Some useful work from students taught by Philip Tagg • Des travaux utiles par les étudiants de Philip Tagg
Updated/à jour 2007-10-02
Some useful work from students taught by Philip Tagg • Des travaux utiles
par les étudiants de Philip Tagg
Updated/à jour 2007-10-02
* first-class work (A+)
|
Student
Work in Music and the Moving Image
[course
details 1 - 2] Faculté
de musique, Université de Montréal, 2007-2003 *Geneviève Courcy Mulholland Drive. 1. Texte et tableau de musèmes (Word 85k) || 2. Cue list (Excel 10 Meg). || 3. Partition. || 4. Analyse, discussion et références (Word 70k) (Montréal 2007) *Solène Derbal* La Science des rêves / The Science of Sleep. Cue list, partition graphique, analyse [Word, Excel, ZIP 57 Meg!] (Montréal 2007) Marie-Laure
Boudreau Orange
mécanique/Clockwork Orange.
Cue list, partition graphique, analyse
*Anne-Laure
Feron* Alias
(TV, saison 1, épisodes 1 & 2).
Cue list, graphic score, discussion et analyse Rémi Fraser A Beautiful Mind - Cue list • Analyse discursive de la scène « Traitement » [2 fichiers Word (*.doc) 54k et 25k, Montréal, 2005]. André Lambert Moonstruck · Cue list et analyse (Montréal 2005) [132k HTML] Émilie Côté Requiem for a Dream - Cue list et analyse (Montréal 2004) [PDF 219k; HTML 146k] Hélène Laurin Fight Club · Cue list et analyse (Montréal 2003) [132k HTML] Institute of Popular Music, University of Liverpool 2002-1998 Roxanne Flanagan: Dead Man Walking ·zip file containing cue list, scene analysis, graphic score, etc. (Liverpool 2001) [30 MS Word files zipped 177k] Siân Fullaway: The Matrix · zip file containing cue list (Liverpool 2002) [85k Word97] Daniel Honey: The Sixth Sense · cue list, scene analysis, graphic score, etc. (Liverpool 2001) [1 MS Word file zipped 464k] Stine Johansen: Twin Peaks episodes 4 and 5 · cue list (Liverpool 2002) [122k Word97] Helen Schryver: Babe · cue listing (Liverpool 2002) [123k HTML] *Alison Beck* Bong! A Study of the music of British television news in 2001 · zip file containing undergraduate mini-dissertation (Liverpool 2001). *Dan Slattery* Akira · zip file containing synopsis · theme list · cue listing · analysis · motivation · glossary · acknowledgements by (Liverpool 2002) [6 short HTML files + 1 long PDF] Jo Muers: Bladerunner ·zip file containing cue list (Liverpool 2001) [1 MS Word file 111k] *Alison
Beck*
Music
in the Party Political Election Broadcasts of 1997. Undergraduate
mini-dissertation in Music and the Moving Image (Liverpool
2000) [72k HTML] *Alex Costello* Star Trek II ·zip file containing cue list [PDF 161k] · explanations [PDF 4k] · analysis [PDF 28k] (Liverpool 2000) Anna Cumbers: The Nun’s Story ·zip file containing cue list and analysis · graphic score (Liverpool 2000) [9k HTML + 57k PDF] Andy Green: Shine · story, cue list, theme list (Liverpool 2000) [90k HTML + 21 GIF files at c.11k/GIF] Pam Harrison: Prospero’s Books ·zip file containing story · theme list · cue list · analysis (Liverpool 2000) [7+23+41+10k HTML] Miriam Jooss: The Third Man · zip file containing cue list, analysis and information about the film (Liverpool 2001) [3 MS Word files 88+169+142k] Ollie Kluczewski: Easy Rider · A discussion on the uses of pop music in film, using Easy Rider as a case study. Undergraduate mini-dissertation (Liverpool 2000) [52k HTML] Caroline
Wheeler: Brief Encounter · zip
file containing cue list *Jonathan Shave* Airplane! Title sequences to Airplane! (1980): zip file containing: introduction: filmography, credits, story [80k PDF] · score [notation as 15 PCX line art files zipped into 1 file of 565k] · cue listing with thumbnail pictures in colour [3 pp. PDF = 954k] · analysis, incl. IOCM, thumbnail pictures, music examples [6 pp. PDF = 334k] · References (bibliography, filmography, music [1 p. HTML = 3k]) (Liverpool 2000). *Jonathan Shave* Who Wants to be a Millionaire? (1998): zip file containing transcription, analysis and disc. ussion of music by (Liverpool 2000) [notation, thumbnail pictures in colour: MS Word 7 document, 1006k] *Joanne Fellows* Acquiring Music for Television Commercials — An Investigation into a Neglected Section of the Music Industry. Undergraduate mini-dissertation (Liverpool 1998) [738k PDF] (inludes scanned documentation). Keywords: advertising, commercial(s), composer(s), composing, arrange, arranging, agency (advertising), production companies, recording, film, television, TV, soundtrack, stings, London, Library music, musicians, Doran & Syers, education, research, broadcasting, technology, Bosworth, business, Rick Juckes, publishing, Jeff Wayne, Matt Cox, showreels BOCD, CDs, fees, briefs, contracts, commissioning, MCPS, PRS, licensing, publishing.
Mario Felton-Colletti: Posse 99: L'Anguilla - Analyse (Montréal 2003 HTML 24k) Marie
Goffette:
An Pierlé: Leave Me There - Analyse,
transcription, tableau de musèmes, etc. *André Lambert*: Un : Couché dans l'foin. Analyse et transcription (Montréal, 2006; 2 PDF). *Hélène Laurin*: The Cure: Lullaby. Transcription | Analyse | Tableau des musèmes | Tableau d'occurrences musématiques (Montréal 2007, fichiers PDF). Nicolas Masino XTC: Dear God - Analyse (Montréal 2003 HTML 98k). La transcription reste à scanner... *Guillaume Samson* Ti femm’là (Jean Albany/Les Caméléons - Île de la Réunion). Analyse (Montréal 2004, PDF 2935k), Tableau de musèmes (PDF 61K), Transcription (PDF 888k). *Luana Stan* Phoenix: Mica Tiganiada (« folk-rock » roumain/Rumanian folk rock, 1972) - Analyse approfondie (exemples musicaux, illustrations, 16 pp., PDF, 431k); transcription + tableaux musématiques (PDF 3404k, Montréal 2003). Please note that server disk space restrictions do not allow for the inclusion of hyperlinked MP3 files containing IOCM examples. Veuillez noter que la restriction d’espace disque chez le serveur ne permettent pas l’inclusion des fichiers MP3 qui contiennent les exemples de MCIO. Ben Thornley: Shaft (Hayes 1971) · list of musemes transcribed (Liverpool 2000)
*Jean Lalande* L'exploitation sur médium CD du back catalogue dans la musique rock anglophone (version provisoire, déc. 2003, 59k, HTML) *Catherine Mathieu* La musique anglo-québécoise depuis les années 80 (déc. 2003, PDF 55k; dummy html) Nicolas Orton Brian Eno (in English, Dec. 2004 23 pp. 92k Word HTML in English) *Nicholas
Thompson*
The
Effects of Digital Technology on the Art of Studio Drumming *Alexander D'Amour* Sympathy for the Devil ?!? ou La musique Heavy Metal a-t-elle une incidence réelle sur les comportements agressifs et / ou suicidaires? [in French DOC, 24 pp., Dec. 2006]. Keywords: Heavy metal, violence, suicide, research, psychology, Megadeth, Dawson College, Montréal, music, Goethe, Werther effect, Ozzy Osbourne, PMRC, record labeling, Québec, social disadvantage, parents, idols, fans, vandalism, drugs, marijuana, sexism, tension, relaxation, lyrics, religion, rap, psychosocial, psychiatric, videos, TAT (Thematic Apperception Test), subculture, adolescent, country music, gender roles, despair, delinquency, self-esteem, causality, bibliography. Thierry Gauthier Le droit d’auteur et les nouveaux médias (in French, PDF, 13 PP., déc 2006). Keywords: copyright collection, SOCAN, SODRAC, SCGDV, AVLA, AFM, SOPROQ, ACTRA, PRS, licenses, internet, web, cellphones, digital, CD, DVD, RW, iPod, SCPCP, private copying, peer-to-peer, file sharing, Digital Millenium Copyright Act., protection, USA, Canada, blank carriers, levies, iTunes, sales figures, turnover, references. Véronique Simard Boy Band/Girl Group : validité artistique ou coquille vide? (in French; Word HTML 8500 words, 85k, déc. 2006). Keywords: boy band, girl group, music business, Lou Pearlman, Monkees, New Kids on the Block, N'Sync, Ricky Martin, Justin Timberlake, Spice Girls, Noel Gallagher, Eminem, critique, snobism, adolescence, values.
Shawn Pitre : Cultural Studies & Hebdige’s Subculture: The Meaning of Style (travail final, déc. 2003) Martine Rhéaume : Speech, Music, Sound de Theo van Leeuwen - Description, Critique et évaluation. Version PDF (à conseiller), version HTML, Annexes 2 3 5 6 1, Annexe 4, Annexe «System Network of Timing» (travail final déc. 2003). Hélène Laurin : Running with the Devil de Rob Walser. Description, critique et évaluation; présentation PowerPoint sous forme de notes des points saillants; exemples musicaux supprimés à cause d'espace disque limité (prés. en séminaire, oct. 2006)
Karen E Collins: The Future is Happening Already: Industrial Music, Dystopia and the Aesthetic of the Machine (Liverpool, 2002). Keywords: PhD, doctoral dissertation, industrial, dystopia, hell, apocalyptic, alienation, capitalism, critique, aesthetics, machine, production, audience, fans, ideology, semiotics, hermeneutics, questionaire, reception test, interviews, case study, Project-X, interdisciplinary, genre, style, Canada, England, Sweden, supplementary connotation. Serge Lacasse: ‘Listen to My Voice’ — The Evocative Power of Vocal Staging in Recorded Rock Music and Other Forms of Vocal Expression (Liverpool, 2000). Keywords: PhD, doctoral dissertation, voice manipulation, recording, studio, rock music, connotation, effects, analysis, reception test, aesthetics, interdisciplinary, semiotics, acoustic vocal staging practices, historical overview, prehistory, pre-electric, electro-acoustic, cinema, theatre, radio, sound poetry, microphone, instrument construction, echo, reverb, slap echo, dubbing, overdubbing, flanging, phasing, saturation, distortion, stereophony, panning, spatial acoustic imagery, Peter Gabriel, Alanis Morissette.
Fanny Bulanda & Philippe Vilain (Université François Rabelais, Tours). Analyse d' une chanson de Pop Musique : Roxanne (Police, 1978). An e xample of what two good students can produce after just two days of Popular Music Analysis seminars and workshops. Un example de ce que peuvent produire deux bons étudiants après seulement de jours de seminaires et d'ateliers en Analyse de la musique populaire. |
