di storia della civilt� europea: 613-618. ISBN�88�86135�09�2 (www.tagg.org/articles/trento91.html (1999)) [EN] MUSICOLOGY, MUS.ANALYS, CONFERENCE, COMPUTERS.

Castleman, Harry. All Together Now: The First Complete Beatles' Discography, 1961-1975. 1976, Ann Arbor: Pierian Press [EN] DISCOGR., ROCK, UK, USA, 1960S, 1970S.

Castleman, Harry; Podrazik, Walter J (1977). The Beatles Again?. 1993, Buckingham: Open University Press. ISBN򈆧35�09786�3 [EN] DISCOGR., ROCK, UK, USA, 1960S, 1970S.

Castner, Thilo. Pop-Art und Beat-Kultur. Wirtschaft und Erziehung, 19. [DE] VIS. ARTS, SUBCULTURE, BRD, ROCK, 1960S.

Castro, Donald. Popular Culture as a Source for the Historian: The Tango in its Era of la Guardia Vieja. Studies in Latin America Popular Culture, 3. [EN] CULT.STUDY, HISTORY, TANGO, L AMERICA.

Castro, Fidel see Doane, Mary Ann (1985).

Castro, Ra鷏. Con el f鷗bol en el alma en el coraz髇 y en la garganta (La Rep鷅lica 17/8/88) La Tuba, 1. 1989, Montevideo: Taller Urugayo de M鷖ica Popular: 12-13 [SP] URUGUAY, L AMERICA, SSONGWRITR, DOCUMENT, REVIEW.

Castro, Tiziana Rinaldi. Il ritmo nella possessione Yoruba. L'esperienza musicale. Per una femnomenologia dei suoni. Nostro, Luca (ed). 2002, Roma: Montag/Manifestolibri: 193-200. ISBN�88�7285�304�4 [IT] W AFRICA, RHYTHM.

Catella, Cristina. Tradizione e innovazione nel "Principe Igor" di Borodin. Musica/Realt�, 31. 1990, Milano: Unicopli: 65-84. ISBN�88�400�0205�7 [IT] RUSSIA, COMPOSE, ROMANTIC, EUROARTMUS, NATIONAL.

Cather, Pat. Birmingham Blues. The Story of Jaybird Coleman (1962) Backwood Blues. 1968, Bexhill-on-Sea: Blues Unlimited: 5-7 [EN] BLUES, USA, BIOGRAPHY.

Cauthen, Joyce H. With Fiddle and Well Rosined Bow: Old-Time Fiddling in Alabama. 1989, Tuscaloosa: University of Alabama Press (xii+282p) [EN] USA, VIOLIN.

Cavalcanti, Alberto. Manifesto: Dialogue on Sound. Film Sound - Theory and Practice. Weis, Elisabeth (ed); Belton, John (ed). 1985, New York: Columbia University Press: 98-111. ISBN򈆦31�05637�0 [EN] FILM, SOUND.

Crafts, S D (ed); Cavicchi, D (ed); Keil, Charlie (ed). My Music. 1993, Middlebury: Wesleyan University Press (218p) Reviewed in Popular Music 15/2 by Sara Cohen [EN] USA, ANTHROPOL., INTERVIEW, AUDIENCE, MUSIC USES.

Cawthorne, Nigel. Sixties Source Book. 1989, London: Planet Books (192p) [EN] UK, CULT.STUDY, 1960S.

Cayer, D A see Morgenstern, Dan (1985).

Cazalis, J L; Daverat, X. Le jazz en personnes. 1987, Bordeaux: Ponant (112p) [FR] MUSICIANS, COMPOSERS, AUDIENCE.

Cazeaux, Clive. Sound and Synaesthesia in Nietzsche and Merleau-Ponty. Sound Practice. Drever, John Levack (ed). 2001, Dartington: UKISC (UK and Ireland Soundscape Community): 35-40 (Papers from the 1st UKISC conference on sound culture and environments, Dartington College of Arts, 16-20 February 2001) [EN] SOUNDSCAPE.

CD International. 1989, Pinner, Middlesex: Your Generation [EN] REFERENCE, CDs.

Cenova, Valeria. Arte contemporanea: sulla musica dei compositori sovietici. Musica/realt�, 22. 1987, Milano: Unicopli: 65-82 [IT] USSR, COMPOSERS, MOD.CLASS., POSTWAR.

C閜ede, Comte Bernard de la. La po閠ique de la musique, 2 vols (Paris 1785), pp. 71-190. Music and Aesthetics in the Eighteenth and Early Nineteenth Centuries. Huray, Peter Le (ed); Day, James (ed). 1988, Cambridge: Cambridge University Press: 131-136. ISBN򈆩21�35901�5 [EN] EUROARTMUS, AESTHETICS.

Cerchiari, Luca see Castelli, Vittorio (1983).

Cerocchi, Antonietta see Pestalozza, Luigi (1989).

Cerocchi, Riccardo see Vitelli, Pietro (1990).

Cervi, Nora. Addio! No! Arrivederci! Quaderni di musica apllicata, 18. Musica "fuori di s�". Stefani, Gino (ed). 1996, Assisi: CEP/Sezione Musica, Pro Civitate Christiana: 173-174 [IT] MUSTHERAPY, CONFERENCE.

Cervi, Nora. Un augurio. Musicoterapia nella globalit� dei linguaggi. 1997, Bologna: Fuori Thema / Gio Editing: 7-8 [IT] MUSTHERAPY.

Chabanon, Michel-Paul Guy de. De la musique consid閞閑 en elle-m阭e et dans ses rapports avec la parole, les langues, la po閟ie et les th殁tres. 1785, Per Druud's compendium? (xcrp) [FR] AESTHETICS, SEMIOTICS.

Chabanon, Michel-Paul Guy de (1785). Der Ausdruck der Melodie besteht nicht in der Nachahmung des unartikulierten Schreis der Leidenschaften + Vom Stil in der Musik. Musik og betydningsinhold - kompendium i musik鎠tetik. Druud-Nielsen, Per (ed). 1987, 舕borg: Institut for musik og musikterapi, AUC: 10-11 xtr from chapters 9 and 18 of `De la musique, consid閞閑 en elle-m阭e et dans ses rapports avec la parole, les langues, la po閟ie, et les th殁tres' (1785) [DE] AESTHETICS, MUSICOLOGY, EUROARTMUS, MELODY, AFFECT.

Chabrier, Jean-Claude. Music in the Fertile Crescent: Lebanon, Syria and Iraq. Cultures, 1/3. 1974, Paris: UNESCO: 35-58 Manuscript [EN] ARABIC.

Chaffee, Steven. Popular Music and Communication Research: an Editorial Epilogue. Communication Research 12/3. [EN] COMMUNICAT.

Chalker, Brian. This is Country Music. 1976, London: Phoebus (63p) [EN] SWEDEN, GENRES, EDUC ITEM, POLITSTUDY, MUS INDUST, MUZAK, ILL..

Chamberlain, Hal. Musical Applications of Microprocessors. 1980, Rochelle Park, NJ.: Hayden Book Company, Inc (661p). ISBN򈆤104�5753�9 Theoretical study [EN] TECHNOLOGY, ELECTRONIC, COMPUTERS, SOUND.

Chambers, Iain. It's More Than A Song To Sing - Music, Cultural Analysis and the Blues. Anglistica, 22 (1979/1). 1979, Napoli: : 18-31 [EN] BLUES, ROCK, CULT.STUDY.

Chambers, Iain. Rethinking Popular Culture. Screen Education, 16. [EN] CULT.STUDY.

Chambers, Iain. Some Critical Tracks. Popular Music, 02. 1982, Cambridge: Cambridge University Press: 19-36 [EN] ROCK, JOURNALISM, DEFINE, CULT.STUDY, GENRES.

Chambers, Iain. Urban Rhythms. 1985, London: Macmillan (272p). ISBN򈆧33�34012�4 [EN] ROCK, YOUTH, AESTHETICS, PSYCHOLOGY, BEHAVIOUR, VIS. ARTS, HISTORY, CLUBS, FASHION, CULT.STUDY.

Chambers, Iain. Popular Music, Popular Culture and the Possible. Popular Music Perspectives, 2. Horn, David (ed). 1985, G鰐eborg, Exeter: IASPM: 445-451. ISBN�91�87030�00�4 [EN] YOUTH, MUS INDUST, SOUND, MUS. FORM, OPPOSE.

Chambers, Iain. La musica pop, la cultura popolare e il possibile. What is Popular Music? Quaderni di Musica/realt�, 8. 1985, Milano: Unicopli: 119-124. ISBN�88�7061�894�3 [IT] YOUTH, MUS INDUST, SOUND, MUS. FORM, OPPOSE.

Chambers, Iain. Popular Culture, Popular Knowledge. One Two Three Four, 02. (A Rock 'n' Roll Quarterly) [EN] CULT.STUDY.

Chambers, Iain. Popular Culture: the Metropolitan Experience. 1986, London & New York: Methuen (244p) [EN] UK, C20, CULT.STUDY, HISTORY.

Chambers, Iain. Musica pop e cultura nazionale. Quale imperialismo? Musica/realt�, 22. 1987, Milano: Unicopli: 18-21 [IT] UK, USA, ITALY, YOUTH, GENRES, NATIONALSM, IMPERIALSM, SCHLAGER.

Chambers, Iain. British Pop: Some Tracks from the Other Side of the Record. Popular Music & Communication. Lull, James (ed). 1987, Newbury Park, CA: Sage Publications, Inc.: 231-245. ISBN򈆬039�2825�4 [EN] UK, ROCK, R&B, 1950S, 1960S, FASHION, CULT.STUDY.

Chambers, Iain. Contamination, Coincidence and Collusion: Pop Music, Urban Culture and the Avant-garde. Marxism and the Interpretation of Culture. 1988, Urbana: University of Illinois Press: 607-611 [EN] CULT.STUDY, URBAN, AVANTGARDE.

Chambers, Iain. Chi crea gli hit nella musica? Musica/Realt�, 30. 1989, Milano: Unicopli: 25-34. ISBN�88�400�0194�8 [IT] ROCK, SOUL, PUNK, REGGAE, SOCIOLOGY. [SHADOWS稵he; APACHE; JAMAICA; NEW穀ORK].

Chambers, Iain. Per un insegnamento della pop music. Quaderni di Musica/Realt�, 23. 1989, Milano: Unicopli: 113-131. ISBN�88�7061�927�3 (Generi musicali / Media / Popular Music) [IT] POPULARMUS, EDUCATION.

Chambers, Iain see Abruzzese, A (1990).

Chambers, Iain. Jimi Hendrix: agli incroci. Annali del Istituto Gramsci Emilia-Romagna, 2/1994. 1995, Bologna: Istituto Gramsci Emilia-Romagna: 223-231 [IT] CONFERENCE, ROCK.

Chambers, Jack. Milestones - The Life and Music of Miles Davis (Volume 1). 1983, New York: Beech Tree Books (344p). ISBN򈆪88�02635�4 [EN] VVA, JAZZ, BIOGRAPHY.

Chang, Paolo see Achilli, Alessandro (1988).

Chang, Paolo. Festival Musical de Chantenay. Dixi鑝e anniversaire Chantenay Villedieu. Musiche, 1. 1988, La Spezia: Associazione Mongezi Feza: 33-41 [IT] AVANTGARDE, ROCK, FESTIVAL, FRANCE, REVIEW. [PARKER稥; HACKER稟; BERESFORD稴; ZORN稪; HYMAS稵; MELODY稦OUR; JEFFREY稢; KAMARA稭; RUTHERFORD稰; 1 JAUME稟].

Chang, Paolo see Penguin Caf� Orchestra (1988).

Chang, Paolo see Jeffes, Simon (1988).

Chansons populaires see Giraudon, Daniel (1985).

Chantry, Art (ed). Instant Litter: Concert Posters from Seattle Punk Culture. 1985, Seattle: Real Comet (111p) [EN] USA, VIS. ARTS, ADVERTS.

Chants de la revolution fran鏰ise. 1989, Paris: LGF-Le Livre de Poche (250p) [FR] FRANCE, VOCAL MUS., REVOLUTION, WAR, OPPOSE, LYRICS, NOTATION.

Chapman, F B (1958). Flute Technique. 1964, London: Oxford (84p) [EN] MUSICOLOGY, PERFORM, MUSIC MAKE, WOODWIND, FLUTE.

Chapman, Robert. The 1960s pirates: a comparative analysis of Radio London and Radio Caroline. Popular Music, 09/2. 1990, Cambridge: Cambridge University Press: 165-178. ISBN򈆩21�39944�0 [EN] UK, RADIO, ADVERTS, PIRACY.

Chapman, Robert. The 1960s pirates: a comparitive anlysis of Radio London and Radio Caroline. Popular Music, 09/2. 1990, Cambridge: Cambridge University Press: 165-178. ISBN򈆩21�39944�0 [EN] UK, EUROPE, RADIO, PIRACY, 1960S.

Chappell, W (ed) (1859). The Ballad Literature and Popular Music of the Olden Time. 1965, New York: Dover/2 vols, facsimile of 1 ed., 1855-59, in 17 vols (822p) With a new introduction by Fredrick W Sternfield [EN] C18, C17, C16, LYRICS, HISTORY, INSTRUMENT, DANCE, BALLADS, FOLK MUSIC, UK.

Chappell, William. Old English Popular Music. 1893, London: Chappell & Co/Macmillan & Co (334p) vol 1 [EN] UK, VOCAL MUS., BALLADS, DANCE, C16, C17.

Chappell, William. Old English Popular Music. 1893, London: Chappell & Co/Macmillan & Co (220p) vol 2 [EN] UK, VOCAL MUS., BALLADS, DANCE, C18, C19, NOTATION, LYRICS.

Chappin, Harry. Interview. In Their Own Words. Pollock, Bruce (ed). 1975, New York: Collier/Macmillan: 216-224 [EN] LYRICS, USA, ROCK, INTERVIEW, 1970S.

Chapple, Steve; Garofalo, Reebee. Rock'n'roll is Here to Pay. The History and Politics of the Music Industry. 1977, Chicago: Nelson Hall (354p). ISBN򈆬8229�437�7 [EN] ROCK, POLITICAL, ECONOMICS, USA, MEDIA IND., MUS INDUST, 1950S, 1960S, 1970S, WOMEN.

Charles, Charlie. Interview with Saito of Lacrymosa. R� Records Quarterly, 2/3. 1989, London: R镽 Megacorp: 21-22. ISSN�0954�8807 [EN] AVANTGARDE, JAPAN, INTERVIEW.

Charles, Daniel. Son et temps. Semiotica, 66-1/3. 1987, Amsterdam: Mouton de Gruyter: 171-180. ISSN�0037�1998 [FR] EUROARTMUS, MOD.CLASS., SEMIOTICS, TIME/SPACE.

Charles, Daniel. Semiotics of Musical Time. The Semiotic Web 1986. Basic Concepts of Studies in Musical Signification: A Report on a New International Research Project in Semiotics of Music. Tarasti, Eero (ed). 1987, Berlin, New York: Mouton de Gruyter: 468-483 (Approaches to Semiotics, 78) [EN] SEMIOTICS, DEFINE, TIME/SPACE, PHILOSOPHY. [Greimas,稟].

Charles, Philippe [et al.]. Dictionnaire du jazz. 1980, Paris: Laffont (1160p) [EN] JAZZ, REFERENCE.

Charlton, Hannah see Marre, Jeremy (1985).

Charnay, Thierry. 蒼onciation et chanson r関olutionnaire. 1789-1989. Musique, Histoire, D閙ocratie. Colloque international organis� par Vibrations et l'IASPM, Paris 17-20 juillet 1989. Hennion (ed). 1992, Paris: 蒬itions de la Maison des Sciences de l'Homme: 429-444. ISBN򈮃531�0532�6 (in 3 volumes (ISBN 2-7531-0532-6, 0533-4, -0534-2). Soutien de la Direction de la Musique (Minist鑢e de la Culture) et du Centre d'Ethnologie fran鏰ise. Vol 1 pp 1-260, vol 2 pp 263-506, vol 3 pp 509-829) [FR] FRANCE, REVOLUTION, C18, LYRICS, POLITICS.

Charpentreau, Jacques see Vernillat, France (1968, 1977).

Charters, Samuel. The Roots of the Blues. 1981, London: Marion Boyars [EN] BLUES, AFRICA, N AMERICA, USA.

Charters, Samuel Barclay. The Country Blues. 1959, London: Michael Joseph (203p) [EN] USA, RURAL, BLUES, MUSICIANS, BIOGRAPHY, HISTORY, DISCOGR., FOLK MUSIC, MUS INDUST, URBAN.

Charters, Samuel Barclay. Jazz: A History of the New York Scene. 1962, New York: Doubleday [EN] USA, MUSIC HIST, JAZZ.

Charters, Samuel Barclay. The Bluesmen. 1967, New York: Oak (223p). ISBN򈆬256�0063�4 The Story of the Music and the Men who made the Blues [EN] BLUES, MUSICIANS, USA, RURAL.

Charters, Samuel Barclay. The Roots of the Blues. 1981, London: Quartet Boks (151p). ISBN򈆫043�3416稾 [EN] BLUES, W AFRICA, ILL..

Charters, Samuel Barclay. Jazz: a History of the New York Scene. 1981, New York: Da Capo [EN] USA, MUSIC HIST, JAZZ.

Charters, Samuel Barclay. Jazz - New Orleans 1885-1963: an Index to the Negro Musicians of New Orleans. 1983, New York: Da Capo. ISBN򈆧06�76189�0 [EN] JAZZ, C19, C20, MUSICIANS, NEWORLEANS, AFR-AMER..

Charts, (NL). Amerika, Nederlandse Top 40, Nationale Hitparade, TROS, Engeland, Elpee, Duitsland. De Telegraaf, 1979-10-16. 1979, Amsterdam: De Telgraaf [NL] CHARTS, NETHERLAND, UK, USA, BRD, 1970S.

Chase, Gilbert. A Guide to the Music of Latin America. 1962, Washington, D.C.: Pan American Union [EN] REFERENCE, L AMERICA.

Chase, Gilbert. American Musicology and the Social Sciences. Perspectives in Musicology. Brook, Barry (ed); Downes, E (ed); Solkema, S van (ed). 1975, New York: W W Norton: 202-226. ISBN򈆧93�00784�7 [EN] MUSICOLOGY, USA, SOCIOLOGY.

Chase, Gilbert. America's Music: from the Pilgrims to the Present. 1987, Urbana & Chicago: University of Illinois Press (712p) Revised 3rd edition, reviewed in Popular Music, 8/1 [EN] USA, HISTORY.

Chasin' a Dream: Die Musik des Schwarzen Amerika von Soul Bis Hip Hop. 1989, Koln: Kiepenheuer & Witsch (279p) [DE] AFR-AMER., MUSIC HIST, ANTHOLOGY, MUSICIANS. [Tamla稭otown; Philadelphia稴o; House稭usic; BROWN稪ames; Soul].

Chatburn, Thomas. Trinidad All Stars: The Steel Pan Movement in Britain. Black Music in Britain. Oliver, Paul (ed). 1990, Buckingham: Open University Press: 102-117. ISBN򈆧35�15297稾 [EN] AFRICA, UK, ACCULTUR., CARIBBEAN.

Cherlin, Norman. Musical Acculturation in Iran. Iranian Studies, 4. [EN] ARABIC, ACCULTUR.. [Iran].

Chernoff, John Miller. African Rhythm and Sensibility. 1979, Chicago: University of Chicago Press (13+261p). ISBN򈆦26�10344�7 [EN] AFRICA, W AFRICA, RHYTHM, SOCIALISAT, MUSIC EXX., MUSICOLOGY, ANTHROPOL., AFFECT.

Chernoff, John Miller. Africa Come Back: The Popular Music of West Africa. Repercussions. 1985, Chicago: Century: 152-178 [EN] W AFRICA.

Cherrington, George (comp); Knight, Brian (comp). Jazz Catalogue: A discography of all British jazz releases, complete with full personnels and recording dates.. 1971, London: Jazz Journal, 1960-1971 (10 vols) [EN] JAZZ, UK, BLUES, GOSPEL, US MIDWEST, BIBLIOGR., REFERENCE.

Chester, Andrew. For A Rock Aesthetic. New Left Review, 59. 1970, London: 82-86 [EN] AESTHETICS, ROCK, DEFINE.

Chester, Andrew. Second Thoughts on a Rock Aesthetic. New Left Review, 62. 1970, London: 75-82 [EN] AESTHETICS, ROCK, DEFINE.

Chester, Andrew (1970). Second Thoughts on a Rock Aesthetic: The Band. On Record: Rock, Pop and the Written Word. Frith, Simon (ed); Goodwin, Andrew (ed). 1990, London: Routledge: 315-319 (xi+492 pp) 1publ `New Left Review, 67' (1970) [EN] AESTHETICS, ROCK.

Chew, V K. Talking Machines, 1877-1914. 1967, London: Her Majesty's Stationery Office [EN] TECHNOLOGY, SOUND, C19, 1900-1909, 1910S.

Chiesa, G see Campo, A (1986).

Chihara, Paul. Interview. The Score. Interviews with Film Composers. Schelle, Michael (ed). 1999, Los Angeles: Silman-James: 127-154. ISBN򈚘79505�40�1 [EN] FILM MUSIC, USA.

Chilton, John. Who's Who of Jazz: Storyville to Swing-Street. 1970, London: Bloomsbury Book Shop Philadelphia: Chilton, 1972 (447p) [EN] JAZZ, REFERENCE, BIOGRAPHY.

Chilton, John. A Jazz Nursery: the Story of the Jenkin's Orphanage Bands of Charleston, South Carolina. 1980, London: Bloomsbury Book Shop [EN] USA, JAZZ, CHILDREN, MUSIC HIST.

Chilton, John. Sidney Bechet: the Wizard of Jazz. 1987, Basingstoke: Macmillan. ISBN򈆧33�44386�1 [EN] BIOGRAPHY, JAZZ, BLUES, CLARINET, NEWORLEANS. [CREOLE].

Chinaro, Andr閟. El tango y su rebeld韆. 1965, Buenos Aires: Continental Service [SP] TANGO, ARGENTINA, URUGUAY, OPPOSE.

Ching, Barbara. Sounding the American Heart: cultural politics, Country music and contemporary American film. Soundtrack Available. Essays on Film and Popular Music. Wojcik, Pamela Robertson (ed); Knight, Arthur (ed). 2001, Durham NC: Duke University Press: 203-225. ISBN򈆬223�2797稾 [EN] FILM MUSIC, ETHNICITY.

Ching-Yun Lee, Joanna. All for Freedom: The Rise of Patriotic/Pro-Democratic Popular Music in Hong Kong in Response to the Chinese Student Movement. Rockin' the Boat: Mass Music and Mass Movements. Garofalo, Reebee (ed). 1992, Boston, MA: South End Press: 129-148. ISBN򈆬9608�428�0 (333 pp.) [EN] ROCK, OPPOSE, MUS INDUST, POLITICS, CHINA. [Hong稫ong].

Chion, Michel. L'audio-vision. Son et image au cin閙a. 1990, Paris: Nathan. ISBN򈭼9�190885�1 (update of Chion, M. (1985). Le son au cin閙a. Paris: Cahiers du cin閙a.) [EN] FILM, SOUND, FILM MUSIC, VIS. ARTS.

Chion, Michel. Una falsa barriera: conversazione con Michel Chion. Cinema & cinema, 18/60 (Audiofane - Voci, rumori e musica del cinema). 1991, Bologna: CLUEB: 35-44 [IT] FILM MUSIC, FRANCE, INTERVIEW.

Chion, Michel. La musique au cinema. 1995, Paris: Fayard [FR] FILM MUSIC.

Chion, Michel. Hommage � Ennio Morricone. Norme con ironie. Scritti per i settant' anni di Ennio Morricone. Miceli, Sergio (ed); Gallenga, Laura (ed); Kokkaliari, Lena (ed). 1998, Milano: Suvini Zerboni: 79-82 (www.tagg.org/articles/morric70.pdf) [IT] DOCUMENT.

Chirom, Daniel. Charly Garc韆. 1983, Buenos Aires: El Juglar [EN] ARGENTINA.

Christ, Ingeborg. El hombre nuevo cantando. Gesungene Poesie im Spanischunterricht. Hispanorama, 41. 1985, N黵nberg: Deutsche Spanischlehrverbands: 126-133. ISSN�0720�1168 [DE] SPAIN, SSONGWRITR, BIBLIOGR., EDUC ITEM, LYRICS, LITERATURE.

Christensen, Dieter. The International Folk Music Council and 'The Americans': On the Effects of Stereotypes on the Institutionalization of Ethnomusicology. Yearbook for Traditional Music, 22. 1988, New York: International Council for Traditional Music: 11-18. ISSN�0740�1588 [EN] FOLK MUSIC, ORGANISE, USA, ADMINISTR., SYMPHONY.

Directory of Traditional Music. Christensen, Dieter (ed); Christensen, Nerthus (ed). 1989, New York: International Council for Traditional Music (100p). ISSN�0893�3065 [EN] FOLK MUSIC, ANTHROPOL., BIBLIOGR., REFERENCE.

Christensen, Karen see Christensen, Roger (1988).

Christensen, Nerthus see Christensen, Dieter (1989).

Christensen, Roger (comp); Christensen, Karen (comp). Christensen's Ultimate Movie, TV and Rock 'n' Roll Directory. 1988, San Diego, CA.: Cardiff-By-the-Sea (1006p) [EN] REFERENCE, ROCK, FILM, TELEVISION.

Christgau, Robert. Any Old Way You Choose It. Rock and other Pop Music 1967-1973. 1973, Baltimore: Penguin (330p). ISBN򈆥4�003762�4 [EN] ROCK, USA, JOURNALISM, REVIEW.

Christian, Gr黱inger see Baacke, Dieter (1994).

Christian, Harry. Convention and constraint among British semi-professional jazz musicians. Lost in Music: Culture, Style and the Musical Event. Levine White, Avron (ed). 1987, London: : 220-240. ISBN򈆫102�1440�5 [EN] ANTHROPOL., MUSICIANS, JAZZ.

Christiansen, Michael. Cycles in symbol production? A new model to explain concentration, diversity and innovation in the music industry. Popular Music, 13/1. 1995, Cambridge: Cambridge University Press: 55-94. ISSN�0261�1430 [EN] REC INDUST, MUS INDUST.

Chyba, Milos see Zenkl, Ludek (1982).

Ciammarughi, Ramberto. La pratica dell'improvvisazione. L'esperienza musicale. Per una femnomenologia dei suoni. Nostro, Luca (ed). 2002, Roma: Montag/Manifestolibri: 107-116. ISBN�88�7285�304�4 [IT] IMPROVISE.

Cikan, Walter. Gespr鋍h: Chefproduzent Jugendmusik des Rundfunks der DDR. Rockmusik und Politik. Analysen, Interviews und Dokumente. Wicke, Peter (ed); M黮ler, Lothar (ed). 1996, Berlin: Ch. Links Verlag: 81-88. ISBN򉁰6153�096�1 [DE] DDR, ROCK, CULTPOLIT..

Cil靉, Eddy (ed). Velvet Underground. Gli anni con Andy Warhol, le storie, il mito, interviste e discografia completa. 1990, Milano: Arcana (208p) Musica/Realt�, 36: 181-182 [IT] ROCK, USA, 1970S, AVANTGARDE, DISCOGR., VIS. ARTS.

Cinque, Luigi. Kunsertu. La musica popolare in Italia. 1977, Milano: Longanesi [IT] ITALY, PERFORM.

Cipra, M. Die Analyse im Musikunterricht. International Review of the Aesthetics and Sociology of Music, 05. 1974, Zagreb: : 83-90 [DE] MUS.ANALYS, MUSIC EDUC.

Cipriani, Alessandro. Verso una tradizione elettoracustica? Appunti per una ricerca. Musica/Realt�, 49. 1996, Lucca: Libreria Musicale Italiane Editrice: 133-144. ISBN�88�7096�171�0 [IT] MUS.ANALYS, POPULARMUS, EUROARTMUS, AVANTGARDE, SYNTHS, BIBLIOGR..